#more like emotional breakdown

[stuckinapril]

friend wanted to see my tumblr, and when i told him i can’t show it to him bc it’s basically my personal diary he went “oh so I can’t see it but a bunch of strangers on tumblr can??” he literally does not get me. no one will get me like the people in my phone get me

[aroaceleovaldez]

underappreciated Nico detail that I like - he seems to be an angry crier! very frequently he's angry when he cries and he cries when he's extremely angry. very AuDHD of him. emotional regulation sucks my guy and he's just going through it.

[dreamerdrop]

Julian does kind of strike me as someone who just sort of. Endures suffering and then pushes it way, way down and pretends it doesn’t hurt.

Bad things happen and he just sits quietly and then pushes it down and pretends he’s okay so he can get on with whatever he needs to get on with.

Doesn’t know how to process trauma or misery inside himself, but he can help other people with theirs, so he just. Keeps going. Keeps working. Keeps trying.

It makes sense, I mean, the pivotal traumatic incident in his life was one he has never been allowed to even allude to out of fear. His parents don’t seem very emotionally available for him either, so he’s definitely never talked out those issues with them. So he’s probably just grown up pushing any off feelings back down and focusing on something else.

And even when his big ol secret is finally out, he still doesn’t really talk about it or acknlowedge it unless someone basically drags him kicking and screaming into having to focus on it. He never really talks about or addresses like. Anything.

Like his attempts at curing the blight and how fucked up he was over that. Or the time he thought he could save the Jem’Hadar from their ketracel white addiction. (And boy howdy does that episode take on new layers of pain when you think about him being so sympathetic to entities that were genetically engineered to suffer and his own backstory.) Surviving a psychic attack that basically involved his own subconscious mind trying to talk him into embracing death. A month in a prison camp where he probably definitely thought he was going to just die there, and then realizing no one knew he was gone, and his friends are not anywhere near disturbed enough by any of what just happened.

(To be clear, I think it’s fine that they didn’t realise it was a changeling. I think the reaction they have when they find out retroactively, however, is like. Guys. A minute ago you thought Julian Bashir, your close friend of several years, beloved station doctor, had betrayed the federation and had to be killed. Guys. Forget Julian for a second. How was this not traumatic for the rest of you?)

Then there’s all of that Sloan fuckery which is basically just three episodes of one man trying to gaslight Julian into a dissociative break for reasons.

And he just. Bounces back. Next episode, time to move on, insists he’s totally fine. Except he’s not. He gets gradually more and more tired and miserable and closed off but he just. Never fucking talks about it to anyone. Never deals with how messed up he’s slowly becoming. Never recovers. Never heals. Never gets closure for any of it.

He has so many wonderful moments where he comforts someone else when they break, when they’re scared, when they let all the bad stuff finally make them collapse.

But Julian just never really collapses like that, and it’s like he actively ensures he will never have the chance to collapse because he doesn't want to (and probably doesn’t know how to) deal with any of his issues.

Can you imagine what it would look like when he finally breaks.

[egophiliac]

ch 5 is coming in twsten ch5 is coming in twsten ch5 is coming in twsten (we gon die it's been a YEAR since I saw some clips and I have not emotionally recovered from the incredible deliveries by Silver's seiyuu because holy fuck) EGOOOOO ARE YOU READY TO SEE EVERYONE DESCENDING INTO MADNESS AGAIN (and a pool of tears??? MINE SPECIFICALLY)

YESSSSSS I AM SO EXCITED FOR EVERYONE ON ENG, chapter 5 is some of the most PEAK Diafamily content imo. 🤌 it's definitely my favorite part of episode 7 so far! (though 6 is pretty close...)

some (mostly) non-spoilery advice: on the hex maps, check out the non-required story cells, especially in the later parts! some are basically just throwaways, but there's some real good scenes hidden in there too that are potentially missable. 🥄 (it shows which cells you've cleared on previous attempts, so if you're low on resources and/or super impatient like me, do just the required ones to get through it, then when you're ready go back and restart as necessary to get to the others. enjoy! >:)

[starry-bi-sky]

Blood Blossom Au: before the nightingale sings

---------

for my batdad blood blossom au, the one where Vlad poisoned Danny with blood blossom extract and Danny ran away from him and ended up tumbling into the care of one Pre-Robin Battinson Batman :). A quick oneshot telling the tale of the tragic deaths of the Fentons

TW: Major Character Death Warning

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Not all deaths are created equal.

