#modify bus

[demoralised]

V12 Volkswagen bay window bus

[radracer]

VW Bus Chop Top

[brightsuzaku]

So, I Have Space Freighters: Part 1

Oh, let's talk about something FUN for a change! It's a longpost about... space freighters. 

Ok, so in most of the stuff I've come up with, after years of role-playing science-fictional stuff with my best friend? For our stories?! Set in space! And, I'm one of the people participating here, so we've got "spaceships as people", too! Riveting! That's one of my favorite concepts! 

Well, an idea that has been a part of these worlds that we come up with includes Extremely Dumb Freighters. Like, they are not smart, and I mean they are intentionally not that smart. They really do not need to be, for how they work.

I am so sorry in advance to perfectly intelligent, quick-thinking, and hard-working heavy space boats that do the thankless job of Moving Stuff Around The Stars All The Time, but my first ideas were of specifically dumb freighters. And, it turns out they have their niche, and they fill it very well. 

So, it's like, we have these big slow-travel freighter ships that travel along preset "tracks" through general space, and they take special pre-set warp gates, along said tracks to speed along. Now, these occasional warp gates that are set along their tracks' are 2-way gates that only allow freighters through. And so, these ships normally pass through with zero issues, and trundle along their way all happy and undeterred.

But, as I originally explained it, the oldest in the fleet "aren't well-optimized and cannot adapt to setbacks". I'm talking about basic setbacks with basic solutions as simple as, well... Moving! Even slightly! In a different direction of some kind! To advance travel progress!

You see, because space allows movement along all axes it should be simple enough to move out of the way, right?

But no, no, I said poorly optimized, didn't I? They are not very maneuverable, and are trapped within their constraints, ostensibly for safety, I'm sure.

You see, most other ships that encounter these big freighters are gonna hear a monotonous "You Are Blocking My Route." repeated into all channels for the next measurable 4 hours (and counting). We'll get back to this, I promise.

Freighters will say "You Are Blocking My Route" regardless of what may be preventing them from progressing their travel.

So, imagine the most ideal un-ideal situation, where a route is being "blocked". A freight systems engineer could see that this was flagged, and intervene to change the track's checkpoints of each part of the route slightly. This would force freighters to "move around", but that kind of intervention requires LOTS of ships hitting LOTS of setbacks. It might even start to look like a queue!

Intervention, however, is extremely rare.

See, in a normal situation where a big hunk of rock is "blocking the route" the ship will complain about it repeatedly, until the hunk idly floats away. If MULTIPLE ships queue up for too long, someone probably does intervene, because that is rather unusual.

But usually, stuff floats back out of the way.

Every single track that these freighters move along has been specifically designed to allow passage with as few problems as possible. There should not be many issues with debris! Stuff rarely changes that much in space, unless something specifically happens! And, even if something does idly get in the way, usually a route is clear enough within an hour.

These freighters are big enough and strong enough that they could probably plow through minor problems with relative ease, even as they repeat "You Are Blocking My Route" the whole way through. 

So, unless it's an actual debris field that cannot easily be rerouted, and some horrifying freighter backup queue suddenly appears on Known Space News 655 or something, these small blips usually do not affect freight traffic. The freighters. Are just really stupid.

They do a great job of moving where they need to move! Going where they need to go! Unbothered! Thriving! In their lane! Literally!

So, for now, you know how my freighters work!

I AM SORRY TO EVERY INTELLIGENT AND HARD-WORKING FREIGHTER THAT DOES NOT NEED THIS SHADE.

These space freighters largely transport cargo that is being traded or moved all the time, and so the tracks are like a supply line. Faster freighters that need brains, personhood, and rights handle different cargo, including anything time-sensitive stuff. (GIVE YOUR SPACESHIPS RIGHTS.)

Also, PART 2 is up!

[quicktimeeventfull]

‘tax filing platforms (fandom) ie the fandom tag i gave file with confidence finally got a canonical tag btw everyone please clap. it’s now synned to ‘internet and social media platforms (anthropomorphic)’

[cyberstabbing]

i'm kinda mad bc i don't remember much from celebrating halloween between 10pm-3am >:( and i only went out one night, which was too bad, because i wanted to dress up in two different costumes. i remember petting a shy chubby tuxedo cat (he rolled over for me!! the owner said he never does that with anyone else :))), the host breaking down in tears infront of me and telling me how she's worried that she threw the lamest party and that she's bipolar and it's all badbadbadbad, then i repeated yoga breathing monologue for who knows how long for my half-passed out friend who was puking in a bowl. and the rest i don't remember. i want a redo!!!

[autistic-shaiapouf]

The agony of it all?? Spirit halloween open right now and a fresh paycheck I could spend there?? I specifically am being tormented

[elixirina]

Hey! I saw your post about requests being open (and that you enjoy writing angst)! I humbly submit for consideration toward any of the following: Wanda Maximoff, Natasha Romanoff, Lexi Grey, or Kara Danvers.

Reader being discovered in the wee hours of the morning, unconscious or barely conscious, outside characters place of work or place they frequent (home, thinking spot, running path, etc etc) with a pretty serious wound. It's getting to the colder months of the year so them being out unsheltered seemingly all night makes the situation that much worse.

Tone of the ending and reason for them being in that situation I shall leave up to your preference. I hope this tickles your creative juices :)

hihi!! i really loved this request and i decided to make it a natasha fic!! i incorportated most of what you said and added some things and changed some but i love how this turned out. hope you enjoy !!

# here, kitty kitty — iron man!natasha romanoff x fem!blackcat!reader

synopsis — after a rather long day, natasha's met with a bloody surprise on her fire escape.

warnings — reader being a flirtatious mess, physical injury, mentions of blood, nat trying not to curse, angst, i don't think anything else

please please please reblog and like 🤍

© elixirina — all rights reserved. my work is never to be reposted, translated, modified, etc, even if i am credited.

the sky was a blanket of soft gray, heavy with clouds that spilled a steady drizzle onto the world below. raindrops danced against the windows, their rhythmic tapping filling the quiet air. the new york streets glistened with a mirror-like sheen, reflecting the blurred colors of the passing cars and neon street signs. luckily, most new york residents were used to this kind of weather this time of year, yourself included.

after a rather nasty fight with another vigilante, you found yourself roaming the dark, empty streets, bloodied and battered.

you contemplated going back to your apartment, but you knew these streets like the back of your hand; you knew you were at least 20 minutes away.

so, you looked for the next best thing: natasha’s apartment.

now, you’d only known the woman for a short amount of time, but to be completely honest, you felt safer going to her than anyone else. maybe you were just going soft. whatever.

a cool, damp breeze carried the fresh scent of rain-soaked earth and pavement, the rain blowing in your face as it did so. everything seemed to move slower, as though the rain had draped a calming hush over the bustling city.

as you walked, you could feel the blood gushing out of each and every one of your wounds. you knew it was a stupid idea, walking the one mile to her apartment but you would just have to pull through. though, there was no denying the unbearable agony you were in.

limping your way through the streets, the apartment complex natasha lived in, came into view. it was a tall, building with weathered bricks and fire escapes zigzagging down the sides.

knowing you couldn't enter the building because that would cause suspicion, you slowly made your way to the side of the building, where the fire escapes were lined on the walls. you did a quick check for cameras, which fortunately, there were none.

you look up, examining all six rows of windows. natasha was on the fourth floor. fourth row, fifth window. now, how the hell were you going to climb up that latter and all those stairs? shit.

you'd done this before, obviously, but with a burning sensation in your abdomen? definitely not.

with a resigned sigh, you gritted your teeth and reached for the cold metal of the fire escape ladder. the rain made everything slick, and your bloodied, gloved fingers slipped slightly, but you held on, determined. each movement sent a fresh wave of pain shooting through your body, but you pulled through on. you couldn’t risk being seen like this.

the first rung was the hardest, your muscles screaming in protest. it felt like every cell in your body wanted to quit, but the thought of natasha—of her calm, steady presence—propelled you upward. one rung. then another. the ladder creaked softly under your weight, blending with the hum of the rain.

by the time you reached the first platform, your breathing was ragged, your vision blurring slightly.

you paused, leaning against the railing as you gathered your strength. the rain continued to fall, drenching you completely now, but it dulled the sharp sting of your wounds, if only for a moment.

"come on," you muttered to yourself, wiping the rain from your eyes with the back of your hand. "just three more floors." you cracked your neck.

the climb was agonizing. every pull of your arms and push of your legs sent pain radiating through your body, but you couldn’t stop. Not now. not when you were so close. when you finally reached the fourth floor, you nearly collapsed against the railing. your hands trembled as you forced yourself to move toward natasha’s window.

fifth window, you reminded yourself, counting them out one by one. there it was. the faint glow of a lamp illuminated the room inside, but no on inside. let it be her who leaves her lights on all the time.

you cursed under your breath, the rain pouring down even harder than before. you sat down on the platform, though even that movement felt like fire in your body.

you were certainly hoping she was just in her bedroom. however, when you knocked on the glass of the window, there was no response.

"wow, the universe is really on my side today." you uttered sarcastically, rolling your eyes to the best of your ability.

minutes dragged on, and your patience wore thin. just as you contemplated dragging yourself back down the fire escape—a terrible idea, given your condition—you heard the faint click of heels on pavement below. you perked up, glancing over the edge, and there she was. natasha. walking toward the building with an umbrella in one hand and a paper bag in the other, completely unaware of the disaster waiting for her on the fire escape.

“nat,” you breathed in relief, your voice barely audible even to yourself.

she stopped by the front door, scanning her surroundings with the precision of someone who never let her guard down. her gaze darted upward, freezing the moment it landed on you. for a split second, her face was unreadable. then, her brows furrowed in a way that made your chest ache more than your wounds.

“are you freaking kidding me?” she called up, her voice sharp, though it cracked slightly at the end.

her umbrella clattered to the ground as she darted into the alley and grabbed the fire escape ladder. the metal groaned softly under her weight, but natasha moved fast, climbing with a precision that reminded you just how good she was at what she did.

“hey, red,” you rasped when she reached you, managing the ghost of a grin. “miss me?”

she crouched in front of you, her sharp green eyes scanning your face, then trailing down to the rest of you. the exasperation you expected was nowhere to be found. instead, her expression darkened as she took in the full extent of your injuries. blood soaked through the leather of your suit, and a nasty gash on your bicep had left a trail of crimson dripping onto the platform below.

her jaw tightened. “what the hell happened to you?”

“ran into someone who didn’t appreciate my charm,” you quipped, trying to lighten the mood. “jealous, maybe.”

natasha didn’t laugh. her eyes lingered on the wound on your abdomen, and when she reached out to inspect it, her fingers brushed against your side. you flinched, unable to hold back a sharp hiss of pain.

“god,” she muttered, her voice barely above a whisper. she knelt closer, her hands hovering over the worst of the damage as though she wasn’t sure where to start. “why didn’t you go to your place and then a hospital?”

“c’mon, red,” you said, forcing a smirk despite the searing pain. “hospitals don’t let you flirt with their nurses like this. figured i'd wait here until i heard, 'here, kitty kitty'.” you chuckled, the sensation making your stomach ache.

“stop it,” she snapped, her voice suddenly harsh. her gaze shot up to meet yours, and for the first time, you saw something crack in her carefully composed exterior. “this isn’t funny.”

you blinked, your smirk faltering. “nat—”

“do you have any idea how bad this is?” she interrupted, her tone sharp but trembling. her hand pressed lightly against the wound on your abdomen, trying to stem the bleeding. “damn it, y/n, if i hadn’t come back just now…” she trailed off, her jaw clenching as she swallowed hard.

“hey,” you said softly, your voice weaker now. you lifted your hand to the best of your ability, placing it on her cheek. “i’m fine. i made it here, didn’t i?”

she shook her head, her lips pressing into a tight line as she helped you to your feet. “you’re an idiot,” she muttered, but the words lacked venom.

“yeah, but i’m your idiot,” you teased weakly, leaning on her as she guided you through the open window.

once inside, she eased you down onto the couch and crouched in front of you again. as she grabbed the first aid kit, you noticed her hands were shaking ever so slightly. she opened the kit with the kind of precision that spoke to how many times she’d done this before, but her silence hung heavy between you.

god, this pained you. the last thing you wanted to do was worry her, and you had done just that. “nat,” you started, but she cut you off.

“don’t,” she said sharply, not looking at you as she began to open your suit, cleaning the blood from your side. “just… don’t.”

the sting of antiseptic made you flinch, but you bit your tongue. her movements were firm but careful, her focus locked entirely on patching you up.

after a few moments, “you scared me,” she said finally, her voice quieter than you’d ever heard it. the words hung heavy in the air, and the sharp edge of anger was gone now, replaced by something raw and unguarded.

you blinked, caught off guard. “nat…”

“no,” she cut you off, setting the cloth down and sitting back on her heels. her eyes, now shimmering with an emotion you couldn’t quite place, met yours. “do you even get it? i come home, and I see you—half-dead, bleeding out on my fire escape like it’s just another...freaking tuesday.”

her voice cracked slightly, and she quickly looked away, as if embarrassed by the slip. she ran a hand through her damp hair, taking a steadying breath. “do you have any idea what went through my head when i saw you up there?”

“natasha,” you tried again, softer this time.

“i thought you were dead,” she continued, ignoring you. H=her fists clenched at her sides. “for a split second, I thought I was too late. and the worst part? the worst part is that you probably don’t even care. you’ll laugh it off, throw some stupid flirt my way, and act like it’s fine. like you didn’t just scare the hell out of me.”

her words hit you harder than you expected, the guilt settling deep in your chest. you just wanted to say sorry, even though you knew that wasn't enough. you wanted to tell her how much you felt for her and how you were never going anywhere. you opened your mouth to say something—anything—but she wasn’t done.

“do you know how many people i’ve lost because of this kind of stupidity? people who thought they were invincible, who thought they could take the hit and keep going?” she was looking at you again now, her green eyes blazing with a mix of anger and something that looked a lot like fear. “i can’t… i can’t do that again.”

your breath hitched. you’d seen natasha angry before, you’d seen her annoyed, amused, even borderline fond. but this? this was different. this made your stomach churn.

“natasha,” you said, your voice breaking slightly. “i didn’t mean to—”

“i don’t care what you meant,” she interrupted, shaking her head. “you think it doesn’t matter, that you can just push through anything, but it matters to me, okay? you matter to me.”

the confession hit you like a punch to the gut. for a moment, the pain in your body was secondary to the ache in your chest. you’d always known natasha cared in her own way but hearing her say it—hearing the crack in her voice as she did—made it feel real in a way you hadn’t expected.

you swallowed hard, your usual bravado slipping away. you propped yourself up with your shoulders, despite the ache. “i didn’t mean to scare you,” you said softly, the teasing edge completely gone from your voice. “i swear, i didn’t.”

her shoulders slumped slightly, some of the fire in her expression dimming. she let out a shaky breath, her hands falling to her lap. “then stop doing this to me,” she whispered. “stop making me wonder if the next time you show up, it’ll be the last.”

the silence that followed was heavy, broken only by the soft patter of rain against the window. you reached out, your hand brushing against hers. “i’m sorry. i'm so fucking sorry. i know that's not enough, but i mean it.” you said, the apologies meaning more than they ever had before.

for a moment, she didn’t respond. then, finally, she squeezed your hand, her grip firm but trembling. “just don’t make me regret caring about you,” she said quietly.

you nodded, swallowing the lump in your throat. “i won’t.”

neither of you spoke after that, but her hand stayed in yours, and in the quiet of the rain-soaked room, you promised yourself you wouldn’t let her down again.

[commodorez]

Cactus fascinates me, does it run on code similar to an existing instruction set or is it completely original on that front?

What can you do with it? What's it's storage?

Both the Cactus (the original wooden prototype from years ago) and the new PCB Cactus(es) are essentially derived from a minimal 6502 computer design by Grant Searle for their core logic. Here's what that would look like on a breadboard:

There isn't much to it, it's 32K of RAM, 16K of ROM containing Ohio Scientific's version of Microsoft BASIC, a 6850 ACIA for serial interaction, some logic gates, and of course a 6502 microprocessor (NMOS or CMOS, doesn't matter which). You hook it into a terminal and away you go.

Grant's design in turn can be best described as a distilled, modernized version of the OSI Challenger series of computers. Here's an OSI-400 and a Challenger 4P respectively:

The left one is a replica of the 400 circa 1976, also called the Superboard. It was affordable, endlessly reconfigurable and hackable, but ultimately very limited in capabilities. No BASIC, minimal monitor ROM you talk to over serial, but you could connect it to a bus to augment its features and turn it into a more powerful computer.

Whereas the OSI C4P on the right from about 1979 has more RAM, a video card, keyboard, BASIC built in, serial interface, cassette tape storage, and that's just the standard configuration. There was more room to expand and augment it to your needs inside the chassis (alot changed in 3 years for home computer users).

Grant's minimal 6502 design running OSI BASIC is a good starter project for hobbyists. I learned about the 6502's memory map decoding from his design. I modified and implemented his design on a separate cards that could connect to a larger backplane.

Here are the serial, ROM, RAM, and CPU cards respectively:

Each one is 100% custom, containing many modifications and fixes as I developed the design. However, that's only half of the computer.

I really wanted a 6502 machine with a front panel. People told me "nobody did that", or couldn't think of examples from the 1970s but that seemed really strange to me. Especially since I had evidence to the contrary in the form of the OSI-300:

This one I saw at VCF West back in 2018 illustrates just how limited of a design it is. 128 bytes of RAM, no ROM, no serial -- just you, the CPU, and toggle switches and LEDs to learn the CPU. I was inspired the first time I saw one in 2015 at VCF East, which is probably when this whole project got set in motion.

Later that year I bought a kit for a miniature replica OSI-300 made by Christopher Bachman, and learned really quickly how limited the design philosophy for this particular front panel was. It was a major pain in the ass to use (to be clear, that's by OSI's choice, not any fault of Christopher in his implementation)

So... I designed my own. Took awhile, but that's the core of what the Cactus is: my attempt at experiencing the 1970s homebrew scene by building the computer I would have wanted at the time. Over half of the logic in the Cactus is just to run the front panel's state machine, so you can examine and modify the contents of memory without bothering the 6502. I added in all of the things I liked from more advanced front panels I had encountered, and designed it to my liking.

Here's the original front panel, accompanying logic, and backplane connected to the modern single board computer (SBC) version of the machine:

And here's the new Cactus SBC working with the new front panel PCB, which combines the logic, physical switch mountings, and cabling harnesses into a single printed circuit board.

So, what can you do with it? Pretty much the same things I do already with other contemporary 1970s computers: play around in BASIC, fire up the occasional game, and tinker with it.

I've got no permanent storage designed for the Cactus as yet, it's been one of those "eventually" things. The good news is that a variety of software can be ported to the hardware without too much trouble for an experienced hobbyist. A friend of mine wrote a game called ZNEK in 6502 assembly which runs from a terminal:

Right now, you have to either toggle in machine programs from the front panel from scratch, burn a custom ROM, or connect it to a serial terminal to gain access to its more advanced features:

Here's it booted into OSI BASIC, but I have also added in a modern descendant of Steve Wozniak's WOZMON software for when I need to do lower level debugging.

I've also got a video card now, based on the OSI-440. I have yet to implement a keyboard, or modify BASIC to use the video board instead of the serial connection. Even if I did, screen resolution is pretty limited at 24x24 characters on screen at once. Still, I'm working on that...

Anyway, I hope that answers your question. Check the tags below to see the whole process stretching back to 2017 if you're curious to learn more of the project's history. I'm also happy to answer any more questions you might have about the project.

[phoenixyfriend]

Concept: Santa has a memory-modifying machine and that's why parents are never suspicious of the extra presents under the tree.

[I may or may not write this as a proper story some day but in case I don't, have a look]

They all just have an implanted memory of buying it themselves. For people who are in poverty and struggling, this means that Santa does have to limit himself to 'realistic' gifts, but if a kid would be happy with a really cool puzzle or some candy they're not usually able to get, it's easy to frame that in the memory as "Oh yeah, I think I saw that they were giving away bags of this chocolate for any purchase over $20, so I grabbed an extra can of beans" or something.

If a kid's been really good, he can add some sort of "Parents entered a giveaway" memory for a bigger present, but too many of those might arouse suspicion.

Also possible is localized charities that get a lot of "anonymous" gifts that are actually from Santa.

And the volunteers that 'decide' which gift goes where are undercover elves who are making sure the presents end up with the kids who really want them.

@threebea said:

The rule with Santa is if an "adult" is aware of the magic he loses his power which is why he needs to go to lengths to make himself seem like a hybrid of commercialization and religion. He will definitely do other things if he has no justifiable way of getting something to a kid who doesn't get presents from their parents for whatever reason. Can range from extra luck like vending machine gave doubles or bus actually waited. He will reward goodness of children it might not be as much as he would like but he does what he can to continue being able to do it. He can't go as hard as he would like because too big and even memory modification won't be enough but he will try to get away with big stuff.

This kid was so good that he is rigging an xbox giveaway for them.

There's an elf that has to be like: No no, that's too big. Santa: I can spin it I can spin it. Santa also has a heist team to do the rigging of big ticket items. Sometimes they'll just set up a fake contest but sometimes they're like: This is our window, operation BMX is a go. Elf: There are not enough contests in this small town to justify this, Santa. You need to make a choice. Santa: Rich guy who wants to do Christmas miracle for children? Elf: You get one a year you wanna use that card? Santa: [narrows eyes] …. Two but in different countries Elf: This is not a negotiation. Santa: I feel like it is.

Exhausted second in command trying to keep Santa within the realm of reason but this jolly old man wants to be doing good so much.

Vigilante-ism

Vigisanty-ism Santa: We could haunt Jeff Bezos we haven't done that in awhile. Elf: No one will ever believe it don't be greedy.

