#most of the time they end up not being great but usually there is something compelling about them and i get why they got the hype

[bunnwich]

Why Leona Gave Himself The Bad Ending

Leona Kingscholar Analysis

Usual disclaimer to say that these are just my thoughts and you don’t have to feel pressured to agree. This was my thought process as I played through the parts of Chapter 7 Parts 212-226, featuring Leona’s dream triggered by Malleus’s magic.

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I wanna start off by saying that I believe all the dreams are a mixture of Malleus’s magic and the dreamers themselves. 

Idia theorized that Malleus is sort of “setting up the parameters” in a way, then each of the dreamers' personalities and imaginations affect the dream in different ways. The emphasis of this has been brought by Idia several times that it’s the strength of imagination that determines how complex dreams are. Which is maybe why in the first years dreams seem so basic? They’re young, their magical abilities are still new, and their magic is no match for Malleus’s magic. That and, to be fair, most of the first years don’t have the same amount of angst and turmoil as some of the other second years and third years have.

With that being said, I believe that because of his high intelligence, magical prowess, and his hyper-vigilance, that is the main reason Leona’s dream was so…different than the others.

But let's get into it!

There are a lot of Lion King references in this dream, and it’s very clear the writers wanted to play around and show this off. I feel like they did a good job of integrating the themes of the movie into Leona's dream. It does give me a little validation as I feel Leona’s struggles and personality are closely linked to his great Seven Counterpart, Scar. More so than any of the other overblotters. When I analyze Leona I sometimes I do use Scar as a starting point to understand his intentions.

This is how I came to the conclusion long ago that being king would never make Leona happy because it's not what he truly wants.

We start with the dream back in the Sunset Savanna. It’s VERY interesting to see that there is hyena prejudice right off the bat as a woman flees from Ruggie while he attempts to buy food. 

Right off, everyone can tell something is…off about the city. Especially coming fresh from Ruggie’s dream where everything was idyllic and happy for hyenas BECAUSE of Leona.

Grim hits us with the: “I laugh in the face of danger!” line. We even get the three hyenas referenced and the “love for you to stick around for dinner” line. The once proud lioness-dominated palace guard has been taken over by hyena “ruffians” (interesting choice to portray a disenfranchised group being given jobs as the new guard as a negative thing, but moving on.)

The first interesting thing we get is that the palace is somewhat rundown and empty? The group makes comments of how dark and dreary it is, and how few people are around. Is there an implication that the servants fled at some point after Leona became King or did he replace them? This further shows me that Leona for whatever reason has chosen to isolate himself. To me, it's most likely that he already feels isolated by his country and those in the palace.

From the looks of it “Malleus’s magic” has given Leona the one thing he has always wanted, but has he? Leona seems less than thrilled and genuinely upset by the fact his whole family is...gone. As I mentioned in my Leona relationships post, I think that he holds a complex relationship with his family, and while he resents them, in no way can I see him wanting them to be dead. 

It’s now I started to think that Leona’s magic was overriding the simple “let them eat cake” logic of all of the happier dreams. This dream feels TOO real, dark, dreary, and…sad. Could it be Leona’s intelligence or cynicism, ruining what’s supposed to be an idyllic scenario?

Why is even in his WILDEST dreams Leona is still miserable?

Hmm.

A lot of people have talked about Kifaji and their thoughts on his presence. It’s strange to see people praise him as “a loving parental figure” as if he’s really there trying to help Leona. But, Kifaji is not there. This Kifaji is a manifestation of Leona’s mind and I’ll get to why that’s interesting and what I think he represents. Remember, that often in other dreams we’ve seen of loved ones or rivals and they can act normal, out of character, or even cruel. Vil and Neigie come to mind and Neige turned out to be the blot keeping Vil asleep.

Kifaji is a bit different. He actively tries to help the group wake Leona as opposed to encouraging the twisted dream logic. For this reason, to me, Kifaji represents Leona’s conscious and the Dream!Leona we see represents his shadow self, like the dark side of the moon. AKA, the Leona we meet in Chapter 2. In fact, this whole dream feels like a rehash of Chapter 2.

We get the outdated Leona that dumbs himself down and settles for less, cloaking himself in his pride and believing that everyone is below him. An idle king while he lets others do his dirty work. (Scar basically.)

Leona asks Kifaji to sing (another Lion King reference) and it plays out how you would think. Leona tells Kifaji that he is the only competent person in the kingdom. And he argues that the kingdom is in shambles, not because of his choices as King, but because everyone else sucks basically.

Hmm. 

Kifaji reminds Leona that while he is clever and his plans are grand, that he can not treat people like human chess pieces. (Can I just say I love when chess is brought up to us because I find that when people analyze Leona or his thoughts they often forget how much he uses chess to process his thoughts. We saw that plenty in the Tamashina Mina event!) I think it helps him sort his thoughts and emotions which he can have a hard time doing.

I think Kifaji represents Leona’s mindset post Chapter 2 and because Kifaji in his real life is one of the only people who probably stands up to Leona, he has placed him in this antagonist role in his mind. (but not really) Plus, it’s not far off from Kifaji’s actual treatment of Leona in the Tamashina Mina event.

So yeah, Leona acts more like he does in Chapter 2—he's the player or the king even and everyone else around is just lowly pieces.

Just like the scene from The Lion King, Scar and Leona are not happy. Even though they are supposedly getting their deepest desire, they remain bitter and…alone. 

When I first began to read into Leona it was quite obvious to me that the whole “I’ll never be king" thing was just a front for something else. What I think Leona truly craves is approval and acceptance.

Being king, especially of a broken kingdom that despises him, will never make him happy. But, why do the people not love him? This is supposed to be a fantasy right?

There is this interesting layer of how he became king too. Instead of Cheka or Falena simply not existing, like I thought it might be, they are dead. That is…so much more tragic than it needed to be. As if deep down Leona believes the only way he can become king (his dreams to come true) is if tragedy happens. This reminds me of his bitter view/the symbolism of his unique magic. That he can only bring misery wherever he goes—everything he touches turns to sand. 

I also think that Leona is afraid of failing and much of this dream is his anxieties and insecurities that linger from all his past failures.

Though interestingly enough, I sense that in the dream, as implied later by Idia, Leona has implemented an “over-exaggeration” of his policies and plans for the kingdom. It was almost like he purposely ran his resources dry and gave up trying to compromise with anyone for the sake of “progress.”

Why, though?

It’s very masochistic in a way. It’s almost like he wanted to prove himself right. Everything he touches will turn to sand eventually and his grand plans will fail even if he claims they are “perfect.”

That’s why this dream is probably the most masochistic and self-deprecating we have seen. I think what initially began to draw me to Leona’s character is because of the hidden pain he holds. He is by far one of the most easygoing, and lackadaisical acting of the cast, but…he cares, he cares so, so much about how he is perceived and his haunted by his hopelessness about his future and the failures of his past.

I think the pain of never feeling good enough, causes his mind to be unable to “play nice” with Malleus’s dream magic to even manifest any sort of positive future. One where he holds a position he wants AND is loved and respected. it’s just impossible that he could ever have that, even in his wildest dreams. 

He’s too much of a “realist.”

Side tangent, but a frustrating take is to see was the: “Oh yeah, see? He would have sucked as king.” tinged comments after this came out.

 I think it’s more complicated than that. 

This isn’t me trying to defend him necessarily, but to be fair, all dreams tend to be over exaggerations by the dreamer. Plus, I think the fact that Ruggie HATES Leona in this dream and is suddenly in favor of Falena, is a sign right there we can not trust Leona’s interpretation of the people he knows in his dream. He is sort of an unreliable narrator that way. 

Besides, like in The Lion King, why would all the water dry up, just because the hyenas over-hunted? 

A big theme in Lion King and even The Lion Guard TV show is "the balance of nature." The blight upon the Pridelands when Scar takes over feels more like symbolism of the “unbalance of nature” caused by the tragedy of Mufasa’s death. Which makes me again, connect that Leona feels the only way he can succeed is by inflicting misery on others. Like his magic, perhaps a part of him believes he is a curse. 

I theorized in my Tamashina Mina review, that maybe Leona feels like an outcast himself, and the separation he feels from his country is showcased in how he blames the citizens for the decline of the kingdom, rather than his plans. He feels isolated from them.

By this point, I was having flashbacks to Chapter 2, where he got a whiff of his plan failing and he still pushed through even though he knew it would fail. At first, he may have started doing okay as king, but maybe when he came upon too many obstacles or pushback, He just gave up. Because he was not instantly loved by the people, who probably already feared him, he’d rather not even try. Suddenly, they are “not worth his time”, and he can’t help them because they suck.

Leona’s problem has always been his pride. I think he has to put it aside to genuinely help people reach their potential and learn to collaborate with others more. Part of how this dream plays out, is him realizing that maybe some criticisms Kifaji had about his pride all along may be true. Leona refuses to play nice with others. 

That’s why I think Kifaji represents a more sensible and lucid Leona. He is in a sense, talking to his past self, and trying to shake himself from the dream and his outdated ideals.

Ortho even points out that Ruggie is not really the Ruggie we know but rather a part of Leona’s imagination. Again, which puts emphasis on how the characters in his dream are more indicative of his mindset as opposed to being “in character”. Maybe Ruggie hating him in his dream is his inner anxieties about him and Ruggie post Chapter 2 fallout. He feels like Ruggie could never forgive him for what he did. He let him down. And Leona being bad with people and feelings, doesn’t know the proper way to apologize.

Kifaji (woke Leona) says that the state of the kingdom is a result of him “pursuing efficiency over all things and disregarding other people's feelings.” It really feels like he is calling himself out here. Does he REALLY wanna help people? Or is it just Leona’s selfish pride who wants attention for just being smart?

Dream!Leona complains about the protesters interrupting his nap which is another sign for me of the exaggeration of the scenario of Leona being the king. Like...did he not criticize Falena for having the same carefree and laid-back attitude? And yet here he is...complacent in the same behavior he once criticized Falena of. 

Interesting.

Ortho mentions that Leona’s dream is clearly a more complex situation than the other dreams.

I think there is a key implication we are missing here too, that I haven’t seen many mention. There is a throwaway line that Jack mentions that Leona has not attended school and is king instead. And he doesn't seem to know Dream!Ruggie either. Nor Ruggie him.

There is no doubt his time at NRC has shaped him to be the Leona we know now. Someone who has at least somewhat benefited with the connections he made at school. It does seem like this Dream!Leona is regressed. And because he never attended school, he is a much colder person who has no regard for others' feelings at all. He is even more socially inept.

I feel like this is a common theme to show us that despite the independent nature of most of the students at NRC, that it can still be “the friends we made along the way.” trope.  These connections do matter and especially to Leona. He mentions this in his post-overblot monologue in the light novel. He found his pack at NRC.  This time with his dorm members affected his personality for the better. It's kinda sweet when you think about it!

Ortho mentions Dream!Leona appears DEEPLY absorbed in the delusions of his dream. This means that even though he has the lucid failsafe of Kifaji, Leona’s self-deprecation, despair, and pain are still overtaking his logic. That's what's crafted this nightmare. (And he later references it as such.) 

Everyone acknowledges that he can’t possibly be happy and looks EVEN MORE miserable than at school. It can't be a silly happy fantasy, but a grim dark reality of what he thinks of himself. 

That's why he gave himself the bad ending.

I love the double entendre of Idia saying Leona is building his dream like a “sandbox” game. Lots of Minecraft references. (Leona Minecrafter confirmed? Or hear me out…Leona playing King Crusaders or Civilization V FGHJ)

Anyways, Idia or Ortho, (I forget) suggests that perhaps he has run out of ”simulations” for his dream playthrough. And being an intelligent person his mind tends to overthink naturally and this caused his dream to have a more realistic tone. Plus, I theorize that because Leona is powerful and his intelligent, his magic and imagination was almost able to overwrite Malleus's, a standard happy dream formula.

Ortho suggests Leona chose a more “realistic mode “on purpose.” Perhaps like I theorized earlier, it is almost a masochistic test to see if he could have everything he wanted? Leona is a very analytical person who enjoys games. It makes sense, the way he often plays chess alone to practice “strategies.” But as I mentioned before, I think he just genuinely believes it's not possible. Ortho mentions he thinks Leona’s the type to understand that an “aggressive urban development” would come with risks.

Jack asks “If Leona knew this was a bad plan then why would he make the citizens suffer and be hated?”  (Sheesh, now we know Leona really is the type to play pretend and get a lil too real with it.)

Ruggie adds that Leona may be “doing something he knows he shouldn't be on purpose.” Like maybe he did it to be dastardly and maybe he just wanted to “feel the rush” of being a ruthless and hated king.

When Azul asks Ruggie if he thinks Leona takes pleasure in immoral things he says that he can't say for sure, only that he is a prince that no doubt can take pleasure in “bad things”.

To me, however, it feels like a masochistic move to prove to himself his happiness is unattainable. 

Then Sebek chimes in: “How could he go so far to kill his family only to abandon his responsibilities as a king and become a horrible one?"

No one seems to know for sure. Everyone in the group has their theories but the consensus in the group is that - nobody fuckin’ knows why this guy intricately carved himself such a miserable fantasy for himself. Very masochistic for a guy who appears to be so proud huh?

Idia continues to mention that Leona’s imagination is so vast compared to everyone else's. It fills out a whole “world” completely and the mechanics of this world must make sense. He's playing on hard mode. In Leona’s brain this seemed to manifest as if he is to “get what he wants” it can't be serendipitous or through triumph, IT MUST be through tragedy.

Can we lighten up a little?

Again, he may have started to do “good work” but quickly realized that keeping up with all to create a perfect kingdom was waaaay over his head. Maybe he was afraid to give it his all, because he knew everyone would still hate him anyway.

Another reason I think Leona thrives better as a “big fish in a small pond” so to speak. Like his dorm leader role where he can interact directly with his cute (this man used this word a lot for some reason) froshes, make tangible make things better for a small group or community. 

But as we saw, even with his dorm Leona began to feel overwhelmed with the pretty promises he made to his underclassmen in Chapter 2 about the Spelldrive tournament. He like…wants to be wanted but he’s terrified of people actually relying on him, because trying your best and then failing anyways is the most painful thing to him. His instinct when he gets too frustrated with something is to act like he never cared about it in the first place or anyone. AKA “I did everything right and it's THE REST OF YOU who are incompetent.”

That’s why I personally think that in the future Leona working within a small community might be a better fit for him, using his skills to see potential in others as a way to connect with them and teach them how to thrive. 

So yeah, needless to say the group is stumped on analyzing Leona’s intentions and Azul hilariously notes that Leona is just…a complicated person. 

What an understatement.

The group hatches a silly plan to have Ruggie puppet a Cheka hologram and yeah obviously it didn’t work.

This is where it started to get interesting again.

Dream!Kifaji said he’s been “waiting for the day Leona would wake up from his bad dream” and joins the fight against him to wake him. It’s like Leona telling himself that it's time to let his original dream go.

Ortho is surprised Kifaji is on their side, that he should be the darkness pulling Leona back in, but like I mentioned I think Kifaji is actually a “fail safe” Leona created to stay lucid or...maybe the little bit of hope he has fostered now that he has grown from Chapters 2’s events.

Since Kifaji is the one to normally call him out, maybe he's Leona’s way of processing his relationship with him. And that maybe…sometimes as annoying as Kifaji is, he has a point. Kifaji is the one who is implied to have raised him after all, so it's no surprise Leona sees him in a father-like role more than his own father.

“No one understands me, it's not my fault.”  Leona laments running away, running away from himself.

Reminds me a lot of Chapter 2 Leona where he began to feel sorry for himself instead of actually trying to fix things. It's clear that no matter how smart and mature Leona is…is that he still has a lot of growing to do. And that his relationship with his family and country are complex. There is not a black and white or good and bad with this situation and I feel like this is important when talking about him and his relationships with his family.

He was very much ostracized and probably neglected to some extent by his real parents but at a certain point, Leona decided to give up on improving himself just because he didn't achieve the results he wanted to. It's one of his biggest flaw.

His complacency is what drags him further into the darkness. Not Kifaji.

Sitting and stewing in his despair and how unfair his life has been instead of reaching out. Rehashing all thise chess strategies alone on his chess board until his brain hurts. Making grandiose plans instead of actually working hard toward a realistic goal. 

The idle king. A king with naught. (Nothing.)

I am now realizing that in a way (because Ruggie and Leona are so similar) Jack is Leona’s foil; he is the determined and earnest one who admires Leona at his best. He still holds the innocence and the idealism of working hard.

The group jumped through the darkness with Leona and we are replaying the events of Chapter 2 once again.

Ruggie and Jack watch it go down in dismay. Ruggie addresses that he once did think Leona’s way of thinking/plan was good and it’s cool to see he clearly regrets it now too.

They watch the drama play out as if Leona’s plan in Chapter 2 actually succeeded and see that he craves more. More ways for Savanaclaw to get ahead by unsavory means.

Jack says even if Leona becomes king there will be no end to his dissatisfaction. BOOM, there it is.

That is why Chapter 2 is so mind boggling.  Leona’s whole speech was about being king and second. But it’s clear now, it's not what he truly wants. I think Leona is afraid to admit what he really wants. Because that takes vulnerability and then comes the possibility of being rejected.

Jack also notes that, despite Leona getting “everything he wanted” he seems more grumpier and dissatisfied than usual.

“Leona is not your King, hes’ our Dorm Leader,” Jack growls. They fight and we get a nice callback to Lion King here. “Remember who you are.”

As Leona wakes up from his dreams he straight up says, yeah the scheme from Chapter 2 was…stupid. (Nice.)

Oh and we finally get some acknowledgement that Ruggie feels like Leona abandoned him in Chapter 2 which SHEEEEEEEESH. This is a deep cut for me, considering Ruggie’s real dad abandoned him. And it really confirms the fact he sees Leona as a father/big brother figure.

But, Leona doesn't, he sacrifices himself for Ruggie as the whole group tries to escape the crumbling dream. And while Ruggie cries out for Leona, Leona goes down smirking not knowing what will happen to him.

It’s time for him to face himself, his blot monster.

Blot!Leona wants them dead, all of them. Cheka, Falena, everyone. The real Leona finds it kind of pathetic. Because, in reality, I don't think Leona hates Cheka or Falena and he doesn't want to be alone anymore.

Leona admits to his blot that yeah, no he can’t do the job. He can’t be king. And instead of it being a negative it’s more a relief? Maybe he is incompetent too. He is addressing himself and his previous grandiose illusions. He hasn’t done anything worthy of being king.

However, he will not give up. He’s finally living up to Savanaclaw’s motto of perseverance (which he sorta laughed off in Chapter 2?)

This next part is what struck me the most because. He just lays it out so simply, finally saying it out loud.

Self awareness!! Like he finally said it!! (And I felt very vindicated in this moment, NGL) 

What he desires most is the approval of others.

Ah, and Blot!Leona responds with the fact he can't earnestly try, it's too painful to think of failing. Props for Leona acknowledging his flaws! Just like with the other overblotters. But I'm especially floored here because of how PRIDEFUL he is all the time.

In order to have better relationships with people, he has to leave that whole “they all hated me” shit behind. Because in reality, there are people who care for him despite his flaws. There are those who look up to him and admire him, for him.

But, the idea of that I think is so…crazy to him that he tends to deny its very existence. Then when he is genuinely complimented on his leadership or whatever skills he brushes it off.

He calls himself disgusting which feels kinda sad but it’s proof he has moved on from his previous way of things. What did I say earlier? Leona is afraid of failure. 

Giving being a king a earnest optimistic go is too painful for him because ultimately he is afraid of failing. Like he was happier to play the role of tyrannical king than to bother to build relations with the citizens of his kingdom.

As his blot self withers away it’s almost…sad compared to the previous blot monster showdowns we’ve seen. It mentions something about “his friends” (A reference to Scar’s final words.) like he’s reaching out for Leona so it's not alone anymore. And Leona almost embraces his monster? It’s clear he feels pity for this thing…him. His pain, his depression, his loneliness. Maybe a step in the way of self-love? He acknowledges (almost as to soothe it) that it will always be with him, clawing from inside. Except now, he won’t give up.

He vows that he will get what he wants one day, for both of them. He’ll have his “own throne and pride” instead of wanting for someone else’s. He’ll find his place to belong through his own merit.

It reminds me of that expression “find your own tribe” which is an expression that those who are not close to heirt families understand all too well.  He wants to find satisfaction outside his desire to rule and maybe because we know he prefers NRC to home, this confirms his fondness for his dorm life. (Savanaclaw found a family dorm.)

