#movie theater industry research reports

[bottlewatersblog]

Top Trends Shaping the Theater Industry Share in 2024

The world of theater, a timeless form of artistic expression, has faced numerous challenges and transformations over the centuries. From the grandeur of ancient Greek amphitheaters to the intimate settings of modern black box venues, theater has continually evolved to reflect societal changes and technological advancements. In recent years, particularly post-pandemic, the theater industry has witnessed a significant resurgence, embracing change and innovation to captivate modern audiences.

Latest Trends and Statistics

1. Post-Pandemic Recovery: The COVID-19 pandemic had a profound impact on the theater industry, with many theaters worldwide shutting down temporarily or permanently. However, as restrictions have lifted, the industry has shown remarkable resilience. According to the Broadway League, Broadway theaters in New York City experienced a 92% increase in attendance in the 2022-2023 season compared to the previous year, signaling a robust recovery .

2. Embracing Digital Platforms: Theater companies have increasingly adopted digital platforms to reach a wider audience. The National Theatre in London reported that its NT at Home streaming service attracted over 13 million viewers globally in 2023, a significant increase from previous years. This shift to digital has made theater more accessible, breaking geographical barriers and offering performances to those who might not have had the opportunity to attend in person .

3. Diversity and Inclusion: There has been a growing emphasis on diversity and inclusion within the theater community. In 2023, 45% of Broadway shows featured leading roles played by actors of color, up from 28% in 2019. This shift reflects a broader societal push towards representation and equity in the arts .

4. Innovative Productions: Innovation in theater production has reached new heights with the integration of advanced technologies. The use of augmented reality (AR) and virtual reality (VR) has enhanced storytelling, offering immersive experiences to the audience. A recent survey by the International Association of Theatrical Stage Employees (IATSE) found that 60% of theaters are exploring the use of AR and VR in their productions .

5. Financial Performance: Despite the challenges posed by the pandemic, the financial performance of theaters has shown improvement. In 2023, the global theater market was valued at approximately $40 billion, a 15% increase from the previous year. This growth is attributed to both a return to live performances and the monetization of digital content .

Conclusion

The theater industry is experiencing a dynamic resurgence, marked by increased attendance, technological innovation, and a commitment to diversity and inclusion. The post-pandemic recovery has highlighted the resilience of theaters and their ability to adapt to changing circumstances. The integration of digital platforms and advanced technologies has expanded the reach and appeal of theater, making it more accessible and engaging for modern audiences.

[narwatharsh01]

An In-Depth Analysis of the Theater Market

The theater industry has long been a cornerstone of entertainment, captivating audiences with the magic of storytelling on the big screen. As we delve into the dynamics of this sector, it becomes crucial to explore key aspects such as theater market size, share, growth, revenue, industry trends, and the future outlook.

Theater Market Size and Share:

In recent years, the theater market has witnessed remarkable growth, fueled by technological advancements and an ever-increasing demand for immersive cinematic experiences. According to the latest industry reports, the global theater market size reached a staggering USD 69.27 billion in 2023, showcasing a robust growth rate of 5.5%.

Market share, a pivotal indicator of industry competitiveness, has seen some interesting shifts. Major players like AMC Theatres, Cinépolis, and PVR continue to dominate, holding a combined market share of over 40%. However, new entrants and independent theaters are carving out their own niche, catering to specific audiences or offering specialized experiences. This market diversification contributes to a healthy ecosystem, ensuring a variety of options for moviegoers worldwide.

Movie Theater Market Growth and Revenue:

The growth trajectory of the movie theater market is influenced by multiple factors, including technological innovations, changing consumer preferences, and global economic conditions. Despite the rise of streaming platforms, the theater industry remains resilient, adapting to new trends and challenges.

The latest data reveals that the movie theater market is projected to experience a compound annual growth rate (CAGR) of 4.6% over the next five years, reaching a forecasted revenue of USD 87.6 billion by 2028. This growth can be attributed to the continuous expansion of the global middle class, increased disposable income, and the allure of the unique and irreplaceable experience offered by movie theaters.

Theater Industry Trends:

Several trends are shaping the landscape of the movie theater industry. One noteworthy trend is the integration of cutting-edge technologies such as augmented reality (AR) and virtual reality (VR) to enhance the overall cinematic experience. Movie theaters are evolving into high-tech hubs, offering audiences an immersive escape from reality. The global market for AR and VR in the entertainment industry is expected to reach USD 44.1 billion by 2028, showcasing the growing demand for these immersive technologies.

Moreover, sustainability has become a focal point, with theaters adopting eco-friendly practices to appeal to environmentally conscious consumers. From energy-efficient lighting and reduced waste generation to eco-friendly packaging and partnerships with local food suppliers, the industry is aligning with global efforts to reduce its carbon footprint. A 2023 survey by Nielsen revealed that 73% of global consumers are willing to pay more for sustainable products and services, highlighting the importance of sustainability initiatives for businesses in the entertainment sector.

Movie Theater Industry Players:

The theater industry is a stage where various players, both traditional and emerging, showcase their prowess. Established giants like AMC Theatres, Cineworld Group, and IMAX Corporation continue to dominate the market. However, boutique theaters and independent players are gaining ground by offering unique experiences and curated content. For instance, the "dine-in theater" concept, where moviegoers can enjoy a full meal alongside their movie experience, is gaining popularity, attracting a specific segment of the audience.

The industry's competitive landscape is also witnessing strategic partnerships and mergers. Collaborations between production studios and theaters aim to create synergies that benefit both content creators and exhibitors, ensuring a steady flow of compelling films for audiences worldwide.

Theater Market Future Outlook:

Looking ahead, the theater market is poised for dynamic evolution. The integration of artificial intelligence (AI) for personalized content recommendations, the rise of premium experiences like dine-in theaters and luxury recliner seating, and the exploration of alternative content beyond traditional movies, such as e-sports tournaments and live music events, are anticipated trends.

The future outlook remains optimistic, with the industry adapting to changing consumer behaviors and technological advancements. As theaters continue to reinvent themselves, embracing innovation, sustainability, and audience preferences, the stage is set for an exciting era in the cinematic world, ensuring that theaters remain a cherished destination for entertainment enthusiasts worldwide.

[mariacallous]

Shortly before noon on Aug. 19, 2023, a Russian cruise missile sliced past the golden onion domes and squat apartment blocks of the Chernihiv skyline in northern Ukraine. The Iskander-K missile slammed into its target: the city’s drama theater, which was hosting a meeting of drone manufacturers at the time of the attack. More than 140 people were injured and seven killed. The youngest, 6-year-old Sofia Golynska, had been playing in a nearby park.

Fragments of the missile recovered by the Ukrainian armed forces and analyzed by Ukrainian researchers found numerous components made by U.S. manufacturers in the missile’s onboard navigation system, which enabled it to reach its target with devastating precision. In December, Ukraine’s state anti-corruption agency released an online database of the thousands of foreign-made components recovered from Russian weapons so far.

Russia’s struggle to produce the advanced semiconductors, electrical components, and machine tools needed to fuel its defense industrial base predates the current war and has left it reliant on imports even amid its estrangement from the West. So when Moscow launched its full-scale invasion of Ukraine in February 2022, major manufacturing countries from North America, Europe, and East Asia swiftly imposed export controls on a broad swath of items deemed critical for the Russian arms industry.

Russia quickly became the world’s most sanctioned country: Some 16,000 people and companies were subject to a patchwork of international sanctions and export control orders imposed by a coalition of 39 countries. Export restrictions were painted with such a broad brush that sunglasses, contact lenses, and false teeth were also swept up in the prohibitions. Even items manufactured overseas by foreign companies are prohibited from being sold to Russia if they are made with U.S. tools or software, under a regulation known as the foreign direct product rule.

But as the war reaches its two-year anniversary, export controls have failed to stem the flow of advanced electronics and machinery making their way into Russia as new and convoluted supply chains have been forged through third countries such as Kazakhstan, Turkey, and the United Arab Emirates, which are not party to the export control efforts. An investigation by Nikkei Asia found a tenfold increase in the export of semiconductors from China and Hong Kong to Russia in the immediate aftermath of the war—the majority of them from U.S. manufacturers.

“Life finds a way,” said a senior U.S. intelligence official, quoting the movie Jurassic Park. The official spoke on background to discuss Russia’s evasion of export controls.

Some of the weapons and components analyzed by investigators were likely stockpiled before the war. But widely available Russian trade data reveals a brisk business in imports. More than $1 billion worth of advanced semiconductors from U.S. and European manufacturers made their way into the country last year, according to classified Russian customs service data obtained by Bloomberg. A recent report by the Kyiv School of Economics found that imports of components considered critical for the battlefield had dipped by just 10 percent during the first 10 months of 2023, compared with prewar levels.

This has created a Kafkaesque scenario, the report notes, in which the Ukrainian army is doing battle with Western weapons against a Russian arsenal that also runs on Western components.

It is an obvious problem, well documented by numerous think tank and media reports, but one without an easy solution. Tracking illicit trade in items such as semiconductors is an exponentially greater challenge than monitoring shipments of conventional weapons. Around 1 trillion chips are produced every year. Found in credit cards, toasters, tanks, missile systems, and much, much more, they power the global economy as well as the Russian military. Cutting Russia out of the global supply chain for semiconductors is easier said than done.

“Both Russia and China, and basically all militaries, are using a large number of consumer electronic components in their systems,” said Chris Miller, the author of Chip War: The Fight for the World’s Most Critical Technology. “All of the world’s militaries rely on the same supply chain, which is the supply chain that primarily services consumer electronics.”

