#most of the decisions are in fact the wrong one

[ihfmseatsoch]

I NEED DAD CURLY I KNOW U ALR DID THJS BUT FUCK. I’m a slut for curly🥹🩷 fem reader pls

haii sorry this took a hot minute.. im terribly sick -_- but i pushed through for dad curly #priorities. i should mention that the reader is OF LEGAL AGE ! even though they're still in school. they're supposed to be 18 or college age. Okay tyanks 👍🏻

genre: smut

word count: 3.3k

warnings/content: incest, age gap jealous curly, reader is daughterwife maxxing HARD, loss of virginity, inexperienced reader, rough sex, creampie, daddy kink? idk hes your literal daddy so. shrugs

–

Curly wasn't a jealous man.

He was always secure and confident in his relationships, never wanting to come off as an overbearing boyfriend who spit in the direction of any man that looked his partners way. He didn't see his past lovers male friends as competition, in fact, he was more than welcoming towards them.

Which is why he can't identify the feeling twisting in the pit of his gut, one that just felt plain unpleasant, when he saw you hug a boy from your class as you were leaving your schools parking lot. Curly had come to pick you up as he usually does, and he's commonly greeted with a kiss on his cheek or a warm embrace from you immediately.

Not this.

Curly has always been fine with his daughter being friends with boys. He trusted you enough not to do anything stupid, not to make the wrong decisions. You'd never even had a boyfriend before, so it wasn't like the men in your life were always in the back of his mind. So why? Why did he feel so shitty? Protective, even?

What on earth was different about this specific instance that made him feel like he wanted to pull you away and drag you straight to the car?

You finally make your way to the car, opening the passenger side door, plopping yourself in the seat beside him. You lean over to give him one of your usual kisses, right on his scruffy cheek. "Hi, daddy!" You beam, an ear to ear smile plastered on your sweet face.

Your affection does nothing to alleviate the ugly feeling of possessiveness inside of him. The fact that you look oddly chipper right now makes him suspicious. Was it the unnamed kid you were holding so close just moments ago that's making you so cheerful?

Still, he feigns casualness, giving your shoulder a light squeeze as a sign of his own love for you. Curly enjoys the way you still give him the title "daddy", even at your age. He's repressed his own realization that he likes it a little too much. "Hey, sweetheart." His mouth feels strangely dry as he forces a smile. With hesitance and an intense battle with his own common sense, in which his common sense lost, he continues, "So... was that a friend of yours?"

You blink in confusion briefly, before realizing who he's talking about. "Oh, yeah! For about a week, that is. He just moved to town, so I've been showing him around and stuff. He's super nice." Your giggle after you mention how "nice" he is makes him feel even more on edge. He recognizes a crush when he sees one. This isn't good. Not at all. His heart plummets into his stomach, sizzling in its acid.

"Ah. Right." He nods curtly, leaving the conversation at that, as he lost his previous strength to pretend he doesn't feel awful right now. His foot presses down in the gas pedal a little too hard. The car ride is unusually silent. Typically, he'd be asking all about your day right now, what tests you have coming up, how your friends are doing, and you'd talk his ear off about it in return. There's none of that today, besides the hum of the cars engine and the sound of him tapping his fingers against the steering wheel, feeling fidgety.

Curly feels terribly guilty, noticing your confusion at his behavior. He can't blame you, this is the most awkward you two have been with each other. He wants to say something, apologize for his attitude, but his throat swells up whenever he tries to speak. Is this jealousy? The soul crushing feeling he's heard so much about?

But why would he be jealous of his own daughter's relationships? He should be supportive. He should be a good father, push away these maddening negative feelings and talk to you. Physically, he can't find it in him to do that. Everything about this is irrational, he knows it.

You said you'd only known that boy for a week, so why does he feel... afraid? Scared that he'll take his precious girl away from him? Curly can't stomach the idea of you giving your love to some random kid instead of him. The thought that one day you'll give someone else a fraction of the adoration you give him is unbearable. His baby girl wouldn't need her daddy anymore.

Only when you're both halfway to your home is when you decide to speak up, "You okay, Dad? You're acting weird."

Your words ring in his ears deafeningly. How can he even begin to explain himself? He's a shameful excuse of a father. Clearing his dry throat, he utters, "I'm fine, hon. Guess I'm just tired. Pony Express has been kickin' me in the ass more than usual." Curly manages to come up with a lie on the spot. He feels even worse for lying to you.

The loving concern etched in your face at his fake excuse makes his heart hurt. Now he's made you feel bad for him. God, what is wrong with him today? He must really be losing it. This midlife crisis shit is no joke.

"You should take more breaks, daddy. I don't like you being a workaholic all the time." Your hand moves to tenderly rub his tense shoulder, his skin tingling with goosebumps from the contact.

Swallowing, he responds, "I know, I know," with a sigh, he runs a hand through his wavy blonde curls, some of the strands turning grey in his old age, which he tries to ignore when he looks in the mirror. "Overworking myself is just part of the job, babydoll." Curly holds back a frustrated eye roll at Pony Express's mistreatment. Maybe he was more stressed than he thought. Maybe that's why he's behaving like this today. Nothing more. Right?

"I still don't like it," You say with a shake of your head, aware of how corrupt the company your father works for really is. "I'll tie you to the couch if I have to, if it gets you to relax."

Curly knows you're joking, but for some reason, the faux threat sounds suggestive to him. His thoughts quickly become inappropriate. He can't help but think about how he would feel... completely at your mercy, restrained, utterly submissive. "Mm, that'll be the day." He replies, trying to inject his usual humor in his sentence, shooting you a soft smile that doesn't quite reach his eyes, showing off his subtle tooth gap, one of his teeth a little crooked in a cute, boyish way.

After he pulls into your driveway and you two hop out, you walk as close as you can to him, holding onto his arm, holding back from feeling up his muscles. That'd just throw you into a whirlwind of inner conflict.

"I'm serious, though." You continue onto your previous conversation. "You'd better not do anything but relax tonight, or you're gonna hear it from me." It's amusing how much you sound like you're his wife, making demands like that. It feels... oddly nice to him, to imagine you playing that roll. You already do, in a way, with how you consistently fuss over and take care of him. "Yes ma'am," he lets out a short chuckle, his smile genuine this time, "I'll be good. Promise."

And he doesn't break his promise, mainly because you absolutely don't let him. He thought of sneaking off, making a few important phone calls, but you keep an intimidating eagles eye on him. It's endearing how much you care. Any lingering traces of his earlier jealousy are nearly gone, that stupid kid long forgotten. He knows that he's the most important man in your life. He always will be. It was silly to think you'd ever leave him. He's your daddy, you'd always be his.

You cook him dinner as he leans back in the couch, the stress melting from his weary bones, the weight of his responsibilities nonexistent tonight. This is bliss, Curly thinks. His sweet little girl doting on him, making his favorite meal while he doesn't have to lift a finger for once. Maybe this is what he truly wants out of life. Domesticity. Not having to worry about a thing except being pampered.

You make two plates of food, one for you, and one for your beloved father. You curl up on the couch beside him, resting your head on his broad shoulder as you eat dinner together. The atmosphere is more peaceful than Curly's felt in a long, long time. His heart swells with love and gratitude for you, for the lengths you go to just to make him happy.

What did he do to deserve a daughter so perfect? So beautiful, sweet, and kind? He could go on and on with endless praise for you. Curly wraps one arm around your shoulder, leaning down to give you a gentle kiss on the top of your head. "Thank you, sweetheart," he mumbles into your hair, "You're too good to me."

"Nothing's too good for you, daddy." You give him a kiss right below his ear in return. "I love you. Just wanna take care of you."

The simple act of endearment has his face heating up, the butterflies in his chest fluttering wildly. Pull yourself together, Grant, he tells himself firmly. He's just pent up. Hasn't been with a woman in... he doesn't know how long. And since he doesn't do hookups, preferring something more meaningful, he's been stuck with his own, lonely hand. Curly has to clear his throat to find his voice, "I– love you too, honey."

You two are still cuddled up on the couch, long after you finish eating. Curly's mindlessly watching a cooking show, in which a woman only seasons her chicken with salt and pepper. Thankfully, your body pressed to his is distracting him enough that he doesn't grimace imagining the plain flavor.

He knows he's disgusting, pathetic, in fact, for being so flustered right now. As he slowly rubs circles on your back, he can't help but think how good your form feels in his hands, soft and warm. It's like he's a hormone-ridden teenage boy, except in reality, he's your dad, and you're his own flesh and blood.

Against his better judgement, Curly's hand trails down to your hip, giving it a light squeeze, as if to test the waters on how far he could go. You don't react negatively, only cuddling closer to him. What the hell is he doing? He mentally screams at himself to stop. Stop thinking about how much smaller you look against his large frame, how easy it would be to pick you up, or push you down, your pretty eyes wide and staring up at him as he towers over you, hunched over your body–

He's hard. And, officially, a sick fuck.

