#more country songs should be about

[girlscience]

I know everybody likes to give characters the same 10 songs on their character playlists, but I think the most egregious issue with this is that no one gives them any country songs. I am handing them out to characters like candy. You get a country song, you get a country song, you get a country song.

[corpsentry]

there’s something so epic about hetero chinese period dramas and i think one part of it is that there is absolutely nowhere in the narrative i could exist.

lately i’ve been on a western media detox— i’ve cleaned english language music out of my playlists and have never been able to stomach western dramas anyway, so that part is easy— which might seem funny, because if i’m in singapore and i hate it and i won’t touch american music then what’s left? the answer is the false binarism of chinese period dramas, at least for me. the badly written ones are misogynistic and stupid and the better ones are less of those things, but regardless the world that emerges is clean-cut and easy to parse. there’s someone to root for and someone to hate. there’s a girl and a boy. there’s the comedy and the drama, the sheer thick drama, the music that signals to you precisely how to feel before the scene even starts going

try to jam a fifth culture transnational transgender they/them with 2 mental illness and 1 autoimmune disease into this world and it simply doesn’t work. and that’s kinda epic lolzers! it’s like watching high fantasy, or super hardcore sci-if. it both represents a simulacrum of the real world and is so far from the reality you know that you understand it as a hypothetical universe, one that disincludes you on principle. i exclude myself from the story and in doing so fangfei from moyuyunjian’s steely gaze becomes all the more important. i give so many shits and laugh and yell and spectate. but i am safe from the eyes of its inhabitants. if i entered the story it would break. so i sit outside of it, clapping by myself

in other news, we gave up on mysterious lotus casebook 16 episodes in. there are many character archetypes in these shows that i can no longer stand; the salacious sexy seductive supervillain lady is not necessarily one of them but the way they did miss ‘this man didn’t even Look at me when all men fall at my knees so i hated him’ ‘no one is allowed to steal buttchin from me’ jiao was way up there. surely a woman can have multiple personality traits and yet you would think from this drama that that is not at all true. and the strange harem that grew around li lianhua despite his absolute loser attitude— like i get it, he’s the gintoki of this show, that’s hot, but the way the women who were into him were written made me want to Eat Horse. it bothered me that di feisheng and lianhua’s homo as fuck dynamic was so intriguing and them + fang duobing was a winning trio but all the women in the show were written like complete fucking ass, and one of the big antagonists being a woman, the stakes throughout were not only lost to me but also Pissed Me Off. also, that case about the corpse flowers dragged on forever and all my pocky wilted

I Just Think, women deserve better in these damn stories. make them slutty as hell, sure, but make them other things too and i mean this in the most generous sense. slutty and proud. slutty and weird. slutty and oblivious. literally anything at all so they don’t come out cardboard flat from all angles. this is why i have a personal vendetta against the ditzy clueless female protagonist as well because if everything stems from the fact that she doesn’t know shit it’s like please someone Please tell her shit i’m on my hands and knees begging. give her more to chew on she’s dying of boredom over there

this is why i liked the so called antagonist of blossoms in adversity best (spoilers ahead). he was cruel as hell to huazhi and gu yanxi’s only parental figure. he was paranoid and selfish and lonely and craved a son’s love from the one person he couldn’t hold onto. in the end he is pushed further and further by huazhi, who won’t give in, to isolate yanxi from the people he loves and to lash out at those people as a way of punishing yanxi. and when he dies it’s because of his own distrust, his own negligent parenting, his absent cruelty from decades of insomnia and lack of faith in his people. but he cries for yanxi, and there’s something so human about that. to think of evil not as a first principle but rather an adjective for a verb that is set in motion by other events. to be honest, i haven’t seen such thoughtful writing in any chinese period drama before or after that and i strongly suspect i will never see such writing again in this genre but man, it was so fucking good (spoilers end).

