#most popular fashion designers in india

[shopfashionly]

Top Designers of India: Shaping Fashion and Aesthetic Landscapes

India has a rich history of craftsmanship and textiles, making it a fertile ground for the top designers of India who draw inspiration from its cultural diversity, traditional heritage, and modern sensibilities. Over the past few decades, several Indian designers have not only made a mark within the country but have also gained global recognition. Their work bridges the gap between tradition and modernity, blending the essence of Indian textiles and techniques with contemporary design. This blog explores some of the top Indian designers who have shaped the fashion and design landscape both in India and globally.

1. Sabyasachi Mukherjee

When talking about Indian designers, Sabyasachi Mukherjee is an unmissable name. Known for his deep-rooted love for Indian heritage, Sabyasachi's work revolves around reviving traditional crafts and textiles, making them relevant in modern fashion. His collections often feature intricate embroidery, hand-woven fabrics, and vintage aesthetics that draw from India’s rich cultural history.

Sabyasachi is particularly famous for his bridal collections. His bridal lehengas and sarees are coveted for their regal and timeless quality. He has dressed several Bollywood stars, including Priyanka Chopra, Deepika Padukone, and Anushka Sharma, for their weddings, making his label synonymous with high-end bridal wear. His collaborations with global brands like Christian Louboutin and Pottery Barn have cemented his name on the international stage as well.

A key element of Sabyasachi’s work is his storytelling. His designs are often seen as a narrative, each piece telling a story of its own. Through his Instagram and marketing campaigns, he creates a visual world that captivates the imagination of fashion enthusiasts.

2. Manish Malhotra

Manish Malhotra is perhaps the most celebrated designer in Bollywood. His work as a costume designer in the film industry has earned him a distinct place in Indian fashion. Malhotra has designed costumes for some of the most iconic Bollywood films, including "Dilwale Dulhania Le Jayenge," "Kabhi Khushi Kabhie Gham," and "Kal Ho Naa Ho."

Beyond his work in films, Malhotra's bridal and couture collections are well-known for their glamour, opulence, and attention to detail. He frequently uses luxurious fabrics like velvet, silk, and brocade, embellished with crystals, sequins, and heavy embroidery. His designs are characterized by a perfect blend of tradition and modernity, making him a favorite among brides and celebrities.

Manish Malhotra's contribution to the fashion industry goes beyond just design. He has also been a pioneer in bringing Indian fashion to the global stage. His shows, both in India and abroad, have garnered significant attention, and his label is one of the most recognizable in the country.

3. Ritu Kumar

One of the pioneers of Indian fashion, Ritu Kumar, is credited with reviving traditional Indian crafts and textiles at a time when the fashion industry was predominantly Western-centric. She started her career in the 1960s when the Indian textile industry was struggling, and with her keen understanding of ancient art forms, she began working with local artisans to create beautiful handcrafted clothing.

Ritu Kumar's designs are known for their unique blend of contemporary and traditional styles. Her use of natural fabrics, intricate embroideries, and ethnic motifs makes her collections stand out. Over the years, she has built a reputation for producing exquisite bridal wear, elegant sarees, and ready-to-wear collections that appeal to a wide audience.

What sets Ritu Kumar apart is her commitment to sustainability and ethical fashion. She has played a key role in promoting slow fashion, ensuring that Indian crafts and techniques continue to thrive in a fast-paced, globalized world.

4. Tarun Tahiliani

Tarun Tahiliani is renowned for his luxurious and elaborate designs, often described as "India modern." He is one of the first Indian designers to have blended Indian textiles and draping with Western silhouettes and construction. His ability to merge Indian craftsmanship with modern trends has made him a trailblazer in the Indian fashion industry.

Tahiliani is particularly known for his bridal couture, which combines heavy embroidery, structured silhouettes, and innovative draping. His use of zari, zardozi, and chikankari work has set new benchmarks in bridal fashion. However, it’s not just bridal wear where he excels; his ready-to-wear collections also have a strong global appeal, and he has dressed several international celebrities.

In addition to his fashion label, Tahiliani has ventured into interior design, where his signature aesthetic—opulent yet modern—can also be seen.

5. Anamika Khanna

Anamika Khanna is a designer who is known for pushing the boundaries of traditional Indian wear. Her designs are often a confluence of Indian and Western fashion, resulting in fusion wear that is contemporary yet deeply rooted in tradition. She is particularly recognized for her signature dhoti pants, capes, and layered garments, which have become a trendsetter in modern Indian fashion.

Khanna was one of the first Indian designers to showcase her collection at Paris Fashion Week, putting her on the global fashion map. Her designs are bold and innovative, yet they retain a sense of Indian cultural identity. She frequently uses indigenous techniques like hand embroidery, but with a modern twist.

Her work is loved by fashion-forward celebrities, including Sonam Kapoor and Kareena Kapoor Khan, who often wear her designs at high-profile events.

6. Abu Jani and Sandeep Khosla

The design duo of Abu Jani and Sandeep Khosla is known for their flamboyant, extravagant, and quintessentially Indian designs. They are celebrated for their use of chikankari, zardozi, and mirror work, which they have elevated to a form of high art. Their designs often feature a rich color palette, intricate embellishments, and a timeless appeal, making them a favorite among Bollywood celebrities and international clients.

Their couture is often seen at big Indian weddings, film premieres, and on red carpets. Over the years, Abu Jani and Sandeep Khosla have developed a signature style that is opulent, traditional, and luxurious, yet surprisingly wearable.

7. Masaba Gupta

Masaba Gupta, the daughter of actress Neena Gupta and cricketer Vivian Richards, is one of the most exciting young designers in India. She is known for her quirky and bold designs, often featuring playful prints and unconventional color combinations. Her work is a reflection of her modern, eclectic style, which appeals to young, fashion-forward women.