Curly desperately hopes you don't notice the tent in his pants, he prays to whatever's out there that you don't look down, please, don't notice how perverted he is. You'd never forgive him, he's sure. You'd never look at him the same. He crosses his legs, a pathetic attempt to hide his rigid cock.

It comes to a point where the discomfort in his groin and the lust burning his insides becomes too much it bear. Taking in a shallow breath, he finally decides on doing the unthinkable. "Hey... Sweetheart?" Curly sounds uncertain in himself, his confidence teetering on a thin tightrope. You turn your head to him, ever so trusting.

"Yeah?" You say, wondering why his body is so taut all of a sudden, and why his index and thumb is fiddling with the hem of your shirt. He struggles to look you in the eye as he continues, "Can... Can I ask you for one more thing?" His heart thumps in his throat.

You nod, always willing to satisfy his every whim. He's given you the best life he possibly could, you owe him everything in return, don't you? "Of course," You smile, "Anything."

That innocent look in your eyes only makes him feel guiltier. Curly stays quiet for a few seconds, just contemplating if he's really about to do this, if he's really willing to possibly ruin your relationship forever. His hand moves up to cup your cheek. God, it's practically bigger than your face, he notices. Baby blue eyes get lost in the sight of your lips, making him swallow from sheer temptation as he inches closer to you.

It takes your brain a moment to process what's happening, and when it does, strangely enough, you don't pull away. If this is what he needs, why would you deny him? He's your dad, the person you trust the most in the world. He wouldn't do anything that could hurt you. He bites back whatever self-control he has left, pressing his lips to yours, soft and experimental. The biggest spark he's ever felt ignites in his chest, your lips feel unlike any other woman's he's ever kissed. You're perfect.

You can't say you haven't thought about this. You've always found your dad handsome, and charming; more than the average daughter would. You've never kissed a boy before, and you're more than ecstatic that Curly is your first. You link your arms around his neck to pull him in closer, deepening the kiss, desire building up in your abdomen embarrassingly quick.

His hand gravitate towards your waist on instinct, the kiss which was originally sweet and tender turning into a full-on make out session. You let out a quiet whimper at the intensity of it all, his cock twitching in his pants at the cute sound. Fuck, he's never wanted anyone like this before, so ravenously. Curly makes himself pull away for air, too far gone to feel any semblance of guilt anymore, especially when you're looking at him so eagerly. You want this too. There's nothing to feel bad about.

"Is this okay, honey?" He breathes, chest heaving as he pants. "You alright with this?"

You nod silently, unable to find any words to say in your aroused state, your body overwhelmingly hot all of a sudden. That's all the consent he needs from you in order to lay you on your back, peeling off every article of your clothing with delicate care, marvelling at your bare figure under him.

You feel incredibly shy having him see you like this, covering your breasts with your hands, pressing your thighs together. "No, no. Don't do that, baby." he cooes, gently coaxing you to reveal yourself to him again, much stronger hands spreading your legs apart so he can get a good look at your cunt, glistening with slick. Knowing that he was the one who made you this wet so easily elicits a low groan from him.

"Look at you," he murmurs, sighing shakily at the very sight of you, "Dripping wet, just for your daddy." You whine as he runs his thumb along your slit, stopping at your puffy clit so he can rub the sensitive nerve in slow circles, his experienced hands making you gasp in surprise. A rough palm reaches up to gingerly fondle one of your tits, your father peering intently down at you from above.

"Fuck, you're so beautiful," he sighs, like he's in awe, "You know that? Such a pretty girl. Always have been." He pulls his sweats down just enough for his dick to spring free, and he hisses at the sudden rush of cool air against his tepid shaft, tip flushed red. Your eyes widen at its size. Massive, is once way to describe it. A thick vein runs down his length, pulsing with warm blood. Curly notices the intimidated expression on your face, and he presses a soothing kiss to your forehead. "I'll go slow. Don't wanna hurt you. S' gonna be okay, babygirl."

His tone is as consolatory as ever, and you can't help but believe him. Why shouldn't you?

It stings when he prods the head into your untouched, virgin hole, the ache worsening as he pushes in further. "D– Dad–" you whimper, eyes brimming with tears of pain, "It's not gonna fit, it hurts–" Curly shushes you, stroking your hair back to calm you down. "I know, I know, baby. It'll go away, I promise." His breathing stutters, a stifled moan erupting from his chest, your walls gripping him tighter than any pussy he's ever felt in his life.

When he's fully inside you, he tries his hardest to restrain himself and be gentle, lightly panting, his sweaty forehead pressed against yours as he thrusts cautiously, paying close attention to every nosie you make so he knows you're feeling good. "Takin' me so well, honey," he grunts, "Y' feel that? You're taking daddy so deep." He presses his hand to your stomach, where you can feel his cock prodding against your insides.

Your little whines and moans at every thrust inside you don't help his quickly diminishing willpower to keep your first time nice and gentle. He wants to be careful with his baby girl, he truly does, but you sound so fucking cute when he goes just a little harder, making you squeak in surprise.

You really can't blame him for ending up with your legs hanging limp on his shoulders, pushing them back so his cock can hit all the right angles, making your pussy clench and squeeze around him so tight, it only encourages him to fuck you as rough as you can take it. Your slick runs all the way down to your ass, his his balls making a wet slapping sound every time he rams into it.

"Dad– Daddy–" is all you can mewl, breathless, your brain short-circuiting from pleasure, practically going dumb from his cock. "Yeah?" Curly grins, relishing in the effect he has on you, "Daddy's making you feel so good, isn't he?" All you can do is nod stupidly at his question, eyes rolling to the back of your head. You abdomen pulsates with warmth, an unfamiliar tingling washing over your body.

"I f– feel weird." You tell him with a trembling whimper. "You're alright, just means you're close." Curly reassures you, simply. "Daddy wants to see you cum for him, honey. Don't hold back."

It doesn't take long for the build up tension inside of you to burst, your back arching as complete euphoria coarses through every inch of your body, a gutteral moan escaping your lips. "There we go, that's my girl," Curly croons, "Cum all over daddy's cock. You look so gorgeous right now, sweetheart."

Due to his age, he takes a little longer to get close to his own orgasm, continuing to fuck you through your overwhelming sensitivity. "M' almost there," he rasps, his head moving down to rest in the nape of your neck, leaving a trail of kisses along your flushed skin, "Nngh– gonna fill you up, baby– you want that? Want dad's cum inside of you?"

Your hazy state of mind makes it difficult to consider the risks, so you nod, agreeing to whatever he says.

"God, fuck– I love you, I love you, I love you–" he babbles, and with a throaty groan through clenched teeth, he spills his release inside of you, the warm and gooey substance filling your hole to the brim. Curly's legs give out, causing him to collapse on top of you, his broad chest pressed to yours, his body hair tickling your skin lightly.

When he finally catches his breath, he pulls out, and grabs a warm cloth to wipe away the cum that seeps from your hole. "You alright? Didn't hurt you or anything, yeah?" He asks, genuinely concerned, and a little guilty for not being able to hold himself back. "I'm fine..." You mumble, exhausted, "Just a little sore."

"M' sorry, sweet pea." Curly gives you a kiss on the cheek, as if it'll make everything all better. To be honest, it does help a little. So does his meticulous aftercare, and his cuddles.

You don't really want to think about the future consequences of your father cumming inside of you right now.

–

[steviewashere]

Okay, I'm getting on here to be a little bit pissy. I'm sorry in advance.

I am so in love with the headcanons regarding Steve's hearing, whether it be that he's hard of hearing, actively in the process of losing his hearing, deaf with a hearing aid, or just completely deaf—every version is fucking fantastic. I'm hard of hearing myself, it's fucking great that this representation is being written or drawn. I love it.

However, I'm going to hold your hand as I say this, stop using language such as "when he learns to lipread" or "eventually learns to lipread." Please stop.

He shouldn't have to learn to lip read. That shouldn't be an eventual skill he learns.

And, gonna give you a little bit of history here, it's historically ableist to require a deaf/hoh person to learn lip reading. From the late 1800s and into the late 1960s, there were literally programs across America that would force deaf children to write, speak, and lipread English—they were punished for signing to others in their schools, in public, in their dorms. And that didn't change until "Total Communication" was brought forth as a possibility, a philosophy that declared children would learn better using their preferred communication—whether it be oralism (the practice of writing, speaking, and lipreading) or via signing. However, oral schools that implemented total communication into their core programs had sign language that was structured with English grammar, this is commonly known as Exact Sign Language, or Exact English Sign Language. It's not American Sign Language.

Also, children who were approved for Coclear Implants in the early 1990s, were sent from residential deaf schools into day schools (public schools) that had a primary focus on oral teaching; pushed into day schools with little to no support, were discouraged from signing with even their parents. This was due to the fact that it was believed that signing at home would slow down their learning.