[writingbluerose]

a song just for you | Idia Shroud x reader

summary : Idia has been keeping a secret from you, and also he has been working on something special just for you. As a thank you for everything he's done. Have patience with him, he's just nervous

warnings : none <3

a / n : Idia is literally the loml so I wanted to make this short story. ALSO HELLO IDIA FANS??? Idk if that AppleBloom card implies he's playing violin or not, he's playing it in this story idc

HAPPY BIRTHDAY IDIA HONEY ILY 💙💙

He's been at this for months. Trying and trying and modifying everything that didn't seem right to him. He practiced for hours in a day, days that he didn't even touch his gaming console, much to his brother's surprise and of course he's also very proud of his big bro. Idia wanted to make something special for you, something that would let you know how much he loves you without speaking too much, after all he wasn't that amazing with words, even tho you understood him and accepted him the way he is.

So, for you, Idia started doing something he's never done in years. Playing the violin. He remembers when he was little and found a super old violin in the S.T.Y.X headquarters at home, he started playing it and found out he actually has a nick for it! But, well, Idia is Idia so he quickly forgot about it. But when hanging out in his room one day, you mentioned that you really liked the sound of violins, also mentioning that on winter holidays you loved listening to a certain song played by a one. Idia never forgot that, of course he didn't, after all that's what he's doing right now, practicing just for you.

And just like that 4 solid months passed with Idia practicing and perfecting his song. And that meant that it was finalized the moment to show you. Calling his little brother Ortho to go fetch you, Idia was nervously pacing around his room, his violin not revealed yet as he wanted it to be a surprise. Minutes passed and his brother finally entered his room, beaming with anticipation with you smiling behind him. Idia could tell you were excited for whatever surprise he had for you. After Ortho left, you sat on his bed and looked at him. “Sooo, Ortho told me you have a surprise for me right?? What is it?? I'm excited!” “Well, u-uhm...uhh” Idia's hair slowly started becoming pink as well as his face, slowly fidgeting with his fingers thinking on how to start. You smiled softly at him. “Take your time Idia, no rush” He hesitantly looked at you again, then took a deep breath and started talking all at once. “I-IrememberthattimeyoutoldmeyoulikeviolinssoImadethisforyoubecauseIliterallyloveyousomuchandIwantedtothankyouforeverythingyou'vedoneformebecause I love you so much” The last 5 words came out slower, while Idia finally took the violin behind him showing you what the surprise really was. With a studded look and pink cheeks you looked at Idia in awe. “Idia... You- you didn't...” Idia learned violin for you? Oh goodness, that thought only made your heart beat faster and faster, you loved him so much.

After a while, Idia's singing came to a stop, the hand that was holding his bow came down to rest beside his body, his other one still holding the violin. He looked at you with his cheeks pink and you didn't fail to see the tips of his hair getting pinker and pinker, some of them burning into little hearts. “How-how was that...?” Awaiting your answer, Idia shifted his weight from one leg to another looking at you expectantly. Before he could register what you were doing, you jumped on your feet and hugged him tightly. “I loved it Idia. It was beautiful” At your words, Idia let out a relief sigh then grinned at you. “Weehee, I unlocked the right route” You smiled at him in response. “I really didn't expect you to do all this for me, really. I mean learning violin that fast? That's something not all people can do” “Ah, well, it's not like I didn't know how to play it — he carefully set the violin down next to his bed — I played a bit when I was little but I kinda gave up after a while” You understood quickly that Idia probably found the magic of video games so that must've been the reason he stopped playing.

“I- I did yeah...so uhm, — Idia coughed taking his violin and getting into position — this... is for you” And so he started singing. And God, it was beautiful. You knew Idia well, that means you easily knew that he was the one who wrote the song that was now slowly coming along on the beautiful thin strings of his polished violin. You slowly got lost in the song, your cheeks getting a pink tint while listening to Idia's gift for you. Because I wanted to thank you, that's why he did this, he wanted to thank you and that thought alone made a warm feeling in your chest. You looked up at him, Idia's eyes were closed and you were sure he wasn't aware his tongue was slightly out of his mouth indicating he was concentrating. The sight made you silently giggle, Idia's silly faces was one of the things you loved about him most.

“Well, I must give you something in return,no?” You approached him putting your hand on his cheek, pulling him by his hoodie and kissing him on the lips. He was quick to return the kiss, he got better at this since you started dating him after all. After he let go, Idia's hands were still holding tightly onto your waist, his face pink while grinning at you. “Hehe, this was definitely an S rank kiss” “An S rank kiss for an S rank boyfriend” Idia's face turned fully red at your comment and so did his hair, he hid his face in the crook of your neck. “No fair! These comments do critical damage — he looked up at you — you can't use them so casually!!”

You knew Idia would give up the world to be with you forever, he loved you so much and he always made sure to tell you in his special ways. And now, while being in his bed, hugging his sleeping form, you thought that no matter what, you'd always do the same for him.

No matter the outcome.

[mt-oe]

I’ve just been highly obsessed over modern Mizu. So I’m just asking for that, modern Mizu meets reader at uni or something like that! I love LOVE your writing!! 💖💖

✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧

Hey dear!

Thank you so much for the request! I hope you don't mind if I add a bit more to this <3 I've been wanting to write modern au Mizu hcs and your request really granted me the opportunity to do so.

Also, I'm so sorry for being so slow on the requests. I've been so eepy lately for some reason and I can't fight against it, like I tried but failed so many times ;; I am a slave to my own body

Anyways, I hope you enjoy! Mwa mwa :*

warning/s: not proofread, she/her for mizu, implied afab reader, game reference (league of legends)

general headcanons

✦ This woman would either overload or underload her units like crazy. She'd either be busy with her academics and work 6 days a week, even sending a letter to the admin so she can go past the mandated maximum amount of units in one semester or doing absolutely nothing while the rest of her friends are going apeshit on their finals. There's no in between.

She would plan it like an absolute psychopath too. Nothing special foreseeably happening in the next semester? She's going above and beyond. A convention she wants to go to on September? Signing up for the bare minimum amount of allowed units just for one event.

Her friends are either concerned for her and losing contact for a whole semester, or are pissed off that she's playing some kind of gacha game on her phone while they're losing their minds on their finals.

✦ Would be the type to be so pissed off by slow walkers in the hallway. The hatred she has for people who walk so fucking slow in the hallway is unbridled. Though she's not the type to pick fights, she'd be the type to sigh loudly, making you feel her anger, before overtaking and wouldn't be afraid to bump against the person if needed. Her hatred goes deep enough to the point where she even remembers people JUST because they walk slow.

✦ The type of friend who would walk to everything. Sure she has her motorbike, but if she can walk to it, you bet she's going to walk. She even knows different shortcuts to different buildings on campus.

"This looks like a good place," Akemi tells them, showing her phone. For once, their vacant hours finally aligned and they've been trying to find a good place to eat since the lunch hall food was getting repetitive and they could feel their taste buds dulling over time. Akemi, being the 'what do you guys want to eat?' friend, and the other three, being the 'I don't know' or the 'I'm fine with whatever' friends, is left to search for a new place.

They took a look at the place and shrugged in agreement, making her roll her eyes at their lack of opinion. "Okay but how are we going to go there?" Taigen asks. Mizu takes Akemi's phone and looks up the map to the place. The distance itself was enough to tell a person that they should take the bus. Hell, it was on the other side of town almost.

"We can walk. It's not that far," she says, closing the map and handing Akemi her phone back. They trusted Mizu. It couldn't be that bad.

Right?

By the time they arrived at the restaurant, they were already sweating, ready to give up, tired out of their wits. The food wasn't even worth it anymore.

"It's not that far" my ass.

Even Taigen, her fellow gym rat and workout buddy, was fucking exhausted. And this bitch (affectionately), has the audacity to stand there, crossing her arms with the most unamused expression on her face as if it was their fault for being so exhausted. If she tells you its walking distance, it is NOT within walking distance.

✦ She's a jack-of-all trades type of person, but she'd have the fattest fucking talent crush on anyone who can express themselves through art. The talents and skills she gathered were purely out of necessity. Fixing and modifying bikes was the only thing she was truly passionate about but it's hard to be expressive through repairing motorbikes, right?

She has always been so amazed by stories of painters, sculptors, singers, and writers who have deep backstories and can reflect it through their art. She would be the type to read the whole description in art museums just because she's so amazed by them.

Deep inside her, she wished she could do that too. To express herself through a medium. Like what do you mean you wrote this poem because you're sad your cat died? Or what do you mean you took this professional-looking picture just because you had the best picnic date with your friends? How can someone write a song about casual sapphic sex? She can't even vocalize her feelings, how much more in art? Whenever she sees someone writing their English essay so well or drawing randomly, she'd secretly be so interested.

✦ Mizu would have social media accounts but would use it bare minimum. She'd be that type of classmate that you're not sure if it's really her because she doesn't have a profile picture you can check or if she does, it's like a picture of an item instead of her face.

Her friends would be so happy whenever Mizu posts an IG story even if it's just a picture of where they were eating or even if their face is barely in the picture.

"Aww you posted us!" and they're like little ants with how small they were in the picture.

Or

"Do you want to eat at that place again?" and she'd be like 'what? why?' but they'd know she actually enjoyed the food because she bothered posting a picture of the place.

Deep inside her, Mizu wants to keep up with whatever trends her friends are into but she's very lowkey about it. The tough love friend who secretly really enjoys being friends, y'know? She'd search about it and try to figure it out. Everyone's surprised by her internet knowledge since she always acts like she wouldn't give a shit whatever new trend is on.

✦ This sounds so corny and stereotypical, but Taigen and her would be those gym rats who solve everything by working out. It didn't matter if it was a weekday, a weekend, a holiday, or whatever weather condition was going on outside, they are going.

They failed a test? Gym. Hungover? Gym. Too much homework? Gym.

When Megan Thee Stallion said she'll go to the gym two times a day, they go three. When she said the results are resulting? The body is bodying? These two are taking it seriously.

Taigen would focus on biceps, chest, and lats, cutting down on fat so his body would look more lean. He'd hate leg day but would do it anyway just to balance out his physique.

Meanwhile, Mizu would have a 'sleeper-type' build and her routine would be more well-rounded and would even include calisthenics on her free time. They'd try to beat each other's PR but it really ain't a competition when Mizu is always winning.

.　 . • ☆ . ° .• °:. *₊ ° . ☆

how did you two meet?

Stupid shitty project.

Stupid fucking publisher gatekeeping the fucking article.

Stupid bitch ass school wifi keeps disconnecting.

Mizu resisted the urge to slam her laptop shut as her device disconnected from the wifi for the nth time. She was stuck in the library trying to finish her midterm project for building design system and holy shit was she frustrated.

She needed to create a specific building design that was supposed to be environmentally friendly, using what was considered as 'green materials' and had minimally destructive designs. It wouldn't be so bad if this fucking publisher just had to put a price on the article she needed. Wasn't education supposed to be free or whatever?

Her friends tried to help her, telling her to use the library computers, but none of them were working or free at the moment. That leaves her to use her laptop in the library. Usually, that wouldn't be a problem but due to the recent rains, the school wifi has been pretty shitty.

After a few more tries, she decided that this wasn't worth the frustration and trouble, and decided to collect her things to get ready to leave. Just as she was about to zip up her bag, a tap on the shoulder stopped her. She turned around to look at who was trying to get her attention, ready to tell them off. But upon turning around, her heart skipped a beat.

There you stood.

In your oh-so fancy sweatpants and college logo hoodie (whose logo wasn't even the university's). Your hair was ruffled and messy, eyes tired and more exhausted than her's. Understandably so though. It was hell week and everyone was tired, but somehow, your tired looked so pretty.

Her eyes continued to stare at you. Like the world stopped moving and it was just you and her in the room.

"Umm...there's a free computer over there if you still need it," you said shyly but in a straightforward manner. A small tired smile on your lips, trying to appear as friendly as possible. Mizu snapped out of her trance and nodded, slinging her bag over her shoulder to move to the said computer.

Maybe she'll stay for a bit. To finish her midterm project.

Definitely not for the pretty lady.

No, of course not.

Upon sitting down, she couldn't help but sneak glances at you, looking back down at the screen when you looked in her direction. She felt stupid, like a lovestruck fool. Borderline, like a child getting their first actual crush.

In her mind, she was already planning how to approach you without making it awkward. Maybe she'll try to strike up a conversation? But how? Hmmm..

It definitely took a while, being distracted and all, but she was finally able to finish her report. Taking a deep breath, she prepared herself mentally to talk to you. She stood up and stretched after logging herself out, pretending to look around the room but in reality she was looking for you.

Much to her dismay, you were no where to be found. A small "fuck" left her lips as she sighed, picking her bag up. The universe must hate her. Giving her an opportunity to see the most beautiful person she's ever seen only for them to leave early? Fuck.

Her thoughts continued to plague her for the rest of the day, even until the next morning. It sounded so silly and so stupid for her to be this bothered, but she really just couldn't forget you. She sighed once again as she stared at the lecture hall walls, face hidden against her palms.

"Excuse me. Do you have an extra pencil?" a voice asked as she felt a tap on her shoulder. Looking up grouchily, her eyes widened immediately.

It was you.

And this time, she wasn't going to let this opportunity pass.

.　 . • ☆ . ° .• °:. *₊ ° . ☆

but what now? (girlfriend headcanons)

✦ Mizu would absolutely remember EVERYTHING about you. Your birthday, MBTI score, favorites, dislikes, and even the silliest things such as what makes you sneeze.

She has a second brain for these, an internal SSD in her brain just for you. You won't even have to remind her about anything, because she already planned it out before you remember.

It's especially great for errands since you don't have to give her a list, she already has a list in her brain. Sometimes, you'd think she forgot because she's so quiet about it but she always finds a way to prove you wrong. If she says she forgot something about you, it's a lie. She never forgets, especially when it comes to her girlfriend.

✦ Would pretend to not understand or know how to do something just so you could teach or show her. Mizu definitely has a lot of skill up her sleeves, but whenever you asked if she knew something that she knew you were good at, she'd pretend not to.

"So I just click like this?" she asked you through the call, clicking on a minion. You had enthusiastically called her, asking if she wanted to learn how to play League of Legends. Unknown to you, your girlfriend already knew how to play and was quite good at it (that's a lie, she's beyond good).

She couldn't help but smile slightly as she watched you nod enthusiastically. The thought of you being so eager to spend time with her was heart-warming. She even made a dummy account just to make her beginner act look believable. "Yeah, you just need to keep this up. So should we queue together?" you asked, sounding really excited.

Mizu chuckled and nodded. "Don't get mad at me, okay?" she joked lightly, accepting your invite. "I won't. I'll be the ADC so you can play support until you get the hang of it, okay?" you said, checking which ADR champions you had cool skins of. Your girlfriend let out a small laugh at your enthusiasm, signaling you to start the queue.

The game went really well. Extremely well.

To your surprise, Mizu was quite a good support. Never accidentally stealing your CS, always being there during a clash, skill shots always hitting, knowing who to focus on. "It's because you're good at teaching people," she said.

But really, you wonder how she knew which items to build when you never even taught her.

✦ Would do the most random or the smallest things for you. She's not good at expressing her feelings so she makes up for it through acts of service and gift giving. Mizu tries her best to be as loving as she can without overwhelming you.

Can you even remember the last time you tied your own shoelaces? You can't. Can you?

Sometimes, you'll be surprised to arrive home with the fridge already stocked even though you had told her that you'll do the groceries on your next day off. The only response you'll get is a shake of her head and a random thing you mentioned you wanted to buy.

Sometimes, she's a bit silly though. Putting in the effort to remove her jacket to shield you from the rain even though you had an umbrella, removing the buckle of your helmet so she'd be the one to put it on you, gifting you random goofy greeting cards.

It's both endearing and a bit funny.

✦ Secretly loves it when you put makeup on her or if you let her do your makeup. Her amazement and fascination skyrockets whenever she watched you put make up on. It was a line of femininity that she was never taught to cross. She'd watch you with deep interest, observing how carefully you did it, how purposeful each step you did was.

"So why do you put it on?" she asks. You hum in thought before shrugging. "It just...makes me feel pretty."

What do you mean it makes you feel pretty?

You were already pretty.

You can't help but laugh at her and her curiosity. "It just does. It feels therapeutic to put on and I like how I look after, it's like expressing myself or something. Like painting but on your face," you explained to her, making her raise an eyebrow.

"But what if you don't like the way it looks?" she asked, picking up your eyeshadow palette and swatching a color on her hand curiously. "I can always take it off," you answered, blending the blush on your cheeks.

She stayed silent for a moment, continuing to swatch the colors on her hand. Her mind still couldn't wrap around the fact that this could make you feel better. Its just color and chemicals, and it washes off too.

Your eyes scanned her face before a soft laugh left your lips. "Here. Want to try?" you offered. Your girlfriend looked a bit hesitant but she wanted to understand.

Was this really fun?

After a few minutes, some struggles and squirming, you finally finished putting some make up on her. You tried your best to make it look as natural and as light as possible, knowing that she wouldn't appreciate the texture of heavy makeup immediately.

Blue eyes scanned over her own face on the mirror. She didn't say anything, but the slight twitch of her lips and the shine in her eyes spoke thousands.

"I want to do it on you too," she said quietly. "At least one thing. Let me try to do it for you."

You heart melted at her excitement. How could you refuse her when she finally finds something she likes? You handed her your eyeliner and sat down. "Here, follow my instructions.."

Mizu actually ended up liking it. Although she enjoyed putting it on you more, she still enjoyed it nonetheless. The amount of practice she put in made you wonder if she was actually better than you now. Somehow, she felt a bit of relief and a bit happy that she finally found something she could do that was considered as 'artistic'.

What started off as a simple "let me try" ended up being part of your routine. This woman never stopped practicing different eyeliner looks and now she just sits on your bed, waiting for you to finish your routine so she can put it on you. Sometimes she'd do a more creative graphic liner look, but on days you had to go to uni or work, she'd do the usual. She could probably do it with her eyes closed.

And the results?

SHARP.

Capital S H A R P.

[cobaltperun]

Lost (2) - Into the nothing

Tara Carpenter x female Reader

Summary: To anyone on the outside, and to Tara’s friends, you were Tara’s fierce protector, the MMA fighter who’d take anyone on for Tara. The Guard Dog, as Amber called you. You had no idea you’d have to protect her from people who claimed they loved her. It didn’t matter. As long as you and Tara had one another there was nothing you wouldn’t be able to survive.

Story warnings: Scream violence, family issues, trauma, angst, certain sensitive topics

Word count: 4.2k

Story Masterlist / Previous part / Next part

-Heaven hear me, I know we can make it out alive-

You woke up around half past seven, the fatigue from battle still weighing you down, but more than that you couldn’t shake off that uneasy feeling from the last night. You tried and you tried, but you just felt like something was wrong. You sighed, the sound of birds chirping by your window did little to take your mind off the bad feeling. So, you sat up, turned the TV on and got up while the documentary about whales droned on. You lived in an efficiency apartment, and as cramped as it was, you made it a home thanks to Tara. She got you the few trinkets that were lying around. The cheesy ‘Home is where the heart is’ hung from the doors above the coat hangers. The small porcelain cat napped on the fridge, and a slightly bigger stuffed dog she bought you for your twelfth birthday sat on the nightstand drawer next to your bed. There were only two framed photos in your apartment, both of them were just you and Tara, one from her eighteenth birthday, it was actually spontaneous one, you just got done setting up the table for her birthday and she came out to her backyard with Chad keeping her eyes covered. She barely even registered all the food, she just ran over to you when he let go of her and jumped into your arms, and that was the moment Mindy captured from the side, the moment when Tara was leaning her forehead against yours and looking you in the eyes. The second one was back when you were kids and Tara and Mindy won an award for a short video.

Everything else was pretty much minimalistic, you hardly had space for anything else, given the living area wasn’t even 250 square feet. Bed at the corner, with nightstand drawer to its’ right, the TV hanging on the opposite wall, a coffee table you modified to be taller that doubled as table in general between the two with a couch just beneath the window. The kitchen area was small as well, just bare necessities, which sometimes made cooking a bit of a struggle for space. What little space was left was used up by the wardrobe closet and your bag and basic training gear, both by the wall where the TV was, standing between the doors and the TV.

You were comfortable in your home, comfortable in your own small space, separated from the rest of the town, in a building that was meant to be a part of some bigger project that got canceled, but the building remained, and the couple you worked for owned this apartment and a few other in the building and they rented it to you for a ridiculously cheap price. Right now, however, you couldn’t shake the uneasy feeling off, you needed to go train, or go to work, or do anything to keep your mind off whatever was causing that damn feeling.

So, you broke your rules and ran down the stairs all the way from the third floor, and then, the moment you stepped through the main building entrance, you began running. You had a set of rules you lived by, eat healthy, train hard, rest enough, and resting enough involved having a day off after a fight, meaning no work, no training, just recovering. Yet here you were, running on an empty stomach while the town woke from the slumber. Cars drove past you, as did the school bus, and for a moment you thought you caught a glimpse of Tara sitting by the window, probably with Amber next to her. Running cleared your head a bit and you made up your mind. Next weekend you’d take Tara away from Woodsboro, you’d take her wherever she wants to go, Amber’s whining be damned.

You were tired of the distance, and you could feel Tara was tired of it as well, and it was about time you did something to change that.

With that sense of clarity and the decision you finished your run and, despite still having a day off, took a shower and went to work.

~X~

It was always the same old story when he and Mindy were alone. Always the struggle for the rights to control what they’d watch.

“There’s a basketball game on right now and I want to watch it,” Chad raised the remote above his head, not willing to budge. Could he have gone to his room to watch it? Absolutely, and Mindy could have gone to her room to watch whatever movie she wanted to watch tonight. Still, over the years it turned into a bit of a game between them, to see who would cave in first and he wasn’t going to be the one to give in this time.

“Pft, there’s a brand new horror movie airing and the remote has my name on it,” she pulled his forearm down so she could reach the remote, but he just tossed it to his other hand.

