#movie room with bar

[morghiesart]

Underground Denver Mid-sized minimalist underground carpeted basement photo with gray walls

[pretty-little-aesthetics]

This is one of my favorite scenes from the entire show. It is genuinely a masterpiece.

[black-and-yellow]

[nostalgia-tblr]

'the batman': another film where instead of being horrified by the rats who being slandered i went "awwww, zoom in on their little pawsies! oh wow you actually got agoutis with normal ears in for your sewer rats,* well done. WEE NOSES!! OMG!!"

*you might think this is an obvious and easy win but oh wow the number of sewers and cloisters and catacombs infested with hooded dumbos would SHOCK you**

**if you know a perfectly normal amount about rats, as i do

[bitter69uk]

Recently watched: The Weak and the Wicked (1954) (retitled Young and Willing for the North American market). Tagline: “Frank, raw-truth exposé of women’s prisons! The terrors … abuses … scandals!” Who doesn’t love a gritty women-in-prison exploitation movie? Give me a Caged (1950), Women’s Prison (1955), Betrayed Women (1955), Girls in Prison (1956), Women Without Men (1956) or Caged Heat (1974) and I am entranced! (The whole genre was brilliantly parodied by SCTV in 1977 in the essential sketch “Broads Behind Bars”). Compared to these lurid, hardboiled American exemplars, the British variation The Weak and the Wicked feels buttoned-up, drab, downbeat and yes, tame, by comparison but it’s not without its merits. Glynis Johns stars as Jean Raymond, a posh upper-class woman (she wears prim little white gloves!) with a gambling addiction sentenced to prison on a trumped-up fraud charge. We watch as Jean and the other new arrivals file-in to be “processed” by the stern prison matrons: weighed, bathed (“strip!”), checked for lice and issued their frumpy uniforms. Once installed, Jean promptly befriends brassy peroxide blonde Betty Brown (the perennially sensational Diana Dors. Betty’s first words to Jean: “gizza fag!”). With each new female inmate Jean encounters, we get a flashback outlining her backstory (some are funny, some are tragic). British cinema aficionados should watch for Rachel Roberts, Sybil Thorndike, Irene Handl and Sid James in small roles. (I think it was contractually obligated for either James or Herbert Lom to appear in every single British film of the period). Director J Lee Thompson would reunite with Dors for yet another, better-known women-in-prison movie, Yield to the Night (inspired by the Ruth Ellis case) in 1956.

[todayisafridaynight]

You know what I noticed you like series that with older men as protags Yakuza, Dragon ball I feel like you’d like Golden Kamuy

ive seen many rgg fans also be a fan of golden kamuy so this is probably an accurate assessment

however, i havent watched anime or read manga sinnnnccceeee.........

[muirneach]

when i’m in my small little city with four whole music venues 1 shit movie theatre and a shit mall i go out to like 1-4 events a week and then i go back to toronto with its millions of people and events and i stay in my room for days at a time. flabbergasting

[ninjaturtlecosmo]

*Cal and Art Teacher are having a drink together at the bar*

Art Teacher, clutching a bottle of vodka and having dark circles under his eyes:........ Cal, I'm ending humanity.

Cal:...... Huh? Okay how much have you had to drink?

Art Teacher: I'm serious, Cal. Want to know why? One; My declining mental health.

Cal: Yeah, we're all well aware of that.

Art Teacher: Two, the music industry continues to award artists for shallow lyrics, instead of those who write more poetic lyrics.

Cal:....... Yeah, i see what you mean.

Art Teacher: And three; They still eat fried guinea pigs in Peru and Ecuador.

Cal: Art, i don't think eating guinea pigs is a reason to end humanity.

Art Teacher: Cal, would you eat a fucking guinea pig?

Cal:..... No?

Art Teacher: Exactly! There's too many other reasons to list too on why humanity has failed as a species, and now they all must pay...... *slowly pulls out a globe*

Cal: Lucifer, give him water the rest of--..... What is that?

