#most of my actual finished art and even a lot of my doodles can be reblogged

[habken]

Driven actually insane when good art gets posted and it's non-rebloggable WAUGH. Just wanna preserve a tagged copy in case ur blog poofs into thin air one day

sorryyyy but it's by design, I make wips and personal art unrebloggable because I want the opportunity to delete them if I need to without them staying up here for all eternity

[sysig]

Tainted batch (Patreon)

[darqx]

Snakes on a post

Another particularly long answer dump since i, once again, have a backlog of things to potentially answer |D

❗️For commonly asked qs please see my BTD FAQ

Got jumpscared with my own old art for a hot minute there LAUGHS.

(For those wondering, the naga doodle from here was attached to the ask)

That is every other Royal that exists in the Nether and also at least some of the demons that challenged him for his Royal title lol.

Believe me, no one was or is more surprised then me XD;

So, the thing about where Rire's ichor manifests is that it kinda exists and doesn't exist at the same time. Meaning that his upper back is where the manifestation point is anchored, BUT it can still manifest with a bit of space in between it and his back hence why it will manifest over his clothes and not through them.

So if you touch where the manifestation point is sans the ichor, than you are just straight up touching his back. With the ichor, he still gets sensory input from the tentacles to his back but it's a lot more soft and muted esp the further away it gets from him. As you've seen implied though, he would feel a very sharp pain if a great deal of damage was done to the ichor where it clusters at the manifestation point, since he'd DEF be feeling that straight in his back lol.

He is definitely a top and the only way he would bottom for anybody is if they somehow forced him to.

Ah i knew i'd answered this a long time ago [finally found it]! Holy crosses (those that have been blessed) can also burn him but they would need to be in contact with him the entire time. Being a Royal he also has more of a tolerance to these than normal demons.

Well, unless said person actually has the undeniable ability to make good on their words, Rire would just stand there rather genially with that little smile he sometimes has and let them finish.

And then he might use them as reverse suggestions for dealing with said person (why would you give him any ideas!!?)

both

In BTD canon it is quite possible that they actually haven't in person. But we are using creative license here haha.

Rire heals a lot faster than a human. Cain is not my character so I don't know how his stacks up.

I've grouped these asks cos they kind of have similar answers - 360° (jk sorry sorry to the second q that is just a very common spelling mistake and I couldn't resist XD; )

Now, even though we mashed all the characs together in BTD, they all actually come from different storylines and so their canons outside the "BTD canon" may differ. This tends to bleed in. With this in mind:

The rules of Rire's canon (eg the concept of Battle Royales and how to become a Royal) don't apply to Cain. Anyway, they don't live in the same place either.

Cain is canonically the oldest and most OP character in BTD lol so yes he is stronger than Rire - you might've noticed, but Rire is never in the same drawing as Cain voluntarily. I play with this along with the "natural weakness" aspect - which I've also referred to as scissors-paper-rock rules XD Basically; demons beat humans, angels beat demons (purely because demons have weakness against holiness).

It would (be insane) but I hope you are not looking at me to fulfil this :d

Not really

His coronation day is a public holiday in his sector so yes XD

Aww thank you very much for your interest! ≧(´▽｀)≦ It's really cool that some of you guys want to actually fund such a thing - I'd have thought you'd have enough of him killing you in BTD1 XD Unfortunately, I have no plans for a Rire game at the moment as I'm working on a webcomic which looks like it will take up all my free time (that being said, he will be in the webcomic at some point).

Nope! Although i can kinda see why you might think that lol.

Whatever that one is where he doesn't particularly care what someone else identifies as. It really makes no difference to him or how he will act.

There are viruses in the Nether that if contracted could potentially kill you, yes. Part of being a Royal is becoming a lot more robust than normal Demons though. As for if/when Rire dies, I dunno maybe either in a Battle Royale somewhere thousands of years down the line or by old age (which is rare for a Royal but not impossible if you play your cards right).

If you are asking if he has a heat/rut of some sort, he does not |D

[herzspalter]

Since I've been talking about it here and have been asked about it, I want to give you all a short health update. The short version is, we've finally figured out why I'm so fatigued, and unfortunately, it's not gonna go away, and I can no longer do as much art as I want to.

I want to keep this short: Very basically, most of you know that I've been struggling with fatigue for over two years now, and that every doctor's been telling me that I'm actually perfectly healthy, even though I'm clearly not.

Now, after a year of running to different doctors in vain, I've been diagnosed with Crohn's Disease. This explains not only my fatigue, but also my funky digestive issues, bizarre eye inflammation and other stuff I've had for a while and just thought heal on its own eventually.

Since it's a chronic disease, it won't go away, but we hope that it'll at least get a bit better once this flare up has been treated. What this means for me, is that I can never go back to drawing for hours as I used to. As much as that hurts me, I have to come to terms with it. I want to put my time into finishing commissions now, and dedicating the energy I do have into my comic project, and anything else like fanart and other doodles is going to be completely up to the spurts of energy I occasionally get.

It's nothing new, you all know how little I've been posting over the last year and longer, but now we at least know why. I'm still here ofc, nothing really changes, I just have to adjust my personal life and get used to this.