That is a valuable lesson in life to learn. One that Danny learns when he is eleven years old, standing in the pit of his parents’ creation; the culmination of their life’s work. The portal to the other side, the realm of the dead. To the infinite. 

He learns that when he’s eleven years old, in a hazmat suit that sags on him, and boots that clunk when he walks because the only ones that fit are his mom’s, and even those are too big. In gloves that he has to clench his fists in because otherwise they fall off. In goggles that slide down his nose even when he’s tightened them the farthest they can go. 

He learns that when he’s eleven years old, choking on giggles that harmonize with the laughter of his friends’ who stand at the mouth of the tunnel. Sam’s holding a polaroid in her hand. They’re just being kids. 

They’re not laughing when Danny’s hand hits the safety lock — the one with faulty wiring, the only one in the tunnel. The only one he could possibly hit. They’re not laughing when the portal buzzes to life, and the lights inside switch on row by row as the generator begins to rumble and hum. 

They’re not laughing when Danny dies. They’re screaming. They’re not screaming when he comes back.

Not all deaths are created equal.  

Some are poetic, beautiful. The satisfying close of a book as it comes to an end, of the hardback thumping soft against the pages like the sound of a door closing. A train run its course.

Some are violent; unsatisfying; unfair. The unexpected shattering of an egg as it rolls off the countertop when nobody is looking, the unmistakable crack as it falls to the floor. It is abrupt and messy. 

But most are just… unremarkable. Unintentional. Clumsy. 

Danny’s family dies one night in late January. He is thirteen years old, barely a month away from fourteen. It is unforeseen. It is preventable. It happens. 

It happens like this: 

Their water heater breaks one Monday in January. It’s old, sitting in the garage, and has dealt with nearly sixteen years of Fenton-grade chaos and shenanigans. Of parents tossing scraps and junk into the garage as brief storage to come back to later. Of illegal tune-ups on their vehicles that result in something exploding. Of little children running around and knocking things over, playing with poles and sticks they find on the ground, on the shelves. Of being lived and used.  

Something had to give. 

Jack Fenton notices it immediately when he comes upstairs that very afternoon — his children at school, his wife downstairs — to grab something from the garage. The very same scrap and used material they store like squirrels to use later. 

He stops what he’s doing to fix it.  

It wasn’t supposed to be permanent. 

Despite what many believe, Jack Fenton is not the idiot people make him out to be. He knows what he’s good at, he knows what he’s not. He knows he can be passionate and obsessive and single-minded about things. He knows that he is a scientist, an inventor; an engineer. 

He knows that he is not a plumber. That fixing water heaters is not something he knows how to do, not safely. And he loves his family. What he does is only meant to be temporary — a fix meant to only last a few days until they can call someone in who can fix it for them. 

So Jack Fenton futzes with the water heater, gives it a temporary stitch to last a short while, and reminds himself to call a plumber later that day to come in and fix it. He turns and leaves the garage with the part he came for —  a sheet of metal for his wife to melt down — and disappears back downstairs. 

He does not make that call; it slips from his mind. 

It is not his fault. 

One day passes, then two, then suddenly it is Thursday. The water heater has still not been fixed, the water heater has been forgotten. It is nobody’s fault.  

Danny asks his parents at breakfast if he can stay over at Tucker’s house for the night. Just one night. They’re going to study for their math test and then play video games until midnight, but he only tells his parents that first half. 

He’s been doing well in school. Really well — better than he has in a while. There’s been a delightful lull in ghost appearances for the last few weeks. The living don’t know why, but Danny does. The Winter Truce always calms the dead down for a while, something about how the Zone cleanses itself twice a mortal year and that fresh wave of ecto clears out the old and brings in the new. 

This year Danny got to participate. He’s feeling the effects of it too, and he’s been sleeping consistently well for the first time since the accident. 

It’ll never happen again. 

His parents agree under the condition that he doesn’t stay up late, and Danny harmlessly lies through his teeth and agrees. He goes and throws overnight clothes into his school backpack, and when he leaves for school with Jazz his parents are already departed into the lab. 

The last conversation he has with his sister is in her car on the drive to school. Inane, mindless conversation to fill the air and pass the time. Jazz comments on how relaxed he’s been lately; Danny tells her about the Winter Truce. She listens in rapt attention. 