Masaba's brand is one of the most successful contemporary labels in India. She has been a trailblazer in using digital prints and sustainable fabrics, making her label both stylish and eco-friendly. Masaba’s clothes are a reflection of her personality—fun, vibrant, and unapologetically Indian.

8. Rohit Bal

Rohit Bal is one of India’s most flamboyant designers, known for his bold and extravagant designs. His work often features intricate embroidery, rich fabrics, and a blend of traditional and contemporary styles. He has dressed some of the biggest names in Bollywood, including Amitabh Bachchan and Deepika Padukone, as well as international celebrities like Uma Thurman.

Bal is known for his showmanship, and his fashion shows are often theatrical events that showcase his larger-than-life personality. His work has a regal quality, drawing inspiration from Indian royalty and traditional motifs, but with a modern twist.

Conclusion

India’s fashion landscape is as diverse and vibrant as the country itself, and its designers reflect this unique blend of tradition and modernity. From the opulent bridal wear of Sabyasachi Mukherjee and Manish Malhotra to the innovative fusion styles of Anamika Khanna and Masaba Gupta, Indian fashion is continuously evolving. These designers have not only influenced how India dresses but have also played a significant role in bringing Indian fashion to the global stage.

Whether through their use of traditional craftsmanship or their bold, contemporary styles, these designers have shaped the future of fashion, leaving an indelible mark on both India and the world.

[ask-aliasgar]

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[canoetrends]

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[pexels-ind]

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[indignantlemur]

My dear Indi, I need your expertise !

Do you have any ideas or headcanons for Andorian outfits, from lighter to warmer? What would they look like in general, what texture is most appreciated or considered fashionable ?

Thanks ! 💙

Hello Zier! Let's see what I can do for you! Fair warning, this one is going to be image-heavy.

For the most part, Andorian fashion in my headcanons isn't unified. Different folks prefer to wear different things, same as Humans, but there are broader elements that are quite common.

Firstly, we know from ENT and subsequent appearances in the modern Treks that Andorians tend to wear a lot of leather, often embossed or tooled to have a particular sort of feel. The samples below from Discovery give me powerful 2009-2013 Gareth Pugh vibes.

Beyond that, the only other time we see Andorians is when they're in Imperial Guard or Starfleet uniforms, which mostly just gives an overall impression of leather, suede, and future-kevlar.

The Andorian ambassador in "Terra Prime" had a very different feel from these, of course, and that shiny outer robe ultimately inspired Thoris' official get-up.

By contrast, some super early screen tests and comic book depictions for everyday Andorians look rather different, however. We've got draping fabrics, robes, tunics, some thigh high boots, and what looks like bits of armoured studding and chainmail. That's quite the departure from the other depictions!

And then, of course, we have Shran's post-Imperial Guard coat. This one gets its own mention, because that coat is fabulous.

Honestly, this isn't a lot to work with. It's better than nothing, of course, but the different depictions feel very disjointed and all over the place. There's no sense of unity in the designs across the board.

So, from there I looked to real-world fashion to help me build a better idea of what I wanted my Andorians to actually look like outside of a uniform. As much as their depictions would lead us to believe that Andorians have an oddly prevalent leather kink, that's really not practical. Leather is a useful material, and certainly a heavily carnivorous population would end up with quite a lot of it, but surely that can't be everything they wear. So, I started looking around for things that felt like they fit the vague aesthetic we were given to work with.

Below are some samples from the ungodly huge pinterest board I keep for ideas and references for Andorian fashion. I think these mostly hit all the key notes for my headcanons.

A lot of these images are very bland in terms of colour, particularly by Andorian standards, but I think you should be able to see what I've drawn inspiration from.

What I ended up with was a combination of future-fashion elements, and influences from places like Japan and India - with a heavy slant towards using leather, silk, velvet and occasionally soft, drapey fabrics. Heavy ornamentation, such as embroidery, is very common but lacework on clothing is actually quite unusual. Andorians tend to find it catches on their chitin and tears too often to be worth the fuss.

In particular, I really like the idea of layers, off-set or asymmetrical necklines, and elements of structural/architectural fashion for Andorians. Tooled leather is very popular, as well.

Another detail about Andorian fashion that I've mentioned a few times in other posts is that they like to show off their chitin patterns. Often this is done using leather as the medium, but embroidery is also a perfectly acceptable option. Often times, these articles of clothing (usually outerwear but not always) will have a Clan sigil somewhere on it as well, but it's not at all a requirement. These practices accomplish a couple of different things:

Firstly, it offers prospective playmates a tantalising 'preview' of what's underneath. Andorians are not shy about these things, nor do they understand why aliens think they should be. Some Andorians find particular types of chitin patterns very attractive, while some are averse to partners with what they perceive to be too much or too little chitin - or worse, chitin patterns that are far too similar to their own, which would suggest a shared lineage somewhere.

Secondly, it shows off Clan affiliations, especially for Clan members who were not born with their Clan's 'typical' chitin pattern. (Married individuals will often wear things that show their affiliation to both their birth Clan and their marriage Clan, as well, though these are usually ornamental items such as jewellery or hair pieces.)

Thirdly, wearing one's Clan affiliations stamped on their sleeves can sometimes serve as a conflict deterrent. Some Clans are just not worth picking a fight with, and knowing who's who ahead of time instead of after someone says something spectacularly stupid tends to save lives. Since the Unification, the need for these sorts of deterrents has dropped substantially, but it's never entirely gone from Andorian society.