When he returns to his original dream of being king Kifaji is there as they look on at Pride Rock. The fact that it is raining is telling that hope has returned. (Just like at the end of Lion King) and that by accepting that “being king” is not what he really wants now “all things are balanced again”.

They have a nice moment here. Leona acknowledging that he has been given the tools to do good things by Kifaji’s training is a big mature moment for him. (Especially how they acted toward one another in the Tamashina Mina event)  And Kifaji praising him, since this a dream, could be a testament to what he wishes would happen between them.

AKA Leona finally feels more, “at peace” with himself.

As Leona destroys this false kingdom with his sand he seems reserved, it’s almost bittersweet as it all settles over him, his new found aspirations, letting the old ones go. He's letting the past go. A big theme in Lion King. (I really feel the writers must be fans of the movies.) 

Kifaji says: “Go to the place you really belong.”

This line kinda got me. Because the implication is that Night Raven College and his dorm is where he really belongs. Leona is confirming that his experiences at NRC have shaped who he is SO MUCH. 

For years he accepted his life as it was, a cage, and now he is acknowledging that he has the power to break that cage and do whatever he wants. It’s a great callback to the advice he gave Jamil in Chapter 6.

This is quite refreshing as he mentioned before that it was too “late for him”. Now, he realizes it isn’t.

Back with the gang, Ruggie admits his fear that Leona will abandon him again. Leona denies it, and says somewhat casually that he is in fact a true friend of his. This feels like a clever inversion of the line that Scar says to the hyenas about being his “friends.” 

But, we know now that Leona does mean it now. And this shows Leona’s desire to finally stray from the “path”  of his Great Seven counterpart and actually like…have friends?

The reunion of the Savanaclaw trio is actually really sweet. For a dorm full of cocky jocks with strong personalities they seem to be so genuinely happy to be reunited.

Jack bursting out into tears and crying got me tearing up. Like Ruggie and Leona clearly are bit more reserved in their emotions but we see Savanaclaw really are close, despite their disagreements. They care for one another as a dysfunctional little family. 

As a dorm that doesn't get much mainstream attention compared to others it was so nice to have this little moment. It's hard to tell, but I’m 99% sure there was a group hug based on how the sprites moved and the sound effects. At least a nice back pat from Leona. (Thanks, dad.) 

All in all, I really...enjoyed his dream section. As someone who is pretty hyper-critical, for the most part, it satisfied most of the things I wanted to feel. I even got emotional at a few points! Yes, it would have been nicer to spend more time with “king” Leona and dive into it more. Or get more lore about his family. But, he admitted it FINALLY, everything I have clocked about him all those years ago. It’s very satisfying to see his growth in a tangible straightforward way, instead of just me reading between the lines.

I hope we will continue to see even more growth with his character (Like we did in the Halloween event)  and I’m excited to see the role he will play in the rest of Chapter 7, even if it’s just him being a cranky old man. (What do you expect he was raised by one?)

I'd like to end this with some positivity. As someone who deep dives into character stuff a lot I know it's really comforting to see part of yourself reflected back in your favorite characters.

To anyone reading who feels they have things in common with Leona or his despair, the truth is that you should keep going, even if it's just to spite the world itself.

Your vision and presence in this world are valid all on their own and that failing is not indicative of your value as a person. It never will be.

Keep fighting to find your place, your pack and never forget who you are.💚

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Thanks for reading!! This one took quite a bit to edit and think through so if you like my Leona analyses, I’d appreciate a reblog or even just if you wanna share it with your friends! Shoutout to the youtuber ガスマスクゲーマー whose video I pulled these screenshots from. Thank you!

[rootspiral]

Agatha All Along deep dive: episode 9 part 2

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3][4][5][6][7][+1] ep5 [1][2][3][4][5] ep6 [1][2][3] ep7 [1][2][3][4][5][6] ep8 [1][2][3][4][5][6][7][8][9] ep9 [1][2])

I'm glad nicky came up with a cool new tune because according to period movies and shows greensleeves is the only song anyone ever knew

look at that meek little smile, ughhhh. nicky is like two days old and this asshole has already figured out he's the perfect prop for her murder sprees. and these poor women are calling her sister and are willing to help too.

the spell is te accipimus in circulum, we accept you in the circle, and yes that makes me cry a little. we accept you in our community. and the spell is yellow air magic, which sounds like the most empathic kind if Lilia is any indication.

that's interesting, you can't really tell that well from screencaps but go rewatch the scene, this witch is making mushrooms grow with yellow magic instead of green?? is it just a spell (she is holding a book) or have I been getting it all wrong and color has nothing to do with the type of magic one has?

or maybe??? the color depends on the coven you're in?? the salemites all had blue magic for example. and now that I think about it the stone circle is a protection spell but it's not red/orange.

the meaning of this scene is so glaring dear lord. agatha was never going to give these women a chance to prove that yes, there are people out there who could love and help and accept her. she has shut herself up to that possibility a long time ago.

and she stole the soup too. awful.

I've seen all the different theories about nicky needing to feed on witches too, or nicky needing soul sacrifices to survive because he's the son of death etc. we don't have enough evidence to prove anything yet, but personally I headcanon nicky as a totally normal kid, that makes this story even more tragic.

and aww that baby suckling on the little pudgy fist

nicky doesn't look that happy about what he's been asked to do, does he?

we establish that nicky was sickly (maybe he was born with some internal defect that rio temporarily patched up?) we also see him steal the bell agatha will use for her Road scam in the future.

and we meet yet another witch being kind and wanting to help.

agatha: I love this six year old so much I'm gonna make him accessory to murder

dO yOU ShaME YouR MOtHER

and the big fake gasp too. as usual this bitch has conned a whole community

like, she's convinced herself that other witches are bad and are after her WHILE relying on witches's good hearts to con and kill them. what sort of mental gymnastics???

color goes from yellow to purple. nicky waits outside while his mom commits murder, it's not a good look on agatha. completely fucked up, actually.

(I'm terrified that the goat will end up being an agent of mephisto or something idiotic like that, lemme tell you. I hope they're just keeping it for milk and company.)

and here's the million dollar question. nicky has seen his mom kill literally since he was born, and now he's old enough to start realizing what that means.

oooh I know that look, that's agatha when she's put on the spot. she avoids his gaze, she can't be sincere with him.

and of course she's teaching herself spells from a book. nerrrrrrd

nicky, bless his soul, appears to give it a good thought and then offers a practical suggestion. I guess he wouldn't mind to have a roof on his head and some friends too.

GREAT acting from kathryn here. the quick OH SHIT face followed by the super final NO, with her jaw so rigid. in typical agatha fashion, when she's upset she becomes avoidant.

this is evanora's legacy. despite agatha's immense love for nicky, she is passing all that pain down and inflicting it on him.

remember when she called billy a survivor? this is the greatest asset in her opinion, the one she wants to teach her son. the truth is, she is angry at witches because she is scared of them, she's scared of being targeted again. but look at that kid's dark circles, I can't believe she's making him sleep in the woods, sick as he is!

really really fantastic subtlety. agatha wants to sound wise and strong, but she looks scared, uncertain, guilty.

see how nicky looks at agatha while he sings? he's checking to see if she's noticing, because his mom likes music and likes his voice. he's afraid he has upset her and wants to make her smile. he tried to reason with her, and now he tries to soothe her. this is what happens when you have an immature parent, a child will want to help, they will try to fix things. they'll end up parenting their parent, and it should always be the other way round.

agatha takes the bait. she's relieved that the conversation has moved to a safer subject. but oh, this script is so good. this is a mostly innocent, mostly sweet remark, but with a possessive undertone. don't forget that you are mine, she says.

and still, the love is real. even in a fucked up situation like this, these moment of happiness are precious and genuine and will linger on. look at how adoringly nicky looks at his mom, she's literally the sun and center of his small world, and that's how agatha likes it: she created nicky because she needed someone who could be hers without any baggage or consequences. but it turns out that raising a child is not a cheat code for love, it's one of the most difficult, most significant and impactful decisions a human can make.

[tunastime]

SEVEN!!! (plus three)

aaaaaaaaaaaaalright, lets see this time what we got...

alright shep this one works great LOL. I remember you sending a whole bunch, so this one ended up perfect :3 a very classic doc song if I do say so myself! (659 words)

Doc pulls his cheek between his teeth.

This would be a lot easier if he could use his other hand. But. Well. As his situation was currently playing out, his other hand was currently sprawled out on the desk in front of him. And his other hand was also, in an odd sort of way, two other hands, who belonged to Etho. Who was not him, but leaned over the workbench at the other side with the same pulled-tight-in-concentration expression as Doc did. Etho tilts his head. Doc can’t see the twist of his mouth, given the scarring across part of his face and the mask he has over his nose and mouth to help with particulates as they work, but he can tell from the rapidly forming crease between Etho’s eyebrows, alongside his own exasperated expression, that. Well.

“Not sure we can work around this next one,” Etho grumbles, wrinkling his nose. Doc sighs out through his teeth, letting his cheek go as he drags his tongue over the spot he’d worried. 

“Code-wise?” Doc asks. “Or is it completely mechanical?”

Etho hums.

“Well, last time we fixed it, we didn’t touch any code, so the way it was communicating touch and feeling was still the same. We just adjusted the hardware so it was better at picking up those signals. Since I remember last time, you were still having issues trying to feel for like… push-pins and pens and little rocks—”

Doc swats at Etho’s head from across the table. Etho barks out a laugh as he winces.

“Aow—kidding!” he wheezes. Doc grumbles, rolling his eyes.

“Whatever man,” he sighs. “Yeah, the signal strength still sucks balls. But you’re saying we can’t fix it, no?”

“Maybe,” Etho hums. “Just going to be hard.”

“Is it going to be hard? Or is it going to take a long time?”

Etho looks over at him, tilting his head not unlike a dog trying to understand common.

“I guess just a long time? It’s a lot to sort through, but it’s not very complex,” he says, shrugging his shoulders slightly.

“Good,” Doc sighs. “We can deal with long, but I don’t think we can deal with tough.”

“You think?” Etho asks, but the way he says it gives Doc more than enough suggestion that he’s being sarcastic. Doc snorts, but doesn’t reply. Instead, he props one knee up on the stool he’s sitting on and uses the leverage to lean over the table. He plants a hand flat on the workbench to balance himself. This is his only arm, again, given that the other is affixed to the table with half its maintenance chambers open and a mess of wires where the metal, magnetic ports usually sit. It’s not like Doc has a gaping wound in his side, and the disabled connection port on his right shoulder isn’t tender or painful to the touch, but the weightlessness of the open port is a constant reminder of what’s sitting on the table in front of him.

To think he used to take it off every night. What a moron.

From this angle, he can see what Etho’s been working on a little better. He’s digging around in all of the maintenance files looking for the most recent update. It was always better to edit the most recent update, patch in whatever code they wanted to alter, and push their newer, self-generated update forward. That way if the technical support team got onto him, he could blame it on a faulty download.

It had worked a couple of times so far, so. 

Doc pulls his cheek between his teeth again, worrying absently. His eyes skip over a fresh section of code and he immediately feels his brain numb. 

Fuck, he sighs through his nose. “This is going to take forever.”

“No time like the present, Doc,” Etho hums, and flicks his wrist, sending a copy of his monitor’s display to the main view-board.

(send me a number between 1-100 and I'll write a little something based on the song!)

[comeseesomereallygoodstuff]

Yea!!! This one starts a lil rough, but I promise it has a good end. This last thanksgiving, my family went to grandma's house. Which, historically speaking, has not been the most accepting. She usually votes republican (except for trump, trump was the one person that made her vote democrat). She constantly deadnames/misgenders. The first time I brought my girlfriend a few years back I got pulled aside and given a "gay is a sin, hate the sin and love the sinner" speech. Which was about 5? Years ago? Now I'm transmasc with a transmasc spouse, so it's gay whether they're transphobic or not. Before I came out as trans, she also talked about how trans people are just confused and jumping on trends and how it's all bad, was an elder for a church that gave 'gay is a sin' sermons, the whole shebang. I also had an art show, where I was one of the few selected to have my artwork displayed in the public library for a month. The art was queer as fuck, extremely blatantly. Since it meant a lot to me, and my grandma displays All of her grandkids achievements, I had asked if I could give her a copy of it last year. Without like. Telling her what it was. But I chickened out and didn't actually give it to her because I was Afraid of something that means a lot to me being rejected. Anyway, on with the story - my mom has always been one of my biggest supporters. This year, we were taking family photos to send out Christmas cards. This would be our final thanksgiving before we move out of the country to where my spouse grew up. So my mom wanted us to dress fully Masc to go to thanksgiving at grandma's house and take Christmas pictures. So we did! I got a brand new binder and fancy button up shirt for it and everything. And I put that art piece that has been sitting on the table for a year in the car. And we went to Grandma's house! Both my spouse and I.

And it actually went okay. They didn't bristle or make a big deal about being corrected on pronouns this time, and they used correct names. They took pictures of us together for Christmas cards, to send to people. At the end, after everyone else left, I brought in my art show piece and finally gave it to her, and told her that I had been afraid of giving it to her sooner because I was afraid of her reaction. She gave me a hug, she told me that while she appreciated the concern she loved me as me, and I started crying. But um! It really was a great sendoff, and it genuinely means a lot. Things will be okay.

im sorry it didn't go well. i wish it would have. is there anything we can do? to help or listen or anything, i mean?

Can I hear stories about trans people being ok? I feel like my life is ending and it would help to know that other people have made it out ok.

[phantomrose96]

(A Breach of Trust)

[I am putting the rest of the ask under a ReadMore because it IS long [and now super-long with my responses added] but I am biting and chewing this ask I am biting everything it has to say I love this ask I have things to say]

But yes responding to this first chunk! First THANK YOU second I loved writing just the inherent comedy of each chapter being like "[Scene 1] Ritsu spitting blood: I have to save my brother. He's dying. [Scene 2] *Happy domestic montage of Mob petting a kitten and maybe drinking some hot chocolate*" It was a great way to keep some emotional balance in each chapter and also. Funny.

I was crawling the wallllls getting to the makeshift reveal. I think it was about 5 years between coming up with it and getting to the reveal. So I just had to bite my tongue and dodge any suspicion in Makeshift's direction leveraged in the ABoT discord (ABoT discord! BTW! If you want)

I ended up making this to channel the energy somewhere

[Rest of ask under the cut!]

i was nervous for a hot second early on (around when reigen first takes mob in) that it was gonna be the kind of story that would get frustrating because "oh if the characters literally just told each other anything it would all be fine" but i didn't end up feeling that way at all? like yeah a lot of the plot relies on characters not knowing things and technically a lot could have been solved if idk all the characters decided to meet up and sit in a circle to politely explain everything to each other but it never feels like that should happen. even besides them all generally having reasons for lying or not explaining things or not talking to each other it's like. all their decisions feel very natural even when they're bad or unreasonable, and also crucially when the characters do learn things or w/e it usually doesn't fix things (ie when reigen learns mob's real identity and tells mob the truth and it kind of fixes some problems but also adds a host of new ones). in general despite it being a story that hinges on all the characters making bad decisions it rarely gets aggravating bc all the choices they make are understandable and make sense for them -- it doesn't feel like anything is happening simply because the plot demands it. everything is constantly getting worse but that's because the characters are making it worse it's not just Happening. and then the characters have to confront and deal with the consequences of all their actions and learn from them and it's very satisfying

YEAH!!! YEAH YOU GET IT!!!!!!

It is VERY important to me that the story in ABoT is character-driven. There should virtually be no "it happened because the plot demanded it." If it happened, it happened because a character's choice caused it. And if a character made a choice, it was due to their own motivations and not because the plot demanded it.

So, YES, there is this scenario where so much of what is happening comes as the result of each character having, at most, a 20% understanding of what's going on. But the withholding of information, CRITICALLY, cannot be because of Idiot Plot reasons.

Reigen "could" just ring up the Kageyama's and send Mob home, cutting short the first like 2/3 of his and Mob's arc. But he doesn't. And not because he's an idiot. He tried. Mob freaked out. And that was a good enough reason to just delay this until tomorrow, surely. But we watch as Reigen gets to experience was feels like genuine accomplishment, genuine joy, genuine meaning, by helping this kid experience life again. From the very start that's what Reigen wanted--to feel like he mattered. At the beginning this is what drives him to take up the Tetsugami case, despite knowing it can get him killed. (Because maybe Reigen can do something, this time. It's not just another doomed marriage or unsolvable missing person. Maybe he can make a difference. Maybe he can matter.)

And it manifests in what looks like heroics, but in the case with Mob, it drives Reigen to stall... more and more. He knows on some fundamental level it's wrong to be keeping Mob this long, but he can justify it in how this IS what Mob wanted.

And the same extends to the other characters... Tetsuo doesn't tell Reigen about Shigeo Kageyama's link to the Mogami case because he can't bear to admit HE was probably Shigeo's captor. Mob keeps secrets about Mogami because Mob knows he "killed" Reigen's "friend." Ritsu withholds information because it's the only power he has, and giving up information allows other people to stop him. Gimcrack and Slipshod keep quiet about Mob's location because their free lunch would end if they told.

And when these characters make bad decisions instead, it is CRITICALLY important to me that those decisions were the organic result of that character's complexes, goals, misunderstandings, and absent information. It's a train wreck and God Dammit I do everything in my power to ensure each character is their own conductor.

and the Themes. okay first of all i am a huge fan of stories that are like "no, heroic sacrifices are Not the answer, please stay alive so you can actually get better and fix your mistakes and be there for the people you care about", so obviously i adored that. i loved reigen confronting ritsu about this and urging him to stay alive, and i'm also obsessed with how reigen immediately Does Not Take His Own Advice. reigen's self-sacrifice plan makes a lot of sense with his character and given the circumstances it's definitely understandable why he and teru would be willing, however reluctantly, to resort to that, but of course it's not that actual solution because that's the whole point. (shout out to mogami being the one to save him. congrats on accidentally doing one (1) good thing.) reigen, ritsu, mob irt to being imprisoned rather than death -- none of them can just sacrifice themselves and expect that to fix everything and everyone to be fine without them, because that's not how this works. (also i can't wait to see ritsu inevitably be pissed at reigen about him trying to do exactly what he talked ritsu out of and reigen having no excuse except "yes i know, i am a hypocrite, please do as i say not as i do.") the story is dark but it's also so full of hope -- you can live, you can heal, you can move forward from all of this, no matter what you've done or what's happened to you.

YES!!! ANOTHER RESOUNDING YES!!!!

I've talked in the ABoT discord about how Reigen's sacrifice didn't work because it couldn't work. Because, if Reigen intentionally killed himself in order to end Mogami too, and Mob was saved and went home, then that means you DO save what you care about by sacrificing yourself. Which would be fine in other stories, but not this one.

ABoT's message has pretty loudly been "you don't save things by sacrificing yourself. you save them by living long enough to fix what you've broken." And even when Reigen is the one SAYING this to Ritsu... he doesn't believe it for himself. And he does not get to get away with not believing it for himself.

In earlier planning stages of the Reigen sacrifice scene, my plan was to have Reigen's knife slip before he could slice his throat (palms sweaty, grip slipped, parallel to what happened in the struggle-for-the-knife in the original chapter 8 Reigen-vs-Tetsugami scene).

But I thought about that and I said "No, actually." If Reigen fails because his palm slips, that suggests this COULD have succeeded, and Reigen just botched it is all.

So instead, the scorching fire around them (the blaze Reigen set) has dehydrated him to the point that his sweating has stopped. He is salty dusty skin and dry lips and his grip on the knife handle is perfect (anti-parallel to the first struggle for the knife scene). His execution is perfect. Reigen sacrifices himself perfectly.

...And then it's Mogami, who is well-practiced at controlling a maimed possessed body, who snatches back control and cauterizes the wound shut. Mogami (the antagonist of this story) cannot be defeated by self-sacrifice.

There is no "if only Reigen did it right" ambiguity. There is an absolute statement about where the themes stand.