She tells him that she’s glad to see him so well-rested. She thinks her little brother’s been growing up too fast these days. She thinks he’s been too tense. Too caught up with the spinning of the world around him that he forgets about himself sometimes. 

When they reach school, before Danny can get out of the car, Jazz looks to her little brother and says; “I love you.” 

Her little brother’s cheeks turn an embarrassed shade of red. He makes a scrunched up, grossed-out face, but can’t hide the smile pulling across it. “Don’t be a sap, Jazz. I’ll see you later.” He tells her, yanking his hood up over his head. She hears the bashful, ‘love you too’ before he walks away. 

That is the last conversation she ever has with her brother. 

Thursday is unremarkable, passing by in its normality as it always does. There’s one, maybe two ghost sightings; shades lurking around in curious infancy that are easily spooked away by the presence of a greater being. Danny doesn’t even have to go ghost. 

Thursday evening is even less so. Danny goes to Tucker’s house — Sam has a prior arrangement with her slam poetry club — and the two of them study for an hour before they toss their textbooks aside and reach for the game console. 

Danny sleeps in Tucker’s room with one of the extra blankets on his bed, curled across the room in one of the bean bag chairs. It shouldn’t be comfortable, but to Danny it is. He sleeps throughout the night, the portal shut down by his parents before they’d gone to bed. 

Early Friday morning, before the sun has even risen yet, before it’s even so much as a concept to grace the horizon, the water heater breaks again. It was supposed to be fixed. 

Carbon monoxide is a silent killer. Odorless and scentless, it kills within minutes. It fills the house like a shadow casting over the ground, creeping into the rooms. 

Danny’s family die in their sleep; painless and unaware. 

It’s not Jack Fenton’s fault. He didn’t mean to.  

Nobody wakes up with their alarms. 

Danny wakes up to Tucker Foley’s alarm on Friday morning, and he turns his head intangible and shoves it into the beanbag chair like an ostrich hiding its head in the sand. Tucker gets up before him, and throws a pillow at him as he reaches for the alarm. 

There’s laughter, messing around. The both of them get dressed, and Danny has breakfast with the Foleys that morning. He takes the bus to school with Tucker, and they meet Sam by their lockers. 

To him, everything is as normal as it should be. There are no ghosts for him to fight right now, school is as school does, and he’s on top of all his schoolwork. 

He does not see Jazz at all that morning, he doesn’t notice. Their schedules are so different, their routes on different paths, that it’s not uncommon for Danny to not see Jazz until he gets home some days. That’s if there’s no ghost attacks. 

At lunch, he gets approached by her friends. Worried creases between their brows, they ask him if he’s seen Jazz. She hasn’t shown up to any of her classes. She’s not answering their texts. It’s unprecedented of her; unheard of. 

Danny doesn’t admit to the concern that swells in his gut when they tell him this. He shrugs at them, and says he hasn’t seen her either. But it was probably nothing to worry about; she might just be sick and sleeping it off. 

He offers to text her and let them know if he gets a response, and that seems to ease her friends enough that they shuffle away in uncertainty. He keeps his word, and does exactly that. He pulls out his phone and opens her contact, and shoots her a message.

‘Where are you?’ 

He doesn’t get a response back, Danny is left on sent. He puts his phone in his pocket, and with a sense of unease creeping in the back of his mind, goes on with his day. He gets no response by the time the final bell rings; and he tries not to be worried. 

The house is quiet when he opens the door. Unusually quiet. He drops his backpack to the floor, it lands with a hearty thunk, and begins to take off his jacket. “Mom! Dad!” He yells. He hangs it up, and slips his shoes from his feet. “Jazz skipped school today!”

A laughable untruth that would get his sister all riled up normally; she should be able to hear him from the front door if she was in her room. The house just stays dead silent. 

He can’t even hear the usual banging and crashing from the lab. His unease returns. He reaches for the intercom that leads directly down to the basement, and presses the button to turn it on. A burst of static, and then he speaks;

“Mom? Dad?” 

Danny lets go, and waits for a response. He gets none back. That never happens, not when the house is this quiet. Not when he knows they should’ve heard him. 

Something sickly and fearful borns in the pit of his stomach, and begins to snake upward. He heads for the lab. The cool metal of the door is familiar in the grooves of his hand, and he doesn’t even need to think about the code as he punches it in;  he simply lets muscle memory guide him. It’s been the same since he was little. 

