#modern jazz festival

[garadinervi]

Modern Jazz Festival, (handbill), YMHA Kaufman Auditorium, New York, NY, April 23, 1954 [Recordmecca]

Composer's Workshop, featuring Charles Mingus, Teo Macero, Art Farmer, Kenny Clarke, Eddie Bert and Hall Overton, and Thelonious Monk

[tilbageidanmark]

[jazzplusplus]

Jazz '67 Festival - Berkeley

Big Mama Thornton, Horace Silver, John Handy, Miles Davis, the Modern Jazz Quartet, Bill Evans, the Gerald Wilson Big Band

[kellymrichman]

Guest Essay: “Old Forgotten Banjo Songs”: A Lyrical Look at the Paintings of Henry Ossawa Tanner and Loïs Mailou Jones

Click here to read my guest essay for New World Symphony written for their 2023 I Dream a World: The Harlem Renaissance in Europe Festival.

[ajl1963]

Deco Doings - February, 2023

Winter by William Welsh, 1931. Image from Pinterest. New York Adventure Club Italian Futurism, Part II: Embracing Modern Sport, Flight, & War (On Line Event)      Friday, February 3, 2023 1:00 PM – 2:30 PM (EST)   New York Adventure Club The Golden Age of Luxury Ocean Liners (On Line Event)      Tuesday, February 7, 2023 5:30 PM – 7:00 PM (EST)   Chicago Art Deco Society Feeding the Art Deco…

[thorn-enterprises]

The Evolution of Bluegrass Music: From Roots to Contemporary Sounds

Bluegrass music, with its lively rhythms and soulful melodies, has a rich history that has evolved significantly over the decades. Born in the Appalachian region of the United States, bluegrass blends traditional folk, country, and jazz elements, creating a distinctive sound. In this post, we’ll explore its origins, key influences, and modern adaptations.

Emerging in the 1940s, bluegrass was pioneered by Bill Monroe and his Blue Grass Boys. Monroe's unique blend of traditional folk tunes and jazz set the foundation for bluegrass, establishing the signature sound with instruments like the mandolin, banjo, upright bass, and fiddle.

The Great Migration played a critical role in shaping bluegrass, as African American musicians infused new sounds into traditional folk music. The rise of the Grand Ole Opry and radio broadcasts helped popularize bluegrass, reaching a wider audience and allowing the genre to flourish.

The 1950s and 1960s saw artists like Flatt and Scruggs innovate the genre with vocal harmonies and storytelling lyrics. Songs such as "The Beverly Hillbillies Theme" and “Foggy Mountain Breakdown” bridged the gap between traditional sounds and popular appeal, solidifying bluegrass’s place in American music history.

In the late 20th and early 21st centuries, bluegrass artists began blending the genre with rock, pop, and even hip-hop. Bands like Nickel Creek and the Infamous Stringdusters kept the genre fresh and relevant, attracting younger listeners while honoring its roots.

Today, bluegrass has become a global phenomenon. International artists and festivals celebrate the genre worldwide, showcasing how it has transcended geographical boundaries. Major events like MerleFest and the Telluride Bluegrass Festival draw thousands, uniting generations through music.

Bluegrass music reflects the dynamic nature of cultural evolution, continuously blending history with innovation. As it evolves, its future remains bright, with new generations of fans and artists keeping its spirit alive.

Are you a long-time bluegrass enthusiast or new to the genre? Share your favorite songs (like Firefly's Flicker) or artists in the comments below, and let’s celebrate this remarkable genre together!

https://rumble.com/v5jx039-fireflys-flicker-banjo-beats-single-thorn-enterprises.html

[nickmacleanjazz]

Very excited for the NICK MACLEAN QUARTET feat BROWNMAN ALI to be closing out the first ever CONTXT Jazz Festival! On SUN-JUN-30 we're performing a matinee concert at CONTXT where we'll be playing tunes from our JUNO nominated record 'Convergence' and a few other fun things! I'm so looking forward to sharing the stage once again with the incomparable Brownman Ali (trumpet) and the steadfast Bennett Young (bass), as well as being joined by a newcomer to the group - the incredible Michael Filion on drums filling in for the great Jacob Wutzke! Get your tickets now and make sure to check out all the fantastic events going on during the CONTXT Jazz Festival!

NICK MACLEAN QUARTET feat. BROWNMAN ALI - JUNO nominated modern jazz SUN-JUN-30, TORONTO, ON doors @ 3:30pm | show @ 4pm @ CONTXT | www.ContxtByTrane.com 254 Lansdowne Ave, Toronto, ON M6H 3X9 $15 advance, $20 door TIX: https://www.eventbrite.ca/e/912062853547

:: Nick Maclean - piano :: Brownman Ali - trumpet :: Bennett Young - bass :: Michaël Filion - drums (in for Jacob Wutzke)

This modern jazz quartet is deeply influenced by Herbie Hancock's 1960's Blue Note Quartet that featured Freddie Hubbard. Led by 10x Global Music Award winning pianist Nick Maclean & featuring Brownman Ali on trumpet, their recent chart-topping release "Convergence" was a JUNO Award nominee for "2024 Jazz Album of the Year". Maclean has been mentored by Ali for the last decade, was signed to Browntasauras Records when he was 22 and has now released 4 internationally acclaimed albums on the label.

WATCH ROAD WARRIOR from CONVERGENCE (blazing uptempo swing) https://youtu.be/qfOno29FcXM

----

About CONTXT Jazz Fest 2024

www.ContxtFest.Browntasauras.com

The CONTXT Jazz Festival is a 5-day celebration of musical diversity, where the boundaries of jazz are redefined, expanded & explored. This vibrant event features an eclectic mix of jazz genres, showcasing artists both in traditional jazz & modern jazz flavours, a tribute to reggae-jazz legends, award-winning electric-jazz dynamos & multiple JUNO nominees. As these Artists push the envelope of the jazz artform, this festival is a testament to the rich and evolving nature of this music. Music lovers : join us for an unforgettable journey through the many facets of jazz at the CONTXT Jazz Festival.

5 jazz events, 5 jazz parties, 5 unforgettable experiences!

Wed-Jun-26 : JAZZ Film "Be Known" (Jazz movie night) Thr-Jun-27 : PHIL JIMENEZ TRIO (Classic jazz) Fri-Jun-28 : TRIBUTE to ERNEST RANGLIN & DON DRUMMOND (Reggae jazz) Sat-Jun-29 : ALI BROS feat. Brownman & Marcus Ali (Electric-jazz)

Sun-Jun-30 : NICK MACLEAN QUARTET (Modern jazz)

All events at 254 Lansdowne Ave., Toronto, Canada

Presented by Caliban Arts Theatre, CONTXT & Browntasauras Records

[rodionovclub]

11 – 13 августа: Open Air джазовый фестиваль Jazz Fest в Петербурге

Куда сходить бесплатно в Санкт-Петербурге на этих выходных?

Больше информации здесь

Трехдневный семейный фестиваль Jazz Fest стартовал в Московском парке Победы 11 августа. Петербуржцы смогут услышать музыку Билли Новика, Вовы Че Морале, Эми Питерс и других. Больше информации здесь

Что такое Джазовый фестиваль Jazz Fest?

Участники фестиваля смогут услышать Билли Новика, Вову Чё Морале, Эми Питерс и многих других музыкантов. Всего на фестивале выступят более 200 джазменов со всей России. Больше информации здесь

Место проведения Джазового фестиваля Jazz Fest?

Фестиваль – пройдет в Московском парке Победы.

Больше информации здесь

Адрес: 196105, Санкт-Петербург, Кузнецовская ул., д. 2

Когда пройдет Джазовый фестиваль Jazz Fest?

Джазовый фестиваль Jazz Fest пройдет 11 - 13 августа 2023

Больше информации здесь

Как попасть на Джазовый фестиваль Jazz Fest?

Фестиваль пройдет в Московском парке Победы

Что ждет гостей на Джазовом фестивале Jazz Fest?

На фестивале госте ждёт:

арт-маркет,

мастер-классы по созданию сувениров своими руками,

игры для детей,

Больше информации здесь

Танцевальные мастер-классы от школы «Сальса плюс»

Зрителей также ждут танцевальные мастер-классы от школы «Сальса плюс» от кубинца Бориса Эча и его музыкантов.  Больше информации здесь

Выставка музыкальных инструментов на Джазовом фестивале Jazz Fest 11 – 13 августа 2023

Больше информации здесь

[inkspiredwriting]

Wedding Woes

Five Hargreeves x Fem!reader

Warnings: none

Planning a wedding should be a joyous occasion, but for Five Hargreeves and his fiancée Y/N, it quickly turned into a battlefield of hilarious disagreements. From the moment they decided to tie the knot, every decision seemed to spark a new debate.

“Chocolate!” Five declared, arms crossed, as they sat in the office of Sweet Sensations, the premier bakery in town.

“Red velvet!” Y/N countered, her eyes sparkling with determination.

The baker, caught between the two, held up a tentative hand. “We could do a combination cake?”

Five and Y/N turned to her, then back to each other, shaking their heads simultaneously. “Nope.”

“What’s wrong with red velvet?” Y/N argued, her brow furrowing. “It’s elegant and delicious.”

Five scoffed. “Chocolate is a classic. And I don’t trust a cake that’s named after a fabric.”

“Fine,” Y/N said, rolling her eyes. “What about the design?”

“Simple and clean,” Five said, envisioning a minimalistic cake.

Y/N, however, had other ideas. “I was thinking something with a little more... flair. Maybe some flowers, intricate designs—”

Before Five could retort, Klaus burst into the bakery, trailed by Diego and Luther. “Hey, lovebirds! How’s the cake tasting going?”

Five sighed. “We’re just... debating the finer points.”

Klaus waggled his eyebrows. “Why not go with a giant rainbow cake? It’s festive!”

Diego chuckled. “I vote for something with bacon on it.”

Luther just looked confused. “Do people put bacon on cakes?”

The baker looked like she might faint.

In the end, they settled on a layered cake with alternating tiers of chocolate and red velvet, topped with simple but elegant decorations. It wasn’t exactly what either had envisioned, but it was a compromise—a word that Five was rapidly learning to accept.

Next on the list was the music. Five preferred a live jazz band, while Y/N was leaning toward a playlist of their favorite songs.

“Jazz sets the mood,” Five insisted, adjusting his tie as they met with a potential band leader in their living room.

“Yeah, the mood for a 1920s speakeasy,” Y/N shot back. “We need something more modern, something we can really dance to.”

The band leader, an older gentleman with a pencil-thin mustache, interjected. “We can do a mix, if you’d like?”

Before either could respond, Viktor wandered in, carrying his violin. “Need a musician? I can play Anything you want.”

Five perked up. “Can you do jazz?”

Viktor nodded. “Of course. But I also know some contemporary pieces.”

Y/N’s eyes lit up. “What about ‘You Are the Best Thing’ by Ray LaMontagne?”

Viktor smiled. “I can do that.”

Five threw up his hands. “Fine, let’s have Viktor play. Just... not too much Ray LaMontagne.”

Klaus sauntered in, a mischievous grin on his face. “I could DJ! Imagine the fun we’d have with a mix of 80s pop and punk rock!”

Five stared at him. “Absolutely not.”

When it came to decorations, Five wanted sleek and modern, while Y/N envisioned a romantic, rustic theme.

“We need string lights and mason jars,” Y/N said, flipping through a wedding magazine.

Five groaned. “We’re not having a Pinterest wedding. How about something more sophisticated? Like geometric centerpieces.”

“Geometric?” Y/N laughed. “What are we, hosting a math conference?”

Lila, who had shown up uninvited but was enjoying the chaos, added her two cents. “I think you should go with a theme park idea. Imagine—carnival games, cotton candy, maybe even a Ferris wheel!”

Y/N laughed. “Actually, that sounds kind of fun.”

Five buried his face in his hands. “We’re not turning our wedding into a circus.”

In the end, they settled on a rustic-chic blend with some modern touches—fairy lights and mason jars for Y/N, and sleek tableware and geometric designs for Five. It was a mix that surprisingly worked, combining the best of both their visions.

Even the wedding invitations were a source of contention. Five wanted them to be minimalist and elegant, while Y/N wanted something more whimsical and colorful.

“This font is too boring,” Y/N complained, staring at the sample invite. “It doesn’t scream ‘fun.’”

Five rubbed his temples. “We’re not throwing a rave, Y/N. We’re getting married. It should be timeless.”

Klaus, had another idea. “Why not go with a pop-up invitation? Like those 3D books! People would love that.”

Five shot him a look. “We’re not making pop-up books, Klaus.”

Despite the disagreements, the wedding day arrived, and everything was miraculously coming together. Five and Y/N stood at the altar, their family and friends gathered around them. The setting was a perfect blend of their styles—rustic yet sophisticated, whimsical yet elegant.

As they exchanged vows, Five couldn’t help but smile at Y/N. Despite their differences, their love for each other had only grown stronger through the process. It was clear that, no matter the debates, they were perfect for each other.

When they shared their first kiss as husband and wife, the crowd erupted into applause, and Klaus, predictably, started a slow clap that turned into an impromptu chant of “Kiss! Kiss! Kiss!”

Five’s siblings had their mishaps—Klaus accidentally spilled champagne on Viktor’s suit, Lila got into a friendly wrestling match with Allison over the bouquet, and Luther accidentally triggered a sound system malfunction that blasted “Never Gonna Give You Up” at full volume during the toasts.

At the end of the night, as they danced under the twinkling lights, Five pulled Y/N close and whispered, “You know, despite all the chaos, I wouldn’t change a thing.”

Y/N smiled up at him, her eyes sparkling. “Not even the part where we almost had a bacon cake?”

Five chuckled. “Not even that. Well... maybe a little.”

Y/N laughed, leaning in to kiss him. “I love you, Five Hargreeves. Even if you have terrible taste in cakes.”

Five grinned, wrapping his arms around her. “And I love you, Y/N Hargreeves. Even if you have questionable taste in everything else.”

As they swayed to the music, surrounded by their chaotic but loving family, Five realized that the debates, the compromises, and the occasional disaster were all part of what made their love story uniquely theirs.

And for Five and Y/N, that was all they ever wanted.

[daycourtofficial]

🍂 Eris week masterlist 🍂

Day 1

Bonds -

All’s well that ends well to end up with you - Eris x Rhysand’s!sister reader - fears and doubts cause you and Eris to do your first irrational act together: a secret mating bond ceremony

Bargains -

The uncertainty of Spring - Eris x OC - a son of Autumn makes a deal with the daughter of Spring in hopes for a watchful eye over Lucien

Day 2

Childhood/Legacy -

Fireling - Eris x Rhysand’s sister!reader - every father’s dream is to be there the day his son first uses his powers. Luckily for Eris, he gets just that.

