#mostly story related

[starry-bi-sky]

mmmm musical cultivator shen yuan again. Feng Xuanlu, the Wind Song. He has this well-loved wooden pipe he inherited from is adoptive father that he uses on occasion. When the traveling day gets slow and he doesn't feel like singing, when he's stressed, when night falls and he's sitting around a fire with his troupe and they've all had a little bit to drink.

His hair is long and black, always tied up into a ponytail or a braid of some sort. When he's in camp he loosens it up until its splayed messily over his shoulder. He has crows feet around his eyes that scrunch up when he smiles. His eyes are bamboo green and his hands are rough and callused from years of plucking strings and work. He has scars on his back that he won't explain the origins of.

His voice is low and warm like a fire, it gets raspy in the mornings or when he's been humming or singing for too long. He speaks like there's sunshine dripping off his tongue. He speaks soft, he speaks and his voice takes up the entire room. He's spent over a decade hearing his praises getting sung and he still gets shy over it sometimes.

Whenever he goes into town he has to have at least three other musicians with him at all times -- not his decision of course, but the unanimous choice of his companions. Shen Yuan gathers admirers everywhere he goes, and his companions have long since learned that their dear friend and leader is completely unaware of it. So they have to beat off these suitors with sticks.

[bogkeep]

it fascinates me how often a choice of first or - gasp - second person storytelling can create so much derision and discourse. having preferences is fine obviously, and as a writing choice it Does matter, because all writing choices matter. i don't really... notice?? anymore??? or like, i DO notice, but more in a "what information will the narrative give me access to" kind of way.

i know second person especially can be jarring if you're not used to it, because it's "he would not fucking say that" but for yourself. but it's also like... so many song lyrics have "you" and "i" and to me they're just. a story that exists separate from me. (to the degree lyrics exist to me at all as something other than Sounds that are part of a music piece, but that's the audio processing disorder/'did not grow up with english as a first language and never bothered to decode lyrics' of it all speaking)

i suspect a lot of derision towards first person narratives comes from a derision towards the genres in which it is a staple, rather than that it's somehow uniquely bad. there's really not much difference between a first person perspective and limited third person perspective??

[rosekasa]

you know i think derry girls is a case study in perfect world building. all these tiny details of cultural habits, from northern ireland in the 90s, to derry, to being 15/16/17 at this time, are shown in such natural and relatable ways that you just get immersed so effortlessly. like the whole fionnula episode?? a masterpiece

[kinokoshoujoart]

oops all rock (springtime edition)

i’ll be able to draw digitally again soon! ;w; in the meantime i’ve been scribbling a lot on paper…

could not wait for Soon, so i resorted to coloring it using the markup tool in default iphone photos app (don’t do that ever again)

[churchyaoi]

been playing ODST and couldnt resist making my own guy

[sonicchaoscontrol]

[Ch. 1, Page 23]

[FIRST] [PREVIOUS] [NEXT]

No, really it's fine, there's just some (literal) dust in my eye.

(Image formatted for mobile or fullscreen - view in new tab if you experience fuzzy resolution!)

[hypogryffin]

So, due to the many parallels between her and Akane, Narukami being involved, and the ages (kinda maybe, I dunno) lining up, would Nanako make an appearance in P5SI?

Also, I have nothing but love for the concept, I was just curious. Thank you, and have a nice day! ^^

nanako would maybe make an appearance over a call or something in narukami's s.link at most due to yknow. being in inaba, but i imagine narukami bringing her up a lot in s.link events! p5si takes place in the 2019-2020 school year, so nanako would be a 1st year at yasogami at this point in time. just a year behind akane

[kittycatred]

[ ooc ]

hihi posts might be a little slower this week, or atleast anything with drawings and/or story progression stuff !! my mental health has just been too wonky for me to keep up with bigger asks lately, so i hope thats alright !! :'D (but i promise im not ignoring them !! ill get to them when im able to :3)

ill still be active & posting though ofc, but super sorry i haven't gotten to a bunch of asks in my inbox the past few days aughh </3

[opens-up-4-nobody]

Charlie Kelly from Always Sunny is my favorite representation of dyslexia in anything ever. Specifically because everyone's frustration when his dyslexia gets in their way feels very true to my frustration when my dyslexia gets in my way. I like watching people get mad at dyslexia lol

[forgettable-au]

WELCOME BACK!