(And yes, I'm sure Ritsu will have only positive emotions about what Reigen tried to do once this is made clear to him. :))

one of the other themes i found most interesting was the theme of lies and people trying to act like something they're not, and how that factors in to all the characters' stories. of course mogami is right there (and the parallels between him and reigen in how they both lie to mob for different reasons are super interesting) but i was particularly thinking a lot about reigen, teru, and ritsu and the different sorts of false lives they live -- reigen the con man playing the part of the confident, powerful psychic, constantly lying about his abilities and his accomplishments; teru keeping up the appearance of being totally in control and untouchable, surrounding himself with friends he can't stand and a girlfriend he doesn't care about; ritsu trying to maintain his reputation as the perfect, model student and constructing increasingly elaborate lies to convince his parents that he's doing fine.

i was thinking especially abt the parallels between reigen and teru -- their identities as liars are both emphasized, literally having teru saying "i was lying. i lied to you. i'm a liar" and reigen saying "i lied to you. i've been lying the whole time. i'm a liar" in the same chapter. both of them have grown accustomed to being alone and having a life that's more an expertly crafted facade than anything with substance, but both find in their respective kageyama brothers someone who they genuinely care about -- and they both doom these relationships from the beginning because they can't let go of the facade they're used to keeping up and their desire to feel important/superior. teru continues to be the same smug, uncaring asshole he's designed himself to be even after he starts to see ritsu as a friend, and because of this ritsu remains antagonistic towards and distrusting of him; reigen pretends to be the "21st century's greatest psychic" with mob even when he's starting to care about mob and want him as a permanent fixture in his life, causing things to fall apart when he reveals the truth. they both say the right things to point mob/ritsu in the right direction, but the way they act does the opposite: teru tells ritsu the dangers of what he's doing and reigen tells mob that they should call his family or the police, but at the end of the day, no matter their good intentions, teru likes feeling superior to ritsu and reigen likes having mob depend on him, and so they're not actually going to do anything that would upset that balance. (and, of course, they reassure themselves with the knowledge that it's not their fault, ritsu and mob just won't listen to them! which isn't technically untrue, but nonetheless frames the situation in a way that ignores their own role in it.)

Aaaaaaaaaaaa honestly I don't even think I have anything to add here because your analysis is already so 🤌🤌🤌. They are Liars they are Liars living through a Mask they are Liars who Say one thing and Do another they are Liars who convince themselves this Lie is fine.

all the characters are so good but my favorite has to be ritsu his whole storyline is fantastic. from the start i was enjoying the fic a lot but it was when it started to really get into ritsu's story and his whole deal that i started being like "oh yeah this is the good shit." seeing him go further and further down his self-destructive spiral, constantly digging himself deeper as he hurts himself and the people around him more and more, is so fascinating and painful. and then seeing him get better and start actually wanting to live as he talks to reigen and later teru! and then in the confrontation with mogami when he decides once and for all that he wants to live and remember and try to find a way to fix his mistakes rather than forgetting them or giving in to them! just. he is thirteen years old and he just has all this rage and grief that he's been holding onto and repressing for so long and he finally gets the chance to do something with it, something he can do to find his brother at the low low price of bleeding himself dry, and so he throws himself into that, tearing himself to pieces and not caring who else gets hurt in the process, until he reaches rock bottom, what should be the point of no return -- but it isn't, because teru saves him, because reigen convinces him to try to stay alive, because mob is waiting for him, because he has people who care about him and he's just a desperate, hurting kid and no matter how badly he's fucked up he can still come back from it. just Such a compelling and painful and beautiful character arc

Thank you for stating exactly the reason I loved writing Ritsu's arc so much 😭😭😭😭😭😭😭🥺❤️

When I was about 13, I got really into Naruto and I really liked Sasuke's character. Even seeing him now makes some inner part of me point and go "It's Sasuke!" Brooding, stoic, over-achieving, entrenched in family trauma, is swayed over to the darkside because of the rage and grief he's been sitting on.

And because it's Ninja Fantasy World, Sasuke gets to do this and be really cool the whole time.

Ritsu is... actually just a 13-year-old, with psychic powers which he didn't even want after his brother vanished. He IS smart and he IS a model student and he IS powerful but... he's scared. He's scared, and he's 13. He NEEDS to be smarter than everyone (he's not, and he knows this, and it's scary) and more powerful than everyone (he's not, he knows, he's scared), because he knows that anyone with power over him can control him. And he's at his wit's end being controlled.

So he needs to be COMPLETELY in control and have COMPLETE power. And every instance that proves to him he's actually weak, actually clueless, actually being taken advantage of drives him to panic.

And he finds antagonism on all sides... Teru who loves to pick apart and mock Ritsu for every weakness he has. The spirit horde who eat him within an inch of his life. Isa trying to shut him down. His parents trying to control him.

No one is helping him with his grief... No one is finding his brother... No one is saving him... He does not want to keep living like this. And "no longer living" isn't even an option with how heavily his parents rely on him.

So what does he do. He's so alone. He doesn't have a single soul on his side. Every day is torment. ...And then he has this opportunity that shows up like "if you hurt yourself real bad, kill yourself doing it maybe, you can solve the very thing that ruined your life"

So of course he does it. He grabs onto it like a hot stove or a live wire because he's been wanting to hurt himself, and now he can do it in pursuit of the very thing which will save his brother and fix everything. The risk of dying isn't even a risk. It's an escape. He can do this and he can BECOME more powerful and he can GAIN control and he can USE and MANIPULATE whoever he wants (namely the people who've proven again and again they'll hold him down and force obedience out of him).

Of course he spirals. Of course he hurts people...

And then he finds rock-bottom. Teru chews him out and abandons him. Ritsu flips on Gimcrack and exorcises him out of paranoia (Teru turned on him, Gimcrack probably betrayed him too.) He NEARLY kills Reigen under that same absolute fit of paranoia and fear. ...And then he finds his brother. His brother. Alive.

And grabbing his brother shreds his hand. It does not fix him. It does not save him. It maims him.

And now Ritsu is nothing. Not powerful. Not in control. Not certain. He's someone who just hurts people. He's someone who destroys. He drives everyone away and they're RIGHT to leave him because of how horrible he's been. He can't save his brother, and his brother won't save him. ...So Ritsu wanders back to Reigen. The only person who seems to have a semblance of direction in this whole thing. Broken and beaten, Ritsu joins Reigen because he does not know what else to do.

But there is an up from rock-bottom. As much as Reigen and Ritsu are just The Worst to each other, it's actually that childishness in Reigen that starts to work on Ritsu... This is not a typical adult, using adult-speak and adult-authority to make Ritsu comply. Ritsu can't even fall into his typical masked-up behavior against an adult because Reigen is a fucking nuisance and an irritant and Ritsu, for all his "maturity", riles easily.

This is... really just Some Fucking Guy. A loser, at best. But it's someone Ritsu's brother cared about, and who Ritsu knows gave kindness to Mob where Ritsu couldn't. And it's someone who isn't forcing Ritsu to do anything. Reigen is, in fact, letting Ritsu make these decisions to change on his own. Teru comes back with an apology. Ritsu is staring at the chance to do better, and the chance for some future that doesn't involve killing himself.

And he gets to make that decision against Mogami.

And--here's the thing--Mogami was WITH Ritsu for so much of Ritsu's spiral. He knows what sort of kid Ritsu is. So he "knows" Ritsu will accept what Mogami has to offer...

But when "makeshift" vanished was exactly when Mogami got Mob back, aka exactly when Ritsu went to Reigen. Mogami did not get to see Ritsu's healing. So he got to be blindsided by Ritsu's ultimate decision.

and ritsu's dynamic with teru is just. so good i adored every single scene they had together. first of all they are so fucking funny. they're just these two psychic middle schoolers who both suck so bad and just cannot stop trying to murder each other on the soccer field and i love that for them. ritsu's terrible decision-making reaches new heights every day and teru's just standing there watching him and being right about everything in the most annoying way possible. literally the worsties ever <3

I have, consistently, referred to them as "the two worst middle schoolers ever". Like "you're a horde ghost and you're stuck doing the bidding of the two worst middle schoolers ever."

With huge consistency, the scenes I find funniest end up being Ritsu Teru scenes. Because they are, in fact, The Worst.

but more importantly on a serious note i am obsessed with the complicated mess that is their relationship and the way it and the reader's perception of it change as the story goes on. when they first meet things are seemingly pretty straightforward (mostly. i have thoughts which i will talk abt in a second): teru is the one causing the conflict between them by being shitty, and ritsu's just responding to it relatively reasonably. ritsu's the protagonist, the good guy, whereas teru is a morally gray asshole. them working together is a matter of necessity, with ritsu only going along with it because he needs teru's skill and power on his side and teru presumably having his own secret, self-serving motivations. standard stuff; we all know how this goes.

except then the story keeps going, and it gradually becomes apparent that things are far from this simple. it slowly becomes clear that despite teru's arrogance and callousness, he does have ethical standards and lines he won't cross -- whereas ritsu gets more and more unfettered as time goes on. it also gradually becomes obvious that teru does genuinely care about ritsu and see him as a friend (probably the closest thing to a genuine friend teru has), even if teru himself is pretty shitty at being a friend -- leading to the incredibly striking moment when ritsu himself realizes this, and his main takeaway is just that he has power over teru. by the time they have their second soccer field fight, teru has proven himself the more morally upstanding one, which is pretty wild considering the first thing we ever see him do is beat the shit out of a near-defenseless thirteen-year-old for annoying him. of course, he still isn't supposed to be fully in the right -- one thing i really appreciated about the story in general was that the conflicts between characters are rarely as simple as "this character was Right and this one was Wrong," but rather a matter of all the characters making mistakes at one time or another and then having to deal with the consequences and make amends. ritsu and teru's relationship is a prime example of that with how "ritsu made his own decisions and those decisions were Very Bad" and "teru treated ritsu poorly and never actually did the work to make himself someone ritsu could actually trust or would want to listen to" are facts that coexist and both get addressed. the second fight is a masterpiece of a scene in basically every way, but one of my favorite aspects is how teru is desperately trying to reach out to ritsu but is hit with the truth that it's too late for that, that he should have been doing this the whole time, that all this is partially his fault. and in this scene, he fully accepts that, gives in and decides that ritsu is right: it's too late to make amends, it's too late to save ritsu. but it doesn't end there, because this is not a story in which things are simply unfixable, and so instead teru comes back, decides to make the hard choice and try to fix things instead of turning his back on ritsu for good. during the fight, teru says he wants to help ritsu, to sacrifice for him, and ritsu scoffs at him and rejects the idea -- but then teru actually does it. he puts his money where his mouth is and reaches out to ritsu and offers his own psychic energy to save ritsu's life, along with apologizing to him and offering his help to find mob. like i dunno what else to say that's not just summarizing every scene they have together but god i love their dynamic and its arc. i really hope they manage to become actual friends now because god knows they could both use more (read: any) of those. the text exchange they have at the end of the most recent chapter is delightful i love that they bond by insulting reigen i think that's great for them.

Yes yes yes yesssss. It definitely felt like the most ambitious thing early on in ABoT, where I had early-story Ritsu and early-story Teru, and I wanted, somehow, to pull off "they basically swap moral grounds by their second fight."

It's easy enough to just SAY "Ritsu spirals and does progressively worse things. Teru starts to take objection to these more and more until he's the one who thinks this whole thing has gone too far."

And, harkening back to earlier, this kind of plotline has to be deeply rooted in their characters. There is no "Ritsu becomes evil just because" and there is no "Teru becomes good just because."

So they needed to be consistent in their own characters, but evolving under the pressures of the story. Ritsu I talked a lot about early up, how deeply he fears not having control, how much repressed frustration he has over the ways everyone in his life has failed him. And he's never allowed to speak up, or god forbid lash out, because it is his JOB to be the surviving child. Perfect, mature, composed.

Ritsu takes this WILD leap into something insanely dangerous which he has no understanding of, nor power in. Teru IS his first big painful wake-up call with how summarily Teru curbstomps him. Ritsu goes home desperately wanting to quit.

He pushes through it, afraid and knowing he has so little power and control. Then there's Teru, exacerbating this. Because he loves to point out how weak, clueless, and not in control Ritsu is. He jabs and he teases and he chews Ritsu out and he knocks Ritsu down because Teru cannot pass up the chance to prove he's better.

So... of course Ritsu eats up the first opportunity he's given to improve his power over Teru. Gimcrack offers to train him--Gimcrack who's far more supportive of Ritsu than Teru ever is--so of course Ritsu accepts. Every single tick of power in Ritsu's direction is security. And Ritsu is consistently rewarded. He learns to manipulate, and it rewards him with control. He pushes Teru away and it rewards him with independence. He lets the whole horde possess him and it rewards him with power.

And then there's Mezato in all this, threatening to rip away his control. But he can beat that out easily with possession. And if he possesses people, why should he care? Possession feels nice, to him. That's not even a fraction of a fraction of the pain he's been through. He can do this to other people, because possession is POWER.

And, ahhh, possession was such a great thematic vehicle to spin the Ritsu-Teru face-heel-heel-face turn around.

The first cracks we see in Teru's demeanor are all, subtly or not, around possession. When Ritsu almost blasts the possessed woman (Ritsu, panicked, uncertain how to handle things) Teru tackles him and screams at him. (Killing a possessed woman? Teru oh Teru why might that terrify you?)

So Teru DOES have morals. He does have limits. But of course, his first exercise of this is tackling and SCREAMING at Ritsu for fucking up. Just another tick mark in Ritsu's check list of feeling powerless and antagonized.

And the next time, when Ritsu offhandedly mentions he's had his parents possessed for the night while he and Teru were at the meat warehouse... well it's out of focus, since Ritsu is our POV character and he doesn't notice, but Teru freezes. Teru questions this. Teru, instead of letting Gimcrack phase him through the wall (and he was resistant to letting Gimcrack touch him to phase him in in the first place) Teru instead blasts a hole through the warehouse wall.

But... Teru has a plan. When Isa catches Ritsu in the call center, Teru confiscates Ritsu's spirits and (behind his back) blackmails them into never accepting a command from Ritsu to possess someone. (Teru is also a control-freak, and rather than try to talk to Ritsu directly about not possessing people, he just uses manipulation and threats to make it happen).

So now, Teru can relax, surely :). He invites Ritsu along for the movie. He's mocking and insufferable and cruel to Ritsu but, hey :), that's just Teru proving his place in the hierarchy. He... actually does want Ritsu there. He actually does help Ritsu (cauterizes his wound without asking). (It's still power-plays. Still power-plays all the way down which Ritsu hates.)

And Teru... incorrectly... starts to entertain this idea that Ritsu also thinks what they have is friendship. And after the ice cream thing, is when Ritsu leans into Gimcrack's offer to learn how to start being manipulative like Teru is.

So Teru notices NOTHING is wrong for a long time, because now Ritsu is faking it. He doesn't notice until it is much too late. And, frankly, it was ALWAYS too late for Teru to take the moral high road. And some part of Teru realizes this because what he sees in Ritsu, he realizes, is what it looked like to watch Teru from the outside. Teru was ALLOWED to be manipulative and horrible because Teru, himself, always knew he would stop before crossing a real moral line. (Not that Ritsu knew this.) And now he's staring at Ritsu, a true threat who won't listen to reason and who CANNOT reliably be expected to back down before a line is crossed.

And... to THROW this in Teru's face in the FORM of Ritsu letting every spirit from his own horde possess Ritsu during the fight, giving Ritsu the upper hand.

I always knew, for this second fight, the tables would need to be a lot more evenly matched, with Ritsu coming out ahead more often than not. But I also don't like "some character is morally questionable now, and for some reason that's made them stronger than the master character who pulverized them earlier."

But POSSESSION. The motif that all this conflict is hanging upon, used as a boon on Ritsu's side to smash Teru into the ground, to physically and MENTALLY rattle him to the point that he's lagging on Ritsu's attacks and incapable of subduing Ritsu until Teru puts aside his psychic powers all together...

AND JUST... Teru all the while being forced to realize he IS not blameless in this. That every horrible, callous remark he made to Ritsu was not directing Ritsu to the right path or proving himself cool and powerful. They were all instead only cementing Ritsu's hatred of him.

And Teru does not want to accept this at first. He wants to think he did the right thing, ultimately, and it was RITSU who rejected him. And this is where the scene with Slipshod comes into play. Slipshod, who is shown again and again being good at pressing people's buttons. Slipshod is the one bully bigger than Teru in all this, and behind his dumb demeanor is he really really good at knowing how to get a rise out of people. He does it to Reigen while possessing Mezato. He does it to Ritsu while possessing his mother. And he does it to Teru, for fun, because he loves to rub Teru's face in the mess he created.

Which, on the plus side, was the wake up call Teru needed to recognize how consistently horrible HE had been. How much of Ritsu's spiral (and now, imminent death) happened because Teru gleefully pushed him toward it.

Teru's one and only friend.

After Teru swore off friends and loved ones, because they can be used to hurt him.

So it is a big moment, and a big decision Teru makes, when he chooses Ritsu. chooses apologizing. chooses making himself vulnerable (VERY LITERALLY, with how the power transfusion drains Teru to nothing). Teru chooses to care.

And ultimately, it's not even that Teru went from the bad moralless one, to the moral one. He always had these morals. He had these uncrossable lines since day one. But he hid it behind his horrible antagonistic demeanor and the cracks did not come through until he realized he lost control of Ritsu. Teru's ACTUAL heel-face turn comes in him realizing how awful his demeanor was and making amends for that.

i'm actually not done talking about them though because it's finally time for that tangent about teru and ritsu's first fight on the soccer field now because i just reread it while writing that last section and it's so interesting actually. like okay, like i said before it does set teru up as the problem -- in that scene teru is very much the aggressor; he's being a complete asshole for no goddamn reason, with absolutely no compunctions about beating the crap out of some random kid, and ritsu is the scrappy underdog determined to fight back despite not really having the means to. but then there are the moments hinting at more complexity to teru -- him literally stopping the fight to teach ritsu to use his barrier, giving ritsu the makeup after the fight, and of course his decision to spare ritsu in the end. and then on ritsu's side, he almost actually kills teru -- the only reason he doesn't is that teru manages to break free. (awful awful au idea: ritsu actually does kill teru here. would that be fucked up or what) something that stood out to me when rereading it is that despite teru repeatedly saying he'll kill ritsu, and ritsu's internal monologue being very convinced that he's in mortal danger, teru's reaction to ritsu actually almost killing him -- "you really are trying to kill me. we're done", etc -- seems to imply that his threats were more him just talking a big game, expecting ritsu to give in and surrender eventually, and he didn't actually intend to kill him until ritsu gave him an actual reason to. especially interesting to me is the bit where teru asks ritsu if he really meant to kill him, because ritsu's narration and teru's actual actions are kind of at odds -- ritsu tells teru he meant to do it because he thinks him scaring teru is what's making teru hesitate, and that he needs to make teru think he's dangerous in order to get him to leave ritsu alone, but teru's actual response is the opposite, attacking ritsu more fiercely because "there's no reason for [him] to hold back". in general the scene very cleverly sets up the core difference between them: teru is pretty awful but does have firm moral standards, whereas ritsu is desperate and willing to do just about anything if he thinks it's the only option. also the parallels and contrasts with the second soccer field scene are excellent -- the role reversal with the strangling but also how when ritsu does it both the initial act of starting to strangle teru and the fact that he doesn't end up killing teru are both unintentional on ritsu's part, but when teru does it it's a very intentional choice both to do it and to not go through with it; "we're done" said by teru the first time when he's preparing to kill ritsu and then the second time after he's decided not to. have i mentioned that this fic is good because this fic is good. i'm running out of ways to say that

YES!!!!!! ANOTHER RESOUNDING YESYES YES.

I have slightly pre-emptively answered this question by mentioning it above but Teru demonstrates this hypocritical "rules for thee but not for me" because, internally, Teru knows HE will always stop before the line is crossed.

BUT RITSU DOES NOT KNOW THIS. THERE IS NO REASONABLE EXPECTATION FOR RITSU TO KNOW THIS.

So Ritsu, and we the audience, do NOT know this during the first soccer fight. Teru is going to kill Ritsu is a very reasonable conclusion to draw from the way Teru goes all out on Ritsu. Ritsu is terrified. Out of his depth. He's panicking. This kid is going to kill me and he has every reason to believe it.

We don't know, unless (like you) you look at the smaller details, that Teru is not intending to kill Ritsu. He's talking big. He's trying to force submission in Ritsu. He's not trying to kill.

But Ritsu does go for the kill. Because it is the single break he gets and it's perhaps his only chance to survive (he thinks), and he does, IN FACT go for the kill.

Teru breaks free and he does... even give Ritsu the chance to clarify if that was an intended kill-shot. Teru is giving the chance for Ritsu to essentially say "Sorry, accident, don't escalate to trying to kill me." But Ritsu misreads the room, like you point out, and this is when Teru gets serious.

Strangulation, in the first fight and in the last fight. Exactly as you say. Accidental, by Ritsu, the first time, and accidental in letting Teru live. Intentional, by Teru, the second time, and intentional in letting Ritsu live.