in the meantime, i’ve dragged my mother to moyuyunjian/the double for the return casting of liu xiening and wang xingyue who are Eating so hard. they’ve got wang xingyue done up with the sluttiest makeup and liu xiening is breaking my heart with her pout and her Sassy Mean constitution and this is a revenge story, yes, but it’s a double revenge story. it’s a grief story. and fangfei is carrying more on her shoulders than lingbuyi imo, and doing so with much more grace too. her step mom’s a dick but she’s a smart, 5d chess playing dick who wears hot shades of green so i’m personally interested enough to keep watching (something lotus casebook DID NOT accomplish with their epic female antagonist…. mein gotte). and the princess too. unhinged as hell but god, so charismatic. and beautiful, with scary big eyes and the sweetest head tilt. fun fun fun! that’s fun character writing right there. the comedy might be too straightforward for my tastes but everything else is kind of hot and sexy And after the coming of age ceremony when jiangli appeared amidst the flowers i felt my throat close up even though we saw her for all of one (1) episode). i was like yes. they got me alright. i Care now

really that’s all that matters isn’t it. we want stories about people we care for. we want to give a shit. why else would we listen to the stories of other people. we are looking for us and the people we love in them

oh also moyuyunjian soundtrack goes hard as hell i love a little three step waltz. here’s a pic from the ‘gym’ for ur time. guten night

[sparrownnax]

good fucking god my mother has no critical thinking skills in her goddamn brain jesus christ

[supermysteriouscat]

I got hatecrimed at an event called ‘rhinestone rodeo hoedown’, which first of all that should be a gay event i mean look at that name, but second of all its been a few hours now and all i feel is indignant. Like, that is my space. I am the country fan. What are you doing making me feel unwelcome at an event called rhinestone rodeo hoedown??

[breadandblankets]

as someone who is firmly not a taylor swift girlie i don't fall into the trap of thinking jason would listen to her

However i am a paramore girlie and i firmly think jay listens to ignorance and cries thank you for coming to my ted talk

[ereborne]

Song of the Day: February 25

“Watermelon Crawl” by Tracy Byrd

[natugood]

I have incomprehensible thoughts rn about how many classic American folk songs are kinda fucked up (and many are "sanitized" for modern listening to be less fucked up), and it's wild that we just, teach these songs to children without any context or anything? like, clementine is about a miner's daughter DROWNING TO DEATH as he watches helplessly? Old folks at home is a fucking RACIST AF ass song written by a white dude in the perspective of a slave who has been freed who misses his life on a plantation? when John Henry was sang by miners it often had ad-libbed, graphic lyrics about having sex with women at the end of the work day (as a way to motivate themselves and get them through the hell that was mining in the 1800s), and a lot of our modern versions are just super sanitized? like I get its hard to explain a lot of that shit to kids but like, its often never revisited and those songs are just left as sanitized, incoherent childhood introductions to America when they actually all have great amounts of value and history when put into context!!

[clearancecreedwatersurvival]

Today in highly specific Spotify playlists I’ve made

Love “country woman sick of this shit” gotta be one of my favorite subgenres

[akkivee]

would be lining up overnight to buy their tickets lmao

[leatherbookmark]

my favourite thing abt tumblr mass-finding out about the origins of the “poor little meow meow” phrase is a couple of people in the tags, who listen to things like, i assume, punk or rap, going “oh so THIS is what people got so emotional over? wow they wouldn’t last a day over here” or “ah, this, yeah a couple of guys from our side did it too”. refreshing

[rmayuscula]

age gap autumn girl fuck you

[boy-armageddon]

I have Many thoughts about the shame I'll get out in a single post @. Some point, but!!! Just rlly wanted 2 say something that's been on my mind. I feel like, in most of the discussion around it (which, 2 be fair, is mostly from like a decade+ ago, sometimes even two+ decades) reads it as a much more. How do I put this. Spiteful song than it is? A "big 'fuck you' 2 the audience and the other bands @ the time" is what I see often. Imo it's very much... not that. It's called 'the shame' 4 a reason!!!!!!!!!

[allisonreader]

4, 5, 12, 13, 48? :)

48. Who’s an artist you think it’s criminally underrated and deserves more recognition?

Not a single artist per say, but Home Free as an entire group I would say are. They're an acapella group who are country, they have some pretty incredible song writers within the group. I enjoy their original music more than their covers, and their covers are incredible. Tim Foust; the bass singer of the group has written the hilarious song Champagne Taste on a Beer Budget. And I don't remember which one of them wrote it, but on their mostly original album Dive Bar Saints, my absolute favourite song of theirs is Catch Me if You Can. They have some original Christmas music that's fun too, like Full of Cheer and Cold Hard Cash. Both are rather funny, and Cold Hard Cash is extremely catchy.