This is not to say that I imagine that all Andorians wear the same things. Being able to express individual preferences is very important, especially in a society where most other individualistic pursuits are seen as counter-productive to the harmony and unity of a community.

Shral, for example, deviates from the norm by preferring dark colours and minimal ornamentation. To other Andorians, his sartorial choices are almost conspicuously bland. On the other end of the spectrum, Thelen adores vivid colours - neon oranges, shocking yellows, acid greens - and fully embraces the bombastic colour palettes his people are known for. Thoris is doomed to be trapped in billowing robes he'd much rather burn in a steel drum behind the embassy under cover of darkness, but he prefers layered tunics, boots, and breeches that don't inhibit his movement. Vrath is in the middle of the road, favouring bold colours and practical clothing but never quite able to resist bits of ornamentation that give her wealthy Tha'an Clan allegiance away. Miraal, on the other hand, adore soft, draping fabrics and wears very little leather, or any other similarly heavy materials, and she prefers to wear minimal ornamentation so as not to distract from her wares.

In terms of seasonal clothing, Andorians can tolerate very broad rangers of temperatures, and they have thermal regulators built into much of their clothing. They can get away with quite a lot, in terms of weather, but a heavily cultivated sense of caution generally prevents them from wandering out into surface conditions wearing anything less than full winter gear - though, naturally, their idea of full winter gear is rather lighter than what a Human would go in for. In extreme heat, Andorians have no problem wearing as little as possible - often to the consternation of other species who do not share their total lack of nudity taboos.

Regarding colours, I headcanon that much like how Vulcans view green as a traditional mating colour owing to the hue of their blood, and Humans view red much the same way, so too do Andorians with the colour blue. Just wearing blue alone isn't an invitation for anything, but it is very noticeable and considered a very attractive colour. Wearing a particularly fetching shade of blue while lurking in a bar and being very noticeably single, however...

Andorian silk is a luxury item, and one in high demand. Made from cocoons harvested from a domesticated relative of the infamous Andorian ice borers, it's ten times stronger than Terran silk, rendering it resistant to slashing and piercing damage. It can be woven into heavy brocades or crafted into a diaphanous, organza-like material, or blended with other fibres. It almost always has a slight iridescent or even metallic shine to it, a highly coveted property, and it is ludicrously expensive.

Hope this helps! <3

[fatehbaz]

At Vauxhall Gardens, [...] giant paintings were erected in the “Pillared Saloon” of seemingly geographically opposed colonial wars: one painting of The Battle of Plassey (1757), which secured Bengal for the British East India Company, hung next to another symmetrical work that portrayed the British capture of Montreal and, later, Canada itself. That these and other sizable aesthetic works were “designed to be an immersive virtual-reality experience” testifies to Cohen’s larger claim in The Global Indies that 18th-century fashion, rank, sociability, and class were intimately bound up with race and colonialism, particularly through the period’s joint imaginary of the  “Indies.” The Indies describes a shared fantasy - and unquestionable material reality - of wealth accumulation that yoked together the “West” (the Caribbean and North America) and “East” (the Indian subcontinent) Indies in late 18th-century British culture, a conceptual proximity so thorough and unrelenting that its effects reverberate throughout the contemporary  [...].

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The prelude to Ashley L. Cohen’s The Global Indies opens in a pleasure garden - not just any such garden, but the largest and most spectacular of these 18th-century sites of fashionable culture [...]: London’s Vauxhall Garden. At Vauxhall, Londoners who could afford the entrance fee were treated to an array of wonders and excesses. A well-known chapter entitled “Vauxhall” in William Makepeace Thackeray’s Vanity Fair (1847–’48), for example, finds Jos Sedley, an “indolent” officer of the East India Company recently returned to London, drunk off the garden’s signature “rack punch.”  “Everybody had rack punch at Vauxhall,” [...]. Lest a reader mistake punch for a mere artifact of the pleasure garden or a one-off comedic incident, “that bowl of rack punch was the cause of all this history,” the narrator stresses about his unfolding novel. [...]

Punch, an alcoholic drink popular with colonial officers of the East India Company, was usually made with a combination of five ingredients including sugar cane and spices, and probably derives from the Sanskrit word “pancha,” meaning five (and  invites an etymological link with the Persian panj and with Bengali five-spice mix, panch phoreen). Rack punch’s association with Vauxhall, with India, and with Vanity Fair’s narrative construction was hardly a stretch for Thackeray’s Victorian readers, and probably registered as quite natural, though it carried more than a whiff of the unseemly. But then again, to 18th-century Britons, “natural and a little unseemly” could easily describe the “worldwide empire that stretched from the East to the West Indies” [...].

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It’s tricky business to think seriously inside of the 18th-century’s analytic tools, but The Global Indies pulls it off, not least because Cohen is appropriately blunt [...], reminding readers of the everyday racism of the Georgians and their fashionable sociability. [...] [T]he “Indies mentality” enters a critical landscape that has lately taken up the connections between geographically far-flung events in modernity: North American settler colonialism, Atlantic slavery, colonialism in India, and the migration of Chinese and South Asian indentured labor.

Lest these all seem like separate histories that have produced separate discursive notions of race, critics like Lisa Lowe, Jodi Byrd, Tao Leigh Goffe, and now Cohen assure us that they are not, and that our modern ideas about race are intimately shaped by the interconnected and forced movements of Black and brown people across the world. [...] Cohen spells out how British liberal reformers and abolitionists found a solution to ending West Indian slavery in the continuation of so-called “free” wage labor in Bengal. Sugar produced by Bengali peasants laboring under the threat of starvation came to replace sugar produced on West Indian plantations well into the 19th and 20th centuries. One only has to look up the multiple Bengal famines (1769–1770, and 1943) to calculate its effects. [...] [T]he architects of the [American transcontinental] railroad “imagined a new era of US hegemony in a mold cast by the imaginative geographies of British imperialism.”

