#more fun than catharsis

[mysterymastere]

I can't fix you but I can break you to the point where you can't tell the difference and you work the way I want you to.

[danwhobrowses]

Prefacing that, again time zones, I've only been able to glean the latest CR episode and that I do not agree with their in-character opinions on the gods, I'd like to remind fans to try and not get super ugly about their criticism of Ashton Greymoore.

I'll be the first to throw my hands up and say they're among my favourite C3 characters so there may be bias, but I've been getting flashes of the Shard Incident from reactions towards their recent and vocal disdain for the gods. Disagree with them all you want, Taliesin knows that the gods can't simply leave since they're the one who said that the Wildmother would die if she left, but understand that it's a character flaw and if you recall the hardships of their backstory, the unanswered prayers, and that their only exchanges with the gods have required them to do something or, with the Dawnfather Angel, have been met with cold disregard, it's understandable how they got to feeling that way. Ashton has lived alone and been told they don't matter for a lot of their life; no gods, no family, no nurturing presence to guide them, they've been abandoned, used, and - with additional influence by the Dominox accusing them of wanting FCG to die - are currently between blaming themselves and the Changebringer for their closest friend's death.

Make no mistake Ashton is wrong, I think the self-confessed hypocrite with also self-confessed poor morality knows that deep down, or at least knows that they're not the kind of person who should be in charge. Vassalheim is a difficult place for a titan vessel to be in so it is unsure what they will do from here; perhaps investigate the Earth Titan? Commune with the Emperor and Empress? Or maybe be brought to the gods and be able to vent or reconcile with them (and maybe get some closure with FCG, speak with his spirit as like a mediator between the Hells and the Gods)? But it feels like Taliesin is being vocal for a reason, and it's either to invite Matt to challenge it (I've said in other comments but I would love if Ashton found some comfort, not worship or a pact but maybe just a dialogue, in the Everlight: a goddess of healing, temperance and redemption - all of which would help Ashton mentally - as unlikely as it'd be) or find another maybe primordial route to give Ashton a narrative tether towards stopping Predathos.

Let's just, not be cruel about the character, they are more than just their bad trauma and grief-led opinion on gods remember?

[mars-ipan]

kinda funny when ur brain’s gut instinct is repression so you just kinda watch while your stress and emotions get bottled and corked and the whole time ur just like “that is going to bite me in the ass so bad later but i can’t seem to open the damn bottles without getting glass everywhere so! guess we’ll wait”

[wallissa]

Dean would NOT listen to Rammstein. Are we all insane. Oh my god. What’s next, Marilyn Manson?

[floorpancakes]

i refuse to let clamp off the hook for underutilising himawari's fucking fascinating character setup and traits but on a less serious level im obsessed with the concept of her as an instigator of chaos.

like she's way less airheaded than she seems and it doesn't come off like Default Airhead Girl Behaviour or even Default Girl Companion That Ships Her Friends primarily (like not as hard as some other series by comparison I mean she's very I KNOW WHAT YOU ARE by default) specifically she just seems like someone that thoroughly enjoys being a little shit in a sincere way and giggling at her dumbass friends and has a shade of high emotional intelligence about it all. like she's just girl of all time. she's i don't know where im going with this just take this low effort meme from when i watched the holic stage play on youtube this isn't a coherent thought it's like 2am ill come up with better thoughts later

[du-hjarta-skulblaka]

Bloodborne update, some of you may recall the last time I played I got stuck on Vicar Amelia for over a month

Yeah I uhh

....I killed her first try.

[chryzure-archive]

reading books is always me going wild at the possibility of how good the drama will be, then being baffled and let down by the lack of catharsis a half-page apology scene provides

[gratisdiamanten]

Tbh I think Daniel is under no circumstances getting that second seat - or at least it won’t happen because checo isn’t performing well- more likely to happen if he keeps winning and they want someone who’s less of a threat. If I were a Daniel girl I would be hoping that against the odds Alonso wins the whole thing and then immediately retires and Daniel gets the Aston Martin seat. Less narratively pleasing perhaps, but more within the realms of possibility

I'm by no means operating within the limits of reality, I write fanfiction. I just get irritated by Daniel girl delusions...

[arodrwho]

hey uh y'all

u know ppl can read ur bookmark notes on ao3 right? u know those arent automatically private?