The door hisses as the pressure is released, and he swings the door open. He takes the stairs down two at a time. Something is wrong. His parents aren’t answering him. His feet pound against the metal. 

“Mom? Dad?” He calls again, more worried, more frantic. More scared. His voice echoes down the stairwell, and he reaches the bottom before it’s fully faded. The lab is empty. The portal is still shut down. 

It was four in the afternoon, they should still be down here. 

Danny races back upstairs, fear-raised nausea coiling in his throat. “This isn’t funny you guys!” He yells when he reaches the top, shoving open the door with more force than necessary. His head swims, his voice cracked. 

He checks the garage, the car is still there. 

“Mom!? Dad!” His voice bellows out throughout the first floor, loud enough that it bounces back at him and rings against his ears. He’s never raised his voice this much — mom would scold him if she heard him. But she doesn’t show up. “Jazmine!” 

Finally, he goes upstairs, and he can’t tell if what he’s feeling is anger or terror. Something is very, very wrong. 

He swings the door of his parents’ rooms open first, and there they are, with the lights still off and the curtains still drawn. As if they hadn’t left their bed all day. Some of Danny’s fear lifts from his shoulders just by the sight of them, but he’s still trembling. Something is still wrong — the room smells… off. Not good, not bad. Just… off. 

He swallows dryly, his throat still thick, and steps into the room. “Mom, dad?” They do not stir. “Didn’t you guys hear me yelling?” 

There is only room static. Danny’s heart shrivels in his chest with a tenfold return of terror, he feels ill. He remembers, just now, that they’re not heavy sleepers, and his dad should be snoring like a freight house. 

Danny reaches their bedside in seconds, hand outstretching for the covers, “Momma? Dad?”

Not all deaths are created equal. 

But many of them are accidental. Unmeditated. Shocking.

Danny Fenton finds his family dead in his childhood home. He runs to his neighbors in hysterics, inconsolable, in tears. Nine-one-one is called, but there is nothing that can be done. They were dead for hours by the time Daniel Fenton returned home. 

He sits on the front steps of the neighbor’s house beside FentonWorks, his jeans slowly becoming wet from the snow that was unable to be scraped off, and watches the paramedics cart out his family beneath white sheets. There are police cars blocking off the street, yellow tape blocking off his house, red-blue lights lighting up the block, an ambulance on the scene. He is wrapped in a shock blanket, and he is missing his jacket and his shoes. His tears are freezing onto his face, he can’t feel the chill. 

Not all deaths are created equal

But all of them are unforgettable. 

[cry-ptidd]

Expression study ft Laura and Alucard who look just about fucking miserable

[primus-why]

I Feel TFOne Could've Handled This Better...

Hot take but I feel like folks have been really generous with the take that OP was unable to find ~the perfect words~ in the heat of the moment (and thus should be given some grace) when he told D to stand down and "not be like Sentinel"... namely cuz I don't feel that the narrative supports this?

Like-- after all is said and done, OP doesn't reflect on that part of their split. He doesn't have a moment where he seeks validation or voices his regrets over the choice of his words, it's actually cut-and-dry. The narrative (as it stands) supports that OP saw D-16 acting up, so he called him out and stood on business, down to the last scenes where he's basically like "yeah it's a shame but y'all knew I had to do it to 'em."

It didn't have to be much! I'm not saying to absolve Megs, just show OP looking at things from a different perspective/contemplating a bit on that tough choice and the morality of the moment. Some examples of what I wish we had:

B-127 straight up blurting the obvious by later chatting with Orion like, "Wait so you told your best friend that he was acting just as bad as the guy who enslaved us for our entire lives and was torturing him like an hour ago? Oof. Seems kinda harsh." Then have some of OP's regret show on his face.

OP asking Elita-1 after Megs is banished if he did the right thing. Have Elita back his choice up, saying, "You should have seen what he did after you were... gone. It was terrifying. I know it was tough, but you made the right call." OP is grateful for the support, but a conflicted look still flashes across his face before he steels himself to look out towards the horizon... and the future.

Have OP walk past other mechs/former miners who didn't go with the High Guard saying stuff like, "Wish I could've given Sentinel a piece of my mind!" "Yeah, but I'm glad he's gone for good." "Ugh I miss everything." "Oh, it was crazy! Megatron picked him up and then he rrrrriiipped-- oops, hey there, Mr. Optimus... Prime... sir?" And have OP wave hello, looking a bit sick when they leave.