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All text above by: Ronjaunee Chatterjee. “The Colonial Mentality, Past and Present.” LA Review of Books. 3 September 2021. Published online at: lareviewofbooks.org/article/the-colonial-mentality-past-and-present/ [Bold emphasis and some paragraph breaks/contractions added by me. Presented here for commentary, teaching, criticism purposes.]

[allisian]

K/DA Lore pt.3

It took me a while to decide on how teen Evelynn would look like. So I held off my last post until I could finalise her design. Yes I heavily based her off Maddison Beers look at the 2018 worlds. Its a shame I wasn't able to showcase her fashion I had in mind. Perhaps I'll try drawing a full body reference in the future.

Time for Kai'sa! KDA's most shallow member! (I love Kai'sa guys I swear. It's riot that ruined her potential.)

As a child Kaisa would travel a lot because of her father's work (military) She would grow up as a model student fluent in many languages and educated in geography and history. Kai'sa is socially underdeveloped due to her "really moves around" upbringing. She also is the "Broken Ace" type (nomadic life), always striving for perfection in her grades and career but in turn suffers socially. This makes Kai'sa very awkward and oblivious to social cues when interacting with people outside of a professional manner. Because of this, she was typically outcasted throughout the many schools she attended. Others feared her like she was some sort of monster. A creature too mysterious and focused on achieving to be understood. School became a hunt to survive mentality to kaisa and nothing else mattered in her world. Yet the longing to belong was still there in her heart. After discovering dance in her teens Kai'sa would start to evolve. She never had hobbies or any indulgences in her life. All she knew was how to survive an ever-changing environment as she constantly moved with her father's tours and deployments around the world. With dance, she finally opened herself up to the idea of living over surviving. From ballet in Russia to hip hop in the Americas Kaisa would find the universal language to feel herself and to connect to those around her no matter where in the world she was. Kaisa grew to have a passion for the arts, she discovered she was diversly gifted in creativity. Her hardworking attitude and serious studying nature helped her achieve many degrees. As an adult, she would make her own studio the Firefly Collective (located in America) where she would share her passion and teach others the wonderful world of dance and would go on to create a popular youtube channel for her studio (think 1MILLION Dance Studio). She was happy being a teacher and was astonished to have been visited by Ahri and Evelynn. Kaisa wasn't too aware of K-pop artists so she didn't recognize them as celebrities but her students did. They freaked out when popstars Ahri and Evelynn entered their dance studio. Seeking out someone to be their choreographer. Kaisa's students urged her to take this opportunity and so Kaisa became the third member of kda.

*Yes Kai'sas lore was mostly ripped off the comics. But I was able to add more context

*in 2018, one year before KDA debuted she won Hong Kong's "Can you dance?" competition. This success was what put her on Ahri and Evelynn's radar. (Kai'sa was 21 at the time)

*Kai'sa had a complete personality overhaul when she discovered dance. She went from the recluse, studyholic to the hippie, free spirited type.

*In her life Kai'sa has lived in 10 countries: China, South Africa, South Korea, France, America, Australia, United Kingdom, Russia, India and Argentina.

*She was born in south africa (as a omage to her default voice actor)

Art by me

Here's a link to my playlist of the music I think suits this pre KDA Kai'sa

(Edit links to the other KDA girls)

Ahri

Evelynn

Akali

[lovesexplore]

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[wills-wardrobe]

For my first post I thought it would be good to post about maybe my favorite historical garment: The Oak Leaf dress by House of Worth.   House of Worth is well known as being one of the leaders of Parisian fashion in the late 1800s.  Originally started by Charles Frederick Worth the house was later run by his sons.  This dress dates from 1903 for Mary Curzon, wife of George Curzon the Lord of Kedleston.  It is a silk and satin constructions and shows off the popular silhouette of this era very well.  Of note is the pigeon breast breast bodice that curves outward.  The small waist accentuated by a sash and some slight hip padding, and the full train.  Lady Curzon was rather tall at 5′7″ which can be seen by the length of this dress.  Unfortunately Lady Curzon and her husband participated in the colonization of India in 1898.  She would have been 33 when this gown was made and died three years later on July 18th 1906 at age 36, after an infection due to a miscarriage.

Personally I think this dress is one of the most beautiful I’ve ever seen. The gold color is still stunning even 120 years later, the oak leaf design is delicate and compelling, and maybe my favorite parts are the delicate ruching at the train and the off the shoulder sleeves.

Links/References:

https://en.wikipedia.org/wiki/Mary_Curzon,_Baroness_Curzon_of_Kedleston

https://www.metmuseum.org/toah/hd/wrth/hd_wrth.htm

https://theenchantedmanor.com/tag/the-oak-leaf-dress/

[shopfashionly]

The Leading Fashion Designers of India: Icons Shaping the Indian Fashion Landscape

India’s fashion scene is as diverse and colorful as its culture. Over the years, Indian designers have earned worldwide acclaim for their unique blend of traditional craftsmanship and contemporary designs. Whether it's exquisite bridal wear or cutting-edge runway collections, these designers are creating a significant impact on both the domestic and international fashion stages. Here's a look at the most popular and influential top designers of India today.

1. Sabyasachi Mukherjee: The King of Bridal Couture

When it comes to Indian bridal wear, Sabyasachi Mukherjee is often the first name that comes to mind. His brand is synonymous with opulence, tradition, and grandeur. Sabyasachi’s design aesthetic celebrates India’s rich cultural heritage, merging it with modern sensibilities. Known for his detailed embroidery, luxurious fabrics, and vintage-inspired motifs, his work often features a signature palette of deep reds, rich golds, and earthy tones.

