#morocco on film
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federicagiordanophotography · 5 months ago
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Fes, morocco
By Federica Giordano
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rosechata · 4 months ago
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doloresonfilm
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dankomaksimovic · 6 months ago
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ph. Danko Maksimovic - Marrakesh, Morocco (2019)
Film: Fujicolor C200
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analogmartt · 11 months ago
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Berber man at the entrance to the Sahara Desert, shot on Kodak T-Max 100. December 2023.
Instagram
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thesapphocinephile · 1 year ago
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Women in suits hold all the power...
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mariekonrad · 13 days ago
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in the secret garden that does not seem to be so secret anymore, marrakesh / oktober 24
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mayanhandballcourt · 1 year ago
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Photographer Harry Gruyaert
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cogumellow · 3 months ago
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cinema rif // tanger, morocco // august 2024 // ©
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photos-of-everyday-life · 1 year ago
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Hair Salon.
Fès, 2023.
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federicagiordanophotography · 5 months ago
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Morocco, fes
By Federica Giordano
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weldnas · 9 months ago
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#Seeing the dune part 2 american centric red carpet and as a devoted aficionado of the books and yk a moroccan person here are my 2 cents#Dune was one of the few Western works inspired by MENA culture that that felt genuine and respectful#But ofc despite the profound symbiosis with Middle Eastern and North African culture evident within the pages of the novels#the movie adaptation lack of substantive representation from these communities both in on-screen portrayals and within production roles was#very much disappointing in part 1 and i doubt there are any change now#While drawing inspiration from the Amazigh peoples of Algeria and Morocco#the film barely skims the surface of its MENA influences leaving substantial potential untapped#Herbert openly acknowledged the profound impact of Islam and MENA culture on his noveIs#from the metaphorical representation of Spice as oil#to the allegorical parallels drawn between the occupation of Arrakis and real-world MENA geopolitics#By marginalizing Arabs from the narrative fabric of Dune the essence of the story is being undermined particularly its anti-colonial core#the irony of this is kiIIing me because this was a direct resuIt of us impérialism on the middIe east#But the reality is that Dune is an American production tailored for an American audience so it makes sense for it to be what it is now#a big production running from its original essence#What adds to my disappointment is the fact that I liked Villeneuve's adaptation of Incendies and I had what you call foolish hope hfhg#Dune feIt Iike a squandered opportunity to authentically depict the cultural milieu that inspired it#Given the narrative's inherent anti-colonial themes#the omission of Arab and North African voices dilute its message if any of it is even left#without representation from Arabs and Amazigh people the cultural essence becomes another appropriated resource watered down to an aestheti#rather than serving as a critique of the destructive actions of colonialists seeking power and dominance#the narrative becomes susceptible to distortion and co-option by the very entities it was intended to condemn and hold accountable
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dermagischebumerang · 3 months ago
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Morocco, 1980
Photo: Roland Helbig
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rosechata · 4 months ago
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doloresonfilm
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illustratus · 2 years ago
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SPECTRE 2015
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analogmartt · 6 months ago
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Tannery workers.
Shot on medium format Kodak Portra 160 in Fes, Morocco. December 2023. 🇲🇦
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mariekonrad · 13 days ago
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marrakesh, marokko / oktober 24
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