I am such a fan of deaf Steve or HoH Steve, but you have to be careful the language you're approaching his character with. If he has a sign language interpreter, then he most likely already knows sign language and will, also, most likely rely on an interpreter for communication with hearing people. If he is going deaf (maybe because of head trauma, maybe he gets into a traumatic accident, maybe he gets sick and just loses his hearing, maybe he listens to music too loudly and damages his ears that way), Steve will most likely already have the skills to write and speak in English, but lipreading is a skill that's difficult to garner.

I'll say, too, lipreading is fucking difficult because hearing people are so used to speaking (most of the time. I'm not talking about non-verbal hearing people in this conversation)—hearing people will typically talk fast, which makes lipreading muddy and indecipherable. I've been trying to learn this for years and I'm fucking over it, I can't do it. I speak and write, but I also use ASL, too.

Saying that Steve needs to lipread, that's ableist. Saying that he eventually or finally learns to lipread, that's ableist. Fuck it, I'm gonna say this, too—requiring or not giving Steve the option to decide whether or not he wants a hearing aid or implant device is also inherently ableist. Deaf people are (and should be) allowed to have a choice on having to hear. My own sibling made the decision recently to stop using the cochlear implant they've had their entire life because they weren't even given the choice to get one in the first place (and decided they were done with it), they hated the feedback the cochlear had, and it was just irritating in the sense that it would fall off, the volume control would change all on its own, and they just didn't like it. That's their choice. It's important to give a character that choice.

I let this get away from me, but I despise how people talk about his options for communication sometimes. It just rubs me the wrong way. And I think it's best we all reanalyze how we approach his characterization, especially how we can approach crafting the characterization without alienating a group of people.

*this post has been approved by my deaf sibling (who was born deaf), and obviously by me (somebody who can only hear out of one fucking ear. seriously be careful about volume control on your ear buds. and also wear ear plugs at shows. it hurts like hell to damage your ear drum.)

Here's a whole Wikipedia article about deaf education in the US (just in case you wanted another reason to hate America, but also if you're curious. definitely something everybody should learn).

[morlock-holmes]

So I've seen you reference works by Duchamp and Worhol and the like before, saying that 20th century art history has already had the conversation about what should be considered art and that critics of AI art are ignoring all that history. But what's the case that these works actually should be taken seriously as art? If I say that I think Warhol's soup cans and Duchamp's Fountain are just juvenile pranks at best and not worth paying attention to, what am I missing out on?

I know that I could find answers to this elsewhere, but I'm interesting in your take on it.

I don't know if it's worth taking them seriously as art, exactly, so much as you have to take them seriously as moments in art history.

I wrote about Fountain here, and I'm a little bit proud of that explanation.

The major thing that happened in the 20th Century is the long process of destroying the idea of "good taste", and of any distinction between "High art" and "low art".

The reason I bring up Pollack, Duchamp and Warhol is that all of them very famously raised the question of "What constitutes worthwhile art?"

A urinal? Splatters of paint on canvas? Paintings of a commercial design you didn't create?

Part of the reason they seem dubious and silly is that they essentially won the battles they were waging so incredibly decisively that it's almost impossible to imagine a world where they didn't.

When Duchamp put a urinal in an art exhibition the idea of doing it was so scandalous and absurd that even a group of avant garde artists thought it was a step too far. Today, if you saw a toilet in a gallery show you'd yawn and say, "Of course".

There is an essay I can't seem to find, (I had thought it was by Umberto Eco but I was apparently wrong) which had an image which stuck with me where the author said that the popularity of Warhol's soup cans gave him the somewhat daft temptation to put an actual can of Campbell's tomato soup up on a shelf as an objet d'art. Somehow, the attention paid to Warhol seems to imbue this ordinary object with a sense of artistry and importance.

Did you know that in 1965 Marvel Comics briefly rebranded as Marvel Pop Art Productions?

Attacks on AI specifically are all waged in an arena where the idea of "High" and "Low" art has been thoroughly demolished, where you can lionize, without any felt sense of irony or shame, the human talent that goes into drawing vampires on Magic: The Gathering cards.

And the reason I put it in a dismissive way like that is that 50 years ago, or 100 years ago, this was not the primary way that the culture conceptualized art. The further back you go, the stricter the distinction between "Art" and "Commerce" gets.

Prior to Warhol and Pop Art, comic books, for example, were generally understood as disposable nonsense designed to distract children; while some adults did, in fact, enjoy and think about them as valuable expressions of human artistry, this was not the dominant paradigm, thinking about them this way marked you out as in some way a member of the counterculture.

Writing an essay about the merits of Jack Kirby as a capital A Artist is no longer an avant garde act of countercultural defiance, it's just... Ordinary. The way one thinks of art.

This is because of adult comic book fans and comic book creators working from the bottom of culture and because of the popularity of people like Warhol and Lichtenstein at the top of culture, eating away at the barrier between high and low culture from both sides.

I don't even like Lichtenstein, I think his pastiches of other people's works are generally less interesting and arresting than it would be to just take the panels he was aping and blow them up.

But he's still important to the general story.

A conception of human artistry where the main important thing is the expression of a human talent, regardless of subject matter, is not some obvious constant of human thought; such a conception would be foreign to most human societies.

The reason it doesn't seem foreign today is in large part due to all the people I keep mentioning.

And so there is something that bothers me about internalizing and agreeing with many of the challenges they posed to traditional notions of taste while simultaneously ignoring and dismissing them as not worth thinking about.

The 20th century attacks on traditional artistic conceptions were so total that they also included strong attacks on traditional ideas of "Authorship" and "Intention" as components of art.

I don't know if this is really making sense. Basically, if you actually want to dismiss the last century of art history, you have to have some sense of "High" and "Low" art, and acknowledge that AI at the moment really only poses a threat to "Low" art which, quite frankly, a person of good taste shouldn't care so much about anyway.

"High" Art was already ruined before you were born, and any intrusion of AI into that space is pretty much just carrying coals to Newcastle at this point.

Or, if you want to take "Low" art seriously, then... I mean... Take it seriously. Taking "low" art seriously means grappling with the people who made it possible to take it seriously, and that means also grappling with their assaults on authorship and intentionality.

There's something that bothers me about taking the world Andy Warhol helped build as just obviously good while acting like there's no point in paying attention to anything he did.

[obsidianpen]

NG Hypothesis: I am strongly suspicious that Bellatrix is going to end up serving Harry, in some shape or form.

The justification behind this is fairly thin and circumstantial, as with all good conspiracy theories, but fundamentally hinges on the fact that 1) Bellatrix is Hermione's narrative parallel in NG, and 2) Voldemort has recently forced her to vow to treat Harry with respect and deference. In combination, I feel like the two are leading up to a shift in Bellatrix's existing relationship with Harry.

Bellatrix and Hermione being narrative parallels is easy enough to justify -- thanks to Harry's aura-sight, we can already confirm that the two witches share literally identical auras, something that no other pair of characters thus far share (not even the Weasley twins). They both serve as the right hands and functional generals to our main protagonists, are both highly respected women in male-dominated wartime spaces, and both are flawlessly loyal in defending their respective protagonist while still being willing to openly disagree about things they consider to be wrong decisions (Bellatrix's frequent and open critiques of Snape's loyalty are a good example of this). While in the original books Bellatrix's narrative foil is clearly intended to be Ginny, it is useful to understand that in reference to No Glory that role has been very clearly supplanted by Hermione (as the original romantic pairings of Harry/Ginny and Voldemort/Bellatrix do not apply, weakening the foil of Ginny to Bellatrix overall).

Voldemort's marking and then subsequent promotion of Hermione to his personal assistant is a continuation of one of the core themes of No Glory: "Keep your friends close, but your enemies closer." Voldemort clearly respects Hermione in ways that he certainly doesn't respect most others and treats her like a legitimate threat to his rule if left unsupervised (which, frankly, is valid). He holds an outsized quantity of animosity towards her, as shown by how badly he wanted her executed before Harry was able to bargain for the lives of her and Ron, but the secret of Harry's horcrux status has paradoxically promoted her to an almost confidant-tier by being one of only two people who know that Harry is Voldemort's last Horcrux and don't want him dead because of it (that club consisting exclusively of Hermione and Voldemort -- Harry, by contrast, is absolutely willing to commit suicide if it means taking Voldemort down with him).

This is a state-level secret, i.e. something that could absolutely topple the government if it even became widely speculated, let alone confirmed. The day that the Wizarding World learns that Harry is the last tether to life for the much-loathed domestic terrorist and now dictator Voldemort is probably one of the last days that Harry (and by consequence, Voldemort) have to live. No matter how much they hate each other, that secret is so powerful that Voldemort and Hermione become bound together by default simply because of their shared desire to not see the truth get out; it becomes a fundamental part of how Voldemort can trust having her in his service at all.