I'm so happy I got inspiration for this AU again honestly, brings back good memories

And I was honestly so surprised so many people are still interested??? Wow

[the-oracle-of-the-lost]

banging my head against the wall while i say: "relatability is not the be all end all of writing a character. saying that you don't find a character relatable/you wouldn't have made the same choices does not mean something is poorly written. you actually should go out of your way to engage with media about people who are fundamentally different from you because it helps you learn about others."

[aliusfrater]

almost all s8 opinions regarding sam make me want to tear my hair out but what do you make of the takes that we can't really blame sam for s8, mainly not looking for dean/quitting hunting because it was "out of character"?

not just the you know who shippers who say this either btw I've seen so-called sam stans say the same

the evidence to this claim always seems to be that jared supposedly didn't like it either (which may very well be true idk the source) but I have to wonder if jared only said that or something similar because fan reactions to s8 sam began affecting him too

quite simply, i just don't agree with or enjoy interpretations that genuinely and earnestly refer to it as sam 'not looking for dean' in any context that's intended to be from sam's point of view because that's very much what dean considers it to be because he knows that he wasn't dead in the soul-had-left-his-body sense and he considers sam's adherence to his own perceived death as abandonment which is the major culprit of his own, sam's as well as the narrative's perpetuation of the idea that sam 'didn't look for him'. like this exact idea from sam's own pov is touched on in the first episode of season eight when sam is at his most confident in his independence away from his and dean's relationship:

then based on bobby's reaction to sam's own recount of dean's death to bobby in 8.19, it does seem evident to me that sam neglects to retell his own pov and he tells bobby that dean was in the same purgatory they were currently in, which is why bobby reacts with disbelief (because if you knew where he was, why didn't you attempt to save him?) and why sam's response is to bring up the previous 'agreement' he and dean had about death.

i have my own qualms about bobby's disillusionment re: the agreement as a 'non-agreement' and that he 'taught [sam] that' based on the actual events of 6.01 and the fact that bobby does indeed leave dean out of hunting at sam's will and the only plausible point at which it could have become a non-agreement is during the 6.11 and 6.12 conflict that is regaining sam's soul (without sam's consent, twice fold, but i consider soulless!sam to be more of a direct victim of being resouled than i do sam because of his active agency against it. sam's agency was preceded in his dying wishes and are therefore passive). bobby's reaction does, however, add to the already narratively skewed perspective of sam's decision where there is already that prioritisation of dean's 'didn't look for me' on account of the fact that bobby's own role as patriarch does narratively match dean's, along with bobby's position as a character who is narratively third to sam and dean's relationship (which then then bleeds into both sam's and the fandom's own interpretation of it, i think; sam also begins to doubt his decisions more which is also related to how the trials turn into his own suicidal ideation).

the conflict regarding which brother takes on the trials is very much foundational within sam's own view of a light at the end of the tunnel and his desire to leave the life and dean, at multiple points, within conversation about why he should be the one to do the trials, reiterates sam's own desire for normalcy away from hunting, within what dean himself desires for sam's life, which bring us back to the root of the issue that is dean's fear of abandonment (8.03, 8.14).

sam's own desire or attempt to leave the life seems to be fundamentally Wrong or is at least disproved of until dean approves of it/whenever it's part of dean's ideal for sam. 8.01, "so… free will, that's only for you?" the greatest sin is to disobey your patriarch; i think the culprit here re: sam's own person, just like it was with season four and the beginnings of soulless!sam, seems to be sam's rejection of the dynamics of his and dean's codependency in favour of his own attempt at independence. there's also the idea that dean would rather complete the trials that have a possibility of death than have sam go through the trials, die, then 'leave' dean to face the idea of living a life without sam—and he attempts to make this decision by on his own, without sam's input.