Export controls were once neatly tailored to keep specific items, such as nuclear technology, out of the hands of rogue states and terrorist groups. But as Washington vies for technological supremacy with Beijing while also seeking to contain Russia and Iran, it has increasingly used these trade restrictions to advance broader U.S. strategic objectives. For instance, the Biden administration has placed wide-ranging prohibitions on the export of advanced chips to China.

“At no point in history have export controls been more central to our collective security than right now,” Matthew Axelrod, the assistant secretary for export enforcement at the U.S. Commerce Department, said in a speech last September. U.S. National Security Advisor Jake Sullivan has described export controls as “a new strategic asset in the U.S. and allied toolkit.”

Russia’s ability to defy these restrictions doesn’t just have implications for the war in Ukraine. It also raises significant questions about the challenge ahead vis-à-vis China.

“The technological question becomes a key part of this story and whether or not we can restrict it from our adversaries,” said James Byrne, the director of open-source intelligence and analysis at the Royal United Services Institute, a British think tank.

In the Russian city of Izhevsk, home to the factory that manufactures Kalashnikov rifles, shopping malls are being converted into drone factories amid a surge in defense spending that has helped the country’s economy weather its Western estrangement. Arms manufacturers have been urged to work around the clock to feed the Russian war machine, while defense is set to account for one-third of the state budget this year.

“We have developed a concept to convert shopping centers—which, before the start of the SMO [special military operation], sold mainly the products of Western brands—to factories for assembly lines of types of domestic drones,” Alexander Zakharov, the chief designer of the Zala Aero drone company, said at a closed event in August 2022, according to the Russian business newspaper Vedomosti. “Special military operation” is what the Russian government calls its war on Ukraine. Zala Aero is a subsidiary of the Kalashnikov Concern that, along with Zakharov, was sanctioned by the United States last November.

Defense companies have bought at least three shopping malls in Izhevsk to be repurposed for the manufacture of drones, according to local media, including Lancet attack drones, which the British defense ministry described as one of the most effective new weapons that Russia introduced to the battlefield last year. Lancets, which cost about $35,000 to produce, wreaked havoc during Ukraine’s offensive last year and have been captured on video striking valuable Ukrainian tanks and parked MiG fighter jets.

Like a lot of Russia’s weapons systems, Lancets are filled with Western components. An analysis of images of the drones published in December by the Washington-based Institute for Science and International Security found that they contained several parts from U.S., Swiss, and Czech manufacturers, including image processing and analytical components that play a pivotal role in enabling the drones to reach their targets on the battlefield.

“The recurring appearance of these Western products in Russian drone systems shows a keen dependence on them for key capabilities in the drone systems,” the report notes. Lancets are not the only drones found to contain Western components. Almost all of the electronic components in the Iranian Shahed-136 drones, which Russia is now manufacturing with Iranian help to use in Ukraine, are of Western origin, a separate analysis published in November concluded.

Early in the war, the Royal United Services Institute analyzed 27 Russian military systems, including cruise missiles, electronic warfare complexes, and communications systems, and found that they contained at least 450 foreign-made components, revealing Russia’s dependence on imports.

One of the principal ways that Russia has evaded Western export controls has been through transshipment via third countries such as Turkey, the UAE, and neighboring states once part of the Soviet Union. Bloomberg reported last November that amid mounting Western pressure, the UAE had agreed to restrict the export of sensitive goods to Russia and that Turkey was considering a similar move. Kazakh officials announced a ban on the export of certain battlefield goods to Russia in October.

Suspected transshipment is often revealed by striking changes in trade patterns before and after the invasion. The Maldives, an island chain in the Indian Ocean that has no domestic semiconductor industry, shipped almost $54 million worth of U.S.-made semiconductors to Russia in the year after the invasion of Ukraine, Nikkei Asia reported last July.

Semiconductor supply chains often span several countries, with chips designed in one country and manufactured in another before being sold to a series of downstream distributors around the world. That makes it difficult for companies to know the ultimate end user of their products. This may seem odd—until you realize that this is the case for many everyday products that are sold around the world. “When Coca-Cola sells Coca-Cola, it doesn’t know where every bottle goes, and they don’t have systems to track where every bottle goes,” said Kevin Wolf, a former assistant secretary for export administration at the U.S. Commerce Department.

While a coalition of 39 countries, including the world’s major manufacturers of advanced electronics, imposed export restrictions on Russia, much of the rest of the world continues to trade freely with Moscow. Components manufactured in coalition countries will often begin their journey to Moscow’s weapons factories through a series of entirely legal transactions before ending up with a final distributor that takes them across the border into Russia. “It starts off as licit trade and ends up as illicit trade,” said a second senior U.S. intelligence official, who spoke on condition of anonymity.

The further items move down the supply chain, the less insight governments and companies have into their ultimate destination, although sudden changes in behavior of importers can offer a red flag. In his speech last September, Axelrod, the assistant secretary, used the example of a beauty salon that suddenly starts to import electronic components.

But the Grand Canyon of loopholes is China, which has stood by Moscow since the invasion. In the first days of the war, U.S. Commerce Secretary Gina Raimondo warned that Washington could shut down Chinese companies that ignored semiconductor export controls placed on Russia. Last October, 42 Chinese companies were added to export control lists—severely undercutting their ability to do business with U.S. companies—for supplying Russian defense manufacturers with U.S. chips.

But as the Biden administration carefully calibrates its China policy in a bid to keep a lid on escalating tensions, it has held off from taking Beijing to task. “I think the biggest issue is that we—the West—have been unwilling to put pressure on China that would get China to start enforcing some of these rules itself,” said Miller, the author of Chip Wars.

A spokesperson for the U.S. Commerce Department’s Bureau of Industry and Security (BIS) said: “Due to the restrictions imposed by the United States and key allies and partners, Russia has been left with no choice but to spend more, lower its ambitions for high-tech weaponry, build alliances with other international pariah states, and develop nefarious trade networks to covertly obtain the technologies it needs.

“We are deeply concerned regarding [Chinese] support for Russia’s defense industrial base. BIS has acted to add over 100 [China]-based entities to the Entity List for supporting Russia’s military industrial base and related activities.”

Export controls have typically focused on keeping specific U.S.-made goods out of the hands of adversaries, while economic and financial sanctions have served broader foreign-policy objectives of isolating rogue states and cauterizing the financing of terrorist groups and drug cartels. The use of sanctions as a national security tool grew in wake of the 9/11 attacks; in the intervening decades, companies, government agencies, and financial institutions have built up a wealth of experience in sanctions compliance. By contrast, the use of export controls for strategic ends is relatively novel, and compliance expertise is still in its infancy.

“It used to be that people like me could keep export controls and sanctions in one person’s head. The level of complexity for each area of law is so intense. I don’t know anyone who is truly an export control and sanctions expert,” Wolf said.

Export controls, experts say, are at best speed bumps designed to make it harder for Russia’s defense industrial base to procure Western components. They create “extra friction and pressure on the Russian economy,” said Daniel Fried, who as the State Department coordinator for sanctions policy helped craft U.S. sanctions on Russia after its annexation of Crimea in 2014. Russia is now paying 80 percent more to import semiconductors than it did before the war, according to forthcoming research by Miller, and the components it is able to acquire are often of dubious quality.

But although it may be more cumbersome and expensive, it’s a cost that Moscow has been willing to bear in its war on Ukraine.

Western components—and lots of them—will continue to be found in the weapons Russia uses on Ukraine’s battlefields for the duration of the war. “This problem is as old as export controls are,” said Jasper Helder, an expert on export controls and sanctions with the law firm Akin Gump. But there are ways to further plug the gaps.

Steeper penalties could incentivize U.S. companies to take a more proactive role in ensuring their products don’t wind up in the hands of the Russian military, said Elina Ribakova, a nonresident senior fellow at the Peterson Institute for International Economics. “At the moment, they’re not truly motivated,” she said.

Companies that run afoul of sanctions and the Foreign Corrupt Practices Act, a U.S. federal law that prohibits the payment of bribes, have been fined billions of dollars. Settlements of export control violations are often an order of magnitude smaller, according to recently published research.

In a speech last month, Axelrod said the United States would begin issuing steeper penalties for export control violations. “Build one case against one of the companies extremely well, put out a multibillion-dollar fine negotiation, and watch everybody else fall in line,” Ribakova said.

And then there’s the question of resources. BIS has an annual budget of just $200 million. “That’s like the cost of a few fighter jets. Come on,” said Raimondo, speaking at the Reagan National Defense Forum last December.

The agency’s core budget for export control has, adjusted for inflation, remained flat since 2010, while its workload has surged. Between 2014 and 2022, the volume of U.S. exports subject to licensing scrutiny increased by 126 percent, according to an agency spokesperson. A 2022 study of export control enforcement by the Center for Strategic and International Studies recommended a budget increase of $45 million annually, describing it as “one of the best opportunities available anywhere in U.S. national security.”

When it comes to enforcement, the bureau has about 150 officers across the country who work with law enforcement and conduct outreach to companies. The Commerce Department has also established a task force with the Justice Department to keep advanced technologies out of the hands of Russia, China, and Iran. “The U.S. has the most robust export enforcement on the planet,” Wolf said.

But compared with other law enforcement and national security agencies, the bureau’s budgets have not kept pace with its expanding mission. The Department of Homeland Security has more investigators in the city of Tampa, Florida, than BIS does across the entire country, Axelrod noted in his January speech.

