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jodybouchard9 · 6 years ago

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Want to Get Away? Bring the Vibe of Your Favorite Places to Your Own Front Door

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When we travel, we don’t just gaze at the landscapes and tourist attractions. We take in the whole vibe of a city and its neighborhoods—including its homes.

And if you’re anything like us, you’ve probably fallen in love with a few of those houses—and their distinctive styles—along the way. An Arizona adobe? Sign us up! A San Francisco Victorian? Yes, please. Whether it was the paint, the landscaping, or the front door, there were elements of these homes that made us swoon.

Too bad the vacation must end, and you have to return to your boring home. Or do you?

It turns out, you can live in Colorado and still give your home a little East Coast flair. Or vice versa.

“You can infuse the look of just about any city with a few simple enhancements,” says Los Angeles designer John Linden.

Read on to find out how some simple changes can transport you to a different place altogether.

New York City brownstone

Photo by Francis C Klein and Associates There’s a reason the New York City brownstone is considered a unique, historic icon: duplication isn’t really an option. But you can make some modifications to the entryway of your home to add a tiny bit of that brownstone style to the neighborhood.

Brownstones get their name from the material with which they are constructed, so you’ll want to focus on replicating that.

“Add natural stone tile in a rust-colored sandstone around the door frame or garden rill, and use sand beige colors to paint the rest of the house,” suggests Richard Trujillo, design expert at Tampa Tile.

Depending on the tile, this can be done for anywhere from $300 to upward of $1,000. Of course, for this to work, the space around your front door needs to be a blank slate. But there are other ways to bring that Brooklyn charm to your home. For instance, consider changing out your front door.

“You can radiate the classic, yet East Coast, feel by choosing a reddish-brown door with glass inserts,” suggests Anne Rodriguez, home design expert at Zabitat.

Since brownstones typically don’t have yards, the stoop offers the perfect place to add a little character. Not to worry—you don’t have to reconfigure the front of your house to make this happen.

“Add in a little decoration with potted plants to the porch area if you have one or near the front door,” Linden says.

Then add decorative iron railing for a front porch or entryway (as long as this suits the current layout of the front door area), Linden suggests.

Miami penthouse

Photo by Errez Design Inc. Miami is known for its splashy colors, beach vibe, and 1920s art deco flair. And with a little paint and a few accessories, you, too, can evoke the 305.

“Art deco was known for its aversion to subtlety, so grab onto some of that flavor with lavender, gold, or other rich colors, as an accent or primary color for the exterior,” Linden suggests.

“Miami is all about the breezy summer spirit,” says Trujillo, so the brighter the better when it comes to accents. Think coral, yellow, and aqua. Adding in these colors through plants, pottery, or outdoor wall art is a great way to achieve a South Florida flavor.

Let’s not forget outdoor furniture. To achieve that perfect year-round summer vibe, consider bright colors for pieces—turquoise blue or salmon pink, for instance. If you’re hesitant to go all in on the Miami look, you can simply choose neutral colors for the furniture and decorate with colorful pillows, rugs, and outdoor accessories.

Austin eclectic

Photo by Blue Horse Building & Design With its patented rep for quirkiness, Austin is a hub for artsy types—and its homes are no exception.

And luckily, a bold, artistic touch to your home is easy to achieve. Consider a funky design using outdoor tile or stone, Trujillo suggests. You can also add some art through mosaic tile work, vibrant outdoor rugs, or wall hangings. Or simply swap in an eclectic front door.

“You could use customized door glass options or incorporate metalwork for stylish accents,” Rodriguez says.

Typically, changing out the door, plus the installation, costs around $900. Customization can add anywhere from $300 to $800 on average.

Asheville cozy cabin

Photo by William Britten Even if you have a home made of cold slabs of brick, you can still bring in a little comfort reminiscent of the cozy, rustic cabins found in North Carolina’s Smoky Mountains.

“Consider a yard or porch swing,” Linden says. “It’s a really simple touch that gives a home an inviting, outdoorsy feel.”

Create a woodsy vibe with a firewood rack, or use woodlike tile for the porch and add an old table with wood chairs, Trujillo suggests. (Rocking chairs make for a great forest feel.) Then consider a dark wood stained door, or put up a dark wood railing if you have a large front porch.

Palm Springs midcentury modern

Photo by Robert D. Gentry Photography If you’ve ever spent any time in Palm Springs, CA, you know this desert landscape is a hotbed for cool, atomic-era homes. (It’s part of the culture there, including twice-a-year Modernism Week events.) And if you dig it, this iconic midcentury modern style is actually rather simple to infuse into the exterior of your own home.

First, start with the paint.

“The perfect color palette for this style consists of olive green as the main color, with accents in yellowish gold, dark brown, or burnt orange,” Trujillo says.

You don’t have to paint the whole house; you can achieve a midcentury modern look by choosing a bright door against the muted tones of the home’s exterior, Linden suggests.

If you have a porch, consider organically shaped furniture and simple plants with clean lines, such as succulents. You can also swap in midcentury-inspired lighting, like these mod sconces.

The post Want to Get Away? Bring the Vibe of Your Favorite Places to Your Own Front Door appeared first on Real Estate News & Insights | realtor.com®.

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wallpaperpainting · 4 years ago

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gracewithducks · 7 years ago

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Waiting (Mark 13:32-37)

My eight-year-old has been asking when it’s going to be her turn to go to the Holy Land. And there are a lot of factor to consider, of course, but the answer to that question really boils down to two things: I tell her, you can go to the Holy Land when you’ve learned to eat whatever you’re given… and when you’ve learned how to wait patiently.

Don’t get me wrong, the food is amazing; I never once went hungry – in fact, if anything, I tended to have the opposite problem: there is nothing quite like fresh pita bread, and those dessert tables make it hard to choose just one. However, there are so many other times – on airplanes, for example, or when you’re trying to get lunch for fifty-five people in just a few minutes – there are many times when you get only two choices: mystery turkey, or mystery pasta? Chicken sandwich, or falafel? Chicken sandwich, or falafel? Falafel, or chicken sandwich?