"WE'RE DONE" ECHOED. TWICE. In their first fight and their last. With entirely different meanings.

okay those were my big points but i also had a bunch of smaller thoughts so here's just. a list: - i just think it's really funny that teru saves ritsu by punching him in the chest with psychic power on not one but two occasions. literally their dynamic in a nutshell. (also. the way during the time at the mall ritsu responds by being like "did you cauterize me" really gets to me for some reason. he sounds so offended. like you can't just cauterize someone's wound maybe he liked bleeding all over the place you don't know!) (actually wait that thought is also very funny considering what happens with mogami and reigen later. you really can't just cauterize someone's wounds that's very rude. they worked hard to be that grievously injured) - okay so the burger scene. first of all generally a great scene second of all obviously it's a parallel to the scene with mob and the milk (reigen saying "have mine too" and all that) but also i love the parallels to the scene with isa in the coffee shop (also a great scene btw. have i mentioned this fic is good). they're both scenes in which ritsu has a loud emotional breakdown in a public restaurant (love that that happens twice. ritsu honey can you maybe not) with a major focus on ritsu's insistence on letting himself suffer and refusing any kindness he's shown, but they show ritsu at very different points in his story and have very different outcomes -- isa can't manage to get through to ritsu, but reigen can. ritsu refuses the croissant till the end, but he eats the burger. (sorry to add another side note but i love that that was a very serious sentence i just typed about a very emotional character arc.) also the symbolism in the fact that in the coffee shop scene, ritsu's explosion of psychic powers freezes and then spills his hot chocolate, rendering it undrinkable, but then in the burger scene when he blows up the ceiling the dust explicitly doesn't get on the food, so he can still eat it. good shit - i'm trying to avoid going through every single line or joke i liked one by one but i will say. the "this--" "reigen." "reigen" jokes were both incredibly funny on their own but the fact that they're like 30 chapters apart is what really kills me. the dedication. i saw the second one and was thinking "didn't that joke happen before. when was that. wait was that literally all the way back with tetsuo". countless plot events and several irl years may pass but reigen will never catch a break - the "FUCK OFF" tag reigen made being the one that they exorcise mogami with. perfect - love that ritsu is indirectly responsible for teru's girlfriend breaking up with him (good for mei honestly. sure teru wasn't actually cheating but his ass deserved to get dumped) and i like to imagine that teru never lets this fact go. he's not particularly upset about the breakup but he WILL bring up that ritsu ruined his relationship at every possible opportunity purely to annoy him

I THINK YOU MAY PERHAPS BE THE FIRST PERSON TO RECOGNIZE THE DOUBLE-CAUTERIZATION, and the intentional joke in Ritsu, the first time, declaring "Don’t… perform psychic medical procedures on me without my permission, okay?!" Like sorry bud, this is not the last unauthorized psychic medical cauterization Teru's gonna perform on you.

But not every unauthorized medical cauterization can be a win. Turns out when Mogami does it it's kinda mean >:(. But also necessary, for a not-dead Reigen, so actually thanks Mogami.

ABSOLUTELY THE "HAVE MINE TOO" INTENTIONAL PARALLEL BETWEEN THE MILK SCENE AND THE BURGER SCENE. I'm always glad when someone notices the repeat phrasing that ends both those scenes.

And aaghhhhh I could write a whole other essay about the symbolism that food plays with Ritsu's plotline, but in the smallest nutshell how it tends to represent someone reaching out with care and how often Ritsu rejects it. One public restaurant psychic outburst rendered the offered food unconsumable and the other one intentionally points out the way the food (burger) avoided the destruction :')

THANK YOU YES. "This--" "Reigen." "Reigen." as a repeat joke tickles me so much. Just Some Guy energy. Could've played the most pivotal role all night but he'll still end up somewhere next day where someone needs to figure out who he is. Reigen is here too, btw. His name is Reigen, btw.

Fuck Off tag was delightful... It started as an inside joke for a very early comic that @sandflakedraws drew (and then later redrew), of the (chapter 5 or 6) Reigen Tetsugami confrontation. The ineffective tag Reigen sticks to Tetsugami's cheek has, in katakana, "fuck off" written on it. Hilarious enough joke for me, years later, to incorporate it into the story.

Re: the girlfriend thing. I've joked before "if I had a nickel every time evil spirit possession was mistaken for an affair in ABoT I'd have 2 nickels. Which isn't a lot but it's weird it happened twice." But yeah, Ritsu, you asshole. You cost your bro his girlfriend.

i could just keep going but at this rate i'm going to be going back through the entire fic and just talking about every single scene so i should probably stop before this gets any longer. basically what i wanna say though is that the fic was very good, thank you for writing it, it has given me brainworms. once again i am so sorry for the length of this ask

THANK YOU!!! I think I just spent like 2 hours writing this response because, as you can see, I REALLY LIKE talking about this stuff haha!!

[afrsconp]

A little holiday gift for the Tumblr Nisaac ghosties, with extra thanks to @yourstrulyray, whose post partly inspired the ending.

Thanks everyone for being so welcoming to a latecomer like me. <3

Written for the prompt: Your fave ship had some troubles and broke up but they're getting back together during the holidays.

(Which is obviously a Nisaac prompt if ever there was one.)

He finds Nigel on the little stone bench outside, where they’d first decided to try just being friends. And by anyone's measure, they’ve succeeded–more than a year has gone by since, and it's been one of the best of Isaac's afterlife that he can recall.

It wasn't until they started spending time together again that Isaac really understood why he'd been so out of sorts before. Not just lingering upset over the failure of their nuptials, but just the simple fact that he missed Nigel. Missed walking with him, conversing with him, even arguing with him. Isaac hadn't realised how much time they'd come to spend together once they started dating, nor how much he'd come to rely on Nigel's advice, or wit, or comfort whenever he needed it.

And Nigel never failed to provide it. Never fails, Isaac corrects himself now, as Nigel is as thoughtful and considerate a friend as he was a romantic partner. Isaac hopes he's done as much for Nigel, but in truth, he's really not so sure.

“Isaac,” Nigel says in greeting, when he sees Isaac coming towards him.

The noise of the Christmas party is muffled out here, but they can still hear the laughter and the music spilling out of the windows, still feel the warmth of the happiness and joy of their friends–living and ghost alike–inside the house proper. Isaac isn't really a sentimental man but the thought makes him smile, as does the sight of a man that's occupied a great deal of his thoughts for the better part of 300 years now.

“Nigel,” he greets in return, and sits beside him on the bench. Nigel's uniform suits the surroundings, the red of his coat a festive flash of colour amidst the grey stone of the house and the pristine white of newly fallen snow. He looks like something out of a postcard, or a picture book, or a–

A dream, Isaac thinks. A dream he's held for a very, very long time.

“I was wondering where you'd gone,” Isaac adds. His voice is soft; for some reason, it doesn't feel right to speak too loudly out here.

“I just needed a moment,” Nigel replies. His voice, too, is quieter than it usually is.

“For?”

Nigel is silent for some time, looking into the darkness beyond the yard and towards the woods in the distance. Isaac can't see his face clearly; not only is it dark but he's also in profile, keeping his eyes from Isaac's view. It makes it difficult to guess what he's thinking as his eyes have always been the most expressive thing about him. Often even more so than his words, which is saying a lot considering how eloquent the man can be.

“To get my thoughts in order,” Nigel says eventually. He turns then, and gifts Isaac with a small smile of his own. “I'm sorry,” he adds. “I don't mean to bring the mood down. This time of year just tends to draw the melancholy out of me.”

Isaac sits back a little, surprised. “It does?” he asks. “You seemed quite happy when we–”

Too late, he remembers what happened the last–and only–Christmas they spent together. The mistletoe, the liaison, the long-awaited kiss in the shed. Nigel must know what thoughts cut off Isaac's words and he smiles again, but now that Isaac can see his eyes it's obvious that the expression isn't genuine. Indeed, if anything, it just makes Nigel look even more sad.

“I'm sorry,” Nigel repeats. “It's just… old memories, that's all. I promise you, Isaac, I value your friendship a great deal, and I'm very glad to have it.”

Isaac knows him well enough now to know that he's being sincere, but he can also tell that there are things Nigel is holding back, too. Kept locked away and secret behind his sad eyes and carefully worded answers; kept silent and unspoken for as long as Isaac refuses to hear them.

And there's the catch, really; there's the rub. Isaac does hear them, and perhaps always has. It's just taken a lot longer than any man should need to endure for Isaac to really understand what they mean. And by some miracle that Isaac is sure he doesn't deserve, Nigel did–and does–endure it, and likely always will.

“As I'm glad to have yours,” Isaac tells him, and gets another, sweeter smile in response. It warms Isaac down to his bones, and gives him the courage to do what he'd come out here to do in the first place.

He doesn't really know why it feels so much harder now than it did before; surely the second time should be easier, since he's already had something of a practice run. But the weight of everything that’s happened between them hangs heavy in the air, and the full knowledge of what he's admitting to, and accepting, is almost overwhelming.

I like you, he'd said the first time. A vague and somewhat childish statement, for a vague and somewhat childish feeling, made by a version of himself who, despite an existence that spanned centuries, was likewise rather childish and vague himself. Please don't make me say it again, he’d added, when Nigel looked equal parts confused and hopeful, unsure of what Isaac really meant.

But Isaac is not that man anymore, and neither is Nigel. Childish and vague are the opposite of what he wants this second time to be. Second and last, if he does this correctly. If he's right about the nature of the secrets Nigel keeps so close to his chest.

“Nigel,” he starts. He stares at his hands, unsure if he can look Nigel in the eye for this.

“Yes, Isaac?”

Isaac opens his mouth to speak, but no sound comes out. His jaw works but his throat does not, closing up and choking off the words he'd planned so carefully to say. Nigel just looks at him, however, and doesn't rush him; patient in a way he wasn't before, when Isaac’s denials prompted him to walk away.

You're not that man anymore, Isaac reminds himself. And neither is he.

“I love you,” Isaac says. It's a simple statement, simply said, but what it conveys for both of them is immense.

Nigel stares blankly for a moment, before the words sink in and his eyes go wide. He looks more shocked than when Isaac proposed, and his voice is faint when he stutters, “W-what?”

“I love you, Nigel,” Isaac repeats. He takes a steadying breath, then says the rest of what he prepared to say. “I think perhaps I always have; I just didn’t really know it until now. Perhaps I wasn't ready to. But… after everything I've done, and how much I hurt you, I'll understand if you no longer feel the same wa–”

He's abruptly cut off when Nigel's lips crash into his, Nigel's hands cradling his face like he's holding something precious, palms shaking against Isaac's cheeks. Isaac kisses back, unable to stop himself even if he wanted to–and he doesn't want to, not now and not ever.

And that, really is the heart of the matter. Because for them, forever is not just a trite little phrase, to be uttered in the heat of the moment or woven into vows that only last a single lifetime. For them, it's a real and true commitment, with real and true consequences that both of them understand all too well.

And now, it's a promise made and accepted. Because when Nigel pulls back and meets Isaac's gaze, every secret he'd kept hidden away is revealed in full in those wide green eyes, as arresting now as when Isaac first saw them through a spyglass more than 250 years ago. More arresting, really, because now they look at Isaac with clear joy and love spilling from them unhindered, and Isaac can only hope his own eyes mirror even a fraction of the same emotion, because he certainly feels it, in every single part of himself. In his chest, tight with happiness; in his stomach, fluttering with relief; in his heart, swelled to bursting with–

“I love you, too, Isaac,” Nigel says. He strokes Isaac’s cheek and stares at him with something like wonder on his face. “Always.”

Isaac leans in and kisses him again, soft and gentle, taking his time. He doesn't need to say anything more; the look on Nigel's face confirms that he understands what Isaac is offering him now, as well as Nigel's own answer to it. But if this really is the last time he’ll do this–with Nigel, or with anyone–Isaac wants to make it count.

"Always, Nigel,” Isaac confirms. Promises. Vows. “And forever, too.”

[justalittlebluetiefling]

Sometimes a book isn't exactly good, but the vibes are right and that ends up being enough.

[soulsxng]

When close to Enoch, one may notice their heartbeat quickening ever so slightly. Goosebumps raise along their arms, and they find themselves holding their breath. It feels, perhaps, similar to excitement. Anticipation.

If they meet his eyes, those feelings quickly ebb into something warmer. Something that feels almost familiar. Comforting, even...but in a way that they can't quite put their finger on.

His smile is inviting, and he gives some small greeting or another. Maybe it's his inflection, or the clear, quiet confidence in his voice that makes it hard not to hang on every word he says. Before they know it, it's as though most other noise around them has faded into the background.

It's easy to watch him. To be around him. Each movement easy and precise; a purpose to each and every one. He leaves himself little room to make a mistake, but it doesn't appear as though he's trying to force perfection, either. (even if he is) A comfortable in between that has that feeling of familiarity growing. As if those gestures and mannerisms are something they know. That they've heard and seen a hundred times before.

They come away feeling as though they know a few meaningful things of him. Like the end of a well-loved novel, it leaves both a feeling of satisfaction, and a craving to know more.

Many animals and beasts are said to be good judges of character, though. And though a vast majority seem drawn to Enoch in much the same way as other beings are, it's the opposite for others.

For these beasts, there's something more to it. Those first feelings they become aware of aren't excitement. The anticipation is different. It feels like eyes are on them. Something is watching. Something is waiting, like a predator who, despite having already had their fill, is debating on one more meal.

They catch his eyes, and it's too late. The predator already has them in its maw. It's suffocating, and they only have one move left to make before teeth close over them, and they're swallowed up.

...Only to be let go again just as their fate seems imminent. Maybe it wasn't hungry after all.

Or maybe that was a warning. Pry into something too intently, and it's likely to snap shut on you when you least expect it.

Like a mouse in a trap.

[7nuh]

MR. CRAWLING YANDERE HEADCANONS !

CW 𓂃 gn!reader, gaslighting, canon-typical violence

AN 𓂃 ik i said i'd have HCs for all of them but this ended up being too long so... 🧍‍♀️ also unedited bc i have an exam later ill be back to edit this later pls

Mr. Crawling is the protective type. He spends half of the entire game following you wherever you go and going through great lengths to protect you from the other residents of these cursed apartments. However, I can see how that protectiveness can get twisted in the long run when you remain completely helpless and unable to defend yourself. Mr. Crawling would have no choice but to step in and make decisions for you instead because he cannot afford to lose you just like that.

Out of all the homicipher men, mr. Crawling is the one who has the most respect for your choices and boundaries. He leaves when you tell him to, patiently guides you throughout this maze, and comforts you when you are upset— and he's never violent unless threatened.

Such a sweet and gentle guy would never hurt you intentionally. He loves you too much to hurt you.

That being said, though he'll never intentionally hurt you, he doesn't realize it whenever he's being possessive and suffocating you instead. After all, having wandered these halls for so long has desensitized him to violence and made him forget all his human memories. Simply put, his concept of love is warped in its own way. He doesn't understand nor remember how to healthily love another person by societal standards, but he (usually) means well.

He may not understand love but he knows one thing for sure— you're very precious to him. You're so full of life, so kind (to him), and so persistent to find your way home despite everything. Everyone else just kind of does their own thing around there... but you need him. You give him purpose and he's ready to give himself up for you in return.

But as much as he respects you, he knows you sometimes don't know any better. You almost got yourself killed multiple times despite his numerous warnings, and he's not confident you completely understand him just yet. So whenever he feels as though something got lost in translation, he won't hesitate to push you aside or cover for you in that instance. Thankfully, you can now regenerate your limbs.

You don't know any better. This sentiment becomes a mantra that repeats itself in his head over and over again. The two of you haven't made any significant progress on finding an exit, but you've almost died more than a dozen times by now. How are you supposed to survive without him?

What even is your home like? How can he be sure that you aren't going to get yourself killed over there too? Can he follow you there too to protect you? Can't you just stay here with him instead? Would that be so terrible? Of course he wants you to find whatever you're looking for...! it's just that...

The thought of losing you only intensifies his anxiety and over-protectiveness. Whether by departure or death, he cannot stand to be apart from you. Why are you so eager to leave this place anyway?

Mr. Crawling is gentle, but love can force him to be violent. He's not as cruel as the rest, but it doesn't mean he won't be when you're put in danger, especially when his possessiveness and overprotectiveness spiral out of control. He doesn't want to restrict you in any way because he loves and respects you too much to do that, but you just keep getting yourself in trouble. He overcompensates and goes overboard instead trying to protect you, even if it means killing someone.

And the thought of you moving on and forgetting him depresses him. He knows you had a life before this, but he wants a life with you in it. He'll be selfish just this once, but never again. He'll make sure you're safe here you so don't worry about that! Just don't leave him. Just stay with him, please.

It starts little by little. He starts telling you to rest more often and misleading you farther away from the elevator. Sometimes, when you tell him to leave you alone, he pretends not to understand you anymore. When he sees that dreaded green light from a distance, he tells you there is something malicious up ahead. In times like these, he's glad you're so blindly trusting of every word he says. It's difficult for him to watch your resolve break down, but it's for the best. When you're with him, you're safe and that all that's matters.

I can see some of the others like Ms. Bride and Mr. Silvair being in on it. Ms. Bride is very excited that her wedding garments will be used for their actual purpose this time whereas Mr. Silvair finds your unconventional relationship an interesting area of study. Whenever you find yourself 'lost' (escape from Mr. Crawling), they will redirect you back to him.

Eventually, you do give up. Maybe you even become more monstrous by the day and accept that you're better off here. He loved your persistence, but maybe he can show you giving up and that staying here isn't so bad. After all, you have him. He makes sure to be extra affectionate and cuddly after you give up <3

You'll learn to accept it, won't you? For him? Whatever's beyond those elevator doors can't possibly be better than being loved unconditionally and safe within his arms. You're even free to be yourself down here! You can be as violent as you want, and Mr. Crawling will happily watch you bludgeon someone to death on the sidelines with nothing but adoration.

Alternatively, if you do find your way home, he WILL follow you whether you like it or not. But if you don't want him there... well, do expect a few inconveniences. Whatever it takes to convince you to let him stay or to convince you to come back, really. Maybe like blood on the walls spelling 'me love you' and 'me miss you' or a cold pair of arms wrapping around your waist at night.

[prongsx]

we are not children anymore, honey.

warning: swearing, a bit insinuating, f!reader, fluff.

where jason needs to remind you that you're not kids anymore and teasing him isn't the same anymore.

1,8k words

You met Jason Todd when you were both innocent children, well, as innocent as the crime alley allowed. He was your best friend, most of the scars he had back then were from picking fights with anyone who raised their voice at you, anyone who tried to sell you drugs or tried to be aggressive with you.

You had an easy body language, both of you touched each other often and played the usual games that children do, physical touch was never a distant thing.

You secretly had a crush on that somewhat reckless and smiling boy who protected you, always holding your hand. Maybe in the back of your mind you thought that one day you would get married.

At the time, he was a little shorter than you, a fact that deeply irritated him but made you laugh. Then he was adopted by Bruce Wayne and you thought that would be the end of your friendship, but there seemed to be a thread that connected you, not even taking on the mantle of Robin could separate you.

Then Jason was taken from you in the most abrupt way possible, by the hands of death itself. But not even that which seemed inescapable separated you for long, the grief that consumed you could have destroyed you, but something in your mind repeated that Jason would never leave you alone.

When Jason appeared at your door, years later, his blue eyes looking haunted, you cried, something in your heart that was dead seemed to come out of the ground in the same way as your best friend.

At first, you simply didn't know what to do with this new Jason, he himself seemed a little lost, the well had affected his emotions. He took up more space, his arms and hands were bigger. Doubts consumed you, afraid of never rescuing the old bond, but then you bought your old favorite cookie and he smiled at you.

That dimpled smile, which lit up his blue eyes and seemed to bring a reckless air to him. And you decided right then and there that nothing would stop you from being his best friend again.

The thing was that your friendship was based on a time when you were both younger and more naive, feelings were simpler. Jason died before you could be friends during that strange time in your adolescence when touching your friend seemed strange, the only memory your body had of your friendship with Jason was a sticky friendship.

"Only you could make me go to the other side of town to get that damn donut that tasted like paper." Jason grumbles, closing the latch on your window as he moves his huge body into your living room. At that moment, you feel the room shrink, and it feels like any false move will betray your racing heart as you watch Jason remove his helmet, his black curls messy in a cute way.

"They're great." You hum, reaching out to take the package from Jason.

"Seriously, there are so many bakeries with better donuts." He retorts, crossing his arms, drawing your attention to the outline of his biceps in his skintight uniform.

