#molly connell
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lindseymcdonaldseyelashes · 2 months ago
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Leverage 4x6- "The Carnival Job"
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ghostlyarchaeologist · 1 year ago
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"Every game is rigged. It's a waste of time unless you cheat."
Leverage S04E06 The Carnival Job.
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scotchiegirl · 2 months ago
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Summary:
Eliot would have said his life was pretty well settled by now. Well, as settled as you could be when your chosen family is the greatest group of thieves this side of the Atlantic and possibly in the whole world. The brewpub is booming, jobs are regular, he gets to practice his skills, and despite Nate's whole... thing he has going on, life is good. Which is why Eliot never expected Molly Connell's voice on the other end of the phone call. The now fifteen year old has just recently been orphaned, and she knows who did it. All she needs is a little bit of... Leverage. (Set in Season 5 of OG Leverage)
CHAPTER ONE IS FINALLY HERE!!!
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kermit-coded · 9 months ago
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eliot is so girldad coded. the entire time i'm watching him interact with molly and i'm just like give this man a daughter!!
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schrijverr · 1 year ago
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Do Your Worst
What if Eliot’s worst in The Carnival Job was a little worse than in the show? What if he killed some of those Russians?
On AO3.
Ships: none
Warnings: descriptions of violence and death (some minor Russians)
~~~~~~~~~~
“Do your worst,” Nate tells him.
Eliot is already shifting gears from babysitting duty to hitter Eliot Spencer. Molly has been a little asshole all day, but he sees how she’s also struggling, how much potential she has. He won’t let her get hurt and he was already planning on getting her back before Nate ordered him to.
However, he is glad he’s going to get the backup and glad Nate gave him permission to do his worst.
Nate doesn’t know what Eliot’s worst is. Probably thinks he does, though. That shootout at the warehouse was pretty close to who Eliot used to be, but efficiently taking out a warehouse full off enemy combatants with a gun is not even close to what Eliot used to do to people who messed with kids.
These Russian mobs were going to wish they had never set foot out of Russia, never came onto the radar of Eliot Spencer. He is going to get Molly back and these guys, might never be able to call home to tell anyone about the beating they’re going to get.
In his ear he can hear Nate talks to Connell and informs him of how badly he fucked up. Eliot can appreciate how he threatens Nate over his daughter, but no one should be stupid enough to make a deal with Russians if you have someone precious to you. Though, he supposes, that might not be common knowledge to everyone.
Around him people are enjoying the carnival and there is nothing to indicate where the Russians took her. For all he knows they’re in a car on their way to a private plane to never set foot on US soil again.
“I’ve got no intel here, guys. Tell me you have something,” he demands. What he does, he might do alone, but information is a tool and the team are there for him to fall back on. A little backup is always a good idea.
Instead of his team, however, Molly responds, softly saying his name. She sounds scared and anger boils his blood, though it is mixed with relief that he thought to give her that earbud earlier. Lucky as it may be, he’s not going to look a gifted horse in the mouth.
“Molly, where are you?” he asks, hoping that she’ll know so he can bust whatever head he needs to to get to her.
She doesn’t know. It’s what he expected, but a man can dream.
She is also scared, very scared. Rightfully so. Still, Eliot promises: “Listen, you’re gonna be fine. This is- This is just a drill, like a fire drill. You have those at your school, right?”
“Promise not to cry. Won’t you just tell me the truth?” Molly replies and he is both impressed at her calmness and cursing, because that can dissipate at any moment.
Still, he can respect it and Eliot knows that if he wants her to do as he says, he’ll need her to trust him. They’ve built a report today, if he does this, she’ll listen. So he tells her the truth.
As he tells the truth, he also makes the promise that he is going to get her out of there. And he will, he will. No matter what, Eliot is going to ensure she’s safe and he doesn’t care what has to happen to make it so. That protective feeling he had in that warehouse flares up again.
Sure, Molly is not the team. He met her today. But he can see how she hurts and knows that she doesn’t deserve this. No child deserves to feel unsafe, to be hurt. Eliot cannot allow that to happen on his watch. He won’t have her blood on his hands. God, not hers.
The Russian mobs are not Moreau’s men, but they’re though, very though. They learn to fight from a young age, most get their more formal training in the prisons. They are strong, skilled and ruthless. He can’t go easy on them.
But in order to go beat them up, he needs to where they are. So he asks Molly to listen closely and use the noises to pinpoint where she is.
“Music,” she tells him. “It’s the sound from the Spider Ride.”
Molly is still at the carnival. The knowledge that she’s still here increases her probability of survival, which is good. Eliot can work with that. He straightens his shoulders and scans the rides again. There is one he needs to locate.
Eliot’s plan is to march up to the Spider Ride and rip apart anyone in his way. However, he manages to calm himself down and realize that is a stupid plan. Eliot doesn’t do stupid plans. He might not be Nate, but he can be strategic and marching up means giving them time to shoot her and flee the scene. No good.
So, he listens to Hardison when Nate orders them to clear out the carnival. Less chances of civilian casualties is good. He can work with that.
He doesn’t appreciate the concoction Hardison directed him to make to blow up like that, but it’s nothing he isn’t used to. The swearing he does is more to keep himself grounded. He can feel the beast he fights to keep inside start to try and get out. He can’t do that.
Well, he can’t do that yet.
Sophie had told him they’re at the northeast corner, so after it has all blown up and people are leaving, he meets up with the team to go the opposite way. They have a hostage to save and Eliot has a few guys to beat up.
A part of him feel savagely justified at what he’s about to do, but he tries to push it down. He knows better than to enjoy the amount of violence he is about to inflict and he also knows he should tone it down if he wants the rest of the team to be able to look him in the eye again.
“I’m coming for you, Molly,” he assures her, before instructing: “Stay small and quiet and if I say run, you run.”
The small “Okay,” he gets back from her soothes his worries that she is hurt and assures him that she’ll indeed listen when the time comes.
They split up and Eliot is now half-able to go ahead with his plan of march up and start punching the mobs. Taking out the guys and thinning their ranks to decrease risk for Nate and increase the chances of him being able to get Molly out.
A guy comes his way and Eliot blocks his punch, twisting his arm until it breaks as the man screams. Then he punches him in the face, which is very polite, because he could have snapped his neck.
Right as he throws the man into one of the stands to lessen the possibility of him getting up again, Hardison warns him he has trouble coming his way, startling when the guy comes flying by the camera as he exclaims: “Oh damn, what the hell was that?”
“A little trouble,” Eliot tells him, repeating over and over to tone it down. A broken arm is pretty little, but it almost went south. He doesn’t need Hardison to watch him kill a man. He doesn’t need any of them to hear of a dead body found at the carnival.
With that in mind, he gets to the Spider Ride and demands: “Where is she?” unafraid to use his old techniques to find out.
The mob in question doesn’t answer and instead starts fighting. Eliot doesn’t mind, his knuckles have been itching since they first heard what had happened here.
He must say that the guy isn’t the worst, but certainly not the best he has ever faced. The Russian standard must have gone down since he last dealt with them, because he is easily pushing this guy around. Though he is someone, who gets back up. If Eliot wasn’t burning with rage, he would have a little respect for it.
However, he is burning with rage and he doesn’t have any respect for the man, just the need to take him down.
For a second, he lets that anger overtake him, lets the beast out. Doesn’t try and control the violence, but lets it flow through him instead. It’s quick and easy. Two jabs to the nose, then take him down as he staggers backwards, before snapping his neck and watching as the guy falls limply to the ground, never to get up again.
It’s a shame the other guy got there just in time to press the button to start the ride, because when Eliot has taken a deep breath and gets up, it hits him in the face and sends him flying.
He doesn’t get a second to regret what he has just done.