Yeah, we had a lot of falafel. And I loved it… but by day eight, even I was finding it wore a bit thin. And I know that my dear daughter, even though she loves chicken, would have found most of those chicken options to be not quite what she was hoping for.

So yes, until she can eat what’s there, even if she doesn’t love it – then Michaela isn’t going to be travelling overseas anytime soon.

The other lesson she needs to learn, though, is one that even many of us adults struggle with: how to wait patiently.

I’m actually not very good at waiting, either. My life is so busy, there is so much going on, that I hate feeling like I’m wasting time. I don’t like hurrying to get ready and then waiting for my family to catch up; I start calculating in my head just how much later I could have slept, or how we could have better planned ahead. I don’t like waiting in line at the store, because I’m always looking at the other lines and second-guessing why it is I always end up in the slowest one. I don’t like waiting at the doctor’s office, because if I’m there, I’m already not feeling well, and I’d rather be back home in bed than sitting in a cesspool of exciting new germs.

I’m just not good at waiting. And maybe it’s a control issue: I’d much rather be setting my own agenda; I’d rather be master of my own time. And maybe it’s a little bit of fear, too, because I’m keenly aware that my time is limited, and I don’t want to waste any of it. But friends, when you travel with a group, there is an awful lot that’s out of your control. And there’s an awful lot of learning how to wait.

One of the reasons I love travelling with a tour group is that it takes the stress right out of my hands – I don’t have to worry about where we’re going, or when, or the best way to get there… but I do have to trust that somebody else has all those details under control. Once you sign up for a trip like this – the waiting starts. You wait for somebody to tell you what flights you’ll be on. You wait to find out what seats you’ve been given. You wait to find out which bus you’re on, and which total stranger is going to drive that bus, and which other total stranger is going to be your guide.

You wait to check in, you wait to go through security, you wait to board the plane, and you wait for the plane to take off, for drink service and dinner service and breakfast service and you wait for the plane to land, and then you go wait in security and wait in line and wait to get on a whole other plane. You wait to go through passport control, and you wait for everybody else to go through passport control, and you wait for your baggage to show up, and you wait for everybody else’s baggage to show up, and you wait for everybody to find the bus, and you wait for the bus to fight through traffic on the long drive to the hotel, and then you wait for your room number, and you wait in line at the dinner buffet, and wait for your bags to show up in your room so you can finally, finally, go to sleep. And that’s just the first day.

On our touring days, I’d have to say that easily half our time was spent waiting – waiting for everybody to show up to the bus, waiting in traffic, waiting in lines, waiting at checkpoints, waiting for lunch, waiting for people to get back on the bus, waiting for everybody to get off the bus again, waiting for everybody to get their photos, waiting for everybody to catch their breath, waiting and waiting and waiting to see the places and things we’d travelled around the world to see.

Easily half our time was spent waiting. And of that time, by far the largest block of time we spent waiting – was spent waiting in the restrooms.

When you travel with fifty-three other people, somebody always has to go. And when somebody has to go, everybody else decides to go, too. And it takes a long, long time for fifty-four people to do what they have to do… especially when we’re fighting other tour groups with the same idea.

After the first couple of times of standing anxiously at the meeting place, looking around at our little crowd and trying to count heads and asking, worriedly, “Is everybody here yet?” – I discovered my calling, my role, my contribution to the group.

I was the rest room caboose.

It’s an honorable job, if not a glamourous one. And it’s a simple as this: every time we stopped, I put myself at the end of the line. And when I was done – after making sure nobody else was still doing their thing – when I was done, I’d go back out – and that was the signal to our leaders that the group was all accounted for, and we were finally ready to go.

I started to joke that I could have been keeping notes and reviews of all the ladies’ rooms of the Holy Land. Which ones were free. Which ones had only one seat. Which ones required you to bring a flashlight in, and which ones you had to pay to use – and how much: two for a dollar, five for a dollar, free but you have to bring your own paper in.

It wasn’t what I expected to learn on my trip, and it certainly wasn’t where I expected to spend my time. But there was a certain comradery that developed there, in line, as we waited together for the door to open and our turn to come – we talked about what we’d seen, and what we hoped to see; we shared stories of our families back at home, learned names and hometowns and hopes and memories intermingled with the warnings at the stall on the end doesn’t lock, and the third one doesn’t flush, and the paper roll in the first stall just ran out.

We always looked, a little bitterly at times, at the men, who always seemed to just walk right in on their side and come sauntering quickly right back out again. But the thing is, even though they didn’t have to wait like we did – they still had to wait anyway, because they had to wait for us.

So much waiting. So much of our trip, so much of our time, was just spent waiting… learning to be patient, because that’s what doing life together is about.

We are entering today into the season of Advent, the season of waiting. And waiting can be hard. At our house, our kids tried our patience on the night when we put up our Christmas tree – they kept flitting in and fluttering about, while we fought with tree bags and stands that don’t quite fit right, all three adults kneeling and huffing and taking turns turning screws and holding the tree up, while the kids just kept swarming, ornaments in hand, asking, “Is it ready? Is it time to decorate yet?”

And that very first night, before going up to bed, our three-year-old pressed her fingers and nose to the picture window by the Christmas tree, and she searched the stars, asking eagerly, “Is Santa on his way?”

Not yet. Not for a lot of days. And she is learning: waiting is hard to do.

Maybe it’s even fitting, then, that the longest wait we had in the Holy Land – our longest wait was in the church of the nativity, waiting our turn to descend into the cave where the prince of peace was born.

It wasn’t a fun wait. But it actually wasn’t that bad, either. The church of the nativity is currently undergoing restorations – and so, as we crept along, we would catch glimpses of artisans working to restore ancient artwork behind the drop cloths and dividing walls. We read the graffiti left on those same drop cloths by pilgrims in the weeks before, some listing their homes – Australia, and China, and Austin, Texas – people from the world over, standing and waiting in this very place.