[eowynstwin]

i’m drooling at ur older bf price (not much else to say except when/if u ever have more thots abt him please share 🙏)

previous

You curl in on yourself after sex, sometimes. It’s a pattern Price has noticed—you’ll finish, then he will, and in the humid moments after, the shutters in your eyes will close. You won’t meet his gaze.

He’s only asked once about it, and it had been so clear that the question disturbed you that he hadn’t pressed. You’d tell him, he reasoned, when you were ready—

(And he could nudge you in that direction in the meanwhile.)

The sink is put back together, cabinet door closed. Your sundress is wrapped and twisted around your midsection, naked breasts wet with his saliva and compressed against his chest as you lay panting on top of him. His shirt is in some far-off corner, thrown aside, and his jeans are around his knees.

“That was nice,” he murmurs in your ear, kissing your hair. He makes a home for his fingertips between your shoulder blades, walking the trail of your spine, up and down, slow as a tide.

“Mm-hm,” you say, out at sea. Far away.

He can’t deny that it disappoints him. But it isn’t about him, and he shouldn’t make it so. Even if it is about him, it isn’t actually about him—it’s about something else that has attached itself to him. Things are like that more often than not—deeper, older problems with hooks, the barbed kind that sink in and cling and won’t come out of their own accord.

So he keeps kissing your hair, and he keeps stroking your back. His softened cock hasn’t slipped from you yet, and he makes no move to dislodge it. You nestle closer to him; shift your body over his, a little, just for the feeling of it. He waits for the sigh—the long, steady breath you take after the act, after you’ve found yourself again in wherever it is you go after moments like this.

“This is probably weird to talk about after sex,” you say, and Price’s ears perk up.

“Nothing weird between us, dove,” he encourages. “What’s on your mind?”

You play with his chest hair a little, twirling it around with the manicured ends of your nails. (A manicure he happily paid for.)

“You’re the first man who’s ever given a damn about me,” you mumble into his neck.

“I’m sorry to hear that,” he says honestly. He kisses you again, because he wants to, and because he wants it to comfort you.

“You don’t make me feel stupid for not being able to do stuff on my own,” you continue. “My step—my mom’s husband. He used to make fun of me for, for getting confused about changing my car’s oil. Or he’d get annoyed at me. Or I’d need him to change my tires because I can’t do it on my own, and I’d call him for help, and he wouldn’t pick up the phone.”

“He sounds like a piece of work,” Price comments.

A younger version of himself would have offered to beat the shit out of the asshole. That self’s anger on your behalf sits radioactive in his chest even now—corrosive, roiling, righteous fury, ready to carve your name on whatever offal is left over after Price gets through with him.

But that would be for his own ego, not for you. That has no place here.

“Do you know—” and your voice breaks a little, “do you know how bad it feels when a man who’s supposed to look out for you treats you like you’re an idiot? Like you’re not smart enough to be worth helping?”

“Some,” he says. “It’s an awful feeling. I wish you didn’t know how it felt, dove. I’m sorry.”

He feels something warm and wet drip onto his chest, and your shoulders begin to shake.

It’s not the full-body, wracking cry of catharsis. Just an episode of something longer, something tired. A problem dealt with, over and over again—a wound that reopens sometimes, if it’s pulled the wrong way.

Price gathers you closer, wraps his arms around you tighter. He cups the back of your neck with one hand and murmurs “shhh” into your hair, soothing and quiet, squeezing you against him.

“I’m okay,” you say, a little watery. “Really, I am.”

“I know you are,” he says.

He tilts your face toward his, and kisses the center of your forehead. You meet his eyes with your own, wide and glistening with your tears.

“I’m always gonna help you, dove,” he promises, catching one that falls with the edge of his thumb. “And you can always ask.”

-

No I don’t have daddy issues why do you ask

[visibun]

...actually, to hell with the poll

I've openly shared those shots with enough people who Liked What They Saw enough to admit blatant thirst to me for me to feel comfortable enough to just throw it here too because I'm on too much of a self-love roll here now

So, uh. No nudity or anything beneath the cut, but enough skin to make this feel necessary to do... so like.