Art Teacher: A voodoo globe..... Whatever i do to it happens to Earth.... *lightly taps near New York, causing their surroundings to shake as an earthquake almost happens*

Cal: !!!!!!!!.... Art? Put down the globe, now!

Art Teacher: I'm gonna make a news article happen.... what should i take out first? Wyoming?

Sunny: ._. Huh?

Art Teacher: New Jersey?

Magician Mouse: WHAT?!

Art Teacher: No.... I know.... 8) I'll take out Ohio.... Goodbye Ohio! *raises up his hand*

Cal: NO!!!!!!!!!!! *takes the globe away from him*

Sunny:......*talks into a walkie* Blossom, get the strait jacket.

[shopcat]

it is sad not many people get to experience watching fight club for the first time the way i did which was at 1am to 3 am when i wasn't supposed to be awake on regular tv with super long inane ad breaks and also having only ever heard of it beforehand and knowing nothing tangible about it and also being like 13

[iliketigers]

[bitter69uk]

“They’re souped up for thrills and there’s no limit to what they’ll do!” YES! For our final presentation of the year, the FREE monthly Lobotomy Room cinema club (committed to Bad Movies for Bad People) is gleefully embracing low-brow exploitation trash with Hot Rods to Hell (1967)! Thursday 19 December in the glittering environs of Fontaine’s bar in Dalston! Hot Rods’ wildest performance is by the remarkable Mimsy Farmer (pictured), giving major Ann-Margret energy as sex kitten-on-a-hot-tin-roof Gloria, the “old lady” of vicious gang leader Duke. (Interestingly, we showed Kitten with a Whip in November and there is considerable thematic overlap: both films were made in the sixties and concern nice middleclass, middle-aged people being terrorized by juvenile delinquents). She’s always standing upright in Duke’s Corvette as he speeds through the desert (well, her body double is in the long shots). In real life, she’d be eating insects, sand-blasted with grit and her hair would be dishevelled. Instead, once the car stops, Gloria’s spectacular Nancy Sinatra coiffure is always impeccable. (And you can see the great Pucci-like ensemble she wears in the early scenes in this pic!). Join us to watch Hot Rods to Hell over festive cocktails! Email bookings@fontaines.bar NOW to reserve your seat. Full putrid details here.

Mimsy Farmer (née Merle Farmer), Hot Rods to Hell, 1967

[stonedfemmeblues]

my letterboxd makes me feel like gregg turkington, i rate like everything a 4+, i throw out 4.5s like the directors have a gun to my head

[platsicbeach]

ONE MORE MONTH TILL BOYFIE AAAAGAGAHGSHFJANGKEKFKKSKGNGNSN

[bitter69uk]

Heartfelt gratitude to everyone who supported the Lobotomy Room cinema club in 2023 at Fontaine’s! It was a rowdy and triumphant year of (mostly) full houses – thanks to you! I’m totally aware that if you Google hard enough, almost every movie I screen is inevitably available to stream online – so thank you for showing up in person, getting drunk and keeping the authentic communal cult midnight movie experience alive! Won’t you join us in the New Year, third Thursday of every month, for cocktails and further installments of the film club devoted to Bad Movies for Bad People? Who knows what cinematic perversity I’ll be dredging up for you in 2024! (Actually, I’ll be announcing the January presentation very soon!). Photo of me speaking my brains in October 2023 via the fabulous Chantal Rsb.

[barren-heart]

The main cast in supernatural all lived the rest of their lives separate away from their friends and found family, and then all died for good leaving no room to ever continue their stories, and were never reunited even in the afterlife.

WWDITS didn’t kill any main characters leaving room to explore what the characters do next including the humans, they all continued to live together as a found family, Nandor and Guillermo reconciled and they started their next journey together offscreen.

[todayisafridaynight]

grabbing rainbow sherbet vodka for the stream because I know it's what ichi would want 🤞

bro grabbing that fucking super mario vodka what the shit 😭