We talked. We visited. We pointed out the intricately carved stonework and faded murals and restored glittering mosaics… and we chuckled at the site of ancient chandeliers retrofitted with modern twisty compact florescent lights… and we collectively held our breath when the line took us from one room into another, a whole new world opening up, with so much more to see.

The thing about this line, is – there was only one. And there was only one way to go. There were no short-cuts, no second-guessing, no wondering whether it might have been faster to have gone left instead of right. There was no thought of maybe we should come back later, maybe we should try again tomorrow – no, there was nothing to it but to go through it.

And as we waited, I thought of all the generations who waited for Christ to be born… all those who lived, and watched, and waited, for God’s anointed one to come, to teach love and grace and bring justice and set the people free, free from their fear, free from their guilt, free to be who God had created them to be.

It was a long wait… the kind of wait that made ours pale in comparison.

And then when we finally made our way into that cave, that place where tradition says Christ entered in so long ago – and after all that waiting, friends, there was all of the sudden this mad rush, people standing there trying to hurry you through, rush you along, and we knelt by the star on the floor… and in the rush, about half of us missed seeing the manger at all… and just like that, we emerged out the other side, enjoying the fresh air and elbow room and, at the same time, looking at each other and wondering, “Was that it? Was that all? Did we miss it? Is that really what we were waiting for?”

And there’s the risk we run – we can miss it. When Christ was born, in that dark little cave where the people of a sleepy town kept their livestock – almost everybody missed it. Nobody expected that God would enter the world like that, as a baby, born to a young mother enmeshed in scandal, far from the seats of power, wrapped and laid to sleep in a manger. Everybody expected God to come on clouds, in glory, with trumpets and shields and a sword of power; they were looking for a mighty king, a great warrior – not a squalling bundle in swaddling clothes.

And even though we know the story, even though we’ve heard it before – even though we’ve learned to expect the unexpected, to expect that God will surprise us still – for all our waiting, for all our preparation, when Christ enters in, if we’re not careful, we just might find ourselves rushing past or looking the other way.

And that is why, every year, we begin the Advent season with a warning: Pay attention. Christ is coming; God is entering into the world once more. Don’t miss it.

“Beware,” Jesus says, in today’s gospel. “Keep alert; for you don’t know when it’s going to happen... It’s like a man who goes for a journey, and he leaves his servants with work to do… So keep awake – because you don’t know when your Lord will come, in the evening, or at midnight, or at cockcrow, or at dawn – and you don’t want to be sleeping when he shows up. Pay attention; keep alert. Keep your eyes open; keep awake.”

In this season of waiting, friends, may you be blessed by the work that is before you. May you find fellowship and friendship in the waiting, as we share this season together. And may your eyes be open, so that – when Christ surprises you – you don’t miss it. May you see the beauty all around you, and may you recognize our Lord whenever and however he chooses to enter in. May you be patient; may you be prepared; and may your waiting be blessed.

O Lord of eternity, be gentle with us, for we are people caught in time. Teach us to be patient, with ourselves and with one another. Help us to trust in your timing, and not to waste our time in second-guessing and regrets – but open our eyes to the opportunities of this moment, right where we are, and the work that you’ve entrusted to care. Help us to be faithful, in our work and in our waiting, to your surprising love and unexpected grace. In Christ’s name we pray; amen.

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nofomoartworld · 7 years ago

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Hyperallergic: Art Movements

A new mosaic by Space Invader in Málaga, Spain (via space-invaders.com)

Art Movements is a weekly collection of news, developments, and stirrings in the art world. Subscribe to receive these posts as a weekly newsletter.

Representatives of the Dakota Nation, artist Sam Durant, the Walker Art Center, and the Minneapolis Park and Recreation Board, agreed to ceremonially burn Durant’s 2012 work, “Scaffold.” The sculpture depicts seven historically specific gallows, including the one used to hang 38 Native men in Mankato, Minnesota at the end of the US-Dakota War of 1862. The work sparked protests last week, just over a month after it was installed at the Walker Art Center’s sculpture garden.

Activists called for the removal of a Confederate memorial in Forest Park, St. Louis. A crowd funding campaign launched by the city’s treasurer, Tishaura O. Jones, has so far raised over $15,000.

The diocese of Málaga objected to a mosaic of a pixelated flamenco dancer created by street artist Space Invader. The work was affixed to the wall of the city’s episcopal palace without permission.

A noose was found inside the National Museum of African American History and Culture less than a week after a Smithsonian Police officer discovered a noose hanging from a tree in the grounds of the Hirshhorn Museum and Sculpture Garden. Large crowds gathered at the NMAAHC to express their support for the institution.

A statue of Lady Justice was removed from outside the supreme court in Dhaka, Bangladesh following sustained pressure from prominent Islamist organizations including Hefazat-e-Islam and Olama League. Officials subsequently ordered that the sculpture be moved to a new location near an annex building about 300 yards away.

Noel Hilliam, a fringe historian with connections to the far-right, potentially faces a $300,000 fine for exhuming human remains from a Māori burial site. Hilliam reportedly told the press that he removed the remains in an attempt to prove that the Māori were not the first people in New Zealand.

Giuseppe Penone, “Foglie di Pietra” (2017), marble and bronze (photo by Stefano Guindani, courtesy FENDI)

Arte Povera artist Giuseppe Penone unveiled a new public sculpture entitled “Foglie di Pietra.” The work, which was commissioned by Fendi, has been permanently installed outside of one of the fashion house’s stores in Rome.

The directors of five museums in Italy were ousted in the wake of a ruling by the Regional Administrative Court of Lazio. The decision challenges a recent scheme to hire talented foreign candidates for the country’s institutions.

The Museum of Old and New Art’s Dark Mofo festival cancelled tickets for its upcoming Hermann Nitsch performance after uncovering a plot to disrupt the event. Animal rights activists voiced their opposition to the performance, which involved the dismemberment of a bull carcass.