Eliot comes to with a pounding headache, less control and rage in his veins.
Hardison is calling his name through the com, asking if he’s at the storage yet and it only makes his headache worse. Then he asks if he has found Molly yet and the reminder makes that any rational thought disappears until all that remains is his training. Old programming still left.
This is not at all diminished when he discovers she has been taken to a different place and the place he is currently at does not have any bones to break.
But he’s Eliot Spencer and he manages to find her, storming the House of Mirrors like a man on a mission. A very pissed off man on a mission.
Nate tells him that they already gave away the chip, so they’ll just have to wait. But Nate also said to do his worst and right now, Eliot is following that order, because Molly is scared and alone and who knows what the Russians will do to her as a witness.
The house of mirrors isn’t a pleasant place to fight. The optical illusion is harder to figure out with his concussed brain and it is clear they stationed the better fighters here.
But better isn’t good enough, not when Eliot isn’t holding back for a change. They get one good hit in, but one hit is all they get. He might go down, but that helps him reach the knife he always keeps in his boot and when he gets up, it’s after a few blows that he manages to stick it right into the man’s neck, blood spraying everywhere.
The second guy is also good, he forces Eliot to drop his knife and makes him confused about where he might be. However, hitting the Russian or hitting the mirror is no different in Eliot’s book, because when it turns out to be the mirror, it shatters into a hundred good weapons.
Blood is streaming between his fingers as he clenches the shard in his hand and when the man attacks again.
He is good and Eliot takes more hits than he doles out at the start. But Eliot always gets back up when he gets kicked down, so while it is a struggle, he manages to force the other into a choke hold and force the piece of mirror down his throat until he gurgles and croaks.
It’s dirty and it leaves him covered in blood, but it’s effective and Eliot doesn’t care too much at this point, just that they’re gone and Molly is safe.
Molly is cowering in the corner of the room and when Eliot catches himself in one of the mirrors, he get why she might be. He looks like a serial killer in a movie. He looks like a monster. He looks like he just killed a few guys. Violently. Which he did.
His own injuries are hidden by the blood of these strangers that covers them and he swallows thickly as he realizes what has just happened. What he has just done. Eliot is good enough at his job to know that these men didn’t have to die. He just did it.
He forces his breathing to slow down. His head is still spinning, but he also know the job’s not over yet, he needs to get Molly back to safety. He can’t panic over this. Not now. So he takes a deep breath and slowly says: “It’s okay to be scared. It’s okay to be scared of me. But lets get you back to your dad, okay. Can you walk?”
“Are- are they…” she doesn’t even dare to finish the sentence.
A lump forms in his throat, but Eliot makes himself speak through it. “Yeah, they are. I’m sorry you had to see that.”
“No, no, it’s-” she cuts herself off, then softly admits: “I’m glad they can’t come for me again. Does that make me a bad person?”
“No, Molly, makes you human,” Eliot tells her. In his mind he sees the faces he took out, so he would feel okay sleeping again. Sees Moreau, the one face he wishes joined them, no matter how glad he is that they took him down. It’s not the same as death. He’s always there in the back of Eliot’s mind.
“Thank you,” she says softly, as she uncurls herself. “Thank you for keeping your promise.”
“Of course,” he smiles at her.
She comes closer, reaches out to him and with concern she asks: “Are you hurt?”
It’s enough to make something inside Eliot crack. The thanks was nice, but anyone would feel obliged, maybe even scared not to, but not everyone would show concern. Despite all she has seen, Molly isn’t too scared of him. She still has it in her to be concerned.
“I’m fine,” he smiles at her, trying to push it down. “You did well, Botasky.”
“You weren’t so bad either, Perky,” she grins back.
Eliot must admit he leans on her a little. Getting hit in the head with a carnival ride isn’t the nicest feeling. And if he is honest, leaning on her, hides the fact that the blood isn’t his from the team. He isn’t ready to have that conversation just yet.
He watches the reunion between father and daughter, ignoring those around him. They have a job to finish, he isn’t slowing down until it’s done.
However, that doesn’t stop Parker from hovering around him as the others go get the chip from the car and explain to the screaming Daria how she got played. Eliot hopes the prison they throw her in is terrible and he is both sad and glad she didn’t end up in his way.
When that is all taken care of, they regroup at Lucille. It is at this point that Nate says: “Police should be on their way to pick these people up.” He turns to Eliot and asks: “How badly should we get out of dodge.”
“Badly,” is all Eliot grunts.
“Alright, everyone in the van. We debrief at home,” Nate says.
Eliot is glad that they’re going to be gone from the scene of the crime, but the idea of sharing the ride back with them without being able to run makes him nervous. His nerves aren’t aided by his concussion. He should hire Gail, she’s a nurse, but also involved in the smuggling business, if push comes to shove, she can get him out of the country without it pinging Hardison’s radar.
So, maybe he hangs back a little so that he can pick a spot to sit where he can avoid the others. But he is still injured, so getting in the van proves to be difficult. It pulls on him and he groans when he tries to climb in, having to abort the movement.
It forces Eliot to refind his bearings, breathing deeply and evenly through his nose to combat the pain and get it to manageable enough level, so that he can try again to climb into the van.
Before he has a grip on himself again, however, Hardison and Parker are at his side, steadying him as they help him into the van. It confuses him beyond reason, since no one should want to come near him with the way he looks.
He must make a confused noise too that Hardison misinterprets, because he says: “Don’t worry, man, we have first aid supplies in the back. We’ll patch you up on the way home.”
“Why?” he croaks, because this is gentleness he doesn’t deserve. Maybe they haven’t realized what he did yet? Is that why they’re being nice?
Parker shoots that thought down quickly and leaves his head spinning even more as she explains: “You just kept us safe, now we’re keeping you safe. It’s bad if your hands get infected. They need to be cleaned and stitched up. Try and keep your eyes closed, but stay awake. You look like you have a concussion.”
They’re being very casual about this and Eliot is glad that Parker is patching him up, because that allows him to not have to talk about it. He would say it gives him time to think, but it doesn’t. Not really.
The disinfectant burns and the stitching is always unpleasant, even when you’re used to it. So, he has to focus on gritting his teeth. He doesn’t want to give them cause to think he’s weak. Both because he wants them to feel like they can count on them and to give them the impression he can still fight them off if they try anything in retaliation.
He could never do a thing to them. The thought alone is enough to make him feel nauseous, especially after today reminded him of what he can do. But threatening can still be helpful, even if you could never follow through on the threat.
Still, he doesn’t want it to come to that and the whole thing hinges on them believing his threat to work. Eliot doesn’t want to know if they believe he could hurt them. So, when Parker is done, he’s going to have to talk, but his tongue feels heavy in his mouth and his head pounds so hard that it’s difficult to think of anything to say.
He flinches back at the feeling of a towel on his face until he sees Hardison through blurry eyes and hears him explain that he just wants to clean him up. Eliot shouldn’t allow it, but he craves the gentle contact, wants to revel in it in case this is the last time.
Eliot only realizes his mistake when Hardison is already busy and discovers that the blood he’s cleaning away only has small wounds underneath. Not enough to put the mess on him. In a last ditch effort to misdirect the conversation, he grunts: “Headwounds always bleed a lot.”
Hardison hums in reply, but doesn’t say anything else and Eliot feels his heart constrict as he stays quiet and turns into himself.
Both Hardison and Parker leave him to his own for the last leg of the drive. Parker only pokes him from time to time to make sure he’s still awake and not dying. He appreciates the gesture more than he’ll ever admit. The little morsel of care thrown his way.
By the time they made it to the office, his mind is a little clearer and he feels good enough to face the music.