There is only one other secret that Voldemort is similarly desperate to supress, even if it might not lead to his explicit demise in exactly the same way: the secret of Ruination, and his rape (and near-murder) of Harry on the Malfoy Manor grounds during Ron and Hermione's wedding.

This is critical, specifically because his reign is extremely unstable currently, and also because Harry is an extremely beloved, teenage, public figure. In a country where Voldemort is desperate to keep up the charade of his own sanity (something which tends to wax and wane fairly regularly), there is no version of this that comes out even remotely well for him. The man who spends hours in the Wizengamot lecturing about the importance of improved rule of law cannot simultaneously be admitted to raping defenseless teenagers whenever he feels like it, much less teenagers that he himself had described as "merely [...] a victim" not even a month before. It destroys faith in both rule of law and Voldemort's stability, i.e. his ability to at least be a consistent leader even if he'll never be a moral one. Instability, by contrast, frequently discourages businesses, drives population exoduses, and generates political unrest, literally none of which Voldemort can afford right now. It wouldn't be as immediate a death as the reveal of the horcrux information, but that doesn't mean it wouldn't have the power to be deadly all the same.

Returning to the subject of Bellatrix, then, it is useful to remember that only three people currently have first-hand knowledge of what happened that night: Voldemort, Harry, and Bellatrix, who modified Ginny's memory. (Luna, naturally, knows everything due to Harry's confession to her, but did not experience it first-hand). If this pattern of secret-keeping feels familiar, it should: it's an exact parallel of the dynamic currently keeping Harry's status as a horcrux a secret. Going a level deeper, we may also recall what Voldemort said when he confirmed that Hermione knew about Harry's horcrux:

"She has known for some time, truthfully, though she did not accept it as a reality until very recently." - Voldemort to Harry, ch. 30: Violent Violet

It is never addressed what, if anything, Bellatrix believes the necessity of her altering Ginny Weasley's memory to be about. It would not be unreasonable for a suspicious Bellatrix (especially in the wake of her newest vows) to comb over her memories of prior orders Voldemort had given her regarding Harry and begin to put the pieces together. Much like Hermione, she is written as a very intelligent (if considerably less sane) woman. Once she begins asking more questions, it would not at all be shocking for her to end up in a similar position to the one Hermione did: knowing that something you consider to be horrible is true, but refusing to accept it as reality.

There are a number of different ways such a revelation could go, but the final piece of evidence supporting her eventually serving Harry comes from her most recent vows to him: that she will treat him henceforth with "respect and deference." This is, from a story perspective, basically the closest that Harry could ever get to putting his own version of a Dark Mark on someone. Powerful, binding magics driving someone to (at least nominal) servitude, with no way of removing or undoing them for the rest of the recipient's natural life. Much like Hermione, she may hate her new "master", but the eventual revelation of Ruination will likely drive them closer together just by being people who share the same damning secret.

Similarly to Voldemort's original outsized hatred (and murderous intent) for Hermione, I expect Harry's hatred of Bellatrix to also eventually cool one he stops allocating much of the rage that he truly feels towards Voldemort onto her. It's unlikely that she'd ever actively prefer him to Voldemort, but she may get upgraded from "an enemy Harry would murder in broad daylight with his bare hands" to "an enemy Harry can afford to keep close." When exactly such a shift would occur is obviously still unclear, but it's evident that deference and secret-sharing make for a promising start.

I so almost didn’t post this but it’s just too nicely written and thought out. Fucking detectives man

[thedawningofthehour]

hello! I‘m in love with your work!

How would the relationship between Draxum’s mother and Galois be, if they had met?

Also (a bit unrelated) we know Draxum would kill anyone who physically/mentally abused or assaulted Galois! But if Draxum was made to choose, between either Galois regaining his memory (and remembering he is Donatello) or Galois getting badly hurt (or abused/csa‘d) what would he choose?

Hi! Thank you for saying so! I'm in love with everyone who gives me attention. :)

Well, leaving out the fact that Galois just wouldn't exist if the deaths of Draxum's parents and sister hadn't happened as they did. And that his parents would be quite old by this point, probably around a thousand, so it's not out of the question that they would have died of old age by now.

But ignoring both those factors, she would have loved him. Basically all the chaos and bad influence of Bella, but completely unhindered by Draxum because she doesn't care if this is his house, she's his mother and she's the boss. She would absolutely encourage him to be his most chaotic self and drive his father crazy. And he'd find her very liberating, with the strict upbringing he would have had. They'd conspire together to set Drax up with Tigerclaw.

Honestly, that holds true for all the boys, and for Bella and Pax too to an extent. Their parents weren't strict, but I see Draxum's mother as being almost manic at times so she would have thrived in her 'crazy grandma' role. His father was much more reserved-he actually would have bonded with Galois more, now that I'm thinking about it, with a lot of their interests Gale now shares with Draxum. Now I'm thinking about Draxum taking care of plants with his son and thinking about how he used to do that with his own father not that long ago.

And, oof, that's a tough one.

Right now, I'd say Draxum would think he'd choose the latter. He'd do anything to keep his son from being hurt, of course, but if he was-Draxum's a healer, he can fix any physical injury and kill whoever's responsible, and then he can be there for his son and help him heal in any way he needs. Emotionally, physically, he'll be whatever Galois needs. They can come back from that. His son would be okay.

If Gale reverts to Donatello, then his son is basically dead. Draxum has no way of repeating the procedure he used, even if he found someone capable of performing the ritual he'd also have to cover up much of the last year and a half, overwrite a lot of the memories that were meddled with the first time, and every complication just drives up the chances of something going wrong and completely frying him. Not to mention Draxum did hurt him, very badly, and if he remembers what Draxum did to him then it's the same mental trauma he'd be getting in the other scenario, with the added emotional baggage of knowing it was Draxum who did it to him. And at the end of it all Draxum wouldn't be able to help, the very memory of Draxum ever helping him would turn to poison in Donnie's head. Gale learning what Draxum did to him would absolutely destroy him, and Draxum knows that. He doesn't want to lose his son, and he also doesn't want his son to have to live with that. It can't hurt him if he never finds out.

I can't really go into what his answer would be post Donnie-return without major spoilers, but Draxum is really going to have to confront how he compartmentalized Galois away from Donatello and how much of his decisions were made out of selfishness. Goatman is going to be doing a lot of thinking in Book 4.

[saebaragi]

arguing about shows with my friend is so funny, I usually don't like talking about my opinions cuz I know they'll be too different from hers, but sometimes is just much, one of these days she was like "I'm so pissed at serena for not wanting to go to college" and i was like "you and me literally never wanted either" and she was like "yeah, but she had it handed to her" and I was like "jessica you were the top of the class, our more severe teacher wanted to help you get into college, you could have went if you wanted. but you didn't. that's fine. sometimes we don't want things even when they're handed to us"

[chronurgy]

Hey siri how do I get so good at hockey in the next six months that Canada will adopt me?

[lord-squiggletits]

I think one of my least favorite takes on Optimus annexing Earth is the surprisingly common opinion "he should've just left Earth alone and minded his own business because they didn't ask for help," not because it doesn't have truth in it but because it's a massive oversimplification of the whole situation and seems to pretend that Optimus annexing Earth was just completely stupid and had no reasoning whatsoever.

Like, it just bothers me when people talk about it as if Optimus leaving Earth alone would've been the not-bad-guy thing to do despite the fact that the Decepticons were literally about to try colonizing Earth again under the command of a guy who was literally from the Golden Age generation that made colonizing and genociding organics popular, Galvatron. I mean Galvatron was literally there saying "so when are we going to kill these fleshlings" and even being a Functionist asshole to Soundwave's cassettes. The last time the Decepticons invaded Earth in All Hail Megatron they killed literally a billion human beings. Are there seriously people in this fandom that are out there believing with their whole ass that "Optimus should've just ignored the openly genocidal Decepticons returning to a place they had already tried to colonize just a few years ago because it's none of his business and the humans can handle themselves" like what.

[elsolaer]

i have many thoughts in general but this tidbit from tingyun's voice lines is one of the things i wanna elaborate some more on at some point...

" Every time I head out, I leave a letter behind and lock it in the drawers of my shop. If I come back, then I'll burn it later. If I don't... then it'll be something for others to remember me by."