I'm okay, the people treating me are very kind and helpful, and while I am genuinely very upset at the prospect of likely never feeling fully awake again, I am too relieved to finally have closure and start treatment to be sad right now. Gonna have to move forward, there's no other choice anyway.

Thank you for reading, and thank you for being patient with me. I'm a private person and I don't like sharing too much about medical shit on here, but I know lots of you struggle with fatigue too and had asked me about my progress in the past, and I wanted to make sure that you know the conclusion to that whole odyssey <3

Love you all, take good care, I wish you the Best!

[olderthannetfic]

Genuine question: what's the point of writing fanfic? As in, what's the purpose? No one in the fandom I'm in comments on fics and I even got told off by one person for doing so, as it "encourages bad writers and makes them think they're good". So it seems that it's a lot like book writing, where people work hard and are creative, but instead of getting paid and getting comments on the work, you just sit there silently hoping someone will press the kudos button and make a number go up. I feel like that time and work could be better spent on making something you might get some kind of profit off of. Don't get me wrong, I love doodling fanart, but I don't post it, as I'm aware that there's no point to doing so, and while it's a nice way to fill the time on a commute, it's not something that takes me as much time and effort as fanfic does. So... why do people bother? Sometimes I describe ideas I have and people I know in my fandom will tell me I should write it, but I don't see why. I get more interaction from just saying "imagine if [thing here]" than I would by sitting down, writing for hours, editing and posting [thing here], so what would the point be? I'm not punching down or going "haha women and their fanfic lol!", I genuinely do not get what the point is and this blog feels like it might have someone reading who knows the answer.

--

Do you make art for profit? Genuine question.

There's nothing inherently wrong with being motivated primarily by external factors, but it's not actually why a lot of people create things, whether it's books or recipes or doodles in a notepad.

I enjoy the actual process of writing.

I think many people lose sight of that aspect in an era where tons of <500-word fics that are mostly outlines and "Imagine if..." posts get disproportionate attention for being easy to consume. But the satisfaction of doing a bigger art piece and doing it right is real and motivates a hell of a lot of creation.

I suppose you might be thinking "Okay, but why not just write it alone and never post?", but I like sharing. Showing off my finished creation is part of the joy, and sharing with other people like me is too. But those aren't quite the same thing as worrying about kudos. It's like dressing nicely when you leave the house because you feel great when you know you look good vs. needing another person to tell you you look good.

To be honest, though, this type of feeling has grown in me the better I've gotten at a craft. The closer my finished projects get to the vision in my head, the easier it is to find them fulfilling and to be excited to share them. When I fall short of my own ambitions, it's discouraging no matter how much attention I might get from others.

I feel like it's time for my regular reblog of Adam Westbrook's video essay series The Long Game.

The third and least known in the series is all about this idea of who you're making art for if you're not getting material rewards in the short term. It talks a lot about autotelicity—being internally driven instead of externally.

--

But if you really just want clicks, anon, start a blog that accepts anon asks and posts about wanky stuff. Actually tag things, unlike me, so people can find you.

No, writing for attention isn't worth it.

The time investment is too great and your brain will always fixate on the times people didn't respond instead of the times they did.

But that's not actually why most people write.

[taxkha]

i love your art so much i can't even describe it!! for the past year, every time i see it, it inspires me to create and improve so much i can't be jealous; i can only work harder hoping i can invoke the same feeling in someone else one day. your masterful use of loose lines and cozy colors never fails to make me happy on the rainiest day. do you have any tips for establishing such atmospheres, such as color selection or particular poses or expressions? (i don't write very well, sorry if this seems confusing) -an anon who appreciates your work to the fullest

Oh my god anon, you are so sweet, thank you so much (ಥ﹏ಥ) It means so much to hear I inspire someone to draw and I'm happy I can motivate you! <3 Please keep it up and I would love to see what you are making if you ever feel like sharing it! x) I'm so happy to hear my art has such a positive impact on you!! Okay so regarding your questions! When it comes to colors I recently made a coloring tutorial where I also went a bit into how I select colors, how I shade and what my go to effect layers are, you can find it here but it's also currently pinned at the top of my blog! I explained it in my tutorial but I will say it here again, I rely a lot on effect layers. That isn't wrong by any means and is what I would argue most digital artists do but if you want to learn actual color theory that goes beyond what colors compliment each other I unfortunately cant help with that on my own nor do I have any guides at hand to redirect you to :") Speaking of complimentary colors though, knowing your color wheel and which colors contrast each other already helps a lot! My favourites are green/red and orange/blue! To give some examples: green/red

These are less about an atmosphere achieved through lighting but more about the general subject matter of the piece. They are both more ominous and uh, bloody and threatening. And for Orange/Blue