He trudges up after them and goes to grab an ice pack before sitting down. He could do without, but maybe playing into being injured will grant him a little grace from the others.
Once they’re all seated, Nate starts: “Well, that didn’t go as expected, but we got the chip for our client and we kept the girl safe. I call this a success. But Eliot, you-”
Eliot doesn’t want to hear him say it, so he cuts him on before he can: “I know, Nate. I screwed up and I’m sorry. I shouldn’t have let it get that far. Hell, if I’d been paying attention, Molly wouldn’t have been napped in the first place.”
Despite just throwing it out there and saying what he did wrong, Eliot doesn’t look any of them in the eye, instead he’s intent to glare a hole into the floor.
Nate asks: “Eliot. What happened out there?”
“You told me to do my worst,” Eliot admits, not trying to accuse, but to explain. “I know you didn’t mean it, but it flipped something in my brain. And they- they had a kid, Nate. I- I can’t be responsible for a kid getting hurt. Not-” not again, he finishes mentally. He swallows and instead says: “Not when I can do something about it.”
“Because I…” Nate replies, sounding surprised as he remember that moment now.
Eliot doesn’t tell him what kind of power Nate holds over him, the other man knows. He knows what Eliot means. Instead he gives him a clear conscious: “You told me to wait, I went ahead. It’s on me. I assessed the risk and made a decision. I shouldn’t have. It’s okay-” he cuts himself short with a sharp inhale, because it isn’t okay. “It’s okay if you want me to go.”
A silence falls over the room.
Fuck, Eliot thinks. He kind of knew this was coming, it’s why he made Nate promise not to say at that warehouse.
Then Parker breaks it. “Don’t be stupid, Eliot. We don’t want you to go. You did your job. You do the things we can’t always do and that makes you you and that’s good.”
“Wha?” he can’t help but say, finally looking at her. She looks fierce and determined to make him understand and he suddenly remembers his own words in that mountain that she’s echoing right back at him. Smart girl.
“None of us deal with the mob and Russians like you have,” she tells him. “We trust you to assess the risk and make a decision about these sort of things. You did. End of story.”
Despite wanting to embrace her words, wrap them around them until he feels less like a monster, he can’t not just yet. Maybe they don’t know yet. Maybe- Maybe it’ll go wrong. So, he stammers: “But I- But I-”
“You killed people,” Sophie finishes for him. “We know.”
He swallows thickly and says: “I- I did. I have- I- I don’t regret killing those Russians. They might- they might have killed Molly and her father. Tie up- Tie up loose ends. I couldn’t risk waiting.”
Nate steps forwards and puts a hand on his shoulder. Without meaning to, he sinks into the contact, the hand feeling like it’ll wash him clean as Nate says: “You made the right call.”
And it shouldn’t be said. Eliot was never absolved from his sins. Killing someone would never feel good – killing these Russians had in the moment, but not a second longer – killing someone should not get recognized as right. Not by someone like Nate.
Yet here he is. Here Eliot is. Here they both are as is the team. And Nate says it was the right call and while Eliot had known that, hearing it from Nate is what makes it land. What makes it real to him.
Relief comes down on him like a hammer and he finally collapses into the couch. If anyone asks, the tears are just because the move upturned a lot of dust, that’s all. Or from the pain, since his ribs ache and he groans when he hits the back of the couch.
“Should we get you to a hospital?” Hardison suddenly asks, sounding panicked. “Are you gonna pass out on us right now?”
“Pass out. Maybe. Hospital. No,” Eliot tells him. “Got hit in the face by a carnival ride, cut me some slack.”
“A carnival ride? Eliot, what the fuck,” Hardison shrieks as Eliot sinks off into oblivion.
Vaguely he remembers himself say that they should wake him up in a little bit and Parker knows first aid now, trust her, before he’s off.
The team does wake him up sporadically to check in on him. It isn’t much, but the fact that they care enough not to let him die in his sleep due to a head injury means a lot more to him than they’ll ever know.
Eliot might have done his worst, but it isn’t bad enough to make his family want to leave. He’s enough of a changed man that his worst isn’t too bad anymore.
~~
A/N:
Idk sometimes it feels like it’s too easy and there should be harder calls. Hearing Nate say ‘Do your worst’ just tickled something in my brain and I had to.
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leverage-ot3 · 10 months ago
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the kid from the underground job could be the hitter if he ever feels like he wants to pursue a career outside the mines and is looking to blow off some steam (I think his name was cory???)
that OR molly from the carnival job ends up becoming the hitter for that team
sterling would HATE it but I would think it was funny if olivia ended up being the mastermind of the group
I feel like some of the kids that the OG Leverage crew interact with (mostly Shorty & the kid from the Potato Job) grow up and join Leverage International in some form or another.
Shorty does take over the landscaping business eventually and expands it, but she lets International crews use the trailers/equipment for a distraction, or recon. She might also be a part-time thief. 
The Potato kid is a combo Thief/Grifter, where his type of Grift is to be as loud/cause as much chaos as possible so The Mark’s attention is on him and not whatever the crew is after.
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88york · 1 day ago
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Delinda when it comes to Danny ex or female friends he knew
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Mary Connell Nicole Angie Corbett
First of Mary Connell have known Danny long time and kinda have been together and break up and back and forth together.
Delinda have kinda good chemistry with Mary and they are not afraid to be close to the face when they talk to it each other. Delinda and Mary care about each other deep almost like there were couple.
Next
Nicole was Danny ex girlfriend and Delinda kinda were intrest in her untill she said that Danny were her ex boyfriend.
Nicole offers to have a drink together and it's slightly interesting for Delinda which could have led to a threesome but Danny he says no to this if have a drink.
Danny knows that Nicole is trouble and Delinda doesn't know about this.
Delinda was a little disappointed but she teased him that maybe he has feelings for Nicole which he doesn't.
Next
Angie Corbett know Danny since high school and Danny invited her home but in that moment Delinda thought they going to have threesome but it was misunderstanding it was to keep her safe from jerks that from her work well it's not healthy job. Delinda kinda was interested in her but didn't show it or she kinda show it.
It kinda is Danny effect for Delinda and she only drawn to girls either Danny's ex or female friends he once know.
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alldancersaretalented · 6 months ago
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Studio Switch List 2024/25
(also includes late season switches)
Link to "How many studio switches so far?"
??
-> Elite Studio of Dance
Jordyn Hay
-> Gateway Dance Center (new studio!)
B. Bernard C. Butler M. Caryl L. Caver E. Defoe K. Heath I. Lewis C. Nielson A. Peterson S. Peterson A. White
-> Kinetic Dance
Mary Anne Serpas
-> Mather Dance Company
Sally Schulz
-> N10 Dance Studios
Juliette Birchard Jonah Guzman
-> Renner Dance Company
Connell Gocke
-> The Merge (new studio!)
Leila Pitcovich
-> The Moxie Movement (new studio!)
Beeta Barkhordar Harper Fish Bailee Hill Sky White
-> The Union (new studio!)
Veda and little sister Mia Weisz-Marin
-> Tribe Seven
Cate Block
3'N Motion Studio
-> BLA Dance Academy
Molly Weber Margaux Struble Chloe Todman
4th Street Dance Centre
-> Northern Force Dance Company
Hazel Brown Olena Brown
Adage Dance Center
-> K2 Studios
Dylan Kubo Aspen Walton
Adrenaline Dance Company
-> Prodigy Dance Studio
Bellarose Ramos
AE Dance Productions
-> The Company Space
Hazel Kinnick
All American Dance Factor
-> Evolve Dance Complex
Madison Virostek
Allegro Performing Arts Academy
-> Pave School of the Arts
Lily McFarland
AM Dance
-> Studio X
Brooklyn Abrams Alana Cato Asyah Lewis Baileigh McJimson Leiyah Nova
-> The K Project Dance Company
Aubrey Davis Jaden Gonzalez Rosalyn Gutierrez
Amirian Ballet Academy
-> Royal Danish Ballet School
Emma Crawford
Apples Dance Lab
-> Evolve Dance Complex
Payten Butler Sara Wren
Artistic Motion Dance
-> Abstraction Dance Company
Giselle Pilorin
-> Devotion The Movement
Sydney Duke Sunnie Pelant
-> Gateway Dance Center (new studio!)