"The best isn't always going to be the tastiest."

Jason rolls his eyes at your completely nonsensical choice of words, flopping his tired body on the couch next to you.

"Jason, did you just sit on my couch in your dirty patrol gear?"

"Sweetie, I just walked halfway through this shitty city looking for that donut. I have a right to dirty your precious couch."

You let out a grunt, knowing he's right. He has the right, but that doesn't stop you from lightly pinching the side of his hip, where his suit had a layer of fabric.

He doesn't even blink at your attitude, his hands holding your wrist, his long fingers holding it as delicately as was allowed.

"I thought you gave up trying to play fight with me," he whispers, his voice heavy with that accent that makes your legs a little weak.

You shrug, your body approaching him almost as a reflex, your knee touching his. It's kind of annoying how much bigger he's gotten than you, and stronger. Much stronger, you know he could flip you over with a single hand and honestly the thought is more exciting than you want to admit.

"Sweet thing?" He calls to you, still with that sly smile on his lips. You blink slowly, coming back to reality.

"Hmm?"

"Aren't you going to eat your delicious donut?"

"Yes. Yes." You say, nodding.

If before you thought Jason was cute, now you could write ridiculous poems about him, two stanzas just about his sapphire eyes.

He snuggled deeper into your couch, spreading his thighs and letting out a sigh of relief at the comfort.

"Tiring patrol?" He opened his eyes when he felt your hands lightly pinching his nose, trying to make him pay attention to you again. You would never admit it out loud, but having Jason's undivided attention was kind of addictive and intoxicating.

"You could say that."

You dropped the donuts on the living room table, suddenly feeling guilty. Even though it was just him teasing you, the store that sold your favorite donuts was really far away.

"I'm sorry I made you take my stupid donuts." He let out a breath when you rested your chin on his shoulder, staring at him from under your eyelashes.

"No. I don't forgive you." He teased, his hands going down to your waist and drawing circles there.

"Seriously, I was selfish." You repeat, looking down at the red bat symbol on his chest.

His blue eyes continued to stare at you, his hands coming up and lightly holding your chin, his eyebrows furrowed. Jason never accepted it when you seemed sad towards him, or when you made it seem like you were a hindrance in his life.

"Stop that shit."

A laugh escaped through your nostrils.

"You still have such a dirty mouth, Todd. My mother still blames you for the variety of curses I know."

He laughed, the sound going straight to your stomach. It should be forbidden for someone to have such a delightful laugh to hear. Jason wasn't as much of a laugh now as he used to be when he was a child, his innocence had been taken away from him years ago, so you drank every drop of his laughter you could.

"Well, I blame you every time I act stupid. We're even."

You reached your hands up to his hair and pulled lightly, like you used to do when you wanted to get back at him when you were kids. But this time, he didn't laugh you away or flick you in retaliation. His lips curved into a thin line and his eyes blinked so fast you thought you'd imagined it.

"Sweetie." Jason's voice was low, the nickname sending an electric shock through your body. "We're not kids anymore."

"You're still just as annoying." You joked, praying he wouldn't notice the slight crack in your voice.

"No, sweet thing, you didn't understand what I meant." He said, his blue eyes staring straight into your face. His hands moved down to your hips, pulling you closer to him, your legs almost resting on his thigh. "I'm saying we're not kids anymore." He repeated.

"Yes. I obviously know that."

He let out a long sigh, as if you were irritating him with your stupidity.

His slightly chapped lips parted as he said something that you were momentarily lost in, your hands resting on his muscular thigh. He gripped your chin tighter when he noticed your inattention and felt your hand on his thigh.

"See? That's what I'm saying." He let out a laugh that wasn't like before, it wasn't genuine and open-hearted, it was low and had a feeling you couldn't quite grasp. "You keep touching me and teasing me like we're children."

"I can stop." You stammered, very confused and feeling a little dizzy. This new Jason Todd, with more scars and less shyness, was making your throat suddenly close up.

"You're not supposed to stop." He whispered, his other hand coming back to grab the back of your neck and pull your faces so close you could feel his warm breath. "Just letting you know that now, when you lie on top of me and stare at me like that, my first thought isn't to play fight with you, darling." His hand squeezed your chin lightly as he added, his voice lower, "When you stare at me like that, all I think about is kissing you stupid."

Forming words seemed harder than ever.

"Ah."

"Ah," he mimicked you in a thin voice, a goofy smile on his face, his grip on your chin bringing your lips close to his. "I say I want to make you sigh my name and that's all you have to say?"

You clear your throat, your eyelashes fluttering slightly. The hand resting on his thigh makes an involuntary movement to lightly squeeze the muscle there. Jason's blue eyes darken, a noise close to a growl leaving his lips.

"You keep doing these things. Fuck, baby, every time you almost climb on my lap like it's nothing." He took a deep breath, as if he was losing his mind, closing his eyes so as not to get lost in his own thoughts. "You must know what you're doing to me."

"No. I. No." You repeated, still very overwhelmed by how close you were. Your best friend, staring at you like he was about to destroy you.

He smiled again at your mental confusion, brushing his lips against yours and letting out a low moan that made you gasp. "Let me kiss you, please?"

You nodded, crashing your lips against his before you had to beg for it. Jason's lips were rough against yours, as if he was punishing you for making him wait, for making him yearn for this.

Jason's ability to focus on multitasking was evident when he pulled you to sit fully on his lap, without separating your lips, his hands moving up and down your body, swallowing the small moans that came out of your mouth.

"I think I've already thought of a way for you to pay for your stupid donuts," he whispered, pulling your lips away for a few seconds to smile at you.

You laughed, feeling lighter than you had in years. Your hands cupped his face, caressing his cheek. There were so many questions and doubts swirling around your mind, but Jason pulled you into a hug, kissing your forehead.

"Honey, it took you a long time to realize that you're mine. Just relax."

You blinked away the tears, hiding your face in the crook of his neck, a genuine smile on your lips.

Your best friend was in love with you too, and everything would be okay.

I hope you liked it, sorry for the mistakes, I need to review all my works. My epub box is open, I just want to write more for Jason!! I'm stupid for him. And I'll be dying on the hill that Jason Todd has a dirty mouth. I'm trying to write for a gender-neutral reader but I've discovered that I have difficulty, I'm sorry, but I'll keep trying.

[traveler-at-heart]

Good Luck Babe

Summary: Wanda's boyfriend is the biggest asshole you've ever met. You think she'll choose you in the end.

Wanda Romanoff x F!R, eventual Natasha Romanoff x F!R

A/N: Don't be fooled by the summary, this is a Natasha Romanoff x R fic

Classes can be a drag. Especially the early mornings, where not even a cup of coffee can make you focus.

And then, there’s Wanda Maximoff, looking at the professor as she speaks, diligently taking notes while looking perfect, as usual.

She catches you staring and you have to look away, pretending that you weren’t just wondering how she manages to look effortlessly beautiful.

Class is dismissed and you take a minute to pack your things, preparing for the next session. You try not to roll your eyes as you find Wanda with her idiot boyfriend right at the door. As usual, they take up too much space, and you have to push one of them aside.

“Coming through, princess”

You don’t have to look back to know Wanda glares at you, annoyed at the nickname.

To be fair, the first time you used it you thought you were both involved in playful banter. Hell, you even meant it to be flirty, but she took great offense in it, which was the case with most things you did, whether they were aimed at her or not.

It was pretty clear she hated your guts. You just didn’t know why.

——

“I don’t know what her problem is” Wanda says, the music loudly booming across the house.

“What?” Jarvis says, leaning forward because he didn’t hear a word Wanda said. Partly due to the loud music and also because he’s looking at other girls, albeit discreetly.

“Y/N. She’s always being a total ass” the girl says, watching as you enter the house, avoiding her stare.

“She’s just jealous because you’re so pretty” he says and that’s enough to distract Wanda.

Across the room, you curse under your breath at the sight of the Maximoff girl. God, you hate her stupid boyfriend. Always runnig his mouth to his friends about Wanda, telling them private things… you’d overheard them at a bar once and it took every ounce of your being not to kill him right then and there.

Not to mention, the rumoured affairs that everyone knew about. Everyone, but Wanda, that is.

“You made it!” Carol greets you, and then follows your gaze. “Ugh, that guy’s the worst”

“Agree” you nod, turning to look at her. “Shots?”

“Hell, yeah” your friend says, taking you to the kitchen where Val is pouring some alcohol.

To your relief, you get to avoid Wanda for the entirety of the night, and as your friends arrive you quickly forget what had soured your mood in the first place.

Wanda, on the other hand, is not having such a great time. At some point while she was chatting with Pepper, she lost sight of Jarvis and can’t seem to find him anywhere. Knowing Stark could get crazy ideas, she worries that they might be doing something reckless so she goes around the house, looking for her boyfriend.

She’s expecting everything but seeing him with his pants around his ankles while a girl Wanda doesn’t even know gives him head.

“Wanda!” Jarvis shouts, startled.

“That’s not my name” the girl says, smiling playfully. “Or are we role playing?”

“I need to get out of here” Wanda says, closing the door.

Of course, he chases her down the hall, desperately sayig any excuse he can think of. Wanda tries to walk past him, but he blocks her from going downstairs.

“Don’t be so uptight about it” he loses his patience when Wanda refuses his apology. “Guys just need to do it more than girls, it meant nothing”

“You’re an ass” she says, tears rolling down her cheeks.

“Wanda, don’t leave” he warns, as she finally walks around him to go to the first floor. The shouting makes some people turn around, and it’s almost impossible to ignore the commotion.

You’re standing next to Val and Darcy, unable to look away as the oh so happy couple keeps shouting at each other.

“Guess he got caught red handed this time” Darcy mutters. She and Wanda were friends but had a fallout and you suspected it had to do with Jarvis and his side pieces.

“Let go of me” Wanda insists when he takes her arm, pulling her close to him.

“People are staring, shut your fucking mouth”

“You’re hurting me” she protests, trying to losen his grip.

Maybe it’s the way she says it, so defeated or even scared, but those words make you snap, and you walk up to them, pushing Jarvis away.

“Stay out of it” he warns.

“Make me”

You are expecting the first punch so you dodge it in time, but he manages to land another one on your mouth, and you feel the taste of blood.

“You’re gonna regret this” you say, launching yourself forward until you knock him over, landing on a coffee table that breaks. Grabbing him by the shirt, you land two punches and go for a third one when he kicks you, making you gasp for air.

“That’s enough” Thor steps in, his brother looking delighted at the chaos. “You better leave”

Jarvis glares at him, but truth be told, Thor doesn’t like him and he is your friend. He leaves the Odinson house, cursing under his breath.

“I’m fine” you tell your friends as they bring over ice to put on your cheek.

“Want us to take you home?” Carol offers.

“It’s good” you say, shaking your head. “I should go, take some painkillers”

“Call us if you need anything”

“Ok” you pat Darcy’s back, leaving the house where everyone’s partying like nothing even happened.

As you walk to your car, you spot Wanda, sitting on the sidewalk, wiping away the tears that roll down her cheeks.

“You ok?” you ask, standing next to her.

“He’s an idiot. No, I’m the idiot for being with him” she rambles.

There’s a very sarcastic comment at the tip of yout tongue but you save it.

“Did he drove you here?” Wanda nods and you jiggle the car keys. “Come on, I’ll drive you to your dorm”

“I don’t want to be alone” Wanda hugs her knees, and in spite of everything, your heart aches for her.

“Any friends that can take you in for the night?” she shakes her head no and you sigh. “Wanna stay at my place?”

“Are you sure it’s ok?”

“Yeah, come on” you say, walking to the car. You drive in silence, eager to get home and put some more ice on the punch.

Wanda gets out of the car and follows you to the dorm you share with Carol, who usually stays with Val most nights.

“Take the bed” you say, handing over some clean clothes so she can change.

Wanda looks at you, and you feel uncomfortable at the intensity of her gaze.

“I… thank you, Y/N”

“Sleep tight, princess” you say with a smile and for the first time she doesn’t look upset as you call her that.

——

The smell of bacon and butter wakes you up and you stretch, trying to remember why you’re in the couch.

When you see Wanda in your kitchen, everyhing that happened comes back and you groan, rubbing the sleep off your eyes.

“Ouch” you say when you rub close to the punch on your cheek.

“You’re up” Wanda says, smiling. It’s a strange sight, as she’s used to glaring at you or just ignoring your presence.

“You sleep ok?” you say, trying to hide your blush when you notice she’s still wearing the clothes you let her borrow.

“Yeah, thanks” she nods, pulling up two plates with pancakes. “I wanted to thank you for everythig you did last night”

“No need” you say, grabbing a fork and eating. Wanda’s just being nice and you honestly don’t want to force her to interact with you, so all you want is to finish your food and give her an out so she can leave.

“He’s been texting me” Wanda says, looking at her food but not eating anything. “Saying it was a mistake, a one time thing and that it would never happen again”

“And you believe him?” you try to control your tone.

“I’d heard the rumors… even from Darcy. You probably know already”

“We assumed that’s why you fought, but she told us it was none of our business. And I know this isn’t none of mine, but you deserve better”

Wanda giggles at that and you look at her, intrigued.

“I’m just… I thought you didn’t like me”

“Where’d you get that?”

“The nickname, your constant glares across the room…”

Oh, shit. Here you were thinking you were obvious about your crush, and Wanda thinks you hate her.

“I hate… Jarvis. I knew he was a dick so I always disliked him. Seeing him with you. Yeah”

“Do you like me?” Wanda asks and you take a deep breath, shrugging your shoulders.

The girl smiles, finishing her food. You stay in the kitchen, fidgeting with your fork until she comes back, changed into her own clothes.

“I should get back. Do you need anything? Painkillers, ice?” she leans forward, her hand touching your bruise gently. Then, you notice her eyes drifting to your lips.

“I’m fine” you say and she nods, stepping back.

“See you in class?”

“Yes” you say, smiling as she waves goodbye. Carol walks in ten seconds later, looking behind her.

“Was that…?”

“Yes”

“Did you…?”

“No” you cut her off. “She just didn’t want to be alone after what happened”

“Y/N…” Carol says in that tone you dislike so much. You’re about to get scolded over something that isn’t that big of a deal.

“Carol, come on. She slept in my room, I stayed on the couch. That’s it”

“I just don’t want to see you getting hurt” your friend says and you nod. “I mean, you got a split lip and a black eye already so maybe it’s a little late for that”

“Yeah, that’s true. Come on, there are some pancakes left”

——

You tell yourself it means nothing. Wanda sits next to you during class, and offers a second scone she got from the cafeteria.

“How’s the eye?”

“I’m not blind” you shrug your shoulders. “Jarvis hits like a little bitch”

Wanda snorts at that, and you can’t hold back your own laugh. That attracts the attention of Professor Harkness, who focuses on your eye.

“Do I even want to to know, Y/L/N?”

“Nah” you shake your head and she rolls her eyes.

“Alright”

With that, the lesson begins. You try hard to focus, but Wanda smells really nice and you’re only human. At one point, she shuffles in her seat, her leg coming in contact with yours and you give up on taking notes.

“You ok?” to your surprise, Wanda follows you out of the classroom. “I can let you borrow my notes, if you want”

“Wanda” you stop abruptly, sighing. “Listen, you don’t owe me anything. I helped because it was the right thing to do. So don’t worry about paying me back in any way”

“That’s not… ” she stutters, fixing her hair. “I don’t really have any friends. I was always with him”

“Oh” you feel like an idiot. “Well, ok. I could use those notes”

“Yeah?”

“Yeah, come on. I’ll trade them for a coffee” you smile, walking next to her to the library.

—

It surprises you, how much you and Wanda have in common. She likes sitcoms and though you’re more of a Friends kind of girl, it’s fun to watch those old shows where they dance and sing from time to time.

“I only know Dick Van Dyke from Mary Poppins” you confess one time, which prompts Wanda to invite you to her dorm for a marathon.

“Where are you going?” Darcy says when you walk past her and Carol that evening.

“Oh, this is gonna be fun” Carol smiles and you glare at your friend.

“Well, Wanda and I…”

“Oh, my God! You traitor. Brutus!” Darcy shouts, throwing a napkin at you. “She’s the worst”

“I wouldn’t know. You didn’t tell me what happened”

“She got you there” Carol points out, eating popcorn while she enjoys the show.

“That is besides the point”

“Look, I’m not putting Wanda on my will or anything, we’re just hanging out. And if she mentions you, I’ll be the first one to defend you”

Darcy sighs, chewing on her lip.

“It’s not about me. Wanda has the habit of just… using people when she’s bored or on a break from that idiot. And then they get back together and forgets about you. Which sucks. I wouldn’t want it to be the case for you, that’s all”

“I’ll be careful” you promise.

Once at Wanda’s, you’re trying to enjoy the show, but Darcy’s words are echoing in your head. You had to admit that if you spent more time with Wanda, you’d probably develop an even bigger crush. And if she went back to that asshole, it would hurt you.

Was it really worth it?

“Is the show boring? We can watch something else. I know it’s weird that I like this” Wanda pauses mid episode.

“No, it’s just… Darcy said some things…”

“Oh. I wouldn’t blame you if you don’t want to hang out anymore” she sighs, looking down at her hands.

“I’m just thinking… maybe it would be good if you fix things with her? Say sorry. I’m sure she’ll appreciate it”

“I can try, but you know her. She won’t make it easy” you both laugh at that. “Is that all?”

“Yeah” you lie. “Come on, let’s keep watching. I wanna know if Rob goes to Ritchie’s play”

Wanda smiles, this time moving closer to you. Her head rests on your shoulder, relaxing against you. It’s so intoxicating, to have her so close, to feel her warmth.

And all you can think over and over again is “please don’t break my heart”. But you can’t ask for the impossible.

—

You’re really not expecting Wanda to take your suggestion at heart, but one day you see her speaking with Darcy in the hallway, your friend pretending to not be interested in the conversation at all.

The only sign that she actually forgives Wanda is when you’re sitting with the girl at the cafeteria and Darcy sits next to you, carrying a tray.

“This is the only seat that I could find” she mutters unconvincingly, making you and Wanda smile.

Though you spent most of the time in each other’s dorms, watching movies or shows. You learn that Jarvis was the one that dragged Wanda to all those parties and anytime you invite her to one she politely declines.

Now, you’re staying in while the rest of your friends are at the Odinson mansion. You don’t know if they’re allergies or a mild cold, but you’ve been feeling sick all day and wanted to rest.

“Coming” you groan when someone knocks. You open the door to find Wanda on the other side. “You’ll get sick, what are you doing here?”

“I made you soup”

“Thanks” you take the container, and you gotta admit the idea of warm soup makes your mouth water. “I’d say do you want to come in, but I really do worry this might be contagious”

“I’ll be fine” she walks inside, finding her usual place in the couch and patting the spot next to her. “Come on. We’ll even watch that boring show you like”

“The Office is not boring!” you huff, making her laugh.

A couple of episodes later, and you feel your eyes slowly closing, a side effect from the  medicine you took. Wanda notices, and makes you walk to your room.

As you lay in bed, you’re drifting off to sleep when you feel Wanda sliding next to you, her hand on your forehead.

“Your fever is down”

“Mhm. Thanks to the magic soup”

“I’m staying, in case you need anything”

“Ok, baby” you nod, too sleepy to notice what you’re saying.

Wanda’s heart flutters at the term of endearment, and she watches you sleep peacefully, her mind racing with thoughts about what could this possibly mean to you both.

On the other hand, you don’t remember anything and are startled when you feel someone sleeping next to you.

“Wanda?” you say when you turn around, smiling at how cute she looks, all confused.

“I must have fallen asleep here. How are you feeling?”

“Better, thanks” you lay on your side, still smiling. Wanda is still thinking about the way you called her and it’s fairly obvious you don’t remember.

Still, she leans forward and you almost watch in slow motion as her lips meet yours in a short kiss.

“Why did you…”

“You make me feel… I don’t know. Safe. I’m sorry, if I crossed line. Maybe I should go…” she sits up and you follow suit, making her turn to you.

This second kiss is a bit more urgent and less delicate, but you hope it makes a point.

“Now I really hope that what I had wasn’t contagious”

Wanda laughs at that, her hand over yours.

——

The next few weeks you grow closer to Wanda. You spend most of the time at her place, watching sitcoms and more often than not, you end up making out on her bed, until you’re both out of breath.

She also enjoys teasing you endlessly, like that time she sat next to you in Agatha’s class and put her hand on your thigh. Your knee jolted forward, crashing against the table and making the professor glare at you.