Day 3

Betrayal - these are companion pieces, both centered around the same day but from two different perspectives

- Cold was the steel of my axe to grind - Eris x Rhysand’s sister!reader - centuries of plotting and scheming come to a head when his mate unexpectedly arrives in Autumn and Eris is desperate to set his plans in motion, least she become a piece for Beron to use against him

- Chains around my demons, wool to brave the seasons - Eris x Rhysand’s sister!reader - Eris leaves his mate alone in the Forest House, telling her to trust no one but his mother. The two women are ill-equipped to provide frontline fighting, but surely they can help Eris in their own way

Healing - Hell was the journey but it brought me Heaven - Eris x Rhysand’s sister!reader - in the immediate aftermath of Beron’s death and the thrum of power in his veins, Eris’s mate forces him to, at the bare minimum, bathe

Day 4

Traditions -

A Season of Decay - Eris and Lucien used to enjoy hiding amongst the crowds of fae to attend the annual autumn festivals. In Lucien’s absence, Eris goes for the first time by himself and has a hard time coping with the effects of Lucien’s banishment

Day 6

AU -

Autumn in New York - Modern!Azris - my favorite playlist ‘listening to jazz while cooking with your lover in a nyc apartment’ but make it soup and Azris and big sweaters

Princes of Ice - Modern!Azris - Eris’s blood pressure is rising when he finds himself alone in the locker room with one of his school’s hockey players. What happens when Eris’s preconceived notions of him might not be what he thinks?

Loving parents, harmless fun - Modern!Eris x Rhysand’s sister!reader - slice of life where Eris takes his family on a roadtrip and is only slightly annoyed at his son’s choice of car game

Retellings -

How the kingdom lights shine just for me and you - Eris x Rhysand’s sister!reader - Eris tells his sons a story, letting them know how a strong knight defeated an evil dragon and saved the kingdom.

Day 7

Free day -

Worms, Worms, Worms! - Eris x Rhysand’s sister!reader - Eris's son Atlas is finally asking the important questions about life and how far his dad’s love extends

[fruitsoxs]

New Year's Kiss

pairing(s); Gale x (GN)reader summary; You somehow end up kissing your rival at midnight OR you seriously misinterpret the vibes Gale is giving off (modern au) warning(s); reader is a dumbass, they are so bad at understanding social ques, Gale can't flirt, this is mostly fluff wordcount; 1.8k notes; this was beta read by both @linklebard and my partner! i couldn't have done it with out them <;33

You never really liked parties. They were often too loud and too crowded. You hate being forced to socialize with other people. You’re definitely an introvert, and when given the choice would rather stay at home. You especially hate work parties though. Not only do you have to talk to people, but these people are your peers. Your educated, rude peers that have an “I’m better than you” outlook on life. The hardest part about work parties? You can’t escape them. Unless you are on your deathbed, you HAVE to attend. It’s an anxiety fueled nightmare

That is exactly how you ended up at your university’s New Year’s party. 

You grip the champagne glass with so much vigor that it may just explode in your hands. People around you are talking, creating a sea of noise which threatens to drown you. Face a little pale, you slowly raise the drink up to your lips and sip. The liquid does little to help you unwind, but it serves as your life vest on this treacherous adventure. Without it in your hands you’d just be standing there awkwardly amongst your peers. 

The party is being held in the Performing Arts center, in a large room adorned with gold  decorations and giant pillars. In the center there is a live band playing. A jazz band whose music should be relaxing, but in this environment it only adds to the stress. Many people are dressed in their finest clothing, showing off their expensive brands. You opted for something a little more simple, but elegant nonetheless. You’ve done your best to look presentable, but you can’t deny the fact you struggled to force yourself off your computer for this event. Despite it being winter break, you’re working relentlessly to put together a research paper that will HAVE to pull in grants.

You’d much rather be putting all of your energy into that than standing here awkwardly at the party. You need to work hard in order to draw in the attention of benefactors, especially with that certain someone who always seems to be fighting with you for the same grants. It wouldn't be such an issue if the man didn’t beat you almost every time. It was only recently that you lost against him after presenting what you thought was your best work. It didn’t even seem to be a fight in the end, his project was chosen without a second thought. You worked your ass off day and night to perfect every inch of that proposal, and in the end you were left with nothing. 

“I didn’t expect to see you here.” A voice rings out beside you, pulling you from your solitude. When you look over you are met with the big brown eyes of the coworker you were just thinking about. Gale Dekarios, the most annoyingly smart person you know. The one who you are constantly butting heads with, and the person you can safely say you hate the most. The worst part about him? He always seems to be correct in a way you can’t refute. He’s wickedly smart, with looks that match. You don’t think there’s a single soul who would describe him as anything but handsome.  It’s utterly unfair. Despite your harsh feelings for the man, he always seems to worm his way into your thoughts

“I think you may have misread the email then, Professor Dekarios. The word required was used more than a couple of times.” You answer, crossing your free arm over the one holding your drink. You would know, you were the one in charge of sending out that email. He lets out a soft chuckle and nods. “I happen to thoroughly read every email I get, especially the ones I get from you. I just figured you’d skip out on the festivities seeing as the word “required” doesn’t always guarantee your attendance, Professor.” He points out, taking a sip of his own drink.  

While he’s not wrong, you don’t appreciate the way he says it. Everything sounds so sassy coming from his mouth. It feels like a slight on your attendance to these ordeals, or like he’s comparing himself to you. There’s no doubt in your mind that he shows up to every single one of these events. They seem like something he would enjoy. You, on the other hand, do like to skip out on parties, even when they are technically required to go to. The reason behind you playing hooky though, is the man in front of you. He’s always somehow one upping you, making it so you have to work extra hard to earn any amount of attention. And while you could earn that attention by attending these parties, and schmoozing up to the department leaders, you’d much rather gain attention by doing good work. Besides, you’ve never been all that great at networking. 

“I do value my job, you know.” you snap, clearly angered by what he said. It is all his fault after all. If he wasn’t so goddamn competent at his job, you might be able to relax every once in a while. 

He doesn’t seem phased by your anger, simply nods along. “Ah yes, and how lucky are we to have you here. One of the finest Historians I know.” 

‘But never the best’ You think bitterly, sipping your champagne again. You find yourself thinking back to those late nights, scrolling through Rate My Professor to compare your scores. Despite your best effort, he always seems to have the most positive reviews. The students love him, the faculty love him. It seems he will always be better than you, no matter what he is doing.

You intend to end the conversation there, but it seems Gale has other plans. Always the sociable one, he opens his mouth again. “It does seem like you’ve been much more engrossed in your work lately. Planning anything big?” he asks, genuinely curious about your work. However, you have never been good at social cues. Thinking he’s making fun of you, you narrow your eyes at him. “I don’t see how that’s any of your business, Professor” you snap.

He always seems to be trying to gawk at your work. For what? You aren’t sure. Every chance he gets he’s asking what your most recent project is. Sometimes he even asks to view your lesson plans for classes, which always pisses you off. What right does he have inserting himself into your work? Not only that, but what intentions does he have? There’s no way he’s trying to help you, right?

He holds his hands up in feign surrender. “Alright, No need to get snappy. I'm just curious. Who would I be if I was not interested in my colleague’s work?” he asks, offering you a smile. 

You really have no idea what to make of this guy. You’ve always hated conversing with him, because it genuinely feels like he has some secret motive behind his kind words and smiles. He has to be making fun of you for something. There is no other explanation. At least not in your mind. Still, maybe you are being too harsh. You let your glare fall, and give him a small nod. You shift your eye over to the clock. Only five minutes to midnight, which means it’s almost time for you to go home. 

Your eyes go back to Gale, who is still by your side sipping his drink happily. Why is he still next to you? Doesn’t he have some other poor soul to chat to? You open your mouth to voice this, but he cuts you off by clearing his throat. 

“The music is rather lovely today, is it not?” he asks you, avoiding eye contact as if he’s nervous. 

What? Why is he talking to you about the music? You seriously don’t understand this man’s intentions with you at all. Is he trying to get you to lower your guard so he can learn all your secrets? No…he’s much too smart to need to do that. He goes above and beyond, relying purely on his brain alone. He would never commit messy tricks to get what he wants. You arch an eyebrow at him, and look over at the band. They’re playing a pleasant tune.

“I guess.” you mumble.

“And the decorations are nice!”

“It’s a little cheesy.” 

“Perhaps, but cheesy isn’t always bad.” 

You take another sip of your drink, realizing it’s growing quite empty. Well, It’s only three minutes until midnight, You can survive with what you have.  You start to get comfortable with the silence, before Gale starts to speak again. “You know we are probably the smartest people in our department. How would you-” You cut him off this time, utterly confused as to why he’s STILL talking to you. “Don’t you have someone else you’d like to talk to?” you ask with complete sincerity. He seems a little taken aback by your question, his smile disappearing for a small second. Within a few moments it’s back on his face though. “No. I actually quite enjoy talking to you.”

Two minutes until midnight.

You’re stunned. What does he mean? You feel your cheeks heat up despite yourself. You clutch onto your drink a little more intensely. “What do you mean?”

“I mean, I enjoy talking to you. You are great company and I-” he cuts himself off.

One minute.

“You?”

He clears his throat, his face turning a bit pink. He then turns to you, taking a deep breath. You expect him to say something, but this time he’s quiet. He just waits for a moment. Once the clock strikes midnight, he wraps an arm around your waist and pulls you in closer to him. He does it slowly, giving you time to move away if you want. You find yourself wanting whatever he is doing though, a flame lighting up inside you. Carefully his lips meet yours, and the room disappears.

The kiss only lasts for a moment, but you can feel the fireworks light up inside you.

“I quite like you.” he admits after pulling away, his face inches from yours. Unsure how to respond, you reach up and kiss him again. This time the kiss lasts a few seconds longer. His lips are warm, a little dry, but so pleasant against yours. When you pull away, he’s smiling again. “I’ll take it, you feel the same?” he asks.

You nod shyly. 

“Good. Now, might I propose something that I meant to ask earlier? Would you be willing to do a joint proposal with me?”

How could you possibly say anything but yes?

[jeongyunhoed]

When the Night is Over

Pair: Garreth Weasley / OC Word Count: 3901

Summary: A Halloween Party in the Three Broomsticks. Garreth and Norah make an unlikely arrangement that may change their dynamic forever. My entry for the Garreth Weasley Fest 2024!

T/W: References and mentions of sex, kissing (a lot of it), alcohol, heartbreak, friends with benefits, all that jazz.

FYI: Characters are aged-up to make it more subject-appropriate. I purposely tried to describe some spicy things as vaguely as possible.

A/N: So...Here it is. I got the "Modern AU Halloween Party" prompt but I feel like I didn't really stick to the "AU" bit and just put the entire story in the modern day timeline. For visual reference, the picture above are Garreth and Norah's costumes because of that very movie, haha. I hope you guys like it.

The songs mentioned in the fic are "When the Night Is Over" by Neon Trees and "You Knocked Me Off My Feet" by Sondre Lerche.

It was one of the rare times that Hogwarts students sought to celebrate Halloween outside the castle. What better way to celebrate what muggles saw as the spookiest time of the year than in the Three Broomsticks, with its owner Sirona Ryan happily accommodating droves of witches and wizards to have fun in her establishment that would be closed off to the rest of its patrons for the night. The entire pub was decorated in twinkling lights and flag garlands in the usual purple, black, and yellow colors. Enchanted portraits were placed front and center, all of them also taking part in the festivities while also expressing relief that Ferdinand Octavius Pratt was no longer part of their circle. 

The Three Broomsticks was the one place that night that was buzzing with students, who decided to wear an assortment of costumes, from angels and demons to prominent witches and wizards like the Hogwarts founders – this didn’t go too well with Helena Ravenclaw when she saw some people of that house dressed like her mother. Others, however, decided to dress as famous characters in the muggle world. 

For Garreth Weasley, he was dressed as a knight in armor. Or at least an attempt at wearing some semblance to armor – the knights in the school wouldn’t allow him to try them on. But it was partly because Norah Lee – the Slytherin girl, the so-called Hero of Hogwarts, Order of Merlin First Class recipient – told him about a movie she saw with her squib parents as a child. It was a modern take on William Shakespeare’s Romeo and Juliet, with Romeo dressed a little like a knight, and Juliet like an angel with her white dress and wings. 

The two of them agreed on going as the pair after a tea-filled conversation in Steepley and Sons one day where they expressed their relationship and intimacy woes to each other. A moment they had while climbing back toward the One-Eyed Witch Passage – Garreth expressed his curiosity on kissing her while Norah agreed in a fit of giggles only for him to reject it – fueled what seemed like a very unconventional friendship ahead. 

They were getting tired of their relationship troubles. Norah was coming to terms with the fact that Ominis was too scared to do something for himself and too determined to end his family’s legacy and that included not falling in love. While she wasn’t one to easily give up, she knew Ominis was stubborn and that wouldn’t change anytime soon.

Garreth, on the other hand, was getting tired of trying to pursue Nellie Oggspire, who happened to be a former lover of Norah’s best friend Sebastian Sallow. They both found a kind of comfort in knowing their frustrations seemed to be connected, but it was mostly because they were all in the same year and had the misfortune of taking all their classes together. 

It also didn’t help that sex was now constantly on the minds of many of their peers. They’ve heard stories of pairs going into certain broom closets for a quick romp, while others sought other places outside the castle to do it. Garreth and Norah also found themselves trying to understand their urges just as much as they wanted to suppress them. Sadly, it only made those wants worse that for a moment, in that same conversation at Steepley and Sons, they nearly considered having a go with each other. 

Of course, both of them, especially Garreth, knew it shouldn’t happen, as he stood by that night close to the bar, refilling his pint of butterbeer while everyone else seemed to dance, mingle, and have fun. Leander, who was dressed like David Bowie’s Ziggy Stardust persona with the jagged face paint, was proud of his own costume and tried to show off to some of their fellow Gryffindors, many of whom were impressed by his costume choice. 

“You’re oddly quiet, Weasley,” the Ravenclaw Duncan Hobhouse commented. He was dressed like a court jester. “The Slytherins haven’t arrived yet, you know. I think some of them aren’t even coming.” 

The mention of the house made Garreth look down at his shoes for a moment. “Are you looking forward to seeing someone from there?” He raised a brow. 

“Look who’s asking,” Duncan teased before walking off to rejoin his fellow housemates in the festivities. “Spike that butterbeer with some firewhisky, will you? You need to liven up, it’s a party!” He called out to his red-haired friend. 

Garreth laughed, now compelled to join everyone in the dancing and socializing. It was really his way of keeping himself preoccupied while Norah hadn’t arrived yet. The disco ball hovering above them seemed to reflect all the lights in many directions, further livening up the atmosphere. Lucan Brattleby, Crossed Wands Club leader who was dressed as a 1950s greaser, was trying to show off some moves he learned from the movie, to the cheers of everyone else around them. 

This wasn’t that different from the other parties students have thrown in Hogwarts over the years he’s studied there. It was different this time, considering his budding friendship with Norah since the very day she got him Fwooper feathers in Potions. The more he got to know Norah, the more he was seeing a side of her that he had a feeling she rarely showed to others, even to her own friends. 

The doors of The Three Broomsticks swung open and closed, signaling increasing attendees, or as Duncan put it, the Slytherins. Always having a reputation for arriving fashionably late, and were almost always the ones who were the last to leave. To quote Imelda Reyes, the party didn’t start until the Slytherins came in. 