Zoe Baker GG Mier Katie Rosa Piper Ryder Tatum Ryder
Art Of Technique
-> The Washington School Of Ballet
Kaitlyn Brandely
Augusta West Dance Studio
-> CCJ Conservatory
Zoe Lewis
Avanti Dance Company
-> CAP The Company
Natalie Jahn
-> Mather Dance Company
Hayden Goren Reese Goren
-> N10 Dance Studios
Saige Hibbard
-> West Coast School of the Arts
Eva Graziano
Bay Area Houston Ballet & Theatre
-> Boston Ballet II
Sophia Jones
Bayer Ballet Academy
-> John Cranko Schule
Amelia Chen
Big City Dance Center
-> MDC Bridge Into The Industry
Alex Cyncewicz
Brava Dance
-> Westchester Dance
Emily Pierog
Burbank Dance Academy
-> ABT Junior Co
Manuela De Souza
Cache Valley Civic Ballet
-> Creative Dance Academy
Kate Baldwin Sophia Baldwin
Camarillo Academy of Performing Arts
-> Bobbie's School of Performing Arts
Peyton Root Ryan Root
Canadian Dance Unit
-> Vlad's Dance Company
Quinn Powers
CanDance Studios
-> Club Dance Studio
Preslie Ball
-> Gateway Dance Center (new studio!)
Colette Stutzman
-> The Union (new studio!)
Crystalyn Chesko
Carlsbad Dance Centre
-> Pave San Diego (new studio!)
Ansel Mullick Camille Mullick Evelyn Mullick
Cary Dance Prudctions
-> Renner Dance Company
Marlee Thomas
CC & Co Dance Complex
-> Renner Dance Company
Connell Gocke Olivia Roberson
Centerstage Dance Academy
-> West Florida Dance Company
Ava Starr Rodriguez
Center Stage Dance Company
-> JBP Entertainment
Bianca Lewis
Center Stage Dance Gymnastics
-> The Fenyx Project
Arielle Miles
Center Stage Performing Arts Studio
-> The Moxie Movement (new studio!)
Halston Fisher Oakley Fisher Tatum Fisher
Charliz Balicao Dance Company
-> Larkin Dance Studio
Payton Mueller
Cincinnati Ballet Professional Training
-> Alabama Ballet
Caroline Love Jenna Renfield
City Ballet San Francisco
-> Boston Ballet II
Maddie Austin
CityDance Conservatory
-> Boston Ballet School II
Lucian DeBellis
CJ Dance Crew
-> Club Dance Studio
Madi Cole MaKinley Cole
Club Dance
-> ??
Ashton Wullbrandt
-> Dance Studio C
Gwyneth Woods
-> Elite Dance Pro
Madisyn Rose Amos Kennedy Cicerelli Abby Honstad Jaida Morin Payton Stowe
-> Gateway Dance Center (new studio!)
Tilly Allen Brinley Bennett Brynlee Bulbulian Lainey Bulbulian Makena Cameron Pallas Chiste Olivia Clouse Kensley Colman Charlotte Cook Sophia Dasalla Avery Dunwell Lena Funk Mia Funk Jaycee Grant Kalista Greer Kanon Greer Kaylan Greer Oakley Hill Goldie Hill Birdie Hill Alaina Igleski Kaydence Lawton Arianna Mendez Callie Mendez Harper O'Malley Dannika Ren'ee Quiroz Tatem Robinson Leslie Soto Nicole Soto Tatum Strauss Kate Valentine Aubrey Williams
-> Illusion Dance Company
Madyson Barney
-> Prodigy Dance PAC
Taeya Stosich Tinley Stosich
Complexity Dance Center
-> Vision Dance Alliance
Ava Dowling London Dowling
Concept Pavielle
-> Larkin Dance Studio
Siena Paradeau
Conservatory of Dance Arts
-> The Merge (new studio!)
Ella Andrews Sarah Blady Charlotte Dean Sophie Dean Calli Hollenbeck Lilly May Hartley Murla
Cypress Dance Project (closing!)
-> The Fenyx Project
Ahmya Tovar Jasleen Tovar
-> Tribe Seven
Avery Farris Gracelyn Harris Kyndle McCormick Frankie Miranda Mia Narvaez Tana Nickerson Evelin Peterson Lily Savarese Paislynn Schroeder Gabriella Slay Dalilah Soto Frankie Soto Kayla Tanea Abigail Wade Melody Thiel Rianna Weck Rosalie Wickman
Cypress Elite Dance Studio
-> The Fenyx Project
Charlie Mae
Dance Academy of State College
-> Evolve Dance Complex
Emma Girdany
Dance Arts Centre ATL
-> Dance Lab (new studio!)
Ryn Andersen Tarin Belizaire Izzy Bensinger Nina Kitchen Daniella Lerman Samantha Wilson
Dance Arts Centre
-> Summit Dance Shoppe
Beckett Eberhard Britta Eberhard
Dance Connection 2
-> Club Dance Studio
Claire Pistor
-> Gateway Dance Center (new studio!)
Jaxon Adamson Juliette Ridenour Scarlett Ridenour
Dance Connection Scottsdale
-> The Collective PHX
Madee Richardson
Dance Deluxe
-> Club Dance Studio
Dana Homes
-> Dance Connection 2
Kamryn Arnold
-> Elektro Dance Academy
Sunday Smith
Dance Dimensions PAC
-> The House Dance Complex
Sophia Hasson Victoria Safahi
Dance Enthusiasm
-> Murrieta Dance Project
Liciana Vun
-> Phunk Phenomenon Dance Studio
Landon Indeglia
Dance Exposure 2
-> The Vision Dance Alliance
Morgan Wendt
Dance FX
-> Pave San Diego (new studio!)
Aryanna Lafontaine Cooper
Dance Inc Company
-> MDC Bridge Into The Industry
Lauren Allan
Dance Lab OC
-> Dmitri Kulev Classical Ballet Academy
Maggie Till
Dancemark Studio
-> Pave San Diego (new studio!)
Katie Bishop
Dance Republic
-> Club Dance
Annabelle Greenamyer Scottie Greenamyer Abigail Patton
-> Gateway Dance Center (new studio!)
Kaia Roseland
Dance Studio C
-> Elite Dance Pro -> Dance Connection 2
Charlotte Rathjen
-> Impact Dance
Maizey Miller Savannah Miller
Dance University
-> Impact Dance Academy (new studio!)
Olivia Cherpak Stella Cherpak Chiara Siragusa Mila Steven
Dance Unlimited Miami
-> Stars Dance Studio
Mila Talab
The Dance Zone
Katelyn Miranda
-> The Living Dolls Dance Factory
Olivia Martinez
Dance Unlimited Colorado
-> Gateway Dance Center (new studio!)