Art Basel filed a lawsuit against Adidas, alleging that 1,000 limited edition “Art Basel” sneakers were created without the art fair’s involvement or consent.

Louise Blouin, the owner of Blouinartinfo.com, Modern Painters, and Art + Auction, terminated around 20-30 full-time employees. According to the New York Post, employees were told they could “reapply” for their jobs as contract freelancers.

Ai Weiwei posed as drowned Syrian toddler Alan Kurdi for a second time, despite the furor that followed in the wake of a similar photographic work he created in February 2016.

According to CBS13, the Crocker Art Museum has had problems with its humidifier system since its expansion in 2010, putting the museum at risk of losing its accredited status.

Kazimir Malevich, drawing for “An Englishman in Moscow” (1914), pencil on paper, 14×10 cm, Khardzhiev Collection (courtesy Stedelijk Museum)

The Stedelijk Museum discovered a drawing by Kazimir Malevich during an inventory check of its Khardzhiev Collection — the largest collection of Malevich’s work outside of Russia.

Students at PS 244 in New York will paint a mural based on Carmen Herrera’s 1952 painting, “Untitled.” The project has been organized by youth development program Publicolor.

Residents in Camberwell voiced their opposition to Anish Kapoor‘s proposal to add an extension to the roof of his London studio.

Tate Britain’s David Hockney retrospective became the Tate’s most popular show, with more than 478,082 visitors as of Wednesday, May 31. The exhibition will be open until midnight over the weekend (June 3 and 4).

An exam on black, Asian, and ethnic minority history will be introduced for history undergraduate students at Oxford University following complaints about the university’s curriculum. A university spokesperson told the Independent that the decision was not related to recent decolonization protests such as the Rhodes Must Fall campaign.

Transactions

The Solomon R. Guggenheim Foundation acquired Amedeo Modigliani’s “Woman in a Sailor Shirt” (“La femme en blouse marine,” 1916). The work was a testamentary bequest of collector Luisa Toso.

The Contemporary Austin will transfer the majority of its art collection to the Blanton Museum of Art at the University of Texas.

The New York Public Library’s Schomburg Center for Research in Black Culture acquired the archives of jazz musician Sonny Rollins.

John Travolta donated his Boeing 707 plane to Australia’s Historical Aircraft Restoration society.

Digital audiobook company Audible announced that it will create a $5 million fund to commission work from playwrights.

The Cummer Museum of Art and Gardens received a $4 million gift from the Disosway Foundation of New York to endow the position of executive director.

The Montreal Museum of Fine Arts acquired Hyacinthe Rigaud’s modello for his portrait of “Louis XIV in Royal Ceremonial Robes” (1701).

Hyacinthe Rigaud, Modello for “Portrait of Louis XIV in Royal Ceremonial Robes” (1701), oil on canvas, 55 x 45 cm, MMFA, purchase, gifts of W. Bruce C. Bailey in honour of Hilliard T. Goldfarb, and of Dan Mayer, the Montreal Museum of Fine Arts’ Volunteer Association Fund, the Museum Campaign 1988–93 Fund, and the Serge Desroches, Hermina Thau, David R. Morrice, Mary Eccles, Jean Agnes Reid Fleming, Geraldine C. Chisholm, Margaret A. Reid, F. Eleanore Morrice, Harold Lawson, Marjorie Caverhill, Harry W. Thorpe and Mona Prentice Bequests (courtesy the Montreal Museum of Fine Arts)

Transitions

Jaime Dempsey will succeed Robert C. Booker as executive director of the Arizona Commission on the Arts.

Crystal Wei was appointed executive director of Mount Tremper Arts.

Louise Bernard was appointed director of the Obama Presidential Center’s museum.

The San Francisco Museum of Modern Art appointed Eungie Joo as the museum’s first curator of contemporary art.

Danielle Johnson was appointed curator of modern and contemporary art at the Vero Beach Museum of Art.

Chad Dawkins will succeed Mary Mikel Stump as director of exhibitions at the Southwest School of Art.

Carles Muro was appointed the first adjunct curator of architecture programs at the Serralves Museum.

Kim Conaty was appointed curator of drawings and prints at the Whitney Museum of American Art [via email announcement].

Rachel White was appointed curator of education at the Birmingham Museum of Art.

The Norman Foster Foundation opened in Madrid.

The Museum of Modern Art unveiled the final designs for its $400 million expansion project.

Christie’s will close its South Kensington showroom on July 29. The auction company had previously announced that it planned to close the space at the end of the year.

London’s Wilkinson Gallery will permanently close at the end of July.

New York’s P! gallery permanently closed.

The Battat Contemporary gallery in Montreal will close by the end of the year.

New York’s Peter Blum Gallery will relocate to 176 Grand Street in September. Miles Coolidge, Paul Fägerskiöld, and Enoc Perez join the gallery’s roster of artists.

Accolades

Sarah Contos, “Sarah Contos Presents: The Long Kiss Goodbye” (2016), screen-print on linen, canvas and lamé, digital printed fabrics and various found fabrics, PVC, poly-fil, glass, ceramic and plastic beads, thread, artists’ gloves, 610 x 330 x 25 cm (courtesy the artist and Roslyn Oxley9 Gallery, Sydney and STATION Gallery, Melbourne. Photo by Jessica Maurer)

Sarah Contos was awarded the inaugural Ramsay Art Prize.

The Association of Art Museum Curators announced the recipients of its 2017 Awards for Excellence.

Russia announced the recipients of its 2017 Innovation Awards.

Director Ruben Östlund was awarded the Cannes Film Festival’s Palme d’Or for The Square (2017), a satirical drama set in the art world.

The Nancy Graves Foundation awarded grants to Sam Contis and Myeongsoo Kim.

The Museum of Arts and Design announced the recipients of its Summer 2017 Artist Studios Program and Van Lier Fellowship.

Allison Wiese was appointed the Neon Museum’s 2017 National Artist in Residence.