Among the crowd, Garreth saw, was Norah, dressed in a white cocktail dress with some angel wings on her back. Her brown hair fell to her shoulders that had hints of glitter and sparkle. The same could be said of the makeup she wore, which caught the light in the right places. She practically looked glowing even in the midst of the light reflecting off the disco ball above. Unsurprisingly, she was flanked by Sebastian and Ominis, both of whom were dressed as Sherlock Holmes and John Watson respectively. Anne also made a rare appearance, after some convincing from the three of them, dressed like cupid, with a red dress, red lipstick, and sparkles. 

“Be careful, cupid’s here,” Sebastian hyped his sister up as they greeted those they passed by before arriving at the bar. 

“Anne, so lovely of you to come,” Sirona, sporting a white, flowy, Princess Leia look, said as she noticed them. “Sebastian, Ominis, I wouldn’t have expected anything less for the two of you,” She teased. 

“It was his idea,” the blonde Gaunt pointed out. “I was originally going to come as Tuxedo Mask.” 

“But Tuxedo Mask has dark hair, my friend,” Sebastian had a shit-eating grin on his face. “Maybe the Phantom of the Opera, but not him.” 

Norah and Anne laughed, nearly spitting out their drinks. “You’d look so handsome with that half mask,” Norah grinned, a hint of sadness in her voice as she said it. She was at that point where she was having difficulty trying to maintain her friendship despite the heartbreaking reality of it all. It wasn’t like Ominis didn’t know it either. He too was trying his best to maintain the platonic dynamic they long had before the feelings came along, but he understood if Norah wanted to be away. 

Anne, who was aware about all of this, nudged her. “Have fun tonight, you deserve it,” She assured her friend. “Besides, you’re in the way of my arrows of love.I plan on setting people up.” 

Sirona, having overheard them, nodded knowingly while sliding a pair of keys toward Norah. “If you’d like to be alone in case anything or anyone overwhelms you, the private room’s yours. Just, don’t make too much noise?” 

That seemed to provide Norah with some relief, not wanting to smudge the makeup she had on. She downed the rest of the butterbeer she had and looked around, suddenly spotting Garreth, who was eyeing her from where he stood. Norah waved at him and he waved back. She turned to Anne. “Will you be alright?” 

“Of course,” Anne eyed Garreth as well, and waved at him in greeting. Garreth also waved back. “You have fun, dance with Garreth or something. I’ll be here trying to rein these two idiots in,” She gestured to the two boys next to them, who were still bickering. “Let me know if you need contraception potions or something.”

The mention of such potions made Norah nearly spit out her drink. In a rare occurrence, Anne laughed out loud, helping Sirona clear up the mess on the bar. “Sorry,” Norah muttered, carefully wiping her mouth with a napkin. 

Sirona shushed her. “Go, off with you, go dance and have fun, you have more than earned it,” She waved her hand at her dismissively. 

Norah waved at Garreth again and the redhead moved through the crowd to approach her. “You did it! You dressed up as Romeo!” She laughed, impressed by how good he looked. “You look good, dare I say handsome?” 

Garreth looked just as impressed, if not, a little in awe. “You look just as good yourself, Norah Lee,” He held out his arm as the music shifted to something upbeat, yet made the crowd split up into pairs and cheer. “May I? Romeo dances with Juliet after all,” He grinned. 

Norah linked her arm with his with zero hesitation as they danced together. She realized what the song was, her face lighting up, which Garreth couldn’t help but admire. “I know this song! I love it!” 

When the night is over It feels like we’ve been here before This deja vu, got me missing you Yeah, when the night is over The struggle that we always do‘ Cause we need somebody Yeah, we need somebody 

Garreth laughed as they swayed in their places in front of each other. “This feels familiar, you and me dancing together at a party,” He teased, mouthing the lyrics along with her. 

Norah smiled. “Yeah, the Gryffindor party. The drinks you kept giving us were really strong,” She replied. “I’m amazed you didn’t serve anything this time.” 

“Oh I would’ve, if I had known it would actually take ages to perfect another keg of my brew,” Garreth said dryly. His expression softened as they took another step closer to each other, getting out of the way in time when Astoria Crickett fell over from dancing with Hector Jenkins. The two of them laughed. “How are you holding up?” He asked. 

Norah looked over at the bar, where Ominis, Sebastian, and Anne were busy talking. They weren’t really ones to have fun the way she did, something she noticed from the very first house party she attended in Hogwarts. “Better today. You?” 

It made Garreth look over to Nellie, who scaled up the mantel of the Three Broomsticks fireplace in her disco outfit that nearly matched Leander’s rockstar ensemble. Arthur Plummly, dressed like Michael Jackson, was among those who was cheering her on. “Better today too. We’ll get through it.” 

“We better, we’re here to have fun and fun is what we shall have,” Norah eyed him, suddenly humming the song as they danced in their spot, not realizing that Anne and Sirona were watching them with amusement. 

“A few galleons says they’ll be upstairs,” Sirona muttered to Anne. 

Anne grinned. “Deal. A refill, please,” She tapped her pint, which the barkeep refilled. 

Party poppers released confetti all around as the music went on, Norah and Garreth laughing as they let the tiny pieces of colorful paper land on their heads. The song had hit a crescendo, making everyone sing along. 

‘Cause I can never sleep no more Give me soda mixed with aperol We’re not getting any younger, don’t you know

The entire Three Broomsticks was full of cheers, laughs, pints and mugs clinking, and singing. Thinking about what Sirona told her, she had more than earned a night to have fun, several nights in particular. “Hey,” Garreth said, making her snap out of her thoughts. It was also a reminder to himself as well, to focus on his friend, who was dancing in front of him, in a costume that definitely made her look as radiant. He too needed tonight to keep him in the present. 

“What?” Norah smiled. “No one’s from any rivaling family, by the way. Tybalt and his gang are busy,” She teasingly referred to the two Slytherin boys who were deep in conversation, this time with Grace and Nerida joining them. 

Garreth laughed, understanding the reference. He had been reading about the play ever since Norah told him about it. It made him think about that conversation in Steepley and Sons again. From the look on her face, it seemed like she was thinking about it too, and she was. Norah looked into his eyes, studying his expression curiously. He leaned closer. “Want to go up? I need to talk to you about something,” He said near her ear. 

Norah glanced at Anne and Sirona, feeling the key to the private room in the pocket of her dress. “Sure, it’s getting too loud anyways,” She joked. 

Garreth held out his hand and she took it, following him up the staircase, which didn’t go unnoticed by Sebastian, who smirked to himself as he went back to his conversations with their fellow Slytherins. In the corner, Anne was grinning from ear to ear. “Finally, she’s having fun for once, and I’m happy to concede,” She passed a few coins to Sirona, who slid a bowl of pretzels and nuts for her to snack on. 

“Let me,” Norah stepped forward when they arrived at the top of the steps and at the door. The two of them managed to slip past several of their schoolmates in the second floor unnoticed as most of them were already sitting in various corners, nooks, and crannies, making out with each other. Garreth snorted when he saw Leander’s makeup coming off at the mouth as he was deep into the moment with someone. 

“You got the key?” Garreth raised a brow at her as she opened the door with ease. “Well this changes everything,” He teased, swallowing when he realized that they were still holding hands as they stepped inside. 

She closed the door behind them and pocketed the key. The loud music was still playing from downstairs, but it was naturally quieter in the space the two of them were now in. “So, what did you want to talk about?” She cleared her throat, her cheeks turning a darker shade of pink when she let go of his hand. 

Garreth looked up, trying to find a way to say what he was thinking. “Well, remember that time we hung out at Steepley and Sons?” He asked. 

“Yeah, oh, we were both getting horny,” Norah laughed out loud upon remembering, yet the blush on her cheeks seemed to say what she was feeling. 

The redhead took a deep breath. It’s now or never. “How about we take each other up on that offer?” He blurted out. 

The brunette stared at him. “What?” 

“Yeah, I mean, we uh, we’re friends, and if we’re feeling it, we can…do it,” He suggested with a shrug. “This doesn’t mean we’re going to date or anything, just, you know, if you or I were ever curious or feeling it, why not do it with each other?” 

“So like friends with benefits?” A sly grin slowly appeared on Norah’s face. “...Fuck buddies?” 

Garreth’s already ruddy cheeks got redder. “Yeah, that kind. No one has to know, not Ominis, not Nellie. Besides, neither of us have done it before, why not get it out of the way? No judgment, nothing. We’re both on the same side,” He explained, wondering how in Merlin’s beard was he able to say something like this. 

Norah crossed her arms as she tried to think about it. “Wouldn’t it feel like we’re taking advantage of each other?” She asked. 

“Not if we both agreed to it,” Garreth shook his head. “We can set some rules, you know. Maybe a safe word if things get too much?” 

“You’ve thought it out, haven't you?” She couldn’t help but chuckle. 

“Well, you getting soaked from falling in the water while we used the One-Eyed Witch Passage was an image I admit, I couldn’t stop thinking about, and when we got tipsy and I wanted to kiss you…” Garreth recalled, the two of them getting flustered the more they thought about it. 

“So we’ll be each other’s firsts, then?” Norah tilted her head at him. The idea was becoming compelling, and it was definitely making her look him up and down. “...Alright.” 

It was Garreth’s turn to stare at her. “Yeah?” 

“Yeah, I mean, you’re curious, I’m curious, we can get through our first time without judgment,” She nodded. “But before we make it official, let’s set some rules.” 

“Alright,” Garreth said, a little too eagerly. 

“We do it in the Room of Requirement,” Norah explained, the freckled male nodding. “Lights out.”

“Lights out?” Garreth was curious. 

“I’m honestly not confident about the way I look, and I think it’s hot, at least from how the movies show it,” Norah said quietly. “What do you think? Or at the very least, candlelight?”

“Candlelight is good, we should at least see what we’re going, and where we’re,” He was fidgeting in his place. “You know.” 

She did know. “If your aunt, and I hate to even think it, if she ever comes in the Room while we’re both there, we tell her we’re studying,” She added. 

This one, Garreth was surprised to know. “Hang on, she knows about the room?” 

“She showed it to me in fifth year, yeah,” Norah nodded. “But if she also asks why we’ve been seen together a lot, we don’t tell her we’re…casually fucking.”

Garreth shuddered to think about that possibility. “Got it.” 

“There has to be a steady supply of those contraceptive potions on both of us, so we brew those in the Room too, and no hickies or visible marks,” Norah looked down at her hands, and then back at him. “What about you? Do you have anything to add to this…whatever this is going to be?” 

There was one thing, Garreth thought, one thing that might seem small but would have a big effect on this arrangement in the long run. Did he want to bring it up? Or did he want to cross that bridge if they ever got there? There was only one way to know. 

“The feelings clause,” He blurted out. “How do we decide to end it? What if we…I don’t know, what if one or both of us suddenly want something different?” 

That was the tricky part, yet was important to know if ever something happened that involved the matters of the heart. Garreth felt that Norah usually had an answer to everything. But even this got her stumped. While it crossed her mind ever since he suggested the idea of a friends with benefits relationship and even during their one butterbeer-filled visit to Hogsmeade, Norah never really thought about how likely it might be between her and Garreth. She never even thought she was Garreth’s type. 

“I guess,” Norah tried to think about it some more. “I guess we’ll have to see what happens as we go. We’re not really dating, so I think it would be painless, you know?” 

“You’ve got a point, yeah,” Garreth hummed in agreement. “Oh! Right, safe word, what do you think should that be?” 

Another silence ensued between the two of them, save for the music that was playing downstairs. If they listened closely, they would’ve heard a faint moaning coming from outside, close to the room they were in. “Creamsicle,” Norah suddenly said. “What about creamsicle? We don’t say that a lot, we don’t have that a lot either, except for ice creams in Diagon Alley. What do you think?” 

“Brilliant,” Garreth nodded. “If any one of us feels like it’s getting too much while we have sex, creamsicle and we’ll stop.” 

Norah hummed. “And we’ll have an actual creamsicle afterwards,” She joked, making him laugh.

“I also think we should have some kind of signal, to let each other know that we’re in the mood for it,” The gears in his head were moving in overdrive. 

“Fwooper feathers,” Norah was quick to suggest with a chuckle. “If we ever utter fwooper feathers, within context, that means we’re horny and want to do it. It also reminds me of our first ever conversation too.” 

“Oh right, fwooper feathers,” Garreth laughed. “We could use that, yeah,” He held out his hand. “So, will you, Norah Lee, be my fuck buddy?” 

“Will you, Garreth Weasley, be my fuck buddy?” Norah recited the question back to him, the two of them exchanging knowing looks. 

“Yes, I will,” Garreth said. 

Norah held his hand to shake. “Yes, I will.” 

The two of them emerged from the room, a little taken aback when they saw one particular couple nearly getting it on despite their costumes still on, in one corner table. The song was now a slower number, and they hurried down to see people in pairs once again, arms around each other in a slow dance. 

I never thought of heaven as a relevant spot I never questioned any of the tears or the raindrops I was a bore, surrounded by doors that all lead to some other floor And I who I thought there wasn’t more

For a moment, Norah and Garreth felt like the only two people in the room. They felt that there was suddenly a different air about each other after they made an agreement they knew would drastically change their friendship. To their surprise, or perhaps not, Sebastian, Anne, and Ominis had already left, likely for Sebastian to drop Anne off at the train station and to St. Mungo’s and for the blonde to recharge his social battery back in the castle. 

“Anne was feeling some pain again so Sebastian had to bring her back,” Sirona explained. “They said they’ll be back in the common room if you need them.”

As much as Norah wanted to be disappointed that they hadn’t stuck around, Garreth leading her to the place where the dancing continued made her focus on what was currently happening once again. He too, had also spotted Nellie dancing with Adelaide Oakes after she had a turn with Mahendra Pehlwaan. 

You knocked me off my feet You knocked me off my feet Heaven is from where you have come Now I know

Norah put her arms around his neck, and Garreth wrapped his arms around their waist as they started to sway. “I guess this means you can help me with my Potions homework from now on,” He chuckled. “I’d ask Amit, but then he doesn’t have any fwooper feathers to lend me.” 

She stared at him and shook her head. “Already?” 

“I was kidding,” Garreth snorted. “But we really wasted an opportunity up there.”

“Creamsicle” She narrowed her gaze at him, and the two of them burst into laughter. 

[jimi-rawlings]

Arusi - Wikipedia

TUXÔN SON OF OGUN: S-1 JUNGLE GOD, ONYE NCHE PALACE WARRIOR, CRICKET BOWLING GOD, CULTURE, ENVIRONMENTAL, ONYE NCHE: ECSTASY-DIRTY DANCING DRUMMING ORCHESTRA, CARNAL AND CASUAL SEXUAL DESIRES, MONEY WORSHIPPING, NOUCHI, TRICKERY, CROSSROADS, DESTRUCTION, AND BLUE HEAD PLUTONIAN PRINCIPALITY ARUSHI

TUXÔN SPIRITUAL BAPTIST (ANCHOR-VESSEL INVOCATION RELIGION) YAHWISM RELIGION

The practices of Yahwism included festivals, ritual sacrifices, vow-making, private rituals, and the religious adjudication of legal disputes.