generally, i don't believe sam needs any excuse(s) to live a life outside of dean but the narrative's own facilitation of sam back into the non-role (the struggle to fit into the role) of his and dean's relationship, the dichotomy of monstrosity, the cycle of abuse, the patriarchal structure etc. etc. after his attempts at independence are endlessly interesting to me and although this isn't yelled at you through explicit exploration, i do consider aspects of sam's history with mental health to be relevant within several aspects of season eight, but mostly being related to sam's decision to leave hunting specifically within the context of the year between seasons seven and eight (especially after all that is seasons three to seven) as it's explored through character mirorring and subtextual acknowledgement in 8.08. ultimately though, i think the major aspects of sam's decision to leave revolve around 1) grief and sam's avoidance of his grief, which is pretty well represented by his initial reluctance to name riot and explored through sam and amelia as mirroring characters (how blatant it is pisses me off a little),

and 2) the very basic building block regarding sam as a character that is his desire to leave the life. quite generally, i think the fact that through dean's own conflation of family and hunting (on account of john's own pov that through choosing college over hunting, sam had also chosen college over family) as well as dean's own pov prioritised through his and sam's relationship along with the previously mentioned structures, the idea that sam, too, is therefore unable to leave the life or subvert any of these structures without it being perceived as leaving dean or forsaking family is pretty neglected within a lot of interpretations of sam as a character. i think dean very much keeps sam tethered to the life either through sam's own ability to choose dean and their conflated lifestyle over something/someone else (later season one, season two, three, later nine to fifteen) (there's also the guilt tripping) or as a result of being preoccupied in a way that inhibits his idea of normalcy (his monstrosity in seasons four and five), but on account of the dynamics and his and dean's relationship, sam is unable to reject their codependency which perpetuates hunting and SamAndDean as existing synonymously (an ideal that originates and is emulated from john's ideal of their family within the ultimatum of forcing sam to choose either their family and hunting or his aspirations then viewing sam's choice manipulatively, since he's one the that fabricated and fored the choice upon his child, as abandonment). i mean, even when sam was hunting without dean as soulless!sam, on account of the agency and autonomy sam was able to achieve due to the differences between s!sam and sam's priorities due to the difference between then (the soul lol), s!sam's rejection of his and dean's relationship did become evidence for his monstrosity. which is, of course, punishable by (possible) death should dean decide that the dichotomy will not stretch to accommodate said monstrosity.

season eight, to me, is when these characters first start feeling a bit like cardboard, especially due to how wittled down to its core sam and dean's dynamic is represented. this is the most boring and basic version of How They Work at this point in the show and even then people explain their simple and cardboard-ish behaviours away with explanations like saying they're 'ooc'. sam's state of mind is pretty straight forward if you know where to look; sam taking his entire family's death as his sign that he's able to leave the life is not out of character to me at all. kill the supernatural appointed patriarch in your head.

[quadrantadvisor]

I can't stop thinking about like. Post Batman vs the TMNT movie there's some sort of crisis in New York, so Batman sends some of his team to help, and tells them to meet up with his "contacts" in the area. Let's say Dick, Jason, Steph, and Tim, so it can be a Robin roadtrip and not include anyone who's met the turtles before. They keep calling them "the turtles" but no one ever actually explains what their deal is. Babs apparently chats with one of them online fairly frequently. Damian will only say that they were "surprisingly formidable" and reminds the travellers not to shame Father's name in front of their allies. Apparently someone named "Young Master Michaelangelo" is the one who gave Alfred that skateboard that's inexplicably been put on display. Bruce FINALLY explains that they're the last surviving members of the Hamato ninja clan, and thus the world's only practitioners of an ancient style of ninjutsu. Their "ways are rather strange," but Bruce found them to be "dedicated and trustworthy."

So the Robins roll up to New York expecting some stoic ninja masters, and instead end up in a sewer surrounded by chaos teens and a geriatric rat.

"Are you... meta humans?"

"Nope! We started out as normal turtles and got mutated by a toxic green ooze :D"

"..."

[chiropteracupola]

Nuestra señora.

[gureshinlover]

Feels like the lads LIs each have a different part of the planet they're connected to and i love that. From the top to bottom, Xavier has the outer space and stars to him, Caleb has the air and atmosphere, zayne has the earth with it's mountains and all, rafayel has the seas and oceans, and sylus has the underground with magma all around.

[thethiefandtheairbender]

the moralization of love as a motivation and survival as justification in fiction will always be baffling to me, tbh. characters do terrible things in the name of genuine love all the time. characters do terrible, necessary things to survive all the time. that doesn't mean any of those things aren't traumatic. that doesn't mean any of those things aren't a tragedy. if you lean into that more encompassing headspace, you will get a more fleshed out book worldview and more interesting, nuanced characters, i promise.