On the other side, you have Russia, which is extremely motivated to acquire the critical technologies it needs to continue to prosecute its war. The Kremlin has tasked its intelligence agencies with finding ways around sanctions and export controls, U.S. Treasury Undersecretary Brian Nelson said in a speech last year. “We are not talking about a profit-seeking firm looking for efficiencies,” the second senior U.S. intelligence official said. “There will be supply if there is sufficient demand.”

[blueweave8]

Vietnam Facility Management Market Insight, Outlook, Report 2023-2030

BlueWeave Consulting, a leading strategic consulting and market research firm, in its recent study, estimated the Vietnam Facility Management Market size at USD 275.19 million in 2023. During the forecast period between 2024 and 2030, BlueWeave expects the Vietnam Facility Management Market size to expand at a CAGR of 5.09% reaching a value of USD 348.34 million by 2030. An increasing demand for better working conditions to increase productivity and satisfaction, as well as the expansion of construction activities, are major development factors for the Vietnam Facility Management Market. It is also projected that the market will witness lucrative growth opportunities due to the growing utilization of cloud-based solutions and sophisticated monitoring tools.

Opportunity - Increasing number of infrastructure development projects

Economic expansion greatly depends on the development of infrastructure. As a result, the Vietnamese government is investing heavily in various infrastructure development projects. Airports, metros, railroads, highways, and other forms of transportation are being constructed to improve the infrastructure supporting transportation. It is propelling the growth in the country's facility management industry. In addition, the number of privately held spaces, including real estate, movie theaters, and retail malls, is growing, making facility management services necessary to guarantee smooth operation.

Sample Request @ https://blueweaveresearchblog.com/2024/06/20/vietnam-facility-management-market-size-set-to-grow-at-steady-cagr-of-5-09/

Vietnam Facility Management Market

Segmental Coverage

Vietnam Facility Management Market – By End User

Based on end users, the Vietnam Facility Management Market is segmented into commercial, institutional, public/infrastructure, industrial, and others. The public/infrastructure segment dominates the Vietnam Facility Management Market. Facility management services have a high demand among public institutions, such as schools and hospitals, to ensure the safety and functionality of these spaces. In addition, stringent government regulations and rising investments in modernizing public infrastructure are also projected to drive the Vietnam Facility Management Market over the forecast period.

Competitive Landscape

Major players operating in the Vietnam Facility Management Market include CBRE Group Inc., Jones Lang LaSalle Incorporated, RCR Vietnam, Sodexo Inc., ADEN Vietnam, ATALIAN Global Services, AEON Delight, PMC, and P. Dussmann Co Ltd. To further enhance their market share, these companies employ various strategies, including mergers and acquisitions, partnerships, joint ventures, license agreements, and new product launches.

Contact Us:

BlueWeave Consulting & Research Pvt Ltd

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[semiconductors-and-technology]

Smart Home Projector Market Analysis of Key Regions and Players 2030

In the modern era of entertainment and connectivity, our homes have become more than just living spaces—they're multimedia hubs where we can immerse ourselves in movies, games, and digital content. Enter the Smart Home Projector, a revolutionary device that brings the cinematic experience right into our living rooms. Join us as we explore the dynamic landscape of the Smart Home Projector Market, where innovation, convenience, and entertainment converge to redefine home entertainment.

Embracing the Future of Home Entertainment: Understanding the Smart Home Projector Market

The Smart Home Projector Market represents a new frontier in home entertainment, offering cutting-edge technology that transforms any space into a personal theater. Smart projectors combine high-resolution displays, advanced connectivity features, and intelligent software to deliver stunning visuals and immersive audio experiences. With the growing demand for home entertainment solutions and the increasing popularity of streaming services, the Smart Home Projector Market is experiencing rapid growth, driving innovation and investment in the industry.

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Unveiling the Features of Smart Home Projectors: Segmentation Analysis

To gain insight into the Smart Home Projector Market, let's examine its key segments:

Display Technology: Smart projectors utilize various display technologies, including LCD, DLP, and laser projection, each offering unique advantages in terms of brightness, color accuracy, and energy efficiency.

Connectivity Options: Smart projectors come equipped with a range of connectivity options, such as Wi-Fi, Bluetooth, HDMI, and USB, enabling seamless integration with streaming devices, gaming consoles, and mobile devices.

Smart Features: These include built-in streaming apps, voice control capabilities, smart home integration (e.g., with Amazon Alexa or Google Assistant), and automatic keystone correction, enhancing user convenience and flexibility.

Resolution and Image Quality: Smart projectors offer a range of resolutions, from standard HD to 4K Ultra HD, providing crisp, detailed images and lifelike colors for an immersive viewing experience.

Transforming Home Entertainment: Impact on Consumers

The Smart Home Projector Market is not just about technology—it's about transforming the way we experience entertainment in the comfort of our homes. By offering cinematic-quality visuals and immersive audio, smart projectors create an unparalleled viewing experience that rivals traditional theaters. Moreover, with the ability to stream content from popular services like Netflix, Hulu, and Disney+, smart projectors provide access to a vast library of movies, TV shows, and games, catering to diverse entertainment preferences and lifestyles.

Global Perspectives: Regional Outlook

The adoption of smart home projectors varies across regions, influenced by factors such as consumer preferences, technological infrastructure, and economic conditions. Developed markets in North America, Europe, and Asia-Pacific lead the adoption of smart home projectors, driven by high disposable incomes, advanced digital infrastructure, and a strong appetite for home entertainment solutions. Emerging markets in Latin America, Africa, and the Middle East present opportunities for market growth, fueled by rising consumer spending and increasing awareness of smart home technologies.

Driving Innovation and Competition: Competitive Analysis

Leading companies in the Smart Home Projector Market, such as Sony Corporation, Epson America Inc., and LG Electronics Inc., are driving innovation and shaping the future of home entertainment. Through research and development efforts, strategic partnerships, and investments in user experience and design, these companies are pushing the boundaries of smart projector technology, delivering cutting-edge features and performance to consumers worldwide. Additionally, startups and technology firms are entering the market, exploring niche applications and disruptive innovations, driving competition and expanding the market's reach.

Conclusion: Creating an Immersive Home Theater Experience

In conclusion, the Smart Home Projector Market represents a transformative force in the evolution of home entertainment, offering consumers an immersive, cinematic experience right in their living rooms. With advanced features, connectivity options, and content streaming capabilities, smart projectors are redefining the way we enjoy movies, games, and digital content at home. As technology continues to evolve and consumer demand grows, the Smart Home Projector Market will continue to innovate and expand, bringing the magic of the movies into our homes like never before.

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[rohitpalan]

Navigating Growth Trajectories: 3D Audio Beyond 2023

The global 3D audio market is on a trajectory to exceed US$ 7.77 billion by 2023, with a projected CAGR of 13.3% through 2033, ultimately reaching US$ 14.75 billion. This extraordinary growth is fueled by the increasing demand for immersive audio experiences across various sectors, driven by technological advancements.

The United States leads the pack in revenue generation due to its robust technology industry, with North America as a whole contributing significantly to the global market share. Despite the promising prospects, challenges such as the high cost of premium audio equipment persist, while the Asia Pacific region, particularly India and China, emerges as a promising growth hub with substantial investments pouring in for 3D audio technology.

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Drivers and Opportunities:

Consumers across the globe are increasingly seeking immersive and realistic audio experiences, propelling the demand for 3D audio across various sectors including gaming, movies, and music. The capability of 3D audio to transport listeners into virtual worlds is a significant driving factor. North America, with its concentration of technology companies, content creators, and audio equipment manufacturers, is emerging as a hub for innovation and growth in the 3D audio market. According to FMI, in 2022, North America accounted for approximately 30.4% of the global 3D audio market share, driven by high consumer demand in sectors such as gaming, virtual reality, and entertainment.

Competitive Landscape – Regional Trends:

The United States of America, with its dynamic technology industry, leads in revenue generation in the 3D audio market, contributing to a 16.5% value share in 2022. The nation’s commitment to research and development has resulted in state-of-the-art 3D audio solutions, meeting the rising demand for immersive audio experiences. The strong ecosystem of audio equipment manufacturers, software developers, and content creators further enhances the growth prospects of the 3D audio market in the United States.

Restraints:

Despite the promising growth, the 3D audio market does face limitations. Challenges include the high cost of premium audio equipment and the need for compatible software and content for a seamless 3D audio experience.

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Market Segments Covered in 3D Audio Industry Analysis

By Components:

Hardware

Loud Speaker

Headphones

Microphones/Mic

Soundbars

Others

Software

Services

By End Use:

Personal/in-house

Mobile Devices

Home Theater

Gaming

Commercial

Automobile

Cinema

Music

Gaming

Museum

VR Concerts

Others

By Region:

North America

Europe

Asia Pacific

The Middle East and Africa (MEA)

South America

[tutort-academy]

7 Mind-Blowing Real-Life Uses of DBMS You Won't Believe Exist!

7 Applications of DBMS in Real Life

The need to efficiently handle and manage vast amounts of data has given rise to Database Management Systems (DBMS). DBMS is a software tool that enables the storage, organization, retrieval, and manipulation of data in a structured manner. While the concept of databases might seem complex, their applications in real life are remarkably diverse and impactful. 

In this article, we will explore the top 10 applications of DBMS in various domains, highlighting their significance and benefits.

1. Online Shopping: Streamlining the E-commerce Experience

Online shopping has revolutionized the retail industry, and DBMS plays a pivotal role in ensuring smooth transactions and personalized experiences for customers.

E-commerce platforms like Amazon and Flipkart leverage DBMS to store and manage customer information, product details, inventory levels, and purchase history. This allows them to provide tailored recommendations, process orders efficiently, and maintain seamless communication with customers.