13. Who’s the most popular/mainstream artist you listen to?

Perhaps Shania Twain. Unless we go even further back, but Shania is probably the most frequent and broadest of who's music I listen to. (But none of her stuff newer than her album Now. I don't really care for her newer stuff.)

12. Who’s the most obscure artist you listen to?

It might be Home Free. Maybe Colter Wall, but I don't listen to him a lot. Home Free is probably more accurate.

5. Is there a song you don't like but like its music video?

Probably Safe and Sound by Capital Cities. The song annoys me greatly for some reason. Mainly the refrain of safe and sound throughout the song. My annoyance does feel a little irrational, but it's there. The music video is more enjoyable than the song, but still not my favourite.

4. Is there a song you love but don't like its music video?

There's always the possibility of one being out there, but I wouldn't be able to tell you at this moment.

[wizzard890]

okay so picture this.

You're a man named Jim Steinman. You are one of the most prolific songwriters of the 80s. In your spirit, output and essence, you are eternally popping a wheelie on a motorcycle while a hot half-naked woman clings to you and bats wheel in the sky above.

You wrote a song in which Meatloaf plays a hideously disfigured hunk who steals a nubile lady back to his crumbling manor and introduces her to the pleasures of magic lesbian group sex.

You wrote a song in which Celine Dion sings as Heathcliff from Wuthering Heights, dancing with Cathy's corpse on a beach in the moonlight; a scene which you, Jim Steinman, believe should have been in the book. (The moors of Wuthering Heights are landlocked, but you, Jim Steinman, are too fucking real to care about that.)

You wrote the song for the opening scene of the movie Streets of Fire, in which evil leatherdaddy Willem Dafoe leads his malefic motorcycle crew into a concert to abduct Diane Lane while she's wearing a skintight satin jumpsuit.

You wrote a song in which Bonnie Tyler wanders a haunted boarding school as literal demon twinks gyrate at her out of the fog.

There is no peak of goth camp that you, Jim Steinman, have not summited, no horny energy you have not tapped. They say that Alexander the Great wept when he saw there were no more worlds to conquer. But you, Jim Steinman, are not Alexander the Great. You, Jim Steinman, are better. You, Jim Steinman, have vision.

You take your most successful song, the song everyone knows, the most big-haired, white dress, gothic arches, doves flying, possessed choir boys chanting, bombastic song you have, and think: what if this, but with vampires.

And so you change the lyrics to be about death and infinity and a powerful bloodsucking lord seducing a girl who is ALL ABOUT IT, and then toss off a whole musical for this song to be the centerpiece to, and the musical is bad but it's also a weird hit that's been staged in fourteen countries and revived seven times, because nothing has ever whipped as campily, as ridiculously, as perfectly as this:

It never takes off in America. A prophet is without honor in his own land. But that doesn't matter. How could it matter? You are perhaps the most creatively self-actualized man who has ever lived. Look at that vampire. He's coming in hot and a hundred Venetian nuns gave their lives to make his ludicrously capacious lace sleeves. Look at that girl. She was born in a fog machine. She wore her best red velvet cape. She's down bad. She's singing Total Eclipse of the Heart the whole time.

You are Jim Steinman, and you have reached apotheosis.

[donatellawritings]

What about instead of rage giving the reader the silent treatment let’s switch the roles and instead the reader gives rage the silent treatmentt plsss

you were being a chatty little princess. you couldn’t help how excited and giddy you were today — the sun was shining bright, the sky a pretty baby blue, the air smelled fresh and sweet, everything just seemed to have been going picture perfect for you. so, when rafe brought you along with him to the country club to catch up with kelce and topper, you were all smiles, to the point where your cherub cheeks and glossy lips ached from being so stretched. you sat prettily on rafe’s lap, even more bubbly than usual thanks to the pomegranate martini you’d been sipping on.

rafe’s hand mindlessly tapped against the side of your thigh as he spoke to topper about this new boat that he’d been eyeing, causing your doe eyes to widen as your lips parted, “oh my god, topper it’s so pretty and i told rafe that he should-” you cut in, oblivious to this being your fourth time interrupting rafe while he spoke to the guys. it wasn’t until rafe had finally corrected you that you realized your silly mistake.