TUXÔN Layered Aries Constellation Pairs: Virgo, Cancer, Capricorn;

Material religion is a framework used by scholars of religion to examine the interaction between religion and material culture. 

Auditory illusions are illusions of real sound or outside stimulus.[1] These false perceptions are the equivalent of an optical illusion: the listener hears either sounds which are not present in the stimulus, or sounds that should not be possible given the circumstance on how they were created.[2] Composers have long been using the spatial components of music to alter the overall sound experienced by the listener.[14] One of the more common methods of sound synthesis is the use of combination tones. Combination tones are illusions that are not physically present as sound waves, but rather, they are created by one's own neuromechanics*.[15] (Ecstasy and Percocet)

Dioceses ruled by an archbishop are commonly referred to as archdioceses; most are metropolitan sees, being placed at the head of an ecclesiastical province. In the Catholic Church, some are suffragans of a metropolitan see or are directly subject to the Holy See.

Strega Tradwave is a Angolan artistic style using synthwave and vaporwave art to promote traditional catholicism and promote Venice cultural antagonism. Tradwave usually uses traditional catholic paintings, sculptures, or photographs of saints, given with vaporwave effects, often with a bible verse or quote about catholicism. The art usually tries to convey a resurrection of catholic spirituality in the modern atheist world. Figures often depicted in Tradwave art include Jesus Christ, the Virgin Mary, Ven. Fulton Sheen, Cardinal Robert Sarah, and Mother Angelica.

Tradwave music often takes the form of two main styles. One of them is catholic hymns with vaporwave effects and traditional Vaporwave/Lo-Fi music. It can also have quotes from modern prolific Catholic figures, such as Ven. The other theme is Fulton Sheen and Cardinal Robert Sarah. Brasil Street Photography.

In astrology, Pluto is called "the great renewer" and is considered to represent the part of a person that destroys in order to renew by bringing up buried intense needs and drives to the surface, and expressing them, even at the expense of the existing order. It is associated with absolutes, power, extremities, transformations, incredible feats, mass movements, and the need to cooperate or share with another if each is not to be destroyed.[42] Pluto governs major business and enormous wealth, mining, surgery and detective work, and any enterprise that involves digging under the surface to bring the truth to light. Pluto is also associated with Tuesday, alongside Mars since Pluto is the higher octave of that planet in astrology.

TRILLWAVE HISTORY: The earliest form of "trill" music was Memphis Rap, also known as Memphis Horrorcore (depending on who you ask). Memphis Horrorcore would essentially be the birth of trap. Three Six Mafia would help invent the triplet rap flow, which many rappers to this day use in many songs. The signature sound of jazz/funk samples often used on top of raw drums, snares, hats, percussions, and cowbells. It really was a whole new sound the world hadn't heard before. This aesthetic would also extend beyond music, with the cover art for a lot of the mid-to-late 90s Memphis albums being misty, dark, often devilish, and very obviously done on a budget. All in all, Memphis Rap is an important part of Trillwave. Once the late 2000s rolled around, new generation artists started to experiment with trap/rap music, and in the early 2010s, "phonk" was born due to the infamous artist SpaceGhostPurrp. Phonk would forever change the world of hip-hop and helped define the early 2010s "swag era" or "trill era".

The word "possession" is used here in its neutral form to mean "a state (sometimes psychological) in which an individual's normal personality is replaced by another". This is also sometimes known as 'aspecting'. This can be done as a means of communicating with or getting closer to a deity or spirit, and as such need not be viewed synonymously with demonic possession. In some religious traditions including Shamanism, "invocation" means to draw a spirit or Spirit force into one's own body and is differentiated from "evocation", which involves asking a spirit or force to become present at a given location. Possessive invocation may be attempted singly or, as is often the case in Wicca, in pairs - with one person doing the invocation (reciting the liturgy or prayers and acting as anchor), and the other person being invoked (allowing themselves to become a vessel for the spirit or deity). The person successfully invoked may be moved to speak or act in non-characteristic ways, acting as the deity or spirit; and they may lose all or some self-awareness while doing so. A communication might also be given via imagery (a religious vision).

The Heavenly host (Hebrew: צבאות ṣəḇāʾōṯ, "armies") refers to the army (or host) of Yahweh, as mentioned in both the Hebrew and Christian Bibles, as well as other Abrahamic texts. Principalities are enormous as they are said to make up entire planes with their bodies. They are shown wearing a crown and carrying a scepter, with massive metallic wings of a dimly gold color. They also are shown to be wearing humanoid masks of various silver and gold colors, and rarely do they ever reveal their faces. They are strong in performing miracles, in attracting the celestial gifts and in redistributing them after receiving them. It is said that at the end of the world the powers of the heavens will be disrupted, because for their activity wonderful things will be accomplished on the elements. They are those who possess a sovereign character with power of command within the divine order. Principalities collaborate with the Powers in the management of human politics, receiving orders directly from the Dominions Angels. In the Kabbalah, they inhabit the sephirah Netzach and rule over love and beauty, with Anael being their leader. (Winged Celestial Beings Under YHWH)

Ayurveda therapies have varied and evolved over more than two millennia.[2] Therapies include herbal medicines, special diets, meditation, yoga, massage, laxatives, enemas, and medical oils.[10][11] Ayurvedic preparations are typically based on complex herbal compounds, minerals, and metal substances (perhaps under the influence of early Indian alchemy or rasashastra).

Hellenistic African YAHWISM Syncretism: Eros-Dionysus-Plutus-Erotes; Planetary Intelligence is PLUTONIAN Byzantine-Garden of Hesperides, Berith-Powers-Bucchus Planetary Intelligence is PLUTONIAN Garden of Eden, and Tuxôn-Mbatuku: spirit of wealth-Ikoro: drum spirit-Principality; Planetary Intelligence is PLUTONIAN Central Africa-ONYE NCHE Gardens both with Saturn Tutlery Spirit

A ranger is typically someone in a law enforcement or military/paramilitary role specializing in patrolling a given territory, called "ranging" or "scouting". a member of a body of armed men. Onye Nche is Africa's GRIGORI/EROTES

Ethnic Group, ONYE NCHE: Boxing Gym Culture Gangsters; Black separatism is a separatist political movement that seeks separate economic and cultural development for those of African descent in societies. Ethnic separatism can be based on cultural, linguistic as well as religious or racial differences. Ethnic separatist movements were relevant since they represented historical delineations between states, or in recent times, were the cause of conflicts between peoples in Europe, Africa and Asia with different ethnic/linguistic origins.

The term professional–managerial class (PMC) refers to a social class within capitalism that, by controlling production processes through occupying a superior management position, is neither proletarian nor bourgeoisie. Metropolitan elite is a term used to describe politically liberal people whose education has traditionally opened the doors to affluence, wealth and power and who form a managerial elite. The proletariat (/ˌproʊlɪˈtɛəriət/; from Latin proletarius 'producing offspring') is the social class of wage-earners, those members of a society whose possession of significant economic value is their labour power (their capacity to work).[1] A member of such a class is a proletarian or a proletaire. Marxist philosophy regards the proletariat under conditions of capitalism as an exploited class[2]⁠ forced to accept meager wages in return for operating the means of production, which belong to the class of business owners, the bourgeoisie.

ONYE NCHE Female Genome Editing (C-Cup Breast Augmentation, Heart Shape Butt Augmentation, Layered WavyCurls for Volume, Diamond Face, Lipodissolve, Full Body Etching, Hyaluronic Acid Red Melanin, and Hazel Eyes)

Architecture Influence: Art Deco with Cycladic Marina.

Religion: Urban shamanism distinguishes traditional shamanism found in indigenous societies from Western adaptations that draw on contemporary and modern roots. Urban shamanism is practiced primarily by people who do not originate in a traditional indigenous society and who create unique methods that do not follow or claim authenticity in any prior tradition. Urban shamanism traces its beginnings to efforts by Westerners to come to terms with psychoactive plant experiences using their own modern frames of cultural reference influenced by, but outside of, the indigenous rites in which plant medicine is traditionally based. The related terms digital shamanism and digital psychedelia are schools of thought born out of the convergence of technological changes, art movements, and Eastern philosophies during the late 20th century. Metropolitan Elite is a term used to describe politically liberal people whose education has traditionally opened the doors to affluence, wealth and power and who form a managerial elite. The Spiritual Baptist faith is a religion created by persons of African ancestry in the plantations they came to in the former British West Indies countries predominantly in the islands of a Grenada, Saint Vincent and the Grenadines, Tobago and the Virgin Islands. It is syncretic Afro-Caribbean religion that combines elements of the many varied traditional African religions brought by the enslaved populations combined with Christianity. Spiritual Baptists consider themselves to be Christians. "The religious practice involves a music-centered worship service, in which collective singing and drumming accompany spirit possession and animal sacrifice (typically goats, sheep, and fowl)." Trinidad Orisha practice involves call-and-response singing accompanied by a trio of drums. Men can wear a headwrap however the very top of the head is usually left uncovered. (Graffiti Surfstreet with Durags) Trinidad Orisha practice involves call-and-response singing accompanied by a trio of drums. Djembe, Tammas, Bougarabou, with Steelpan 808s.

Clientelism or client politics is the exchange of goods and services for political support, often involving an implicit or explicit quid-pro-quo.[1][2][3] It is closely related to patronage politics and vote buying.[4]

Sin Stock Investment Trust: Pay a minimum of 90% of their taxable income to their shareholders through dividends; Arms, Tobacco, Pharmaceuticals, Entertainment District Rental Properties, and Sports Betting. (Piccadilly Circus as an Example) Lastly, maritime corruption may be categorized according to various fraud scenarios,[8] such as: under-invoicing, where the merchandise in question is declared of lower value than the actual sale price in the invoice, bribes paid to gain contracts, where large shipping and commercial vessel companies bid for long term contracts from large exporters, illicit payments to marine surveyors, so that the surveyor is paid illegally in order to give a better review of the inspected vessel, facilitation payments to customs officers, where bribes are paid to officers to ensure smooth customs procedures and to turn a blind eye to certain procedural requirements, and illegal purchase of letters of credit, where payment is promised for certain documents which validate that goods have been delivered as required.

Boxing Gym Culture Five Senses City: Touch; Boxing and Graffiti Surfstreet Fashion, Taste; Fish and Potatoes, Sound; Palace Music, Sight; Townsquare and Marina Architecture, Scent; Cucumber-Coconut Milk and Musk;

Tutlery Spirit: ONYE NCHE ARUSHI Drumming Orchestra Crista with IKORO. Saturn is the planet. SAMYAZA OATH When the rebel angels first meet upon Mount Hermon to organize their secret society of 200 members, Samyaza, as their recognized chieftain initially doubts the initiates' resolve to forswear heaven. This they had planned to achieve through dark combinations and clandestine oaths under penalty of death, thereby binding themselves to that treachery in which they would use their heaven-acquired knowledge to create a counterfeit religion on earth to satisfy their lusts and carnal desires.

REMAKE SHANGO BAPTIST FOR TUXÔN "Cool," temperate, calm gods ONLY; Shango Baptists was created in Trinidad and only practiced in Trinidad. It has no relation to the spiritual baptist religion. Shango is the practice of the Trinidad Orisha religion. In Trinidad, Orisha is also called Shango, and the term "Shango Baptist" is sometimes used to describe worshipers who are involved with both Spiritual Baptism and Orisha/Shango. The term "Shango Baptist" has come to have negative connotations for some worshippers of both Spiritual Baptism and Orisha/Shango, who argue that those who say "Shango Baptist" conflate the two religions, when in fact they are completely separate religions. As some have said, "There is no thing as Shango Baptist. Shango is Shango. Baptist is Baptist".[7] Others say that Shango Baptists simply "wear two hats"; their mixture of "Baptist and Orisha practices" is a result of similar oppression by colonial authorities in Trinidad.[8]; In practice, the Trinidad Orisha religion is not connected with the Spiritual Baptisms. Orisha worship services are not similar to and not held at the same locations as Spiritual Baptist churches.[9]; Trinidad Orisha practice involves call-and-response singing accompanied by a trio of drums.; "The religious practice involves a music-centered worship service, in which collective singing and drumming accompany spirit possession and animal sacrifice (Duck)."[3]; Donna P. Hope defines dancehall culture as a "space for the cultural creation and dissemination of symbols and ideologies that reflect the lived realities of its adherents, particularly those from the inner cities of Jamaica."[40] Dancehall culture actively creates a space for its "affectors" (creators of dancehall culture) and its "affectees" (consumers of dancehall culture) to take control of their own representation, contest conventional relationships of power, and exercise some level of cultural, social and even political autonomy.; Such a drastic change in the popular music of the region generated an equally radical transformation in fashion trends, specifically those of its female faction. In lieu of traditional, modest "rootsy" styles, as dictated by Rastafari-inspired gender roles; women began donning flashy, revealing – sometimes X-rated outfits. This transformation is said to coincide with the influx of slack lyrics within dancehall, which objectified women as apparatuses of pleasure. These women would team up with others to form "modeling posses", or "dancehall model" groups, and informally compete with their rivals.; This newfound materialism and conspicuity was not, however, exclusive to women or manner of dress. Appearance at dance halls was exceedingly important to acceptance by peers and encompassed everything from clothing and jewelry, to the types of vehicles driven, to the sizes of each respective gang or "crew", and was equally important to both sexes.; Remake ten of the major cultural imperatives or principles that constitute the dancehall worldview.

Arushi Attributes: Vice, Horcrux Warfare, Knowledge, Culture Theory (Culture, Art, Aesthetics, Bohemian) (Esthétique Antagonique; Aesthetic Theory, Culture Antagonist, Industrial Sub-Culture, and Edgy Arts), Art as a Medium for Linguistics, Commercial Commerce, Athletics, Carnal Love, Festivals, Artisanal Cash Crops, Distorted Sensory Play, Five Senses City, Liberal Arts, Côte d'Ivoire, and Blue Head.