There's the rabbit with a sudden thirst trap addiction;;;

[dellamortethelesser]

“why can’t we kill Illario” isn’t it more fun to deny him the catharsis of punishment. lucanis said it himself that there’s nothing worse he could’ve done than humiliate illario in front of every house. isn’t it more humiliating to be forgiven and loved despite all the awful things you did. by the person you did them to?

[bengiyo]

Ben's Big BL Blurb 3: Blue Canvas of Youthful Days Blew It, But I Still Recommend It

I finished Blue Canvas of Youthful Days today, and I don’t like where we left off with this show. Let’s get into that, and then check in on some of the other shows I’m watching.

Blue Canvas of Youthful Days Didn’t Give the Audience Catharsis

I don’t begrudge the show going for a happy ending, given how so many other BLs from their home country end with sudden traumatic turns. However, I don’t feel like we got catharsis from the ending at all. I struggle to full articulate my frustration here, but I think I just really wanted an ending akin to Weekend (2011) or Gameboys 2 (2022).

I think these two were in a position where they were unable to be together now, and I think they should have ended on a separation. When Cairo and Gav had to separate at the end of Gameboys, it was the correct choice. They were still building their lives, and Gav wasn’t doing well on his on. Similarly, Blue Canvas established a scenario whereby Qi Lu did not have the power to stop his father from harming Qin Xiao. Likewise, Qin Xiao couldn’t keep the local gang from beating Qi Lu.

I would have preferred they have the boys confront that they were hiding things from each other, and how they both failed to protect each other from the horrors. I am disappointed that we didn’t get a poignant goodbye from them as they accept that they can’t be together right now. I wouldn’t have minded so much a blurb at the end of the show with the pitch for a season 2 that they didn’t get to film (though @thisonelikesaliens commentary makes even what they wrote dour). We didn’t confront the issue with the dad at all, and we didn’t deal with Qin Xiao losing all he’d worked for.

Genuinely, I would have been okay with them getting a tag at the end of the show with them seeing each other on the street again and sharing a meaningful look. However, we never saw them face the music of their double noble idiocy, and that sucks. It especially sucks because we had Let Free The Curse of Taekwondo this year, and so we saw the consequences of this. We could have had these two railing against the world and promising to see each other again. The tag at the end of the reuse of the fantasy sequence feels tacked on and unearned. That kinda sucks more.

Final Verdict: 8, Recommended With Reservations. I really liked most of this show, and I think they wrote some phenomenal characters until the finale here. Like @lurkingshan I ended up not pleased with this ending. I am disappointed in the lack of resolution about the withholding, and I think they needed to face the separation and goodbye. However, I really liked the cast, and I respect the team that worked so hard to get this to us.

On to the rest of the show, presented in no particular order…starting with the worst. I’ll put in parentheses what episode number I’m on as of this post.

Haunted Hearts is Boring (5/7)

Magic, mah friend! Your show is boring. I do not know why these boys won’t kiss, and at this point I feel like I don’t care anymore. They’re introducing yet another ghost next week and I just am so disinvested. I try so hard every time to support Oxin Films and Regal Entertainment, but they make it so fucking hard. Holy shit. There’s only so far the boys being cute can carry a thin concept like this.

City of Stars is Better Than I Expected (2/12)

I am catching up on this show. The acting isn’t great, but I’m really enjoying a lot of what’s happening here. I will report back when I finish.

See Your Love is Fun But Kinda Weird (7/13)

The visuals are great in this show, and the leads are filling in the aesthetic gap left behind by Jimmy and Tommy in a way that really works for me. There’s been way too many pratfalls in the last two episodes. We are at 1.5 pratfalls per episode at this point. The side couple is absolutely ridiculous. I’m having fun.

Caged Again is Becoming a Favorite (4/10)

Junior is the best protagonist of the year. I’m obsessed with this penguin boy. I love the way this show uses its supernatural elements to drive its storytelling forward, even if I think the plot got a little silly in episode 4. The friend group dynamics are so fun, and I haven’t enjoyed a group of Thai boys this much since Knock Knock, Boys! (no surprise, two of them are in this show, too).

Your Sky is a Weekly Delight (3/12)

The 2gether rewrite show is great, and I will be reading no commentary to the contrary. These boys are so great, and they are one of the best couples of the year. This show is doing fake dating in a way that’s just so excellent, because it’s real dating! The boys are genuinely trying to get know each other so they can pretend to be a better fake couple. This is so close to being excellent meta commentary about dating in the digital age, and how so much of dating for the current generation is about how others perceive the validity of your relationship. It’s actually so fun to watch a show where the characters are doing all the things you’re supposed to do when you’re trying to build something with someone, but one of them doesn’t fully understand what they’ve gotten into. This show is great, and I love it.