Obituaries

Marie Cosindas, “Floral” (c. 1962-1963) (© Estate of Marie Cosindas, courtesy of Bruce Silverstein Gallery, NY)

Gregg Allman (1947–2017), musician and songwriter. Singer and keyboardist for The Allman Brothers Band.

Laura Biagiotti (1943–2017), fashion designer.

Ann Birstein (1927–2017), memorist and novelist.

Michael Bliss (1941–2017), historian.

Marie Cosindas (1925–2017), early pioneer of color photography.

Sir Alistair Horne (1925–2017), historian and former spy.

Denis Johnson (1949–2017), playwright, author, and poet. Best known for Jesus’ Son (1992) and Tree of Smoke (2007).

David Lewiston (1929–2017), recorder and collector of indigenous music.

John Severson (1933–2017), artist and founder of Surfer magazine.

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gunboatbaylodge · 7 years ago

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The Fair at the PNE Unveils Their 2017 Line Up!

photo: Dan Rickard / Flickr

The Pacific National Exhibition (PNE) has unveiled its line-up for the 2017 Fair at the PNE, British Columbia’s most iconic event and beloved tradition for thousands of families from across the province. Featuring special shows to celebrate Canada 150th birthday, internationally acclaimed musical acts, entertainment, rides and food, this year’s Fair at the PNE is looking to be the most exciting yet.

“Every Summer British Columbians come together to celebrate the season at The Fair at the PNE,” said Mike McDaniel, President and CEO of the Pacific National Exhibition. “This year’s Fair is celebrating Canada’s 150th by featuring special acts, new attractions and shows that are here for this year only. With the best ticket value in BC and tons of family fun attractions, we are excited for visitors to experience this year’s Fair.”

Highlights of this year’s Fair at the PNE include Canada 150th celebrations with the RCMP Musical Ride, family-fun events in Festival Park, entertainment for families including ToonCity, Xtreme Bugs (featuring 19 animatronic larger than life bugs), the Toytopia Exhibit, the Hockey Hall of Fame – Legends of Hockey Exhibit, and of course the Summer Night Concert series.

photo: ZZ TOP

Summer Night Concerts

Every night at the PNE Amphitheatre music lovers will enjoy the electrifying performances of the PNE’s most exciting lineup yet. With all-star performances from world renowned Canadian and international artists in Pop, Flamenco, Rock ‘N’ Roll, R&B, Country and more, music fans will be wowed every night of The Fair.

The Summer Night Concerts will run every evening starting on Saturday August 19 in the PNE Amphitheatre, and are FREE with admission to the Fair. For super fans, the PNE is offering a limited number of reserved seating at each of the shows. Starting at just $ 20, tickets will be available at 10am on May 31. Fans should visit pne.ca for details.

Vancouver Craft Beer Week

2017 Entertainment and Attractions

Northern Light Sky Nightly at 10:30pm Festival Park  | FREE with admission

As a nightly finale, the skies above the Fair at the PNE will come to life through innovative drone technology! Join us in Festival Park nightly at 10:30pm as we present Northern Light Sky – the electric experience invites guests to look up to the sky and celebrate Canada’s northern lights!

Community Spotlight Daily from 11am-6pm, Festival Park  | FREE with admission

Enjoy a mixture of cultural festivals, summer pop-up markets and community showcases.

Hockey Hall of Fame- New and only this year! Daily from 11am – 10pm, Garden Auditorium  | FREE with admission

This is an opportunity to explore the largest Hockey Hall of Fame exhibition outside the walls of the Hockey Hall of Fame itself. With more than 5,000 square feet of artifacts, artwork, photography and video, this unique retrospective will take both young and old for a walk down memory lane. Featuring content from some of the game’s greatest players to ever lace up skates, the colourful array of artifacts and video reminiscing from their careers will be sure to trigger nostalgic feelings and inspire future generations of young athletes.

Toytopia Daily from 11am – 11pm, Rollerland Building |  FREE with admission

Visitors can explore and play with some of the world’s biggest and most beloved toys and retro video arcade games inside Toytopia! Featuring multiple play zones, a larger-than-life Jack in The Box, the science of toys from Furby, a Toytopia exclusive LEGO Train Layout, LEGO Play Area and LEGO Building Wall with dozens of LEGO pop culture figures on display, the World’s Largest Etch A Sketch and the world’s Smallest G-Scale figure 8-train layout, a retro arcade zone featuring working, classic games, a life-size doll house, a life-size Monopoly car photo op, Zoltar and so much more including a new Star Wars themed area!

Xtreme Bugs Daily from 11am-11pm, Miller Drive  | FREE with admission

Families that enjoyed Dinosaurs Alive at The Fair, are going to LOVE Xtreme Bugs! This new outdoor imaginative immersive experience features 19 giant animatronic models along with over 100 static creatures. Learn about how these insects live and travel, experience their movement, appearances and behaviours, and understand their role in the environment. These impressive models are so true to real life that visitors will be able to clearly see their exaggerated features and texture.

Craft Beer Fest – Now featuring local wineries, and a new reduced admission rate! Daily from 2pm-8pm, Italian Gardens $ 5 online, $ 7 onsite during The Fair

Craft Beer Fest will feature up to 30 craft breweries along with local wineries for guests to sample the diverse craft drafts and wines being developed within the Lower Mainland’s backdoor. Visitors can purchase tickets online to save $ 2 plus receive access to a pre-purchased ticketholder line! Admission includes a 4-oz collector’s sampling cup. $ 2 per drink token, available for purchase onsite. If the venue is at capacity, a pre-purchased ticket will not guarantee immediate access. Craft Beer Fest is a 19+ event. Two pieces of ID will be required for entry.