Fiona McDonald
Dance Vision
-> Becky Nalevanko's Dance Studio
Aria Telander
DanceDynamicsLV
-> Academy of Nevada Ballet
Naya Fowler
-> The Rock
Brielle Bonas Parker June
Danceology
-> Club Dance
Kelsey Jackman Makayla Jackman
-> DC Dance Factory
Kendall Kolodge
-> Evoke Dance Movement
Vida Lemos
-> Hyphen Conservatory
Haley Bertino
-> North County Academy of Dance
Ella Nani Knight
-> Pave San Diego
Paisley Publico Polly Jo Publico
Dancers Edge
-> Club Dance
Emerson Van Houten
Dancers World Production
-> K2 Studios
Claire Zhang
Dance Vision
-> The Academy
Cece Nguyen
Dansations Competition Team
-> The Vision Dance Alliance
Brady Horne
DC Dance Factory
-> The Vision Dance Alliance
Harper Bowen
Dellos Dance Academy
-> The Academy
Kendall Krajewski
Diverse Elements
-> Dance Connection Scottsdale
Kenna Bonhote
-> Dance Connection 2
Peyton Whited
Divine Dance Center
-> MDC Bridge Into The Industry
Kallie Niday
DMdance Company
-> The Merge (new studio!)
Kinsley Gainer Taylor Jenkins Tyler Jenkins
Dmitri Kulev Classical Ballet Academy
-> ABT Junior Co
Clara Riggs
-> Boston Ballet II
Pavel Kulev
-> Elite Classical Coaching
Summer Lily
-> European School of Ballet
Annabel Kohn
-> San Francisco Ballet School
June Freeman
-> Westside Dance Project
Fiona Poth
DNA Dance Creatives
-> Prodigy Dance PAC
Jackson Ruekert
Drapers Center for Dance Education
-> Gateway Dance Center (new studio!)
Rhauri Samuels
-> The Rock School For Ballet
Samuel Gauss
Dynamic Dance Company
-> Stars Dance Studio
Victoria Crupi
Dynamic Dance Refinery
-> New Level Dance Company
Sophia Hernandez-Gonzalez
Elektro Dance Academy
-> Dance Deluxe
Alexis Gizzo
-> Eternal Dance Company
Madyson Koch
-> LA Dance
Kinsey Joan
-> The Collective PHX
Julianna Aispuro Tenley Anthony
Elevate Dance Academy
-> MDC Bridge Into The Industry
Sidney Sullivan
Elite Classical Coaching
-> Academie Princess Grace
Morgan Ligon
-> Royal Ballet School
Izzy Keesee
Elite Dance PAC
-> Hyphen Conservatory
Lillie Lanier
Elite Dance Pro
-> Club Dance
Peyton De La Cerda Mila Michael Lucia Piedrahita Sophia Schiano River Segerman
-> Rhythm Dance Complex
Gavin Schwarze
-> The Collective PHX
Alexa Schwarze
Elite Feet Artists Company
-> Stars Dance Studio
Norah Hurley
Elise Flagg Academy Of Dance
-> Central PA Youth Ballet
Ella Wilke
Ellison Ballet
-> ABT Junior Co
Victoria Papakalodouka
Encore Dance Arts
-> The Collective PHX
Laila Faith
Eternal Dance Company
-> CanDance Studios
Alaina Martinez
-> Gateway Dance Center
Juniper Wakefield
Evoke Dance Movement
-> Pave San Diego (new studio!)
Eleanor Bullock Lucia Jade Frazier Emmy Claire Khaiden Tayah Klimuck Dylan Schaffer Maya Steinman
Evolve 26
-> MDC Bridge Into The Industry
Blayklee Balthazar
Evolve Dance Complex
-> CCJ Conservatory
Cami Vorhees
-> Power Dance Company
Maya Rogers
Evolution Dance Center
-> North County Academy Of Dance
Presley McGraw
-> Pave San Diego (new studio!)
Casey Archibald Liv Barrelli Karisma Colyan Kirrana Colyan Ava Cucker Elyse Dueler Alli Esposito Avery Fumillari Sofia Galati Joya Garner Sofia Gorman Kendall Hensley Kaylie Koehnen Brianna Lee Isla Marshall Emma MacKay Everly McGraw Ellie Miles Avril Overlock Drew Overlock Danielle Smart Kirra Stradwiser Vivienne Tolentino Lyla Yuceit Brooke Zamoff Shayne Zell
Expressions Dance & Music
-> Tribe Seven
Francesca Casaretto Gabi Woods
Fearless Dance Company
-> K2 Studios
Marilyn Castaneda
Flashdance Studio
-> Houston Ballet Academy
Patricio Lopez
FLEX Dance and Fitness
-> The Southern Strutt
Grace Marvella
Freckled Frog Dance Studio
-> K2 Studios
Vallerina Athena
Fusion Dance Force
-> Blueprint Dance Project
Emily Deal Abigail Monahan Abby Rodriguez
Fusion Studios
-> Mather Dance Company
Brooke Kim Mariana Simoes
Gateway Dance Center (new studio!)
-> Dance Deluxe
Bradley Kawa Breckyn Kawa
Gotta Dance Company AZ
-> The Collective PHX
Avah Gonzalez Gabriella Gonzalez Valencia Gonzalez
Gotta Dance Company CA
-> Stars Dance Studio
Tristan Jones
Greenwich Conservatory of Classical Ballet
-> Dance Town
Cassie Coughlin
-> Mather Dance Company
Lydon Thach
-> The Academy
Lia Turrieta
Hart Academy of Dance
-> The Academy
Lia Turrieta
Hathaway Academy of Ballet
-> somewhere in the Netherlands
Kennedy Kahler
Heart & Sole Performing Arts
-> Gotta Dance Company
Leigha Jessee
Hollywood Ballet School
-> United Ballet Academy
Isobel Lehman
Houston Ballet Academy
-> Boston Ballet
Sam Stampleman
-> Boston Ballet II
Michael Dadlez Layla Porter
Hudson Dance Academy
-> Avanti Dance Company
Melody Garcia
Hyphen Conservatory
-> Mather Dance Company
Makaela McCosar
iBallet Studio
-> Elite Classical Coaching
Aviva Brock
Impact Dance
-> Club Dance Studio
Bostyn Thomas Holland Thomas Presley Thomas
In Motion Dance Project (closing)
-> ??
Mila Bonilla Anniston Clarke Adrienne Diaz Bella Flores Mia Flores Lily Holbrook Isabella Luciano Mali Photnetrakhom Madeline Terry Joey Webber
-> Dance Universe
Ellie ?
-> Marshall Ellis Dance School
Renee Forseth
-> New Dimensions Dance
Annalee Ramb
-> Starz Dance Company
Elissa Loryn Sadie Moore Isabella Peixoto
-> Orlando Ballet School
Sylvie Rock
-> Underground Movement
Lila Blood Kristyeliz Laureano Valerie Santana Izzy Warren
-> Xplosive Dance Academy
Levi Caicco Valeria Luciano Isabella Quartaro Olivia Rock Abigail Torres Adeline Vozza
Innovate Dance Studios
-> Avanti Dance Company
Pressly Loomis
Inspire Dance Complex
-> K2 Studios
Eliana Guzmán Isabela Guzmán Cali Rucker Arrow Yarbrough
Inspired Movement Dance
-> Innovate Dance Studios
Brooke Toro
Intensity Dance Academy
-> Evolve Dance Complex
Lydia Onder Bryn Onder
Intensity Dancer's Studio
-> Dance Town
Nicole Losada
In The Spotlight Dance Studio
-> Summit Dance Shoppe
Quinn Caroline
JBP Entertainment
-> BLA Dance Academy
Ashton Kinsleigh
JDI Dance Company
-> 4PM Dance
Addelyn Muesso
Jean Leigh Academy of Dance
-> Tari's School of Dance
Stella Vince
Joffrey Ballet School Texas
-> MDC Bridge Into The Industry
Ella Waitz
Jump Dance Company
-> Impact Dance Academy (new studio!)