The orange and blue combination is something you see in a lot of movies, for example Mad Max Fury Road or Blade Runner 2049 and many many more which have likely influenced me on what colors I chose in my art to some extend. Paying attention to media other than your own helps a ton and can totally improve on how you approach you art! Like, obviously I draw mostly anime/manga esque art and I get most of my inspiration from manga and video games, but I also try and look at buildings when Im outside, look closely at shot compositions in movies and so on! Other inspirations that have helped me are artbooks from my favorite games/shows/series, if you enjoy those x) Theres probably PDFs to be found of a lot of artbooks online if you don't want to spend money on them. I know you didn't directly ask what my inspirations are lol but they absolutely helped me! OKAY SO now about poses and expressions. Since you mentioned my loose lines, I have very good advice for that: Draw without erasing. Get a scrap book or some lose paper, cheap paper! And a pen you cant erase, such as a fineliner or a ballpoint pen and then draw. Do not go into it with the intent to make an actual good drawing, just. Draw! Draw half finished faces, hands, bodies, cats, whatever you feel like. Fill up the entire page. If you don't want to waste any paper, do it digitally but don't erase! Do that a lot. You will train yourself to draw loser and loser as time goes on. I've always had the habit of doodling onto everything mindlessly and I still do so I never had to actively practice drawing lose lines but thats most likely the reason why I draw the way I do! I actually have some examples from today because I got distracted at work:

I just draw whatever comes to mind until the page is full. I usually don't even keep these pages :") It has helped me a lot though. Uh yeah thats pretty much everything?? Thanks so much again for sending this ask, it was a very sweet thing to wake up to and I hope my rambles here can be of any help and to you good luck in your art endeavors!! :) <3

[gittetj]

Ppffff, at this point the state of my drawing skills is just sad and I don't know how to make it fun for myself again.

The last couple weeks I've been trying a different approach where I've spent an hour or two most nights just picking away at the same drawing, because, for one, I'm so rusty it takes me hours to draw a character just standing around anyway, and for two, for the longest time, I've focused on always making something "finished" before I go to bed or before some other time limit, however sloppy and rushed it may be, which is great for finishing, but hasn't actually done anything for my enjoyment level or will to draw more stuff.

But, this picking-away-approach is not... working. I can keep picking forever - I fix something one day and then I come back the next and find a new problem, which will keep happening because, as mentioned earlier, I am not that great at drawing right now - my ability to see my own mistakes is way, way above my hand-eye coordination and visualization skill.

So I don't really know what to try anymore. I've been doing a lot of live figure drawing for years, which is fun and good practice and probably the only reason my wrist hasn't atrophied completely, but again it doesn't actually make me feel like drawing anything that isn't figure drawing. I never even look at my sketches again. They don't matter to me. Same thing with doodling random stuff. I've never been a doodler, I don't care for it and I don't stumble into inspiration that way.

I don't know, has anyone else been in this situation? What did you do about it? It's not really art block, it's more about that huge gap between what I can do mentally VS the time and effort it will take to do it physically that I just can't find the patience for.

[thestarfishface]

Kinda feel bad about not drawing much just because I don't have much to post. The truth is that I draw a LOT it's just mostly stuff I can't post right away (comic pages and video artwork/thumbnails), combined with having very little motivation to work on properly finished pieces right now. Sketching heals my weary soul.

Anyway I have 4 sketchbooks now and none of them are finished because Oops

So a few months ago I got a sketchbook and some alcohol markers sent to me as part of a sponsorship. The sketchbook is really nice marker paper and I love it but I have accidentally worked myself into the mindset of "If I draw in this sketchbook it needs to be for marker pieces". Which is silly, because the marker sketchbooks are not that expensive, but that's where my brain is at. The other problem is that this sketchbook is Big which makes it hard to carry around.

A few weeks later I was in a bookstore and saw some Moleskine notebooks. I've scoffed at MS notebooks before because they're really expensive considering the paper quality, but when I checked this most recent time I saw they had a line of smaller, art-specific sketchbooks that supposedly had thicker paper. "Bet", I said, and bought one, even though it came shrink wrapped and I couldn't feel the paper first.

It is heavenly. I love it. The paper is so so thick and smooth and I love every second I spend drawing on it. It's not really thick enough to handle my alcohol markers, but for little sketches with sharpie and brush pens (my favorite <3) it handles amazingly.

I liked having it as a travel sketchbook, but around the time I bought it I was struggling with some Life Stuff and needed somewhere to get the feelings out, so my MS notebook ended up becoming half sketchbook and half diary. And now the problem is that I LOVE drawing in my little MS sketchbook, but it is now filled with Sad Thoughts so I feel like I can't bring it out of the house with me. Or else I run the risk of people seeing the Sad Thoughts.

So THEN I think "Well shit, now I need to buy another mini sketchbook that can be my actual Small Sketchbook To Carry Around With Me (That Does Not Have Sad Thoughts In It), so I bought another, non-Moleskine sketchbook. So I did, and it's... okay. The paper's not AS thick but it's lavender and very cute and has more pages. And I figure "Okay, now the MS notebook can be my journal with some doodles in it, and the purple sketchbook can be the travel book."

BUT THEN I was at the Fancy Bookstore last weekend and got curious about another brand of fancy sketchbooks. They were also shrink-wrapped so I couldn't test the paper for myself, but from the numbers on the packaging it seemed like the paper was a decent weight! And it had some other cool features like numbered pages!

Turns out I got confused because I thought the paper weight was in pounds, turns out it's in grams, and the paper is BAD. SUPER thin and transparent, not even worth being a sketchbook. BUT. It is cute and orange. And it works nicely with some cute little stationery pens I have and like writing with.