PNE Prize Home Tours Daily 11 am- 10 pm

British Columbia’s most affordable home lottery is back. One of British Columbia’s most iconic events, the PNE Prize Home Lottery will feature a gorgeous 3,100 sq. foot ‘West Coast modern’ style Prize Home that will be relocated for the lucky winner to Naramata, B.C. following the 2017 Fair at the PNE. Within its three bedrooms, 2.5 baths and floor-to-ceiling living space, this ENERGY STAR certified home designed by Freeport Industries, includes an entertainment lounge and home theatre room and comes fully furnished with the latest appliances and furniture, designed by Lane Home Furnishings, a division of Yaletown Interiors, and Coast Appliances. This year’s lottery is seeing some exciting changes with a new $ 100 ticket option and new ticket packages. This year they are offering, two tickets for $ 25, six tickets for $ 50, and 15 tickets for $ 100. The 2017 Grand Prize Home Package is valued at $ 2 million.

Kaleidoscope on Parade Daily at 1:00pm, 3:00pm & 6:00pm

A daily on-site parade celebrating Canada 150! Kaleidoscope on Parade is Canadian, whimsical fun, sure to delight the whole family as we dive into a world of imagination, where the colours of Canada bloom!

2017 PNE Donut Dash 5K Run-NEW for 2017, Kids pricing! 9am–11 am August 20, 2017, Empire Fields and PNE Fairgrounds

Vancouver’s tastiest 5k run where runners will be energized with tasty Fair treats throughout the course including mini donuts and more! Run registration includes a PNE Donut Dash buff, race bib, finisher’s medal and Fair gate admission to The Fair at the PNE on Sunday, August 20, 2017. Fees are per person, and exclude GST and service fees. Early Bird: (first 500 registrants) Regular: $ 35 Kids: $ 20. June 1: Regular $ 40 Kids:25. June 1-July 15: Regular $ 45 Kids $ 30. July 16-August 13: Regular $ 50 Kids $ 35. Online registration ends on Sunday, August 13, 2017. All entries are non-refundable, non-transferable and non-deferrable to a future event. For more information please visit pne.ca.

Kidz Discovery Farm – In partnership with Safeway Daily from 11am-10pm, Livestock Barns  | FREE with admission

The Kidz Discovery Farm allows children to become a farmer for a short time while learning about 10 exciting agriculture sectors and how their food gets from the farm to their local grocery store! Kids are tasked with various pretend play farm chores such as milking a cow, pedaling a tractor, collecting eggs and harvesting apples while moving from farm to farm! This fun-filled activity has received rave reviews and continues to entertain and educate kids each year!

Farm Country Daily from 11am-10pm, Livestock Barns  | FREE with admission

For a break from the hustle and bustle of the midway, visitors can stop by Farm Country to see all the baby animals they love! The Big Red Barns play host to the largest variety of barn animals found in Vancouver as well as many unique demonstrations and displays of new urban agriculture awareness, education and engagement so visitors can learn what can easily be done from their own homes. There’s tons of barn fun for kids and the whole family at Farm Country.

BCAA ToonCity Daily from 11am-Dusk | FREE with admission

It’s time to laugh out loud and stretch a smile from ear-to-ear in ToonCity! Play, dance and paint in The Fair’s family pit stop! Families can join in at Art in the Park, Princess Jubilation, and Safari Adventure with Action Austin. PLUS, visit the playhouses and take a break in the Reading Corner. For more information on the action in ToonCity visit pne.ca

Learn to Fish at The Fair Daily from 12pm-4pm, Sanctuary Pond Dock | FREE with admission

Learn how to fish in Sanctuary Pond from Freshwater Fisheries Society of B.C. staff! Participants of all ages can learn the basics of fishing including: hatchery roles, local conservation concerns, fishing equipment, casting, and how to rig a rod. Youth under 16 and participants 16 and older with a valid freshwater fishing license can also try their luck fishing off the dock on Sanctuary Pond.

Dueling Pianos Nightly 7:00 & 9:45pm, Celebration Plaza Beer Garden | FREE with admission

Ladies and gentlemen, back by popular demand, it’s Dueling Pianos! Every night, two piano players go head-to-head and raise the roof with great music. Visitors can request their favourite tunes, sing-a-long, raise-a-glass and hit the dance floor – it’s a stompin’ good time every night at the Plaza Beer Garden!

Canada Showcase Daily at 12, 2 & 5pm, Festival Park  | FREE with admission

Canada Showcase presents a cultural mosaic of dynamic dancers, exhilarating music and special guests, delighting fairgoers of all ages with a showcase of Canadian talent!

Presidents Choice SuperDogs Daily at 12:30pm, 2:30pm & 5pm, Pacific Coliseum | FREE with admission

The President’s Choice SuperDogs are back! They’re throwing a birthday party for Canada and everyone’s invited! An all-Canadian cast, all-Canadian music and even some Canadian breeds come together for this fun-and-furry celebration that will have visitors laughing and cheering for the world’s most amazing dogs! Catch them celebrating their home and native land in this brand-new show, CanaDogs.

UNBELIEVABLE: A Magical Experience Nightly at 7:30pm, Pacific Coliseum  | FREE with admission or reserve premium seats.

Back by popular demand! A world-class magical showcase not to be missed! Watch in amazement and witness grand illusions. Reserve a premium seat to a magical experience visitors will simply describe as UNBELIEVABLE. $ 12 per person or $ 40 per family of four. Reserve Online starting May 31 at 10am or at the Pacific Coliseum box office during The Fair.

2017 Fair Dates, Times and Passes

The 2017 Fair will run from Saturday August 19, until Monday September 4, 2017, and will be closed on Monday August 21 and Monday August 28. Open 11 am until late (weather permitting).

Visit the PNE’s website for more information on admission rates.

Ways to Save

Take advantage of the following days or ways to save during this year’s Fair:

Celebrate Canada 150 on Opening Weekend | 11am- 1pm Saturday August 19 – Sunday, August 20 Show your Canadian pride by visibly wearing red or a maple leaf and receive Fair Gate admission for just $ 1.50!

Heroes’ Opening Weekend | 11am- Late Saturday, August 19- Sunday August 20 FREE gate admission for First Responders and a guest.

Promotion is valid for current and retired police, RCMP, ambulance workers and firefighters plus one guest. First Responder must present a valid First Responders service card at the gates. Guest does not require a service card.