Sabyasachi’s collections often draw inspiration from Indian art, architecture, and folklore. His bridal lehengas, saris, and anarkalis have become coveted pieces for brides, not just in India but globally. He has dressed numerous Bollywood celebrities, including Deepika Padukone, Priyanka Chopra, and Anushka Sharma, as well as international stars. His collaborations with global brands like Christian Louboutin have solidified his standing as a global fashion icon.

2. Manish Malhotra: Bollywood's Favorite Designer

Manish Malhotra is the quintessential Bollywood designer, having styled some of the biggest names in Indian cinema. Known for his glamorous and elaborate creations, Manish has defined red-carpet style for Bollywood’s elite. He is famous for his larger-than-life fashion shows, where Bollywood celebrities frequently walk the ramp showcasing his dazzling designs.

Manish’s style is characterized by vibrant colors, intricate embroidery, and luxurious fabrics. His bridal collections are highly sought-after, featuring stunning lehengas, saris, and gowns that combine traditional Indian craftsmanship with contemporary silhouettes. Beyond bridal wear, Manish has also made his mark in couture and prêt-à-porter, with designs that appeal to both traditional and modern sensibilities.

In recent years, he has also expanded his brand into makeup and bridal jewelry, making him a one-stop-shop for brides. His dedication to the craft and his influence on Bollywood fashion have made him one of the most recognized designers in India.

3. Ritu Kumar: The Pioneer of Indian Fashion

Ritu Kumar is considered one of the pioneers of Indian fashion. With a career spanning over five decades, she has played a key role in reviving traditional Indian textiles and crafts. Her designs are known for their elegance, blending Indian motifs and handwork with contemporary styles. Ritu's collections are rich in heritage and history, often featuring block prints, zari work, and intricate embroidery.

Ritu Kumar’s work has been instrumental in promoting Indian craftsmanship on the global stage. She has a loyal following not only in India but internationally, with stores in several countries. Her ability to modernize Indian textiles like silk, cotton, and khadi while staying true to their roots has made her a beloved name in Indian fashion.

Her label, which started as a small boutique in Kolkata, has grown into one of the most successful fashion brands in India. From bridal wear to prêt-à-porter, Ritu Kumar’s versatility and commitment to Indian craftsmanship continue to inspire the next generation of designers.

4. Tarun Tahiliani: The Master of Draping

Tarun Tahiliani is celebrated for his ability to fuse Indian traditions with Western styles. His designs are known for their impeccable draping, luxurious fabrics, and intricate embroidery. A graduate of the Fashion Institute of Technology (FIT) in New York, Tarun brings a global perspective to his designs while maintaining a strong connection to Indian heritage.

Tahiliani’s bridal wear is a favorite among Indian brides who want a perfect blend of tradition and modernity. His signature style includes the use of Swarovski crystals, intricate beadwork, and lavish fabrics like silk, velvet, and chiffon. Apart from bridal couture, Tarun is known for his ready-to-wear collections that feature structured silhouettes, detailed embellishments, and contemporary cuts.

He is also a founding member of Ensemble, India’s first multi-designer store, which played a significant role in promoting Indian designers. His ability to balance craftsmanship with innovation has made him one of India’s most respected designers.

5. Anamika Khanna: The Queen of Contemporary Indian Fashion

Anamika Khanna is one of the few Indian designers who has successfully merged Indian traditional aesthetics with modern global trends. Her designs are a blend of Indian textiles and contemporary silhouettes, often pushing the boundaries of conventional fashion. Known for her signature draped saris, capes, and floor-length jackets, Anamika’s collections reflect a deep understanding of Indian crafts combined with avant-garde innovation.

Anamika Khanna became the first Indian designer to present her collection at Paris Fashion Week, marking a milestone in Indian fashion. She is also known for her love of fusion wear, using traditional Indian techniques like zardozi and chikankari in unconventional ways. Her designs are a favorite among Bollywood stars like Sonam Kapoor and Kareena Kapoor Khan, who frequently don her creations on the red carpet.

Her ability to seamlessly blend tradition with modernity has earned her a loyal following among fashion-forward individuals both in India and abroad.

6. Abu Jani and Sandeep Khosla: Masters of Opulence

Abu Jani and Sandeep Khosla are known for their ultra-glamorous and intricately detailed designs. Their label, Abu Jani Sandeep Khosla, has become a go-to for high-society weddings and celebrity red-carpet events. The duo is celebrated for their mastery of traditional Indian techniques, including zardozi, chikankari, and mirror work, which they combine with contemporary silhouettes to create show-stopping outfits.

Their designs often feature luxurious fabrics like silk, velvet, and organza, adorned with lavish embellishments. Whether it’s a bridal lehenga, anarkali, or an elaborate gown, Abu Jani and Sandeep Khosla are known for their attention to detail and artistic vision. They have dressed international celebrities like Beyoncé and Judi Dench, alongside Bollywood royalty like Amitabh Bachchan and Deepika Padukone.

Their opulent designs, combined with a flair for storytelling through fashion, have earned them a prominent place in India’s fashion industry.

7. Masaba Gupta: The Face of Quirky and Fun Fashion

Masaba Gupta has become a household name for her bold, quirky, and unconventional designs. Daughter of actress Neena Gupta and cricketer Vivian Richards, Masaba brings a unique perspective to Indian fashion. Her designs are known for their vibrant colors, bold prints, and playful motifs, often drawing inspiration from art, nature, and popular culture.