Love in the Air: Koi no Yokan is so Slick (5/10)

If there’s one thing a Japanese drama is going to get right it’s trauma! This show delivered on Kai’s horrors in a way that was so visceral that I needed to pause and catch a breath. I remain obsessed with the casting of Nagatsuma Reo as Kai, because he’s taller than Suzuki Asahi sometimes. I really love that they didn’t give us the BL height difference trope, and I like that they didn’t style Kai in a way to make him look more feminine. There’s a egalitarian physical balance between Fuma and Kai that I find extremely refreshing, considering the massive class, wealth, and suffering gap between the two characters. It’s no surprise that we’ve had a dearth of gifs of their sex scene, considering it doesn’t play to the kind of asymmetric aesthetics that folks seem enjoy in their pairings.

As always, the Rei and Kai friendship remains one of the best parts of this story, and I like the way this version of Sky talks to this version of Rain about the queer stuff. He feels like he’s being careful with his friend, and not just ghosting him on important conversations about his friend’s sexual awakening (one of my major gripes with the original Thai adaptation).

Our Youth is Taking Over My Brain (4/11)

I have not moved on from the “Infect me” line, and I am still obsessed with the plausible deniability of the “no homo” that Hirukawa relies upon as he continues to pursue Minase. Now that Minase has reached his breaking point, I’m so looking forward to seeing where we go next. We’re due for a major separation, and I’m ready for a Japanese BL to not fuck up a second chance romance attempt this time. Perhaps adapting Korean work could the solution?

Spare Me Your Mercy is a Welcome Return to the Sammon Feeling I Enjoy (1/10)

I just really love when Sammon shows feel like the mystery matters more than the romance, and this feels like it’s in the correct space. I loved the initial setup, and the potential for there to be multiple murderers. I really hope that they start killing younger people in this show, because they said there were only 40 palliative care patients, and we downed three of them in the first episode. I’m so happy to see JJ again, and Tor looks great. I am looking forward to the weekly watch and theorizing with this show. Most importantly, I’m looking forward to the complex meditation on euthanasia, which this story feels like it’s taking seriously.

Love is Like a Poison Finally has Given Us a BL Battle Couple Again (11/12)

We haven’t had a BL battle couple in what feels like forever. I love that this show continues to reward us for believing in Haruto and Shiba. Haruto’s dad is the absolute worst, and I really want him to lose. I love Shiba, and I love that the show continues to give him some of the visual tropes of a legal drama (like the pan up near the end). I’m in love with this show, and it’s going to be one of my favorites of the year, I’m sure.

Fragrance You Inherit Hurts Me Because Everyone is Doing The Right Thing (4/8)

This show is actually so painful sometimes, because no one is doing anything wrong. Everyone is being as emotionally honest as they can be with everyone they speak to about all of the things that are going on. There’s absolutely nothing wrong with Sakura choosing to let go of her lingering crush on Mone now that they’re both moms and their kids are dating. Besides, we presume that Mone is still married! The conversation with On-chan makes me think that Mone misunderstood the relationship Sakura had with him in college (My man is ace but not aro! We love to see it).

I just really love that everyone is trying to do right by everyone around them, and I think all of the things that remain unspoken in this show have been withheld for completely valid reasons. There are no villains in this story, and that makes it even harder to watch really kind people treat each other politely in every scene. I’m just feeling a quiet scream in me the entire time I watch a good son by a thoughtful gift for his loving mother with the help of his supportive and lovely girlfriend, as he prepares a surprise from the old friend who clearly still cares about her friend and the unrequited/unexpressed feelings between them. This show is incredible. Go watch it right now. Thank you again to @isaksbestpillow.

Conclusion

That’s more shows than I’ve been watching in a while. It’s nice to have some Thai shows back in my rotation that I’m actually enjoying. I really want the Chinese to now fuck up their endings, but it seems like 2024 will not be that year. I’ll try to check in with the end of Love is Like a Poison when the Netflix release schedule completes so folks can binge it then. In the mean time, let me know what you’re enjoying, and what else I should consider picking up.