So... Now I have my black sketchbook (big, for markers), my Moleskine sketchbook (red, my favorite for sketching but contaminated with Sad Thoughts so it's not allowed to leave the house), my purple sketchbook (travel sketchbook, cute), and orange sketchbook (locked forever in diary purgatory). Someone help that is too many.

(Next time I'm at the bookstore someone might need to physically restrain me from buying another mini Moleskine notebook. I have a PROBLEM!!! And the problem is WHY IS THIS PAPER SO NICE???!?! AGH)

[iztea]

Do you like drawing in a sense that it relaxes you? Like a hobby you‘re looking forward to after a day of work. Do you feel joy while you draw?

I‘m currently battling my art demons and came to the conclusion that drawing actually makes me feel shitty a lot of the time because I only take joy out of the results yk? So if it‘s good, great! If I get overwhelmed woah my world is breaking down. My therapist told me I need a hobby that actually relaxes me and that I like solely for itself, not connected to performance, and I was wondering if drawing is just generally the wrong thing for that or if there‘s a way for people to actually enjoy it in a relaxing way.

You‘re so open about your drawing process and you‘re my favorite art account so you fell victim to my question haha but I get that this ask is pretty specific and kinda weird, don‘t feel pressured to answer :)

i do very much enjoy drawing in a relaxing way; for me, it's the equivalent of playing video games or watching Netflix so, in a way, i think of drawing as "unproductive work". Not sure if you're actually looking for a solution-based answer to your problem or if you just want to hear my side/my opinion on the matter, but I'll try to delve into both. 

I think for me personally, I've always found drawing to be relaxing for the most part. Frustration is always to be expected, of course, but I wouldn't say it ruins the mood, it's just something that comes and goes. The only unpleasant part about drawing for me is strictly related to the social media aspect or just making it public. Now, I'm not sure if you have an art account as well or how much you relate to this but I very often dread posting stuff online. I kinda have to force myself almost every time to make something public because I hate the applause but I am also rational enough to understand that art is meant to be shared with others, even if I personally don't feel a strong need to... It's just one of those human behaviour things you have to mimic or adapt to get by, similar to many other things that don't make sense to me personally but I cognitively understand why they happen but I digress

 When it comes to the process itself, I actually enjoy it more than the final result. If I had a lot of fun experimenting with brushes and new techniques and crazy effects i saw online then i get a sense of joy no matter the end result, and here is where my first piece of advice comes into play: learn to enjoy the process without thinking of the destination. For me, even when I do have a clear idea in mind, it always fluctuates and I let it fluctuate. Sometimes it even looks like shit. So what? It's just for your eyes, who cares if it doesn't look good? Just call it a flop and move to another thing, or revisit it sometime later when your skills improve. This is even easier when you do not have an art account where you share your art, there's zero pressure, you're creating the pressure yourself.

Just think about it: 

>why do you feel shitty and overwhelmed? -> because you care about the end result

>why do you care? -> because if it turns out bad, it feels like wasted time. or because you put your worth into what you create or because [  fill in your answer here ]

>do you still want to continue drawing? -> if there is a way to enjoy it in a relaxing way, then yes i assume

Ok great! Then, the solution is to remove that root feeling of disappointment, overwhelm or despair by learning to appreciate the process of creation and bask in the uncertainty of it instead of being so dead-set on the final piece. If you are not content enough with your skills to end up drawing something that you're always satisfied with, and if it causes you this much distress, then drop your expectations and don't reach the finish line. I mean this literally: draw forever-WIPs. Sketches. Doodles. Don't render, don't even try to think of a color palette. Don't Finish Your Art. Enjoy the process of discovery, of trial-and-error of indecision and I can assure you it will be during these moments when you'll find the relaxation you're looking for.

Enjoyment and relaxation, in my experience, come from two places/approaches: 1. the subject itself and/or 2. noticing improvement in your skills.

To give you an example, when I was sick with fever I drew Dazai as that "let's take ibuprofen together" meme and I thought it was the best shit in the world I was on cloud nine and giggling to myself. Looking back on that art, I now realize it looks terrible (and i lowkey want to redraw it) but back then i was laughing while drawing it and felt Great. because I was drawing something i thought it was funny. Not even once did I think "oh man, I hope this turns out nice ohh it will be so awful if it doesn't the world will explode" because that was not its purpose. Granted i was a bit,,,,,, unwell given my sickly state but my point still stands! So, what I'm trying to say here is that you can try drawing "funny/silly" things as a way to sort of lessen that burden of expectations. Or just something you reaaalllly want to see and you know no one else will do it. Taking matters in your own hands type beat

The second way to enjoy drawing in a relaxing way is by taking the other route: instead of focusing on the subject matter, try focusing on new techniques, new brushes, new tutorials or approaches you found online. Basically, focus on improving your skills in a fun-no-pressure-no-strings-attached way while keeping your subject of choice neutral or uninteresting. Or maybe take the artwork of an artist you really like and try to deconstruct it/ reverse engineer it and apply it to your own art. But whatever you do or choose, just never finish it. let them stay as wips or else you won't be very.. relaxed.