Masaba's label, House of Masaba, is one of India’s most popular prêt-à-porter brands. She has successfully redefined traditional Indian wear, especially the sari, by giving it a modern twist with eclectic prints and contemporary draping styles. Her ability to make traditional Indian fashion accessible to younger generations has earned her a strong following among millennials.

Her designs are perfect for those who love to make a statement with their clothing, and her collaborations with global brands have only increased her reach.

Conclusion

The Indian fashion industry is as diverse and dynamic as the country itself. From traditional bridal couture to contemporary fusion wear, India’s leading designers are constantly pushing the boundaries of creativity and innovation. Designers like Sabyasachi Mukherjee, Manish Malhotra, Ritu Kumar, Tarun Tahiliani, Anamika Khanna, Abu Jani-Sandeep Khosla, and Masaba Gupta have not only shaped Indian fashion but have also taken it to global platforms, making India a significant player in the world of fashion. Their designs are a celebration of India's cultural heritage, artistic traditions, and modern influences, making them icons in the world of fashion.

[gglove93]

Choosing a 14k Gold Necklace

A 14k gold necklace relates the owner of the necklace to the fabled past of gold. Gold necklaces have click here to learn more greatly evolved over ages. From a status symbol to a fashion accessory, Choosing a 14k Gold Necklace Articles gold jewelry has a come a long way.

Having a 14k gold necklace is far better than having heavy gold jewelry that you dare not wear outside. The most popular 14k gold necklace comes in designs such as omega, brick omega, two tone Italian and gold, complemented with pearl.

14k Gold Necklace: Fabled Past

Unbelievable as it may sound, a 14k gold necklace has a fabled past. In ancient Egypt, the wealthy wore gold collars around their neck as a symbol of prosperity. Archeological evidence indicates that around 2500 BC, Mesopotamia produced its first gold necklace. Around 2000 BC, other precious gemstones were added to beautify the necklace.

The reign of Alexander the great revived the popularity of gold in Greece. Most gold necklaces of that era (480-300 B.C) had a three dimensional design to it. These hung from a row of flat decorative beads.

In Asia, particularly India, the noble classes continued the use of gold necklaces on a massive scale. These were huge in design and contained other precious colored gemstones and pearls. In the pre-Colombian Mexico, the Aztec nobility had unique gold necklaces which were designed in the form of animals.

With time, it became possible for the ordinary man to appreciate and buy precious gemstones and metals like gold. The use of gold necklaces were no longer monopolized by the royal classes but by the general public as it symbolized their state of economic betterment and expression of a suppressed desire.

[canoetrends]

Buy Black Light Weight Denim For Women Online in India

Shop Black Light Weight Denim For Women Online From Canoetrends in India. For everyday wear, the Women's Black Light Weight Denim from our online store is the ideal option. These lightweight denim jeans are airy and perfect for warm weather because of their light weight denim construction. It's been a while since I've done this, but I have a feeling that I'm going to have to do it again. For a chic, relaxed style, combine them with a laid-back blouse or shirt.

[fashiondesigninstitute]

The Creative Process: How Fashion Design Students Turn Ideas into Reality

Fashion design is an art form that requires creativity, skill, and patience. Fashion designers start with an idea and then turn that idea into a tangible design. For fashion design students, the process of turning an idea into a finished product is a crucial part of their education. In this blog, we'll explore the creative process of fashion design students and how they turn their ideas into reality.

Inspiration

The first step in the creative process is finding inspiration. Fashion design students draw inspiration from a variety of sources, such as art, nature, music, and culture. They also look to current trends and styles for inspiration. Once they have found an idea that speaks to them, they start to visualize the design in their minds.

Sketching

The next step is to sketch the design. Fashion design students use sketching as a way to get their ideas down on paper. They create rough sketches and refine them over time, adding details and making changes as they go. Sketching allows them to visualize the design and see how it might look in the real world.

Fabric Selection

Once the design is sketched out, fashion design students begin to select the fabric they will use. They consider the weight, texture, and drape of the fabric, as well as its color and pattern. They may also experiment with different combinations of fabrics to achieve the desired effect.

Pattern Making

After the fabric is selected, the fashion design student creates a pattern. This involves creating a template for the design, which will be used to cut the fabric. Pattern making requires precision and attention to detail, as any mistakes can impact the final product.

Sewing

Once the pattern is created, the fashion design student starts to sew the fabric together. This is where the design starts to come to life. The student must be skilled in sewing techniques and have a strong attention to detail to ensure that the garment is constructed properly.

Fitting

After the garment is sewn, the fashion design student tries it on to see how it fits. They may make adjustments to the design to ensure that it fits properly and looks the way they intended.

Finishing

The final step in the creative process is finishing the garment. This involves adding any final touches, such as buttons, zippers, or embellishments. The finishing stage requires patience and attention to detail, as even small mistakes can impact the final product.

In conclusion, the creative process of fashion design students involves finding inspiration, sketching, fabric selection, pattern making, sewing, fitting, and finishing. Each step requires a different set of skills and knowledge, but they are all crucial to turning an idea into a finished product.

They really enjoy the fashion design courses, Fashion design students must be creative, skilled, and patient to succeed in this field. With dedication and hard work, they can turn their ideas into reality and create beautiful and innovative designs that inspire and delight.

Join One Of The Best Fashion Designing College in India. IIFD-Indian Institute Of Fashion & Design is The most popular and Leading Fashion Design College in India which Offers professional training in Fashion Design Courses in India.