FREE Gate Admission for all guests | 11am- 1pm Tuesdays, AUGUST 22 & 29 Re-entrance hand stamps will only be given after 1pm. Guests are welcome to re-enter the gates prior to 1pm without hand stamp.

Wild Ride Wednesdays | 11am- 1pm Wednesdays, August 23 & 30 Purchase 2 Ride Passes for the price of 1! Only available onsite on the day of the promotion. Does not apply to ride coupons or complimentary passes.

Seniors’ Day | 11am- Late Thursday, August 24 Seniors 65+ receive FREE gate admission.

Vancity Member Special | 11am- Late NEW extended special! Offer valid EVERYDAY of The Fair! Vancity members receive $ 5 gate admission.

BCAA “Membership is Rewarding” rate

BCAA members can visit bcaa.com for special discounts on gate and ride passes for the 2017 Fair at the PNE.

Photo: Harris Hui / Flickr

Special Offers:

Pinwheel Deals A Fair-wide coupon book offering over $ 350 in savings $ 2 at any Guest Services location, or purchase any Fair Pass online by July 31st and receive a voucher for a free Pinwheel Deals Coupon Book with every order!

After Dark Gate Pass After 9pm nightly, purchase a Fair Gate Pass for just $ 5. * That’s a savings of $ 12!

Twilight Ride Pass Presented by 94.5 Virgin Radio – After 5pm Tuesday through Thursday, purchase a Fair Ride Pass for just $ 29.75. * That’s a savings of $ 15!

Online/Retailer Savings Save up to $ 9 when visitors purchase their Fair Gate or Ride passes online or at certain Lower Mainland retailers the following Lower Mainland retailers: Retail passes will be available in August. For more information visit pne.ca.

Contests and promotions A list of 2017 Fair contests and promotions will be posted by July 2017.

For more information about The Fair at the PNE visit pne.ca.

Inside Vancouver Blog

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keopix · 5 months ago

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Head Shot Studio Booth in Boston - Keopix

What is a business headshot?

Definition of a Business Headshot

A business headshot is a professional photograph that typically focuses on the face and upper body of an individual. It is commonly used in the corporate world for branding, marketing, and identification purposes.

Business headshots are often close-up shots that capture the subject's head and shoulders, with the crop of the picture ending just below the level of the shoulders. The purpose of a business headshot is to create a strong visual impact and make a connection with clients and colleagues.

Key Features of a Business Headshot

Close-up shot: Business headshots are typically close-up shots that focus on the subject's face and upper body.

Professional appearance: Business headshots are more formal and simpler compared to regular headshots. They aim to convey professionalism, competence, and friendliness.

Used for branding and marketing: Business headshots are used for branding purposes, such as on company websites, resumes, portfolios, newsletters, press releases, and annual reports.

Identification: Business headshots help in identifying individuals in the marketplace and establishing a personal connection with clients and customers.

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havelovewilltravelproject · 8 years ago

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San Antonio: Breakfast Tacos, Texas History, and Mexicans

Two days before I arrived in San Antonio, I received an email from my local host, Jeanne Russell, “I have been reconsidering the river, though I love it, because it won't be very populated and you won't get the true feel of our multi-cultural city…[I] am thinking you should meet me for breakfast tacos at Taco Haven and then we can visit a few spots in my car. Will that work for you?”

She had me at tacos, and hooked me with the idea of a breakfast taco. As I pulled up to Taco Haven a couple of days later, I knew I was lucky to be enjoying my first breakfast tacos with someone who knows San Antonio really well. Though not a native, Jeanne’s been a resident for two decades and has worked for two mayors and was an award-winning journalist. She’s also married to a San Antonio native, who served in the Texas State House.

Jeanne helped me orient to the world of breakfast tacos, a name that’s a bit of a misnomer since people eat them all day, and also as a late night snack after hitting the bars. San Antonio claims they were started locally, though there’s a debate as to whether they are from the Rio Grande Valley. I followed her lead and went for the haven taco (papas con chili and queso con chile) and a guacamole taco on homemade corn tortillas. I also ordered the cucumber lemonade, which was delicious, but very sweet.

Jeanne provided me with an overview of San Antonio’s geography and the general racial/ethnic and socioeconomic divisions in its layout. Founded as a an agricultural town, it’s laid out like a wagon wheel with a hub and spokes. In broad strokes, the north is affluent, the south is poor. The east is the center of the Mexican culture (many of the ancestors of San Antonio’s Mexican-Americans were in the city before San Antonio was part of the US, so they refer to themselves as Mexicans) and there’s a stable, but not growing African-American population in the west.

After we ate our energy, we hopped into Jeanne’s car and she took me to a see a bunch of things including a beautiful mosaic at the Guadalupe Cultural Arts Center and Haven for Hope which is a campus of human services agencies coordinating care to serve homeless people.

However, what stuck out to me most in my discussion with Jeanne, was the running theme of San Antonio (and Texas) history and its relationship with its Mexican population.

The San Antonio Missions

Jeanne told me that the history of San Antonio is the history of Texas. This is where Texas started and boy was she right. We stopped by Mission Concepcion to see one of the four original Missions built in the 1700s by the Spanish Franciscans. Mission Concepcion is primarily a big church, and actually Jeanne and her husband were married there. She pointed out that wasn’t why she brought me there. The building is quite beautiful, and the volunteer docent shared that it is the only Mission or Church building in the Western Hemisphere that has never collapsed or had to be rebuilt.

Later in the day, I returned to The San Antonio Missions Historical Park with my mom (I’m fortunate that she’s joining me for the part of the road trip from San Antonio to Vernon to Dallas). We visited Mission San Jose, which was a great example of how the Mission was also a community where people lived. The Visitor’s Center there had a really edifying film on the history and context about how the natives of South Texas came to speak Spanish and practice Catholicism.