“No way, watch it later,” he took a few steps back and went around the sofa to put some distance between him and Mindy, only because he knew Mindy would stay put, choosing to wisely use her energy.

Mindy snorted at that. “No way, dude,” but she was grinning, clearly not annoyed by their usual argument.

Chad was about to say he was the one with the remote, hence he held the power, but his phone rang and he looked over the sofa to see who was calling him. Mindy had already grabbed it and handed it to him.

“It’s Wes,” she said and while he was picking up took the chance and stole the remote from him.

“Hey, give that back!” Chad complained before Wes could say anything.

“Chad,” Wes’ sounded like he was on the verge of tears and the remote was almost instantly forgotten.

“Hey, pal, what’s wrong?” Chad asked, worried, he rarely heard Wes this distraught, and Mindy noticed his tone as well, as her victorious grin dropped.

“It’s Tara. She- she was attacked, Chad, she was stabbed seven times in her own home. Doctors are fighting for her life as we speak,” Wes wasn’t making any sense, Tara was stabbed? Doctors were fighting for her life? He must have gotten high or drunk or something.

No. This was Wes. He rarely drank any alcohol and he most certainly never got high.

“Does,” he swallowed the lump in his dry throat. “Does anyone else know?”

“No, I’ll call Amber, you, you handle Y/N, please,” Wes told him and Chad felt dread fill him up.

There was a reason why he’d choose to tell Amber and not you. Amber was Tara’s girlfriend, sure, and she’d take it hard, she’d be worried, she’d rush to the hospital and stay by Tara’s side. You on the other hand, you’d be a tempest of rage and grief and fear. Sure, you and Tara weren’t close these past few months, but it was just a small, temporary break, you were still Tara’s Guard Dog, and you didn’t protect her.

Chad had no doubt in his mind that you’d be a hound, hunting down whoever hurt Tara and making them regret going after Tara.

“I’ll call her,” Chad still promised, and he’d call you, as frightening as the call was going to be.

Wes thanked him and hung up, his voice cracking near the end.

“Chad?” Mindy walked over to him and wiped his cheeks, and only then did Chad realize he was crying as well.

“Tara was stabbed, Wes doesn’t know if she’ll live,” he whispered, breaking down and hugging Mindy. He cried against her shoulder while she tried to stay strong for them both. The remote, the TV argument, it all remained forgotten.

~X~

At half past eleven p.m. you were back in your apartment, ready to sleep, even though it evaded you. You were just lying on your bed and staring at the ceiling. That bad feeling, that worry, it came back while you were wrapping up your shift at the restaurant you worked in.

You abruptly sat up when your phone rang, and you just stared at Chad’s name for a few moments. The bad feeling intensified in an instant. Chad rarely called, especially this late.

“Hey,” you pushed the feeling back, you were just paranoid for no reason. After all, what could possibly go wrong?

“Hey, Y/N,” the shakiness of his voice nearly made you drop your phone, he sounded like he just stopped crying. Something was wrong, but you were still in denial.

Just stay calm, that’s what you kept repeating to yourself as your heart drummed against your chest. “What’s wrong?”

“Wes just called. Tara, she-“ the pause he made when he took a deep breath to collect himself was deafening. “she was attacked. Stabbed seven times. She’s at the hospital.”

He was wrong.

He wasn’t.

It couldn’t have happened to Tara.

It did.

The world and time itself stopped, everything stopped. You wanted to scream, but you couldn’t, you just went through the motions as you grabbed your jacket and car keys. “Thanks,” before you understood what was happening you were already outside your apartment. “I’m heading there now.”

Move. Just get there. Just get to her. Just get to her. Just get to her. Those four words were on repeat in your mind like a chant. You couldn’t stop, not for a red light or anything else, you just kept going until you reached the hospital. You just barely recognized Wes’ mom as stopped you before you could enter the hospital.

“Easy, Y/N, breathe,” how distraught did you look if those were the first words she said to you.

“Tara, how is she?” nothing else mattered at the moment, not the worry in her eyes, not the weight pushing your body down, nothing but getting to Tara. The police would handle the attacker, so you only cared about how Tara was right now.

“She’ll live,” if you were capable of thinking clearly, you’d find it ironic how such a short sentence shook you to your core for the second time in your life. And it was, ironically, the exact opposite of the first time, of the ‘he’s dead’ that broke you all those years ago. At the moment, though, you felt like you were being torn apart and pulled back together at the same time. She’ll live, Judy had told you, the reassurance brought some semblance of clarity to your mind, yet at the same time the simple fact that she needed to clarify that made you feel like you were drowning.

“Y/N, where were you between nine and ten p.m.?” the question barely registered in your mind as you leaned back against the wall and took several deep breaths.

“Work. Woodsbo-Restaurant,” when did your voice become so hoarse? The need to just get inside and find Tara was almost overwhelming but a part of you, the last rational bit of you, managed to keep you rooted to the spot just until Judy told you to get going. Trying to force your way inside would only delay you reaching Tara.

Judy sighed and pulled you into the hospital. “Come on, I’ll take you to her room.”

She guided you through the dark, cold halls, going past the reception and up the stairs to where Tara hopefully was. You were barely aware of the few nurses stopping to look at you, as if surprised by what they were seeing. You didn’t care. None of that mattered at the moment.

You promised you’d do something nice for her and Wes when Tara recovered. Not before that though, you needed to prioritize. And prioritize you did as you walked through the doors to Tara’s room. Your vision became blurry as you looked at her. Still. Pale from blood loss. Attached to medical equipment. You didn’t even realize it when your legs gave out and you crumbled to your knees. All the fighting, all the hits you took, all the times you were struggling to get up, it all paled in comparison to this feeling. The sight in front of you weighed you down so hard you couldn't even struggle to get back up. For the second time in your entire life, you felt like you couldn't move, like nothing could make you move. Tara's steady breathing was the only reason you managed to keep your own breathing steady.

“Tara?” you breathed out, trying to will her to open her eyes and look at you, to show you she’d be fine, but she didn’t. She just laid there, completely still and if it wasn’t for the beeping of her heart rate monitor you were sure you would have gone mad right then and there.

“Y/N!” Judy’s shout felt distant, but you felt her touch on your shoulder.

Your slightly parted mouth closed, jaw clenching so hard you would later wonder how you didn’t crack any of your teeth. In the whirlpool of emotions, you clung to the one that was just arising, anger. “Did you catch whatever did this to her?” the anger burned through your veins. You wanted to hurt whatever did this to her.

“No, whoever did this to her fled. Tara told us it was someone dressed like a Ghostface,” anger turned to wrath. Whatever attacked Tara, that something wearing a damn Ghostface costume, was still out there, free. Oh, you knew violence, and fighting was how you made a living and that was all the difference. You fought in a controlled environment, against a willing and often just as capable opponent, the purpose was to win. Something that attacked Tara was different, the exact opposite, so as tears fell down your face and you clenched your fists a single thought ran through your mind. Ghostface better hope the police catches it.

An irrational part of you thought you should've been there with her. A more rational side argued you haven't spent a night with Tara in the past four months. Another rational argument was that you were at work when the attack happened, so you wouldn't be able to do anything even if you made plans to spend the night at her place. The irrational part argued back that it was supposed to be your day off, so in a perfect world, you would be there to keep her safe.

The world wasn't perfect, but the irrational part of you still kept winning as you got stuck in the loop of what-ifs, regrets, and guilt.

Judy squeezed your shoulder and you looked at her, and she was startled, afraid even, pulling her hand away from you and taking a step back. The pure, unrestrained wrath you felt must have been clear in your eyes. “We’ll catch the one responsible,” Judy promised you as she regained her composure.

You just nodded, getting up from the cold hospital floor and sitting down on the bed next to Tara’s, clearly not willing to leave her side. And Judy understood that, as you vaguely heard her tell some nurses to not even try to separate you from Tara.

For the next twelve hours, the only sound you properly and consistently registered was the heart rate monitor beeping to the rhythm of Tara’s heartbeat. You didn’t speak, you didn’t even look at Tara, you just sat there, hands dangling between your knees and head hung low. The sound calmed you down, it assured you Tara would be fine. It also made you a bit more accepting of doctors and nurses, so when they entered you just observed their every move like a hawk instead of, well, whatever the less appropriate alternative was. Frankly, you weren’t sure what that alternative was, but you knew careful observation was a better option.

A groan shattered the silence and you jumped to your feet only to kind of freeze, not sure of what, if anything, you should do. Tara’s eyes opened slowly and the tension in your body just began fading as her eyes met yours. She blinked a few times, likely confused and still under the effects of the pain killers.

“Y/N,” the sound of her voice, or rather how hoarse it was finally got you to move as you filled a glass of water and helped her take a couple of sips.

“Easy, I got you,” you dropped down to one knee, opting to as gently as you possibly could brush your fingers against the back of her right hand.

Tara looked around, taking in the hospital room she was in, and then her eyes widened, her heart rate sped up, as did her breathing as she frantically looked around for any signs of danger.

“Tara! Tara you’re safe!” you jumped to your feet and cradled her cheek, getting her to look at you. “Okay? You’re safe,” you whispered as her eyes locked with your own, searching for something, anything to cling on to, to anchor herself to and calm down, and she did find it. Her heartbeat gradually normalized as the two of you just remained like that, frozen, with your hand on her cheek, and your left hand gently holding her right hand.

A sob tore through Tara’s throat as she tried to take your hand. “Please, don’t leave me,” she cried out, her eyes filled with fear and yet to be shed tears.

“I won’t. I swear I won’t,” and you’d be damned if you broke that oath. You moved your hand and wiped the tears off her face and Tara, still sobbing, leaned into your touch.

“You promise?” she asked, a bit calmer as she stared into your eyes.

You wanted to hug her, to hold her, to never let her go, but you were afraid you’d hurt her. “I promise. You’re stuck with me until you tell me to leave,” that brought a small smile to Tara’s face and you found yourself smiling back, caressing her cheek.

“Could you help me sit up?” she whispered, still weak, fearful, but reassured that you wouldn’t leave her.

You nodded and carefully moved her. You weren’t absolutely certain about your approach, but you still wrapped your left arm around Tara’s shoulders and gently helped her sit up. Tara leaned back before you could move and rested the back of her head on your left shoulder. You were about to speak but Tara turning her head and looking at you, mere inches away from your face kept your mouth shut. “Let me stay like this for a bit? Please?”

Was it uncomfortable? Definitely. You were sort of leaning back and you could feel your muscles, still somewhat sore from the fight and lack of proper rest, ached a bit as you committed to staying still. Could you make it even more physically uncomfortable? Yes. Would you do it? If Tara let you, you most certainly would. So, you moved your left arm to hug Tara from behind, sort of, it was more like letting your left arm rest beneath her neck to avoid her injuries. “Is this okay?”

“Yeah,” she closed her eyes, relaxing and just for a moment it felt like everything was fine, like everything was the way it was a few months ago when you would spend countless hours watching movies or shows and Tara would unavoidably end up in your arms. The bubble the two of you created, the illusion of everything being as it should burst the moment Tara accidentally moved her broken leg and winced. “Did they catch him?” she asked, fear and panic once again overtaking her. The heart rate monitor’s beeping getting faster just offered you concrete proof of how much the idea of her attacker not being caught yet affected her.

“Not as far as I know,” and you knew. Despite not leaving the room you did your best to stay informed and as of half an hour ago, there were no news of Ghostface, or anyone really, being caught.

Tara buried her face in the crook of your neck. “I’m so scared Y/N,” she whispered, exhausted to the point of not even having the strength to cry anymore.

“I’m here. I won’t let it hurt you again,” if Tara noticed your refusal to refer to Ghostface as a human being she didn’t comment on it, she just leaned further into your touch. The beeping of the heart rate monitor slowed down, and you felt and heard Tara’s breathing getting even. As exhausted as she was you weren’t surprised, she fell asleep once again.

Tara didn’t tell you to move, or even to let her go, so you didn’t. Aching muscles be damned. That being said, your own exhaustion made it difficult to keep your eyes open and despite the position you were in you still fell asleep for the first time in roughly thirty hours.

~X~

Tara woke up to the smell she came to associate with you, a soft scent that didn’t trigger her asthma, a scent that was quintessentially you, and it felt so right. The feel of your muscular arms around her, keeping her safe, the sound of your breathing near her ear, keeping her calm. Your warmth, your strength, you. For a moment Tara even forgot what happened, but then she raised her left hand and saw the bandages and it all came back.

The knife piercing her flesh, the boot breaking her leg, the pain… The fear. The helplessness! She was all alone and all she could see was that mask, that figure, that knife through her palm. All she could hear was that voice, the security system repeating that her systems were disarmed, the knife going inside her stomach and back. All she could smell was blood, her blood.

She frantically looked around, her eyes wildly looking for any signs of danger, and then, as if you instinctively knew something was wrong you tightened your grip on Tara. Tara’s eyes widened as she turned her head toward you, as she watched your closed eyes, the slight furrow of your brows and a tiny scowl, you clearly weren’t comfortable like this, but she still melted into your touch. The sound of your breathing overtook the sound of Ghostface attacking her. Your warm touch replaced the cold knife. Your scent pushed the scent of blood to the back of Tara’s head. Right then and there you were all Tara could feel.

Tara got her breathing under control, she felt her heartbeat calming down, she relaxed. You were with her. You wouldn’t leave her. You wouldn’t let anyone harm her. You didn’t abandon her, Amber was wrong. Tara now knew that without a doubt. You were here with her, you spent who knows how long watching over her, you did what Amber didn’t. You came when Tara needed you. Despite everything that happened to her, Tara felt safe, you made her feel safe. And she smiled, letting sleep take over once again, at least until a doctor or a nurse came.

~X~

The sleep didn’t last nearly enough to get you back to a hundred percent as not even two hours after you fell asleep you felt fingers brushing against your cheek.

Your entire body felt stiff as a board, and you had to bite back a groan at how uncomfortable you felt right now.

“Y/N, you’ll get stiff like that,” there was a tiny hint of amusement in Tara’s voice, and like the hopelessly in love sucker you were you thought it was completely worth it.

“You think?” you smirked a bit and finally managed to open your eyes and look at her, she was no longer as pale as she was last night, but she still looked tired.

“I sent a text to Amber,” Tara said, making it clear she was awake for some time. Her phone was in her lap, and you definitely didn’t give it to her so someone else was here while you were sleeping.

“Damn, how come I didn’t wake up?” you groaned. So much for keeping her safe, you were so tired you didn’t even wake up until she touched your cheek.

“I do have that effect on you,” and the playful teasing was back, along with a slightly mischievous smile. Good. She was messing with you and for once you would let her do it. Also, well, you couldn’t really deny it, you did have a heavier sleep when Tara was with you.

“Yeah, let me get up before Amber sees those effects you speak of,” alright, maybe you couldn’t completely let her off the hook for teasing you. The beeping sped up again, not by much, but seeing as you were listening to that beeping for half a day you could tell the difference.

“Amber isn’t here,” there wasn’t any anger or any other negative emotion in Tara’s voice, but between her words, the additional acceleration of her heartbeat, and the way she was looking at you, you could understand the unspoken half of that sentence. You were here.

You were with her, as if there was any way you wouldn’t be with her in this situation. And, if allowed, you were going to make sure you remained with her from now on.

A/N: And the reader can cook, because why not. Tara shall get spoiled with good food! Anyway, this is moving a bit slowly, so I’m hoping to make the next chapter longer.

Story Masterlist / Previous part / Next part

[retrievablememories]

marrow | dpr ian

summary: you're not the only eater. many of your kind exist, but you have always tried to avoid them, continuing to play the charade of the normal, boring life that you can never truly have. until one day, someone shows up at your door.

pairing: dpr ian x black fem reader

genre: horror, angst, hurt/comfort, slow burn romance, bones & all au, 1980s au

word count: 22.9k

warnings & tags: lots of talk about cannibalism, plus the actual act of it | gore | lots of blood | side and minor character deaths | morally gray characters? | depictions of mental illness, including anxiety, depression, self-loathing/low self-worth | mentions of religious trauma | stab wound injury | mentions of self-harm, suicide | bisexual reader | sex happens but only off-screen; there is some kissing | time period is the mid 1980s | setting is the southern U.S. without the period-accurate racism | some body horror; someone gets burned alive but it isn't real | vivid nightmares | ...there’s a lot going on here, just tell me if i missed something

marrow (noun):

a soft, highly vascular modified connective tissue that occupies the cavities of most bones

the choicest of food

a/n: this is a “bones & all” au, so if you didn’t like the movie/book you probably won’t like this. based off both the book and movie but with some changes.

please heed the warnings; there are strong HORROR elements in this fic. (i mean, people are eating other people…) if you’re not interested in reading about these particular concepts, please just scroll on by, make use of your filter settings, or block me.

as we all know, this is just fiction...it doesn't claim to be an accurate/real representation of anyone.

dividers: here | here

1985

You smell him before you can see him.

It comes as somewhat of a surprise: You don’t realize you’re smelling something different, something other than Alicia’s perfume, the cigarette tray, or the stale, woody air of the motel’s office, until it’s right up on you. It makes your body stiffen with fear. Not that you have any right to be afraid.

After a few long minutes, though, no one walks in. You don’t see the familiar blinding sight of headlights flashing in the windows as a car pulls up. And yet the smell remains. Despite your apprehension, you get up from your chair behind the desk to see if anybody is outside, walking to the windows facing the expanse of the parking lot. That is when you see a figure lying on the ground, somewhat obscured by the shadows where the office’s lights don’t reach. It looks to be a man, though you aren’t 100% sure.

From what you can see, he’s covered in blood. Large stains of it ruin the white of his shirt and the blue of his jeans. You could guess that it’s probably not his own. Your mind jumps ahead of you, trying to create the image of him feasting on the body of some unknown victim, of him carrying a bloody bag filled with someone’s clothes and trying to find somewhere to hide it…

It’s a terrible thing to think. Maybe he’s an innocent person, severely hurt. He probably used what little strength he had left to drag himself here for help. 

But the smell never lies.

You quickly grab a flashlight sitting in one of the cubbies on the wall. Then you open the door, the jingling of the bell loud in your ears, and give the parking lot a quick sweep before stepping outside, seeing nothing but the same cars that’d been parked at the same motel rooms earlier. With it being a one-story motel, there wasn’t much area you needed to scan.

Standing out here now and pointing the flashlight into the shadows, you can see he’s still breathing, at least. But now you can also see the dried blood around his mouth and down his neck, which makes you want to promptly walk back into the office and lock the door behind you. Turn out all the lights and pretend no one was ever here.

There’s a big blood stain in one area near his abdomen like he was stabbed; you can see that the fabric is torn. Whoever he ate clearly didn’t go willingly. But when do they ever?

Again you think about going back inside—maybe telling Alicia to call for an ambulance. You think of calling the police, and shame immediately follows. How could you call the authorities on him knowing you and him share the same crimes? You’re unsure of which action to take, but it’s a little late to make the decision now. You see him begin blinking from the light you’re shining directly in his face; you hadn’t paid attention to where you were pointing the flashlight as your mind raced with options. He raises a bloodied hand to shield his eyes, the movement causing him pain.

You shift the light away, pointing it in the vicinity of his torso again. Only now do you pay attention to the numerous tattoos covering his skin. Unsure what to ask or say, you can only come up with a broken “...Hey.” You haven’t used your voice in the last hour.

He doesn’t reply. Instead he pushes himself to sit up, his hand hovering over the presumed stab wound.

“What…uh, what are you doing here?”

He looks at you like he’s deciding whether he ought to be suspicious of you or not. The irony. “I need water,” he finally says.

“Water? I think you need a lot more than water.”

With effort, he starts getting to his feet, and you can’t help flinching away. It feels stupid to act this way, to still be so afraid. As if being afraid could allow you to pretend that you are more human than you really are.

And what timing—Alicia appears at that moment after being locked up in her room sorting paperwork all night. The door bell sounding off behind you makes you jump hard, the wooden beads on your braids all rattling against each other. You spin around to look at Alicia, who’s too busy staring at the man in front of you with concerned eyes.

“What the hell? Are you okay?” she asks, her voice loud in the relative quiet of the parking lot. The motel being located on a less-frequented stretch of highway means things are often quiet like this, with only the sounds of cicadas and frogs and occasional passing vehicles to fill the late hours.

“I’m fine,” he says, disinterested in her concern.

Her eyebrows rise at his accent. “You ain’t from around here,” Alicia says, as if that intrigues her. 

“But you’re not fine. Haven’t you been attacked?” you argue, gesturing toward the wound he can’t keep his hand away from. He lets it drop to his side then.

“I’m fine. I bandaged it. I just need water.” His tone and the dark quality of his expression don’t leave much room for you to object.

You and Alicia look at each other for a long moment; when she sees the tension in your face, you both come to a silent agreement. Strange people and motels go together like thunder and rain, but that fact often keeps you in something of a hypervigilant state. Unbeknownst to Alicia, you are certain you know why this man has shown up here bloody and wounded, insisting he only needs water and not even asking for medical help—which would entail needing to be admitted to a hospital—and you conclude it’s best to get him off your hands as soon as possible.

Once you do, you can start trying to forget about him and the smell of blood clinging to him. After not encountering it for so long, its return makes that familiar taste of iron rise up on your tongue like it’s encoded in your DNA, activating your salivary glands from just the memory of eating, and you feel like an animal for it.

Alicia relaxes her shoulders and puts on a gentle smile. “Well, okay. There’s a bathroom in the office. You can get cleaned up in there. And we got plenty of bottled water too, though it ain’t the fancy stuff like Evian.”

So you let him in.

You listen to the water running in the bathroom while you sit with your back rigid in your desk chair, like you’ll need to spring into action at any moment. Alicia doesn’t bother to speak, knowing the walls are too thin to get away with it, and leans next to you to write on a page of your notepad instead. You watch her small lettering fill the white space:

He looks fucked. We’re probably more dangerous to him right now than the other way around. You think he walked all the way here from town bleeding like that? Maybe someone dropped him here.