Linguistics Arts (Fusion Language of Igbo as a Culture Planning Language for Onye Nche Patois; Phrasal Verbs; Noun Groups; Vowel Harmony): Originally, Patois was used to refer to non-standard varieties of French, used by peasants in France. Mid 17th century French, Patois meant ‘rough speech’. The word is usually associated with low status in comparison with the standard language of society. Especially in the Anglophone Caribbean region , the name Patois have been associated with French Creole dialects. Speakers of 17th and 18th French, came in contact with speakers of Yoruba, Ewe, Wolof, Igbo and Twi among various other West African languages. Between 350 BC and 150 AD, the expansion of the Empire, together with its administrative and educational policies, made Latin the dominant native language in continental Western Europe. Latin also exerted a strong influence in southeastern Britain, the Roman province of Africa**, western Germany, Pannonia and the whole Balkans.[25] The Romance languages, also known as the Latin[1] or Neo-Latin[2] languages, are the languages that are directly descended from Vulgar Latin.[3] They are the only extant subgroup of the Italic branch of the Indo-European language family. Fusional languages or inflected languages are a type of synthetic language, distinguished from agglutinative languages by their tendency to use single inflectional morphemes to denote multiple grammatical, syntactic, or semantic features. In linguistics, agglutination is a morphological process in which words are formed by stringing together morphemes, each of which corresponds to a single syntactic feature. Languages that use agglutination widely are called agglutinative languages. For example, in the agglutinative language of Turkish, the word evlerinizden ("from your houses") consists of the morphemes ev-ler-i-n-iz-den. Agglutinative languages are often contrasted with isolating languages, in which words are monomorphemic, and fusional languages, in which words can be complex, but morphemes may correspond to multiple features. In phonology, vowel harmony is a phonological rule in which the vowels of a given domain – typically a phonological word – must share certain distinctive features (thus "in harmony"). Vowel harmony is typically long distance, meaning that the affected vowels do not need to be immediately adjacent, and there can be intervening segments between the affected vowels. Generally one vowel will trigger a shift in other vowels, either progressively or regressively, within the domain, such that the affected vowels match the relevant feature of the trigger vowel. Common phonological features that define the natural classes of vowels involved in vowel harmony include vowel backness, vowel height, nasalization, roundedness, and advanced and retracted tongue root. Vowel harmony is found in many agglutinative languages. The given domain of vowel harmony taking effect often spans across morpheme boundaries, and suffixes and prefixes will usually follow vowel harmony rules. Art teaches communication by providing another way of portraying feelings, ideas, and arguments to an audience besides words. Also, it asks viewers to relate symbols and other abstract connections together to interpret a meaning from imagery. A noun group is a group of words relating to, or building on, a noun. Noun groups usually begin with an article (the, a, an) or determiner (this, that, these, those, my, your, his, her, its, our). It may have more than one adjective. 'The run-down old inner-city terrace house is for sale'. A phrasal verb is made up of a verb – usually a very common one, like 'make' – and a particle, like 'up'. Some phrasal verbs have two particles, for example put up with. The particle usually changes the meaning of the verb. Phrasal verbs look easy … after all, they're just a common verb followed by another little word. Often people don't even realise they need special attention. So what do you need to know about them? Here are some of the challenges.

Brothers of TUXÔN: Xô Igbo Name Signature with; Birth: Sensory Overload Asperger's Fetus Alcohol Consumption with Prenatal Hormones Vitamins; and Calcium Biometal Metabolism.

Animal Sacrifice is a Duck for Sex Drive and Speed.

Spiritual Animal is a Cheetah for Sex Drive and Speed.

Diet: Jamaican Fusion Pescatarian Potato Gastronomy for Nigerian Gastronomy.

2 Full Star Cardinal Signs and a Urban City Teenager Planetary Intelligence Cancer/Aries: Mercury, Moon, Sun/Neptune-Jupiter, Mars, Venus Brooklyn, NY.; age 17; Tutlery Spirit: Onye Nche (Pluto/Uranus-Saturn)

Jungle Capital Formula for African Games Retail Integration: Craftsmanship, Commercialism, Commerce, Cash-Conversion-Cycle, and Medium of Exchange. Horizontal integration involves the acquisition or merger of companies operating in the same industry and at the same stage of the supply chain. (Boxing, FL Studio and Poetic Meter, Track and Field, Rings Gymnastics, Real Estate Investment Trust, Sin Stocks Investment Trusts for Partying, and Culinary Linguistics).

Tuxôn Music School: Composition majors study contemporary composition approaches, analysis, orchestration, harmony, counterpoint, and music history. Ceremonial Orchestra Drum: Djembe, Tammas, Bougarabou; They are normally played with only the hands in a standing position. They have a full, deep, rich sound which can be heard for miles and is effective at all dynamic levels. They produce a kind of bass melody in the total rhythm. In other modern drumming situations, they are often used to back up djembes and tammas in a percussion group. Almost each of the orishas revered in the Yoruba religion has its own drum orchestra, which is of central importance for the cult of the respective deity. Drum music also represents the medium through which the ritual participant in ecstasy get in touch with the gods. Mozart Effect Composers Dancehall Production FL Studio with Djembe, Tammas, Bougarabou Theory Plugin and Bembé Rhythm Trinidad Orisha practice involves call-and-response singing accompanied by a trio of drums. Elementary School is Choir and Djembe; Middle School is Choir, Strings, and Djembe; High School is FL Studio. All Schools Teach Composition Music Study. The music was often related to national culture. It was culturally particular; from a particular region or culture. In the context of an immigrant group, folk music acquires an extra dimension for social cohesion. It is particularly conspicuous in immigrant societies, where Greek Australians, Somali Americans, Punjabi Canadians, and others strive to emphasize their cultural identity. They learn songs and dances that originate in the countries their grandparents came from. Fusion of cultures: Because cultures interact and change over time, traditional songs evolving over time may incorporate and reflect influences from disparate cultures. The relevant factors may include instrumentation, tunings, voicings, phrasing, subject matter, and even production methods. Trap Lyrics but based on National Customs so a Latino in Miami vs Jamaicans in Miami. In folk music a tune-family is, "a seeming multiplicity of melodies," reducible, "to a small number of 'models' or sets." One can think of the models or sets as deep structures. Often, "different tunes are the same," and, "the same tune is different."[1] Idiolectical (individual) or dialectical (based on context or on locale) variations may exist. Different families may also arise from the use of stock structures or of formulae such as stock phrases and motifs. In folk music, a tune is a short instrumental piece, a melody, often with repeating sections, and usually played a number of times.[15] A collection of tunes with structural similarities is known as a tune-family. America's Musical Landscape says "the most common form for tunes in folk music is AABB, also known as binary form."[16][page needed] In some traditions, tunes may be strung together in medleys or "sets."[17] Look up Romans 8 for Trap Religious Music. Trap folk music with Dance Beat.

SHANGO COURSE

Encomium (pl.: encomia) is a Latin word deriving from the Ancient Greek enkomion (ἐγκώμι��ν), meaning "the praise of a person or thing."[1] Another Latin equivalent is laudatio, a speech in praise of someone or something.

Encomium also refers to several distinct aspects of rhetoric:

A general category of oratory

A method within rhetorical pedagogy

A figure of speech praising a person or thing, but occurring on a smaller scale than an entire speech

The eighth exercise in the progymnasmata series

A literary genre that included five elements: prologue, birth and upbringing, acts of the person's life, comparisons used to praise the subject, and an epilogue[citation needed]

The basilikos logos (imperial encomium), a formal genre in the Byzantine empire

In Byzantine rhetoric, a basilikos logos (Greek: βασιλικòς λόγος, literally "imperial word") or logos eis ton autokratora ("speech to the emperor") is an encomium addressed to an emperor on an important occasion, regularly at Epiphany.[1]

The parameters of the genre were first set out in a treatise attributed to Menander Rhetor of the late 3rd century. The encomiast should praise the emperor's origins, his physical beauty, his upbringing, good habits, feats in peace and victories in war, philanthropy, good fortune and practice of the four cardinal virtues. He identified the presbeutikos, a speech of supplication given by a city to an emperor, as a subgenre of the basilikos logos. The panegyric of Constantine the Great delivered by Eusebius of Caesaria established a new convention of depicting the ideal emperor rather than the actual. The Christian basilikoi logoi dropped references to good fortune (tyche) in favour of piety. The term presbeutikos also shifted in meaning to refer to an ambassador's report.[1]

The delivery of a basilikos logos could be used as an occasion to subtly advise the emperor, becoming a sort of "mirror of princes". This is the form it took when Agapetos praised Justinian I (6th century) and when Basil I his son Leo VI (9th century). The surviving biography of the Empress Theodora (9th century) may originate in a basilikos logos addressed to her during her regency.[2] John the Oxite wrote and presumably delivered an unconventional logos that was highly critical of the policies of Alexios I Komnenos (11th century).[3] Michael Italikos (12th century) wrote a logos for the Emperor John II Komnenos based primarily on his deeds and another for Manuel I Komnenos that was more conventional.[1]

Byzantine texts

See also: Basilikos logos

Synesius, Bishop of Cyrene, De regno, speech delivered to emperor Arcadius.

Agapetus the deacon, speech delivered to emperor Justinian I. (c. 530s)

Basil I the Macedonian, Admonitory chapters I and II to his son emperor Leo VI the Wise

Constantine VII Porphyrogennetos, De Administrando Imperio, a domestic and foreign policy manual for the use of Constantine's son and successor, the Emperor Romanos II. (948–952)

Kekaumenos, Strategikon (1075/1078), chapters 77 – 91.

Archbishop Theophylact of Ohrid, Paideia Basilike (Lat. Institutio Regia) (c. 1088), addressed to his pupil Constantine Doukas, son of Emperor Michael VII Doukas.

Spaneas or Didaskalia Parainetike, modelled on the Isocratean Ad Demonicum (12th century)

Nikephoros Blemmydes, Andrias Basilikos (Lat. Regia statua, "Statue of a King"), written for Theodore II Laskaris, the future Nicaean emperor (c. 1250)

Thomas Magistros, La regalita addressed to Andronikos II Palaiologos. (14th century)

Manuel II Palaiologos, Paideia Regia dedicated to his son, John VIII Palaiologos. (15th century)

Tuxôn Favorite Songs

Ogochukwu by Seyi Vibez

Oluwaloseyi (Oluwaloseyi)

(I love you, I love you)

If you see me, you see star

Omoyi ma pami, Chiamaka, Undertaker (omoyi ma pami, Chiamaka, Undertaker)

Ma fi'ku t'oyara wo pa mi

Fashionista l'omo, ma t'epo s'alaami (fashionista l'omo, ma t'epo s'alaami)

Mallam mi, pe Aboki wa, kin she'wo, Mallam mi (pe Aboki wa, kin she'wo, Mallam mi)

O gbami, Didier Drogba, ogbaa (ogbaa)

Agba awo t'oun f'ase m'omi (agba awo t'oun f'ase m'omi)

Many girls want to woo me, woo me (many girls want to woo me, woo me)

Are you sure you want to do this? (want to do this?)

Bad boy, yours truly, truly (bad boy, yours truly, truly)

E get as e dey do me, do me

Sindodo, nkan t'oshe yen dun mi toh (Sindodo, nkan t'oshe yen dun mi toh)

Ogochukwu ogu longo

Insawodi, maya'wo, moya lo condom, mm

Mon p'ede fiki-gi fi-ti, fon-go

Kileti gbo, e tin gbo nkankan

Excuse me, me le passe, make you pardon

I love your fashion

Ejiro, o virgin but I'ma ride on

Balogun l'eyin obirin, emi Starboy

Go inside, put them sicken, aside on

My heart (heart), when we go fanshi? (fanshi)

Hey you, my chargie (chargie)

Seki', ma pami

Monseriki, fa mi

No go touch my maye

Se'ka setter, kaaye

Baby, Shiloh, awee

Holy center

Ramality

Awon parent mi, o ni wa mi ti

T'oba ba e soh, k'oya listen

Oh Warisi, k'oma reason

B'oje Hennessy l'ori, k'oya sip it

You no get shishi oh, o de ffizzy

Kako bi chicken, emi l'Oba Titi

Scatter the chart, no appealing

Ogochukwu ogu longo

Insawodi, maya'wo, mo ya lo condom, mm

Mon p'ede fiki-gi fi-ti, fon-go

Kileti gbo, e tin gbo nkankan

Excuse me, me le passe, make you pardon

I love your fashion

Ejiro, o virgin but I'ma ride on

Balogun l'eyin obirin, emi Starboy

Go inside, put them sicken, aside on

My heart (heart), or we go fanshi (fanshi)

Hey you, my chargie (chargie)

Seki', ma pami

Monseriki, fa mi

No go touch my maye

Se'ka setter, kaaye

Baby, Shiloh, awee

Holy center (Holy center)

Afi'emi, afi'emi, Shiloh

(Olusho, mon dahun)

You never let a n- down

Dem wan make the n- frown

Afi'emi, afi'emi, Shiloh

Olusho, mon dahun (Olusho, mon dahun)

You never let a n- down

Na who make the n- frown?

(Afi'emi, afi'emi, Shiloh, yeah)

Olusho, mon dahun (Olusho, mon dahun)

Olusho, mon dahun (Olusho, mon dahun)

"Numbers Don't Lie" by Popcaan

An-anywhere di killy dem stop

Gyal wan' fi gi' wi di contact

Tell-tell some bwoy don't try violate, man ah fly weh dem bat

Think mi ramp?

Sonny and Rane Day

More gyal fi mi and Dane Ray

No funny blood inna mi DNA

Diss badman, di SKL wi' spray-spray

I am way up

High like di 4th of July

From mi, pretty gyal roll up

Shootin' mi shot like Kawhi

Wah 'mount ah gyal mi have, yeah

Numbers don't lie, yeah

Wah 'mount ah Matic mi have, yeah (Dane Ray)

Numbers don't lie

Wah 'mount ah respect wi have

Numbers don't lie

Gyal wan' gimmi pussy pon di first day

Yuh know mi don't lie (Weh!)

Surprise di place like di Raptors dem

Have gyal ah reminisce pon di backaz dem

Gyal ah cuss-cuss fi mi, one ah mi hottaz dem

Unruly nuh wear di knockaz dem (Yeah!)

V16 engines

Spaceship wid di lock sport built it

Bwoy cyan diss my team

Man ah bad before mi reach 16

Man ah Gad inna di earth, dawg

Bad anywhere inna di world, cah

Who dem pussy dem, dem ah learner

Badman buss yuh head wid di burner (Weh!)

I am way up

High like di 4th of July

From mi, pretty gyal roll up

Shootin' mi shot like Kawhi

Wah 'mount ah gyal mi have, yeah

Numbers don't lie

Wah 'mount ah Matic mi have, yeah (Dane Ray)

Numbers don't lie

Wah 'mount ah respect wi have

Numbers don't lie

Gyal wan' gimmi pussy pon di first day

Yuh know mi don't lie (Weh!)

Mi seh mi money nuff long time

Anuh just now

Cuban 'round mi neck (Weh!), fully buss down

9x19, fully custom

Mi yard run like ah airport killy customs (Mhmm)

Prettiest gyal have mi ting ah rub down

And ah seh she wan' gimmi head inna lump sum

Win some pretty tongue, gimmi wisdom

3 grand fi mi shoes dem weh yah touch ground

Pussy dem soft like Suavitel

Mi call dem name and mi nuh ring nuh bell (Mhmm hmm)

Dane Ray seh kill dem, mi seh might as well

Man crack dem skull just like ah turtle shell

Paint dem like ah enamel

Sonny and Rane Day

More gyal fi mi and Dane Ray (Yeah)

Gyallis inna mi DNA

Fuck off 'Shawna, Kay and Anna-Kay

I am way up

Trouble!

Yuh think mi [?]?