Post-credits scene with Starscream going on and on, asking Megs when they'll be back to teach the upstart Prime a lesson. Megs grabs his face to shut him up. "Patience, Starscream. The Prime thinks I'm no better than Sentinel... but I'll show him. He wants Iacon? He can have it. In the meantime we'll take the rest of the planet! Then I'll come back, crush Prime under my heel, and we'll take Iacon too. Sentinel's reign will barely be a footnote, because I'm about to become Optimus Prime's worst nightmare." The vocal performance would really need to sell this-- like picture Megs saying something like that from a place of anger and hurt, not so much a place of genuine evil or malice.

Basically instead of Orion's assertion being backed up as black and white/good vs bad, I wish we had some different opinions/reactions from the characters sprinkled in there. Like you can't tell me out of allllll the miners who weren't strong enough/willing to go with the High Guard and ended up sticking around that NONE of them were like "eyyo honestly?? Kiiiiinda glad Sentinel is dead. Wish I could have helped, tbh." like come onnnnn...

And you can't even argue that he's not an active threat-- I don't think everyone would see things that way! It's not just about the threat he physically has, but the threat he represents and is very likely to act upon if given the opportunity! He has a proven track record of not only being sneaky and conniving, but also capable of dealing some serious damage/killing people bigger and stronger than him, plus he has the backing of the Quints. All he'd need to do is wriggle his way out of jail and run off to his sponsors, then he'd probably be back to hurt more people! (If the Quints didn't just kill him out of incompetence lmao). There's a lot of "ifs" here, but I think it's a valid argument that not everyone would agree on what is the right or wrong way to handle Sentinel once he was down long enough to, like, do something about him.

I feel the situation needed a bit of nuance. In some way I wish they had kicked the can and had D and Orion bicker while Sentinel escaped, then have D get frustrated enough by the loss of Sentinel to point fingers (and his fusion canon) at Orion, who then falls and becomes OP. (Megs could still show some of thar emotion/remorse right after he does it too.) Not only would this open the door for a sequel, but tbh the Quint might have just killed Sentinel anyways and sought to deal with the miners uprising themselves lol. (Maybe that could have been an after credits scenes too instead of the B-127 bit??)

Would love to see a moment in a sequel where they have a calmer moment after arguing for a bit. Have OP mention how Megs was out of line, that it hurt and even scared him to see him act that way, and Megs can quietly point out "you said I was as bad as Sentinel... is that really how you see me? After everything we went through?"

Then OP can fumble the bag again lmao like "D, I... I'm sorry, that didn't come out right... but you still took things way too far..."

"Why am I not surprised-- your opinion is what matters the most! Maybe that's why you became a Prime, since you're so good at acting like the world revolves around you--!"

*gets interrupted by someone else before another yelling match ensues*

[torchstelechos]

Loop is like, Bad Bitches Stay Winning! And then promptly falls on their face drunk as hell cause they were crying in a bathtub in clothes they stole from Siffrin while day drinking.

[makotonaegiunderstander]