This time, you’re supposed to be studying in your room, but you find that looking at Wanda as she goes over her notes is far more interesting.

“Stop” she says after a few minutes and you smile.

“I’m not doing anything”

“You’re staring”

“Can you blame me?” you crawl behind her, placing small kisses down her neck. She sighs at the contact, leaning against your front.

“Are you doing this to get my notes?”

“Maybe” you laugh against her shoulder, making her turn until you’re kissing her, and she pushes you down on the bed, straddling your lap.

“You better work for them, then”

Next day, when you’re done with your test, the first thing you do is reach for Wanda’s hand. To your surprise, she flinches away, grabbing the strap of her bagpack.

“Did you do ok on the test?” she’s quick to ask, hoping you won’t push it too much.

“I think so, yeah”

“If you pass, I’d say you owe me for borrowing my notes” she smiles.

“Well, we could go out to the movies. Or dinner?” you suggest, your heart beating faster. It’s a thought that has been going through your mind recently.

Not that you don’t enjoy the kissing and sneaking around, but you’re eager to take Wanda out, find new places together, talk about something else other than classes and her old shows.

“I’m not sure I can make it” Wanda says, avoiding your eyes again.

This new rejection stings and you drop your shoulders, looking for an excuse to leave.

“Yeah, you’re right. We have lots of stuff to do. I’ll catch you later” you say, walking faster and not waiting for Wanda’s reply.

The rest of the day is spent in your dorm, which isn’t unusual. The only difference is that you’re alone instead of enjoying Wanda’s company, and hiding from seeing her.

“Wanna go to Joe’s with us?” Carol offers. “To celebrate midterms are over”

“Sounds fun” you agree, because it’s been forever since you’ve been with your friends.

“You can invite your girl”

“She’s not my girl”

“Oh?” Carol tilts her head to the side, putting the pieces together. “So that’s why you only hang out in the dorms”

“What did you think we were doing?”

“Having sex like crazy”

No answer comes to you, because sex is something that hasn’t happened yet. Or maybe never, considering Wanda doesn’t want anything more.

“I don’t think she knows what she wants, Carol”

“Do you?” she asks gently. Your immediate response is a shrug of your shoulders, and it’s a lie, because you know exactly what you want. “Come on, it’s her loss then. Let’s just go out and have fun”

Meeting your friends does improve your mood and you’re happy you listened to Carol. You eat and play pool, until everyone gets restless and looks for something else to do.

“Heard Stark is having a party” Carol says, knowing he always gets the fancy booze.

“Pass” you’re the first one to speak.

“Why?”

“Isn’t he best friends with Jarvis?” Darcy says. “We don’t want to have another fight, do we?”

“Oh come on, there will be so many people he won’t even notice that you’re there!” Carol insists, and you can tell she’s gonna be stubborn and annoying until she gets what she wants.

So, you agree, but spend the whole time looking around, waiting for that jerk to pop out of nowhere and pick up a fight.

“I don’t think he’s here” Darcy says, patting your back. “Let’s just have some fun, then Val will drag Carol out of here and we can go home, yeah?”

“Sounds like a plan” you nod.

For the next hour, you do enjoy the party and are even surprised when Tony seems happy to see you. To be fair, he is a lot nicer than most of his friends. You’re relaxed, dancing to the music and doing shots with Darcy and Val, almost forgetting why you were so sad in the first place.

That is, until you walk out of the living room to get another beer, but the place is so crowded you bump into a girl.

“Sorry, are you ok?” you say, turning to make sure she’s fine.

Your stomach drops when your eyes meet Wanda’s.

She calls for you, but the sound of her voice is drowned out by the music and the ringing in your ears. Jarvis says Wanda’s name, and you take advantage of the distraction to escape, pushing people out of the way.

When the fresh air hits you, the first thing you do is bend over the railing of the porch and throw up, coughing and wretching violently.

“It’s ok” Darcy comes out of nowhere, getting the hair out of your face.

“Shit” Val sobers up immediately. “Time to go home?”

“Yeah, come on. Let’s get a cab” Carol says, patting your back.

They think you’re wasted, but all you are is heartbroken. Wanda was with him, after everything you’ve been through.

The shame over being so naive makes you stay in your dorm for the entire day.

Wanda shows up the minute Carol leaves.

“You should go”

“Please let me explain”

“I don’t think that’s possible” you shake your head. You know it, deep down. She’ll never give you a place in her life.

“We’re just… friends. He wanted to talk, apologize”

“Wanda” you plead, hoping she’ll stop. But instead, she pushes past you, her hands in your face.

“I can’t lose you”

“Why would I stay?”

Wanda answers with a kiss, that is slow at first, and then borderline agressive. You’re pushing, then pulling, unsure of what you want from her, but she pulls your pants down, just enough for her hand to fit, moving past your underwear and circling your clit. Your nails dig into her shoulders, gasping and breathing as she enters roughly, her fingers moving fast and hard.

It’s not nice or affectionate, but a way to further claim you, ruin you, brand you. Now she’s reached and touched more of you, and you’ll never be able to erase it.

Your orgasm comes unexpectedly, and after the high, you come crashing down. All you feel is bitterness and guilt and anger. Wanda stays inside, biting your neck. The sting reminds you, you’re only gonna get pain out of this.

—

It becomes a vicious circle. Wanda is distant in public, because more often than not Jarvis is by her side. And then, she corners you in any spot she can find, kissing you and pressing her body against yours.

The more you let her in, the weaker you are and it’s nearly impossible to stay away. It will hurt if she leaves, and it hurts to be with her.

“I don’t know how to stay away” you confess to Carol one particularly hard night. Darcy was called to offer her support, and she provided that along with snacks. “You were right, Darcy”

“I didn’t want to be” she says, holding your hand. “You’re the only one who can put a stop to this. She’ll never stop looking for you”

You can’t see yourself doing that, but then you walk past her in the hallway, and you hear her saying those words to Jarvis.

“I love you”

You couldn’t even get her to hold your fucking hand.

Pushing past her, you walk away, hoping to find the nearest bathroom and lock yourself there. Lucky for you, Wanda doesn’t follow you.

There’s someone else waiting outside.

“Miss Y/L/N” Professor Harkness greets and you nod, looking at your feet and hoping she doesn’t notice your red eyes.

“Professor”

“You’re too advanced for my class. My wife has a spot in her lecture. New people to impress, most of them pHD students”

Her emphasis in the new makes you understand.

You won’t have to see Wanda in class.

“Ok. I’d like that”

“Keep your head high, kiddo” Agatha says, her hand on your chin. “And don’t tell any of this to Rio or she’ll accuse me of going soft”

“Yes, Professor Harkness. Thank you”

“Mhm” she nods, giving her signature smirk and turning around.

One less place where you’ll have to see Wanda.

Soon after that, you change everything about your routine. Where you eat, study, even go out for runs. Hell, you change your phone number and Darcy is kind enough to let you stay with her for a while. That, and the Thanksgiving break are enough to give you three weeks of space.

It hurts and more than once you have to stop yourself from looking for Wanda. But what’s the point of being a secret? The longer it goes on, the more it will hurt.

Still, there are days when anger weights heavier than sadness. You’re mad at yourself, for being so stupid. At Wanda, because she was a coward and a liar. And those times, you get restless and go out to run, listening to music until you reach a hidden lake. It’s one of the few places you can be at peace, because you found it after Wanda broke your heart. So, there’s no ghost of her here, only you and your conflicting emotions.

Throwing stones at the lake is a way to pass time, and you’re doing exactly that when you hear rustling behind you.

“Sorry” a raspy voice says. Your eyes meet green ones, but these are softer, almost shy. The girl has beautiful red hair, braided with a few strands lose. She misinterprets your silence, and quickly retreats. “I’ll find another spot”

“That’s ok. I can… I can go”

“No, you don’t have to” she’s quick to reassure.

“Well, we can always share” you propose, smiling. The girl nods, and places her bagpack next to a log. She pulls out a book, and begins reading. You continue throwing rocks, stealing glances here and there.

“Is the book any good?” you finally ask.

“Depends”

“On what?”

“On your fascination with social expectations in Russian society during the 19th century”

“Pass. Got anything lighter?” you joke. To your surprise, the girl pulls out another book.

“How about the perils of indulging in romantic fantasies?”

“I know those very well” you say, grimacing. She puts the book down, smiling at you. You try to smile back, but turn your attention back to the lake until you’re able to calm down.

“Lit major?” you guess, pointing at the spot next to her. She moves her bag, allowing you to sit.

“Yeah. You?”

“Anthropology. Minor in Art History. I’m surprised we haven’t seen each other in the building”

“I'm a grad student, so I’m usually at the library” the girl says.

“No parties?”

“No one ever invites me” she shakes her head.

“I’d invite you” you blurt out, finding her blush adorable. “Sorry, I don’t mean to be forward”

“It’s not… you’re fine”

“So. Anna Karenina and Madame Bovary. Are you trying to find out if Tolstoy really wrote his book with Flaubert’s in mind?”

The girl gives you an appreciative smile, nodding.

“Yeah, but it’s more about how men in 19th century wrote about women. Even in two different societies, the protagonists are punished for following their desires”

“No one should be punished for that” you say, looking at her. She averts her eyes, holding back a smile.

“Why Anthropology?” she changes the subject.

“Because. We’re the same and we’re not, even thousand of years apart. Isn’t that fascinating?”

“How so?”

“Do you think you have anything in common with someone who lived thirty thousand years ago?”

“We need food to survive. Sleep, water, oxygen” she lists, and you nod.

“Mhm. All basic needs. Next question, did you make a drawing of your hand when you were a kid?”

“Everyone did” she says, as if it’s obvious.

“Why?”

“Because I wanted to see what it looked like. Because it was my hand and no one else’s”

“And people thirty thousand years ago thought the same thing. And left their handprint in a cave in Southern France. Isn’t that something wonderful?”

She stays silent for a second and then smiles.

“I suppose it is, yes. To have an impact, so long after you’re gone too”

“You get it” you nod. “I’m Y/N, by the way”

“Natasha” she says, smiling at you.

The next few days, you catch yourself thinking about Natasha, and even with all the distractions, your mind goes back to her. It takes every ounce of self control to not wait everyday by the lake. Why would you want to get hurt, when you just started healing?

Love never ends well for Anna Karenina, Emma Bovary or yourself.

And yet… three days later you’re by the lake, holding a book of your own collection and an extra scone. You’re about to give up when Natasha shows up, and she seems as eager as you.

“Hey”

“Hi” she answers, a smile on her face. “Am I interrupting lunch?”

“This is for you. I mean, I was hoping I’d see you here” you stutter, looking everywhere but Natasha’s eyes.

“I was hoping to see you too” she confesses. It takes you by surprise, so she grabs the scone and the book as you try to gather your thoughts.

“Emily Dickinson” she reads. “Enjoying it?”

“You can borrow it if you want. I mean, yes I enjoyed it when I read it. But I just thought, you might like a change from male authors”

“Thank you” she nods, holding it close to her. “I actually have to go…”

“Oh, right” you nod, trying not to look disappointed.

“Can I have your number?” Natasha blurts out, her cheeks turning almost as red as her hair. “To give you your book back”

You smile, handing over your phone.

“I recently changed my number and I haven’t memorized it yet. So give me yours”

“Ok” she says. As soon as the device is back in your hands, you send her a text.

“See? Now I’m sure I gave you the right number”

“Talk to you soon. Thanks for the food”

When is it appropriate to text someone without looking desperate?

Either way, you can’t hold back your excitement as you walk to your dorm, jumping on Carol’s back as she’s eating her cereal.

“Are you mad?” she says, flakes and milk flying all over the counter.

“I’m just happy!”

“Why?” she glares, hoping you’re not back to your old ways.

“I spoke to a girl. And she gave me her phone number”

“Oh, my God! Y/N!” Carol shouts, the rest of her cereal thrown away as she dances around.

“What’s all the fuss?” Val says from the shower, concerned over the noise. Carol runs to the bathroom and opens the door wide.

“Y/N met a girl”

“Way to go!” Val joins the celebration and you’re about to say thank you when you notice she’s stepping out of the shower.

“Gah, bye”

“Yeah, we wouldn’t want your new girlfriend to think you’re a pervert!”

“Shut up” you say, walking to your room and flipping her off without turning back.

The rest of your evening is spent studying, but also looking at your phone waiting for anything to come through.

As you’re getting ready to sleep, there’s a text.

Nat: I’m ready to give the book back.

Y/N: It’s been… seven hours?

Nat: I’m a fast reader.

Nat: Secret spot? Saturday morning.

Y/N: I’ll be there

—

It’s the first time you’re there so early. The light filters through the leaves, birds chirping as their day begins with the rays of sunshine.

The walk to the lake is lovely, and you spot a couple of small flowers as you find your way to the place. Deciding to get one for luck, you twirl it around in your fingers.

You sit by the log, looking at the fog over the surface of the water when you hear soft footsteps approaching.

“I was afraid you’d stood me up” you joke when Natasha sits next to you.

“And stole your book?”

“The book, I could get over” you admit, giving her the flower. Natasha smiles, her fingertips caressing the petals delicately.

Your eyes are focused on the curve of her lips and those beaufitul eyes.

“Well, I’m here” she says, smiling when your eyes meet hers. “Thank you, I enjoyed reading it”

You take the book, your hands touching briefly.

“There’s a problem, though”

“What is it?” you say, worried that something’s wrong.

“I gave the book back, but I still have to thank you for that scone”

“Oh” you laugh.

“So, what is your preferred payment method? Ice cream? Coffee?”

“It’s a little early for ice cream”

“Then we’ll get it later. I know just the place”

“Yeah. I’d like that”

Though there are no classes, Natasha still has to meet with her advisor, so you chat for an hour until she has to go back to uni, agreeing to meet at your dorm in the evening.

“Is this a date?” you ask your friends on the video call as they agree on what you should wear.

“Of course it is, you silly goose!” Carol says, her face occupying half of the screen. “Wear something hot!”

“No, something comfortable. It’s an ice cream date, not a club” Val argues, trying to get a glimpse of the options.

“Something comfortable AND hot”

As they keep arguing, you opt for a pair of jeans, a white cotton t-shirt and a light jacket.

“Gotta go” you say when someone knocks. After hanging up, you are surprised to check Natasha’s ten minutes early. Plus, you don’t remember giving her your exact room number, agreeing you’d come down and meet at the lobby.

You’re about to open the door when the voice on the other side makes you stop in your tracks.

“Y/N? Please. Open up. I need you”

Wanda.

That voice, those words, the feelings you’ve been trying so hard to push away and bury come back. But instead of hurting you, they make you angry. You’re about to go out with a wonderful girl, who seems geniuenly interested in you. And here comes Wanda, trying to stain that as well.

Without thinking twice, you climb out of the window, holding on to the emergency ladder. You look down, unsure of what to do when you reach the last step.

"What are you doing?" Natasha says, rushing to stand above you.

"Parkour?" you reply weakly. "Is it too high?"

"Don't worry, I'll catch you"

Trusting her, you jump. Truth to her word, she eases the fall as you land, but you drag her along with you as you stay on the floor.

“Are you hurt? Why did you do that?”

Her hands are running over every inch of your face, going down to your shoulders and arms. The worry in her eyes only makes your heart beat faster.

“My roomate accidentally locked me inside”

You figure it's better than saying "My situationship is outside my door and I wanted to avoid her"

“You could have told me, and I would have gone and find her” Natasha insists.

“You’re right, I’m sorry. Let’s get ice cream? I won’t ever do this again” you promise, holding her hand. The redhead rolls her eyes, but nods and leads you away from the building.

You make small talk, appreciating how her hand doesn’t leave yours as you get away from campus and to the walking district. You try to look discreetly behind you, hoping Wanda didn’t see you and followed you.

Natasha finds the store, opening the door for you.

“Rocky road, please” you give Natasha puppy eyes and she smiles, ordering strawberry ice cream for her.

“So, what’s your deal?” she asks as you leave the store.

“My deal? What do you mean?” you say, mouth full of ice cream. The girl wipes the corner of your mouth with her napkin.

“You mentioned parties. Are you some sort of wild girl looking for someone to charm every night?”

“Oh, yes, I’m quite the Casanova” you laugh. “No, come on. My friends are cool and we just like to have fun from time to time”

“So, not a player” she notes with a smile.

“I did get my heart broken, though”

“Fella done you wrong?”

“His girlfriend done me wrong” you correct, wishing you were talking about anything else. But truthfully, if you want things to work out, you better be honest. “She was with me, but only on her terms and as if I were a secret”

“I’m sorry, you don’t deserve that”

“I moved on. So, don’t think I’m just messing here, Nat. I really like you” you hurry to say, blushing slightly.

“I like you too” she takes your hand. “Now, let’s finish our ice cream so I can show you this awesome bookstore I found”

The next few hours are spent talking about college, some of your plans for the future and also, your friends. You smile when Natasha comments she’d love to hang out with them.

Before it gets dark, you walk back to campus. Worried that Wanda might still be at your door, you asked Darcy a while back to go check. Apparently, the coast was clear.

Natasha walks you to the door.

“I had the best time” you say, smiling. “We should do it again. Maybe go to the movies?”

“Would love to” Natasha nods, her eyes drifting to your lips. You lean forward, heart beating fast as you’re eager to feel her lips on yours.

“Are you still here? I told you to beat it!” Darcy opens the door, making you both jump back. “Oops, I thought you were someone else. Sorry, I’ll go back inside. Pretend this didn’t happen, make out”

“Darcy” you groan. Your friend doesn’t get inside, though.

“The famous Natasha. Y/N here won’t shut up about you”

“Shhh, don’t listen to her, she’s off her meds” you ask Nat, covering Darcy’s mouth and pushing her inside. As you close the door, you hold it so she can’t open it again.

Natasha laughs, her hands going to your hips and pulling you softly. You take a few steps forward, smiling as she lifts your chin, leaning to connect your lips in a slow kiss.

It’s mindblowingly good, although too short for your liking.

“So, when are we doing this again?”

“The date or the kiss?” she jokes and your hands go around her neck.

“Both”

“As soon as you’re free” she says, kissing you once more before leaving for the day.

Darcy snaps a picture the second you walk inside.

“That’s the gayest you’ve ever looked, congrats” she says, sending the picture to the group chat.

You roll your eyes, pulling out your phone and smiling.

Y/N: Best I’ve ever had

Nat: The kiss or the ice cream?

Y/N: What do you think?

Smiling at your phone, you walk to the couch where your friend is sitting.

“I’m happy that you’re happy” she says, relieved that you’re healing from everything that Wanda put you through.

“Me too” you sigh, pulling your knees against your chest. “Though I do have to ask. Did Wanda say why was she here?”

“I didn’t care enough to find out. All I did was tell her to leave you alone. And then I pretended you were inside so she wouldn’t go anywhere else looking for you”

“You’re a great friend” you nudge her with your foot and she glares.

“Ew, get that thing away from me”

“I take it back” you show her your tongue.

The next week, you text Natasha between classes, and though she’s very busy, she’s always making time to get back to you. You agree to go out on another date on Friday, but neither one can wait to see each other, so you end up at the library on a Wednesday evening, each one focused on your work.

Well, Natasha is focused on her work. You’re looking at her, because this is the first time you’ve seen her wearing glasses and it’s adorable.

“Find anything interesting?”

“Plenty” you say, not even pretending to be reading your notes.

“You’re not the only one who’s staring” Natasha’s eyebrow arches, speaking without looking up. “Brunette, green eyes, a lot of rings and eyeshadow”

“Oh”

“Is that the infamous ex?” she says and you’re scared she’ll be upset about this whole situation.

“Uhm… yeah. I’m sorry. If she’s making you uncomfortable, I’ll just leave…”

Natasha looks up at that, eyeing you up and down as you struggle to read her expression. She surprises you by pulling your chair until it bumps against hers, leaning forward and kissing you, one of her hands on your thigh and the other holding your chin, in that signature move that always makes your head spin.

“Maybe that’ll keep her away” Natasha says, smiling and bumping her nose against yours.

“You can’t just kiss me like that and expect me to focus on an essay” you say, biting your lip.

“Then let’s get something to eat. We need a break from all this studying” she proposes, picking up her things and leading you out of the library, her hand in yours.

You don’t care to look around for Wanda to check if she’s watching, because this moment with Natasha is yours. She’s holding your hand, kissing you, spending time with you whenever she can, instead of hiding you like you’re a dirty secret.

By being herself, she’s given you the one thing you always craved for. Something real.

Finally, Friday comes and you’re buzzing with excitement, getting ready to meet Natasha.