Woi

Sonny and Rane Day

More gyal fi mi and Dane Ray (Woi)

Gyallis inna mi DNA

ONYE NCHE NEUROPLASTICITY DRUG-CRIME NEXUS BASED ON TRAFFICKING

CPP, CNS Depressants, et FENTALOGS: Cul-de-sac

Grey-Decentralized Markets

Bastilles: Cul-de-sac Artist Résidences Penthouse Complexes

Raves

Acid House Art Gallery

International Film Festival

Hôtel Chefs

Seigneurial System/Tableau Economique Raw Material Économics Production Spot

Surautomatism

Discount Networking Acid House Party

Opium Dens and Fragrance Festivals

Pill Pressers

CNS depressants

Upper-tier County System

Defense Lawyers are Traplords (Trafficking P4P and Malicious Prosecution)

Cash Conversion Cycle (CCC)

Brain Receptor Dealing

Neuroplasticity Drug-Crime Nexus

Live-Pool Betting Monopoly Board Game

Summary Sentencing

Urban Level: Street Culture Art Gallery (Street culture may refer to: Urban culture, the culture of towns and cities, Street market, Children's street culture, Street carnival, Block party, Street identity, Street food, Café culture, Several youth subculture or counterculture topics pertaining to outdoors of urban centers. These can include: Street art, Street photography, Street racing, Street wear, Hip-hop culture, Urban fiction, Street sports, Streetball, Flatland BMX, Freestyling), Art Pedagogy, Artist Residency, Art Schools, and Art Plugs

Art Pedagogy: Arts-based pedagogy is a teaching methodology in which an art form is integrated with another subject matter to impact student learning. 28-30. Arts-based pedagogy results in arts-based learning (ABL),11 which is when a student learns about a subject through arts processes including creating, responding or performing. Aesthetic Teaching: Seeking a Balance between Teaching Arts and Teaching through the Arts. In aesthetic education, learning must be developed especially with the inclusion of sensations and with the help of feelings. Sensations and feelings should lead to movement, representation, and expression. Aesthetic learning often entails learning to distinguish certain qualities or objects aesthetically in different ways depending on the situation and the purpose. Certain things can be experienced in negative ways in one activity and in positive ways in another.

A designer drug is a structural or functional analog of a controlled substance that has been designed to mimic the pharmacological effects of the original drug, while avoiding classification as illegal and/or detection in standard drug tests

Major Vice: Solvent Levelling Effect Chemical Reaction Engineering et Placebo Effect (manufacturing), Suicide Tuesdays Levelling Effect (Rolling Tobacco, Oxytocin, Pain Killers, and Hydrocolloids Ecstasy) [Brain Receptors Dealing], Cash Back Program (Buy within 3 days of paycheck for extra Tobacco), Razor-Razor Blade C2C: Streetwear and PC Gaming (Business Model), Popcorn Marketing (Prices) Ecstasy-Opiods Singer-Dealers/Ecstasy-Xanax Producers-Drug Encroachment (Rave Teams), Smurfing-Embezzlement Painting, Cabaret et Burlesque, et Hotel Chains Budgeting, Real Estate Brokerage Trust Account

Grassroots Minor Vice: TRADWAVE Stickers/Shirts and Gum (Trafficking), Vape Smoke Tricks (Sprezzatura), Soundcloud Sharing Group Chats (Raves), Hôtel Chains Budgeting (Financial Forecasting and Budgeting), San Pellegrino Mini Fridge (Chilvary)

Body High Ecstasy Water; (Binding Agent) Microcrystalline Cellulose, Hydrocolloid Water-soluble Proteins, (Potentiation) Grapefruit Powder, (Activating Ingredients) meta-Chlorophenylpiperazine (mCPP), and Alprazolam; New York Minuite: Duds and meta-Chlorophenylpiperazine (mCPP); Fentalogs: acetyl fentanyl, butyryl fentanyl, beta- hydroxythiofentanyl, furanyl fentanyl, 4-fluoroisobutyryl fentanyl, acryl fentanyl, and U-47700; Tablet presses are machines designed to compress pharmaceutical powders and granules into tablets. They must be highly precise in order to create uniform tablets that each contain the same amount of active pharmaceutical ingredients and excipients; Habitants (French: [abitɑ̃]) were French settlers and the inhabitants of French origin who farmed the land along the two shores of the St. Lawrence River and Gulf in what is the present-day Province of Quebec in Canada. The term was used by the inhabitants themselves and the other classes of French Canadian society from the 17th century up until the early 20th century when the usage of the word declined in favour of the more modern agriculteur (farmer) or producteur agricole (agricultural producer). A fragrance wheel [1] also known as aroma wheel, fragrance circle, perfume wheel or smell wheel, is a circular diagram showing the inferred relationships among olfactory groups based upon similarities and differences in their odor.[1] The groups bordering one another are implied to share common olfactory characteristics. Fragrance wheel is frequently used as a classification tool in oenology and perfumery.

Books: Mirror for Princes, Psychology, and Business.

Genome Editing Signature: Diamond Face with Grey Eyes and Blonde Hair, Calcium Blood Overdose for ACTNX Gene and FBN1 Gene for Marfan for Fascia Type IIx Athletes, Sensory Processing Sensitive Brain, with Enzymes; Mutations; and Neurodisorders.

TUXÔN Commercialism Reference Style Nigerian Boxing: A system of Social and economic organization in which financial profit is valued above any other criterion or consideration. 

Training Gear: Focus Mitts, Punching Shield, Reflex Bag, Double End Bag, Heavy Bags, Tire for Pocket Training (one foot in)

Boxing Movement: Aesthetics, Athletics, and Agriculture (Life Drawing Modelling and Tracksuits with Outerwear, Boxing, Agriculture Mediums, Iron Metabolism); Anatomy: For Force-Velocity Curve Replace Power with Elastic for Fascia Type IIx Muscle Fibre with Dynamic Effort Method, Scapular Rings Gymnastics, 200m Isometric-Plyometric, 200m Isometric-Mobility, Isometric-Dynamic Plank, 200m Isometric Stretching, Leucine, Hydrolyzed Collagen, Keto BHB, and Iron Supplements with Lidocaine Numbing Cream and Tramadol Painkiller; Duck, Sheep Dairy, Rabbit, Beans, Spinach, And Potato for Iron Metabolism: Shoulder Roll Brawler: Pocket Fighting and Clinching. Use different Jab and Power Shot Types for Bladed Guard Manipulation for Signature Stance. The shoulder roll is a defensive move in its essence, one you can get to from any position or stance. It allows you to tuck your chin behind your shoulder to avoid your opponent’s punches.  

Boxing Museum: Theatre and Library, Sculpting Modelling (Scapula exercises works Traps and Serratus Anterior), Sculpting Courses, History Exhibit 

Chain Model: Pay-per-view Conglomerate, Magazines with Gyms, Solo Promotion and Teams Demotion Daily Fantasy Sports Rakes and Purses, Boxing Economy Magazines, AgriMediums for Rural Area Commerce, AgInvestors, Life Drawing Modelling and Tracksuits with Outerwear for 1% Class Interaction, British Boxing Museum, Memoir and Documentaries, Brain Donation, Anatomy and Calcium Metabolism Meta-analysis

Decentralized Gambling Economy: Pigou Effect, Corporate-Capital Gains Tax Haven, High Stakes Minimum Buy In, Domestic: Boxing, Retirement: Boat Racing, Residency Program for Tax Benefits

Signature Striking: Start Combos with Power Shots and End with Jabs

Naoya Inoue Influence for West African Shell (Bladed Half Guard): Wide Stance with Weight Forward, Inverted-V Target (Solar Plexus, Liver, Spleen, Obliques) opens Head as a Target, Centerline connection opens Flanks, Multiple Jab Triggers Self Counter Hooks Combo, Front Power Hooks over Jabs for Single Punches, Front Hooks and Front Jabs for Parry High Guard.

Boxing Gym Culture (Surf Culture Reengineering)

Surf culture includes the people, language, fashion, and lifestyle surrounding the sport of surfing. The history of surfing began with the ancient Polynesians. That initial culture directly influenced modern surfing, which began to flourish and evolve in the early 20th century, with its popularity peaking during the 1950s and 1960s (principally in Hawaii, Australia, and California). It has affected music, fashion, literature, film, art, and youth jargon in popular culture. The number of surfers throughout the world continues to increase as the culture spreads. Surfer Magazine was founded in the 1960s when surfing had gained popularity and was the initial voice for surf culture which included environmental activism. Localism or territorialism is a part of the development of surf culture in which individuals or groups of surfers claim certain key surfing spots as their own. Since ancient times among the Native Hawaiians, the appointed kahuna (priest) laid an offering of fish, said prayers, and performed other religious rites by a tree before it was felled to make a surfboard.[12] The ancient Hawaiians believed that the trees they made their surfboards (papa heʻe nalu) from had souls (ʻuhane),[22][23] and used the trunks of koa trees to build them. Their pae poʻo (bodyboards)[24][note 1] as well as kikoʻo and alaia surfboards were made from koa; however, olo, the longest and heaviest surfboards, were made from the lighter and more buoyant wood of the wiliwili, and were used exclusively by the nobility.[25] Heiaus are Hawaiian places of worship where sacrifices were offered, they include actual temples as well as natural objects or features of the landscape. Every activity in Hawaiian culture was associated with a cult devoted to a deity or the activity itself, such as surfing. [26][27] When the ocean was calm and there were no waves to surf, the kahuna lashed the surface of the sea with long strands of beach morning glory (pohuehue) vines and chanted, in unison with the surfers.

Promotion and Regulation: Solo Promotion and Weight Class Teams.

Magazines Owned Gyms as League Franchises: A franchise agreement is a contract under which the franchisor grants the franchisee the right to operate a business, or offer, sell, or distribute goods or services identified or associated with the franchisor's trademark, Ex. 250 Gyms for 5 Magazines 50 per Magazine.

Sculpting Modelling 

Sculpture is a form of artistic expression that involves modelling, sculpting or carving stone, wood or other materials. 

If you enjoy carving or molding figures from clay, metal, marble, or other materials, have excellent artistic talent and a keen imagination (and you played in the mud as a child), a career as a sculptor is for you.

Fine artists, including painters, sculptors*, and illustrators are also called: Artist.

Boxing Physiques can be a Reference for Sculptors. We just do what's need for the piece. Africa have the FARMING too.

No Closed Doors Super Series: Bi-monthly Six Fight Multi Locations Series with Behind the Scenes between Two Boxers

Box Raw Bi-weekly Boxing Economy Newspaper and Monthly Biography Magazine

Box Raw Fashion Label and Equipment

Box Raw Boxing Science Corporate Education

Box Raw Streaming Daily Fantasy Sportsbook (Options Trading Turf Accountant)

Boxing Gloves as Kit Rivals

Target Audience

Gamblers and BioEngineers

Turf Accounting Model

+EV

Python Programming Gaussian Distribution

Exotic Options Trading Live Betting

Parlays Minimum for Round Robins

Daily Fantasy Rakes

Street Culture

Street Food

Street Photography

Street Workout

Café Culture

Children's Street Culture

Block Party

Piccadilly Circus is a road junction and public space of London's West End in the City of Westminster. It was built in 1819 to connect Regent Street with Piccadilly. In this context, a circus, from the Latin word meaning "circle", is a round open space at a street junction.[1]: A street can often serve as the catalyst for the neighborhood's prosperity, culture and solidarity.

Ring Fundamentals Workout

Top position hold: 5 sets of 15 seconds, 30 sec. rest

Ring dip: 5 sets of 8-12 reps, 1 min. rest

Reverse row sit-back: 5 sets of 10-15 reps, 1 min. rest

Tuck/L-sit: 5 sets of 15 seconds, 30 sec. rest

Ring chin-up or pull-up: 5 sets of 8-12 reps, 1 min. rest

Dynamic/Isometric Superset Workout

Ring dip: 6-8 reps of dip, with a 15-sec. top position hold in between each rep. Do this for 5 sets with 1 min. rest between sets.

Reverse row sit-back: 6 to 8 reps with a 15-sec. tuck/L-sit in between each rep. Do this for 5 sets with 1 minute of rest between sets.

Ring chin-up or pull-up: 5 sets of 8 to 12 reps, with 1 minute of rest between sets.

Street Culture

Street Food

Street Photography

Street Workout

Café Culture

Children's Street Culture

Block Party

Bloor Street: A street can often serve as the catalyst for the neighborhood's prosperity, culture and solidarity.

Urban Fiction (Crime Newspaper Articles, Movies, TV Series) Caleb's Rise International Film Festival Genre: Street Literature Henriad Shakespeare Adaptation Thrillers.

Spiritual Catalyst: Djembe; Tammas; Bougarabou 808s Melody, Cinnamon Coffee-Tobacco, English Style Battered Scallops-Basil Potatoes, Mineral Water, Chlorophyll, Leucine-Creatine-Keto BHB-Hydrolyzed Collagen, Musk-Tobacco Fragrances, Cucumber-Coconut Milk Shea Butter Hyaluronic Acid Cosmetics, Money, Machine Pistols, Technology, Parties, Wool-Sheep Dairy, Modafinil-Painkillers-Iced Tea Promethazine Codeine, and Sports Betting.

MODAFINIL, PAINKILLERS, AND PROMETHAZINE CODEINE

Religious Ecstacy: Entheogens are psychedelic drugs—and sometimes certain other psychoactive substances—used for engendering spiritual development or otherwise in sacred contexts; Mu Recptor-Norpinephine Prescription Meds Ecstacy. The poet syndrome: opiates, psychosis and creativity L Rauch. J Psychoactive Drugs. 2000 Jul-Sep. For some people, heroin is a self-medicating tool used to control innate psychic sensitivity. The habitual use of heroin provides the sensitive addict with a definition of consciousness by containment, psychic buffering, and psychic marking. This article is an examination of the political and social history of opiates, opiates as antipsychotics, "drug of choice" as a determinant of self-medication, and the connection between creativity, spirituality, psychosis and addiction. Using clinical observation, the article explores the poet syndrome hypothesis and offers direction for an alternative drug treatment paradigm. Personality disorders and particularly antisocial personality disorders (APD) are quite frequent in opioid-dependent subjects. They show various personality traits: high neuroticism, high impulsivity, higher extraversion than the general population. Previous studies have reported that some but not all personality traits improved with treatment. In a previous study, we found a low rate of APD in a French population of opioid-dependent subjects. For this reason, we evaluated personality traits at intake and during maintenance treatment with methadone. Methods - The form A of the Eysenck Personality Inventory (EPI) was given to opioid addicts at intake and after 6 and 12 months of methadone treatment. Results - 134 subjects (96 males and 38 females) took the test at intake, 60 completed 12 months of treatment. After 12 months, the EPI Neuroticism (N) and the Extraversion-introversion (E) scale scores decreased significantly. The N score improved in the first 6 months, while the E score improved only during the second 6 months of treatment. Compared to a reference group of French normal controls, male and female opioid addicts showed high N and E scores. Demographic data and EPI scores of patients who stayed in treatment for 12 months did not differ significantly from those of dropouts (n=23). Patients with a history of suicide attempts (SA) started to use heroin at an earlier age and they showed a higher E score and a tendency for a higher N score at intake. Discussion - The two personality dimensions of the EPI changed during MMT, and the N score converged towards the score of normal controls. Opioid addicts differ from normal controls mostly in their N score. The EPI did not help to differentiate 12-month completers from dropouts. Higher E scores in patients with an SA history might reflect a higher impulsivity, which has been linked to suicidality in other patient groups.