*please note this is an "and/or" statement, so you can absolutely do both: try a new technique you found while drawing something that you also enjoy for uhhhhhhhhhhh relaxmaxxing as the would kids say

Lastly, what I would highly recommend is listening to Adam Duff's podcasts, he really hits the nail on the head when it comes to such topics and more, he really narrates and explores that soulful part of an artist way better than I ever could with this answer so please check him out, I think you'll find your answers there

[nomsfaultau]

thank you so much for writing mandatory family reunion. i just reread it for the eighth time. i think im going to dedicate my life to life to reading your other sbi fics until you update again. also; do you have any tips for committing to fics and not leaving them half-finished?

ahhhh that’s so sweet glad you enjoyed! As for writing fics, having it be your special interest really helps. But for more general advice on finishing:

-Don’t stick to just one story. Which seems counter intuitive! But inevitably you’re going to hit a snag in one story. So instead of stopping writing at all, switch projects. Writing involves a whole bunch of thinking, and stuff needs time to percolate in the back of your head. But having a small project to work on in the mean time keeps you engaged in the writing process, gives you practice, makes you feel like you’re making progress, and allows time to work out the other story. I personally have 1-2 main projects, Fault and MFR, and then rotate a couple back burner stories that I work on whenever I get inspiration and fully expect to have very slow progress and possibly never finish. Short stories, one shots, hell even just writing little one off scenes that don’t go anywhere. It’s a way to keep writing fun and thus you’re more likely to continue working on the stuff you’re trying to complete. Don’t feel bad if there’s breaks between working on your main project. Writing involves a lot of thinking and it takes time to do that.

-Devoting time to do that thinking also significantly helps. When you’re falling asleep can be a good time to rotate stories in your head. Could also be if you’re walking from place to place, or brushing your teeth, or other little gaps in the day. Even if you’re not physically writing, it’s still part of the process and can make it easier when you actually sit down to write because you know what scene you’re most excited to work on. Also, talking over your story idea with a friend is a great way to stay motivated if you can get over the mortifying ordeal of being known. You can bounce ideas off them, and other people’s investment in a project can be a great motivator to finish. Like legit a single ao3 comment once stopped me from my plan to abandon a fic. Reminding yourself why you (and other people) like the story makes it easier to want to continue.

-Keeping a rough outline of what you envision for the story can give you a road map to how close to done you are and where to go next. Just like you can hop between projects, I find jumping around the plot time line to write what scene I’m most interested in atm keeps me going instead of writing everything in order. Though, all writers have different degrees of plot planning, so that depends on your style.

-Art! I’m an artist, and while writing definitely fuels what I draw, I find doodling cool scenes I want to write really inspires me to keep going. This sorta falls under the same category of continuing to think about the story and motivating you to finish. -I found keeping a writing journal has improved how I view my writing. Basically, I’ll jot down a bullet point list of scenes worked on that week/month. Writing is a very slow process, so seeing a timeline of actual progression on a story makes it feel like I’m actually getting more out of my head and onto paper. I also jot down what ideas for scenes I came up with since that’s also part of writing, and might include a chill no stakes writing goal for that period, like work on X or Y project, or a particular scene. Sometimes my goal is just ‘write at least one sentence’. I give it lots of leeway, and accept that the muse may just be somewhere else that week. And if the goal isn’t met, no sweat! Life can get busy at times and it’s more important that you aren’t beating yourself up if it’s been awhile since you last touched a project. Forcing yourself to write a scene that isn’t ready won’t result in a good scene or an happy writer. Switch projects, give yourself time to think about it, take care of yourself, etc.

And, legitimately, don’t be afraid to abandon a piece. Maybe you’ll come back to it, maybe you won’t. It can feel disheartening to feel like you can’t seem to finish a project, but unfinished pieces also do a lot for you: they hone your craft, allow you a creative outlet, give you scenes that could potentially be reworked for later pieces, and most importantly were hopefully fun to write! Story crafting is a hobby that should bring you joy, not frustration and shame.

Like, I have stories that will never see the light of day and are just so I can have fun and poke it with a stick occasionally. I’m 100% confident in saying that every author will have tenfold the number of unfinished wips compared to complete works. That’s just part of the creative process: exploring different worlds to find the one you want to write.

Perhaps a fic might never get finished, but in the wise words of Technoblade: “if you enjoy it, it’s not time wasted, no?”

(Now, I think he was talking about murdering people, but the point still stands.)

[heartfullofleeches]

i've missed the gallery, so here's a question. how would the gallery gang be with a nightguard/frequent visitor reader who's an aspiring artist? i've seen people talk about going to actual galleries for inspo or just sketching the paintings, and was wondering if the art pieces would be honored to be models or something. i dunno man this is my first ask im not sure how this stuff works lol

(I've done this as individual hcs - hope you don't mind!)

The Scavenger

"Draw, please..." "You want me to draw a candy wrapper?" "Draw."

If you want inspiration, Scavenger has got you covered. They'll pull out their finest stole goods for your seeing eyes alone - necklaces, vintage toys - and pretty much anything that catches their eye or isn't nailed to a wall. Most nights they just hold up a pocket mirror and tell you to draw what you see, because it's the best thing in the gallery. If you give them your sketches, don't be surprised if they just shove them in their mouth and return to their painting without another word. Something this precious must be kept on their person at all times.