[electric-plants]

alrightttt about a day and a half left to finish literally ANY of my haino wips in time to post on alhaitham’s birthday surely nothing can go wrong

[medicinemane]

All I'm saying is any rule, any law, any social convention, anything where there's some kind of reprisal for transgressing against it... just make damn sure you're careful with it lest it be used against you

Every freedom you give up in the name of making a better world, really double check it's worth it and narrowly defined

I mean some freedoms are worth giving up, for instance I don't have the freedom to kill people who annoy me, and I shouldn't have that freedom. I lose very little while gaining a great deal both personally and for society as a whole, and there are a lot of places like this where it's 100% worth it to ban something outright

Similarly, there absolutely are reasons to socially shun people, like you don't have to put up with every last thing just to be nice. Influencers who do stuff like harass people to drum up attention or record and post every second of their kid's lives, I don't think we should be engaging with people like that unless it's to keep an eye on them, I think they do a ton of harm

All I'm saying though, is shit like the Patriot Act drummed up support because it was going to protect people, keep people safe... and look what actually happened, look how it's used. It's state surveillance against the people it claimed to protect and that's about it

I'm not gonna tell you which things are wrong to shit on people for, or which policies you should oppose. I don't want you to just mimic what I believe, even if I thought anyone was gonna

I just want you to look at stuff, and think about it, and really decide if that thing you want gone is harmful in a concrete enough way that if you do something to try to remove it, it will only remove that instead of spilling over in to stuff you didn't want it to

I just want you to check in your head if anything you're cracking down on either legally or through social pressure might lead you to losing something you care about down the road if bad actors skew how to interpret things

I'm not saying that's how it's gonna go, I'm just saying think first

[somnoir]

Bats and Phantoms - Part 1

Prompt: All the Phantom/Fenton Siblings end up with one of the Bats and Birds. It's just that neither of the two families know that their partner is related to their siblings' partners.

Danny and Red Hood

Going to Gotham for university was a planned decision, mind you. It was one of their many contingency plans in case the reveal went wrong. Thankfully, it didn't but his parents were still trying to change their views on ghosts for the sake of their children. Last he heard from his parents, Jack and Maddie Fenton were practically harassing every ghost they could find on culture, history, and etiquette. (He's gotten one too many complains from Box Ghost and Poindexter.) Plus the mess that was the situationship between the Fenton Couple and Vlad Fucking Masters. (Dante was about to kill himself again for that).

Gotham had enough ambient ectoplasm for him to be stable. Everything was very normal. Absolutely...

If not for the fact that Danny loathed clowns. When a clown decided to try and attack Danny, what does he do?

He did what every self respecting Fenton would do when faced with something he absolutely hates. He came at him swinging, aiming for the face.

And maybe he put a little too much power into the punch and the next thing he knew, a body was flung against a wall and breaking it on impact. Danny stares at the toppled wall and—HOLY SHIT HE JUST KILLED THE JOKER.

Fuck, fuck, fuck, fuck—BATMAN WAS GOING TO KICK HIM OUR OF GOTHAM!

But this was the Joker... The last time that crazy fucker got out of Arkham, he threatened to blow up an orphanage. Okay, he could do this. Gotham Harbor it is.

And in typical Fenton fashion, his luck was shittier than ever.

"What the fuck..."

Danny whipped around, freezing in place when he came face to face with the Red Hood. The fucking revenant of Gotham that the city spirit seemed to really favor. Fuck.

"It's not what it looks like! I mean—It is—But, like..." He swallowed thickly, trying to offer a smile but he flinches away when Red Hood snapped his head from the corpse then too Danny.

"That's the fucking Joker!" The Red Hood was pointing a gun at the corpse now, voice distorted and everything.

Yeah. Well. Shit. Danny gulped, finally deciding that since he was already half dead, he might as well clean up. Not like the Red Hood could kill him—I mean, he could, but Danny wasn't going to die by a bullet.

"You—" The gun was now pointed at him.

"It's not my fault he decided to fucking jump me!" Danny immediately argued, grabbing the clown by the legs and dragging him forward before he winced at the trail of blood. "It's a clown! A fucking clown!"

He yelped when the crime lord slapped his hands away from the corpse, "The fuck is wrong with you? Don't fucking touch the corpse unless you want that shit to traced to you." The Red Hood grunted, shaking his head. He sounded... He kinda sounded giddy, in all honesty. Why the fuck was the Red Hood teaching Danny how to get away with murder?

"What were you even going to do with the body?"

Danny cringed away. To tell the truth or not? Such a difficult question... Okay, he's pretty sure most of the Bats were like detectives and lying to this one might get him shot.

"Gotham Harbor?" He squeaked out.

Danny was met with silence and the man built like a fucking fridge (but he's so damn sure that Dan was still the tallest person he knew) didn't move a bit. Then his shoulders shook. And then he was laughing. Fucking shit, the Red Hood was laughing because Danny was going to dump a body in the harbor.

What was Jazz going to say?!

(Meanwhile, Jason Todd finds a strange boy that makes him feel strange, warm—the same boy had killed his worst nightmare. He might just have fallen in love right then and there.)

Part 2 | Masterpost

[yet-another-heathen]

On conditioned whumpees...

Y'know, I think one of the things that people get wrong with conditioned whumpees is their rules. Specifically, when a whumpee was in long term captivity/training and they later get released or escape.

Most people write them as latching onto a caretaker or new whumper, and begging for new rules so they know they're doing something right. A new set of laws to live by, a new framework to behave to.

And that's... not really how conditioning works.

Conditioning means automatic reactions. Your body doing something that was trained into you without consulting your brain first.

There is no decision making. There is no choice. The trigger hits, and you are immediately performing the correct action regardless of anything else.

You're told to kneel? Your knees have already hit the ground. You're supposed to be standing in one part of the house when a certain noise is made? You've launched into movement before you even realize what you heard.

These rules are woven into the fabric of your body. And they are insurmountable. The conditioning overrides emotion, internal conflict, hesitation, beliefs, wants... everything.

Your whumpee may very well hate what is being done to them, and after the moment has passed they're cursing themself and their whumper. They're still a person on the inside. And that person is still very much alive. Most of the time, they will have some level of awareness that what's being done to them is wrong. They'll be angry. They'll be hurt. And they will hate that there is nothing they can do about it.

But the next time that trigger occurs, the response still hits them exactly the same.

So now take your whumpee out of that situation. They ran away, were rescued, were sold. They got out. Now they're with new people, a new caretaker, a new whumper. Or they're on their own and trying to make their own way in the world.

But those conditioned responses are still there.

There's no turning them off. You don't just replace them with new rules. They are in your every fibre. They have been built into the very framework of who you are.

The next time someone says the word "kneel", your knees are on the ground again. No matter where you are, or who you're with. The response happens before you can stop it. If they don't know why, everyone looks at you like you're insane. And you feel like you are.

Deconditioning is an agonizing process that takes more effort than I can even begin to describe to someone who's never experienced it.

Every time they hit that trigger, that response will still be there. Over, and over, and over, and over.

Breaking those rules down takes YEARS. And it is a constant effort that the whumpee has to choose to undergo every single time. Progress is measured milimeter by milimeter. You're told to kneel, and you kneel. You're told to kneel, and your mind catches up with the fact that you already did it— but a little sooner than it did before. Then a split second sooner. Then as you're doing it. Then you feel the impulse just before your knees hit the ground. Then you have a split-second of resistance before you go down. On and on and on and on, inching toward progress despite the fact that you're fighting with all your might. And that progress is anything but linear.

You don't just start obeying new rules. You don't latch on to your caretaker's new way of doing things and drop everything that you were conditioned to do before. These rules don't just get replaced.

Conditioning is not a belief system. It's a flinch response. Programmed deeper than the instincts you were born with.

You can be ordered not to obey the old command, and moments later when the trigger comes, you will anyway. Because in conditioning, the action comes before the choice.

These rules, these laws of your existence, come above everything else. And if your new whumper wants to replace them, they are going to have to beat the new rules into you so often and so severely that the pain becomes stronger than the old conditioning. At which point, the newly desired response will very, very slowly start to take over.

You're not swapping out new rules. You're layering new, worse conditioning on top of the old. And your brain will spend time stuck in that split-second between both responses before one finally grows stronger than the other. And even then, the change will not happen quickly.

That is what your conditioned whumpee is up against. That is what makes it such a horrible—HORRIBLE— and powerful tool.

[feathersandblue]

So, full disclosure, I haven't been a Solas fan before.

I am now.

And that's because of Veilguard and the many, many ways in which I felt let down by this game.

The aspect that bothers me most is the reduction of nuance and complexity.

Rook's hero's cakewalk (because “journey” really isn't the right word) is a ready-made path that offers no deviation at all and never challenges the player in any meaningful way.

Sure, you can spend some time pondering the pros and cons of saving Treviso or Minrathous. Ultimately, it makes no difference. Rook does their best, they just can’t be in two places at once.

Same with the companion character arcs. What does it mean if you decide to you turn Emmrich into a lich? For the most part, it's idle musing. Indulgence. He’ll be happy either way, there are no real stakes. Yeah, your actions do have consequences, just not the sort of consequences that make a substantial difference. It’s the illusion of choice – reduced to cosmetics.