2. Reservation Systems: Simplifying Booking Processes

From movie theaters to airlines, reservation systems heavily rely on DBMS to handle the complexities of managing bookings. DBMS stores and retrieves data related to seat availability, customer details, and transaction records. This enables quick and accurate reservation processes, ensuring a hassle-free experience for customers.

3. Telecommunication: Powering Seamless Connectivity

Telecommunication companies rely on DBMS to manage vast amounts of customer data, including call records, billing information, and network configurations. DBMS enables efficient storage, retrieval, and analysis of this data, ensuring uninterrupted connectivity, accurate billing, and personalized services for users.

4. Manufacturing Companies: Optimizing Production and Inventory Management

Manufacturing companies deal with extensive data related to production, inventory, supply chain, and quality control. DBMS helps them streamline these processes by storing and managing data efficiently. This enables real-time monitoring, inventory optimization, and seamless collaboration between departments, leading to improved productivity and cost savings.

5. Banking: Ensuring Secure and Efficient Financial Operations

Banks and financial institutions rely heavily on DBMS to handle customer data, account information, transaction records, and regulatory compliance. DBMS enables secure storage, retrieval, and analysis of financial data, facilitating efficient banking operations, personalized services, and fraud detection.

6. Healthcare: Enabling Efficient Patient Care

Healthcare organizations manage extensive patient data, including medical records, diagnostic reports, treatment plans, and billing information. DBMS plays a critical role in securely storing, retrieving, and analyzing this data, enabling healthcare providers to deliver efficient and personalized patient care, facilitate medical research, and ensure compliance with regulatory standards.

7. Social Media: Connecting People and Enabling Personalized Experiences

Social media platforms leverage DBMS to handle massive amounts of user data, including profiles, connections, posts, and interactions. DBMS enables efficient storage, retrieval, and analysis of this data, allowing social media platforms to provide personalized recommendations, targeted advertisements, and seamless user experiences.

Conclusion

From online shopping to healthcare, DBMS has become an indispensable tool in managing data and driving efficiency across various domains. The applications of DBMS are vast and diverse, revolutionizing industries, optimizing processes, and enhancing user experiences. As technology continues to evolve, DBMS will play an increasingly important role in handling and making sense of the ever-growing volumes of data. Embracing DBMS enables businesses and organizations to unlock the full potential of data and stay ahead in a data-driven world.

Get Started with Tutort Academy Data Science Courses

As technology continues to evolve, the demand for skilled professionals in database management systems and data science is on the rise. If you are interested in learning more about DBMS and data science, consider starting your journey with Tutort Academy data science courses. These inline data science courses cover a wide spectrum of topics, including database management, data analysis, machine learning, and more. Whether you're new to the data science field or looking to upgrade your existing data science skills, our online data science courses cater to various proficiency levels.

[biosssa]

Real Property Coaching Start Your Real Estate Coaching At Present

40% and above move in three compulsory vocational subjects (Applied Accounting, Economic Environment & Financial Management). A National Senior Certificate and move a minimum of four subjects (English and three other related topics considered one of which must be Mathematics with an achievement rating of degree 3 (40% - 49%) and above. Demonstrate an understanding of the world to determine entrepreneurial alternatives. Demonstrate knowledge and understanding of Management Accounting Control methods. Demonstrate a sound understanding of the character of legislation and an appreciation of the position of regulation within which an accountant operates.

It could be fairly unclear what the worth of any spend immediately aimed at enhancing your B-BBEE stage is, especially if you’re talking about skills development, socio-economic growth and enterprise & provider development. By creating a rigorously deliberate strategy, involving specific coaching interventions you'll find a way to acquire an surprisingly high return on funding. On successful completion iSiKolo will problem you a certificate confirming that you've got got efficiently accomplished 2 modules of the NQF4 actual property qualification. You will receive 31 credits towards the NQF4 actual property qualification. It’s not a shock that a university in Las Vegas is considered one of the best schools to check entertainment engineering. Students have plenty of opportunities to work in Las Vegas, studying tips on how to design and build phases and keep amenities.

This part is called the Adult Upper Primary Programme, and is designed to fulfill the needs of the adult learners whereas at the similar time providing them academic competencies similar to these of upper main faculty. There are other career path appreciation test less formal studying activities obtainable to those adult learners not thinking about this type of certificates. There are basic upper secondary colleges for adults in about forty municipalities, primarily in cities.

Reliability is estimated by computing a correlation between two sets of measures that measure the same factor in the identical pattern of respondents in the same means (Guion & Highhouse, 2006). In the research reported on, two waves of knowledge had been used, specifically the scores obtained from the CPA process utilized at two totally different deadlines by completely different practitioners so as to assess the test–retest reliability of the CPA process. The time interval between the two CPA assessments was approximately 4 years and fell within a specific CPA development curve , which warranted test–retest reliability.

Eastern Michigan University offers an Entertainment Design and Technology program that centers around theatre design and know-how. It additionally includes the study of surroundings, costumes, projection, and lighting. The college has close connections with the leisure industry, so students on this program can construct credibility and expertise in the entertainment business whereas learning on the college. Spend hours taking aside an old television or building intricate Lego castles? This exciting career contains creating mechanical and structural techniques for entertainment stages, theaters, theme parks, and stay performances.

ID ; Assist the shopper and significant others to handle house based mostly health care; 12 credits. ID ; Demonstrate information of the availability and implementation of primary health care; 10 credits modified career path appreciation. ID ; Assist the community to entry companies in accordance with their health related human rights; 5 credits. ID ; Explain preventive measures to scale back the potential impact of disasters; 5 credit.

If you could have a powerful passion for motion pictures and find yourself analyzing parts of a movie, together with characters, plot, cinematography, enhancing, and writing, you should contemplate a career as a film critic. Film critics critique films modified career path appreciation (mcpa), writing about what they loved or hated about the film or about specific matters that encourage further exploration and discussion. Typically, film critics will publish their critiques on websites, blogs, publications, podcasts, or videos.

Stanford University sits within the coronary heart of the world-renowned Silicon Valley. This space is house to a few of the world’s largest know-how corporations, and Stanford graduates have their decide of cybersecurity jobs. Students who want to pursue careers in cybersecurity typically choose a Computer Science main. Through its deep connections within the know-how world, Stanford’s pc science department helps college students find internships and job opportunities at corporations like Google, Snapchat, and Instagram. The completion of the three levels within the NLPN is considered equivalent to Grade four within the primary school system. There are plans in the Directorate to growing a curriculum for the quick follow-up of Stage Three.

Also, keep in thoughts that greater than a third of your life might be spent working – don’t waste it by being sad in your career since you made an uninformed or impulsive decision in your younger years,” concludes Rabson. “As educators, we are committed to ensuring that our graduates are outfitted to make a valuable contribution to the office, whereas furthering their careers. This means adopting a growth mindset, the place developing and refining skills is a natural means to attaining competency in a particular business,” concludes the Boston CEO.

Harvard & Smithsonian has more than 350 scientists and is one of the world’s best centers for astrophysics research.

[orionrealtor]

Investing in Residential Property in Gurgaon – Everything You Need to Know

Gurgaon, also known as Gurugram, is one of the fastest-growing cities in India, and a hub for multinational corporations, tech startups, and the service sector. The city's booming economy, well-developed infrastructure, and cosmopolitan lifestyle have made it an attractive destination for people from all over the world. In recent years, the city has also emerged as a hot spot for real estate investment, with several prominent developers launching high-end residential projects. In this article, we will explore why investing in residential property in Gurgaon can be a lucrative opportunity for homebuyers and investors.

Booming Real Estate Market: Gurgaon's real estate market has seen tremendous growth in recent years, thanks to the city's thriving economy and growing population. According to a report by JLL India, the city's residential market witnessed a 60% increase in sales in the second half of 2020, compared to the same period in the previous year. This growth is expected to continue in the coming years, making it an excellent time to invest in residential property in Gurgaon.

Infrastructure and Connectivity: Gurgaon boasts of excellent infrastructure and connectivity, with world-class roads, flyovers, and highways connecting it to other parts of the National Capital Region (NCR) and the rest of the country. The city is also well-connected through the Delhi Metro and the Rapid Metro, which have made commuting easy and convenient for residents. The upcoming Delhi-Mumbai Industrial Corridor (DMIC) and the Gurugram-Manesar Expressway are expected to further boost the city's connectivity and growth potential.

Quality of Life: Gurgaon offers a cosmopolitan lifestyle, with a range of entertainment, shopping, and dining options available to residents. The city is home to several high-end malls, movie theaters, restaurants, and clubs, providing ample opportunities for leisure and recreation. It also has excellent healthcare facilities, with several top-notch hospitals and clinics located in and around the city.

High Rental Yields: Gurgaon's thriving economy and growing population have led to a high demand for rental properties, making it an attractive option for investors looking for rental income. According to a report by Square Yards, the city's rental yields range between 3% to 6%, depending on the location and type of property. This high rental yield, combined with the city's growing real estate market, makes it an ideal place to invest in residential property.

Luxury Living: Gurgaon is home to several high-end residential projects by some of the country's top developers, offering luxurious amenities and facilities to residents. These projects offer a range of options, from villas and independent floors to apartments and penthouses, catering to the diverse needs and preferences of homebuyers. Some of the popular residential areas in Gurgaon include Golf Course Road, Sohna Road, and Dwarka Expressway.

One of the most popular types of residential properties in Gurgaon are 2, 3, and 4 BHK flats. These flats offer spacious and comfortable living spaces that are perfect for families of all sizes. They are also a great investment option for those looking to buy a property in Gurgaon as they offer a good return on investment.