[fashiondesign-college]

The Art of Time Management in Fashion Design: Tips for Success

Fashion design is a thrilling, fast-paced world where creativity knows no bounds. However, amidst the whirlwind of inspiration, creation, and execution, effective time management is the linchpin that separates successful designers from the rest. In this article, we'll delve into the art of time management in fashion design and provide essential tips to help you navigate this dynamic industry with precision and poise.

Why Time Management Matters in Fashion Design

In fashion, time is of the essence. Launch dates, fashion weeks, and client demands all converge on tight schedules. Efficient time management not only ensures deadlines are met but also fosters creativity, minimizes stress, and improves the quality of your work.

Tips for Successful Time Management in Fashion Design

Set Clear Goals and Priorities: Begin each project by defining clear objectives and priorities. What is the end goal? What are the most critical tasks? This clarity will guide your work and help you stay on track.

Create a Detailed Schedule: Develop a comprehensive schedule for each project, breaking it down into manageable tasks and allocating time to each. Tools like calendars, project management software, or even a simple to-do list can be incredibly helpful.

Embrace Deadlines: Deadlines are the heartbeat of the fashion industry. Embrace them, use them to your advantage, and always strive to meet them with time to spare. This not only reduces stress but also leaves room for revisions and improvements.

Avoid Overcommitting: As a designer, it's easy to get excited about multiple projects and collaborations. However, overcommitting can lead to burnout and compromised quality. Be realistic about what you can handle.

Limit Distractions: Identify common distractions in your work environment and take steps to minimize them. This might mean setting aside specific time blocks for focused work and turning off notifications.

Break Tasks into Smaller Steps: Large projects can feel overwhelming. Break them into smaller, more manageable steps. This approach makes progress feel achievable and keeps you motivated.

Learn to Delegate: Don't try to do everything yourself. Delegate tasks when possible, whether it's hiring assistants or outsourcing certain aspects of a project. This frees up your time for more creative work.

Maintain a Work-Life Balance: Fashion design can be all-consuming, but maintaining a healthy work-life balance is crucial for long-term success. Schedule downtime, stick to it, and return to your work refreshed and inspired.

Stay Organized: Keep your workspace and digital files organized. This saves time that might otherwise be spent searching for materials or information.

Review and Reflect: Periodically assess your time management strategies. What's working? What needs improvement? Adjust your approach accordingly to optimize your efficiency.

The Balance Between Speed and Quality

Efficient time management in fashion design is not about rushing through projects. It's about finding the balance between speed and quality. Rushing can lead to mistakes, overlooked details, and a compromised creative process. Effective time management allows you to maintain high standards while meeting deadlines.

In the fashion world, those who consistently deliver quality work on time gain a reputation for reliability and excellence. This, in turn, opens doors to exciting opportunities, collaborations, and industry recognition.

In conclusion, time management is an art that every fashion designer must master to thrive in this competitive and ever-evolving industry. By setting clear goals, adhering to schedules, and finding a balance between speed and quality, you can navigate the world of fashion design with grace and achieve lasting success.

Indian Institute Of Fashion & Design- IIFD is the Best Fashion Design College in India. IIFD is The most popular and Leading Fashion Design Institute which offers professional training in Fashion Design, textile design, and interior design Courses in India. IIFD is committed to excellence, creation, and growth for their students through ongoing educational activities, and live sessions, They offer an industry-ready curriculum that helps you improve your practical knowledge and skills.

[arguablysustainable]

Why Fast Fashion Can be Harmful

Back before pre-covid, there was a time where I was carelessly throwing money away on fast fashion clothing. I had thought to myself, "I got to have the hottest and most trendiest style!". When I used to shop on websites like Shein, I had spend over $100 dollars of clothing, which looking back at in now, I never needed those clothes. However, if we keep shopping from fast fashion brands like Shein, Forever 21, Fashion Nova, and etc. If we want to undo harmful impacts inflicted on our environment by the biggest fashion brands such as violating unethical labor standards or releasing harmful wastewater onto our soil, then we must avoid these brands since they are doing more harm than good. Here are ways such big brands are committing such unethical standards.

1. Exploitation of Workers

Every time someone asks the question, "what are the negative impacts of fast fashion", the first thing that comes to mind is the pollution of the environment which is the biggest problem. However, many tend to forget the exploitation of workers used in other countries to manufacture our clothes here in the U.S. In countries such as Bangladesh or China, workers are often forced to work in such dangerous conditions with low wages and little to no human rights. According to ethical fashion ranking website Good On You, these works face anti-union labor policies which makes it even more harder for them to demand adequate wages, breaks, and safer work environments.

2. They pollute the environment

Many may not know that the fast fashion industry is the third biggest environmental polluter next to agriculture and food production taking up the number #2 spot, along with fuel and energy industry being #1. These days we are seeing more open discussions about how toxic this industry can be on our environment. Since fast fashion relies on using the most cheapest textiles to produce their clothing as one of their ways to reduce production cost, the majority of these textiles utilize cheap and toxic dyes. When fabrics are washed, toxic dyes can be found in waste water which then affects our ocean, fish population. This issue can also lead to a decrease in human recreation due to the pathogens in wastewater that can lead to potential diseases as well. Another issue is the use of polyester. Polyester is the most popular fabric used in clothing since it is cheap for manufacturers to produce. Since it is derived from fossil fuels, it is not biodegradable and can stay in the landfill for up to hundreds of years. To put it this way, this means that your shirt made out of polyester may not decompose for 50 years. Even natural fibers such as cotton may pose a problem for our environment. Conventional cotton requires tons of water and pesticides to grow in other nations such as India and China. This can lead to a drought in local communities as well.