[temporalhiccup]

There are many different reasons to play ttrpgs, and sometimes creative catharsis is one of them.

Certainly it's a reason's Bluebeard's Bride is one of my favorite games, or why it's fun for me to play emotionally vulnerable characters in Bite Marks and Apocalypse Keys.

A couple of months ago I started playing DIE with some close friends, and a couple of new players I haven't had a chance to play with much. But it's a group that's played with each other often, and DIE has a really emotionally rich and complex premise we were excited for: "In DIE, you play a group of authentically flawed and desperate real-world people (Personas) who are sucked into a cursed roleplaying game and take on the form of heroes, villains and power players (Paragons)."

So I made a conscious decision to create a transmasc character and delve consciously and deeply into the act of catharsis. I have played trans characters before, (arguably ttrpgs are one of the ways I explored if I was trans but that's another story), but this was the first time I wanted to pull at the threads of my own confusion and sadness, trauma and regret. To work through my grief.

In real life, it's difficult to put into words the grief I am going through with my parents. It's a complex issue, but one of them is that my parents have always seen as me as their daughter, and all three of us cannot imagine me being anything else to them. My father has always pointedly interacted with my brother as a son, and has always faltered when I failed to act like the daughter.

It's hard to grieve because there are thousands of subtle nuances—their love for me, borne from endless sacrifice and hope, also places chains on me. To break those chains is to break them, to keep those chains on is to break me. I have broken myself over the decades, again and again, and there is never a shape that will please us three.

So for DIE I created a more intense caricature of fatherly trauma. Almost cartoonish in his abuse, with no room for nuance. Somehow in describing the black and white nature of this fictional father, and how it shaped my character, it's easier for me to see the shades of grey that my real father is. It's easier to find the shadows of me there too.

I realized today that in DIE, this traumatizing figure also contains the fear I had. Conditioned to be a woman, where my very existence can trigger violence from men. There are many reasons it took me so long to know I was trans, but one of those reasons was that I could not imagine taking on the shape of an oppressor.

It didn't matter that I knew many men who were gentle, loving, and kind. It didn't matter that what men are does not have to be defined by the patriarchy. Men were dangerous until I knew better. Men could betray my trust and become dangerous once they got to know me. Why would I want to take on the shape of something dangerous and harmful?

Today I explored a part of that. As an Emotion Knight my character draws upon the emotion of loathing—what better way to draw upon an aspect of gender dysphoria? To become strong, to fight, I had to give in just enough to my father's voice, its whispers from the war hammer in my hand. I had to take on his cruelty, the loathing I had for him and myself. I described the danger of falling into unthinking violence, to protect what matters to me. I was standing on the precipice, knowing I was a breath away from going too far.

All of this made it easier to see my real father, standing at the end of a corridor I will never reach. It feels like if I walk towards him, the corridor will stretch on and on, made of all the doors of all the daughters I could have been for him. One of them, any of them, would be better than what I am now.

That moment of catharsis felt breathless. I could feel myself falling towards the doors. Then I looked at the other players, and I could see all of them feeling for my character. Feeling for his pain, for his hope. Watching him stumble towards the edge. I could feel their hearts surrounding mine.

I don't remember what I said to Sherri, in character. I know I wanted her to pull my character back into this fictional moment. I know I wanted Sherri to pull me back into this reality, with her. Away from the corridor. It was enough that I saw the corridor for what it is, that I knew all its doors. That I knew they could never be opened.

This dance of catharsis feels safe. It's hard to describe how it's still fun, and wonderful, to connect to my friends' characters. To check-in and feel out if we were still having fun, trusting in the play, trusting in each other.

The game session ended hours ago, and we'll play again next week. But the corridor is still with me, and I feel it stretching behind me. I feel all its doors. When I close my eyes, I see my father's back, walking away from me.

Maybe next week I'll try walking down that corridor. Maybe I'll call out to my father, knowing he won't turn around. Maybe I'll leave it behind. Maybe I won't do anything for now, because grief takes time. I don't know.

I just know that I'm very grateful to be here, to be loved, to play. I'm grateful for the stories we tell together, and how it can help us retell our own stories about ourselves.

This story of grief is hard, but I'm grateful. It means I chose to survive, to live, to be me.