You realize with a jolt that Alicia thinks it’s all his blood. You shake your head but give no explanation. After a pause, she shrugs.

Still, you know where the gun is.

“Please…” you choke out, not wanting to think about having to use it tonight—or any other night, for that matter. 

You don’t know if he’ll be a danger, considering he clearly ate not too long ago. But you can never say that for certain. Every cannibal’s appetite and impulses are different.

When he comes back out cleaned of blood, Alicia casually slides the notepad out of sight and stands up straight again. The shirt he was wearing is balled up in his fist, leaving him standing there with nothing but his jeans and shoes on. Seeing people in various states of undress, especially in the South during the warmer months, is nothing new. Still, his nakedness feels oddly misplaced in this macabre situation, and you don’t know where to put your eyes. You end up fixating on the bandaging around his middle, which is all stained through with old blood. It needs to be changed, but that’s not your problem.

Alicia blinks for a moment, the side of her mouth quirking up slightly.

“Of course—silly me. You’re probably wanting some new clothes, ain’t you? We might have something in storage. I’ll just be a few minutes.” Alicia takes a pair of keys from one of the desk drawers. You want to grasp her arm and tell her not to go, but she just directs her eyes to the notepad; you nod reluctantly and watch as she heads to the back door of the office and out to the storage building a couple yards away. It’s a spacious outbuilding that holds everything needed in the running of a motel, including the commercial laundry machines.

Now that the man is somewhat calmer, he looks at you like he recognizes you. You turn away from him when you see the change in his gaze. It’s strange to be seen and known by another eater. Though it’s happened several times, it always unsettles you. You don’t know anything about him, but you’re suddenly, maybe irrationally, worried that he’ll reveal your secret to Alicia.

“I’ve never met another one like me,” he says.

There are several things you want to say. Why didn’t you say it sooner? Have you really never smelled another eater until now? Who did you eat? Will you just leave already? None of these questions are what comes out. “Never?”

“Never. But I suppose I don’t stay anywhere long enough to find them.”

Then please leave soon. 

“When was the last time you ate?”

You bolt up from the chair. There’s nowhere for you to go, though, so you stand there wiping your sweaty palms on your pants and glancing at the back door, hoping Alicia returns soon. “Don’t ask me that.”

You still won’t look at him, but he tries and fails to meet your darting eyes. You find a different part of his body to focus on. This time it’s his hand resting on the desk counter and the intricately designed tattoo that covers it.

“You must get hungry sometimes.” He leans closer, but the tall counter overlooking the desk keeps you separated. “Are you gonna tell me you’ve never had the urge to have a bite of her?” He gestures his head toward the back door. “It’s so fucking lonely out here, maybe no one would notice if you did.”

“Shut the fuck up.” You surprise yourself with the force of your reply, though your voice shakes. “I-I have self-control.”

And then he laughs. Like you two are old friends catching up—like you didn’t just curse him out. It makes him wince immediately, and his hand goes to his wound again. He sighs. “Sorry, darling, but I don’t think it’s about self-control.”

You ignore the name, though it irritates you and reminds you of the sleazy men that often make their way to the motel looking for midday entertainment in harassing young women. “We’ve both been born infected with it,” you say, your voice tight. “It can’t go away, but it’s something that should at least be minimized—not just given into whenever.”

“Is that how you think of it?”

“How could you not feel bad about it?” Despite yourself, you feel tears stinging your eyes. “Each one of them was a person with a life and dreams. We’re the ones stealing that every time we give in.”

“Feel bad about it?” He seems to consider that for a moment, his dark brown eyes far away. “The only thing you can do is get used to it. I would think that at some point, after you’ve eaten enough, it wouldn’t be shocking if it didn’t feel wrong to you anymore. Or if you started enjoying it. You’ve never felt that?”

You don’t answer his question, too disturbed and mentally exhausted to continue arguing and unable to agree with him. You wish he’d never crossed into this part of town, that you’d never met him. His presence makes your head and your chest hurt. He is everything you are and everything you don’t want to be, facing you head-on so that you cannot ignore it.

He’ll go away like the rest have, you try to reassure yourself. You’ve never befriended any of the other eaters you’ve met; at most, you ran into them a couple more times but never saw them again after. But even as you think it, it feels like a lie.

You sit back in the chair with a stilted movement just as Alicia returns, feeling like the precarious little life you’ve built is suddenly on the verge of collapsing. All the effort you’ve put toward modeling the spectacularly average life of the everyday human being—gone.

“Sorry that took a while. I figure you can’t put new clothes on with all that—” she gestures to the bloody bandage “—going on, so here you are.” Alicia hands him a small stack of clothes and a first-aid kit. “I hope that’ll do you some good, mister….?” She looks at him expectantly, and you realize that you haven’t known his name this entire time.

You feel his eyes on you when he answers, but your mind is elsewhere.

“It’s Ian.”

—

The next time you’re struck by the familiar smell of another eater, it happens in the early morning hours when you’re helping an older couple check out of their room.

It causes you to stumble and break in the middle of your sentence as your mind blanks, and you have to take a moment to remember what you were saying. The two elderly folks look at you strangely, their previous neutral-at-best demeanor now giving an air of annoyance. But at least they’re on their way out. You tune out their unsubtle mumbling about young people and their drug use as they finish up and step out the door.

You watch the front windows with a rising panic in your guts, wanting to run and hide but unable to move your feet. What horrific luck do you have to encounter two within the short span of three weeks? It seems that whenever they smell you, they come to you—whether it’s to size you up or attempt to make an acquaintance. 

And a few minutes later, there’s a beat-up sedan, a gray Renault Alliance, pulling up in one of the parking spaces.

What you don’t expect is for the person to be Ian.

The ground has been kicked out from under you. You think maybe you’re suffering from acute vertigo. Your breaths and heartbeats are simultaneously too slow and too fast as he gets out of the car, wearing a button-up shirt that he only bothered to button halfway and black pants. He’s pristine this time—no blood, no torn shirt with an open wound, though his movements hint that he’s still healing. His eyes are shaded by sunglasses, but he takes them off as he walks to the door, making eye contact with you from the other side of the glass. That look sends cold water down your spine.

In another life, if he wasn’t like you and you weren’t like him—if you both didn’t share this bodily pestilence, this cursed impulse—maybe you would’ve felt some spark of interest. Maybe you would’ve thought of him as handsome, giggled with Alicia about it later, a brief respite from your mountains of paperwork. But in this life, you don’t feel anything but repulsion and fear.

You’re momentarily blasted with the unbearable summer heat when the door opens. It’s quickly chased away again by the air conditioning, causing your skin to prickle. Ian gives a close-lipped smile as he stops in front of you.

“Why are you back here?” you whisper.

“Checking into a room. That’s allowed here, right?”

If he’s a paying guest, you can’t really turn him away. He hasn’t done anything yet to warrant that. Even if he does eat other people on a regular basis.

You look past him to the car sitting outside. “Why didn’t you drive last time?”

“I just got it.”

“From which dealership?”

He taps his fingers against the sunglasses and glances down before answering, his voice low. “I think you know.”

Some part of you wants to know who it was in a futile attempt to keep their memory alive if only in your own mind, but you don’t ask. You don’t even know what type of person they were, after all; maybe he’d rid the world of some domestic abuser. It could be…understandable, in that case. People die everyday, you try to remind yourself—a useless platitude you have always told yourself after the act is over. It never absolves the guilt. They would’ve died someday anyway only goes so far when their blood is underneath your fingernails.

“And why come back here, of all motels? There are others in this area that don’t have mold in the bathrooms and roaches in the walls.”

He pauses after hearing that information, like he’s trying to figure out whether you’re pulling his leg. “I thought I’d be in pretty good company here, you know.”

“I don’t want your company,” you say wearily, watching him as he starts taking cash out of his wallet. “Do you think I’ll let you stay here just because—?”

“Because we’re the same? Because you’d cover for me?” he says, voice even lower like he only wants you to hear. That doesn’t matter anyway. Alicia is busy cleaning and preparing one of the newly vacated rooms, and it’s just you two in the office. There would’ve been one more person present if anyone had answered your For Hire ad in the paper, but it still remains only you and Alicia running this joint. “My God, darling. Forgive me for thinking you’d have a little mercy on a fellow cannibal. Anyway, I wouldn’t be so obvious as to do it here.”

You give him a look of disdain. In all sensibility, you should turn him away. You have no obligation to help him or break the law in doing so. The circumstances of his last appearance were already outrageous, and now he shows up with a stolen car. Who knows if someone might come here searching for him and making you and Alicia complicit in his mess? And ultimately, you want nothing more than for him to stop bringing up the whole cannibalism bit. Deep down, you are afraid that these mentions of it—maybe even the simple proximity to him—will reawaken the urge you haven’t felt in over a year now.

You’ve stayed silent for a beat too long. In a mess of movements, he shoves his wallet back in his pocket, slips his sunglasses back on, and brushes a hand through his hair, disappointment visible in his expression. “Okay, then. I’ll go elsewhere.” Something about his reaction makes your stomach twist. Maybe the sheer resignation in it. You shouldn’t care where he goes after this, if he has anywhere to go. He’ll be miles away from you again, just like you want. But…

It comes rushing out of your mouth as his hand reaches for the door handle, and you have no idea why you say it. “How many nights?” 

—

It’s been a few days since Ian checked into the motel and you haven’t heard anything from him since then, but sometimes you spot “his” car in its parking space when you go to see about one of the other rooms. Whenever it’s not there, you can’t help but wonder where he’s gone and what he’s doing.

Without seeing him, you would almost be able to forget that he’s there, if not for the smell. It constantly keeps you on edge, more than you already tend to be. Alicia picks up on your restlessness but of course doesn’t know the origin of it—meaning she’s left to come up with a new guess everyday.

“Well yeah, he was surely strange…but maybe he appreciated us helping him out and just wanted to return the favor?” she’d suggested on that first day when he returned and you’d let her know with a less-than-thrilled attitude. “It ain’t like he’s the first weirdo to come around.”

“Maybe you just ain’t getting enough sleep. That’s enough to turn anybody’s mind out. Hope somebody replies to that ad soon so we can have some more help…” she’d said the day after that.

“You missed him earlier, but he came by the office this morning. Had an extra one of those breakfast muffin thingies and left it here. Ain’t that nice? He’s pretty cute, actually. You sure you ain’t just crushing and feel weird about it ‘cause he’s a paying customer?” Alicia laughed one afternoon, the third day of his stay. “Worse things have been done at this motel, Y/N.”

“No, Alicia,” was all you could muster up, and your stiff reply was just as good as an actual confirmation in her mind.

Sometimes, even though you are deeply ashamed of it and try never to acknowledge these rare moments after they happen, you stare at Alicia with her long curly brown hair and her sinewy limbs and her shining brown eyes, taking in the full breadth of her humanness, and you wish she were like you. Even though it would take away her normalcy and happiness…if she could smell that blood-curdling aroma that only you can—if she could understand the weight of this secret—if she knew what it was like to feel the rough grind of bone fragments between her teeth—

—maybe everything could be easier. You wouldn’t have to live with an imagined cowl of judgment, which she had yet to even bestow upon you, always blanketing your mind. And though you’ve always thought it better to have fewer eaters in the world than more, maybe navigating this existence wouldn’t be so isolating.

—

One muggy evening, the motel office phone rings, and you see on the caller ID that it’s from Ian’s room. You have to take a pause to steel yourself, letting it ring for several moments before you pick up the receiver.

“Hi, how can I help you?”

“Hey, yeah, um, the sink faucet has started leaking quite badly…not sure how that happened. It wasn’t like that last night.”

You sigh quietly, knowing you’d suggested changing all the faucets to Alicia a while ago, but the budget wasn’t quite there to do so. The summer festivals will be starting up soon, though, and festivals mean a higher number of travelers, so maybe there will be more money for it by the end of the season.

“...I’m sorry about that. I’ll be right there.”

“Right. Thanks, dear.” Your mouth twitches, but you don’t reply; you just nod as if he could see you. Neither of you hangs up. For an awkward stretch of quiet, punctuated only by the shuffling sound of movement, it seems like he wants to say something else. There’s an intake of breath like he will. You slam the phone down before he can.

You find the toolbox in its usual spot and take your umbrella from the stand before heading out the door. It’s raining lightly outside, the force of the droplets picking up and then dying back again every so often, but the humidity is so high that you feel uncomfortably soggy by the time you get to his room.

When Ian opens the door, there’s a cigarette burning between his fingers.

“Um, hello.”

You don’t like the way he smiles at you—like you’re co-conspirators on some big scheme. “Hi. You know where it’s at, yeah?”

You resist rolling your eyes. “Of course.”

He lets you in and then leaves the door propped open so he can stand outside and smoke. At least he won’t be breathing down your neck while you work like some other guests do.

Some game show program is playing on the small box TV; it looks like Press Your Luck. The sound of the TV and the rain falling outside accompany you as you set the toolbox down on the sink counter and start making the necessary fixes to the faucet. Situations like this one, though annoying, do give you a tiny bit of reprieve; you become too engrossed in the work to think about all your life’s problems.

That is, until you realize the problem with the faucet is too convenient to be caused by any natural malfunction or wear and tear. No he didn’t…you think, though part of you is still trying to convince yourself that your eyes and brain are deceiving you.

When you’ve successfully repaired the faucet, you straighten up and are startled to find Ian already leaning against the bathroom door frame, the cigarette now gone.

“Uh—well…works like a charm now.”

He acknowledges your work with a small nod. Before you can say anything else, he immediately says, “How do you experience it? The hunger.”

You could swear that your heart ceases beating. Your words come out in a shaky rush of breath. “Please stop.”

“You’re the only other one I’ve met, and I have to know what it’s like for someone else.” His voice and expression are genuinely pleading, and this takes you aback. “Please try to understand where I’m coming from.”

You put the tools back in the toolbox with trembling hands, your mind racing with things you should and shouldn’t say. “It doesn’t happen often,” you finally admit, your voice so small that he has to step fully into the bathroom to hear you. “There are usually months or years between occurrences. But when it comes…it’s oppressive. It’s like I’m being gnawed on the inside, like I have to do it or I’ll die. The last time was before I met Alicia.” The blurred memory of it causes you physical pain; it’s impossible to escape the self-hatred and disgust you feel, enclosed in this small room with him.

“Who was it?”

You shake your head. The thought of recounting what happened—no, what you did—makes you shudder. You refuse to let the barbed words leave your mouth for fear of being cut by them and bleeding out, but you find yourself mentally back in the scene anyway; you can almost hear the lapping of the lake and the distant sound of her voice if you concentrate. “Her name was Marygold. That’s it.”

He nods, left to accept that you don’t want to talk about her. “Years…hmm. The urge comes every few weeks for me.” He smiles sarcastically. “Lucky one, aren’t I?”

“...I thought you said you enjoyed it,” you murmur.

“Look, dear: What’s not enjoyable is always having to cover your tracks—or making too big of a mess and having to leave the area because of it.” He crosses his arms. “The guy whose car I have? He was just some lonely grocery store worker. You probably want me to say something noble, like I ate a fucking axe-murderer or something. No—I just needed a car again, and he was convenient. That’s how it is.

Maybe I could try to ignore the urge, put it off, but I don’t. When I feel it, I just go and find someone to satisfy it. Does the average person debate about whether they should eat a meal when they feel hunger? No, they just eat.”

You groan, your stomach lurching as you clutch the edge of the counter. “I-I can’t believe you messed up the faucet to get me in here to talk about this. What if Alicia had come instead?” For a second, you allow yourself to consider the danger in that implication—if Alicia had been in here with him alone…

He gives an airy laugh at your mention of the sink. “So I wasn’t very clever, then.”

Trying to gather yourself, you pick up the toolbox and glare at him. “I’ve told you plenty. Don’t ask me about this anymore.” In reality, you haven’t said even half of what he wants to know about, but getting anything else from you is impossible at this point. 

Ian steps aside to allow you to leave the bathroom. You grab your umbrella from where it’s resting against the dresser and hurriedly open it.

“Please don’t call again unless it’s a serious problem. One that you haven’t purposely fucking caused.”

He raises his eyebrows. “That’s unfair. Staying here means I’m also paying for your services, you know.” Then he adds, “Not that I believe in superstitions, but I thought it was considered bad luck to open umbrellas indoors.”

You roll your eyes, already halfway out the door. “That’s ridiculous. And it’s not like I was born with any luck to begin with.” You let the lock click behind you, not bothering with a goodbye or goodnight.

—

Guests continue to come and go as the season rolls into the beginning of July; they mostly consist of travelers from outside of the area, contract workers, and truckers. You and Alicia work yourselves to near exhaustion with upholding the motel’s operations. You have often thought it lucky that you found her when you did, as she’d just fired her previous two employees for stealing funds when you answered her ad. You don’t know how she would’ve done all this alone, owning and upkeeping this motel after her divorce from her husband; but she always carried herself as if she were just happy to be doing something entirely of her own volition, without him ordering her every move.

Amidst this rush, Ian’s been at the motel for several weeks now. You wonder if he plans on living here, as it seems he has nowhere else to stay. But he’ll need to eat soon, won’t he? Guilt begins gnawing at you as the days pass. You’re putting the other motel guests’ lives in danger just by having him here.

But he’s been doing this just as long as you have—and with greater frequency. He should know by now to avoid eating too close to home. In those quiet moments when you have more time to ruminate, you find yourself hoping that he’ll go somewhere farther out, maybe to one of the bars or a nightclub. As long as it isn’t here.

But you don’t know why you debate with yourself over this or wish such a morbid thing. Someone will have to die either way.

—

The last person you checked in had been hours ago, and the cut-off was at 10:00 p.m. No one else would be coming through here tonight. With that, you’d mentally prepared yourself for another night of getting things in order for the next morning. A half-empty cup of coffee sits on your desk as you go through the budgeting again, the computer’s light illuminating your face and straining your weary eyes. New bathroom faucets, I’m coming for you…you think.

Alicia’s floral perfume swirls around the room as she goes about tidying up the lobby area, switching out the magazines for more recent copies and sanitizing every hard surface with cleaning spray and a cloth. A couple with kids had been through earlier in the day to check out, and their kids had great fun making a mess of things, to the chagrin of their tired parents. Neither one of you had gotten around to cleaning it up until now.

You’re closing out of the budgeting spreadsheet window and about to move onto something else when your stomach twists and aches. It’s been so long that for a few precious seconds you don’t recognize the sensation, but then dread smashes into you when your brain registers it.

The smell of Alicia’s perfume is suddenly too loud. The smell of her body, soft and muscled and warm, is too loud. Your eyes drift to her tanned legs revealed by her shorts, and you’re overwhelmed with the need to sink your teeth into the fat of her thighs, the muscles of her calves. You swear you can already taste the blood running through her veins; you imagine how it’d feel on your lips. You want to sob from how badly you want it and how badly you don’t. 

Your eyes sting with gathering tears as you breathe hard, your panic increasing. You should get up and go to the door, run outside and get the hell away from her. Even if you have to run into the highway and surrender yourself to death by speeding car, you should leave and spare her of this nightmare, but you’re incapable of making yourself move anywhere but toward her. Your body acts without your volition.

That’s how you find yourself rising from your seat, pressing your body against the desk counter as you take a couple of strained steps in her direction. Her body is angled away from you as she finishes wiping down an end table, and you see her cheeks rise as she grins in satisfaction at her own work. You understand innately that this smile will be the last, and a terrible ache swells in your heart. You know you’ll regret not seeing it fully so that you could imprint it in your mind.

“Alicia…” you moan, anguished.

She turns to you in alarm, and you want to scream when she walks over to you. “Y/N! What’s wrong? You look like you’re in a world of hurt.” Her breath is warm, and beneath the scent of spearmint, you can still smell a hint of what she’d had earlier. Some frozen TV dinner of mashed potatoes, meatloaf, and peas. You yearn to share her meal—suck her tongue into your mouth, chew it into pulp.

The sights and scents are all too much, and you are so, so hungry.

“Are you ill?” Alicia asks, brows furrowed as her hand clutches your arm. In your hypersensitive state, you feel each individual finger, the lines on her palms, and the swirls of her fingerprints. Though they are hands you have thought about many times before, it’s as if you know them intimately now—like you formed them and carved all the lines yourself. “I knew it. I’ve been putting too much stress on you, ain’t I? You coulda told me, Y/N.”

Tears drip down your cheeks as you shake your head in denial of her words. “I...I’m sorry.”

Alicia’s expression is soft and remorseful, her mouth downturned. “I should be telling you that.”

Her selfless words only worsen your guilt, even as you lean forward—your body controlled by a force you can’t deny—and press your lips to her neck.

When it’s over an hour later, the only things that remain are her bloody clothes. Physically, you feel frighteningly satisfied with your hunger now alleviated. Your reward for it? A shower of blood. The vinyl floor surrounding you is covered in red. Drops of blood streak down the front and side of the wooden desk, with more on the wooden wall behind you. There are probably more microscopic drops of blood all around the office that you’ll never be able to find. The air is filled with a mingle of odors; the cleaning fluid she used earlier, your unfinished coffee, iron and flesh, the ever-persistent woody, rustic smell of the office itself—and much farther in the background, Ian.

From your place on the floor, you drag yourself up onto your desk chair and fumble the phone receiver with slick hands. It’s difficult to see the buttons with the tears blurring your vision, and you futilely wipe them away, which just smears more of Alicia’s blood across your face. You have to think for a moment to remember which room number is his, and you desperately hope it’s correct as you punch it in.

You think you could faint when you hear his familiar accent. “Hello? That you, Y/N?”

“Help me,” you cry, your voice strangled from the tears and hyperventilating. “God, fucking help me!”