The Painter

Gasp. A future master in their presence? Well, the only correct course of action is for two geniuses to put their heads together, and create gorgeous works of art together that will bring tears to the eyes of any manner of creature. If you are a painter like them, they create a palette for you out of their own flesh and blood. Hm, as perfect as their colors are - something feels missing. As, yes. Red. That other guard has lots, and is being selfish by hogging it all. Not to worry, dear - your muse is on the case! Sir, sir! Stop running - your sacrifice is needed for greatness!

The Lady in Red

How charming.... Will you sketch her something to put on the walls of her cabin while you are away? She'll let you go for the evening if you do. Leaving old sketches around when there are others on site will also secure their safety as she'll drop everything to have a piece of you. Draw a picture of her and she'll be the wailing ghost of the eve.

The Faceless Angel

Monitors your location and makes sure nothing disturbs you. If you ask them to sit down they will start to hum to fill the silence, stopping if you look their way. Even if you ask to sketch them, the angel is surprised when you show them the finished work. Ah, they've gone and ruined it with their tears. If they are allowed to be greedy, could you draw what you imagine their face to look like?

RoseBud

It's only logical a gallery would attract an artist. Rosebud points out the flowers that are in this season for you to warm up, and tells you to come when you're ready to draw the finishing piece. Their babes are extra yippy tonight, but they are just as excited as them and unable to contain it like their greater half. Give it directly to Rose or they will eat it, but unlike the Scavenger they feel bad and start to cry. Rosebud has some artistic skills of their own and will ask to draw you some nights

Soleil

You want to draw them? Oh, but their gears haven't been polished in ages - their casing could use a shine as well. Don't even get them started on their dials. Give them a few nights to spruce themselves up and they'll be the perfect model for you to sketch and adore

Anri

You draw? How cool! They'd love to draw with you, but they don't have the same talent as you. Would you still mind if they doodled a bit in your book anyway? Maybe when you get off work you can hit up a coffee shop and give them a few pointers.... Oh.

Julian

Outright steals your notebook and tells you to give up before you get ahead. Realizes he's doing the same as his parents and gets it back... with a few sketches thrown in the back. They're all of you in different parts of the gallery doing your job... Except for one. Why did he draw you sleeping? And why does he know the color of your bedsheets

The Director

How fun! The gallery is always open to new donations. He'd love if you drew him, or one of the many stories he has to tell. He has a perfect tale about a painter who got lost in the woods and tricked by a power beyond their understanding. Why won't you come up to his floor and let him watch you work your magic as he tells it to you? Kick back and relax. Stress is the last thing that should be on an creative's mind. Get comfortable...stay as long as you want.

[nordidia]

How long do you typically spend on a drawing? Of the ones you've posted, which took the longest? Which was the quickest?

hmm well i usually make comics so its just a bunch of multiple drawingsss... depending on the lenght a comic can take me from 1 hour to 6-8 hours

most joke-doodles never take more than 15-20 minutes

my longest (finished) comic took me two days lol (i started late at night and then finished it the next night)

as for the quickest...uh. this one. i drew it as fast as i could, both to get it out asap and also bc i drew it before going to therapy and i didnt want to come home and have to continue working on it after the comfort of therapy

of the like actual pieces that arent comics? maybe this one was the longest? or this one... i struggle with shading so im guessing these took the longest bc i had to sit there and ponder for hours how to even do anything ASHGHSDG

idk if im fast or slow but i take a LOT of breaks and almost because my art style is simple and i dont rly sketch beforehand other than some guidelines for height/anatomy i spent alot of time getting the first line perfect so its usually pretty hard to tell how long i spend on art

[bogleech]

I tend to just assume all my artwork, little fiction projects, comics, flash animations and other created work is just old news to anyone even passingly familiar with me but....I get the feeling very few of you know more than 1% of it as I look over the folder where I keep what’s probably less than half of all I’ve held onto.

This folder doesn’t include ANY of Mortasheen or Awful Hospital, each of which are another several thousand files themselves. I’m thinking of sorting a bunch of this other stuff into various zip files I could share on my patreon with accompanying notes, explanations and sketches wherever applicable, maybe also include the raw digital art files? I’ll probably still have to leave out some things that are just too boring and stupid, or really personal commissions/gift art, but there’s still gotta be a thousand things I could share. Here’s some random miscellaneous thingies:

For a while I was illustrating various mythological vampires, ghouls and other undead for a book collab with C.M. Kosemen (All Tomorrows, etc.) that fell to the wayside when he had to work on a much bigger project.

Another book project that didn’t get off the ground was going to be a cartoony look at truly obscure real world animal groups, like this Aspidosiphon. This was going to be a collab with biologist Ross Piper after his book Animal Earth, but didn’t really go past the “floating ideas around” stage and some sample art.

I illustrated a couple dozen enemies for the game “Crystal Catacombs,” in some cases influencing the final in-game designs. Had a lot of fun doing this, though the game never sold enough to get many royalties.