“hey, y’gonna let me finish talkin’ to top, or are y’gonna keep on interrupting me?” rafe scolded, his voice cold and stern as he lightly grabbed your jaw, his bright blue eyes hanging low as he sent you a chilling warning look. a soft exhale left your nose as your eyes glazed over with threatening tears, with an obedient nod. now returning his attention to topper, rafe cleared his throat before continuing, “so, yeah m’probably gonna have it by next week — just waiting on my guy to have it all dolled up for me,” rafe sighed, ignoring the slight pang in his chest as you fiddled with your fingers and kept your gaze trained on your feet.

he could tell that you were trying your very best, not to cry.

you remained silent for the remainder of the day, only allowing yourself to extend a forced courteous smile to topper and kelce, once rafe decided it was time to go home. he didn’t miss the way you simply nodded or shook your head whenever the server asked you a question, or how you quickly wiped your eyes before a stream of tears could flow door your cheeks. could rafe do without your constant interjections? yes, but he had to admit that the conversation just wasn’t as engaging without your light and airy commentary.

so, rafe decided that he’d play all of your favorite songs, once you were comfortably seated in your passenger seat with your seatbelt fastened, his pink lips running dry as you remained blank of any emotion. reaching over the center console, rafe laying his hand right above your knee, squeezing the plush skin of your thigh, to get you to look at him, “hey, mama — y’doing okay?” he questions, quickly glancing over to you as you wordlessly nodded, your dolly eyes fluttering closed as rafe sighed in defeat, before bringing his hand back to the steering wheel. he had to admit that watching you leaning your head against the window to fall asleep, instead of his shoulder, stung him a little.

what gnawed at rafe the most, was that you weren’t being quiet as a punishment, you genuinely believed that rafe wanted you to stop talking, to the point where even he couldn’t get you to say a word to him. it’d been about four hours and he missed hearing you, he missed the way his name fell off of your tongue, the way your accent peaked with certain words, how you’d console him in spanish, but mostly, he missed hearing you call him ‘papi’.

it didn’t take long for you to fall asleep, thanks to the two cocktails you’d drank earlier, leaving rafe overtly excited to take the chance to get you in his arms, the moment he parked his car, rushing to the passenger side as he scooped you into his arms, his forearm resting underneath the soft curve of your ass, while his free hand gently slid over your waist. a low whine left your swollen lips as you kept your head leaned against rafe’s shoulder, sighing sleepily as you allowed your boyfriend to carry you inside of tannyhill.

pressing a kiss to your cheek, rafe was quick to take a seat on the couch with you on his lap, he needed this silence to end, before he flipped the fuck out, “i don’t like that y’not talking to me, mama — m’about to lose my mind, not hearing my pretty girl,” rafe coos sweetly into your ear, pressing another kiss to your cheek as you sigh, leaning your head closer into his shoulder. “y’not in trouble, baby, i just wanted to finish talking to topper and i know you’re excited about the boat,” rafe squeezed your waist, beckoning for you to look at him — he needed to make sure that you knew that he still saw you as his sweet girl.

compliantly, you lifted your head, your sleepy doe eyes bright as met rafe’s unwavering gaze, a small huff leaving you as you parted your now barely-glossed lips, “i just didn’t want to annoy you, papi —” you began, rafe’s eyes softening as your sweet voice ran like warm honey in his ears. you innocently shifted yourself on his lap, your swollen lips just aching to be kissed by rafe’s, “i know i was just being too excited,” you sighed, ending your small ramble as rafe simply stared at you blankly, licking over his lips as he shamelessly ogled yours.

the second you cocked your head to the side in confusion, rafe’s mouth was on yours, enveloping you in a disgustingly sloppy, but needy kiss. a throaty moan left rafe’s throat as his hand slid up to the back of your neck, securely holding your face against his as he messily licked into your mouth, spit smearing across your chin as you struggled to catch your breath, “papi, wait — i can’t breathe,” you giggled, your words instantly swallowed by rafe’s mouth as his tongue mushed slush against yours, the two of you whimpering with greed as rafe leaned forward, with you still clinging onto his lap, his shiny, spit-covered lips trailing down to your prettily pushed-up breasts.

“missed hearing y’fuckin’ voice, mama,” rafe mumbled, his voice broken and hoarse as you smiled cheesily, beaming with the fact that rafe missed you.

[laegolas]

imagine if i started posting about afl the same way people on this platform post about f1 or hockey. alas for now it is just me and my blorbos from my niche sport on our own.