He hangs up a second later. You don’t know what you expected, but that wasn’t it. You begin resigning yourself to your fate as you slump into your seat, the receiver clattering on the desk. Some guest will find you here tomorrow and call the police, and you won’t be able to prove either innocence or guilt. What could you say—I ate her, all of her? You could open my stomach for the evidence; I don’t want to live anymore anyway? Despite what you tell them, the police will think you insane and continue searching for a body that no longer exists. That’s how it often is; another eater had told you this many years ago.

A fresh wave of tears bursts forth, and it causes you to miss the figure rushing past the windows and flinging the door open.

When Ian comes up to you with concern in his eyes, his hands reaching out to steady your shoulders and hold your bloody, tear-drenched cheeks, you don’t know whether he’s your demon or your savior. You feel a perverse relief at his presence, knowing that only he can understand your situation; and you resent him enormously for the casual way he can do the same thing and hardly think of it. It’s this curse you share, borne differently.

“We can clean this up,” he insists as he kneels before you, eyeing all the blood around him like he’s done this a hundred times before. You shake your head and begin to mumble a rebuttal, and he grasps your cheeks more firmly to regain your focus. “Darling, listen to me. It can be like it didn’t happen.”

“It did happen,” you retort, voice strained with anger. “Even if no one else knows it, I will. I can’t stay here and work here everyday knowing I—” your words break, “—that I killed Alicia.”

“You can do it, Y/N. You can get used to it. You have to get used to it, learn how to clean it up and move on. You don’t want to live a life constantly on the run—believe me.”

You practically snarl at him through the tears. “I can’t run a fucking motel by myself.”

He pauses, and then says, “I could do it with you. It’s not like I have shit else to do.”

You scoff. “And what when you need to eat? What then?”

“I could—”

“Start eating the guests, and this will become known as the motel where people go to disappear. How long do you think you’ll get away with that before the authorities come?”

“I’ve already told you I wouldn’t do that,” Ian insists. You think he might continue trying to argue with you, but then he says, “Okay. Okay. If you want to be done with all this, then we have to get the fuck out of here.”

“And leave it like this?” you groan, glancing at the bloody floor.

Ian finally lets you go so he can stand up. “Of course not. We have to clean everything. How many hours do we have until this office is supposed to open?”

You two spend the next several hours meticulously scrubbing every surface in the office. You try to turn yourself into an automaton—focus on the motions your body needs to perform and empty your mind. You aren’t successful. Too many times, you find yourself sniffling and averting your gaze from Ian’s direction so he doesn’t see your teary eyes, which is ridiculous in hindsight; he’s already seen you sobbing and covered in someone else’s blood. Held your face while you did so, like you were a small child. It doesn’t get much worse than that.

When the cleaning work is done, you stuff Alicia’s clothes, your bloody outfit, and the stained rags and brushes into several plastic bags you dig out of storage. Ian promises to stop somewhere so you can burn them all later. Everything else you take is more clothes to wear, some essentials, and your birth certificate folded small and stuffed in one of the pockets of your traveling bag—your only form of ID, and the only memento you have left of your birth parents.

Before abandoning the motel, you remove Ian’s name from the guest ledger to make it seem as if he never stayed there; his motel room looks untouched by the time you’re both done getting his things out of it and fixing it back up. You return his room key to its designated place on the wall of keys and then hurry out of the office, unable to spare another look at the place you’re leaving behind. You and Alicia lived and worked here for so long, spent so many exhausting nights and early mornings keeping the motel going even when it seemed like it might not survive, but there’s nothing left for you now. In just one hour, you destroyed it all.

So in the early morning hours when the motel guests are still asleep and there’s no one to witness but the gradually lightening sky and the cicadas, you and Ian hit the highway in his stolen Renault Alliance.

Once you’re a few miles away from the motel, you roll the window down to get some fresh air, and the warm breeze is one of the few things that helps hold you together. You almost want to stick your head out the window. Maybe if you fill yourself with enough oxygen, it’ll replace all the remnants of Alicia inside you. But you don’t want that to happen, either; you have nothing else left to remember her by but some bloody clothes that will be destroyed anyway. Only the memories of her smile, her sunny demeanor, her melodious Southern accent, and her perfume will remain in your mind, vulnerable to the passing of time. And eventually, those too will begin to fade and lose their clarity, gone to the same murky place within you that the other victims reside in, revived occasionally by your unpredictable nightmares.

“Where are we going?” you ask, and it’s the first thing either of you have said since you left.

“I’ve already been through most of the North…and I’m not really eager to go back soon. So unless you want to hang around the South a bit longer, it should probably be out West.”

“...I’d prefer the South. What kind of trouble did you cause up North?” you ask, your voice devoid of any meaningful emotion.

Ian glances at you and taps his fingers against the steering wheel. “Some…people saw me eating someone. I took someone to this broken-down house, looked like it had been abandoned for years and I knew people rarely came through that area, so I thought it was safe. But some fucking teenagers came there to do their graffiti and shit, and…”

“What did you do?”

“I ran. I hid out in the woods until night, and then I got the fuck out of the state.”

“Which state?”

“Pennsylvania.”

You nod slowly. “And then you come down here and get yourself stabbed. By the person you were eating, wasn’t it?”

Ian chews on his bottom lip before saying, “Yeah.”

In another context, you would make some comment about him being sloppy with it even after his years of experience, but you’re too drained to engage in the back-and-forth that would cause. You sigh and sink deeper into the seat.

“I’m not from this town either, you know. I’ve already done my fair share of running. But with the urge being so infrequent, it’s easier to stay in one place for a while. And even if I do give in to it, sometimes…I can pretend as if I didn’t. Buy myself some more time. Not much evidence but clothes, after all. And clothes are easy to get rid of.” You’re silent for a few moments. “But Alicia…” You close your eyes. “I can’t pretend.”

—

The beginning of your new life is exhausting. You’d forgotten how stressful it is to live like this; you’d gotten used to having one place to live in, the promise of running water everyday, and consistent meals that didn’t come out of a convenience store or vending machine.

You gladly watch Ian flirt with waitresses or waiters at the restaurants you stop in so you can get discounted meals. It doesn’t take much negotiation for him to get cheaper stuff at the occasional farm stand, either; the vendors are quickly enamored by his smile and his charming manner and those pet names he likes to lavish on every living creature. You don’t know where he got all of his cash from—probably that poor grocery worker’s house—but you do remain cognizant of how much of it is left every time you both have to buy something. You haven’t even touched the money you took from the motel safe yet, but that won’t last forever either. Your mind always remains ten miles ahead of where you are in the present, making it harder to focus on anything.

Sometimes you find an abandoned or empty house to sleep in for a few nights, left standing alone by the homeowners who are on vacation—whether permanently or temporarily. Entry is easier thanks to your lock-picking abilities. But most often, you two sleep in the car. Ian lets you have the entire backseat, which made you feel awkward at first. “Are you sure?” you’d asked.

“Quite. Why not?”

“...You don’t have to be so courteous considering we still barely know each other. I mean, you…” you faltered.

He’d given you this sarcastic smile and said, “How sweet of you to think of me, darling. I could sleep back there with you so neither of us has to deal with the front seats—”

“Nevermind. I’ll take it.”

And other times, he chooses someone at random—a bearded man at a gas station, an older woman at a grocery store, some sluggish-looking twenty-something eating lukewarm scrambled eggs at a down-home eatery—and spends a few days watching their movements. He’ll follow them at an inconspicuous distance in the sedan and find out where they live; subsequently, there will be hours of mind-numbing car-camping nearby as you both wait to see their vehicle turn down the road at the break of dawn or the onset of afternoon. Another day means more opportunities for observation.

But not everyone owns a car. Sometimes he’ll become interested in someone who’s traveling on foot, and he’ll leave the car to you while he trails after them for hours. You hate it the most when he does this.

He has enough decency to tell you a specific place where you can both meet at again in a few hours—maybe a park, or a drugstore—or he’ll say something about meeting you back here later. 

“Later” is an unknown to you. Not knowing exactly when he’ll be back and not wanting to sit in the same place all day drives you mad. You might go to a local trinket shop or an outlet store or some boutique downtown to try to ease your anxiety. But sooner rather than later, you end up in your agreed-upon meeting spot, watching for his reappearance in the side mirrors.

Whether he walks or drives, you’re always left waiting on him once he decides to eat them.

The very first time he played this game, he’d told you to “come back later,” front door open and one leg already outside the car. You’d both been tailing a man for a couple of days already, and he had been none the wiser. He’d just returned home from work not too long ago; the sedan had rolled in after, and you both watched his house from your distant spot among the trees—waiting for something to happen? You didn’t know. The sun was setting, making way for the dark of twilight to paint the world; through the trees, you could see the glow of the house’s lights in the distance.

“What? Wait, what are you doing?” you hissed. You impulsively reached for his arm to pull him back in the car and then thought against it, retracting your hand. But you didn’t need to bother with pulling him back, because he leaned into you like he was telling you something confidential.

“Trying to give you a break. I would ask you to join, but I know you hate this and all, so just come back in like, two hours.”

You were unsure how to respond. You stared at him, knowing what he was about to do and wanting to stop him but understanding that your efforts would be futile. “Ian, what if I can’t find my way back here? It’s going to be pitch fucking black.”

He took your hand in his and squeezed it. If this was meant to comfort you, it did nothing of the sort. “You will. Just remember the street names.”

Then he’d left. You didn’t stay to watch him approach the house; you climbed into the front seat and carefully navigated the car along the path that wasn’t really a path and back onto the road. You waited the two hours, your eyes twitching to the car’s dashboard clock too many times as you drove aimlessly around the town with your palms sweating, hoping not to seem suspicious. All the while, you repeated the street names in your mind so that you could get back easily.

When the time came, you did find your way back—just as he said. The door was already open as you walked up the grassy path to the porch, your legs trembling from what you might find. Ian stood there with the yellow glow of the interior outlining his form, and as you looked past him, you saw that there was nothing amiss inside. There were no signs that any death had ever happened here, carefully scrubbed and cleaned away.

And that is how you ended up with a new home to stay in for a little while.

You’ve never seen him consume anyone, and you don’t ask. But sometimes you wonder…after he makes himself known to them—what does he do? Force his way into their house? Play whatever innocent persona that would give him a good reason to be suddenly on their doorstep, in their driveway? Does he press his lips to their neck the same way you do, the last gentle touch before the ravaging, or go for another body part—or does he kill them through some other method before ever sinking his teeth in?

Deeper down, you always wonder if maybe this will be the time he fails. That maybe he’ll change from hunter to hunted, or that he’ll be caught again.

He seems to have a preternatural skill for picking the types of people who no one would really miss, though. People who live alone and often in homes or trailers that sit off on a densely wooded and scraggly piece of land, separate from any houses nearby. Too far away for anyone to hear screams for help. Sometimes they’re the type of people who’ve burned all their bridges with their loved ones and whose calls for a savior would probably go unanswered anyway. This ability of his deeply unsettles you, but you never admit this aloud.

Once, you ask Ian why he even puts in so much effort—why he goes this far just to find someplace for you two to lay your heads at night that isn’t the worn material of the car seats. You aren’t expecting some virtuous or sappy answer, but you don’t quite anticipate his actual response either.

He hesitates for a moment, as if wary of how you’ll respond. “I like it—that’s all. That slow pursuit and the inevitable ending…somehow, they taste better that way.”

—

Initially, you weren’t sure if it mattered to have some sort of disguise. You’d crossed paths with hundreds of people at the motel and wondered if you might someday be recognized, that they would somehow know what you’d done, why you left the motel, and expose you to the national papers. (Some regional papers had reported on the motel’s sudden and unexplained abandonment, you find out later, but they proffered no clear answers for it or your and Alicia’s whereabouts.) But you didn’t know if those largely brief encounters would be memorable enough for anyone to recall you months later.

Either way, you end up taking your braids out not too long after you’ve been on the road. They were beginning to frizz to an unmanageable level anyway, and your chances of having them continually refreshed is virtually zero now. In a way, it’s a relief to not have them anymore, as if you have somehow transformed into a different person—a stranger you could look in the mirror at and not recognize as an eater—by letting your hair free. You burn the hair and all of the wooden beads inside a fire pit at a camping site, watching them die nestled in the flames.

But there are always occurrences that refuse to let you forget. Because on that same campground, you catch wind of another eater a few days after your arrival.

Their scent makes your stomach drop, as it always does in the presence of another eater. You wonder if they have purposely decided to stay at this site because they smelled you and Ian, or if they’re merely passing through. How will the encounter unfold this time, with three of you present? 

When you go to talk to Ian about it, you find him by the river, where he has managed to catch a few fish. They sit nearby in a cooler. The midday sun beams down on the both of you with no relief, and you have to shield your eyes from the water’s reflection. 

“I hope you know how to gut those, because I’m not doing it,” you say, frowning.

“It’s fine, babe. I’ve got it.” You scoff and roll your eyes, unimpressed.

“Can you smell that?” you ask him abruptly, quieting your voice. 

He looks at you thoughtfully, but you continue shading your eyes from the sun and trying to appear casual and not at all disturbed. The continuous tapping of your foot gives you away, though. Ian glances around to see that none of the others near the river’s edge are close enough to hear, and eventually murmurs, “Yeah, I can.” 

“Okay. Okay, maybe—”

“You’re nervous?”

You return his gaze then. “You’ve never met other eaters. I have. Let’s just boil it down to this: It’s often better for us to stay out of each other’s way. Us being dangerous to everyone else doesn’t mean we aren’t a risk to each other, too. Not because we feel actual hunger for each other—I’ve heard that isn’t possible. More strange genetic shit no one can explain. But some will feed on other eaters just because they can.” You shift uncomfortably. “Some see it as like…a conquest, I guess.”

“Is that why you were so eager to see me gone back then?” You don’t expect him to say that, and it takes you aback for a moment. He smirks, but the expression doesn’t have a genuine quality to it—like he’s only showing levity because he assumes you will be repelled by him without it.

“No, it’s…not why.” The real reason feels too vulnerable to disclose, so you don’t. Again, you find yourself unable to meet his eyes, and you return your attention to the blinding waters. “Look, I just wanted to tell you so that you’re—aware. I’m not saying we have to up and run away, but…”

Ian’s face becomes hard to read; you don’t know whether he’s feeling apprehension or whether he’s neutral about the possibility of meeting another eater. Or maybe even fascinated by it. “I get it. Let’s just see if they make the first move or something. And if they show themselves as dangerous to us, then we can leave.” 

You don’t love the idea of sitting and waiting for something to happen, but you aren’t fond of the thought of packing up and hitting the road again either. You are beginning to enjoy this campsite; it’s not so remote that you feel isolated, but all the campers are spread out enough so that you can avoid feeling crowded in or watched. Or like you’re exposing others to danger. “Fine. Let’s see.”

—

You and Ian sit outside at the fire pit after eating, listening to the cacophony of frogs at the river and other night sounds as your after-dinner entertainment. You hear a train in the distance and wonder where it’s going. You imagine hitching a ride on it and traveling someplace where you can settle down without the prying questions of new neighbors and the requirements of real estate agents—buy a house and live in one place for the rest of your life like normal people get to do.

You scrub your face with your hands and sigh. Ian perks up at your heavy exhale, a question in his eyes.

“When I mentioned genetics earlier…” you try to order your words correctly, “...I think I got this thing from my mother. I was told that I was given up for adoption as soon as I was born, as her parents didn’t think she would be fit to raise me, and they didn’t want me either. They didn’t specify why she couldn’t raise me, but I always assumed it was because of that.” This is more personal than anything you could’ve told him earlier, and you aren’t sure why it comes spilling out now. “I don’t think either of her parents were eaters. I think it can skip generations, but I’m not really sure…I don’t exactly sit and have tea and reminisce about family trees with other eaters.”

You’d been passed between many foster homes as an adolescent, never truly feeling like you belonged in anyone’s home or that any of your new “family members” loved or cared about you. At best, you were tolerated or left to your own devices. At worst…you’d once lived with a strictly religious older woman who was half the cause of your constant feelings of guilt. She never found out that you are an eater, but there was plenty more than that for her to convict you about. The lectures about hell and brimstone still come back to mock you if you let your mental guard down for too long. 

During the time when you’d been traveling through the world on your own, you only took shelter in churches—abandoned or not—if there was truly no other suitable place to camp for miles. The large windows always reminded you of eyes peering down on you, seeing inside of your soul and cursing you for the blood you’d spilled.

Ian leans back on his hands. The flames of the fire pit illuminate his face, and somehow, he looks different. Like the act of reaching so far back into the past is making him into someone younger, softer, and newer to the world.

“...I guess it would be my dad, then. I never knew him, and mum would never talk about him. I don’t know anyone else in my family who would be. Family secrets always stay so well hidden.” He begins chucking little sticks and other debris into the fire pit, and you watch them spark as they hit the flames. “Mum tried to hide mine once I started, but I felt like such a burden to her…I just went out on my own as soon as I could.”

“So when did you start, then?”

“When I was starting high school. What about you?”

“I was still in the single digits…eight or nine, I think…” I’d snuck out to my friend’s treehouse at night even though I wasn’t allowed to, and the hunger came without a warning. Despite the blood inside the treehouse, no one could ever figure out what happened. The missing posters all over town haunted me. The finer details are gone now, but you still remember the basics of it. These things arise in your mind but you don’t say them, wanting to avoid the sting of voicing what you did.

“So it’s not the same timing for all of us? I’d thought it was some fucked-up symptom of puberty that none of the other kids at school had gotten or something…” Ian says, his voice trailing off. After a moment of silence, you laugh and keep on laughing, though it’s more an expression of your incredulity at this situation—at your lives—rather than true amusement. Ian laughs alongside you, though he sounds more light-hearted about it than you do. “I’m serious.”

“Ah…yeah. I guess it kind of is, in a way,” you whisper, just enough to be heard over the fire popping and the forest’s sounds. “A coming-of-age type of thing. You can never be the same after it happens.”

“That first time was scary for me, but mostly because of mum’s reaction when I told her.”

“What about before you told her?” you ask, wondering if you’ll regret this question.

Ian tilts his head back and stares up at the stars for a moment. “Physically, I felt…complete. Like…I don’t know, sort of like something in me had been starved and empty my whole life and I didn’t realize it until I finally ate.”

To your surprise, you feel some measure of envy at this, wishing it could be that straightforward for you. If you could eat only to satisfy the need, to achieve wholeness, and not feel any particular emotion about it—least of all the normal combination of negative emotions that crash down on you afterward—things could be so different.

This and all your previous conversations together might be the most time you’ve spent talking about the urge with any one person. That realization cools your blood and makes you want to draw back again. You’ve told him about your relatives and nearly spoke of your first time, and now you find dangerous words itching in your throat: I think I envy you. Maybe it’s all too much to lay in his hands and trust him with—even though you had no choice but to trust him with your life at the motel.

Trying to restore the emotional distance between you, you get up from your spot on the log and promptly announce, “I’m, uh, gonna go piss.”

Ian’s eyebrows crease in the middle, and a short laugh bursts from his mouth. “Uh, sure, be my guest.”

You walk off into the trees, trying to tell yourself that the physical distance is enough for now—even though you feel like you’ve splayed your chest cavity open before him and let him scrutinize your every cell.

—

You wake up in the tent alone the next morning, pulled out of sleep from the sound of voices nearby. It’s not unusual for Ian to wake up before you; with you not needing to get up at dawn hours anymore to run the motel’s affairs, you take every opportunity to sleep as long as you can.

Within seconds of waking, you realize the smell of the other eater is much stronger, which raises alarm within you. You peek your head outside the tent’s opening to see what’s going on, adjusting your scarf on your head. Outside, you see Ian talking to someone else at the picnic table—someone who you can only assume is the other eater. She has strawberry-blonde hair that reaches the middle of her back and skin that’s been tanned from weeks in the sun; there are freckles across her face and chest, and her eyes are a clear blue. She seems engrossed in the conversation, and though you can’t see Ian’s face, he must be the same way; this is the second eater he’s met after knowing none at all his entire life. You’re reminded of the almost desperate way he’d appealed to you in that motel bathroom, and all your internal organs wince at the remembrance.

And then she glances over his shoulder and sees you sitting there yards away. A small smile shifts her expression, but it doesn’t have the same energy of the friendly smile you get from a passing stranger in public. It says I know what you are, and we both know you cannot hide it from me. It creates that familiar unease in you.

Ian notices the change in her face and turns to look at you as she gets up from the table to walk over to the tent. “Hello there. We were just having a nice little talk; it’s not often I meet other eaters who’ve never encountered their own before. You caught yourself a rare one.” She smiles with her teeth now. “I’m Sherry. What’s your name?”

You tell her a fake name, still cautious about your identity. You wish you’d been awake earlier to catch the beginning of their conversation, but it’s too late to ruminate on that. “What did you talk about?” you ask, shuffling out of the tent now. You’re only wearing a tank top and sleep shorts because of how hot the tent can get when you’re both in it; you don’t know how the hell Ian puts out so much body heat.

“You know, the things every person talks about…the weather, things to do ‘round here, favorite foods.” Sherry cocks her head at the last phrase, as if amused by her own words. You’re unable to muster up a smile to match hers. “Personally, I like to feed every month…I think Ian would agree. It’s too bad you don’t indulge as often, I hear? You could eat plenty more—not just when the hunger tells you to.”

It’s clear that he’s said more than he needed to. You shoot him an annoyed look, and Ian smiles weakly before biting his lip.

“I’m fine,” you say curtly. “Really. A few times a year is more than I could ever have asked for.”

Sherry nods, her smile never becoming less amused. “You’re one of those eaters who’s not fond of the whole deal. That’s charming. Maybe you were gifted with more compassion than the rest of us. Or maybe you’re just…repressed.”

A blurred montage of all the people you’ve previously consumed flashes in your mind, along with the lives they lived, and you don’t know whether to feel angry or defeated. “Better some compassion than none, I would say.” Even with the annoyance behind your words, it seems useless to say this; there’s nothing you could say to make her see things your way.