In conclusion, investing in Residential Property in Gurgaon can be a smart decision for home buyers and investors looking for long-term capital appreciation and rental income. The city's booming economy, well-developed infrastructure, cosmopolitan lifestyle, and high rental yields make it an attractive destination for real estate investment. However, as with any investment, it is essential to do your due diligence, research the market, and choose a reputed developer to ensure a secure and profitable investment.

Visit: https://www.orionrealtors.com/residential.html

[narwatharsh01]

Global Theater Industry Trends, Players, and Future Projections

The magic of the silver screen endures, and the theater market continues to captivate audiences globally. In 2024, the industry is not just surviving but thriving, navigating challenges and evolving with the times. Let's take a deep dive into the current state of the theater market, examining its size, growth trajectory, notable trends, key players, and future outlook.

Market Size and Growth:

As of 2023, the theater market was valued at an impressive USD 69.78 billion. it is set to reach a staggering USD 95.66 billion in 2029, reflecting a robust compound annual growth rate (CAGR) of 5.24%. Despite the surge in home entertainment options, the theater market is evidently expanding.

Technological advancements, including 3D, 4DX, and IMAX, contribute significantly to this growth. These innovations provide audiences with a more immersive cinematic experience, attracting those seeking a break from the ordinary. Rising disposable income, particularly in developing regions, further fuels the growth, allowing audiences to indulge in leisure activities such as moviegoing. The popularity of blockbuster releases also plays a pivotal role, with audiences flocking to theaters to witness the grandeur of big-budget franchises.

Theater Market Trends:

The global theater industry is witnessing several trends that are shaping its future:

Focus on Premium Experiences: Theaters are differentiating themselves by emphasizing premium formats such as luxury recliners, in-seat dining, and personalized services, offering a unique experience not easily replicated at home.

Experiential Marketing: Creative marketing strategies are employed to generate excitement around films. Interactive events, themed concessions, and engaging social media campaigns are becoming integral to the moviegoing experience.

Evolving Distribution Models: The traditional windowing system, where movies are exclusively released in theaters before hitting streaming platforms, is undergoing changes. Studios are experimenting with different release strategies, impacting traditional theater attendance.

Theater Market Players:

Key players dominate the theater market:

AMC Entertainment Holdings, Inc.: The largest movie theater chain globally, boasting over 900 theaters across 11 countries.

Cinemark Holdings, Inc.: A major player with a strong presence in the United States and Latin America.

Comcast Corporation: Owner and operator of the Universal Pictures movie studio and various theater chains under the NBCUniversal umbrella.

The Walt Disney Company: Operates Walt Disney Studios Motion Pictures and owns several theater chains, including Disney Theatres.

Theater Market Research Reports:

Understanding the theater market necessitates insights from research reports, providing:

Market Size and Growth Forecasts: Offering a comprehensive snapshot of the current market state and predicting its trajectory.

Consumer Trends: Identifying audience preferences and evolving behaviors, aiding businesses in adapting their offerings.

Competitive Landscape: Analyzing the strengths and weaknesses of key players, enabling businesses to develop effective competitive strategies.

Prominent research firms publishing reports on the movie theater market. These reports are indispensable for investors, businesses, and stakeholders seeking a nuanced understanding of the theater market.

Theater Market Outlook:

While the theater market faces competition from streaming services, the allure of a unique social and immersive experience remains strong. With increasing disposable income, technological advancements, and strategic marketing initiatives, the industry is poised for continued growth. The ability to adapt to changing consumer preferences and distribution models will be crucial for the theater market's long-term success. The flickering flame of the theater market continues to burn bright, promising a compelling future amid the evolving entertainment landscape.

[katereads]

I, uh, got inspired by this poll.

On the Shelf at Stars Hollow Books

Jess Mariano - His (current) quartet of literary fiction books. Recommended for people who like Ada Calhoun’s St Marks is Dead and Also a Poet or Benjamin Labatut’s When We Cease to Understand the World. We assume he is working on more.

Logan Huntzberger - How I Worked My Way to the Top received middling reviews. His struggles seem to be mainly around accepting the life that was given to him. Panned in the NYTimes with the cliche “The world’s smallest violin is playing just for him.” Overall, an odd foray into writing for an otherwise successful businessman.

Paris Gellar - Empowerment: a History of Reproductive Choice in the United States is a thoroughly researched book that’s well-respected in academic circles but didn’t do well with popular audiences. Still, this is the book to read if you want to know the history of birth control, abortion, and reproductive issues in America through a feminist lens.

Lane Kim - Eternal Summer is the Hep Alien drummer’s account of the band’s summer spent in Providence, Rhode Island in 2010. The band had just finished their first US tour playing spaces like the Showbox in Seattle and the Fillmore in San Francisco, and needed to rest while working on their second album. The band, their families and friends, and various hangers-on move in and out of the house and the narrative. Essential for anyone who wonders what happened that July night when Dave Rygalski showed up… Recommended for anyone who enjoyed Parachute Women, about Anita Pallenberg’s and Marianne Faithfull’s time with the Rolling Stones.

Rory Gilmore - All of her books about the entertainment industry are available. She settled into working for the LATimes’ Entertainment section after reporting on the 2008 Obama presidential run. Her insight into movies and the business that makes them was honed by a childhood watching (and mocking) her favorites with her mother. Her most recent book is about the rise of the South Korean movie industry, and she’s rumored to be working on an accompanying text to support Karina Longworth’s “Erotic 80s/90s” series on her You Must Remember This podcast.

Luke Danes, with Jess Mariano - Castaways is a book about William Danes and his family told through fishing trips. Poignant, especially during William’s bout with cancer that would eventually kill him. Recommended if you enjoyed A River Runs Through It (either the book or the movie).

Lorelei Gilmore, with Rory Gilmore - Movie Night - The two Gilmores review their favorites from Rory’s childhood. 

Emily Gilmore - Nantucket’s Fisheries: A History - The popular guide at the Nantucket Whaling Museum has turned her knowledge into a riveting book you didn’t know you needed to read. Surprisingly compelling. Might lead you to pick up Moby Dick.

Asher Fleming - His books are out of print now, but you can still find the occasional used copy of The Green Flash. Recommended for anyone who likes classic mid-century Christopher Isherwood.

Miss Patty - Miss Patty: A Memoir is a juicy romp through the 20th century New York theater scene. A fun read and always one of our bestsellers.

Rachel Arbus - My Life in Photographs (volumes 1-4) are beautiful coffee table books filled with incredible images from around the world.

Kirk Gleeson - A Book by Kirk is an oddly surreal story that could be about an alternate Stars Hollow, if seen through a broken looking glass. Bought mostly by fans looking for clues about early Hep Alien, or by people trying to understand how this small town in Connecticut became a birthplace for so much art in the first quarter of the twenty-first century.

[allhallowsthemepark]

Attraction: Attack of the Monsters in 3-D!

Aliens! Serial killers! Lab experiments gone wrong! Ghoul City is under attack by all of them and more in this combination dark ride/3-D adventure!

Queue: The ride is located in the “suburbs” portion of Ghoul City, with the queue bullpen dressed to resemble the parking lot at a drive-in movie theater. Along the way, guests can pick up 3-D glasses from a tray next to the concessions counter.

Load: The load area is near the theater “screen.” Ride vehicles resemble convertibles from various decades and seat 4-6 guests in two rows. A sign at the lot exit thanks us for coming to the movies.

Scene 1: Suburbia—two-story houses with white picket fences, shade trees, and privacy hedges...as well as chainsaw-wielding maniacs popping out from behind said hedges, rabid dogs straining at fraying leashes, monstrous bugs tearing up the gardens, and giant spider webs in which suspiciously human-sized cocoons struggle. The car puts on a little speed to get ahead of the threats, turning out of the neighborhood into an industrial park and veering into the first building...

Scene 2: The Lab—The car winds through the hallways of a research facility where hapless technicians are swarmed by freaked-out monkeys, slime monsters, fungus-brainwashed coworkers, and uncontrolled robots. Bursting steam pipes, harsh lighting, radiation warnings, and even pyrotechnics add to the sense of chaos until the car exits the building to...

Scene 3: Street Level—Things are of course no better outside, as the downtown area is plagued by zombie hordes, overgrown animals (and footprints of things even larger), and tentacles reaching out of manholes to grab innocent pedestrians. Swaying light poles and downed power lines, erupting fire hydrants, fire escapes hanging loose off crumbling masonry, and emergency vehicles crashed into storefronts where window TV displays show news reports about the citywide chaos, all testify as to the ravages afflicting the area. The only thing left to do is evacuate...

Scene 4: Utter Devastation—As the car heads for the road out of town, the city's grim fate is visible in the distance. UFOs vaporize skyscrapers with their destructo-beams, kaiju wrench apart overpasses and snack on cars, something begins to crawl out of the ocean up the beach. The ride gets rough as the ground itself seems to break apart under the car, until it swerves off the road into the side of a cliff...

Unload: A crash door opens, and the other side of the wall is painted so that the car is emerging from a drive-in movie screen. Was it just an intense movie all along? Either way, it's over, and guests can deposit their 3-D glasses in convenient bins as they exit.

[silent-era-of-cinema]

Theda Bara (born Theodosia Burr Goodman; July 29, 1885 – April 7, 1955) was an American silent film and stage actress.

Bara was one of the more popular actresses of the silent era and one of cinema's early sex symbols. Her femme fatale roles earned her the nickname "The Vamp" (short for vampire),[a] later fueling the rising popularity in "vamp" roles that encapsulated exoticism and sexual domination. Bara made more than 40 films between 1914 and 1926, but most were lost in the 1937 Fox vault fire. After her marriage to Charles Brabin in 1921, she made two more feature films and then retired from acting in 1926, never appearing in a sound film.