The problems with decisions that cost nothing is that they don’t feel like an accomplishment. They also don’t allow for character growth. Rook doesn’t change, they remain static. Even the section in the Fade where Rooks faces their regrets is easy and comparatively lightweight. Varric was killed by Solas, Harding resp. Davrin died in combat and either Bellara or Neve was abducted by Elgar’nan. It’s not like Rook’s decisions actually caused these events, it’s not like Rook actually failed through a choice they had to make that turned out to be the wrong one. Everyone was there willingly and volunteered to fight the good fight. Rook’s regrets are not about real guilt, they are about feeling sad and guilty. And that – it needs to be said – is not the same thing. At all.

At the same time, the story carefully avoids any kind of true ethical dilemma.

It's not even about the lack of mean or edgy dialogue options; that’s just a symptom. The cause is the writers’ unwillingness to let realism intrude in Rook’s fairytale – the lack of anything that would require Rook to compromise on morals, or fight temptation. Rook is never faced with any sort of moral conundrum, or allowed to act out any kind of vice that realistic characters have. In its straight-path simplicity, Rook's story is apparently written for children and people who remain child-like in their yearning for simple, uncontested truths.

Of all the sorts of conflicts that a story can offer, Veilguard carefully avoids the most realistic and (in my opinion) interesting ones: Character vs. self and character vs. society, aka, politics. The game firmly refuses to go there. To the point where it creates a completely unrealistic consensus on all sides that eliminates yet another sort of conflict: character vs. character.

If Rook and their companions would talk politics, they’d all be on the exact same side. In a two party state, they’d all cast the same vote.

I am sure that there are many players who feel comforted and reassured by that fact, who sincerely believe that this is how stories should be written. That stories should reflect the world not as it is but as they think it should be. But for everyone who likes their stories a little more realistic, that lack of meaningful interpersonal conflict, that lack of real diversity which comes not from appearance but from different cultures and opposing viewpoints amounts to a frankly cringe-worthy, artificial and juvenile surface-level interaction between characters. Or, to phrase it differently: the diversity remains skin-deep and doesn’t extend to the philosophical, and even in the few instances where it does, it shies away from the political.

Which means that the only conflicts that remain are the most boring and stereotypical ones: character vs. monsters resp. the supernatural, where all foes are evil in the blandest way (Supremacist Venatori! Fascist renegade qunari! Power-hungry necromancers!). These conflicts are resolved through exploring maps and endless, repetitive combat.

The only thing that brings a bit of nuance to the game is Solas’s story. And there is an element of character vs. character in Rook’s and Solas’s relationship, but the sad truth is that what could have been a fascinating mirrored character journey falls flat for all the reasons already explained – because where Solas is a character as layered and controversial as it gets, Rook is anything but.

Solas’s story shows how even people with the best intentions and the greatest integrity are ultimately broken by what life throws at them, both by the decisions that are forced upon them and the choices they make on their own. It shows how a prolonged war is always a sunk cost fallacy: I’ve gone this far, if I stop now, it was all for nothing.

Rook’s victories, on the other hand, come without a cost – both in terms of moral corruption and in accountability. The guilt Solas bears is real. The fight against the titans, followed by his war against the Evanuris, requires compromising his own morals, one day at a time, one century after another, he’s trying to save the world yet doomed to fail. Sacrificing the spirits to win a battle after the war has gone this far? Every single war leader around the globe would make the same decision. In fact, all of them do: They do sacrifice the lives of others if it will help them win, they do send soldies into the trenches to die, whether these soldiers want to or not, and they are rarely, if ever, truthful about the reasons why.

In a certain way, the story of the spirit of wisdom turned flesh is reminiscent of the biblical Fall of Man: the original sin. Solas has fallen, and he’s broken. In trying to heal the world, he’s trying to heal himself. The burden is too heavy, the responsibility to great, the knowledge that he is responsible for all of it too devastating. Solas’s greatest conflict is character vs. self. It has the potential to be great. In a way, it is. It’s the single redeeming quality that, depending on your interpretation of what went on behind the scenes, the writers managed to salvage from the original concept of Dreadwolf or the lone pillar that withstood all their attempts to bring it down.

Only sadly, infuriatingly, in the end, that fallen hero’s ending is put into the hands of a protagonist who judges him from the perspective of someone who has never even stumbled – not because they are wiser, braver, or kinder. No, just because the writers were gracious – or cowardly? – enough to never let them fail.

The game gives Rook a moral high ground which isn’t earned in the slightest because Rook never had to walk even a quarter of a mile in Solas’s shoes. They don’t know what they would have done in his stead, they have no idea what it actually means to see the sorry shape the world is in and know that it was your hands that shaped it. And even where Rook might actually be culpable – the interruption of Solas’s ritual that freed the remaining Evanuris – anyone is quick to assure Rook that it wasn’t their fault.

Whatever regrets Rook carries, they’re born from self-doubt and trauma response. Survivor’s guilt, mostly. When compared to Solas’s immense guilt, Rook’s regrets are, for lack of a better term, insignificant. That Rook manages to face them doesn’t mean that they are more truthful or emotionally mature, it just means that Rook’s story is a tale for children and Solas’s is not.

It’s not that I’m necessarily opposed to the idea that the player decides Solas’s fate through their actions. It’s the injustice of it all that bothers me: The player is led through a game that provides a safe space for their character, one that is devoid of any interpersonal conflict and any ethical quandary. Rooks succeeds through kindness and heroism and taking their companions on team bonding exercises.

As if Solas could have won the war against the Evanuris if he’d taken the time to take his companions on coffee dates.

The juxtaposition – Rook vs. Solas – fails, simply because of this deep divide. Rook’s story is detached from reality and yet Rook gets to be Solas’s judge, jury, and executioner. On what grounds?

As I said, right in the beginning, I haven’t been a Solas fan before. But by the end of Veilguard, I was firmly, irrevocably, Team Solas, just because I was so annoyed that the narrative put Rook in a position of moral superiority. I detested my own character. Jesus, what a goody two-shoes! I was rooting for Solas simply because his story was so much more: a genuine tragedy, a study in complexity. Rook, on the other hand, remains bland, snotty, unchanged. Untried.

The thing is, I don’t believe that my reaction was one the writers had intended. I strongly feel that they didn’t mean for me to pick up on their double standard, that they expected me to walk away fully satisfied, convinced that Rook and The Team were the Good Guys because they went on picnics and petted the griffon, their final victory well-earned and just. If only Solas had had a Team and taken care of their emotional needs – he could have taken down the Evanuris with nary a scratch!

It’s all so very disingenuous.

Rook and, by extension, the player exist in a bubble of sanitized content. That is clearly deliberate. The player is meant to like it there. (In that sense, it’s only logical that they changed the title from Dreadwolf to Veilguard.) And clearly, it does resonate with a certain kind of their player base: mostly with people, I think, who would like their real life to be a bubble too and whose only experience with moral corruption is when they find it in others.

[luveline]

Bombshell reader and Spencer finding out she’s pregnant

fem!reader, 1.5k

cw for pregnancy / reader wants to be pregnant

“This is such a peculiar feeling.” 

Spencer’s ready for you physically before his mind has caught up, his hand reaching out for you despite his eyes steadfast on the book he has held to his knee. Legs crossed, relaxing in the supple leather of one of his armchairs, Spencer almost forgot you were here. “What?” he asks. 

“What did I say, or what’s peculiar?” 

“What’s peculiar?” he asks, letting the book fall down the side of his thigh. 

You shuffle closer to his legs, looking down at your clasped hands. “I feel really weird. For a few days. A bit sick, I think.” 

He’s not expecting you to say that; it’s been such a quiet evening, and you haven’t mentioned being ill once yet, despite having slept here and spent the day here in your soft pyjamas. “What’s wrong?” he asks. 

Because the thing is, Spencer loves you more than he’s ever loved anybody. It’s immediately unnerving for him to hear you aren’t well, because he doesn't want you to have a single shred of strife in your life, not even a papercut. He pulls you closer and closer, looking up into your face, begging to know what’s wrong and unashamed or caring so much. “You’re worrying me,” he prods when you don’t answer. 

“Sorry, I’m just…” You lean forward gently. Spencer takes your weight to his side, his cheek to your chest. You face down, wrapping an arm behind his shoulder. “Just have a funny feeling,” you whisper. 

“What kind of feeling?” he asks. Spencer could tell you a hundred different facts on funny feelings, gut feelings, and intuition, but that’s not strictly helpful right now. Then again, he knows he’s loved, and so he says the most burning one aloud before he forgets, “Intuition is based on the collating of facts by your brain to predict future events. It’s usually unconscious.” 

You touch his hair mindlessly. “Is it usually right?” 

“I think that’s up to opinion. Why, angel?” he asks, letting his voice slip into a deeper, settled rasp. He hopes it says what he’s trying to prove to you every single day, that he will take care of you for as long as you’ll let him. “What are you thinking is wrong?” 