It hurts to choose myself over my parents love for me, but I'm glad I'm doing it. I'm choosing all the people who love me, who see me when I cannot yet clearly see myself.

[thefrogman]

Back in the olden days, if you used the "keep reading" function on a Tumblr-dot-com post, it would

not get very many notes.

At all.

I am not sure exactly why.

I think people hated pressing an extra thing.

But maybe it was also a psychological phenomenon where, given the choice, they were unwilling to trust me with their time.

But if I sucked them in with a good story or a compelling image, they would get serious FOMO.

When I created a super high effort post-of-length I would get comments like, "This was way too long but before I realized it I was reading the last sentence."

That was a really good feeling.

I used to do tests to figure out the best posting strategies and I think I figured out you'd lose about 90% of your notes if you did a "keep reading" post.

So that notion was ingrained in my brain again and again from when I was very note-obsessed and I have since avoided the "keep reading" option almost like a conditioned response.

Just seeing that squiggly line appear still induces a Pavlovian fear.

But that was probably a decade ago and I did a new experiment. My story about replacing my mailbox did reasonably well with a strategically clickbaity "keep reading."

This was a promising result due to the fact that some people like to send me hate for writing a lengthy post.

I recently got a death threat for writing too much, which was a fun reminder of my M&M days (I melted men's rights activists' brains with a poorly worded analogy and they launched a years long harassment campaign).

It seems in present-era-Tumblr-dot-com many more people prefer pressing an extra thing rather than scrolling a bunch on their smartphone. The collective behavior has changed. And maybe I don't need to use tricks and running gags in order to get folks to "keep reading".

Unfortunately I started writing that ring light post a few months ago so I wasn't able to include that in the experiment. But I am going to try using the keep reading function in the future and as long as the average number of folks that usually read my longer posts continue to read my posts, that will be the standard approach.

I also tag these posts with "long post" so you can flag that if you wish.

While I am no longer in the audience-building phase of my Tumblr career, these essays and stories and educational posts take a considerable amount of time and effort to create, so I do want to make sure everyone who wants to read them is able to. But posts without hearts and reblogs can quickly die a gruesome algorithmic death. Even my most ardent followers would tell me things were not showing up on their dash. (I think replies help mitigate that, so if you like a long post, you can help with engagement.)

The collective noun is a "business" of ferrets.

Do you want to see a business of ferrets ready to do some business?

KEEP READING

I love writing and it is a huge catharsis for me. And I love sharing any knowledge I feel like I have the earned expertise to speak on with authority (technology, photography, light, fun ferret facts, etc). I wish I had the energy to be a photography teacher, but long posts on Tumblr are probably the best I can do for now.

I know my posts are super long, but I try to make them as fun and informationally dense as I possibly can. I don't like wasting people's time if I can avoid it. Though maybe I should trust my follower's attention span a bit more. I have this fear that if I am not constantly entertaining, people will click away or unfollow.

I think a good business for a business of ferrets would be selling pool noodles that look like ferrets.

So as long as I get roughly the same amount of notes I will do the keep reading. And then maybe people can lay off on the mean comments and occasional requests to end my own life because I bloviated about soft light.

100% true ferret fact..

If you ask a ferret what their business is, they will crawl on your shoulder and whisper in your ear...

[sarahreesbrennan]

Thank you for writing Long Live Evil.

I'm no cancer survivor, so I haven't been through the horror that that must've been, congratulations to enduring and surviving, and my sincere condolences that you had to go through it.

But I am chronically ill (cystic fibrosis, genetic defect) and have so far lived for 5 years longer than my prognosis allowed. My health's been good and stabile for a long time now, but I remember times where I couldn't walk alone, had a 18/6 nasal cannula and a 24-hour IV drip instead of school or a future.

Now I'm working at university, an archaeologist, chipping away at writing stories for years and years, and incredibly glad and privileged to see the world. All this to say that seeing how hurt Rae was in the beginning (and again throughout the story, while also never truly forgetting her true roots and motives) and how she grew around it like a gnarled tree, was like catharsis for me. Having miraculously given a second chance, no matter how hard the fight to keep it will be; I haven't ever read any story talking about this in a way that made me feel seen and understood like this. Thank you also lots and lots for taking the time to mention Rae's appreciation for Rahela's curves — it's been the same for me, since I've managed to get out of the underweight-trap. It means a lot to me, and I guess to many others in similar situations, including you of course. Thank you for sharing this with us, it must've been hard to touch on a deeply personal experience like this in writing that's simultaneously removed from oneself through fiction (at least that's what I'm imagining).