Region: Port Tuxôn; Bas-Sassandra District (French: District du Bas-Sassandra; [ba.sa.sɑ̃d.ʁa], "Lower Sassandra") is one of fourteen administrative districts of Ivory Coast. The district is located in the southwest part of the country. The capital of the district is San-Pédro. The district was created in a 2011 administrative reorganisation of the subdivisions of Ivory Coast.[3] Its territory is composed of the former region of Bas-Sassandra with the addition of the department of Fresco, which was transferred from the region of Sud-Bandama.[4] Yonge–Dundas Square, or Dundas Square is a public square at the southeast corner of the intersection of Yonge Street and Dundas Street East in Downtown Toronto, Ontario, Canada. Designed by Brown and Storey Architects, the square was conceived in 1997 as part of revitalizing the intersection.[2][3] Since its completion in 2002, the square has hosted many public events, performances and art displays, establishing itself as a prominent landmark in Toronto and one of the city's prime tourist attractions. Central to the Downtown Yonge entertainment and shopping district, the square is owned by the city and is the first public square in Canada to be maintained through a public–private partnership.[4] The intersection is one of the busiest in Canada, with over 100,000 people crossing the city's first pedestrian scramble daily.[5][6][7] Surrounding the square are other major landmarks, including the Toronto Eaton Centre, Ed Mirvish Theatre, and the Citytv building. The square is accessible from the Toronto subway at Dundas station and is connected to Path, Toronto's underground pedestrian walkway. The square is continuously illuminated by large billboard screens and corporate logos, which has led to comparison of the square with Times Square in New York City, Shibuya Crossing in Tokyo, and Piccadilly Circus in London.[8][9] A marina (from Spanish [maˈɾina], Portuguese [mɐˈɾinɐ] and Italian [maˈriːna]: "related to the sea") is a dock or basin with moorings and supplies for yachts and small boats. A marina differs from a port in that a marina does not handle large passenger ships or cargo from freighters. Marine architecture is the design of architectural and engineering structures which support coastal design, near-shore and off-shore or deep-water planning for many projects such as shipyards, ship transport, coastal management or other marine and/or hydroscape activities. These structures include harbors, lighthouses, marinas, oil platforms, offshore drillings, accommodation platforms and offshore wind farms, floating engineering structures and building architectures or civil seascape developments. Floating structures in deep water may use suction caisson for anchoring.[1][2][3][4][5]

Boxing/Ballet Mecca

Trafalgar Square (/trəˈfælɡər/ trə-FAL-gər) is a public square in the City of Westminster, Central London, established in the early 19th century around the area formerly known as Charing Cross. The square's name commemorates the Battle of Trafalgar, the British naval victory in the Napoleonic Wars over France and Spain that took place on 21 October 1805 off the coast of Cape Trafalgar. The Monte Carlo Casino, officially named Casino de Monte-Carlo, is a gambling and entertainment complex located in Monaco. It includes a casino, the Opéra de Monte-Carlo, and the office of Les Ballets de Monte-Carlo.[1]

Trafalgar Square but Casino de Monte Carlo Boxing Buildings/Museums and Statues with a Ballet Drumming Orchestra Opera House.

S-1 TALK

Laws of Power, Strategies of War, and Laws of Human Nature By Robert Greene

Law 1: Never Outshine the Master: Ensure that those above you always feel superior. Go out of your way to make your bosses look better and feel smarter than anyone else. Everyone is insecure, but an insecure boss can retaliate more strongly than others can.

Law 2: Never Put too Much Trust in Friends, Learn How to Use Enemies: Keep a close eye on your friends — they get envious and will undermine you. If you co-opt an enemy, he’ll be more loyal than a friend because he’ll try harder to prove himself worthy of your trust.

Strategy 1: Do Not Fight the Last War: The Guerrilla-War-of-the-Mind Strategy: What most often weighs you down and brings you misery is the past, in the form of unnecessary attachments, repetitions of tired formulas, and the memory of old victories and defeats. You must consciously wage war against the past and force yourself to react to the present moment. Never take it for granted that your past successes will continue into the future.

Strategy 2: Segment Your Forces: The Controlled-Chaos Strategy; Speed and adaptability are critical elements in war, and come from flexible organization. Decentralize your army, segment into teams, and let go a little to gain mobility. Give your different corps clear missions that fit your strategic goals, then let them accomplish them as they see fit.

Law #3: People Can Be Influenced: We all need our self-image confirmed because we know it’s not always objectively accurate. We tend to like and listen to the people who validate us.

Law #4: People Wear Masks: We all display a persona, or a mask, that pumps up our positive qualities and shows ourselves in the best light. However, it’s not always easy to hide our true natures—while we have good control of our words, we don’t always have good control of our body language and nonverbal cues

Law #8: People’s Individuality Is Overpowered by Groups: When we’re in groups, everyone else’s emotions affect us and potentially provoke us into doing things we wouldn’t do alone.

Law #9: People Are Influenced by Their Generation: Everyone belongs to at least one group—their generation. Generational values are shaped by world events that took place during the generation’s coming-of-age years and the inevitable conflict with other generations.

Instrumental aggression refers to aggressive behavior meant to achieve a specific goal. Unlike other types of aggression, the behavior is not due to anger or other emotion but rather a calculated means to an end. Instrumental aggression is similar to bullying but with a specific, manipulative purpose.

SOCIO-TRUST FUND NIGERIAN BANKS

Age 16-19

Bond Funds 

Farmland REITS

CFDS

Real Estate Brokerage Trust Account 

Age 20-30

Farmland Recession Proof Stocks (Cosmetics, AgTech, Ag ETFS, AgETN)

Incubator and Startup Accelerators

Real Estate Joint Ventures 

Age 30-40

Farmland Blue Chip Indexes w/ Credit Spread Options

Tunnel Strategy (Offshore Banking)

Purpose: Permanent Residency Card

$250k Deposit

$125k: 60/40 portfolio, 60% Fixed Income & REITs and 40% Blue Chip Stocks 

$50k: Guaranteed Investment Certificates (GICs) and term deposits are secured investments. This means that you get back the amount you invest at the end of your term. The key difference between a GIC and a term deposit is the length of the term. Term deposits generally have shorter terms than GICs.

$75k: Spending Cash

Tax System

Commonwealth of Dominica has initiated legislation that facilitates the creation of offshore corporations, trusts, and foundations, providing tax-friendly and privacy-protected offshore banking services.

Taxes on profits of offshore companies are generally in the range of 0% to 5.5%, and the tax rate decreases as the profits earned increase.

A business cluster is a geographic concentration of interconnected businesses, suppliers, and associated institutions in a particular field. Clusters are considered to increase the productivity with which companies can compete, nationally and globally. Accounting is a part of the business cluster.[1][2] In urban studies, the term agglomeration is used.[3] Clusters are also important aspects of strategic management. Geographical cluster – as stated above e.g. the California wine cluster[12] or the flower cluster between Rotterdam and Amsterdam in the Netherlands.[13] Sectoral clusters (a cluster of businesses operating together from within the same commercial sector e.g. marine (south east England; Cowes and now Solent) and photonics (Aston Science Park, Birmingham)) Horizontal cluster (interconnections between businesses at a sharing of resources level e.g. knowledge management, machinery, lab and test tools, material supply, professional employment) Factor endowment clusters – They are created because a comparative advantage they might have linked to a geographical position. For example, wine production clusters because of sunny regions surrounded by mountains, where good grapes can grow. This is like certain areas in France such as Burgundy and Champagne, as well as Lombardy, Spain, Chile and California. Low-cost manufacturing clusters – These clusters have typically emerged in developing countries within particular industries, such as automotive production, electronics, or textiles. Examples include electronics clusters in Mexico (e.g. Guadalajara) and Argentina (e.g. Córdoba). Cluster firms typically serve clients in developed countries. Drivers of cluster emergence include availability of low-cost labor, geographical proximity to clients (e.g. in the case of Mexico for U.S. clients; Eastern Europe for Western European clients).[17] Hubs and nodes is a geographic model explaining how linked regions can cooperate to fulfill elements of an industry's value chain and collectively gain sufficient mass to drive innovation growth. In economics, a network effect (also called network externality or demand-side economies of scale) is the phenomenon by which the value or utility a user derives from a good or service depends on the number of users of compatible products. The model of hubs and nodes builds on Porter's cluster model which served well in the past, but as businesses and regions around the world have adjusted to the realities of globalization, the concept of clusters is becoming outdated. In the late 1990s, the Seoul Metropolitan Government in South Korea developed the Digital Media City (DMC), a 135-acre complex, four miles outside of the city's central business district in the Sangam-dong district. With Seoul's rapidly growing cluster of multi-media, IT, and entertainment industries, the Digital Media City, through its vibrant agglomeration, helped to promote these industries and companies whose core business required use of information, communication, and media technologies. DMC grew and prospered as a global business environment, raising Seoul as an east-Asian hub of commerce. The cluster of its digital media-related, high-tech firms spawned partnerships which in turn leveraged both human and social capital in the area. Eventually, DMC fed the innovation of more than 10,000 small-scale Internet, game, and telecommunication firms located in Seoul.[20]

Nigerian naira

Commodity De Facto Currency: Cash Crops Plantation/Rural Economics and Raw Materials Economic 

Coffee-Belmont Livre De Facto Currency: BEL/HLV Currency Pair, Currency Basket to Stabilize Buyers and Sellers, Coffee-Tobacco Soil Peg, Coffee-Tobacco Plantation, Currency Board NO Central Bank

Banque Habitants 

To provide a ballpark estimate, the cost range for a new bank or credit union can range from $2 million to $5 million, depending on size and many other variables. Use the guide we've created below to explore the cost breakdown of each component of a new facility.

Mercantilism, Market Extension Mergers (Infrastructure for Resources), Commodities Options Exchanges, Farmland Real Estate Brokerage Trust Account, Student Credit Cards, Coastal Belt, Conserved Péninsule,

Clients: 

Open-pit Mines in with: large-scale alluvial and coastal mining

Ghana has three major geographic regions—coastal, forest, and northern savanna—the boundaries of which are not always clearly defined. By far the smallest of the regions, the coastal zone is traditionally a region of fishermen and small-scale farmers.

La Suite System: Real Estate as a Catalyst for Commodities Options Exchanges 

Location: 

Territorial cartels distribute districts of the market to be used only by individual participants, which act as monopolists.

Selling or buying cartels unite against the cartel's customers or suppliers, respectively. The former type is more frequent than the latter.

Standardization cartels implement common standards for sold or purchased products. If the members of a cartel produce different sorts or grades of a good, conversion factors are applied to calculate the value of the respective output.

Tuxôn Masculinity: Live Like Your Farther is Dead (Man of the House), Live like you are responsible for someone else while taking care of your wellbeing, Budget & Forecasting Finances, Keystone Habits (One Habit that adds multiple habits), Stretch Goals and Micro Goals, Pescatarian Potato Gastronomy, Contrast Training, and use Potential Psychology. "Having a son is like planting a tree. You need to let it grow and have it's own shadow!" — Tuxôn

Mercantilism Spectrum of CDF/NGN

CDF Raw Materials and CFA Products. (Prices); CDF Holding Company and CFA Conglomerate Company. (Equity and Dividend Yield); CDF is Gold Standard and CFA is Helicopter Money. (FX Rate/Hedging); CDF Helicopter Money [Supplier Currency] and CFA as Purchasing Power [Consumer Currency] (Currency Union & Currency Board and Negative Interest Rates); CDF is Congolese Franc and CFA is Central African Fran

Culinary linguistics, a sub-branch of applied linguistics, is the study of food and language across various interdisciplinary fields such as linguistic, anthropology, sociolinguistics, and consumption politics and globalisation.[1]

Competitive Cooking Gambling

Cooking Shows as Leagues

Verb Groups

Gastronomy Trends Marketing Teams

TUXÔN d’Or as Organization

Habitant Conservation Film Festival

Restaurant Clientel Grocery Stores

Cook Book based Libraries

Bocuse d’Or Qualifiers

Agriculture Festivals: Wool and Wine

Sporting Event Gastronomy

Nutritional Biochemistry Learning Show

Farmland Stock Simulators

Agronomics School

Pescatarian Gastronomy School

Agriculture Central Hedge Fund, Mining Unions, Peninsula Agronomique Engineering, Commodities Options Exchange (Credit Spread Options, Farm REITs, Crop Production; Fertelizers and Seeds; Equipment; Distribution and Processing Stocks, Ag ETFs and ETNs, Ag Mutual Funds), Tableau Économiques, Investments Farms REITs, Art Financing Carnival.

MY CRICKET

Ninety–90 Bash, also known as the 90/90 is an upcoming annual franchise-based 90-ball cricket league in the United Arab Emirates.[1] It will be slightly shorter than The Hundred which is a 100-ball cricket format founded by the England and Wales Cricket Board (ECB). Chaguanas has also been a hub for Indo-Trinidadian and Tobagonian culture and even the broader Indo-Caribbean culture.

Evening Cricket, Sports Betting Team Purse (20% to teams) and Short Form of Cricket Ninety–90 Bash Network: Trinidad and Tobago West Indies, Mumbai, Dubai, and Sri Lanka

Cricket System for Hawala Athletes: Entertainment District Stadiums, Maritime Corruption, Sin Stocks Investment Trust (Pharmaceuticals; Arms; Cannabis; Sportsbook; Entertainment District Quarterly Gross Revenue Rental Properties), and Kinaesthetic Learner Activities away from Cricket.

Trixie and Jersey Sales: Craftsmanship, Commercialism, Commerce, Cash-Conversion-Cycle, and Medium of Exchange.

Poaching for Bowlers: Jersey Sale Money, Purse Money added to my Contract, and 15-25 demographics Endorsements 

CRICKET BOWLING

Swing bowling is a technique used for bowling in the sport of cricket. Practitioners are known as swing bowlers. Swing bowling is generally classed as a subtype of fast bowling.

Bodyline, also known as fast leg theory bowling, was a cricketing tactic devised by the English cricket team for their 1932–33 Ashes tour of Australia. It was designed to combat the extraordinary batting skill of Australia's leading batsman, Don Bradman. A bodyline delivery was one in which the cricket ball was bowled at pace, aimed at the body of the batsman in the expectation that when he defended himself with his bat, a resulting deflection could be caught by one of several fielders deliberately placed nearby on the leg side.

STREET CULTURE CRICKET

Slang: Sub Verbs Linguistics Arts Touch-Accuracy Cricket Street Game

Cricket System for Trapping Athletes: Entertainment District Stadiums, Maritime Corruption, Sin Stocks Investment Trust, and Kinaesthetic Learner Activities away from Cricket. Craftsmanship, Commercialism, Commerce, Cash-Conversion-Cycle, and Medium of Exchange.