“I don’t know if it’s wrong…” 

He’s so confused. “You can tell me anything,” he assures you, pulling at your hands. There’s room in the armchair for you so long as you’re okay with putting your legs over his, and you are, curling up next to him with your bottom lip pulled between your teeth. 

“I know, Spencer. Just let me think about it for a minute.” 

“Okay.” He takes your hand once again. For a few minutes he waits in the quiet, rubbing small circles into the back of your hand, trying hard not to look at you lest you feel pressured to talk. 

“Okay,” you say quietly, “I have a few things in that bag I brought over for emergencies, you know? In the bathroom. And I have a pregnancy test in there, so I’m going to take it. How do you… how would you feel about that?” 

“I’d feel whatever you needed me to,” he says instinctively, the word pregnancy on a flashing look in his mind’s eye. “You think you might be pregnant?” 

“Before I take it, before, is that a bad thing if I am?” 

He’s shocked to see you acting this way, so far from your regularly scheduled programming. Spencer always assumed that if you ever did become pregnant, he’d learn about it like everybody else. You’d tell him with a big smile or a proud kiss and go about your day. You know what you're worth, and to be pregnant is your decision, your body. 

“Of course not,” he says, frowning. 

“Are you sure?” 

“Why are you asking me?” 

“Because it’s something that would affect both of us?” 

“No, of course, of course, angel, I just mean, why would it ever be a bad thing?” He puts his hand on your neck. “Unless you think it is.” 

“This isn’t something I get to just decide by myself, this decision. I can’t make it alone,” you say. 

“Yes you can.” He cups your neck. “But I’d love to make it with you.” 

You smile. He can tell you’re going to share your thoughts with him before you do, your eyes clearing with worry for now, and instead shining with your usual, breath-stealing light. “I hope I am,” you say. 

He hadn’t known he’d feel this way until right this second. “I hope you are too.” 

Your giggle sounds ever so slightly teary and hug him. You kiss his neck, and then you spring out of his lap to drag him with you to the bathroom. It’s a straightforward process but the waiting is agony, you and him sitting on the counter by the sink basin, hands squeezing at each other's fingers with the test baking on his thigh. 

“This is crazy,” you murmur. “We were having a normal day.” 

“Normal to amazing would be good,” he says. 

“What are we gonna do?” 

“Well, I’ll have to make some more money.” 

“I’m serious.” 

“So am I,” he says with a laugh. “Do you know how expensive children are?” 

“How did your mom afford you and your three PhDs?” 

“I got most of that stuff for free,” he says, “on account of being smart for my age.” 

You laugh softly. “That’s one way to say it.” 

Spencer leans down to kiss your shoulder. “We’ll have to move in together. Like, forever.” 

“Oh no.” You prop your head on his. “I basically live here anyways. All the time.” 

We’ll have to get married, Spencer thinks, but that’s not necessarily true, and then thinks it should probably be a surprise, before he says, “And I’ll have to ask you to marry me.” 

“Not just because I’m–”

“No, not just because you’re pregnant,” he says, though neither of you know yet if that’s true. “Never.” 

“That would be admirable.” 

He doesn’t know about that, but he knows one thing. “I love you. Really. More than anything.” 

“Don’t worry, Spencer. I love you too.” 

“Would that be something you wanted?” he asks quietly. 

“I’ll say yes whenever you want to ask me,” you say, equally as quiet. “I would’ve said yes five years ago.” You weren’t together five years ago, and he believes it anyways.

Spencer kisses up your cheek and pulls you into his side with a last press of his lips to your temple. The test on his thigh hasn’t changed. It’s a digital one, so you’ll know for sure just as soon as it’s ready. He feels like he can’t breathe right, waiting, waiting, wishing. 

“I’m with you no matter what,” he says under his breath. 

“I know.” You turn your lips into his cheek, breath fanning his skin. “You know pregnancy makes a woman more beautiful, right?” 

“I don’t see how that could possibly happen to you, but I’m excited nonetheless.” 

You laugh and smile into his cheek, kissing the slight hollow of it tenderly. 

On your thigh, the test blinks to Pregnant. 

You don’t notice, too busy kissing him still, your smile hard to ignore as you mumble, “If I’m pregnant, and we’re gonna do all those things you said before, I promise I’ll make you happy, Spence. I’m gonna be good to you. We’re going to be so, so happy, we’re gonna have a house with a garden and a hundred types of flowers, and we’ll keep bees at the end of it, and we’ll have two libraries for all your books, three if you want it, and–”

“I’ll make you happy,” he echoes, “I promise. I’m gonna take care of everything.” 

“–the nursery…” You stop kissing him, hearing what it is he hasn’t managed to say in the wavering tone of his voice. You look down as he passes you the test. 

“No matter what you want,” he swears. 

Your happy tears are plentiful and not what he’s expecting. You wrap your arms around his neck and cry with your legs hanging off of the counter, the test digging into his shoulder, drawing a line over his skin as you check it to be sure and prompt another round of tears. They aren’t loud tears. Your sniffles are half giggle. 

“We never do things in the right order,” you say, blissfully happy. 

“I don’t think there’s a wrong one.” His turn now to press kisses to your tacky cheek.

“We used to hold hands under the round table.” You shudder with tears. 

Lovelorn and unsure, not even dating, your fingers sewn together under the conference table as someone spoke you through the case of the day. His heart in his throat, and your thumb rubbing circles so slowly into his skin his wrist would ache for hours afterwards remembering. You and Spencer have always done things in your own order, and he’d never say wrong. 

[strangererotica]

EXPLICIT CONTENT | MINORS DNI

Art the Clown x Reader | SMUT | CW: reader is married to an abusive husband | reader uses drugs/alcohol to cope with her abusive marriage | murder/killing mentioned

This story is extremely explicit and deliciously fever dream-ish imo. Hope you enjoy it, my fellow clown fuckers ❤️

What the ever loving fuck is wrong with me?

That’s what you were thinking as your common sense peeked out briefly from the fog of alcohol and weed in your system…a moment of sobriety just long enough to make you question what motivation you could have for the decisions you were now making.

He smelled. Like dried blood and sex, the kind of sex that hurts you, but doesn’t stop you from wanting more. Maybe it would have been enough to stop you, under any other (sober) circumstances. But as it was, you were already sitting in this strange man’s lap, in the middle of an empty mall after closing. And what made the situation even more surreal? The fact that he was dressed in a goddamn Santa suit and wearing gaudy black and white clown makeup all over his face.

Yeah, you really needed to stop sneaking into the mall bathroom and getting fucked up. Swiping a pack of edibles and two travel-sized bottles of cinnamon spice vodka from the gas station had been a bad idea to begin with. Using the privacy of the bathroom to get wasted and scroll through your phone for two hours would have been considered strange behavior by most people. But most people (in fact, no one) knew the reason why you avoided home like the plague.

Your husband was abusive, in every way possible. He controlled every aspect of your life, to the point that sometimes, you worried he could even read your thoughts. Where you went, who you spoke to, your finances, your diet, your sex life; everything about you belonged to him. It was suffocating. And while your habit of stealing from the gas station and hiding in the mall bathroom was an unhealthy coping mechanism, you were coping. Even if eventually it bit you in the ass, like tonight. When you got a little too high, a little too drunk, to notice the time, or the fact that the mall outside the bathroom stall you were locked in had grown quiet…

The mall was closed. Fucking closed, with you locked inside it. You’d staggered out of the bathroom like a fucking zombie in what looked to be a post apocalyptic scene. The mall was empty, devoid of life. Everything was eerily silent, apart from your footsteps shuffling across the tile floor as you took in your empty surroundings. The mall was dimly-lit, the only light source coming from high above, moonlight streaming in through the big panel windows on the mall ceiling.

You found one of the exits, and tried the door. It was locked, or maybe you were too high/drunk to figure a way out? It didn’t matter because regardless, you weren’t going anywhere for awhile. Either you’d sober up and figure out how to get out, or you’d be stuck waiting till security came by in the morning and let you out. A pleasant thought tickled at the back of your mind: your husband had no idea where you were. It felt good to be so far beyond his radar that his ability to oversee your every move was completely fucked. What did scare you, however, was the thought of confronting him in the morning. How would he react to you staying out all night? Obviously it wouldn’t go over well, and just imagining what your husband’s punishment might involve had your stomach twisting.

So instead of ruining your high by worrying about the inevitable, you decided to finish the last of your vodka, yelling “fuck it!” into the empty void around you. Your voice echoed back at you off the walls of the empty mall. It was creepy, and a little exciting, being unsupervised and alone with this kind of freedom. The excitement you felt only heightened when you noticed him. Your mouth twisted into a grin of disbelief, because how fucking high WERE you that you were literally seeing Santa Claus in front of you right now?? You took a step towards him, still unsure if he was even real.