“To each their own.” Sherry shrugs, nonchalant despite your irritation. “But I suppose I should be going now to get my day started, so—nice meeting you two.” You both watch her depart, Ian giving her a wave before she disappears into the trees. You sigh deeply, trying to tamp down the boiling in your chest as you begin picking out something to wear for the day from the small pile of clothes you own.

“Alright, look—she came up and said hello, said she had smelled us, and I…I was curious about her experience,” Ian says.

“I don’t know why you’re explaining anything to me; you’re grown and can talk to who you want. No one was chewed to pieces, right?” you say sarcastically. “That’s pretty much a win.”

“Because you’re obviously annoyed.”

You stand up straight now, gesturing angrily with your clothes as you speak. “Maybe because you should’ve left me out of your conversation. I didn’t even want to talk to you about this shit at first, do you remember? But you kept fucking begging me. Now some stranger knows about my situation without me ever sharing it with them?”

Ian smooths his hair back with both hands and sighs. “Okay, I can see how maybe that was fucked up. I shouldn’t have said anything about you to Sherry, but do you realize she would’ve known you’re an eater anyway?” You glare in response. “I’m sorry, alright? But it’s hard for me to get used to you being so closed-off about it when all I’ve ever wanted was to know I’m not alone in this shit. It doesn’t make any bloody sense to me!”

“Because I never cared about being alone in it,” you say, and a tiny flare of guilt pricks you from the dishonesty. “I didn’t think about who else might experience it. I was too busy trying to hide what I was. Even if I did consider it, I didn’t want to be around anyone else who could’ve been—like me.”

Deep down, you realize that despite what you’d sometimes fantasized about Alicia—that if she were an eater too, she’d understand you without judgment and you wouldn’t have to live under such stressful circumstances—the reality is nothing of what you thought it would be. Living your life with another eater hasn’t relieved you of the condemnation and shame you always feel, and you wonder if maybe the emotions have been ground too deeply into your soul to escape them.

The darkness in Ian’s gaze reminds you of the way he’d looked at you and Alicia when you confronted him in front of the motel office. “Stop bullshitting, I don’t believe you. People get lonely about smaller shit everyday, but you didn’t care whether you were the only cannibal in the world or not?”

Before you can respond, you hear the sounds of foliage rustling and feet shuffling; there’s a small group of people walking one of the trails yards away and laughing about something. You can make out flashes of their clothes through the tree branches and bushes. Sweat springs up on your body.

You lower your voice, hoping they haven’t heard any of your conversation. “I don’t give a fuck if you don’t believe me. Your experience isn’t the only one there is. Just stop telling others my business. You don’t have that right. For all I know, you could’ve slipped something about the motel.”

Ian’s eyes widen. “I didn’t say a damn word about the motel! All I mentioned was that sometimes the urge takes years for you, and that you hate it when it happens. You think I’m that unreliable, after all I’ve done to help you since then?”

You know he’s right about the motel, at least. You’re still somewhat incredulous that he dropped everything to help you clean up and escape unseen when he could’ve stayed in his room, acted like nothing happened, and left you to be hauled off by the law. But you’re angry, and though it may be petty, you don’t want him to be right about this. “What am I supposed to think of you? I don’t fucking know you like that. In case you forgot, we were perfect strangers not too long ago.” 

“And I try to know more about you so that we aren’t strangers, but you never want to talk about anything. Last night was something rare, but does that even matter to you?”

Your conversation from last night is like a distant memory, the personal details you shared with each other now dust in the wind. You wish you could take all of those words back, embarrassed from the vulnerability you allowed yourself. You wish you’d never known about him being a kid in high school, not knowing what to make of the new life that was waiting in his DNA, and that you hadn’t felt some measure of sympathy for him after hearing that story. You wish you’d done a better job of keeping him at arm’s length.

You gather your clothes close to your chest and shove your feet into your shoes so you can head for the river. “I’m starting to think it was a mistake. That’s all I know.” You walk past him without waiting to see if he’ll reply, trying to ignore the hurt in his expression.

—

The next morning is similar in that you are awakened by the sounds of voices again, but this time they are alarmed. Shouting, searching. Farther away, but approaching your area.

Ian’s next to you sleeping this time, his back to you as you sit up; at the start of this camping excursion you both had agreed to sleep facing away from each other, mostly for your own comfort. But it’s also convenient in this current situation when you’re still pissed at him.

You climb out of the tent to get a better listen, standing in the early morning air that’s already becoming too hot. You realize now that the shouts are someone’s name—Michael. The distress and pain are palpable in the voices of the people calling for the presumably missing person, and your stomach begins hurting with dread as your mind fills in the blanks about what might’ve happened. Not in such a public space…

Ian pokes his head out of the tent a few moments later, his long hair covering his eyes. “My God, what the hell is going on?”

“How would I know?” you scoff, squinting through the trees. You see a middle-age man and woman heading your way; there are other individuals spread farther out in the forest, still calling that person’s name. You catch glimpses of them through the foliage, their hands cupped around their mouths and heads swiveling like owls. When the couple reaches your camping spot, you notice the tear streaks on both their faces.

“H-have either of you seen this boy between last night and this morning?” the woman blurts out, holding up a picture with shaky fingers. The person depicted is a gangly blonde boy with a bowl cut who looks to be fifteen at the most. His wide smile shows his metal braces, and he’s holding up a large catfish. “We can’t find our son, p-please. He l-likes to go out exploring by himself even when we warn him not to, even at night—and he didn’t come back this time—he must’ve went out last night and got hurt or something, b-because some other campers found a patch of bloody grass…” The mother collapses into incoherent sobs.

The father tries to pick up where she left off, though his brown eyes are also wet and red and troubled beyond measure. “S-some other campers found this area of bloody grass in the deep woods away from the marked trails, so we—we thought maybe he got hurt and wasn’t able to find his way back—this is our first time camping here—b-but…”

“There…there was so much blood,” the mother gasps, shaking her head and clutching the picture so tightly you think it might rip.

“I-I’m…sorry,” you say, your throat feeling choked with a guilt that’s not yours to bear. “We haven’t seen him, or anyone else. We went to bed pretty early and only just woke up, so…” You ate dinner in silence with Ian last night before heading to bed earlier than usual. He’d stayed out by the fire pit smoking a cigarette for a while longer before coming in beside you.

The father nods, though your words seem to be another weight on his shoulders dampening his hopes of finding his son. “Thank you,” he mumbles, gently tugging the mother along to the next camping area.

“Jesus…” Ian mutters. It’s hard for you not to get lost in a rabbit hole of thinking about that boy and his apparent love for fishing and what he might’ve become if given the chance and the time. If only someone had had some kind of mercy on him. If only some otherworldly force had saved him. If only someone had simply not chosen him as their meal.

You walk away from the tent, trying to settle your nerves and corral your thoughts. You don’t know where you’re going, and you don’t respond to Ian’s call of your name, but you let your feet carry you away until you’re standing at the shore, looking out over the river. You listen to the tiny waves splash against the shore and feel the cool water run over your feet and try to let it ground you.

Maybe you shouldn’t care. Not when you’re capable of the same; it’s too hypocritical. Still, you can’t stop thinking about it as you dig your toes into the mud, trying to block out the sounds of the search party in the far distance. You’re almost ready to crouch down and put your hands over your ears when a hand touches your shoulder. You whip around to see Ian behind you.

“What?” you ask, voice coming out louder than you intend.

“Relax,” he murmurs. “It’s not like anyone thinks it’s us.”

“Why would they? And who cares about that?” you snap. “A boy is dead, and you’re sitting up here—of course it wasn’t us. But we do know—”

“We don’t know that he’s dead, and we don’t know that either.”

“You don’t think she did it?”

Ian sighs. “Should we assume that? If she did—it was always gonna be someone, Y/N. If not him, someone else. No one gets spared when you have to live like we do, you know that.”

“You two seem quite similar, honestly,” you say, exasperated. “Maybe it’d make more sense for you two to be together like this instead of us. I just can’t understand how you think.”

Maybe you’ve made a huge error. Not by accepting his help, or even by renting him the motel room—you’d have to go further back than that. You shouldn’t have even gone out to check on him that night. You could’ve avoided this all if only…

One decision. The difference between you being in this campground-turned-crime-scene and you standing at the motel desk taking yet another stranger’s information was just one decision.

…But you still would’ve eaten Alicia, wouldn’t you have? The hunger is always beneath the surface, just waiting to reemerge. If not then, it would’ve been later.

You’re spinning out of control. The thought comes to you suddenly: There’s no way you can sustain this strange relationship with him, in which you travel endlessly with no destination and you try to pretend like he doesn’t eat other people and like you don’t have the same craving. Your talk at the fire pit should’ve shown you that; how can you ever be on equal ground with him in the way that another eater like Sherry could? And why should you want to? You’ve been trying to outrun this desire to consume for as long as you’ve had it; you won’t let him make you think this is normal.

Even if your thoughts are anchored more in your current emotional frenzy than in reality, you’re unable to regulate yourself to see things differently. A vise of panic grips your body and crushes you between.

There has to be a way out of this.

“Y/N. I don’t think you’re in the right state of mind right now,” he says more gently, noticing the frantic vibe emanating from you. “If you’re that concerned, we can leave, okay? Remember, we said we’d leave if things didn’t feel right?”

“Right…” you murmur, though your mind is elsewhere, planning. “Tomorrow. We can leave tomorrow.”

When night falls, Sherry returns to your campsite. To your knowledge, the search party is still out there somewhere, pushing out to the very edges of the campground’s boundaries to cover all the bases. All of the other campers who didn’t get involved in the search have either decided to stay to themselves or leave.

“Hey, friends. I come with gifts.” Her smile is big and white in the dark of night as she holds up some beer cans and a pack of cigarettes. 

That’s how the three of you end up sitting around the fire pit, smoke from both the flames and the tobacco curling through the air. Your beer can sits nearly empty in your lap; you’d taken a few apprehensive sips at first, and then more, in an attempt to numb yourself out. Sherry leads the conversation, talking about her travels and the exciting things she’s done and never once bringing up anyone she’s preyed on. You don’t know if she avoids the topic for your comfort. You highly doubt she cares. You say little to either of them, too lost in your own mind to engage.

But eventually, amid a lull in the talking, she sighs as if burdened and then smiles. It’s an odd contrast.

“I’ve always preferred to feed on males,” she announces. “I like to pretend each one of them is my father. I guess you could call it daddy issues, but I don’t give a fuck.”

Your heart quickens. “Your father?”

“‘Course. He’s the one who gave me this little gift. Then tried to kill me for it. Ain’t that something? Didn’t even do me the dignity of eating me; he tried to strangle me with his bare hands like some kind of brute.”

“That’s so fucked up,” Ian mutters.

“If I didn’t fight him like a bat outta hell, I’d be dead. I didn’t eat him after. I just ran away from home and never came back. But shit, sometimes I wish I had eaten him.” She chuckles, taking a drag from her cigarette.

“So, the boy…” you start, but don’t know how to finish.

Sherry leans her head against her palm and studies you before saying, “Take a guess.” Ian raises his eyebrows.

“But why him?” you ask, voice cracking. “Why in a place like this, with so many others around? Don’t you think it’s dangerous?”

“It’s not if you know what you’re doing.” Sherry shrugs. “Besides, he was curious, easy to lure, and outside at night when he shouldn’t have been. They never expect danger to come from a sweet little thing like me. You should take advantage of that.” Sherry gestures to you, grinning again. “Use your feminine wiles and all that shit.”

You pour the last bit of your beer into the grass and stand up from the log you’d been sitting on. “It doesn’t work like that for me.” You walk back to the tent feeling chilled despite the humidity of late August. You try to ignore the sensation of two pairs of eyes following you.

—

That morning, you wake up much earlier than Ian does. You check to make sure he’s asleep, his chest rising and falling evenly, as you crawl from under the covers. You’re as careful and quiet as can be as you gather your things in the tent and strewn around the campsite—though they are thankfully few—and shove them into your traveling bag.

Once you have all your belongings together, you slip back into the tent. Ian’s jeans are folded in the corner with his other clothes; you know the car keys are in one of the pockets. As you slowly search through them, you hope that he won’t awaken. You watch his face for signs of consciousness, and as you do, the sight of him lying there scratches at something deep inside of you. It arouses a sentiment you don’t want to think of as sympathy. Are you betraying him in some way by doing this?

The feel of metal against your fingers causes your heart to race. You slide the keys out with as much control as you can muster. Then you back out of the tent, telling yourself this is the last time you will see him, before letting the flaps close and obscure your view of him.

You don’t breathe properly again until you’re in the parking lot, clutching the strap of your bag and the car keys like you’re being hunted. You falter in your steps, however, when you see Sherry in the parking lot too, messing with something in her car—a boxy, dark red Chevy. She isn’t the only person out here—there’s a man and his small child at their own car, the man tiredly searching for some beloved toy in the backseat while the child whines—but somehow you feel cornered.

You try to ignore her as you shove the key into the lock and throw your bag into the passenger seat, scanning the trees as if Ian might be there, shouldering his way out of the foliage. There is no one.

“Leaving so soon?” You turn at the sound of Sherry’s voice, unsure when she got over here and how she moved so soundlessly. “It’s probably for the best; there’s rumors the park rangers are gonna be temporarily closing this site.”

You shrug, your body stiff. “And?”

Her eyes search the car as if looking for something in particular. “Doesn’t look like enough stuff for both of you. You’re leaving Ian behind?” She laughs, her face simultaneously surprised and amused. 

You don’t owe her an explanation, you tell yourself. “Don’t worry about it.”

“I won’t. When I think about it…you two probably wouldn’t have made it very far together, anyway.” She throws her hands up in a casual what can you do? motion and makes for the treeline, calling over her shoulder. “Maybe you’ll change your mind about eating one day.”

“Maybe not,” you mutter, sliding into the front seat and starting the engine.

—

Summer fades into fall, though the weather doesn’t yet reflect this change.

You drive for miles and try not to think about many things—most prominently, Alicia or Ian. Yet, your version of not thinking about Ian involves a lot of ruminating on whether you should’ve left, what happened to him after, where he might be now, whether he decided to tag along with Sherry or just ended up alone again. You feel sick whenever the last possibility crosses your mind.

It doesn’t matter, you tell yourself. He was alone before me, and he’ll be fine after me. We were never really going to work anyway.

During your worst times, you wonder if you were purposely setting him up for disaster; you’d told him yourself how dangerous other eaters could be. You know you would never try to feed on him, but what about Sherry? The guilt threatens to make you implode; sometimes you want to fly back down the highway and find him again somehow, and say…what? What could you say to make it less horrible? Whenever your mind turns down that road, you attempt to convince yourself that it doesn’t concern you anymore. Whatever happens to him, good or bad, is no longer your business.

Not thinking about Alicia involves a lot more open wallowing and feeling sorry for yourself while simultaneously hating that you feel any pity for yourself. You deserve no one’s sympathies. But that doesn’t stop you from curling into the backseat and recalling past memories through sobs, dragging your fingernails down your arms until you bleed and scar. Even when you’re asleep, your dreaming brain conjures terrible scenarios in which everything is normal again, you’re working at the motel again and you’re laughing at some silly comment she’s made, shying away from her as she tickles your arm or pinches your side, and it feels so real that it’s physically painful when you awaken.

So you spend your days like this, hoping to somehow purge the trauma from your system by ignoring it—and doing a terrible job of both. You go entire days without speaking to anyone, walking through parks or down busy sidewalks without regard for the people around you who buzz with life and excitement. You count the money you have left every night and begin shoplifting to try to slow down your spending. You even consider finding a job again, though you still don’t trust yourself to be in such close proximity to other people for hours at a time; you just have to find a city you like enough to live in first. Somewhere populous enough for you to be insignificant, and fast-paced enough for you to have plenty of distractions from your oppressive thoughts.

You ponder this idea one early morning in a small diner; there are a few people here for their breakfast, but not an uncomfortable amount. The other diners are too sluggish or disinterested to regard your presence—or each other’s presences.

The atlases for several different states lie on the table in front of you; you flip through one on Georgia. You and Ian had collected many of them while traveling. Maybe you could work somewhere that doesn’t require you to be around too many other people. A call center, perhaps. But you’d still have coworkers. Maybe a typist job; you’d spend all day behind a computer filling in spreadsheets and taking tedious phone calls. It wouldn’t be much different from what you used to do. You could sew clothes in the backroom of a tailor’s shop, or take some mind-numbing factory job…

You just need something to occupy your mind. Being left alone with nothing but your thoughts and the road ahead of you is wearing you thinner each day. Was it even this bad during the time you spent alone after Marygold? You can’t remember. Maybe your brain is blocking the memories for your own sanity.

As you place your tip on the table for the waitress, she stops in the middle of gathering your dishes and observes your face. You catch her gaze and stare back, wondering if she knows you from the motel. You’re beginning to mentally spiral when she says,

“You look like a girl who’s lost to love.”

“Love?”

She puts a hand on her hip, looking at you like you’re the saddest thing she’s seen all year. It makes you uncomfortable. “You have that lovelorn look I’ve seen a thousand times before. Poor thing. Who would think of breaking your heart?”

Myself. “I don’t love anyone,” you mumble, chest aching as you say the lie.

“Everyone loves someone,” the waitress says. “I believe you’ll find someone new, if that’s what you’re yearning for. Don’t be so down.”

You shake your head, wanting to escape this diner and this conversation. “I’m a little too fucked up for that.” Your voice fractures on the last words, and you hold your body still in an effort to stop yourself from crying. If you hold your breath long enough, maybe your body will shut itself down and forget that it was about to break.

“Everyone’s a little fucked up, too, girlie. But that’s why you find that special someone who can put up with your crazy—or someone who has the same wild hair up their ass.”

You swallow hard and let out an exhale; there’s still a sheen of tears on your eyes, but the drops haven’t fallen. Your lips form a miniscule smile at her turn of phrase, amusement briefly flitting through you.

“Anyway, I don’t mean to be nosy. I just didn’t want you to leave here looking so depressed.” You probably look more disturbed than you did when you first entered the establishment, so you’re pretty sure that mission has failed. But some part of you appreciates that this stranger took the time to even speak to you, to care that you looked upset and want to do something about it.

She smiles and places her hand over yours. You allow yourself to take comfort in the touch for a moment; warmth spreads upward from where your hands meet, sparking something in your chest. But in an instant, the vault door in your heart slams back closed from where it’d cracked open, and the fears rush back in, spiking all your senses into anxiety. You’re soon pulling away, slipping out the front door and into the morning sun.

—

You’re not sure how to feel when you smell him again. 

The scent comes to you while you’re in a grocery store, debating whether to pay like all the other customers or just steal the few essentials you need and leave. The end of October is days away, and the vibrant Halloween decor and packaging are in full force throughout the store.

Many emotions race through you at once. You become hyperaware of your increased heart rate and the sweat that prickles your body, and you can’t figure out whether you’re afraid of or angry at his presence. Or relieved. You wonder how he managed to find you again—probably the same reason why you know he’s here without laying eyes on him, though that seems unlikely. You don’t think any eater can pick up smells from that kind of distance. Then you consider that maybe this is just a coincidence, the two of you arriving in the same place. Or some sick variant of fate. Could the universe be that cruel?

You think about dashing out of the store before he can see you, though there’s not much point. Why should you run? You were here first. If so-called fate has decided that this reunion was always going to happen at some point, then you don’t want to spend the rest of your life running from him. So you wait for him to come to you, trapped in a tornado of emotions.

You’re in the vegetable aisle trying not to get sprayed by the misters suddenly cutting on when you see him. You shake droplets of water off your hand and then you glance up and he’s there, approaching you like he only intends to leave this store with one thing: you. For a split second, you wonder if it’s really him; his hair is unkempt under a baseball cap, and he’s wearing a pair of yellow-tinted glasses you’ve never seen on him. His bag is slung over one shoulder.

You can feel the anxiety pouring off of him when he stops in front of you; his fingers tremble as he fidgets with his rings. He has the air of an older brother—or what you’d imagine one to be like—annoyed and afraid after you’ve run off without him in the store and gotten lost, and you don’t know whether to laugh or cry or curse.

“Didn’t expect to ever see me again, huh, darling?” Ian keeps his voice mostly even, but it sounds like that requires significant effort. “Not the way you drove off with my fucking car, I bet.” It was never your car, you think.

“How did you even find me?” you ask, voice small. 

“Think about it. The atlas.”

You do think about it. And then you remember; you’d talked about the next place you’d travel to after staying at the campground. You both agreed on a random town named Hendersonville, which is where you are now—but only after months of directionless hopping around from city to city. How would he think to come here now, months after the fact, when it’s possible that you could’ve already been through the town and long gone, or decided to never visit Hendersonville at all? Terrible fate…

Something else catches your attention before you can reply to this. Despite the agitated state you’re both in, you realize that you’re picking up on his scent and no others.

“Did you and Sherry…?”

“She’s dead,” he says.

That’s the last thing you expected to hear. “What?”

He pulls down the collar of his T-shirt. There are many scars along the junction of his neck and shoulder that weren’t there before, and it takes you a moment to notice that some of them resemble teeth marks. 

“So…” Your throat seizes up, and you have to clear it a couple times to speak again, though you avoid speaking too loudly. “...she tried to eat you?”

He lets his collar go and nods with a jerky movement. “After only a month. I had to kill her or she would’ve done me in. It was close.”

Your words haunt you yet again. Us being dangerous to everyone else doesn’t mean we aren’t a risk to each other, too. And for that reason, you don’t understand why he’s returned to you, a fellow cannibal.

You are shocked again when you register that there’s a small part of you that feels sorry for Sherry. You think of how she tried to regain control after her father’s attempted murder of her by preying on so many other men, doing to them what she wished she had done to him, only to end up dead by another man in the end. There’s something terribly unfair about it all.