something I’ve been thinking abt is how many people think Makoto is immune to despair. I don’t think he is. I think becoming the ultimate Hope was BECAUSE he felt despair. He wouldn’t have fully reached that point without Junko. Makoto becoming such a beacon was his last attempt to avoid completely falling and it wasn’t because he didn’t feel despair, it was because he was too damn stubborn to allow everything to go to waste and he refused to sacrifice his beliefs for someone else’s. His inner monologue tells me he DID experience the same new low the other suvivors did in the final trial, but at the point where he had the choice to give up and die, he looked at the others and he looked at Junko and he couldn’t allow it to happen, not out of self preservation, but because the idea that Junko would have control over their lives made him FURIOUS. and that utter refusal to die kicked in, wether luck or otherwise, and he made the concious effort for one last push while something in him was breaking. He had to be broken in order for the Ultimate Hope to come through so aggressively, bc it could only exist in the face of the Ultimate Despair. He snapped the same way she did, but in the other direction. In what could have been his final moments he chose to embody everything Junko wasn’t, and every single optimistic and luck fueled ideal in him suddenly charged forward and pushed him. It was a combination of the final straw and a choice. Makoto isn’t immune to feeling despair, he’s just too stubborn to fall into it of his own volition. I think that’s why I like that scene in DR3 so much. People were SO SHOCKED Makoto actually fell for the tape, that he actually became despair for a moment. I saw people getting mad or disappointed, saying it was pathetic and Makoto seemed to fall from some sort of pedestal for them. Honestly part of me wonders if that sort of mentality, which clearly people had in universe, affected Makoto a bit. Like he started to see himself as less of a person, subconsciously. Prompting him to take more risks, less self preservation, act way more bold. It seems he has to be reminded a lot not to put himself in danger by his friends, to not do something too reckless. All over the place I would see in regards to that scene either this frivolous ‘oh this was just angst drama with no meaning behind it’ or ‘he can do better than that. he’s so weak’ or ‘come on, there’s no way he’d fall into despair, he’s the Ultimate Hope!’ This kind of mentality, which was kind of ironic considering Ryota was there the entire time saying the same thing and treating Makoto the same way. Like Makoto was superhuman. Like Makoto didn’t feel despair the same way ‘normal people’ did. In a way that was also how Munakata saw Makoto. Makoto stopped being a PERSON to the world when he became Ultimate Hope, he became a concept, a belief system, much the same way Junko ascended beyond herself. But the difference is that treating Makoto that way is the opposite of the reason Makoto became such a representative for hope. He wasn’t doing something no one else could. He was doing something everyone had the chance to, he just… was a little more optimistic, a little more stubborn, a little more ‘gung-ho’ about things. He just took the lead where no one else did, where no one else knew they even COULD in the face of Junko’s unstoppable force. She had overcome the biggest threats and obstacles in the world, what could one person do? And the answer Makoto found was, anything. Everything. It doesn’t all rest on Makoto, he’s just the one that was inspired to try to do what seemed like the impossible. But as evidenced by the change in his friends after that trial, it’s clearly not something only Makoto is capable of. The others pulled out of despair thanks to Makoto, but it was their choice to do so.

“But… this world is so huge, and we’re so small. What can we do…? No, we can probably do anything. Yeah! We can do anything!”

[the-broken-pen]

could you write a snippet where hero and villain both show up at the same time to rescue civilian from supervillain please?

The hero’s pulse pounded in their ears, panicked and so loud–there was so much blood, oh god, they couldn’t tell where it was coming from–that they didn’t hear the villain behind them until they were slamming their elbow back into their ribcage. The villain caught it with one hand, running their gaze over the hero and their blood slicked hands as if assessing for injuries. When they did the same to the civilian, the villain went so still the hero wasn’t sure they were breathing.

The hero felt a little dizzy, actually, and they were trying incredibly hard not to cry, because that was their friend on the floor and they were never supposed to be involved in this–

“Hero,” the villain’s voice was stern, but not unkind. “Breathe.”

They choked on their next inhale, and the villain pressed against their chest with one hand until they breathed out again. There was something about the villain’s face, smooth and unyielding like stone, that pulled the hero into focus enough for them to suck in another breath.

“They need help,” they managed to gasp. The villain gave them a singular nod in confirmation.

“Yes. They do.”

“We need to–”

“You,” the villain interrupted, “need to calm down.”

“They’re dying.”

“And that’s not going to change if you’re too panicked to see straight. So take. A deep. Breath.”

Miraculously, the hero did. It was easier on the next breath, and the next, until their vision was clear and they could see the horror in front of them with all too much clarity.

The civilian was still breathing.

The villain released the hero’s elbow as soon as they realized the hero wasn’t about to panic again, grazing their fingers over the civilian’s tattered clothing in search of the worst wounds. They prodded something and the civilian winced, face bruised and entirely, blessedly, unconscious. “Pressure,” the villain gestured, and the hero. complied.

The hero knew better than to let up when the civilian, abruptly half-lucid from pain, tried to bat their hand away, but bile still rose in their throat.

“How are you so calm,” they said, and even they could tell their voice was slightly too close to hysterical. The villain glanced over at them, eyes dark, before ripping a makeshift tourniquet to tie around the civilian’s leg.

“I panicked once,” some memory, deep and dark and full of pain, flashed through the villain’s eyes. “I promised I wouldn’t do it again.”

The hero took the wad of cloth the villain handed to them, pressing it back down over the civilian’s stomach. It turned red under the hero’s fingers far faster than they would ever have wanted it to. Not that they would ever want it to, but if someone was bleeding they would at least want it to be slow–

“Oh,” they managed, voice strangled, and the villain took a moment to assess them once more. 