Thank you, and I wish you nothing but the best, health, and lots of good days to come. Deeply curious to see how Rae's story will continue!

Thank you so much for this.

I am so glad you are alive. Thank you for that, too - for living on even when you couldn’t see a way forward and everything was helpless despair.

I haven’t been through what you’ve been through, either, but it’s a privilege to have shared adjoining experiences trapped in darkness, and to share gladness and the wide world with you now. I’m so sorry it happened, and so happy you have archaeology and stories, and the world has you.

I will be totally honest and say it has been hard sharing Long Live Evil with the world, and I’m so grateful to you for knowing that, and for sending this message because you knew. This book is highly personal to me, but it’s also meant to be a wild celebration of messiness, escapism, and finding humour in art and darkness. And that means to some it’s just a joke, and in the words of Joanna Russ, ‘she’s not really an artist and it’s not really art.’ And so it gets dismissed, and it does hurt to see my most important story dismissed sometimes.

I was with other writers in a public space at one point and they were talking about how their books were about serious issues while ‘Sarah’s book is just for fun, and that’s fine too!’ (I had to take a minute before I could lean into my microphone and say ‘My book is about cancer’ in a cheery tone.) I’ve seen readers saying ‘this book’s just fluff, just silly, I’m ashamed of myself for reading it, there’s nothing to it’ about the book I wrote about almost dying.

My Rae, while of course she has bits of me in her (every character I’ve ever written does), and evil queens I’ve loved, and characters with wild hubris going on in the Greek plays I mention often in the book, and readers I’ve seen and I’ve been who are blithely confident they know what’s going on without doing more than surface reading and while forgetting key details… she’s also bits of women and girls I’ve mentored, been mentored by, befriended. And some of them are dead. So seeing the bits that were them particularly scorned or judged, seeing her pain dismissed or the discussion of her body sneered at…

That has been hard.

But.

In the end I believe I am really an artist and this book is really art, and art is there for the wide world to judge - to be mocked and dismissed, yes, as a price that comes with the opportunity to also be truly seen and appreciated, to get to influence real people’s real lives. Art is the gold that comes from the crucible in which we put all our pain and all our love and all our joys. I believe it deepens and transforms.

I wrote this book about how deeply unsympathetic people actually are to sufferers of illness, chronic or otherwise, and especially to women expressing pain. How the world villainises imperfect victims—which means all victims. How the world villainises bodies, and robs us of our joy in them—even when there’s horror in a body, too. I did know that by putting this book out into this world, that attitude would be reflected back by the world onto the book. And that attitude has hurt me in the past, and hurts me when I see it now.

I still think it’s worth calling out that attitude, even if it means getting more of that attitude reflected back onto me - because it means readers like you see it, and know others have been through this, and it was never okay, and you were never alone. While I know there will also be readers with chronic illnesses and/or cancer whose experience doesn’t overlap with mine at all, that only means there need to be more stories. So everyone who needs it gets the map into fantasy lands.

And I do hope some able-bodied readers read it, and think twice about adopting the world’s attitude to the people in their lives who are already going through enough. Some readers have told me the book helped them sympathise with and understand the cancer sufferers in their family and friend circles, and that’s meant a great deal. What do we write for, if not to learn to love each other better?

Long Live Evil has also given me my life back, as truly as chemo did, in a way that makes the pain worthwhile - I think I would have kept telling stories in some form, but Long Live Evil was my last throw, for as far ahead as I could see. Now since the book’s done well so far I’m hoping I can write more books, and my life can be the storytelling shape I always wanted it to be.

I read your message and I regretted nothing. I remember the pain and the way so many of us laughed or tried to laugh our way through it, and I know this was my way. Jokes, like stories, are the golden thread we follow through the dark labyrinth of our own agony and incomprehension.

It really has been hard, and it’ll stay hard. But like living, it’s worth it.

Please know two things.

I am so happy I wrote this book. Ultimately more than any other feeling I had so, so much fun writing it, and I’m having even more fun seeing the book be read by the people it was meant for.

2. This book was written for you.