“Wanna go to a party tomorrow? You can invite your girlfriend” Val says, painting her nails while Carol throws a ball in the air.

“We haven’t had the talk about being each other girlfriends”

“What? And you call yourself a lesbian? This is the second date, you should be adopting a cat by now”

“Like you and Val with Goose?”

“Yes!”

“Well, sorry to disappoint the sapphics, I’m just trying to not scare her away. And about the party, yeah, if Natasha’s up for it, we’ll stop by”

“Alright, it’s at Stark’s”

“Oh. Maybe not, then”

Your friends share a look, and you glare as they both stay silent.

“You can’t avoid her forever” Val is the first one to speak. “She’s gonna keep looking for you, getting in the middle of what could be a good relationship just because she thinks she can”

“Yeah, next time you see her, don’t jump out the window. Open the door and tell her off” Carol agrees.

“You did what?” Val looks at you, baffled.

“It’s ok, Nat was there to catch me. Speaking of which” you hear a knock on the door, and stand up. “See ya, cat ladies”

“Hey! We only have the one”

You laugh as you open the door, but then you’re interrupted by Natasha’s lips on yours.

“Hey”

“Hello” she smiles, and then looks behind you as your friends whistle.

“Meet Val and Carol. My two former best friends” you grumble when they make kissing sounds.

“Nice to meet you” Natasha greets over your shoulder.

“Bring her home at a decent time” Carol says. “Unless you plan on having sex. In that case take her back to yours so she doesn’t wake me up”

“I hate you so much” you sigh, pulling Nat away.

“We’ll see you at the party tomorrow”

“Sorry about them” you mumble when you’re going down the stairs.

“What was that about a party?” she asks, opening the car door for you.

“Ever heard of Tony Stark? Big house, bigger ego. Loves to have parties. We don’t have to go unless you want to” you say, half expecting her to turn down the invitation.

“If you want me to go I’ll be there”

“I just want us to spend some time together, doing whatever you want” you say, blushing.

“I did promise I’d try going to a party with you, and it seems like the perfect time. Could meet the rest of your friends”

“Alright then” you nod, excited and terrified about how things could turn out if a certain someone is there.

Carol is right, though. You can’t be looking over your shoulder all the time, expecting Wanda to approach you and open those wounds.

If you have closure, in whatever way that is, she won’t have the power to hurt you anymore.

It’s hard to focus on the movie with Natasha by your side, her hand clasped in yours over your leg. At one point, you lean against her shoulder and she kisses your temple.

She’s so perfect, it makes you dizzy.

“What did you think about the movie?” she asks as you go out of the theater, her arm around your waist.

“It was good. I’m glad I understood most of it without having watched those other Alien movies”

“Why didn’t you tell me? I would have picked a different one” she protests, pulling you to a stop.

“I just want to be with you. Plus you looked so excited to watch it, I had a hard time saying no”

“Is that so?” she arches an eyebrow.

“Don’t use that against me, Natasha” you warn, getting ready to argue but her lips silence you, and you moan against the kiss.

It’s not nearly enough, and you need more of her, not just kissing.

“So if I ask you to go back home with me, will you still have a hard time saying no?”

“On the second date? What do you think I am, a harlot?”

“I’d count the lake as a date of it’s own. And the library too”

“So, this is like the fourth one?” you say, counting with your fingers.

“You don’t have to, I was only…”

Natasha’s words are cut off by your lips on hers, and she holds back a moan of her own when you run your tongue over her bottom lip.

“I’d very much like to go back to your place”

The drive back is silent, but not in an uncomfortable way. There’s a certain tension, and the expectation of what is about to happen makes you feel like your heart is beating out of your chest.

“This is home” Natasha says, opening the door to her apartment. Of course, as a grad student, you expected her to have her own place, but you still admire how homey it feels. There are books everywhere, which makes sense, and pictures of Natasha’s family.

“It’s lovely” you say, turning back to look at her. The tour of the place is forgotten, as you watch Natasha approach you slowly, her hands dropping to your waist.

“Nervous?”

“Yeah. A bit” you admit, because lying to Natasha has never been something you’d consider doing. “I want this to be perfect. And for you to really like it”

For me to be enough.

“It’s already perfect” she says, coming closer and kissing you slowly. Your eyes close as you enjoy the sensation of her lips against yours, hands wandering to your lower back. Without breaking the kiss, you discard your jacket and take hers off as well, and she immediately pulls you against her, your hands holding her cheeks as she deepens the kiss.

“Are we doing it standing up?” you ask when she breaks apart, breathing heavily against your neck. “Because I’ve never tried it, but I am open to experimenting”

“You could just say that we should take this to the bedroom” she laughs against your temple.

“Now, where’s the fun in that?”

Still, she laughs as you pull her by the belt loop of her pants, guessing that her bedroom must be that last door to the left.

“Bingo” you smile, opening the door. There are more books scattered on the nightstand and the floor, but at least the bed is clear. “God, Nat, your reading is gonna kill me” you say as you fall to the bed and make her land on top of you.

“Sorry, I don’t have company very often”

“Are you a virgin?” you tease, knowing full well she’s dated in the past, though nothing serious.

Instead of answering, she kisses you again, her lips drifting down to your neck, and then lower to your stomach. In one swift motion, she unsclaps your bra and lifts your shirt up, her tongue swirling around a nipple. You moan, surprised at the contact, holding her head in place as she moves to the other nipple.

“Does it look like my first time?” Natasha says against your lips, her hands going down to undo the button of your jeans.

“I’m sorry, I was only joking, baby” you say, and it’s almost embarassing how desperate you sound.

“Good girl” she comments, pulling your pants down. You struggle with your underwear and Natasha’s too impatient, so she pulls it aside and starts eating you out, her tongue making circles and swirling around your clit.

“Fuck, fuck, fuck” you say, biting your hand to keep you from screaming. Natasha nudges your clit with her nose as she moves to go up and down and you’re close when she stops. “Why?”

“I want to be inside you”

It’s a mystery, how your brain doesn’t stop functioning at that, but you manage to discard your shirt and start to undress Natasha, eager to feel her skin against yours. Once you’re both naked, she flips you, so you’re on top of her, straddling her lap.

“I’m debating if it would be better to have my fingers or my strap buried in your pussy” she says, and you wonder how the girl who is so well spoken can manage to be so crass.

Not that you’re complaining.

“Anything you want” you say, aware that you’re rubbing your center against her thigh.

“What’s that?”

“I… please. Just use me” you plead, desperate for some release.

Those words do it for Natasha, who takes out a strap on from her nightstand. You protest when she stands up to fasten it around her hips, feeling like you’re gonna combust if she’s not touching you.

“Shh, I’m here” she soothes you, laying on top of you and rubbing the strap against your entrance.

“Fuck me, Nat” you squeeze your legs around her, hoping she stops teasing you.

“That’s the plan, baby. Tell me if it hurts?” Natasha asks as she begins to fill you up, and you’re too far gone to give a verbal confirmation, nodding instead.

“More” you insist when she stops, searching for any sign of discomfort. Natasha thrusts forward, sinking the entire shaft and you moan, arching your back. “Harder”

Truthfully, Natasha’s never been so adventurous or forward in her sex life, but the way you’re pleading, clenching and panting underneath her, wakes something entirely new inside her. Pushing your knees against your chest, she moves in and out, reaching new spots that make you see stars.

“Yes, yes, yes” is all you manage to say, holding on to the sheets as your knuckles turn white. “Nat, I’m gonna…”

The words are stuck in your mouth as a powerful orgasm takes over, leaving you breathless. You feel Natasha slowing down her movements, and then she goes to kiss your neck, the strap still buried inside you.

“That was…” you sigh, trying to make your brain work. As your breathing steadies, your muscles relax and you let a finger run up and down Natasha’s side. “I don’t know what to say. You’re the one with the big words”

“That was fucking hot” she says, making you laugh. “And I’m not done with you”

Good thing your schedule was clear for the next day, because you weren’t getting any sleep tonight.

—

Your muscles feel sore when you wake up, stretching and turning in Natasha’s arms, watching her sleep.

Her alarm woke you up, but she’s still sound asleep.

“Nat” you say, moving her fiery hair out of her face. “Baby”

“No” she protests.

“Time to get up. You’re meeting your advisor, remember?”

Natasha curses under her breath, clearly not caring enough to wake up.

“Hey… what if I sit on your face?”

“I’m up” she says, opening her eyes and pulling you by the waist. “Come on, giddy up”

“Nuh-uh. Get dressed”

“Why would you lie about something like that?” she whines, burying her face in your neck.

“I didn’t lie, because technically, I didn’t say I’d do it right now. Get dressed, I’ll make breakfast and then we can go back to uni”

“Fine. But this discussion is not over” she kisses your cheeks, neck and then your lips, smiling as you laugh. “Morning”

“Morning, baby” you say, appreciating how beautiful she looks even with bed hair.

When she gets up, you find one of her t-shirts and go to the kitchen, looking at your options. You opt for french toast and make some coffee, because Natasha is definitely gonna need it to stay awake.

“Tastes amazing” she comments when you sit down to eat.

“Breakfast or me?” you tease and she almost chokes with her coffee. “Sorry, let’s eat”

“So, what are the plans for today?”

“Laundry, some homework. Standard stuff”

“Do you have any plans for lunch?” Natasha asks and you shake your head no. “Would you like to eat with me? After I’m done with my meeting and you finish your stuff, of course”

“Would love to” you say, smiling at how domestic and perfect it all feels.

Once you finish breakfast, you get changed and walk to Nat’s car. Parking close to your dorm, she kisses you goodbye and walks to the professor's offices.

You’re so distracted, thinking about everything that happened that you don’t notice Wanda sitting outside your dorm until you’re at the door.

“Wanda” you say, your hands in the pocket of your jeans. “Hey”

“Y/N? Did you just get here?” she says, looking around and then at the time on her phone. “You didn’t sleep here?”

“What do you want?”

“I want… to apologize”

You sigh, hoping the conversation ends soon so you don’t have to ever talk to her again.

“Anything else?”

“I thought he would change. He promised. But then it happened, again and again. And all I could think about is how you’d never do that to me”

“No, I wouldn’t. But now it’s too late. You made your choice”

“It was the wrong choice. Please, just give me another chance. I was scared before…”

“No, Wanda. I’m sorry, but I don’t want to hear it and we’re not gonna be anything at all. Natasha is… she’s amazing and I want to be with her. You had a choice to make and you went with him. And now… I have to choose the girl I’m in love with”

“Is there anything I can do or say…?”

“No. I’m sorry” you shake your head. Wanda nods, wiping away the tears. It does tug at your heart, seeing her so alone and broken. But it’s not on you to fix this.

Not anymore.

You let out a sigh when she leaves the hallway, turning in the other direction so she doesn’t see you wiping away a tear of your own.

Your eyes meet Natasha’s. She’s holding a bouquet, looking at you intensely.

“Nat. I can explain.”

The redhead drops the flowers and you’re scared she’ll walk away, but instead, she approaches you, lifting you as she kisses you. You sigh against her lips, holding on to her as if she’s the only thing in the world.

“I heard. Everything. You don’t have to explain anything” she puts you down, smiling. “I’m in love with you too”

“I don’t… know what to say” you laugh, craddling her face in your hands.

“No need to speak” she pulls you closer again, walking back until your're cornered against your door.

“I swear to God, if it’s that girl again I’m going to…” Carol opens the door without a warning, making you almost fall. “Awww, you guys! Val, come look! They’re kissing”

“With tongue?”

“I hate you so much” you complain, hiding your face in Natasha’s neck. She laughs, kissing your temple. “Now close the door so I can say goodbye to my girlfriend”

“Girlfriend? Val, they’re girlfriends!”

“Wohoo!” the girl screams from somewhere inside the apartment.

“Agh, it’s like having overbearing lesbian mothers” you slam the door shut, turning to Natasha. “I’m staying at your place tonight, or they will drive me insane with all their questions”

“Tonight, every night. Whatever you want. Just know… you’re getting very little sleep” she says with a smirk, kissing you.

“I can live with that”

[celestiamour]

‧₊˚✧ ❛[ mad with need ]❜

ft. logan howlett x f! reader — xmen, marvel

╰₊✧ you want him so bad that you feel like you’re going crazy so he indulges you┊3.0k words

setting: deadpool & wolverine (2024) worst! logan contains: smut!! dom logan & sub reader┊x wade wilson too, age gap, dirty fantasies from a horny reader (who is actually insecure about herself), size difference, no prep we’re dying like nicepool, riding & unprotected piv, breeding/creampie, a bit rushed i need this out my wips

➤ author's note: okay so this is actually the very first logan fic i started, but i have no idea why it took me so long to finish it? it’s a bit all over the place, but i hope some people enjoy anyway!

has he realized you were there and simply testing your self-control, or is he just being so effortlessly sexy again that you aren’t sure if you’re in love or jealous? was there any other reason for him to be laid out on the beat-up couch like something to feast on when he was simply holding a bottle of liquor in one hand to sip on and flipping through the channels of a barely-working box television with a remote in the other? why else would he be so delectable around a known pervert(s, wade is just as bad as you are, just more focused on the possible destruction of his home rather than the pansexual panic between you and logan plaguing him) if not to tempt you?

you’re constantly fawning over the sight of him and letting out dreamy sighs which have become more common lately than you would like to admit, swearing that you could gaze upon him for every second of the day and not tire of it. they say “god gives his most difficult battles to his strongest soldiers”, yet the battle assigned to you is restraining yourself from pouncing on him at the very moment and begging to suck his cock. you know that you’re horny most hours of the day and also kinda a brazen whore, but the way he makes you wet in record time should be worthy of a gold olympic medal.

every time his lips wrap around the rim of the glass bottle, you can’t help but imagine them somewhere else. the image of his handsome face between your legs and scruffy facial hair coated in your slick while he ravishes you haunts your mind whenever you try to sleep, yet the phantom sensation of his tongue on you while his nose stimulates your clit helps you rest in the end. you bet that he would be great at eating pussy too, with his sharp tongue and arrogant attitude— god. 

he’s also so jacked that even when he’s resting, his muscles still seem to bulge with prominent veins like a nurse’s wet dream and it has you downright drooling. now that the sleeves of his suit were gone, you could see how beefy his arms were, and seeing any inch of his skin had you acting up like a victorian man seeing a woman’s ankles for the first time. he could probably crush your skull like an egg if you ever found yourself head-locked in them (you’ve seen him do it to wade out of irritation, and you’ve never been so jealous).

and not to mention how peggable his shapely ass is, there’s really no limit to all the things you want to try with him if you were given the chance—

“are you finished staring?” his gruff voice brought you back to reality, refocusing your vision as he made a slight gesture to his body with one of his rare smirks, “like what you see?” it’s a rhetorical question, he knows how good he looks despite his age and you have already made your attraction towards him well-established. 

you don’t need to say anything, he can tell what you’re thinking as clearly as day, so you don’t bother making any dirty remarks like usual and just walk out the room. you paced around the house for a minute or two to calm yourself down until you eventually ran into wade. “oh my god,” you cupped your face with your hands, eyes becoming big and round as if you were going to cry, “i want him so bad, i feel like i’m gonna lose my mind if i don’t fuck him!”

“well, why haven’t you? i know for a fact that my presence isn’t enough to stop you from climbing him like a tree, so spill it!”

“uhhhh,” you pointed your fingers together to exaggerate self-consciousness, “what if… what if he doesn’t like me and just sees me as some annoying, excessively horny kid?”

“can you believe this bitch?” he scoffed, looking at the invisible audience that was always watching before grabbing your shoulders and violently shaking you, “listen here missy, he definitely likes you— i have yet to see that man smile at anything else that isn’t your face and comments that rival jjk twitter fans in vulgarity! why are you suddenly getting cold feet now when you’re such a player? you’re suddenly screaming, crying, and throwing up over peanut whom you’ve been hitting on non-stop since we found him?!”

“i don’t know! it’s different, he’s my hero, and— i know it’s hard for you to believe, but he’s not even half the asshole my previous flings were. besides, he so fucking hot—”

“yeah, but he’s also so fucking old— his dick is probably all shriveled up—” the sound of the said man clearing his throat made him jump out of his skin, slowly turning his head to look at the older man before giggling nervously and waving his hands around in some form of awkward greeting. even if he can regenerate and wounds are more like papercuts, the last thing he wanted was to get stabbed in the balls by his adamantium claws again for making such a comment. “ahaha, how much did you hear…?”

“enough,” he grunted, turning his attention to you, “and you’re coming with me.”

“huh—?” there was hardly a moment for you to properly react before he suddenly bent down to grab you by the waist and toss you over his shoulder, “you’re not even gonna ask me to dinner first?!” you must have looked like a fish out of the water with how your mouth was agape with surprise, and you heard him genuinely chuckle in amusement. both from the fact that you didn’t see this coming after all you’ve been saying to him as well as the fact that he could pick you up and throw you around like you weighed nothing.

“well, you didn’t exactly greet me with a ‘hello’ before shamelessly undressing me with your eyes when we first met, now did you?” you couldn’t see if he was smiling or not considering that you were upside-down. the current angle only gave you a close-up view of his perfect ass (not that you were complaining, you need to know his squat routine), unsure if the heat on your face was from the embarrassment of him calling you out or simply from the blood rushing to your head.

“what about me? are you lovebirds really going to leave me all by myself, lonely and yearning for the companionship of another while you two fuck like rabbits?”

“ahh, go fuck yourself.” the grin on his face dissipated the moment he opened his mouth, but it wasn’t enough to ruin his mood as he carried you away to the closest bedroom available, quickly flinging you on the bed without a bother to be careful when handling you since he knew that you could and have taken worse as deadpool’s sidekick. “why are you so nervous? think i don’t want you as much as you want me?”

“wait, actually?” your usually confident facade of the overly forward flirt was faltering more and more by the second.

“you’re so busy ogling my body that you haven’t even noticed the way i look at you, huh?” it’s obvious logan was an absolute beast of a man, but when he cages you with his arms between his bulky frame and the mattress, you feel like a little field mouse against a lion. the way your pupils dilate as you look up at him with adorned excitement has him so fucking feral, heat stirring in his stomach and blood rushing to his cock. he traced over your outfit, admiring how the skin-tight leather hugged your curved. “wearing such a slutty little things that leaves nothing to the imagination, and you expected me not to think about pinning you down and fucking you until you pass out?”

you shivered at his words, arousal pooling in your underwear and warmth spreading throughout your body under your skin. this cheeky son of a bitch can smell it too, the sweet smell of desire, sensing how needy you are for his touch and how your pussy is just begging for his attention. 

as much as he wanted to rip your clothing off and pound into you like there was no tomorrow, he wanted to take his time to properly treasure the cute sidekick who has been reminding him how it feels to be a man again, young and unafraid to pursue the woman of his dreams and treat her right the way that countless of others failed to do. (you’re going to laugh hysterically at him later on down the line when you hear him say that, never thinking you could be the object of anyone’s affection past a one-night stand, but the look in his eyes makes you realize he’s telling the truth and you’ll get all flustered over it.) 

you can taste the alcohol from earlier when he kisses you and moan into it, wrapping your arms around his neck to pull him closer, all teeth, tongue, and animalistic want. he ran a hand down your torso to reach the zipper of your suit, undoing it in one swift motion, exposing your bare chest to his eager eyes.

“no bra?”

“i don’t need it when the suit— ah!” 

he cut you off, not caring about the intricacies of how the costume supported everything when he would only get distracted, moving his lips to take one of your perk nipples in his mouth and sucking like it was going to give him milk or something while pinching the other one in between his fingers. he’s like a kid on christmas playing with his new toy: palming at your breasts, cupping and squishing them together, and realizing that his large hands could practically cover them entirely.

“fuckk, you’re so pretty, doll,” he drawled, letting go of your teat with a ‘pop’ and kissing your neck before making you gasp by sinking his teeth into your skin. you gasped at the sudden sensation, deep enough to leave a lasting indent but not deep enough to draw blood, as he soothed the fresh wound by licking it with his tongue. everyone was going to know that you were his, especially that motherfucker he knows is listening in on the other side of the door with his cock in his hands.

 “logan…” you rasp, voice barely above a whisper.

“what is it, princess?” it was a nickname he has used plenty of times, yet it felt completely different in such a sexually charged situation, so much more intimate in a way that you feel your heart racing even faster than before and a rush of energy within. 

“need you…” you murmured.

“come on, a little louder, you need to use your words.” 

“fucking hell,” you covered your face with your hands, trying to ignore the way your cheeks burned, “i need you, logan! i’m gonna go crazy if you don’t fuck me right now!”