He was sitting in an ornate wooden chair framed by two massive Christmas trees. The strands of lights decorating them weren’t on, just like all the other lights inside the mall. Above him, a sign written in ridiculously large print read “SANTA,” as if the scene itself would have implied anything other than the jolly old elf’s presence. You forced your gaze to focus on the man/hallucination in front of you, the smile on his face as big as yours. And he was a…clown, too? You laughed out loud, the absurdity of it all becoming too much. Your laughter was tinny and soft, like the sound of jingle bells, and it seemed only fitting considering you were standing mere feet away from the man, the myth, the legend himself: Santa Claus.

He patted his lap, encouraging you over. The fact that he apparently didn’t speak made the vodka-soaked dreamworld you were currently wandering feel even more like a dream. As you approached ‘Santa Clown,’ the possibility of him being a figment of your imagination became less believable. When he reached for your arm and tugged you onto his lap, you were certain. He was absolutely real.

You gasped, a surprised giggle spilling from your lips. The clown seemed to enjoy your amusement, bouncing you on his knee just to hear the string of excited giggles that tumbled out of you. He was playing with you, and you were loving it. His hair, or the wig he wore, spilled over his shoulders in off-white waves, flecked by bits of red. It took you a few seconds to register that the red bits were actually dried blood, and that the same blood was caked onto the beard that hung loosely underneath Santa Clown’s chin.

Should you have been alarmed? Probably. But instead of sensing danger coming from the clown, you felt oddly protected, safe. Whoever that blood belonged to, whoever he may have hurt, the clown didn’t seem in any hurry to hurt YOU. In fact, based on the stiffening pulse of his cock under your ass, it seemed like the clown was enjoying your company very much.

To test your theory, you decided to tease him a little and see where it led. Shifting intentionally on his lap, you reached to smooth the blood-crusted strands of hair back from Santa Clown’s face, revealing his sharp cheekbones and smooth, painted-white skin. He was oddly handsome, attractive in a dark kind of way. The way villains are always more appealing than heroes, or more philosophically, how Eve must have felt when she was seduced by the serpent’s persuasive tongue. There was something forbidden about the clown, something instinctively, inherently wrong about wanting him. And yet, that wrongness was precisely part of the reason you did want him.

His smile faded slowly to an expression you couldn’t name, his eyes going dark. Had your flirting upset him? A chill ran through you as even the air around you both seemed to go colder. A sudden sizzle of electricity made you flinch, and you watched as around you, the lights on the Christmas trees were illuminated. You smiled, a pleased chuckle of surprise leaving your lips, and the clown smiled with you. He seemed to enjoy making you feel good; and perhaps the dark supernatural forces that followed him came in handy in times like these, when manipulating electricity could be used to impress a pretty girl?

The rest of the mall remained in darkness, with only the Christmas lights illuminating the festive scene. “It’s so pretty,” you said, and you realized it was the first time you’d actually spoken to the clown. He nodded, feigning a kind of bashful grin, and extended his index finger toward you, tapping lightly against your breasts. Your eyebrows lifted at the sweet gesture. It had been a long time since anyone had called you ‘pretty,’ and somehow, even in the absence of words, the clown had said everything right.

“Me?” you asked coquettishly, feeling emboldened by the vodka thundering through your system. “You think I’m pretty?”

The clown nodded vigorously, his big, toothy smile returning. “Well y’know what?” you asked through a giggle. “I think you’re pretty handsome, Santa.”

The clown’s mouth made the shape of a surprised ‘O,’ and he pointed to himself, his lips forming the word ‘me???’

“Yeah,” you replied. “And, as a matter of fact-.” You leaned in so your lips were at the clown’s ear, the coppery scent of blood stronger by his face. “-I’m ready to tell you what I want for Christmas…”

You didn’t expect to feel his hand on your chin, turning your head to face him. His expression had shifted back to the one you’d been unable to read earlier, the look you’d mistaken for him being upset. Now, as his thumb tugged your bottom lip downward and his dark eyes studied the shape of your mouth, you realized his expression was one of lust.

You sucked in a breath, extending your tongue to meet his thumb. The metallic tang of old blood met your tastebuds, melting over your tongue as the dried blood under the clown’s thumbnail was wetted by your spit. You didn’t care whose blood it was, because in this strange new reality, nothing beyond this space in the empty mall mattered. His eyes followed his thumb as it pressed deeper, your lips closing around its base, sucking lightly. You shifted again on the clown’s lap; it was so bumpy now that he was fully hard, his erection making it difficult to sit still.

His gaze was fixed on your lips, the space his thumb had disappeared between. You backed your head away slowly, letting his thumb slide out of your mouth with a wet pop. Your hands closed over his thighs to balance yourself as you slipped off his lap, locking your eyes with his as you settled between his boots on the ground. Resting your head against his right thigh, the heady smell of piss and sweat filled your senses. His hand was on your head, fingers laced through your hair and guiding you, inward. Closer. Closer to the space he wanted your mouth, where he needed it to be.

You wet your lips with your tongue and watched as the clown worked the large buckle of his belt undone. He tugged the waist of his pants lower, just enough for his cock to spring free, smacking against his stomach, pre cum clinging to the white fur trim of his jacket. Your mouth fell open at the sight of his member, its impressive length only half as striking as its girth. He closed his gloved hand around himself, pumping up and down his shaft in a few slow, unhurried strokes. The look in his eyes was almost wicked; he knew the thought of him filling your throat intimidated you, and he liked that fear.

With his other hand locked in your hair, the clown pulled your head closer, till your mouth was poised at his tip. He pressed the fat bulb to your lips, admiring the way they parted obediently for him. Urging his hips forward, the clown pushed his cock inside your mouth. The salty taste of his skin on your tongue was unpleasant at first, but you quickly forgot about any discomfort once he’d established a rhythm back and forth inside you. The head of his cock pushed the salty taste to the back of your throat, and you swallowed it down. From there, the only challenge you faced was opening your throat enough to take him. The clown’s hand on your head continued to guide it, pumping your mouth over him like a sleeve. You needed to breathe, to swallow the air his cock was denying you. Just when you thought you might be sick, the clown removed himself from your throat, allowing you the chance to breathe, a long line of saliva trailing from your bottom lip to the head of his cock. He grinned down at you approvingly, patting your head as if to say ‘good girl,’ before lifting you once again by the hair, and shoving himself back between your lips.

He leaned forward and closed his other hand around your throat, feeling his cock fucking you from the inside out. Your cunt was dripping, a pearly string of your wetness slicking the ground between your knees. You squeezed your thighs together as the clown used your throat, desperate for some kind of stimulation. He could sense your desperation, and offered you his boot as a relief, wedging it between your legs to give you something to grind on. You humped it gratefully, rocking your swollen cunt against the clown’s shoe. He stilled inside your throat, buried deep, his fingers tightening in your hair to the point your scalp was stinging. A gush of semen washed down your throat, followed by another. You struggled to swallow it all, your throat constricting as the clown’s cum filled it to capacity. You gagged and choked, and he pulled you off his cock just as vomit began creeping its way up the back of your throat. His wild eyes and wide grin beamed down at you, his chest rising and falling quickly in the aftermath of his climax. Semen you hadn’t been able to swallow dripped down your chin in a thick line. When you attempted to wipe it away, the clown stopped you with a swat of his hand against yours. He wanted to see the results of his work in and on you, his work of Art.

He jerked his boot where it was wedged between your thighs, bouncing you on top of it. You whimpered at the sensation, your neglected little cunt aching and engorged. You needed to come, so badly that it hurt. The clown watched as you stayed knelt at his feet, straddling his boot and humping it like a bitch in heat, grunting and panting, no more than an animal. Your orgasm shook you to your core, your muscles gripping and sucking around nothing, clit throbbing against the clown’s boot as you rubbed yourself into it, moaning and spitting a string of obscenities into his pants leg, where your face was buried.

After your body ceased shaking, you looked up to see the clown still grinning down at you. He offered his hands for you to take hold of, and helped you back into his lap. An hour passed, and then another. You couldn’t say for certain, but you think you must have fallen asleep in the clown’s arms for an hour or so, because at some point, you noticed that the stars were beginning to fade in the sky. Morning was coming, and that meant going home. To your husband. To your abuser.

Fear roiled in your stomach, along with the alcohol and cum filling it. You despised this feeling of dread, of being scared by a shit stain of a human being like your husband. If only you could live free of his tyranny, you imagined. How much better would the world be without the influence of such a toxic man as your husband…?

…And then, the idea formed in your mind. You tilted your head to the clown’s face. Studying the blood on his hair and skin once again, you decided to ask a favor of him. “Santa,” you began, because you didn’t know what else to call him. “You’ve killed people before…haven’t you?”

The clown feigned an apologetic expression and raised his hands as if to say “guilty.”

You nodded your head, a hopeful smile on your lips. And then, you asked him: “How would you like to kill my husband?” 🔪🩸🤍

PART TWO

@arts-bloody-gloves