“I…see.” You realize you’ve been holding a bell pepper for an awkwardly long time, and you waffle between getting a plastic bag for it or setting it back down. Frustrated, you toss it back with the others.

“Then I ate her,” he continues. You resist the urge to recoil.

“And you’re back here in front of me because…why? You’re not worried I might turn on you the same? I did take ‘your’ car.”

His laugh is colorless and dry. “You’re fucking joking, right? I know how you are. You can barely stand to talk about it, and I’m supposed to believe you’d eat me?”

“Shut up.” You’re more offended by him saying I know how you are as if he understands you so intimately after only a few months. It angers you to think maybe he could know you—know all these unpleasant things about you and still want to return for you. You begin walking away from him then, though there’s no real urgency in your movements to get away from him.

“You shut up. You may have tried to throw me aside, but we both know we’re not finished with each other.” He follows you into another aisle; there’s an old woman pushing a cart coming from the opposite direction, and he waits to speak again until after she’s gone. “We’re some of the few who know what it’s like.”

You suck your teeth, feeling foolish. “But…that’s why I left you. Thought you’d gravitate to Sherry, fit better together.”

“You see how well that turned out. What does it really matter that we feel differently about it as long as we’re not trying to fucking kill each other?”

You don’t know how to respond to that, because responding would mean admitting you’ve put yourself through months of emotional torment on the basis of a false and impulsive assumption. You want to bury the guilt chewing at your organs but it only worsens when he says,

“I just—fuck’s sake. I don’t want to be alone again.”

You stare at each other as those words settle in the air, though you struggle to maintain eye contact and soon look away with a wince. The most unbearable part of it is the pain in his eyes.

“I’m sorry,” you whisper. “I fucked things up when I shouldn’t have. I…misjudged.” Your words fade at the end, as you are left with nothing else to say to remedy the situation. Ian rubs a hand across his face, shifting his glasses up as he does so, and you pretend like you don’t notice the redness around his eyes. The both of you continue walking down the aisle, slower this time, the silence between you thick. Neither of you feels any better than you did before this meeting, but at least there aren’t thousands of miles between you anymore.

Finally, he says, “So. Are you gonna get anything, or will we just walk around until closing?” 

“Well…I don’t know. Do you have a car? How did you get here?”

“I’ve been hitch-hiking. And walking. But mostly hitch-hiking.” As if to prove it, he slides a wad of cash halfway out of his jacket pocket. 

“Oh. I—was thinking of finding a job,” you blurt out. It has nothing to do with your current conversation, but you feel like you’ve lost your ability to talk to him in his absence. You reach for anything to stop from thinking about the reason why he was gone, why he had to hitch-hike with total strangers. “To get more money.”

“And staying here?”

“No…there isn’t anything in this town for me. But maybe somewhere else.”

“Gotta find somewhere to live, then. I’m guessing you aren’t counting on having a roommate.” His voice is cynical, and you know he probably expects you to abandon him again.

“It was just an idea,” you mutter. “I haven’t even tried to look for anything.” You find that you’ve walked back around toward the entrance of the grocery store. A life-size skeleton grins at you open-mouthed from where it’s been propped against a display bin, all 32 teeth showing. You shake your head and sigh. “Let’s just get out of here. I’ve been in here long enough.”

The sky is turning dark blue with the onset of night as you walk outside; the streetlights have already come on. You go to the driver’s side of the sedan and gesture for Ian to get inside. He hesitates for a moment like he might reject—your heart nearly ceases—then throws his bag into the backseat. Exhaling, you get behind the wheel. For a moment, you just sit there with your hands slack on the wheel as he gets in beside you and lights a cigarette with shaking fingers.

You almost miss his quiet words when he speaks at the same time you start the engine up: “Did you even miss me?”

You don’t know if you can admit that you did—or that “missing” him felt more like something had been scooped out of you, your insides painfully scraped clean afterward. You chalk it up to your inherent loneliness, the reason why you’re drawn to him despite not wanting to be. You wish your heart hadn’t reacted so painfully at the possibility of him deciding to leave you after all, and yet you have no one else. Not your grandparents who abandoned you, your cannibal mother lost somewhere in the world, or your father who died before you were even born.

“I…regretted it.” You don’t look at him, occupied with pulling out of the parking spot. “Yes, if it makes a difference for you to know…I regretted it all the time.”

He says nothing for a while. You wonder if your reply was enough, if he expected more. It feels like there’s a third thing in the car with you, sitting in the space between your bodies and preventing you from fully accessing each other—everything that remains unsaid.

“Where are you staying now?” he finally asks.

“An abandoned barn near here. Seems like the owners just up and left all their things. Still smells kinda like horse, but…the loft isn’t so bad.”

“...Nothing I haven’t dealt with before.”

—

“You never did tell me exactly how you showed up at the motel that first night,” you tell Ian. “I deserve to know that much, at least. What brought you into my life.”

It’s the second week of November, and you’re still in Hendersonville. 

You gaze at the large pond before you, your view broken every so often by Ian walking through the overgrown grass around the pond—treading an aimless path but never venturing very far from the car. The engine is still warm underneath your butt where you’re half-leaning, half-sitting on the hood, and you try to enjoy the warmth while it lasts. 

The pond is about 10 minutes from the barn where you’re staying, and you’d driven here several times when it was just you. But you’ve only been here during the light hours; seeing everything at night is much different. Something about it feels overly familiar in a way that unsettles you. The scene threatens to dredge up old memories of your nighttime swims with Marygold—right down to the nearly full moon, huge and clear in the sky. You have to fill the quiet with your voice if you have any hope of outrunning the dark thoughts.

Ian crosses his arms and sort of side-eyes you, like maybe he’s skeptical about you initiating a conversation like this after the fallout of the camping excursion, and you mimic him until he breaks with a small, barely-amused laugh. Better to focus on his past issues than your own, you figure—as fucked up as that may be. You don’t move your gaze from him as he tells the story, watching him continuously flick around a few loose strands of his hair on his forehead.

“Right. Well…I tried to eat this young farmer guy—saw him at this country bar, or he saw me, and I guess he liked what he saw…I ended up going home with him, because I was hungry. That’s why I’d gone to the bar that night. Told him I was living on the streets and had barely eaten in days. Made him feel sorry for me. And then I tried to eat him…but when he started fighting it, I didn’t realize he had a pocketknife, and he got me pretty good before I ended up killing him. Too much commotion alerted the neighbors. I only had enough time to try to bandage it before I had to get the fuck out. Walked through a fucking corn field…then eventually I reached the highway, and you know the rest.”

“So you killed someone and didn’t…finish them.” The thought of that almost bothers you even more than the eating itself. It just seems senseless. The man could still be alive now, but his life was ended and went to complete waste; his body didn’t even serve its purpose as sustenance. You realize that this isn’t even the first time this has happened, thinking back to that time he was caught while up North.

He doesn’t seem offended by your shift in mood—maybe just weary. He rubs his eyes. “It happens. But I aim to make sure it happens as rarely as possible.”

You turn away and look across the pond again, your mind getting lost in the dark copse of trees on the other side. Being outside at this time of night is not the most comforting thing in the world, but in truth, is your nature really that different from whatever dangers lurk in the woods? “I wonder, then…how are we any better than the average serial killer?”

“We kill because we have to.”

“Being chained to our physiology doesn’t get rid of our blame.”

“I never said it did,” Ian replied. “And that’s your problem. Eating doesn’t need to be innocent or pure or blameless in order for you to accept that it’s a part of yourself…it just is.”

You can’t muster the will to counter him, and he doesn’t press the matter, likely not in the mood for yet another round of verbal sparring. He resumes walking his circles, wearing trails into the grass. You continue sitting on the hood long after the engine has cooled, watching the moon’s reflection tremble on the water’s surface and imagining what you’d tell Alicia and Marygold and all the others if they could hear you, somewhere in the universe.

I’m sorry. It’s just who I am.

—

With Hendersonville behind you, you’re back to sleeping in the car many nights. Among the various things you see as you travel through urban cities and rural areas, fall festivals are common occurrences everywhere.

There’s one coming up in the distance now; you’ve been idling in evening traffic for minutes, and it becomes clear that this congestion must be because everyone’s heading to the festivities. You press your face closer to the car’s window glass to see. The bright lights of the numerous booths, rides, and decorations illuminate the late evening. Countless people walk or run around, some wearing elaborate outfits.

You’re just coming from a mom-and-pop restaurant where the wife of the owner had called you darling even more than Ian does. She’d assumed you both to be lovers and gave you a free slice of pumpkin pie to share, and neither of you bothered to correct her if it meant treats you didn’t have to pay for.

As you observe the festivities, you see that there are two booths set up on either side of the festival’s main entrance; one claims to offer some type of spiritual readings, denoted by a large sign of a purple crystal ball. But your eyes catch on the bone-white trailer sitting on the other side of the entrance. It has been converted into a mobile booth with a large sign with red and blue lettering that asks one question: Are You Going to Heaven? An older man with graying hair sits in the booth, hands clasped together as he watches groups of people entering the festival grounds. It’s too far away and too dark to be entirely certain, but you don’t think you’re imagining the cross hanging up behind the man on the trailer’s wall or the thick book resting near his hands.

“Looks like they’re having fun,” Ian says, face illuminated in red by the taillights of another car, one hand on the wheel.

“Mmhm…” you answer, your mind still hung up on that booth and sign as the car finally drives past. Memories of your former life knock at the door of your consciousness, but you don’t let them in.

You’re unable to ignore your discomfort later that night, though, when you and Ian return to the safe parking spot you’d found days earlier and settle in to go to sleep. The cold has finally become a permanent fixture as the months venture deeper into late autumn, and you clutch your blanket tightly to your body as you drift off in the backseat.

In your dreamscape, you wake up in Alicia’s bed in the living quarters of the motel office, blood dripping from every part of you—hands, arms, face, chest. The sight of your bloody hands splayed out in front of you makes terror spike through your body, your breaths coming short. As you turn to look at your surroundings, you see the remains of Alicia lying on the bed next to you, her torso almost completely hollowed out. Her brown hair is streaked with new and drying blood—same as the red-dyed ivory of her broken rib cage. Her dead eyes look at you with a frozen expression, pained and imploring. Begging, even. Why did you do this to me?

You have the sensation of screaming, feeling it emanating from your body and hearing the sound pierce your ears, but your mouth isn’t open. You try to scramble off the bed and away from the mess you’ve made of the woman you love, but no matter how hard you fight, you have no leeway; it’s like the sheets are holding your limbs hostage, sucking you in like quicksand. Sweat pours from your body and stings your eyes.

In the next moment, you’re no longer struggling, and Alicia is no longer next to you. You’re not in her bedroom at all anymore; you’re sitting at a kitchen table you don’t recognize. The kitchen has a rustic and homey appearance, as if it belongs in a country homestead. Lacy floral curtains frame each side of the window above the farmhouse sink, allowing the dark orange evening sunlight to stream in, and the black wood stove a few feet away from your chair has a steady fire burning inside of it. Someone’s cooking, then, or preparing to cook. Who?

Ian turns to face you from where he is standing at the counter—when’d he get there? You didn’t notice him before—with two porcelain plates in his hands and a delighted grin on his face. Have you ever seen him look so happy before? You smile back at him as your eyes shift from his face to the plates; balanced on top of each is a perfectly bloody heart, the muscle thick and hardy and still beating although it’s attached to nothing. The kitchen floor around you both is stained with large swathes of blood, which have sunk deep into the wood’s fibers, though you hardly notice this.

Ian sets the table and sits in front of you, and neither of you bother with utensils as you pick up each heart with your hands. You hold the heart against your lips, feeling the slickness of it and letting the blood smear across your mouth, marveling at the constant pumping motion of its ventricles. It’s endearing, you think. How it tries so hard to maintain life when it’s fruitless anyway.

Then you bite into it.

You both eat ravenously, blood staining your mouths and hands the deep shade of carmine. The taste of the raw flesh is better than any food you have ever consumed, and innately, you know this is what you were made for. You laugh at how good it feels, glancing up at Ian with pure mirth. The indulgence is so sweet that you don’t notice the wood stove growing hotter and hotter in the corner of the room until the wallpaper behind it catches fire.

By the time you finish eating and regain enough wherewithal to realize what’s going on, the entire room is ablaze, and you are alone. The fire crawls up your chair and then engulfs the table. There’s nowhere safe for you to run, but you try anyway as the flames catch hold of your feet and then your legs, eating their way up your body. You stumble through the house screaming, the heat raging around you at an incomprehensible level.

Your skin begins to slough off and you scream endlessly for it to stop, but it never does. There is always more skin to replace what’s being scorched off of you; it grows back with an unbearable itching sensation as it knits together, only to burn right up again. You collapse to the ground on your hands and knees, though it’s excruciating to put weight on any part of your body.

Through the brightness of the fire and the heat haze, you make out a strange white and blue pattern on the floor in front of you, and you realize that it’s shards from the porcelain plates. Together, the broken pieces spell out:

Are You Going to Heaven?

You wake up in a flurry of limbs and blanket, hitting Ian who’s sleeping in the reclined front seat. The accidental violence combined with the sudden rocking of the car is enough to startle him awake. His voice floats out somewhere in the chaos, but you don’t really register it as you fling the car door open and stumble out of the sedan. You walk a couple yards away from the car—just enough to let the cold night air spear through your skin and convince you that you’re no longer trapped in a much hotter place. You hear the front car door open behind you and footsteps on the grass as Ian steps out. He calls your name, and you pretend not to hear as you stare at the ground and then toss your head to the skies, hands on your hips for some sort of stability. Your stomach aches badly, but you can’t get sick now.

“What’s wrong? Did you have a nightmare?” he asks when he gets closer. 

It takes you more than a minute to work up a response without the possibility of a scream or vomit tumbling from your mouth, and he waits patiently as you do. “Y-yeah. It’s…probably not that big of a deal…I was…” The next words spill out before you can think to keep them inside. “Just a bit…freaked out by a…sign.”

“A sign?”

“The sign at the…festival. The white booth…” You wave your arm, unable to say much more. A steady throb is starting to take over your skull, and it’s too much effort to keep talking.

Ian thinks for a long moment before he seems to realize. He takes another step towards you. “Babe, look at me; it’s okay. Nothing bad is gonna happen to you. You’re fine. I know it feels bad in the moment, believe me, but you’re here now, and you’re safe.”

“You can’t guarantee that,” you murmur. You can’t imagine the look on your face right now, but your eyes feel dry and painful, like you’ve actually been in a fire pit for hours. Maybe he can safeguard you against the physical dangers this world presents, but he can’t hold your hand into the afterlife. If there even is one.

He grasps your upper arm, but only lightly so as not to make you more distressed, and draws you into his side—his head leaning into yours, his hair tickling you when the wind blows through it. You find yourself sagging into him even though you hate yourself for doing so. You don’t deserve this show of affection, not after how you left him behind and not even before then; you desperately want to preserve the distance between you, and yet you want this touch, too. You’re unable and unwilling to tease apart those feelings, though, as the only things that register in your mind are that he is warm against you, he is doing his best to comfort you, and his smell—the smell of him, not of being an eater—has become familiar to you in a way that disarms some frantic part of your brain. Because of all those things, you allow him to put his other arm around you and silently hold you in that grassy lot.

And for the first time since you met in that grocery store again, you feel like whatever’s between the two of you isn’t broken beyond repair.

—

1986

The next time you eat someone, it happens at a nightclub in January. 

Going to this club is Ian’s idea, although you agree to it when he brings it up. In hindsight, you can’t say what possessed you to do it. You’ve never been a fan of crowds of people because they could readily create a catastrophic situation if your hunger comes. Maybe it’s how fresh everything still feels after the New Year passes—the sensation of anticipation it brings. Maybe it’s the blanket of stars that appear extra luminous tonight, rivaling the shine of the city buildings around you. Maybe Ian has just gotten better at using his powers of persuasion on you, or his recklessness has rubbed off on you, similar to how you feared his desire for flesh would increase your own when you first met him.

No matter the true reason, you find yourself amidst a scene of sweaty strangers boxed in by the small club’s four walls. The other people’s proximity to you quickly spikes your anxiety, driving you away from Ian and back to the outer edges of the room, though he tries at first to persuade you to dance with him. You give him a slight smile and an eye-roll and let your arm slip through his tattooed fingers.

“Go dance,” you mouth to him before heading toward one of the many booths lined up against the far wall.

You sit there watching everyone dance for a little while, working up the nerve to rejoin the crowd. There are so many bodies, all moving to the sound of In My House playing over the speakers at what must be max volume.

“Did you come here alone?” a feminine voice shouts from your left, startling you. You turn to find a woman with softly-waved hair that touches her shoulders; she wears a dress with big swirls of color, the flared skirt stopping just past her thighs. Your gaze goes all the way down her pantyhose-clad legs to her high heels and back up again. The pink and purple lights framing her from behind make her seem like she’s glowing.

“Uh—” Awkward pause as you try to figure out how to respond. “I…didn’t, but the person I came with is just my friend, so…” You shrug. It feels somewhat odd to refer to Ian as a friend, even after all this time. You are two people traveling in the same direction, lashed together by your fatal flaw, but you suppose “friend” is as accurate as it gets.

She smiles amusedly, undeterred by your awkwardness. “So that means you’re free to dance with me, then?”

You think about how you rejected Ian’s offer and chuckle to yourself. Ironic. But you find yourself not wanting to say no to this woman with her sweet brown skin and dimpled smile, despite your inner sense of judgment trying its best to pull you back. So you accept, still feeling embarrassed as she slides her lace-gloved hand into yours and guides you onto the dancefloor again.

Her perfume contains different notes, but as you dance together to another uptempo pop song and the aroma encircles you, it reminds you of Alicia’s signature scent all the same. You try to put that reminder out of your mind, though it’s difficult. Instead, you make an effort to focus on her shining face under the lights, the long gold earrings dangling from her ears, the sway of her black hair and dress as she moves.

You Give Good Love comes on afterward, and before you know it her body is pressed to the length of yours, virtually no space left between you as she tucks her face into your neck. You put your arms around her and sigh at how she fits against you, thinking you might like to do something like this more often. All the time, really. It feels good in a way you don’t quite have words for, even though you’re still surrounded on all sides by a bunch of sweaty and excited people. Just by the movements of your bodies, you could close your eyes and be spirited away to some other realm where everything is right—where you are not the monster you’ve come to believe you are.

You are finally beginning to relax a bit when your stomach twists painfully.

All your organs freeze from the shock of this unexpected sensation. You have paused indefinitely, and you watch your body from above as you and the woman continue moving together, two dark figures flashing in and out of the strobing lights. And yet, you simultaneously feel yourself still in her arms. Her breath is on your neck, warm and smelling of alcohol and some fruit—lemons. The muscles of her back are beneath your hands; you want to peel her skin away and see what they look like underneath, run your fingers across the striations. Her soft cheek is pressed to yours, so soft that it makes you want to tear into it like the flesh of a plum and swallow it. Your mouth twitches with the desire to consume.

“No!” you shout, pushing her away from you so fiercely that she falls back into someone behind her. You turn and begin shoving a ragged path through the club-goers. The sights and smells of pure humanness are overwhelming, begging you to tuck your face into the nearest neck or arm joint and just bite. There are too many hearts beating in one space, too many lungs expanding with wet and bloody life. You begin to cry, but you force your body to continue moving until you’re stumbling through the club’s back exit.

In the dank alleyway behind the club, you splash through a puddle and collapse behind a dumpster, pressing yourself into the corner and hoping that the smell of garbage will disappear your appetite, though you know it doesn’t work like that. You tuck your head between your knees and try to breathe evenly. The music is only slightly less loud out here; whereas it was simply an overzealous volume before, you feel like you’re being crushed by the sound itself in your overly sensitive state.

You don’t know how long you sit there shaking, the hunger ripping your stomach apart and forcing a long whimper out of your mouth, but your whole body jumps when you hear the exit door slam open. When you look up, Ian’s stepping out of the doorway and fumbling with the limp body of a man, his hands clasped around the man’s arm and waist.

You watch with terrified eyes as Ian lowers the man to the ground in front of you, leaning him against the wall so that he won’t slump over. “No—what are you doing—”

The man in front of you is too drunk to put a sentence together and barely seems to know where he is. His sweaty brown hair flops in his eyes, and his bearded mouth moves with nonsensical speech.

“No,” you cry again. “I can’t do this. Don’t make me do this!” Ian crouches beside you.

“Darling, you have to eat.” His hand is on the back of your neck, not forcing you toward the man but trying to ground you in your body. He’s so close that his words reverberate within your nervous system. Eat. You shake your head, but you’re becoming lightheaded from the sheer hunger. The smell of alcohol from the man is overpowering, but underneath it you can still detect his vulnerable fleshiness, and you need to know how it tastes. As if once again disembodied, you watch your hands reach for the man’s shoulders, Ian’s own hand slipping away from your neck, and bring him closer so that his throat is bare to you.

You mouth at the sweat on his neck, the saltiness intensifying the taste of his skin; you lick his Adam’s apple and savor how the ridge of it slides against your tongue. Then you bite down.

The tears continue to roll down your cheeks as you devour the man. Ian doesn’t leave you to dine alone, however.

He reaches into the mess of the open chest, digs between the deflated flaps that are the lungs, and tugs out the man’s heart. Takes a bite of it. You watch as he does, horrified but unable to look away even as you crush part of a rib between your molars. He offers it to you—tears the muscle in half and gives you the unbitten part. You accept it with eager hands and eager mouth, chewing through muscle fibers like it’s a delicacy. Ian licks the blood from his fingers, a smile playing at his lips, and goes back for more.

It’s too much like the dream, and it frightens you. You half-expect a portal to hell to open beneath you both and send you free-falling into a lake of fire. But you are unable to make yourself stop. Neither of you stop until an hour has passed and the blood and a pile of crimson-stained clothes are all that remains.