“hm, is that so?” he had been resting on his side up until now, laying on his back and lifting you up with both hands under your arms. you found yourself sitting pretty in his lap, straddling him, legs on either side of his waist. “why don’t you work for it then? work for what you wanted so badly this entire time?”

you inhaled sharply, looking down at this fine specimen of a mutant under you made of pure muscle and adamantium with a noticeable tent in his pants, a cocky grin gracing his features daring you to continue. only a fool wouldn’t take up his challenge. biting the inside of your mouth, you began to fully strip yourself of all clothing, kicking it off to the side to be forgotten and showing off your beautiful bare body that logan has been dreaming about since the moment he met you. “take your clothes off too,” you huffed, “it’s not fair for me to be the only one naked.”

he hummed in agreement, taking off the upper half of his yellow and blue-detailed suit, revealing his rippling abs and pecs— age has yet to make a dent in his physique, he doesn’t even look real. he’s not going to remove the bottom half though, both because you’re already on top of him and because you still need to “work for it.” 

experimentally, you rolled your hips on his bulge, feeling a twinge of amusement when he visibly had to clench his jaw to prevent a moan from slipping out. he’s just as pent-up as you are, no matter how hard he’s trying to hide it right now. you fiddled with the metal of his zipper for a moment before pulling it down, motions fidgety with nerves yet still determined to see this through. 

your eyes widen at the sight of his fully erect cock, noting instantly that he’s bigger than any other guy you’ve been with, yet still feeling your mouth water at the size and the vein trailing its underbelly. “is it even going to fit?” you manage to breathe out, reaching out to run a finger over the leaking tip and hearing him hiss.

“only one way to find out, but i think you can take it.” 

placing your hands on his shoulders for balance, you put his theory to the test and raised your body to sink yourself onto him, whimpering at the pleasurable stretch when you manage to make it past the tip. you’re so fucking soaked from your own thoughts and the few minutes of foreplay earlier that you didn’t even need his fingers to prep you, just using your slick as a form of natural lube and feeling him slip into you inch by inch.

“that’s it, doll, just like that,” he praised, the words going right to your head, really enjoying the show of you struggling to take all of him.

“mmhh, lo—” his name came out in a more whiny voice than expected with your eyes rolling back and nails raking into his skin. your thighs were aching with the constant repetitive motion of working yourself up and down his cock, taking one step back for two steps forward, more than halfway there yet unsure if you could handle it all when you felt so impossibly full already.

“shhh, i know, i know, sweetheart— just take your time, i’m not going anywhere.” his words are so sweet despite being a complete asshole by laying back and letting you do all the hard work, hands behind his head and everything while watching his cock slowly disappearing between your folds.

you look at him through glossy half-lidded eyes, brain turned to absolute mush, not even realizing that you had finally taken him to the base and was comfortably nestled on his cock. it took a few moments to adjust to his girth, breathing heavily with the swelling feeling of satisfaction developing within you. you have barely even started, and yet it was already so much better than anything else— he was so much better than anyone else. 

“you okay?” he waits for you to blink to process his words before nodding slightly, letting out a soft ‘yeah’ before your eyes went wide when he suddenly grabbed your waist and positioned you under him once again. you didn’t notice because you went dumb with dick (to put it bluntly), but he had been restraining himself from flipping you over to be on top or trying to buck his hips into you before you were ready. 

he then started thrusting into you at a relentless pace, your hands flying up to his biceps and clinging on for dear life to find purchase. there was no frame to go with this mattress you were resting on, but you were sure it would be banging against the wall until it broke if it was there. your eyes were screwed shut with your head thrown back into the pillow, letting out pathetic pitched moans along with stutters of his name as the orgasm in your stomach builds.

“aah, lo-logan!”

“don’t worry, i got you,” he lazily circled your clit with his thumb, feeling you clench even more tightly at the action, “just let yourself go, relax— cum for me, doll.”

you cried out as your climax washed over you, gushing all over his cock and the pants of his suit that neither of you bothered to take off earlier. it’s a shame that you ruined his clothing so soon when he just got this costume, but honestly, he likes it a lot better when the yellow is stained with the evidence of how good he made you feel.

the way your walls spasmed around him made him quickly follow suit, shooting ribbons of his seed into you and painting your insides white. perhaps he would have been able to hold on for a bit longer when he was younger, but he can’t find himself caring in the least when you were looking up at him like he was everything right now.

he leaned down to kiss you, slowly pulling out of you, being careful not to rest on top of you and crush you under his weight, generally being uncharacteristically sweet towards you in stark comparison to how he was rocking your world like you were the last two souls on earth just a minute ago.

“so… do you like me?” it was the tone he grew accustomed to when you and wade were teasing him, feeling you wrap your arms around him with a sigh and snuggling into his chest.

“yeah… i like you a lot more than you think…”

[inbarfink]

So one of the cool and interesting ways ‘Steven Universe’ used to try and balance being both a series of 11-minutes episodes that each have their own satisfying emotional resolution and being an overarching story with complicated character arcs that take multiple seasons to resolve is the… I’m going to call it the ‘Not Quite Right Lesson’ episodes. Episodes where a character kinda learns a Very Important Lesson… but a more careful and retrospective look at the situation shows that what they learned is not Quite the Right Thing for them. They internalized something in that adventure which just ended up causing more Emotional Troubles for themselves farther down the line.

‘The Test’ is the most classic example. 

As a standalone thing, it’s just a sweet episode about Steven learning to accept that his caretakers are also flawed and confused and figuring this shit up as they’re going along just like he is, and then doing a nice thing for their sake.

But looking back at this episode, it is quite obviously the nadir of Steven appointing himself as the Family Therapist and repressing all of his problems so he could better help the Gems’ with theirs. Like, there have been some early warning signs for this Complex, but this episode is the one that really cemented that idea in his mind and probably the reason it took him like the Entire Rest of the Show Including a Post-Finale Season to really untangle it.

But… also, I’ve been thinking a lot about the episode right after that, ‘Future Vision’. I think it’s also a very important ‘Not Quite Right Lesson Episode’ for the character of Garnet, and to some extent, the Crystal Gems as a whole. In many ways, it is to the CGs' character arcs' what 'the Test' is to Steven's.

So in this episode, Garnet reveals to Steven the fact that she has Future Vision. She hoped that telling Steven a little bit more about herself and being honest with him will lead to a greater understanding and a greater bond between them… but it backfired. It just led Steven to become a total paranoid, terrified wreck stuck in a total existential crisis.

And it seems like the lesson Garnet learned is that… she should’ve never taken that risk at all. That it would’ve been better for everyone if she just kept Steven ignorant of the truth forever.

Extremely reinforced with the ending of the episode, where Garnet chooses to once again hide an uncomfortable truth (that he just came very close to dying again) from Steven, for the sake of his own ‘peace of mind’.

So, like, the Gems were already hiding uncomfortable truths from Steven since day one. “If you could only know what we really are” and all of that. But I think… With the actual truth of Homeworld encroaching on them more and more at this point of the story arc, this would’ve been a great time for the Gems to reconsider their attitude and actually Explain to Steven What the Hell is Going On. 

But instead, I think Garnet saw the events of ‘Future Vision’ as a reinforcement of the idea that there’s just some things Steven is Better Off Not Knowing. Actually being frank with him about Homeworld and the Diamonds and the War right there and then, that would have just overwhelmed Steven with fears and worries and would’ve ended up doing nothing but hurting him. And Garnet can’t accept that possibility, not again.

And so, Garnet, alongside Amethyst and Pearl, keep all these truths from Steven as long as possible. Only revealing bits of information when they have to. For Amethyst it’s about her emotionally-evasive attitude (also, she legit doesn’t know all of that stuff herself). For Pearl it’s about how she learned to romanticize Rose’s own fucked-up obsession with secrets. For Garnet, with her usually very direct attitude and preference for the most straightforward solutions, I think it’s very much the events of ‘Future Vision’ that were still playing in her head every time she had the choice to actually Explain something to Steven and decided not to. 

But that, indeed, was Not Quite the Right Lesson. While being bluntly and directly told by Garnet all about the Many Ways He Could Die caused Steven to go into an anxiety spiral and an existential crisis for an episode - the way the Gems have been consistently secretive and evasive with Steven ended up causing him so much more emotional grief to him in the long run. As all of these secrets ended up revealed to him in the most surprising, dramatic and traumatizing way possible.

And the secretive attitudes ended up driving a wedge between Steven and the Gems. 

Even after they promised to be more honest with him. Because the sight of Steven crying on the roof that day is one that Garnet can easily move away from. Because Garnet’s Not Quite Right Lesson was almost as difficult for her to unlearn as Steven’s own. 

But after the big confrontation at the start of the Zoo Arc, Garnet ended up being the most upfront about the Crystal Gems’ history. Almost overeager to share what she knows about the past.

I mean also, again, Amethyst just has less to tell and Pearl is hiding secrets for reasons beyond her control - but I think it’s also important to consider from the perspective of Garnet’s arc.

Because the fallout of the Pink Diamond Reveal is very much centered around Garnet (or, well, Ruby and Sapphire). That was the Truth that was hidden from her 'for her own good'. And at the end of the day, despite all the grief that unveiling that truth has caused

It has also brought them, all of them, a lot closer.

There's a reason why 'the Truth' is Garnet's Final Missing Piece in the movie. It is as central to her character arc in the series as Lesbian AngstTM grief over lost love is to Pearl.

And still, some remnants of the Trauma of 'Future Vision' remained...

After all, even the very last episode of 'Future' was centered around the Gems once again trying to hide things from Steven (at that case, their turmoil about him leaving) for his own sake

Even though it once again just caused Steven a whole lot of grief.

It's maybe notable that at the end of this episode, Garnet, once again, tells Steven what's waiting for him in his Future...

[mariautistic]

Nemo is a character I kind of never paid much attention to but the tension of her trying to give off a regular vibe and be Normal and her trying to be friends with someone who's actively weird and off-putting is rly great

[minarinnn]

“notice me”

luke castellan x aphrodite!reader (pt2 here)

content/trigger warnings: fem! reader, doesn’t follow the plot of tlt!, mentions of smut, sexual tension, manipulation?, groping, reader making luke jealous

a/n: the show has once again sparked up my love for the percy jackson book saga and charlie bushnell has me weakkk ughhh.. i normally don’t write for pjo characters but oh well, lmk if y’all want a continuation of this or just more luke castellan in general ;)

you had always been so used to being the center of attention. as a daughter of aphrodite, you had always been the most popular girl in school, and there was no shortage of boys falling for your charms

arriving at camp half-blood didn change that, nothing was different. except that, for the first time in your life, you found yourself chasing after the attention of a certain boy. luke castellan, the son of hermes and the head counselor of his cabin, he just wouldn’t fawn over you like the others would. despite your best efforts, luke had always remained indifferent to your constant flirting, leaving you feeling frustrated and determined to change his mind

you found yourself spending every waking moment trying to get his attention, trying to find some way to charm him and make him see you the way the other boys did. but no matter how hard you tried, luke remained distant and unimpressed

this week you were extremely busy, you were helping out in the infirmary, one of the apollo kids who usually worked in the infirmary had been sent on a quest and you were asked to fill in until they came back. juggling that with all your other responsibilities as counselor had you beyond occupied

during that week, annabeth barged in with two other guys; percy and luke. apparently their sparring session had gone a little out of hand and they were both injured

luke was already aware of how you’ve been trying to get his attention these past few years. he actually seems to quite like having you, the most fawned over girl at camp, fawning over him instead. he liked the attention you gave him, though he knew that if he ever gave in to your charms you would stop, so he didn’t

he was fully prepared and expected you to be the one to tend to him, so when he sees you head to percy and tend to him while an apollo girl tended to him he was confused

what happened? why would you choose percy over him? we’re you tired of him? did you give up on trying to win him over? luke’s confusion quickly turned to frustration, and he couldn't help but feel a twinge of jealousy as he watched you tend to percy’s wounds

"how are you feeling, percy?" you asked, giving him a warm smile, one that always had the boys weak in the knees. "n-not great, but i’ll manage" he laughed awkwardly, suddenly nervous. you put your hand on his shoulder, giving it a small squeeze "oh, i’m sure you’ll live”

out of the corner of your eye, you saw luke. he was watching you, watching the way you cared for percy. this was the first time you had ever caught him staring at you with such intensity

so you’re plan was working. you had tried everything to get his attention and you had only one trick left in your arsenal; jealosy. no boy is immune to jealousy, and that was exactly how you were gonna get him

in the end, all you had to do was throw some water at percy and he was good to go. luke though, he had to spend the night in the infirmary

the other apollo kid had left a few minutes ago, something about ‘having other things to do’. so it was just luke and you in the infirmary. you walk over to luke's bed and start tending to his wounds

“oh so now you wanna take care of me? how nice of you” he speaks, sarcasm dripping from his words. “you can tough it out, can't you?" you tease, dabbing away at his cuts with an alcohol-soaked cotton ball. luke is watching you intently and you can feel the tension in the room increasing, his eyes fixated on your hands as you work

luke’s eyes narrow, and you can see the rage boiling beneath the surface. he’s frustrated, jealous, and he doesn't know what to do with all these emotions. you’ve never seen him like this before, and it's a thrill to know that you have the power to make him feel this way

you try to ignore the tense atmosphere in the room, focusing instead on luke's wounds. you finish cleaning and bandaging the cut on his wrist, holding it up to your face to land a soft kiss on the bandages. “all done” you whisper. he tenses at the feeling of your soft lips, and you can see the anger in his eyes. however, you can also see a hint of something else— desire

you look up at him with a smile, knowing that you've got him right where you want him. his eyes are locked on your every movement. you know that you have him wrapped around your finger, and it's a delicious feeling of power

luke’s expression is one of confusion, a mix of rage and desire. he wants you, and he wants to hate you at the same time. it’s a weird combo, but it's working for you.

you lean closer to him, your lips inches away from each other. you can feel his breath on your skin, the heat of his body as he's lying there

"you’re not stopping me" you state, breaking the silence. it’s a quiet, soft whisper, filled with a tiny bit of amusement

"maybe.. maybe i don’t want you to stop" he says, his eyes locked on yours, voice low and husky. you can see the desire building in him, how his gaze trails down to your lips

luke’s breathing quickened, and he could feel his heart pounding in his chest. he knew that this was a game for you, a game where you would always be determined to win him over, but now, in this very moment, he felt like he was losing

he lets out a hiss of frustration, of desire, of... something. he’s sure knows that you're proud of it, but he’s not quite sure what to do about it

you leaned in for the kiss, your lips pressing gently against his, your hand running through his hair. you could feel his body tensing, his hands gripping your waist as he attempted to pull you on top of him

you pull away from the kiss slowly, your lips still pressed to his. luke is still trying to catch his breath, his eyes fixed on yours, searching for any hint of what your next move will be

"not bad" you whisper. "you’re playing a dangerous game here” he chuckles lowly, making your lower regions throb. you smirk softly and brush his hair out of his face “i’ll take my chances”

despite being injured, he pulls you on top of him, making you realize just how hard he’s been this whole time. his eyes are dark, and you can see the lust burning within them

you lean in for another kiss, this one soft and gentle. luke groans when he feels you grind against him, his hands moving down to grab hold of your ass

“i need you s’bad” he mutters out. you smirk as you slide off him, making him furrow his brows in confusion. you land a soft kiss on his cheek. “let’s do this when you’re not injured” you whisper in his ear. now he was alone and hard in the infirmary, how nice

© MINARINNN 2024 - please do not plagiarize or upload my content on any social media platform.

[akpaley]

Made smooth and slick of seas and strands Tides that turn at your commands A heartbeat held by heavy hands

More Kaijja character writing. Roughly 1200 words on the beginning of her romantic relationship with the flesh god.

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He does not mind solitude, but when you lack other obligations he does not mind your intrusion either. It is perhaps not usual, but it is natural to be fascinated with a god. You intrude often. You call it an extension of work, and the two of you do work through problems together. He was surprised, once upon a time, when he inflicted experience on you to demonstrate the severity of his edicts and you, not unshaken but still engaged, asked if he felt such detail in the experience of every person he faced. He had not been asked to use his power as a tool of empathy, not after imposing such suffering, not in centuries, but it is commonplace between you now. You wonder to what extent he can feel you enjoy it, even when it is excruciating. And the intellectual exercise is useful. Many times simulation of similar encounters has helped you watch for signs of tension, has made you more perceptive to the way your interlocutors conduct themselves and react to you. It is practical, and there is a quiet selfish pleasure in understanding the way he sees and feels the world.

Mirjat tells you it is unusual for Iokhar's Advocate to be his friend, or even to like the man, and you understand that but you do not relate. He is beautiful when he attempts to be terrifying, he is rational when he cannot intimidate, he is deeply intensely perceptive, and in his own stoic way he is oddly soft. Perhaps kind is a better word. He cares much more deeply than he shows. There is a selfish little thrill in that as well, knowing that you have brought out in him qualities most others never see. Knowing that you surprise him, a man who can feel everything but your thoughts just standing across from you. You accomplish a great deal in your tenure, but it is this that most often produces that quiet sense of pride.

He shows you change. In theory this is to make a point, but the point is unnecessary. You are not asking about something of immediate importance. It is after hours and you are asking about a story, about old scripture, from a primary source. This is not uncommon, and alongside speaking in words he chooses to sate a curiosity he knows you will have. When he has pulled you back together into the right shape you grin up at him. He studies you, near expressionless, and says "This is inappropriate." It is the strangest declaration of love you will ever receive, and you see it for what it is immediately. It should shock you, but somehow it does not. You agree. The evening ends with a veneer of stoic professionalism.

You will talk about it the next day. You will talk about it for the next week. You will see a degree of begrudging openness from him that you will not realize has been kept from you until you see it for the first time. You seek counsel, as is the responsible thing to do, but find that there is very little doubt as to the choice you will make. Mirjat appeals to your career, to the work that you've done, to the work that you might still do, and you find the arguments that have driven you all your life unconvincing.

You split your evenings between discussions with Iokhar and your own private consideration. You know the thrill of new intimacy will cloud your judgment, and he does too, but you both recognize that no matter what decision the two of you make your relationship will change. The idea of a purely professional relationship absent discussions of philosophy, history, art and other work feels galling, having experienced a relationship that is mutually irreplaceable. Later the idea of being irreplaceable to him will raise warmth in your chest and bring a smile to your face, but in that week while you assess it is simply a fact to be weighed. You are problem solving. Your feelings are data, but you do not have time to feel them fully. Only that they tell you what you want. You will resign with two weeks left in the season and half a term unfinished. It will take you most of the remaining two weeks working with your Clericy to choose Devadas as a successor, swear him in as Kalidas, and get him up to speed.

You already spend a great deal of time working during the on season, but for the better part of two weeks private time is practically nonexistent. This is a major adjustment, expected by no one, and by the time Iokhar leaves Kalidas must be prepared to represent him fully in the Council of Advocates. Anything you knew, anything you were working on, must be written down in such detail that it can be picked up where you left off. While you will join the Clericy of Iokhar, thus becoming available as a resource, it will take another month for the Clericy of the Petitioner Saints to determine this is the appropriate course of action and you must prepare for the contingency in which your full abdication from governance is determined necessary. It is not until the final night that you and your god finally have proper time together again. You sit quietly for much of it. He holds you and seems unpracticed, which to be fair you are as well. A decade is not a short time. A century and a half is longer. Yet, for all that, the mere ten months in front of you suddenly seems very long indeed.

"I would hear your voice when I am gone," he tells you, and it is less vulnerability than simple truth.

"I'd love to hear yours too," you say with irony, "but I suppose one of us will have to wait."

"I will not shirk my duties," he says, "But--"

"I would not ask you to." He pauses and then drops the apology. "Come back next season with stories for me." You smile as if this is a usual farewell, a friendship set aside to be picked up where it left off upon his return.

Very calmly, he takes your hand in his and matches his gaze to yours. For the first time you can feel the sensation of his own body mapped to yours, and you feel his quiet simmering hunger for you, individual fibers of his being humming beneath his skin for touch that a human lover could never even pretend. You feel it in the strands of your own muscles, suddenly yearning to rise up from beneath your skin and embrace the man in front of you. It is nearly overwhelming. Your breath catches and you do not dare break his gaze for fear it might stop. His voice is a low rumble in his chest. "I will." 

It is a greater promise than you asked for. It will stick with you during the long months of his absence, haunting your prayers and quiet moments and intruding on your activities unprompted.  

Upon his return, he will admit that this was the point.