I started but unfortunately never completed a visual novel style game a few years back that was another Silent Hill homage, told from the perspective of a monster manifested entirely to torment a single human. Multiple characters/creatures exist as these very quick low-resolution doodles and a ton of story notes.

I illustrated creature cards for a board game, Chimera Island, where you mixed and matched different heads, bodies and tails then basically argued a case for what would make a given creature successful in the randomized ecosystem. Friends and I played an early copy of this game once and found it really really fun, but then the creator totally rehashed the mechanics after some other group’s mixed feedback, we found the new version extremely difficult to figure out, and I think the whole project got scrapped or it released to poor reception, I can’t remember, and I don’t even know what happened to that single fun prototype :[

There’s other unfinished or half-finished projects, and there’s just hundreds and hundreds of miscellaneous things that serve no purpose. There’s also tons locked up in Adobe Flash files from when I used that as my drawing software, but I no longer have any cracked software that can open those. There’s assets for multiple whole platformer games, for instance, that uh...were also commissions by people who gave up or moved on to other projects before any of it saw the light of day. At least I still got most of the pay, when pay was actually promised (I was a bit trusting)

[truths33k3r4]

Oh and I was wondering - how do the turtles go to school? Is it an online program or taught solely through Splinter? I actually just started an online class and it definitely seams reasonable that this is what they would use, but I also don’t know what year the story takes place in. Anyways thanks!

Hello, Anon!!!

Since I was homeschooled my whole life, (and have NO CLUE what it's like having online classes or going to public school), I decided the best thing for my lil turts would be the same as what I grew up with. :) For the first ten years of their lives, they are solely taught by Splinter. (Whom has gathered as many used schoolbooks as he could from lost and found, discarded backpacks, the library, and garage sales.)

Sometimes the level of the subjects was a bit high for the brothers, but they had to make due with what they had. By eleven years old, the oldest brothers would help teach the younger. (Whether they wanted to or not.) They would share the same books, always using pencils so Splinter could erase their answers and pass it off to the next sibling.

How Each Turtle Sibling Handled/Handles School

Leonardo- He's well versed in Japanese and loves to write and (sometimes) play music. He’s done many personal studies on soundtracks in his spare time. He only became an A+ student when he became a teen and was given the responsibility of his brothers and family. For years prior to becoming leader, he was known to cheat the most out of all his brothers- always looking for the easy way out of work.

Raphael- He hates school. A lot of it anyways.. But history class has all kinds of battles and wars, so he’s cool with that. Just don’t expect him to remember any dates. He was taught how to speak Japanese, but it might as well have been labeled as a ‘cruel and unusual punishment’. He is a sketcher when it comes to his work notebooks. Every page has little doodles of him and his bros fighting enemies or dressed like famous tv characters.

Donatello- He has already graduated high school, going as fast as he could to finish so he could start working. Even with rushing his studies, he was still an A+ student alongside Leo. (Once the leader took his studies seriously.) He is the most versed in Japanese, mostly because he really enjoys learning how different languages work, as well as how diverse different languages handle grammar, spelling, etc. He loved most of school, except for writing class. He’s not the most creative brother, so he found it boring and useless to learn how to write tales or poems. 

Lotus- She was only taught a few things in her earlier years by the kind doctor from her past. __ would smuggle children’s books into Lotus' cell, and would teach her how to speak and sign. She can’t write- yet. But Splinter and Mikey help her to learn how as time progresses. She has a great memory and learns very quickly.

Michelangelo- School is.. fine. Not his favorite, but it gives him extra time to hang out with his brothers. He’s the least versed in Japanese, mostly because he was very little and didn’t understand a thing when Sensei taught his brothers. He can remember some words and phrases, but that’s about it. He wishes ‘Art’ was a class, but Splinter never really found any books on the subject, so he had to go in blind. He didn’t mind though. His best subjects were reading and animal science. He loves to use his imagination, and has a really clear voice, so reading came very naturally to him. He refuses to open a book though, unless there’s pictures inside.

As for what year this story takes place in- I haven't actually decided yet. XD For now, in the current story, I'll go with it's the mid 2000's. (Might change that later- but I'll use it for now.)

Great question! :)

~ Melissa

[moonlight-coffeebean-147]

Doodles featuring @twistedtummies2 ft. Usagi. Or as I like to call it… late night doodles to distract myself from how I’m being boiled alive in my apartment/hj (The boiler’s being garbage)

1. Not much to say other than it’s just based on a meme 😂 And I love Smitty’s confused face here

2 & 3

It’s super funny drawing Elias as dog images 😂 Especially with the second which I felt goes perfectly with that part in Chapter two of his introduction story. There is a third one that is still a w.i.p. But I might finish it. Btw…. At this point I’m basically gonna be known as the “Elias artist” aren’t I? 😂/lh

4. I was originally gonna do all of your Twisted ocs… but I need to at least try to sleep it’s like 3 AM 😭. Plus to me it’d be poetic for me since these four were the characters that were the most developed and I grew the most familiar with when I first discovered your page. With this I added how I drew their eyes… since I’m trying to practice with eye style variety. Technical details:

Nakoda: I’ve actually doodled him once in one of my sketchbooks before. And he was actually fairly easy to draw, I’ve had ocs that had similar hair to him before. And… I have plenty of ocs who are just as flirtatious as he is and have made the exact look I drew him with 😂

Billy: Other than Elias… he was the easiest to draw and figure out how he’d work in my style. I was at first worried about his hair since it was my first time drawing his kind of hairstyle and I’m not that used to drawing short hair. But it actually worked out. It also helped that he’s similar to one of my own giant ocs in terms of personality. Fun fact, to the point where I almost thought he had freckles… which is a trait on my oc… but he doesn’t so… 👌

Elias: Is it obvious who my favorite is 😭

Reno: ……I’m just gonna say it. His hair SUCKED to draw 😭😂 I don’t know if it’s because I’m tired… the heat was getting to me.. or what… but his hair was not working out. Like with Billy I’ve at least drawn hair similar to his in the past… with Reno it was like the first time I’ve ever drawn that hairstyle in general. Even now I’m still not that happy with it… even in the first doodle. Like bruh I just 🥲I know that’s probably just me being over critical of myself since this does count as fanart of someone’s ocs, not just that, but someone who I admire the work of, believe me my years of participating in Art Fight has familiarized me with that feeling but just….. don’t be an artist guys 😭/j. Maybe when I do the others I’ll redo him.

5. ….Usagi going through how I feel right now

Don’t know who’s next to her… could be any of the pred lads… Insert “Twisted Wonderland isn’t an Otome Game” joke here. Though I do think this could be an interesting Vore concept… being so hot and just done that even the idea of being in a warm stomach is just… “bruh can you not?” 😂. Btw… this is how Usagi acts when their in one of her moods… a lot more snappy, sarcastic, and blunt with their wording…. I wish your bois good luck with that. Also fact about Usagi is that they literally have trouble finding pjs their size since she’s a frail little thing.

Also fair warning to all the Vore enthusiasts.. it’s not necessarily a big kink for me, hell it’s why safe Vore is in the neutral section of my pinned post so in turn….. I don’t take it seriously. I very much make a lot more jokes and memes involving it.

6. To end things off… this

Death stare Usagi. Is not something to be messed with. They may be small… but they will bite and is legitimately terrifying sometimes.

Would like to know reactions to not even just Usagi, the Prefect in general making this face 😂

Anyways that’s all from me for tonight…. Or morning technically lol

Moon signing off… wish me luck in this heat. Art is hard

[kittydoodle]

i just wanna talk a little bit about my art journey the past few years, about my mental health related to it, and about my recently rediscovered joy in art. this doesnt have any real point, id just like to share (under the cut because its pretty long lol)

for a very long time, like several years, i was deeply unmotivated and uninspired to make any art. getting out of high school and eventually quitting my first job, i just felt really depressed, and with undiagnosed psoriatic arthritis putting me in worse and worse pain every day, i was lucky if i could even physically sit down and get a doodle out.

i also held myself to secret unsaid rules about how to create my art. no starting a piece unless i intend to finish it in the same day. no creating anything that isnt fully colored and polished. no making anything that doesnt have perfect lines or proportions im perfectly satisfied with. it stunted my self expression, it took all the joy out of making my art, and it made me upset because i believed i was somehow losing my passion for making art.

i sincerely believed i was growing out of my desire to draw, forever. i was distraught and grieving. i couldnt even draw things i was excited to, i would think to myself, "wow! id love to draw this idea!" and then id sit down and think about how id have to finish a full, perfect piece, and id immediately lose my motivation. so all id ever make were full, finished pieces every once in awhile, and i was still deeply unsatisfied with them.

however, in the past 6 months or so, a few things have come together that have really restored my excitement for creating art

first, (DISCLAIMER: this is not advice! dont follow my example!) i quit my adhd meds. yes, really. i was suddenly out of them for a couple weeks and in those couple weeks i realized i felt better than i had in years, and, ironically, it was way easier for my to do chores without it. the only thing i can really think of to explain it is that i was on a stimulant medication for a very, very long time, like most of my working memory ive been on them. i guess after so long it stopped working the way it should to due to tolerance buildup and was just bogging me down instead of stimulating me.

second, i doodle, i sketch, i make quick drawings i have no intention of finishing. i allow myself not to finish or perfect a piece. i even draw random ideas i wont do anything else with, just for fun. at the advice of a few friends, i have forcefully practiced letting myself get messy and unrefined with my art so that its less intimidating, and to my surprise it actually worked.

third, i started arthritis meds and i listen to my body way better now so i can avoid inflaming and injuring myself, which makes it a lot easier to draw without pain! i even do stretches! im still working on fully effective treatment for my pain, but im doing at least a little better

i dont really know where im going with this tbh... for anyone who has followed me for a long time, uve seen this blog get quiet with little to no art posts for months and months at a time for the past few years, so i hope u are excited to see me posting more frequently again! i missed it! i hope u enjoy me now as much as im enjoying me!

im happy to be creating again and i hope i can keep my passion going! im happier now than i have been in an extremely long time, and im excited to show everyone the things ive been creating more often

umm thats all i guess! if u read this far ummmm One Big Kissaroo From Me To You okay 🩷🩷🩷 MWAH