“Breathe,” the villain reminded. “They’re not dying. They’re beat up, but they’re stable. Emergency services are already on their way.”

The hero watched more blood well up around their hands. Pressed harder.

They would be digging red flakes out from under their nails for weeks.

“You’re normally calmer,” the villain remarked casually. If the hero’s brain wasn’t so stuck on the image of their friend bleeding below them, they would have recognized this for the distraction that it was.

“They didn’t choose this,” they whispered, throat raw. The civilian didn’t have powers, and they hadn’t chosen to use them for good or evil. They just lived, so kind and so normal.

“Neither does any other bystander,” the villain said.

“They’re my friend,” the hero willed the villain to understand, somehow, the enormity of this. The pain of knowing that it should have been them on the floor, that supervillain had done this because the civilian had been there and the hero had not.

A mistake of epic proportions. The biggest failure of their life. Not being there.

“So?”

“So it's my fault,” the hero’s voice broke, and they ducked their head down to hide the tears as they welled in their eyes. Distantly, they could pick up the barest trace of sirens, almost out of reach of their enhanced senses.

“Hero,” the villain said, voice gentle. “If it’s anyone’s fault, it’s mine.”

The hero shook their head–

“No, listen to me,” the villain’s voice gained an edge to it. “It’s not your fault. I pissed supervillain off this week. They know the civilian is my friend. This was deliberate to hurt me, and I need you to get it through your thick skull that there was nothing you could have done to stop this.”

The hero wasn’t sure who the villain was truly saying this to–the hero, themself, or the version of the villain that had panicked so long ago, and suffered for it.

“I could have–”

“You couldn’t.” The villain’s stare was all encompassing. The hero wanted to believe them. “Stop blaming yourself for the pain other people are causing.”

“That’s kind of my whole thing,” the hero tried for something light, airy. The both of them watched it fall flat off their tongue.

“No, it’s not. Your thing is saving people, not beating yourself up over everything you think you could have done better.”

The hero didn’t have a response to that. Just stayed staring at the villain as the ambulance skidded to a stop, the red lights flashing off the villain’s hair and eyes.

Someone reached for the hero’s hands, still pressed tightly to the wound, and they flinched away, gritting their teeth. 

The paramedic raised their gloved hands as if comforting an animal. “I’m here to help,” they said slowly. 

It felt terrible unclenching their hands, letting the paramedic take their place, sliding the civilian onto a stretcher an unending minute later.

The hero swallowed hard, knees numb against the pavement, and let the villain hook their arms under the hero’s armpits to haul the upright.

“Alright, there we go,” the villain murmured easily. The hero tracked the paramedics as they closed the doors of the ambulance. 

“I should–”

“No,” the villain interrupted. They seemed to be doing that more often than usual, the hero thought slowly. “You need to get cleaned up, and eat something.”

“I need to go to the hospital, I can’t just leave them alone,” the hero argued. They tried to jerk themself from the villain’s steadying hold, and failed.

“Trust me, they’ve got a whole team keeping them alive. They’re in good company.”

“I’m failing them.” It was an entirely irrational thought, but it stung in the hero’s chest, burning its way into their ribs as an ‘almost’ truth.

“You’re taking care of yourself so that you are able to take care of them. You can’t pour from an empty cup, and you're at empty. So, we’re going to get you some clothes that aren’t covered in blood, a sandwich, and go from there.”

The hero realized between one blink and the next that they were exhausted–bones aching and made of stone, dragging them down further with every second. By the time they reached the villain’s car, the only thing that was holding them up was the villain; the weight of panic and a too long day spent trying to save the entire city pressing down on them.

They were dumped into the passenger seat without fanfare, and if they weren’t so tired, they would have protested about the blood, or question how the villain had gotten their car here.

The villain slammed the door, settling themself into the driver’s seat a moment later. They dug through the center console, too dark for the hero to make out what they were grabbing, before they scrubbed the hero’s hands with a baby wipe. 

They had the engine started before the hero had a chance to look down at their own–now clean–hands.

“It’s not your fault,” the villain said again. Their tone left no room for argument.

“You keep saying that,” they watched as the city lights flickered through the car windows. “Why?”