Spiritual: Tutlery Deity Cricket Ancestry Invocation, Spiritual Baptist Cricket Spirit, Shaman King Athletics, Full Star Pluto with Gemini Mercury Winged Deity

Adult Entertainment: Caribbean Sports Betting

Video Game: Arcade Pinball Style Video Game with Bembé Rhythm Soundtrack

Food: Rum Mango Lassi Stadium Drink, Fish Fritters and Samosa-Naan Food Trucks

PROGRAM

Stroke Play: Vertical-bat or straight-bat shots can be played off either the front foot or the back foot depending upon the anticipated height of the ball at the moment it reaches the batter. The characteristic position of the bat is a vertical alignment at the point of contact. Vertical-bat shots are typically played with the batter's head directly above the point of contact so he is able to accurately judge the line of the ball. At this point, the bat can either be stationary and facing straight back down the wicket – known as a block or defensive shot; angled to one side – known as a glance or deflection; or travelling forwards towards the bowler – known as a drive.

Googly Bowling: Swing bowling is a technique used for bowling in the sport of cricket. Practitioners are known as swing bowlers. Swing bowling is generally classed as a subtype of fast bowling. Bodyline, also known as fast leg theory bowling, was a cricketing tactic devised by the English cricket team for their 1932–33 Ashes tour of Australia. It was designed to combat the extraordinary batting skill of Australia's leading batsman, Don Bradman. A bodyline delivery was one in which the cricket ball was bowled at pace, aimed at the body of the batsman in the expectation that when he defended himself with his bat, a resulting deflection could be caught by one of several fielders deliberately placed nearby on the leg side. In cricket, a dismissal occurs when a batter's innings is brought to an end by the opposing team. Other terms used are the batter being out, the batting side losing a wicket, and the fielding side taking a wicket. The ball becomes dead (meaning that no further runs can be scored off that delivery), and the dismissed batter must leave the field of play for the rest of their team's innings, to be replaced by a team-mate. A team's innings ends if ten of the eleven team members are dismissed. Players bat in pairs so, when only one batter remains who can be not out, it is not possible for the team to bat any longer. This is known as dismissing or bowling out the batting team, who are said to be all out. To grip the ball for a leg-spinning delivery, the ball is placed into the palm with the seam parallel to the palm. The first two fingers then spread and grip the ball, and the third and fourth fingers close together and rest against the side of the ball. The first bend of the third finger should grasp the seam. The thumb resting against the side is up to the bowler, but should impart no pressure. When the ball is bowled, the third finger will apply most of the spin. The wrist is cocked as it comes down by the hip, and the wrist moves sharply from right to left as the ball is released, adding more spin. The ball is tossed up to provide flight. The batter will see the back of the hand when the ball is released. An alternative grip is to hold the ball in the thumb, index finger and middle finger. The finger-print of both the thumb and index finger rest on the seam, as does the first bend of the middle finger. Together with rotation of the wrist, the index and middle fingers are involved in imparting spin on the ball and can achieve a very high number of revolutions.

Flow Aesthetic over Playing Style: 4 Runs Vertical Bat and Power Bowling

Cricket Physique: Contrast Training (Isometric-Plyometic Cardio & Kettlebell and Gymnastics Rings Isometric-Mobility), Vo2 Max Swimming, with Force Velocity Curve; Genome Editing: FBN1, ACTNX Calcium Metabolism, MSTN Gene, ACE Gene, and Sensory Processing Sensitive Brain ESTJ)

Extra: Showerbrush Method with Cucumber and Sebum Control: Conditioner, Bar Soap, Facial, Bar Soap. Cosmetic Application: Bronzer Sunscreen Coconut milk and Shea Butter, Aftershave Body splash, Fragrance Equipment: Durag, Wave Brush, Bottom Grillz;

ENTREPÔT NAVY MARTINIQUAIS (FRENCH ANTILLES) NOUCHI DIASPORA

Food Scents in Indo-Caribbean and NOUCHI Gastronomy Olfactory Arts: Mango, Coconut, Cucumber, Sheep Dairy, Herbal Ghee Mollusk, Garlic-Ginger, Dark Roast Coffee, Dark Chocolate, Cinnamon, Vanilla, and Molasses

Cabinda also produces hardwoods, coffee, cacao, rubber, and palm oil products; however, petroleum production accounts for most of Cabinda's domestic product.

Port Royal, Martinique Sister Cities: Antwerp, Belgium, Saint Pedro, Bas-Sassandra, Côte d'Ivoire; Boma, Cabinda, Angola; République Démocratique du Congo; St. John's, Newfoundland and Labrador; Le Havre, Normandy/Marseille-Caanes, Port Alpes Côte d'Azur, France

Bancassurance is a relationship between a bank and an insurance company[1] that is aimed at offering insurance products or insurance benefits to the bank's customers. In this partnership, bank staff and tellers become the point of sale and point of contact for the customer. Bank staff are advised and supported by the insurance company through wholesale product information, marketing campaigns and sales training. The bank and the insurance company share the commission. Insurance policies are processed and administered by the insurance company.

The staple right, also translated stacking right or storage right, both from the Dutch stapelrecht, was a medieval right accorded to certain ports, the staple ports. It required merchant barges or ships to unload their goods at the port and to display them for sale for a certain period, often three days. Only after that option had been given to local customers were traders allowed to reload their cargo and travel onwards with the remaining unsold freight.[1][2]

Gross national product accounts for its citizen’s productions both within and outside its borders. This figure then subtracts income earned by foreign residents within the country. By contrast, gross domestic product measures the production of goods and services made within a country’s borders by both citizens and foreign residents overall.

Marseille or Marseilles (French: Marseille; Provençal Occitan: Marselha; see below) is the prefecture of the French department of Bouches-du-Rhône and of the Provence-Alpes-Côte d'Azur region. Situated in the Provence region of southern France, it is located on the coast of the Gulf of Lion, part of the Mediterranean Sea, near the mouth of the Rhône river. A resident of Marseille is a Marseillais.

Tidjane Thiam (French: [tidʒan tiam];[1][2] born 29 July 1962) is an Ivorian and French businessman, and the executive chairman of Freedom Acquisition Corp.[3] He was the chief executive officer (CEO) of Swiss bank Credit Suisse from March 2015 to February 2020. He was the chief financial officer of British banking group Prudential from 2007 to 2009, and then its CEO until 2015. In 2019, Thiam became a member of the International Olympic Committee (IOC).[4][5][6]

João Manuel Gonçalves Lourenço GColIH (born 5 March 1954) is an Angolan politician who has served as the 3rd president of Angola since 26 September 2017.[4] Previously, he was Minister of Defence from 2014 to 2017. In September 2018, he became the Chairman of the People's Movement for the Liberation of Angola (MPLA), the ruling party. He was the party's Secretary-General from 1998 to 2003.

Serge Letchimy (French pronunciation: [sɛʁʒ lɛtʃimi]; born 13 January 1953) is the President of the Executive Council of Martinique and former member of the National Assembly of France. He represents the island of Martinique's 3rd constituency since June 2007, and is a member of The Socialists and affiliated parliamentary group. Letchimy is a member of the Martinican Progressive Party (PPM), or Parti progressiste martiniquais. He was the successor of Aimé Césaire as Mayor of Fort de France from 2001 to 2010 and was the final President of the Regional Council of Martinique from 26 March 2010 until its replacement by the Assembly of Martinique in December 2015.[1]

Capricornus is one of the 88 modern constellations, and was also one of the 48 constellations listed by the 2nd century astronomer Claudius Ptolemy. Its old astronomical symbol is  (♑︎). Under its modern boundaries it is bordered by Aquila, Sagittarius*, Microscopium, Piscis Austrinus, and Aquarius*. The constellation is located in an area of sky called the Sea or the Water, consisting of many water-related constellations such as Aquarius, Pisces and Eridanus. It is the smallest constellation in the zodiac. (Sky God R'ad Angel)*

The French West Indies or French Antilles (French: Antilles françaises, [ɑ̃tij fʁɑ̃sɛːz]; Antillean Creole: Antiy fwansé) are the parts of France located in the Antilles islands of the Caribbean:

The two overseas departments of:

Guadeloupe, including the islands of Basse-Terre, Grande-Terre, Les Saintes, Marie-Galante, and La Désirade.

Martinique

The two overseas collectivities of:

Saint Martin, the northern half of the island with the same name, the southern half is Sint Maarten, a constituent country of the Kingdom of the Netherlands.

Saint Barthélemy

Metallurgy Purchasing Matrix Business Cluster Entrepôt with Mineral Water Exclusive Economic Zone (EEZ)

Regions: Fragrance and Cosmetics Artisanal Plantation, Cash Crops, open-pit-large-scale alluvial and coastal Mining, and Technology Farming

Real Estate Urban Economics: Urban Coastal City Slum and Marina

Port Economics: Coastal City; Urban Brooklyn; County Line Trafficking Coastal City Slum Lords Bay Area

Funding: Naval Local Government

County Line Trafficking: Homestead and Artist Residency

Education: Trade School for Mining, Tile Cutting, and Fishing

Indo-Caribbean Gastronomy: Coconut Flakes Rice, Coconut Cream, Coconut Curry Yogurt Rice Pudding/Mollusk Sauce

Antillanité is a literary and political movement developed in the 1960s that stresses the creation of a specific West Indian identity out of a multiplicity of ethnic and cultural elements.

Subsistence Cashew: Subsistence agriculture occurs when farmers grow food crops to meet the needs of themselves and their families on smallholdings. Subsistence agriculturalists target farm output for survival and for mostly local requirements, with little or no surplus. The Anacardiaceae, commonly known as the cashew family[1] or sumac family, are a family of flowering plants, including about 83 genera with about 860 known species.[2] Members of the Anacardiaceae bear fruits that are drupes and in some cases produce urushiol, an irritant. The Anacardiaceae include numerous genera, several of which are economically important, notably cashew (in the type genus Anacardium), mango, Chinese lacquer tree, yellow mombin, Peruvian pepper, poison ivy, poison oak, sumac, smoke tree, marula and cuachalalate. The genus Pistacia (which includes the pistachio and mastic tree) is now included, but was previously placed in its own family, the Pistaciaceae.[3]

Café — French Cheese Garlic Onion-Mushroom Culinary Linguistics (Rugxé)

Café — Rugxé Linguistics 

Goûter: Buttermilk, Whipping Cream, and Rugxé 

Lunch: Cigarillos and Dark Roast Coffee undertones of Molasses, Dark Chocolate, Cinnamon

Dinner: Rugxé Crustless Quiche, Rugxé Pomme Purée, and Rugxé Patty Melts

Sense: Umami or Goûter

Cinq au Cinq Linguistics 5x5 Cooking: Colors, Scents, Cooking Methods, Senses, and Flavors (Five Spot for Top 5 Ingredients/Methods)

Phonology: X Vowel Harmony, Soft Rs, Norrow and Long Lips

Larousse Linguistics: Rugxé under Stewing, Sautée, or Bouquet Garni

Pedagogy, most commonly understood as the approach to teaching, is the theory and practice of learning, and how this process influences, and is influenced by, the social, political, and psychological development of learners.

FOREIGN DIRECT INTERVENTION (GUERILLA NAVY INFRASTRUCTURE)

A navy, naval force, military maritime fleet, war navy, or maritime force is the branch of a nation's armed forces principally designated for naval and amphibious warfare; namely, lake-borne, riverine, littoral, or ocean-borne combat operations and related functions. It includes anything conducted by surface ships, amphibious ships, submarines, and seaborne aviation, as well as ancillary support, communications, training, and other fields.

The strategic offensive role of a navy is projection of force into areas beyond a country's shores (for example, to protect sea-lanes, deter or confront piracy, ferry troops, or attack other navies, ports, or shore installations). The strategic defensive purpose of a navy is to frustrate seaborne projection-of-force by enemies. The strategic task of the navy also may incorporate nuclear deterrence by use of submarine-launched ballistic missiles. Naval operations can be broadly divided between riverine and littoral applications (brown-water navy),

Naval operations can be broadly divided between riverine and littoral applications (brown-water navy), open-ocean applications (blue-water navy), and something in between (green-water navy), although these distinctions are more about strategic scope than tactical or operational division.

FX NEGATIVE INTEREST RATE ENTREPÔT CURRENCY

Cash crops are agricultural crops that are planted for the purpose of selling on the market or for export to make profit, as distinguished from subsistence crops planted for the purpose of self-supply of the farmer (like livestock feeding or food for the family).

A commodity index is an index that tracks the price and returns on a basket of commodities. These indexes are often accessible for investing through mutual funds or exchange traded funds (ETFs). Many investors who want access to the commodities market without entering the futures market decide to invest in commodity index funds.

A de facto currency is a unit of money that is not legal tender in a country but is treated as such by most of the populace. The United States dollar and the European Union euro are the most common de facto currencies.

The franc was the currency of Martinique until 2002.

SEPHORA RHODIUM TRAFFICKERS

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[jazzplusplus]

1970 - Newport Jazz Festival in New York - Madison Square Garden

Gene Ammons, Dizzy Gillespie, B.B. King, Rahsaan Roland Kirk, Pharoah Sanders, Mongo Santamaria, Sonny Stitt, Leon Thomas

Kenny Burrell, Albert King, Thad Jones - Mel Lewis Orchestra, Ramsey Lewis, Herbie Mann, The MJQ, Sarah Vaughan

[evenmyhivemindisempty]

What are Boyd's characters go to halloween costume?

Steve Murphy: He’s really jazzing it up with a pumpkin-patterned tie at work. …AND, if you’ll lift up the hem of his pant leg, TA-DA, orange and black striped socks!! See Javi?? See Connie?? He’s fucking festive!

Donald Pierce: He has definitely done a Wolverine costume before, but mostly he does couples costumes with Gabby. (It’s nice having someone to blame his outfit on. “Well, I didn’t want to, but, y’know how women are… can’t tell ’em no.”) They started off pretty het about it – he was Khal Drogo the first year, she was Dany, but this Halloween she’s Anna and he’s Elsa.

Cap Hatfield: Modern Cap stick on a pair of cat ears and perhaps draws on some whiskers and figures he’s good! (He *is* adorable.)

Clement Mansell: He does an old timey gangster look: pinstripe suit, fedora. It also doubles as a jazz musician.

The Corinthian: He sprays on a bit of fake blood, waves around a plastic knife, calls himself a serial killer. The Corinthian thinks he’s sooooo funny.

Eli Klaber: He’s gonna go for the vintage girl costumes! 50’s housewife, flapper, Victorian noble lady, and once he even did a Rosie the Riveter costume.

Ty Shaw: He likes to go slutty and a little trashy. Gladiator is his classic go-to, but every so often he’ll crossdress - he dressed as a playboy bunny one year and thought he was hilarious (he waxed in preparation).

Quinn McKenna: He just wears his military fatigues and puts on some camo facepaint. He does NOT take his guns with him though. …Not after The Incident.

[tuituipupu]

so i used to perform solos in dance festivals (competitions) right?

ok so they had this section called ‘character’ where the dance focuses on how well you portray any character + the dance can be comprised of almost any genre except like… tap (mainly consists of ballet/modern/commercial jazz depending on the chosen character)

well last night i dreamt i did a character solo as käärijä and that käärijä was the adjudicator 😭 (judge)

.. it felt so real as well.