3. Copying designs from other brands

Brands such as Forever 21, Zara, Shein, and many others have faced accusations of copying designs from other brands. In the past, Forever 21 has faced lawsuits from such brands like Diane Von Furstenberg, Adidas, and Puma for copying their designs. In 2016, Zara had also gotten some negative feedback from Tuesday Bassen, an independent designer. Lastly, SHEIN has faced backlash numerous times for copying designs from smaller indie brands. Small brand, Elexiay has claimed that they has copied her crochet sweater design. After this issue gained attention on Twitter, SHEIN decided to remove the product from their website. This copyright laws does little to protect small brands such as Elexiay. Many indie designers have worked hard to create their own unique products which is disheartening for them to experience this ongoing issue. This issue can make it hard for them to create a name for themselves and can lead to roadblocks when it comes to building their brand from the ground up.

There is a lot that you can do to help the planet and avoid buying from places that relies on factories that exploit workers. There are many alternatives that you can buy from that does not rely on the use of harmful chemicals, textiles, and is transparent with their consumers such as Girlfriend Collective. Girlfriend Collective has a high transparency rating, manufactures their clothes using recycled polyester, uses non-toxic dyes, and are certified for fair labour. As consumers, we must shift our shopping habits and stop supporting fast fashion brands who emit so much carbon emissions and have no care for the treatment of garment workers in other countries. If we don't stop shopping from fast fashion, we will continue to see enormous amounts of problems such as our oceans being polluted with microfibers and our dumps receiving tons of textiles that are non-biodegradable.

Want to learn more about ethical companies and how they are doing their part to keep our earth clean? Tune in next week as we discuss fashion brands that are practicing sustainability in the industry!

Written by Abigail Reyes

[twnenglish]

Top Hottest Models In India 2023

India has some of the most gorgeous and talented models who have taken the fashion industry by storm with their stunning looks, versatility, and talent. In this article, we will introduce you to the top hottest models in India in 2023 who have made a mark in the industry with their charm and elegance.

Top Hottest Models In India 2023

1. Gauri Mehta:

Gauri Mehta is a 23-year-old model from Mumbai, who has gained a massive fan following on social media platforms like Instagram and TikTok. She has worked with various fashion brands and designers, and her charming personality has earned her many brand endorsements.

Age: 23 years old (as of 2023)

Career: Gauri Mehta started her career as a model at a young age and quickly rose to fame due to her stunning looks and charming personality. She has worked with many renowned fashion designers and brands, such as Lakme Fashion Week, FBB, and Max Fashion. Gauri has also been featured in numerous editorial shoots for magazines and online platforms.

Brand endorsements: Gauri Mehta has a significant following on social media platforms like Instagram and TikTok, which has led to several brand endorsements. She has worked with brands such as Nykaa, Daniel Wellington, and L'Oreal, among others.

Achievements: Despite being relatively new to the industry, Gauri Mehta has already achieved a lot of success. She was recently listed as one of the top 10 models to watch out for by Vogue India. Additionally, Gauri has won several awards for her work, including the Best Model of the Year Award at the Indian Model Awards in 2022.

Instagram followers: Gauri Mehta has over 1 million followers on Instagram, where she regularly posts pictures of her modeling work, as well as her personal life. She is known for her effortless style and natural beauty, which has helped her gain a large following on the platform.

2. Neha Malik:

Neha Malik is a well-known Indian model who has worked with many brands, including Amazon, Flipkart, and Sabyasachi. She has a huge fan following on Instagram, where she regularly posts stunning pictures of herself. Neha is known for her bold and edgy fashion choices and has won several hearts with her impressive ramp walk.

Age: Neha Malik was born on October 31, 1989. She is currently 32 years old.

Career: Neha started her career as a model and has walked the ramp for several fashion shows. She has also appeared in many music videos and web series. Neha made her acting debut in the film Bhanwarey in 2017.

Brand Endorsements: Neha Malik has been associated with many brands, including Amazon, Flipkart, Sabyasachi, and Daniel Wellington.Gandii Baat 2,entertainment industry,

Achievements: Neha Malik was a finalist in the Miss Diva competition in 2012. She was also crowned Miss Femina Style Diva in 2016.

Social Media: Neha Malik has a massive following on Instagram, with over 1.3 million followers. She is also active on Twitter and Facebook.

3. Anveshi Jain:

Anveshi Jain is not just a model but also an actress and a motivational speaker. She has worked in several popular web series like Gandii Baat and has also been a part of many music videos. Anveshi has a massive fan following on social media platforms like Instagram, where she often shares her thoughts on life and inspires her followers.

Age and Early Life: Anveshi Jain was born on 25 June 1991 in Khajuraho, Madhya Pradesh. She pursued her education in electrical and electronic engineering from Rajiv Gandhi Proudyogiki Vishwavidyalaya, Bhopal.

Career: After completing her education, Anveshi moved to Mumbai to try her luck in the entertainment industry. She started her career as a model and soon made her way into the world of acting. She made her debut with the web series 'Gandii Baat 2' in 2019, and since then, there has been no looking back for her. She has also appeared in other web series like 'Who's Your Daddy', 'BOSS: Baap of Special Services', and 'Gandii Baat 6'.

Apart from acting, Anveshi is also a motivational speaker and has given several talks on various topics. She has also hosted many events and shows.

Brand Endorsements and Achievements:

Anveshi Jain is a popular face on social media and has a massive fan following. She has endorsed many brands, including Uber Eats, Pepsi, and Nykaa. She was also featured in the list of 'Top 30 Most Desirable Women on TV' by The Times of India in 2020.

Social Media Presence:

Anveshi Jain is quite active on social media platforms and has a huge following on Instagram. She regularly shares her thoughts and pictures with her fans and currently has over 3 million followers on the platform. She is also active on Twitter and has over 110k followers.

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