Natalie Boone Reese Gilman Chloe Mullins Claire Sorensen Addison Weimann
Jun Lu Performing Arts
-> Bayer Ballet Academy
Athena Hu
Just off Broadway
-> Club Dance Studio
Kaia Erby
-> Elite Classical Coaching
Sadie Daniels
-> Stars Dance Studio
Zoe Swope
K2 Studios
-> ??
(Jessica Sutton) (Rebecca Sutton)
-> Studio X
Jeanne Garcia Zoey Garcia
-> The Academy
Kynzli Reece
Kaos Dance Elite
-> The Company Space
Taylor Smith
Kat & Co
-> Evolve Dance Complex
Anthony Labritz
Katies Dance Connection
-> Elite Danceworx
Taya Osso
Kick Dance Studio
-> The Vision Dance Alliance
Violet Kolb
Kinetic Dance
-> The Merge (new studio!)
Catherine Owen
Kozmic Edge
-> Q3 Dance Company
Angelina Mendez
LA Dance AZ
-> Dance Connection Scottsdale
Syvon Stokes
Larkin Dance Studio
-> Studio 4
Lola Boisen
-> Concept Pavielle
Grace Sullivan
-> Elite Classical Coaching
Savannah Manzel
Legacy Dance Productions
-> MDC Bridge Into The Industry
Mckenna Gerrits
Legacy Productions Miami
-> Stars Dance Studio
Emily Pina
Lovett Dance Center
-> Hyphen Conservatory
Logan Macy
Major Productions Studio of Dance
-> Impact Dance Academy (new studio!)
Hailey Schneider
Master Ballet Academy
-> Ballet West
Melanie McIntire
-> Club Dance Studio
Hazel Silverman (also continues training at MBA)
-> John Cranko Schule
Gracie Kirkwood Lillian Rossman
-> The Rock School For Ballet
Keagan Pickett
Mather Dance Company
-> OCPAA
Mia Santiago Savy Witeck
-> The Academy
Eliana Weiss
Mekka Dance Project
-> Tribe Seven
Ainsley Scott
Meta Fair Burns Dance
-> Kinetic Dance (new studio!)
Kylie Dalrymple
Miami City Ballet Pre-Pro
-> Boston Ballet II
Olivia Santos
Miami Dancity Studios
-> Stars Dance Studio
Sabrina Lorente
Michelle's Dance Xplosion
-> Nor Cal Dance Arts
Jaxon Albano
Michigan Dance Alliance
-> Artflux Dance Lab
Mattie Mair Millie Morante
Milele Academy, LLC
-> DC Dance Factory
Eisley Beer
MJ's House of Dance
-> Blueprint Dance Project
Kiley Holgerson Ava Azzaretto Caiden Boltz Cassidy Boltz
Monterey Peninsula Ballet Theatre
-> Bayer Ballet Academy
Harper Palmer
Move By Morrelli
-> Artistic Fusion Dance
Lilianna Hales
Murrieta Dance Project
-> K2 Studios
Jaedon Diaz Kloey Diaz
MVP Elite
-> 3'Motion Dance Studio
Mackenzie Mucha Madison Mucha
N10 Dance Studios
-> ??
Ariella Truong
-> 4PM
Jordan Eskenazi
-> Dance Star Academy of Performing Arts
Avery Margarita
-> Premier Youth Dance Academy
Clara Han
-> Project 21
Annie Hu Madison Ng
New Level
-> Stars
Kenny Braga Reese Braga
NJ Center of Dance
-> The Vision Dance Complex
Bella Baldino
No Limits Dance Company
-> CCJ Conservatory
Rylie Sickles
Northern Force Dance Company
-> Larkin Dance Studio
Aria Johnson Sloane Johnson
North Shore Dance Academy
-> Dance Enthusiasm
Juliana Desilets Ellie Fanning Sophie MacKenzie Callie Wilkins Molly Wilkins
OCPAA
-> ??
Sarah Kuy
-> K2 Studios
Amelia Faizi Ella Montano
-> Mather Dance Company
Mila Malone Sierra Yen
-> Nebraska Dance
Sophia SantaMaria
-> Project 21
Reese Arkin Valeria Ochoa
-> Studio X
Jordyn Rockett
On Pointe Dance Studio
-> K2 Studios
Giuliana Bressler
Orlando International School of Dance
-> Starz Dance Company
Layla Jordan
Palm Beach Academy of Dance Arts
-> Dance Universe
Hattie Selene
Panama City Dance Academy
-> Kinetic Dance (new studio!)
Maisie-Rose Burkey
Paula Carr Dance Academy
-> Elektro Dance Academy
Eliza Gee
Pave School of the Arts
-> Evoke Dance Movement
Addyson Paul
-> Innovate Dance Studios
Quinn Briscoe
-> Mather Dance Company
Alexa Rauth Ava Rauth
-> OCPAA
Kennedy Bush
-> Project 21
Stella Fisk Liv Matson
-> The Moxie Movement (new studio!)
Kenzie Arrendondo Talia Ayumi Gemma DeSola Kinsley Dunn Kassidy Dunn Ellie Iwamoto James Iwamoto Harper Fisk Marlowe Fisk Tatum Fisk Kirsten Jeslyn Kailey Longshore Kassidy Luong Sophia Monje Alexa Paul Goli Ranekouhi Rylee Stabeck Isaiah Wang Hadley York
-> South County Dance
Hayden Calder
Perception Dance
-> Premier Dance
Madison Smith
Perfect Pointe Dance
-> Studio X
Danya Chang
Pittsburgh Ballet Theatre School
-> Ballet West Academy
Carina Fulop
Platform Dance
-> Gateway Dance Center (new studio!)
Arielle Michalak
Precision Dance Conservatory
-> Dance Universe
Teagan Sanchez
Premier Youth Dance Company
-> Elite Classical Coaching
Greysen Fowler-Allen
Prestige Dance Institute
-> Renner Dance Company
Kensley Phillips
Profusion Talent
-> Studio X Dance Complex
Dallas Soffel
Project 21
-> ??
Ally Choi Airi Dela Cruz
-> CAP The Company
Dillon Barron
-> CA School of Classical Ballet
Aliya Yen
-> Stars Dance Studio
Leilani Lawlor
-> Westside Dance Project
Makeila Bartlett
Project Performer
-> Pave San Diego
Nora Aminlari
Renner Dance Company
-> Club Dance Studio
Ania Siri Olivia Siri
Republic Edge Dance Company
-> Tribe Seven
Adalynn Delaney Alayna Jeneva Cali Lynch Aubrey Warren
Revolution Dance
-> Dance Zone
Kaylin Gabosch
Rize All
-> Elite Studio of Dance
Carissa Chueng Roxanna Chueng
-> Natiomas Dance Method
Ayla Polendav
-> University Cheer Force
Addelyn Skube
Rockly Mountains Ballet Academy
-> San Francisco Ballet School
Shylee Sagle
Russian Masters Ballet
-> Dmitri Kulev Classical Ballet Academy
Sheridan Stone
San Clemente Dance
-> Variant Movement
Alana Ting
SFLA Dance Complex
-> Dance Enthusiasm
Addison Parker
Skyra Studios
-> Mather
Sienna Morris
Sol Studio SSD (closing!)
-> Pave San Diego (new studio!)