The villain’s jaw clenched in the periphery of their vision. When they answered, it was so soft and quiet the hero almost didn’t catch it.

“Because nobody said it to me.”

The hero let their head slump against the window, half-asleep as they watched the roads vanish behind them.

“Hey,” they said quietly. They didn’t have to look up to know the villain’s attention was solely on them.

Sleep pulled on them until their voice was little more than an exhaled breath. 

“It wasn’t your fault.”

The villain sucked in a shuddering breath.

“It isn’t your fault.”

Before sleep managed to swallow them whole, the hero swore they caught a single tear streaking down the villain’s cheek.

[skitskatdacat63]

Yes these have all already been posted, but 2023 Vettonso comp post for me because I'm going to have an emotional breakdown

[ganondoodle]

is there a way to get out of that cycle? i dont know whats right to do, keeping my feelings to myself will only lead to exploding at some point and hurt me, but sharing what i feel or think about pieces of media while not wanting to hear differing opinions- and being rly emotional affected by them and unable to ignore it alot of the time.... but also wanting to connect and not feel this lonely all the time ....... but then my opinions being dead set will lead me to being mean and feel guilty for it, doubting myself (what if I AM wrong after all) so if i cant handle that i should just keep it to myself- and im back at the start

"be yourself" can i???? should i???? myself can be mean! i can be agressive! i can explode at people! unnecessarily so! i dont want that!! i feel so guilty and embarassed! wanting to connect only with the people that feel the same as you is a silly and stupid want that will never work and yet i keep trying it anyway!! its all so contradictory!! it only pushes people away bc i can be so unpredictable and mean and yet i am unable to shut up!! i dont know what to do!! i feel guilty for it all constantly!!! i hate it!!!

[lunarharp]

when an obsessed orufrey person plays ace attorney for the first time in a while

[imsaunteringvaguelydownwards]

Tfw ur reading an angsty skk fic and dazai starts getting a little too real

[skunkes]

is it Talon likely to cheat? I'd love to know more abt how your characters see monogamy

so this one's tricky because for example I currently cannot ever see myself being poly irl and the same would go for Al but um here we are with our extra boyfriend. LOL

As for Talon the tagging on that post is more toward his beginnings (in this AU where he's safe with Smunker and Al) because I did originally make him with the intent to explore Male Manipulator character since I always end up domesticating all my #mean characters (which has kinda also happened here. LOL. Did u know Al was also meant to be an asshole when i made him 10+ yrs ago).

Anyway in this context, at the beginning: Talon is a vampire after all, and finally away from captivity where he had to be silent and agreeable in order to keep his health. As well as finally recovered enough from a massive injury, so he goes a little crazy with doing whatever he wants now that he Can do whatever he wants at the expense of others (what he considers Getting Even considering what was done at His expense).

The grief that has followed him for centuries fuels him as he doesn't want to truly form any attachments to spare himself more heartbreak.

His first encounter, with Al (pre smunker) really was Al doing all the heavy lifting in sorting Talon out. So Talon did in fact "cheat" here (though they weren't exactly Together.) Talon would still do stuff like this ("cheating") in attempts to emotionally harm people he encountered. Luckily Al didn't really gaf because again, they weren't actually Together, it was more casual. But Talon could easily be feigning a relationship with someone else and having Al be the side piece if this makes sense.

Like he couldn't just be normal about the hedonism, he craved control over his life in the form of burnt bridges, and making others not want to be around him. Anyway at the end of his experience with Al, Talon has immense respect for him and knows that Al won't put up with his nonsense. Talon leaves because this is too close to attachment.

When he returns, momentarily tired of causing dysfunction in the lives of strangers, (Smunker is now in the picture) he has to really balance his cruelty. He doesn't respect Smunker but he can't exactly do the cheating schemes under Al's roof OR in Al's hometown where everyone knows each other, so he's evil to him in other ways ➡️ Of Course He Gets Attached ➡️ Grapples daily with the thought of skipping town to avoid the pain of his beloved mortals dying AGAIN but this is all no longer related to cheating anymore...do u understand me.

Alternatively if he has just stumbled upon Skunker (no Al) he'd absolutely feign a relationship with and then cheat on Skunker bc the bond isn't there yet, and Skunker is easy to do this to/will not fight back/will not earn his respect or affection in these surface level interactions. Do u get me.

[lunaryuwu]

For the trikoto believers, how do you guys characterize mido?