Bara was born Theodosia Burr Goodman on July 29, 1885 in the Avondale section of Cincinnati, Ohio. She was named after the daughter of US Vice President Aaron Burr. Her father was Bernard Goodman (1853–1936), a prosperous Jewish tailor born in Poland. Her mother, Pauline Louise Françoise (née de Coppett; 1861–1957), was born in Switzerland. Bernard and Pauline married in 1882. Theda had two younger siblings: Marque (1888–1954) and Esther (1897–1965), who also became a film actress under the name of Lori Bara.

Bara attended Walnut Hills High School, graduating in 1903. After attending the University of Cincinnati for two years, she worked mainly in local theater productions, but did explore other projects. After moving to New York City in 1908, she made her Broadway debut the same year in The Devil.

Most of Bara's early films were shot along the East Coast, where the film industry was centered at that time, primarily at the Fox Studios in Fort Lee, New Jersey.

Bara lived with her family in New York City during this time. The rise of Hollywood as the center of the American film industry forced her to relocate to Los Angeles to film the epic Cleopatra (1917), which became one of Bara's biggest hits. No known prints of Cleopatra exist today, but numerous photographs of Bara in costume as the Queen of the Nile have survived.

Between 1915 and 1919, Bara was Fox studio's biggest star; but, tired of being typecast as a vamp, she allowed her five-year contract with Fox to expire. Her final Fox film was The Lure of Ambition (1919). In 1920, she turned briefly to the stage, appearing on Broadway in The Blue Flame. Bara's fame drew large crowds to the theater, but her acting was savaged by critics.

Her career suffered without Fox studio's support, and she did not make another film until The Unchastened Woman (1925) for Chadwick Pictures. Bara retired after making only one more film, the short comedy Madame Mystery (1926), made for Hal Roach and directed by Stan Laurel, in which she parodied her vamp image.

At the height of her fame, Bara earned $4,000 per week (the equivalent of over $56,000 per week in 2017 adjusted dollars). Bara's better-known roles were as the "vamp", although she attempted to avoid typecasting by playing wholesome heroines in films such as Under Two Flags and Her Double Life. She appeared as Juliet in a version of Shakespeare's Romeo and Juliet. Although Bara took her craft seriously, she was too successful as an exotic "wanton woman" to develop a more versatile career.

The origin of Bara's stage name is disputed; The Guinness Book of Movie Facts and Feats says it came from director Frank Powell, who learned Theda had a relative named Barranger, and that Theda was a childhood nickname. In promoting the 1917 film Cleopatra, Fox Studio publicists noted that the name was an anagram of Arab death, and her press agents, to enhance her exotic appeal to moviegoers, falsely promoted the young Ohio native as "the daughter of an Arab sheik and a French woman, born in the Sahara." In 1917, the Goodman family legally changed its surname to Bara.

Bara was known for wearing very revealing costumes in her films. Such outfits were banned from Hollywood films after the Production Code (a.k.a. the Hays Code) started in 1930, and then was more strongly enforced in 1934. It was popular at that time to promote an actress as mysterious, with an exotic background. The studios promoted Bara with a massive publicity campaign, billing her as the Egyptian-born daughter of a French actress and an Italian sculptor. They claimed she had spent her early years in the Sahara desert under the shadow of the Sphinx, then moved to France to become a stage actress. (In fact, Bara never had been to Egypt, and her time in France amounted to just a few months.) They called her the "Serpent of the Nile" and encouraged her to discuss mysticism and the occult in interviews. Some film historians point to this as the birth of two Hollywood phenomena: the studio publicity department and the press agent (later evolving into the public relations person).

A 2016 book by Joan Craig with Beverly F. Stout chronicles many personal, first-hand accounts of the lives of Theda Bara and Charles Brabin. It reveals a great dichotomy between Theda Bara's screen persona and her real-life persona. Included are Bara's surprised responses to the critical reactions to her screen portrayals from a sector of the community. The author was befriended by Theda Bara and Charles Brabin beginning when she was a young girl. Craig's photographic-like memory paints an important picture of how they lived, where they lived, and what they said and did, even to the point of describing in great detail most of the rooms of their house. The book describes how Bara, who learned pattern making and wig making from her mother and father, designed and created most of the costumes and gowns she wore in her films, including the striking costumes she wore in Cleopatra.

Bara married British-born American film director Charles Brabin in 1921. They honeymooned at The Pines Hotel in Digby, Nova Scotia, Canada, and later purchased a 400-hectare (990-acre) property down the coast from Digby at Harbourville, Nova Scotia, overlooking the Bay of Fundy, eventually building a summer home they called Baranook.[15] They had no children. Bara resided in a villa-style home in Cincinnati, which served as the "honors villa" at Xavier University. Demolition of the home began in July 2011.

In 1936, she appeared on Lux Radio Theatre during a broadcast version of The Thin Man with William Powell and Myrna Loy. She did not appear in the play but instead announced her plans to make a movie comeback, which never materialized. She appeared on radio again in 1939 as a guest on Texaco Star Theatre.

In 1949, producer Buddy DeSylva and Columbia Pictures expressed interest in making a movie of Bara's life to star Betty Hutton, but the project never materialized.

On April 7, 1955, after a lengthy stay at California Lutheran Hospital in Los Angeles, Bara died there of stomach cancer. She was survived by her husband Charles Brabin, her mother, and sister Lori. She was interred as Theda Bara Brabin at Forest Lawn Memorial Park Cemetery in Glendale, California.

Bara often is cited as the first sex symbol of the film era.

For her contributions to the film industry, Bara received a motion pictures star on the Hollywood Walk of Fame in 1960. Her star is located at 6307 Hollywood Boulevard.

Bara never appeared in a sound film, lost or otherwise. A 1937 fire at Fox's nitrate film storage vaults in New Jersey destroyed most of that studio's silent films. Bara made more than 40 films between 1914 and 1926, but complete prints of only six still exist: The Stain (1914), A Fool There Was (1915), East Lynne (1916), The Unchastened Woman (1925), and two short comedies for Hal Roach.

In addition to these, a few of her films remain in fragments, including Cleopatra (just a few seconds of footage), a clip thought to be from The Soul of Buddha, and a few other unidentified clips featured in the documentary Theda Bara et William Fox (2001). Most of the clips can be seen in the documentary The Woman with the Hungry Eyes (2006). As to vamping, critics stated that her portrayal of calculating, cold-hearted women was morally instructive to men. Bara responded by saying "I will continue doing vampires as long as people sin." Additional footage has been found which shows her behind the scenes on a picture. While the hairstyle has led some to theorize that this may be from The Lure of Ambition, this has not been confirmed.

In 1994, she was honored with her image on a U.S. postage stamp designed by caricaturist Al Hirschfeld. The Fort Lee Film Commission dedicated Main Street and Linwood Avenue in Fort Lee, New Jersey as "Theda Bara Way" in May 2006 to honor Bara, who made many of her films at the Fox Studio on Linwood and Main.

Over a period of several years, filmmaker and film historian Phillip Dye reconstructed Cleopatra on video. Titled Lost Cleopatra, the full-length feature was created by editing together production-still picture montages combined with the surviving film clip. The script was based on the original scenario with modifications derived from research into censorship reports, reviews of the film, and synopses from period magazines. Dye screened the film at the Hollywood Heritage Museum on February 8, 2017.

[thebrewstorian]

Collection Report: McMenamins Brewery Collection, 1983-2015

Oh my gosh, this collection has been in my backlog for YEARS! It has been so long that when my daughter helped with the inventory on the brew sheets she was 11 years-old and couldn't check herself out of summer camp [now she can drive and has taken the SAT], but she could talk with John Richen (brewing manager at the time) about her favorite beer names and things she'd noticed about ingredients.

Go straight to the guide: http://bit.ly/mss_mcmenamins

Learn more about the Oregon brewing industry in my Oregon Encyclopedia article

The McMenamins Brewery Collection is, truly, a gem. We scanned thousands of brew sheets, which is a part of the magic, but I'm also delighted by all the fun ephemera, including a full run of their coasters. I'll also add that the company biography included in this guide is really a love letter to the company, and I thank Fred Eckhardt, John Foyston, and all the other journalists over the past 30 years for recording all the fun quirks about this company.

SUMMARY McMenamins is a family-owned chain of brewpubs, breweries, historic hotels, and theater pubs in the Pacific Northwest.

The McMenamins Brewery Collection includes digitized brew sheets, digital images, brochures, coasters, decals, event programs, flyers, newspaper clippings, tap handles, posters, labels, a wooden cask, and a six-pack of Hammerhead beer.

COMPANY BIO

McMenamins is a family-owned chain of brewpubs, breweries, historic hotels, and theater pubs in the Pacific Northwest. It was founded by brothers Mike and Brian McMenamin, who grew up in Northeast Portland. In 2021, they operated 56 properties, with twelve hotels; dozens of breweries, pubs, and restaurants; movie theaters; spas; music venues; and a coffee roaster, winery, cidery and distillery. Many locations are rehabilitated historical buildings and at least nine are on the National Register of Historic Places. McMenamins only sells its beer in its own pubs, restaurants, hotels, and movie theaters.