Phoebe Fatula Hayden Goebel Makenna McGrath Lily Parraga Riley Platenberg Gabby Reiss Tiffany Robinson Keira Segal
Soul Studio Dance
-> West Florida Dance Company
Callie Ludtke
South County Dance
-> K2 Studios
Paige Garrett Reese Garrett
-> Mather Dance Company
Gabby Campos
Southland Ballet Academy
-> ABT Junior Co
Alisa Xu
-> Pacific Dance
Natalie Chiang
South Tulsa Dance Co
-> Next Step Dance
Allyn Green
Stage One Dance Studio
-> MDC Bridge Into The Industry
Katie Kim
Starstruck Performing Arts Center
-> Perception Dance
Jacey Erwin Kinley Winn
Steps N Motion Dance
-> K2 Studios
Aspen Roberts
Studio 1 Dance Academy
-> Club Dance
Hadley Taylor
-> The House Dance Complex
Lyla Martin
Studio 4
-> Larkin
Elle Boudewyns Reese Ottney Leah Pribyl Vera Souvannavong
Studio 19 Dance Complex
-> Elite Dance By Damian
Alexis Crystal
-> Evolve Dance Complex
Carina Simone
-> MDC Bridge Into The Industry
Kaitlyn Allen
Studio 702
-> The Rock
Peyton Nowacki Addison Price Hailey Stuck Taylor Stuck
Studio Bleu Dance Center (closing!)
-> ??
Kristin Mitchell
-> Art of Technique
Abigail Daisy Olivia Rosiek Chloé Le Pettigrew Victoria Zhang
-> Cerdafied Dance Studios
Nick Shalin
-> CityDance Conservatory
Kennedy Thompson
-> Dance Academy of Loudoun
Madelyn Cuttin Addie She
-> Enchanted Stage
Lily Mendoza Ellie Myers Mina Oemler
-> Ignite The Light Performing Arts
Zion Landis
-> LM Premier Dance
Grace Wright
-> Mission Dance Project (new studio!)
Lily Carmello Ava Doell Aubrey Franklin Kayleigh Jo Ellie Myers Brianna Norgrove Emily Parinello Brooklyn Smith Stella Tullio Jessica Zhang
-> NOVA Elite Dance Alliance
Nicole Ocean
-> Rise Dance Center
Kennedy Mirabella Maddy Mirabella
-> TDC Dance
Ja Pelle Nayeli Wilder
-> The Dance Lab VA (new studio!)
Leilah Bell Lily Rae Bolno Audrina Brudner Bellatrix Castillo Isabella Plotczyk Ashlan Scheide Mina Terry Gina Zhang
Studio G Dance Company
-> Art In Motion Conservatory of Dance
Madilyn Rexrode
-> Artistic Edge
Devin Dalmolin
Summer's Danceworks
-> The Union (new studio!)
Cienna Fernow Ellah Perry
Summit Dance Shoppe
-> Concept Pavielle
Gabriella Maggitt Carrigan Paylor
-> Larkin Dance Studio
Lucy Mae Dunn
Synergy Academy Utah
-> Center Stage Performing Arts Studio
Corra Blake
Tapio School of Dance and Gymnastics
-> CCJ Conservatory
Landry Leon
TDA Prep
-> Exhibit 3 Dance
Avery Maycunich
Temecula Dance Company
-> K2 Studios
Bailey Dalton
Texas Academy of Dance Arts
-> Tribe Seven
Gatsby Lasala Quinlyn Lasala
The Academy
-> Evoke Dance Movement
Ella Carlson
-> K2 Studios
Laci Stoico
-> Mather Dance Company
Bella Puskar
-> The Next Big Thing Academy
Peyton Barron
-> The Platform Dance Studio
Malia Williams
-> YYC Dance
Kinsley Oykhman
The Art of Classical Ballet
-> Hollywood Ballet School
Kya Massimino
Theatre Arts
-> MDC Bridge Into The Industry
Hallee Francisco
The Ballet Clinic
-> Russian Ballet Academy
Sarina Rosenblum
The Center Stage Dance Studio
-> YLAB
Blakelyn Scifres
The Collective PHX
-> CanDance Studios
Sasha Landreaux
-> Club Dance Studio
Ellie Laird Zoie Laird
-> Elite Dance Pro
Alivya Alfonso
-> Gateway Dance Center (new studio!)
Breckyn Kawa -> Dance Deluxe Bradley Kawa -> Dance Deluxe
-> Russian Ballet Academy
Mila Hiatt
-> The Union (new studio!)
Addy Gaffney
TheCREW
-> Studio X
Kinley Cunningham
The Dance Academy of Puyallup
-> The Company Space
Isabella Scandale
The Dance Centre NJ
-> The Vision Dance Alliance
Savanna Grae
The Dance Complex
-> Larkin Dance Studio
Maddyn Bauermeister Henley Raak
The Dance Institute
-> Stars Dance Studio
Maribel Weishaar
The Dance Scene
-> Studio X
Desi Alcala
The Dance Space
-> Tribe Seven
Penelope Church
The Dance Spot
-> Danceology
Alessandra Escobar-Moeller
-> Mather Dance Company
Kennedy Molino
The Element Dance Center
-> The Academy
Sunnie Stanley
The Living Dolls Factory
-> Legacy Dance Studio
Lilliana Gonzalez
The Movement Complex
-> Stars Dance Studio
Victoria Reich
The NINE Dance Academy
-> Canadian Dance Company
Shaunaughsey Meagher
-> Vlad's Dance Company
Evelyn Rego Ivy Mae Rego
The Platform Dance Studio
-> CCJ Conservatory
Kaydence Mardis
-> Dance Connection 2
Jordyn Castle
-> Gateway Dance Center (new studio!)
Clara Lawless Lily Lawless Stella Lawless Arielle Michalak Charlotte Reese
The Rage Dance Complex
-> Studio 1 Dance Academy
Tennasyn Faith Giselle Miranda
The Rock Center For Dance
-> ABT Junior Co
Crystal Huang
The Southern Strutt
-> CCJ Consevatory
Annsley Huff
The Talent Factory
-> K2 Studios
Ileana Cruz Sienna Legitt Natalie Pan Quinn Pan
The Vision Dance Alliance
-> New Jersey Ballet Company
Kennedy Anderson
The Why Movement
-> Tribe Seven
Grace Gerszewski
Titanium Arts Lab
-> MDC Bridge Into The Industry
Julliana Gould
Trademark Dance Academy
-> The Vision Dance Alliance
Braelynn McKenna
Variant Movement
-> New Level Dance Company
Gabby Terschluse
Way 2 Move - Dance & Movement
-> Dance Town
Alexa Oviedo
West Coast Dance Complex
-> Pave San Diego (new studio!)
Emily Bach
West Coast School of the Arts
-> Hyphen Conservatory
Rebeca Gomez Garza
West Florida Dance Company
-> Stars Dance Studio
Ella Dobler
-> The Southern Strutt
Macey Strickland
WestMet Classical Training
-> Sarasota Ballet School
Madelyn Murphy
Westside Dance Project
-> ??
Diana Kouznetsova Isabella Kouznetsova
-> European School of Ballet
Annabel Kohn
-> Hyphen Conservatory
Esme Chou Olivia Marquez
-> San Francisco Ballet School
Izzy Howard
Woodbury Dance Center
-> Larkin Dance Studio
Kylie Roach
Xtreme Dance Studio
-> The Rock School
Blake Metcalf
YLAB
-> Project 21
Emma Walters (also continuing training at YLAB)
Your Haven Dance Company
-> West Florida Dance Co
Kylee Kay
Youth American Ballet Company
-> Boston Ballet II
Natalie Cardona
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lindseymcdonaldseyelashes · 2 months ago
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Leverage + Mirrors
1x13 - “The Second David Job”
4x2 - “The 10 Li’l Grifters Job”
4x6 - “The Carnival Job”
4x18 “The Last Dam Job”
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werewolfsmile · 3 months ago
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OH MY GOSH THIS IS ALL AMAZING???
Like these are awesome headcanons and so well thought out!! I think my version of Quinn will go in a different direction (can't say for sure, haven't written it yet, just going off my Vibes) but this is a FANTASTIC take on werewolf!Quinn and I am obsessed!