You find a still-intact plastic bag in the dumpster and place the clothes into it before tying it thrice and shoving it as deep into the trash as you can. 

Using an old rag from the dumpster and another puddle of water at the back of the alley, you both do your best to remove the blood on your hands and faces. It makes you feel disgusting, but it’s the best you can do for the time being, and you can’t go inside the club or onto the streets like this. Then you shove the rag back underneath the pile of trash, too. 

As you and Ian emerge from behind the dumpster and walk down the sidewalk to find the sedan, despair envelops you. You accept it inside of you—let it spread throughout your bones and blood without much of a fight. You are defeated, understanding fundamentally that you can never be like the people in the club, the people walking these city streets, no matter how many of their human peculiarities and normalities you try to adopt. The knowledge hollows you out.

On the way back to the house you’ve been squatting in, you steal a cigarette from Ian’s pack and turn the radio to several different stations before choosing some talk show discussing nothing you care about. Emotionally, you’re floating somewhere in the space between numb and wounded.

But people die everyday, right?

Like with Alicia, Ian tries to prevent you from becoming lost in your grief about it. There isn’t anything said between you during the car ride. But once you get to the house, he wipes the fresh tears that spring forth, runs the shower for you, and makes sure you have clean clothes for afterward.

“Are you good?” he asks before you get in the shower, standing in the bathroom doorway with you. He brushes your cheek with the same hand that plucked the heart out. There’s still blood underneath a few of his fingernails and staining the cross on his ring. For a few seconds, you feel an unfamiliar comfort in knowing that he has seen you destroy another person and feels no animosity or repulsion toward you because of it.

“I’m fine,” you murmur, shifting your face into his palm. But the moment passes, and the chill overtakes you again. You step away from him and shut the door, letting the bathroom fill with steam.

—

Your feelings toward Ian have always hovered in an odd limbo, going from distrust to tolerance to something that can be called companionship. But just like the seasons transition into each other, something inside you starts to shift after that night at the club.

Your eyes begin lingering on him when he lifts his shirt to wipe away sweat or strips it off entirely when the heat becomes too much. Your gaze can’t help but be drawn to the way his long hair sticks to his damp, darkly-inked neck, or how his cigarettes fit between his full lips like they were made specifically for his mouth. When it’s the last few weeks of winter and you have no choice but to sleep together in the backseat for extra warmth—the car’s HVAC system on its last leg—being smushed into that small space with him isn’t unpleasant like you once assumed it would be. Far from it.

When you and Ian go to a theater one day—one of those matinees in the middle of the week that only elderly people attend—and end up watching a random film that you didn’t know was a romance, you are startled when you have the sudden thought that you want him in the same way. That you wouldn’t mind him holding your face in his hands again but kissing you this time, or walking down a street hand-in-hand, or lying next to him in some stranger’s bed and listening to him talk until you fall asleep. You try to send those thoughts somewhere far away, but days pass and they keep coming back, and that wanting in your chest only grows.

You’re reluctant to think of your feelings as love—at least not yet, with your heart still grieving the woman perished by your own hand—and you know he can’t save you from this reality that you must live in until your time ends. But as imperfect as everything is, you feel like he knows you in some inutterable way. You begin to believe that this could be enough. Maybe you’ve always subconsciously understood that the world of love is no home for monsters, proven by the multiple times it has expelled you from its viscera, leaving you shaking and bereaved. But maybe whatever this is now could be enough to escape its view and its judgment—two monsters together to leave the humans to their softer affections.

And though he doesn’t say anything outright, Ian notices your newfound attention, smiling knowingly whenever he catches you looking. His hand stays on yours for longer than it needs to whenever he passes you items, his fingers trailing away from your skin like they regret having to leave. When he shoplifts supplies when the money is low, he swipes silly little trinkets that he says he “thought you would like.” You catch the way he always presses his body closer to yours when you’re sitting together on a pier, on the hood of the car, on a random bench—anywhere. The tension builds between you for what seems like forever, drawing so tight that you’re almost afraid you both may get hurt when it snaps.

When it finally does, it feels natural to do, this dance that unfolds in the backseat of this sedan he stole over a year ago. You both know the hunger for flesh intimately even though you experience it in such different ways; instead of it being a grotesquerie that would repel a normal lover, it’s a bond that has inextricably tied you together, for better and worse. In that sense, the joining of your bodies is just another type of desire for you two to tease out the intricacies of.

The catalyst is one question posed to you on a humid summer night. “...Darling, answer me honestly.”

Ian’s eyes are heavy with some mix of want and curiosity when you turn to look at him. You’re both sitting in the backseat as you study a map from one of the atlases; you’ve spent a half-hour trying to figure out the best route for your next destination in Georgia, tracing the lines illuminated by the car’s dome light. Maybe you’ll both try settling down this time; find that new job like you said, and live in one singular place for a few months. Someone else’s house you can pretend is your own, someone else’s car you can drive around the city. Years are too heavy to think about, but months…you can do months.

But it’s clear your decision-making is over. Your attention had broken every time you sensed his eyes shift to your face and stay there for a little while, searching for something, before moving back to the map. Now, you let the map lie forgotten in your lap.

“What is it?”

“Would you hate it if I asked to kiss you?”

Your body temperature rises, but you reply to his question with a question. “Have you thought about that before?”

“Many times.”

You swallow hard. You want to ask him about the first time that thought crossed his mind—did he realize it around the same time you did?—but you say, “And why do you think I would hate it?”

“Things will change between us.”

“Things have already changed between us, several times.”

“This is different,” he insists, and you notice that the space between you has decreased, bodies subconsciously drifting even closer together. “If we go down that road, I don’t want us to go back. I don’t want you to have to wonder about whether I care for you. I want you to trust me.”

You lean your forehead against his, a small smile forming on your lips. “I already trust you, Ian.” You have never vocalized it before, but you find that you really do mean it.

Then you move forward, doing yet another thing that would’ve been utterly absurd to you this time last year—pressing your lips to his. Your insides feel like they’re melting, but not in the uncomfortable way that comes from the summer heat. It happens in a way that makes you think that, maybe if you both melt down into your very basic parts and become nothing but atoms, you might blur together completely. Ian’s reply is immediate in how his hand comes up to your nape, his mouth separating from yours for one painful second only for him to kiss you deeper. The map slips between you and to the car floor. It’s strange to indulge in this close proximity with another person without the threat of death, without the underlying worry that you’ll become hungry in the worst way, but it’s also freeing to a degree you didn’t know was possible.

That’s why you allow yourself to become submerged in his body heat, his mouth, his hands—everything.

Afterwards, you both climb back into your clothes only halfway; your shorts are left somewhere underneath one of the front seats, and Ian doesn’t bother putting his shirt back on—though it stays off most of the time anyway. Your bodies are sluggish but satisfied as you rest your head against his bicep, tracing your fingers along the tattoo under his sternum. They come away damp from the sweat that shines on his body. You still feel all the places on your own body where his lips and fingers touched, as if your skin has been imprinted, and you wonder if it’s the same for him.

The window is rolled down to let the smoke curl out as Ian takes a drag from a cigarette. A soft rock station plays on the radio, and he taps the beat of the song on your knee with his free hand. For the first time in many years, your mind isn’t crammed full with constant thoughts of guilt and contempt about being alive and being what you are. Even if it only lasts for tonight, for now, you can just exist.

[lemonisntreal]

My thoughts on Sing: Thriller! [finally]

I just want to vomit out some of the things on my mind because ohhh my god, do I have THOUGHTS-

Also! Link here to the short, for the people who want / need it 👍

NO WAY

THE BASTARD LIVES???

THE MIKE FANS WERE ACTUALLY RIGHT????

It wasn't just copium!

Kinda off topic, but this is getting me thinking on how different sized animal's seats are priced. Because they only grabbed one ticket I think, so I think they're literally sharing a seat [WHICH IS CUTE]. But does this mean that bigger animals need to buy more than one ticket? Or are all the seats just ridiculously big? Or am I crazy?

Also thinking of that one scene in Spongebob where Plankton gets sat on by Bubble Bass 😭

Tiny blurry Mike hehe looks like found footage

RAHHHHH

RAHHHHHHHH

Me when I see my fav for 2 seconds with zero speaking lines

Nana is eating also holy shit

EATING 👹

Also Eddie guiding her by the hand is sweet, I love their relationship so much aaywusjhisajhajk

He has such an obviously better relationship with her than he does his actual parents and I'm eating it upppppp

The "How hard can it be to fix a stupid tire anyway???" line was so aggressive, I'm taking this as character development !

She's an actually amazing actor in-universe and I love that

Meena Sweep

Also this set is clean as fuckkk- also a lot more realistic, but still very not LMAO

Also he's DOING A JIG AAA

The crunchy version is for my enjoyment specifically

HOLY SHIT I WAS REFERENCED /j

Also also.

Both GMO and Alice in Wonderland were really short plays from what we see, but I actually do think that this isn't how it actually goes in canon. When they're on the bus in Sing 2, the script looks pretty thick for one. And two- why would anyone pay for tickets for 4 minutes of show?

Like it just makes sense, you gotta understand my reasoning.

They couldn't put the whole 2 hours of play in the actual films, but I like to believe that's actually how it goes

That there's some story and depth to it as well [💀]

Reference. For later.

THE WAY HIS FACE SCRUNCHES DUDE DUDEUDUED

Meena Gunter and Ash are absolutely partying in the back bro

I wonder how often Meena finds herself in cars. Because like there's size, but also we know she just takes the bus everywhere. I don't think her family has a car, they all feel like they utilize public transit instead

Cars that are modified for bigger and smaller animals are probably more expensive and not mass-manufactured either

Not just height but weight limit is also something that needs to be kept in mind. Elephants are like a few thousand pounds.

I think it's just easier to have modified public transit rather than modified individual cars for that kind of load. I bet public transit has way more funding in the Sing universe because of this need too. Because there's also Rhinos, and Hippos, and Giraffes-

I'm getting lost in the sauce again.

HER NOSE SCRUNCH

She was AT that door. First one there, bouncing with excitement. Adorable. I wish Clay had speaking lines with her in this AGH

REFERENCE.

girl what the fuck are you doing here, your ass was NOT invited ‼️

The Infection AU would go CRAZY

Somebody needs to make that rightttt now, actually

I'm giving it some thought right now and how with a few tweaks this could be cool. Like I'd definitely make it so there were different phases, like the MLP AUs. And I'd keep the hivemind thing definitely, because I think that adds an extra terrifying aspect to it

Probably make the ooze stuff look more messy, eyes would be leaking the stuff, mouth.

Idk I'm just spitballing LMAO

The dog from under the table is actually terrifying

Rare sighting of angry Meena

ALSO WHY-

I have a complaint.

Why were they dancing.

For a full minute. With nothing.

No singing. Just instrumental. It dragged on for so insanely long. Like that's my one complaint about this short, is that the pacing is just absolute dogshit after they all get possessed. You can give me a Thriller reprise without making it look super awkward and boring. Why couldn't this have been a cool chase scene instead? Like actually keep up that tension you established?? Because like Crawly and Buster are just STANDING there now, and it's just like-

And then the actual chase is over so fast

Man.

HE'S SO STUPID LOOKING I'M GONNA CRY [positive]

the Borb....... [Buster orb]

I hate the "it was all a dream!" trope but I can't really be mad

I saw it coming from a mile away, and I'm honestly glad because it means that this isn't canon and we don't have to deal with random zombie shenanigans in the actual lore

Or maybe not because Crawly was literally possessed at the end but whatever. Not canon.

My final thoughts are that this was really solid! I feel well fed and very happy to get some new content of the sillies. I will most likely be drawing lots of Thriller stuff because WOW were some of those shots pretty. Overall, critically? C+ short [mostly due to that minute of almost nothing happening]. But my enjoyment level puts the grade at a B+ for me so [B is for Biased].

[insomniactic-daydream]

Comfortable- Bakugo X Reader

Bakugo x Support Course Shoto's Twin Sister Reader (Pt.4)

<- (Previous Pt.3)

Summary: Endeavor has a soft spot for his younger daughter. Y/n notices how Bakugo has gotten more comfortable (and annoying) around her. However, she doesn't seem to mind.

The next morning came, and you began packing your bags of tools and as well as the gauntlets that were nearly completely. All that was really left were to adjust some things with Bakugo's arm measurements. Though, that's still required a large amount of your tools.

Sleeping last night was hard. Loving your family is hard. Everyone was raised differently besides Natsuo and Fuyumi, but even they see the situation differently. It was hard to be in agreement with each other regarding parents when all of you coped with trauma differently.

The sound of your phone ringing interrupted your thoughts as well as muted the noise of cooking pans in the kitchen for morning breakfast. You check the caller and roll your eyes before picking it up.

"You know it's barely 9 in the morning, right? Let me get some food in before slaving me away for your gauntlets. I'm pretty sure this is against child labor laws, Mr. Future Number One. " You say sarcastically, remembering all the time he's talked a earful of being the best during you making his support items.

For a man that says he can't be bothered to deal with 'extras', he sure likes taking up your space. But you label it as he only wants to learn and see how to modify his gauntlets whenever he needed to in the future.

"You're a dumbass. I was calling your forgetful ass to remind you. Make sure you ask your old man or someone before coming here. I don't need a stowaway." He grumbles. Although he didn't know an argument went on last night, you did text him pretty late. Sounding like a last minute plan rather than a though out one, which was 100% true.

"Don't get your peg leg in a twist, Captain. I was going to ask this morning. I'm confident they'll say yes, considering this is worth my grade." You retort back while placing your support informarion journal with your other things you'll be taking.

"Whatever loser, just don't keep me waiting for your ass too long." He says in a huff.

"Relax, you'll see me soon enough. God you're so obsessed with me." You say chuckling to yourself as you open the door out to your room.

"AS IF YOU LITTLE SH-" was all you heard before hanging up the phone. He knows better to call again just to cuss you out. You'll just ignore those calls too.

You walk into the kitchen seeing Fuyumi at work on the stove while your father and Shoto sit in uncomfortable silence.

"Good Morning Y/n, hope you had a good rest. I didn't see you at the table last night. Fuyumi said you were feeling tired, " Endeavor says to you. Fuyumi exchange glances with Shoto. Hiding the truth at what really went down.

"Morning, Dad. Apologies, I was feeling slumped last night." You lie before sitting down in the seat beside him.

Your dad is the Devil's incarnate, at least that's what most of your family says; and you happen to be his favorite child. Maybe in his mind, maybe treating you right would make up for giving up on Touya.

However, that makes situations like these difficult. You know that throwing your siblings under the bus for what really happened last night would result in just a bigger argument, with your father to your defense. Respecting your siblings' decisions and opinions whether you agree with it or not, you say nothing about the incident to your father.

After you all say thanks for the food and begin eating, you clear your throat to speak, gaining the attention of the table.

"So I'm going to a friend's house to finish their support item for class. I was wondering if I could have the chauffeur to take me if it's not too much of a hassle." You say already grabbing your plate to wash and put away.

"Very well. We can drop you off on the way to the agency. Prepare your things. We are leaving soon as finish." Endeavor asks.

"Yes, sir." You say before heading down the hall to go grab your things.

Soon after, you're out the door and enjoying a silent car ride to Bakugo's home.

"Try not to stay too long. Like the rest of us, Mr. Kurumada also has to go home at the end of the day. I wouldn't mind picking you up myself, but be mindful of others' time." Endeavor says before helping you gather your things.

"I know, Dad. I wouldn't want to overstay my welcome either. I'll try and keep the time in mind. Thank you for driving me here." You say kindly also giving a wave to your dad's driver too.

"Very well. I can help you carry your things to the door if yo-" your father says before you interupt him.

"I'm okay, Dad, no need to worry." You smile before picking up all your things and walking to Bakugo's door. He doesn't argue and heads back to the car.

Fragile. As if you might crack from the slightest touch. Touya death certainly did a number on how he treats you.

Tossing thoughts aside, you knock three times before the door opens. "Took you long enough, nerd."

"Shut up and help me. You're gauntlets weigh a ton." You say before shoving him his gear. And stepping inside the home.

"Wow this place is nice. Much more modern than where I live." You say putting your shoes down and trading them for house quest slippers. You observe all the family photos, taking in the faces of the annoying blondes parents.

You see a picture of him as a baby frowning up at his smiling parents. You'd imagined what it would be like to see such smiles on yours.

"My parents are designers. My old hag does clothes, my old man houses. Both of them got called in today, but they should be home later, " He grumbles as he lifts your stuff from the floor. His tone was much more relaxed than his voice at school.

"You'd think you would dress nicer considering your parents tatse." You smirk up at his carnelian eyes now rolling at your remark.

"I dress perfectly fine, you lump of coal. Now stop analyzing my house and let's get you to work." He says before grabbing your wrist and walking to the backyard. Still carrying your things with his other hand.

"Such a good host you are." You deadpan and drag your wieght behind him.

He sure has gotten comfortable grabbing and dragging you around, considering he recoiled at the thought of shaking your hand in the beginning.

You pay it no mind.

Although the fucker can be annoying at times, he can be fun to hang around when he isn't screaming.

He's not half bad.

(Next Part 5) ->

Kind of another filler chapter about sharing the Y/n' s family dynamics.

But trust, there will be more Y/n and Bakugo romance next chapter 🫡

Tag List: @queenriki7 @bumblebeebutter @mochimommy2002 @s3mis3m1

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[lu-is-not-ok]

So I'm going over some various Canto Finale Dungeon Events to look at check bonuses and maluses, and the first one of real interest is in Canto 3's. Linking to the wiki page that lists it: https://limbuscompany.wiki.gg/wiki/Branch_K-02/Floor_2

It's "A Rotting Corpses's Momento". Basically, there's a dead Inquisitor with something inside (a Seal you can spend later on). You gotta send a Sinner to root around and find it. Ryoshu (Loves Gore) and Rodion (willing to put in work for shiny stuff) get +2s, Sinclair and Hong Lu get -4s and if they fail, more SP loss.

Sinclair tracks. He's got a weak stomach for that kind of stuff, but I was wondering if you had any thoughts on Hong Lu getting a malus. He doesn't really have problems with violence, not like Sinclair, he's not offput by blood or gore. (If there's any more interesting Hong Lu bonuses or maluses on checks I'll send more asks later)

Oooh, now this is interesting! Let's see... I think I have two different possible interpretation. One that assumes this multiplier is fully genuine, and one which assumes it's not so much.

The latter idea is that the negative multiplier is one Hong Lu normally wouldn't genuinely have, but it's one he's acting as if he has based on his own read of Sinclair.

Consider this. Sinclair is thus far the only Sinner that is anywhere close to being of the same financial/class status as Hong Lu. He's the only other Sinner with the correct experience of being raised in a wealthy household, and as such he's in the unique position of being able to call bullshit on whatever Hong Lu might try to spin as his background.

Mind you, this isn't just my opinion - this is something that the story content following up after Canto 3 supports as well. In fact, Sinclair is shown to be one of the few people whose questioning of Hong Lu's demeanor and attitudes is a recurring thread.

Likewise, Hong Lu uses Sinclair as a springboard to make his story more believeable by implying that whatever knowledge he may have that differs from Sinclair's is just a silly little cultural difference, instead of what it actually is - him being way more knowledgeable than someone who claims to be sheltered would otherwise be.

Then there's also this moment in Canto 5, where after Hong Lu's story gets an extremely negative reaction out of Sinclair, Hong Lu appears to course correct and alter the story to be far less horror-focused.

Like, looking at the tone in which Hong Lu was telling the story before that last sentence, it's pretty clear to me how this ending is not what he initially meant to say. It's too abrupt, his tone shifts too much for it to be the natural conclusion, and everyone who follows up the story with their own thoughts and reactions makes it clear it was that odd of an ending in-character as well. It's a change he made because he realized he misjudged Sinclair's tolerance for this type of thing, and thus it could make him look bad.

All of this, to me, shows that Hong Lu is very much aware that he has to be extra careful around Sinclair when it comes to how believable his lies are. Not only because Sinclair himself has the ability to call his bullshit, but also because for the other Sinners, he's the only other person on the bus they can compare Hong Lu to. And if the two's reactions and tolerances for things start to diverge too much, this could cause the others to start asking questions he can't answer easily.

With all that laid out, I believe one of the ways to interpret Hong Lu's check modifier here is just that - him trying to align his own reactions and tolerance to that of Sinclair's. This is Sinclair's Canto after all, where every Sinner ends up with their attention focused on him and his circumstances. There's more spotlight on how Sinclair acts around things like bodies than there ever was before that point. To Hong Lu, it's the perfect opportunity to observe Sinclair and in turn affirm his position as an even more sheltered and naive person by following his example.

However, this is just one interpretation. I do have another, alternate interpretation - one that assumes the modifier is a reflection of Hong Lu's genuine feelings rather than a reflection of his act.

Because, as it turns out, there is something interesting going on here!

While Hong Lu shows no real aversion to blood and gore the way Sinclair does, and he appears to be outright immune to physical pain, he is depicted as having a very odd attitude to messing with already dead bodies.

This is primarily shown through the second log he wrote for the Pink Shoes Enchantee/Posessee enemies.

It's a very strange backpedal of Hong Lu to do. It draws attention to the fact that Hong Lu would in fact be interested in hearing things about the body itself, considering his initial instinct is to say he'd tell a servant to describe what it looks like.

It makes me wonder if it's a clue as to what part exactly Hong Lu considers to be "that gross sight". Is it really just the fact that there's a dead body, or is it more specifically the idea of messing with it and taking its things?

It would certainly explain why he'd have a negative modifier for this check. After all, if he does indeed consider the act of looting a corpse so disgusting that he would have looked away and made someone else do it, one can imagine that being told to actually do it himself would not be something he'd be happy with.

And, of course, there is also the option of the negative modifier being caused by a mix of both interpretations. It could be that it's his genuine feelings that he's further exagerrating and exploiting for the sake of making his act more believable.