Early businesses

Mike and Brian McMenamin both graduated from Oregon State University, Mike with a Political Science degree (1974) and Brian with a Business degree (1980). Mike and two college friends purchased the Produce Row Café, a bar known for all-night, high-stakes poker games, in Portland's warehouse district in 1974 and sold more than 100 types of beer. The building was built in 1951 and opened as a breakfast café for produce dockworkers in 1953; in later years, it was a barbershop. Mike and Brian bought Bogart's Joint, another Portland-area pub on 14th and Flanders. At various points in history, many beer-related activities occurred in this building: Kurt and Rob Widmer brewed in this location, and it was later space occupied by Portland Brewing and Rogue Ales Public House. By 1980, they'd sold Produce Row, Bogart's Joint, and a third tavern, the Stockyard Café.

Mike opened a wine distributorship and Brian opened the McMenamins Pub in Hillsboro. By 1983, Mike’s distributorship had failed, and the brothers decided to try the bar business again. Rather than the smoky, male-dominated taverns common in Portland, they were inspired by the community hubs they’d seen in Europe. They bought the Fat Little Rooster tavern on Southeast Hawthorne and renamed it the Barley Mill Pub; in addition to a varied beer selection, the pub was known for Grateful Dead memorabilia and anniversary parties. The namesake “barley mill,” which can still be found onsite, was used by Chuck Coury at Cartwright Brewing Co., Portland’s first post-Prohibition brewery. It was originally a kitty litter grinder but is now used annually to grind the grain for anniversary ales.

One major event that impacted the trajectory of the beer industry in Oregon in the 1980s was legislation that married production and sales. Fred Bowman and Art Larrance (Portland Brewing), Dick and Nancy Ponzis (BridgePort Brewing) and their brewer Karl Ockert, Kurt and Rob Widmer (Widmer Brothers Brewing), and the McMenamins lobbied to legalize on-site sales. On July 13, 1985, Governor Vic Atiyeh signed Senate Bill 813, the “Brewpub Bill,” into law. It allowed brewers to make and sell beer on the same premises, key for increasing revenue and gaining new customers.

First brewpubs

The McMenamins took advantage of the new law, and by the early 1990s had opened several brewpubs, each with its own small brewing system attached. They opened the Hillsdale Brewery and Public House October 31, 1985 in the Southwest Portland neighborhood of Hillsdale. Not only was it their first brewery, it was also the first brewpub in Oregon since Prohibition. Known as “Captain Neon's Fermentation Chamber,” a nod to Mike McMenamin’s nickname, the first several batches of beer were brewed with old Tillamook dairy equipment. On October 25, 1985, Hillsdale's first brewer Ron Wolf, who had previously worked at Anchor Steam, brewed the first beer in a small copper kettle and called it "Hillsdale Ale.” It fell loosely into the “Special Bitter” classification of beer styles and was a malt extract brew. Hillsdale Ale was brewed 29 times at the Hillsdale location and 14 times at Cornelius Pass Roadhouse between 10/25/1985 and 11/28/1986. In the first year, several brewers moved through the facility and made Hillsdale Ale, including Ron Wolf (who only brewed 13 batches before leaving), Conrad Santos (who replaced Wolf as brew master), Mike McMenamin, Brian McMenamin, John Harris, Scott Barrow, and Alex Farnham (the company’s first female brewer).

In 1986, they purchased a 125-year-old farmhouse in Hillsboro, Oregon, and turned it into the Cornelius Pass Roadhouse. Later that same year, they opened the Lighthouse Brewpub in Lincoln City. The Fulton Pub and Brewery opened in Portland in June 1988 and the Highland Pub and Brewery opened in Gresham in July 1988.

Eventually, 27 breweries would operate under the McMenamins umbrella and they became a training ground for new brewers, many of whom have gone on to found breweries of their own. Alumni include John Harris (Hillsdale, Cornelius Pass Roadhouse), Jack Harris (Cornelius Pass Roadhouse, Lighthouse Brewery), Jason McAdam (Edgefield, Hillsdale, Crystal Ballroom), Alex McGaw (Fulton, Crystal Ballroom), Ben Nehrling and Kevin Lee (Edgefield, Highland, Kennedy School), and Mark Goodwin (Old Church, Crystal Ballroom).

In addition to serving beer at their brewpubs, the company also hosted festivals, concerts, and other public programming events at their properties, including Dad Watson’s Brew Fest, Edgefield Brew Fest, Highland Pub and Brewery Eurofest, Hillsdale Brew Fest, Lighthouse Brew Fest, Mid-Valley Brew Fest, and the Thompson Barley Cup.

Beer and Other Beverages

The McMenamins’ beers could be unsettling to brewing traditionalists; they used ingredients like apples, spices, and candy bars, as well as lesser used malts like Chocolate and Crystal. They introduced fruit beers to Oregon and early batches featured blackberries from the Hillsdale brewpub parking lot. Hand in hand with their experimentation, McMenamins developed three core beers that are brewed at all their breweries. Terminator Stout (1985) is a dark, English-style brew; Ruby (1986) is a light, raspberry-flavored beer; and Hammer Head (1986) is a classic Northwest Pale Ale. Ruby and Hammerhead are iconic company characters as well; artist Lyle Hehn created Ruby Witch and Hammerhead, and both are staples of murals, posters, and coasters.

Terminator Stout made its debut in 1985 at the Hillsdale Brewery & Public House as the 12th beer brewed. Old Hammerhead, as the strong ale was first called, was brewed January 25, 1986 and was the 37th brew and made with malt extract. John Harris, who later created Mirror Pond for Deschutes Brewery, was the first to make Hammerhead an “all-grain” beer. Harris was hired in 1987, and when they transitioned away from extract brewing, he decided to rewrite the Hammerhead recipe; besides changed the grain, he also added more hops. Ruby, originally called “Ruby Tuesday” before the food chain objected, was first brewed in 1986 and used 42 pounds of pureed Oregon raspberries.

The company made more than beer. They planted 3 acres of Pinot Gris fruit in 1990 and looked to regional vineyards for additional grapes; McMenamins Edgefield Winery was established in 1992 and began by making Rhone-style wines, including grenache and viognier. The Edgefield Winery produces 20 different white, rosé, dessert, and sparkling wines and supplies 350 tons of wine to McMenamins pubs. Also in 1992, and predating the boom by more than 20 years, McMenamins started making cider at the winery and in 2018 sold as much cider by volume as wine.

In 1995, they began experiments with distillation and made brandy under contract by Carneros Alembic, a California distillery owned by Remy-Martin. In 1997, they built their first distillery in an old root vegetable storage barn on the Edgefield property. Their most popular whiskey is Hogshead, but they make several others, including Money Puzzle, which is dry hopped with Teamaker hops (which has 0 IBUs) and is sweetened with blackberry honey harvest from hives on their property.

Historic preservation

The brothers’ love of historic structures directed business growth and community involvement, and preserving important historical buildings is integral to their business. When the McMenamins started, they couldn’t afford new construction, so they purchased old buildings, which came with stories. They employ a small staff of historians to research and document the history, and those are in turn incorporated into each property’s art, murals, menus, place names, and architectural details.

In 1987, the company opened its first theater, the Mission Theater Pub, in downtown Portland. The converted 1890s Swedish Tabernacle, a church-turned-union hall, was also the state's first theater pub. In 1991, McMenamins turned a 1927 art deco theater that was slated for demolition into a second pub and movie house. These businesses were significant and ushered in a new way to watch movies with beer and food.

In 1987, the brothers purchased Edgefield, which was built in 1911 and listed on the National Register of Historic Places. They paid $560,000 and invested another $2.5 million to transform the farm's 80-year-old buildings into a multi-utility complex. Edgefield was once the Multnomah County Poor Farm, a self-sufficient facility with a meatpacking plant, power station, large rooming house, and infirmary. When the remodeled Edgefield Manor opened in 1991, the meatpacking plant was a brewery, power station a pub with a movie theater, infirmary a winery, and rooming house a 100-room hotel. There was also a meeting space, catering operation, restaurant called the Black Rabbit, herb and flower gardens, four liquor and cigar bars, distillery, golf course, and amphitheater. One of the more outstanding features of Edgefield, and something that would become the McMenamins' signature, was the extensive art installations created by local artists. Art popped up in surprising places throughout the complex (on ceilings, exposed heating pipes, eaves, fuse boxes) and showed local subjects (former residents, Northwest Indians, 19th-century brewers, the Columbia River Gorge). Within a few years, the company had a set of 12 freelance artists ready to work on new property acquisitions. Edgefield brewery is still the company's largest property.

In 1997, they purchased the Crystal Ballroom in Portland, which had been vacant for 30 years, and filled it with murals depicting the building's history, a brewpub, and a bar. The building was famous for its swaying dance floor, which sat on ball bearings. The Crystal Hotel was built in 1911 and became a dance hall and concert facility that hosted national music acts. Around the same time, they partnered with the Portland Development Commission and invested $4.5 million to remodel the Kennedy Elementary School. What was once a boarded-up building was transformed into a 35-room multi-use hotel with an onsite brewery, restaurant and four bars, a movie theater, a jazz hall, cigar bar, and soaking pool.

In 1999, the McMenamins opened McMenamins Hotel Oregon in downtown McMinnville, Oregon. The building was listed in the National Register of Historic Places and had been a hotel since its first two stories were erected in 1905; five years later, two more floors were added. In 1932, the hotel was renamed Hotel Oregon. In addition to renovating guest rooms, the McMenamins renovation added two bars and an art gallery with old photographs and new paintings that showed the history of the hotel and McMinnville.