(if you ever have more headcanons.... keep sending them my way!!)
The family testing the bonds bit 🤣 Hilarious but sooo accurate! And I love that he makes that distinction between pack and family. Seems that, to Quinn, pack is something you choose for yourself and family is something you can never escape (affectionate).
(also this part of your tags??? #“The bite on the back on his neck ached--as much from the moon as the memory.” asdlfkjldshflskjs yesssss tell me moreeeeeee)
Oh my gosh yes of course Eliot would step in to help Molly! Of course he's still got the most massive soft spot in the world for this kid! AnD A FAKE ENGAGEMENT? WITH TARA???!? HELL FREAKING YEAH!!! Ohhhh all the shenanigans that would ensue.... I can picture it now...
PLEASE keep me updated on that fic, I would love to read the hell out of it!!!
HI! Hi hi hi hi hi, it's @scotchiegirl
So I've been distracted by an Eliot-adopting-Molly-Connell fic idea that's coming together scarily smoothly but I also wrote some wolfy playdate and thought you might want to read a snippet
---
Quinn raised his hands in surrender–or at least one hand, the one that wasn’t hauling a dufflebag–and ducked his head, dipping it to the side almost automatically. 
“I’m not here to cause any problems,” Quinn soothed, voice measured and calm and light all at once. “I was in town and decided to stop by for the full moon. Didn’t realize there’d be quite such a party, but I guess it makes sense.” 
“The full- wha'd'ya mean you stopped by for the full moon,” Hardison asked, brow furrowing and glancing between Quinn and Eliot. Eliot shot Hardison a glance and the younger man’s face dropped. “O-oh… you’re…? Too? Oh. Well. That’s… great. Great. Fun. Woulda been nice to know. You do this often, then? Drop in on random ‘wolves on the full moon?” 
“Hardison,” Eliot sighed, moving forward into Parker’s space to get her to back down and shooting Hardison a glance. “It’s okay. But seriously, Quinn, what are you doing here?” 
Quinn’s eyebrows shot up in surprise. 
“...I repeat,” he said, just a hair more slowly than usual, as if talking to a rather slow child. “It’s… the full moon? Don’t worry,” he tacked on at normal speed, “I’m a good guest, I brought my own food to supplement breakfast.” 
---
(I love writing Quinn so frickin much XD)
I. am. SCREAMING OH MY FREAKING GOODNESS THIS IS INCREDIBLE???? I LOVE IT SO DAMN MUCH???!?!?
The way Quinn shows wolf submission immediately, the way he's like, oh there's more people here than I would have expected but that's cool that's fine I can roll with this and hey I'm connecting dots here too ahh yes makes perfect sense.
Hardison being all defensive and already low-key jealous. That one line about Parker!! She's so ready to throw hands in defence of her Sparky and I love it!!!
And then of course Eliot has no idea what Quinn is doing there, because why would he? They didn't discuss this. It has never happened to him before. Why does Quinn think this is normal? There is nothing normal about this!!
I am obsessed. Please send me more. I am frothing at the mouth, this is so freaking good aaaaaaaaaahhhhhhhh.
AND I'M SORRY WHAT DO YOU MEAN YOU'RE WRITING AN ELIOT-ADOPTS-MOLLY FIC???? BESTIE SHARE THE DEETS!!!
this ask reminded me i've drafted a reply to one of your previous asks/reblogs but i forgot to posttttt! going to do that now too!
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amourrs · 8 months ago
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why does molly o Connell from Americas next top model literally look just like abby
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oh she’s so beautiful, i definitely see the resemblance
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scotchiegirl · 16 days ago
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Chapter 2: Extremely Stubborn and Suspicious
Summary:
Molly meets an old acquaintance
Chapter 2 is live! No appearance from the team yet but don't worry! That's next chapter <3
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minaharkers · 2 years ago
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— ocs as fictional characters
tagged by @corvosattano @nightbloodraelle & @denerims to take this quiz for some of my ocs!! this was so fun!!!
tagging: @chuckhansen @jendoe @jennystahl @heroofpenamstan @indorilnerevarine @florbelles @risingsh0t @fashionablyfyrdraaca @shellibisshe + anyone else <3
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Han Solo (Star Wars)
Bart Simpson (The Simpsons)
Maeby Funke (Arrested Development)
Eleanor Shellstrop (The Good Place)
Flynn Rider (Tangled)
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Barry Allen (The Flash)
Charlie Bucket (Charlie and the Chocolate Factory)
Glenn Rhee (The Walking Dead)
Miguel (Coco)
Dr. Ellie Sattler (Jurassic Park)
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Bruce Banner (Marvel)
Molly Hooper (Sherlock)
Samwell Tarly (got/asoiaf)
Nick Carraway (The Great Gatsby)
Klaus Baudelaire (A Series of Unfortunate Events)
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Connell Waldron (normal people)
Colonel Brandon (sense and sensibility)
Dr. John Watson (sherlock)
George Michael Bluth (arrested development)
Jonathan Byers (stranger things)
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thebiballerina · 1 year ago
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Tags from @heerecomestheweirdo: #it was the snow job #he was in the waiting room while the others were securing the chamber #the patient next to him was side eyeing him the entire time #leverage
Personally, I assumed that the Leverage team is typically speaking very quietly when they are saying something for the comms, and they are at normal volume in the show for the same reason scenes taking place outside in the dark have (or should have) lighting: because the alternative would be awful for the audience. The first episode has the pre-heist scene which establishes that the comms are sensitive enough to pick up whispers (something to do with bone-conduction, if I remember correctly). If ballet performances have taught me anything, it is that someone absolutely can yell at you without literally yelling in volume.
Of course, even if that is true, it doesn't necessarily help if someone is focused enough on one of them to notice even a whisper or their mouths moving, especially if someone is alone with them or spends an extended period of time with them. Hence Hardison ducking his head behind a cabinet door while he is in the break room during "The Mile High Job" in season 1. Or Molly noticing Eliot talking into the comm in "The Carnival Job".
Which, now that I think of it, two of the three episodes we have mentioned here are in season 1. It would make sense for the team to improve and develop the habit of speaking into comms unnoticed, as time goes on. (Since pre-canon habits of working alone would not necessitate that particular skill.) I would surmise that it becomes rather natural to do so, and their later season slip-ups tend to be when they are already rattled or very distracted. The moment @my-beloved-lakes describes in "The Carnival Job" would have happened after Molly has already asked about Parker by name and (correctly) suggested Eliot had "a secret radio". And he's currently responsible for supervising a child, which is likely to affect him more deeply than most other cons.
That being said, I do still think there is great potential for an outsider POV Leverage fic with the premise of the original post. Or maybe a crossover, especially with characters are very observant or trained.
please. i just want one bit character in this goddamn show to be like "who the fuck are you talking to." when they're full-volume yelling at each other through the earpieces in public
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creepyspytruck · 1 year ago
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i've been challenging myself to draw more often by using a different program and artstyle in an attempt to get over perfectionism and while THAT hasn't worked my brain has instead cooked up a half baked au where eliot "acquires" molly connell shortly before the pilot episode and it's honestly killing me slowly.
(tiny sneak peak under the cut b.c. as mentioned it is not helping the perfectionism thing)
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i should draw small children napping on eliot's hair more often. it's honestly quite soothing.
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queenoma · 2 years ago
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For those of you with abilities beyond the 5 physical senses & skills to connect the dots, Rob SHARED that Jensen was working on a song re: topic of an AFFAIR in season 11 which was in 2015. Also INTERESTING how Rob was so invested in such a song re: he and Ruth Connell getting together behind his Ex wife’s back [Molly]
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