So what led the native peoples who had been there for 10,000 years to move into the Missions? A combination of disease that came with the Europeans that was taking their lives and raids from the well-organized Apaches. They were driven into the Missions as a means of survival, but it also meant that they had to give up their culture (which they sort of did, and sort of didn’t), learn a new religion, and speak two new languages – Spanish and Latin.

The Missions themselves are beautiful structures and on a day with a blue sky and sunshine, seem a bit otherworldly.

Texas History, The Alamo, and The Republic

The descendants of the Indians and the missionaries didn’t immigrate to the United States, the United States absorbed them.

Quick history refresher for those – who like me – may know they’re supposed to “Remember The Alamo,” but aren’t quite sure what for. From the Wikipedia

The Battle of the Alamo (February 23 – March 6, 1836) was a pivotal event in the Texas Revolution. Following a 13-day siege, Mexican troops under President General Santa Anna launched an assault on the Alamo Mission near San Antonio de Béxar (modern-day San Antonio, Texas, United States), killing all of the Texian defenders. Santa Anna's cruelty during the battle inspired many Texians—both Texas settlers and adventurers from the United States—to join the Texian Army. Buoyed by a desire for revenge, the Texians defeated the Mexican Army at the Battle of San Jacinto, on April 21, 1836, ending the revolution and making Texas an independent Republic.

Jeanne didn’t grow up in Texas, but her kids are. And they are taking Texas history in school. She mentioned that they would share snippits of history with her, which galvanized her to dig deeper into the city and state’s backstory. With the clear caveat that she is not a historian, she shared some of what struck her.

Santa Ana was trying consolidate power, and it was felt that he was demanding too much of the Mexicans and Texians in San Antonio, and thus they wanted to break free from Mexico and join the United States. But, folks like Stephen Austin didn’t want to join the U.S. as a slave state as would be required by the Missouri Compromise. While some of the European settlers owned slaves, they knew that the Mexicans who they lived side-by-side with wouldn’t like that. More importantly, they didn’t want to get in the middle of the larger slave-free state dynamics taking place in the U.S. at the time.

What she learned is that Texas became an independent Republic not because it was the end goal, but rather because it didn’t see another option and needed a stopgap. But, it’s fascinating that the narrative of Texas is so tied up in independence, doing things it’s own ways.

By chance, the day I met with Jeanne, March 6 was the 181st anniversary of the fall of The Alamo. In the afternoon, my mom and I decided to visit it. As we were walking by, we saw that there were chairs and a podium set up for an event. We asked some folks what it was for and ended up talking to one of the women organizing the event who is a member of the Daughters of the Republic of Texas, and organization of women who can trace their family history to the time that Texas was an Independent Republic. The DRT had been advocating for the day the Alamo fell to be a state holiday. Texas flags already fly at half-mast that day. The proclamation was going to be announced in a ceremony that afternoon. So, we decided to get a quick bite to eat, and return to check it out.

The ceremony featured a General making remarks about the bravery of men and woman who lost their lives at The Alamo to stand for no retreat and no surrender. He mentioned how this continued to influence the men and women in the military today, about 20 of which stood behind him holding the state flags of states that had been home to people who died at The Alamo. A state representative who was born in San Antonio presented three of the Daughters of the Republic with the proclamation; there was a closing prayer. Afterwards, there was lemonade and cookies for the crowd.

Organizations like Daughters of the Republic of Texas (and Sons of the Republic of Texas, their male counterparts) fascinate me. And so my mom and I took full advantage of the opportunity to chat with a gentleman who was a SRT clad in his orange blazer, chapter buttons, and cowboy hat. Kenneth was generous in sharing a bit about his involvement in the group, as well as his family history – which he could trace back to Charlemagne’s time—who he was proud to share had helped prevent Islam from taking over Europe. He had family that had fought in the civil war on both the Confederate and Union sides.

I shared with him a bit of what Jeanne had told me about the Republic, independence being a strategy, and not wanting to tangle in the free-slave state dynamics. He listened politely, and then said that he didn’t think it was entirely true, citing that many of the Texians had come from slave states, and owned slaves.

I’m no historian, and neither is Jeanne or Kenneth. But if I learned anything through these interactions, it’s that narrative is powerful in shaping history, just as history is powerful in shaping narrative.

A favorite photo from the cookie and lemonade reception in front of the Alamo. The sculpture is part of the memorial honoring those who fell at the Battle.

Immigration, Refugees, and Faith

One of the things that has surprised me so much on my drives in Texas down to Big Bend and from Big Bend up to San Antonio is that I went through four Border Patrol inspection stops, and saw countless other border patrol trucks on patrol. When I was stopped, despite having a big nylon tarp covering all my gear in the backseat and trunk of my car, it was never searched. Border Patrol employees were very nice to me, and I was asked, “Are you a U.S. Citizen?” In answering yes, I was waved on through.

The national discussion about immigration, and the current president’s desire to build a wall probably made me even more aware of this than I would have been even a year ago. And given Jeanne’s background as a reporter covering the US-Mexico border and in local government, as well as her own family – her kids and husband identify as Mexican, and her father-in-law still lives across the border in Mexico. It’s not surprising to me that we ended up talking a bit about immigration and refugees.

What was interesting to learn is that despite Jeanne’s upbringing which wasn’t very religious, and her husband being raised Catholic, and that they were married at Mission Concepcion, they had started attending the San Antonio Mennonite Fellowship Church in her neighborhood.

When I asked why, she shared that they had been drawn there by the way the Mennonites were advocates for immigrants and refugees, and how they continued to step up and receive refugees – clothe and feed them and give them places to sleep – when they were released from nearby Immigration and Customs Enforcement detention centers (there are 2 near San Antonio).

Despite its history, or maybe because of it, Texas has a really complex relationship with its Mexican history and immigration and refugees. San Antonio is where Texas began, and might be the community where that complexity is richest, most interesting, and most fraught.

A special thanks to Jeanne Russell for her generosity in sharing her hometown with me!

#have love will travel #hlwt #roadtrip #san antonio #texas #texas history #immigration #texians #mexicans #breakfast taco #hlwthosts

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