Many property renovations followed. In 2000, they opened the Grand Lodge in Forest Grove, Oregon, which was formerly a Masonic home built in 1922. In 2001, they opened the 27 room Olympic Club Hotel and Theater, which was an expansion of the McMenamins Olympic Club Pub in downtown Centralia, Washington. The original Oxford Hotel was built in 1908 and Olympic Club was built in 1913. In 2003, they reopened the Rock Creek Tavern in Hillsboro, Oregon, which they had purchased in 1995 when the original tavern burned down. In 2016, the Anderson School in Bothell, Washington opened. The original Anderson School was built in 1931 and opened in 1936. In April of 2018, McMenamins opened their latest project, the Kalama Harbor Lodge in Kalama, Washington. Other properties include the White Eagle Saloon & Hotel in Portland, which was built in 1905; Boon’s Treasury in Salem, built in the 1860s; and Old St. Francis School in Bend, which opened in 1936.

ARCHIVAL COLLECTION INFORMATION The brew sheets and some event materials were provided to the Special Collections & Archives Research Center in 2015 and 2016 for digitization. The original items have been retained by McMenamins.

In addition to the brewery activity and the various beers released by McMenamins, this collection also contains information on events organized by the company, such as homebrew competitions and festivals. The cask held in the collection was used at the Oak Hills Pub and is decorated with a pen drawing created by brewer Chris Haslett. The photographs show art installation, artists, and property renovation.

The brew sheets and some event materials were provided to the Special Collections & Archives Research Center in 2015 and 2016 for digitization. The original items were retained by McMenamins.

Physical and electronic records are available for use in the Special Collections and Archives Research Center reading room.

[demi-shoggoth]

COVID-19 Reading Log, pt. 4

The saga continues!

21. Dangerous Spirits by Shawn Smallman. This book is about the wendigo (referred to as “windigo” throughout—apparently that spelling is more common in Canada). It collects a large number of stories about the wendigo, both from First Nations peoples and from Euro-Canadian sources. The theses of the book include the idea that the wendigo as traditionally envisaged by various Algonquian peoples was often times a threat to the family—it often breaks up marriages, pits children against their parents and can sometimes be nullified via marrying it or by cooperation between family members. It also discusses how the wendigo has changed in the modern era, both by being adopted by Euro-American authors as an embodiment of the dangers of the wilderness, and by modern First Nations authors as a symbol of the consumptive nature of capitalism and industrialism.  To quote Ojibwa scholar Basil Johnston, “…modern Weendigoes wear elegant clothes and comport themselves with an air of cultured and dignified respectability.” Highly recommended.

22. Mrs. Wakeman vs. the Antichrist by Robert Damon Schneck. This book gets points for what it is not. Unlike Schneck’s previous book (first published as The President’s Vampire and reissued as The Bye-Bye Man and Other Stories), a third of its length is not taken up by a story treatment for a screenplay poorly disguised as genuine folklore (that would be the titular Bye-Bye Man). The book is a combination of true crime, paranormal and general Ripley’s Believe It or Not! styled weirdness. The best chapters are those that actually do some folkloric analysis instead of just telling the tale. An example being “Bigfoot’s Gold: The Secrets of Ape Canyon”, which posits that the 1924 Ape Canyon proto-Bigfoot has more in common with 19th century stories about using magic to hunt treasure than it does with the cryptozoological literature.

23. Death in Yellowstone: Second Edition by Lee H. Whittlesey. A book I’ve been meaning to get my hands on for a long time—I ordered it when the quarantine started along with some cleaning supplies. The topic is divided up by subject; the first half involves deaths by natural phenomena (such as animal attacks, hot springs and hypothermia), and the second half involves human-caused deaths. Unsurprisingly, many of those latter stories date back to the early days of the park, when it was the first national park in a remote frontier. The book is very well researched, and the author clearly has done a lot of work in sorting through newspapers, army reports, etc. I do wish it had a map of the park, though—I’m a neophyte to Yellowstone, and there are a lot of geographic features rattled off by name in the book.

24. The Art of the B-Movie Poster! edited by Adam Newell. This is a big, glossy coffee table book of advertising art for exploitation movies. It’s sorted by genre—action, science fiction, horror, sex films, etc. Each chapter has a short opening essay about a few posters in particular, and there’s a paragraph of text every few pages. A lot of the text is devoted to talking about how deceptive some of the posters are compared to the contents of their films. Funnily enough, the book falls for at least one: the poster for The Day the Earth Froze appears in a section on alien invasion movies. As any Mystery Science Theater 3000 fan knows, The Day the Earth Froze is the deceptive American retiling of a Finnish fantasy movie, Sampo.

25. The Tree by Colin Tudge. It’s been too long since I’ve read any biology. The Tree is sorted by phylogeny, and the author has a deep appreciation for phylogeny and cladistics—a lengthy chapter is devoted to it in the front part of the book, and it’s one of the better general audience explanations of the subject I’ve read. The book is from 2005, so I don’t know how up to date his phylogeny actually is. The authorial voice is deeply British. And deeply anti-capitalist.

[preranajoshi1096]

Drive-in Movie Theater Market Witness Excellent Growth at a 8.42% CAGR by 2027

Brandessence Market Research has published a new report title and According to Study “Drive-in Movie Theater Market is valued at USD 4.07 Billion in 2017 and expected to reach USD 9.13 Billion by 2027 with a CAGR of 8.42% over the forecast period”.

Scope of Drive-in Movie Theater Market Report:

Drive-in Cinema or Drive-in Theater consists of outdoor cinema facility with large outdoor movie screen, projection system and concession stands. The drive-in Theaters are based on parking areas for vehicles. This enables the viewers to watch shows or movies at their comfort zone and privacy in their cars. In the early 1930s, the drive-in theaters caught attention due to integration of movies and automobiles. The drive-in cinemas provide a unique feature of micro broadcasting, where audience’s in-car stereo systems pick the soundtrack of movies for high quality and fidelity. The screens in open areas can have simple white painted walls or steel structure. Food truck vehicles can provide their services as concession stalls.

COVID-19 had severe impact on industries all around the globe, Drive-in Theater proved to be COVID-safe site with shared entertainment experiences from the comfort zone as they meet the criteria of social distancing measures. Around the world, shopping malls and restaurant parking lots introduced in-drive movies, live shows and other performances to generate more revenue. On the other hand, the government has imposed lock down to prevent the spread to Coronavirus has negatively impacted the market growth.

Global Drive-in Movie Theater Market Segmentation:

Global Drive-in Movie Theater System Market report is segmented on the basis of Area, Components, Application, and Region & country level. Based upon area, Global Drive-in Movie Theater market is classified as small scale area and large scale area. On the basis of components, the market is classified into Movie screen, Audio & Video components and Concession stands. On the basis of application, market is classified as Restaurants Parking lots and Theater Parking lots.  

By Area:

Small     scale area

Large     scale area

By Component:

Movie     screen

Audio     & Video components

Concession     stands

By Application:

Restaurants     Parking lots

Theater     Parking lots

The regions covered in this Global Drive-in Movie Theater Market report are North America, Europe, Asia-Pacific and Rest of the World. On the basis of country level, the market of Drive-in Movie Theater is sub divided into U.S., Mexico, Canada, U.K., France, Germany, Italy, China, Japan, India, South East Asia, Middle East Asia, Africa, etc.

Key Players for Global Drive-in Movie Market Report:

Some major key players for Global Drive-in Movie Theater Market are Marcus Corporation, 66 Drive-in, Lunar Drive-in Theater, Spud Drive-in Theater, Wellfleet Drive-in Theater, Mansfield Drive-in and others

News : Emagine and Bedrock to open Magical Monroe Drive-in Theater

January 13, 2021; New drive-in movie theater is to open by Bedrock and Emagine Entertainment in Detroit on January 22, 2021. The ultimate goal of collaboration is to unite community with luxury services. The theater will operate from Thursday to Sunday with family friendly movies. Other services include leading AV technology, interactive lighting, modular concessions, public restrooms and warming areas.

Drive-in theater opened by Waltham’s Craft Food Hall

January 30, 2021; Craft Food Hall in Waltham turned their parking lot into drive-in theater to encourage people for dinner out with safety. The guests can buy tickets online for $20 per car, order their food and pickup before heading to watch movie. The food hall worked with city officials and partnered with Boston Audio to implement their overall plan. 

Continuous development in entertainment industry along with increasing investment in new theater technology is a key driving factors for the growth of Drive-in Movie Theater Market

The major factors driving the growth of Global Drive-in Movie Theater Market is constant development in entertainment industry all around the globe couple with innovation of new theater technology. Additionally, rising consumer spending as well as digitization in the entertainment industry are also expected to fuel the demand for Drive-in Movie market. Moreover, during COVID-19 pandemic, mass gathering were a strict no and closure of movie theaters gave boost to in-drive movie cinemas. As these places offer naturally social distance measures, local business converted old parking lots to in-drive movie theaters to make up the lost income. This innovative solution drives the market of other businesses by adopting in-drive movie theater facilities. However, rise in other entertainment options like watching movies or shows at home has created uncertainty in the market and is major cause of low number of drive-in theaters globally. Following proper safety precautions and better marketing strategies can open opportunities in the drive-in movie theater market.

North America is dominating the Global Drive-in Movie Theater Market

North America is expected to dominate the Global Drive-in Movie Theater Market within the forecast period attributed to greatest number of drive-in theaters in this region. The America is birthplace of drive-in movie theaters and is the only region with more than 300 drive-in theaters. According to United Drive-In Theater Owner Association (UDITOA), 305 drive-in theaters present in The U.S as of October, 2019. Countries like Australia, Germany and others have also few numbers of drive-in theaters. Asia Pacific is expected to show significant growth over the period of time owing to the increase in drive-in movie theater as well as continuous growth in entertainment industry.