#bluegrass music

[trippin-chippin]

My current mood fr fr >:)

[joy-of-jamming]

Fingerstyle Guitar - Lesson 7 - Putting It All Together - Beginner Guita...

[sittingupwiththedead]

Hey guys this is your occasional reminder that using song lyrics as evidence in a criminal trial is kinda bullshit. K thanx

[chicagograss]

Chop-choo harp action w/ air brakes. Covington Crew, Chicago.

[axolotlnoodles]

You know that moment when you live in a small ass town in the middle of nowhere and there’s this bluegrass band you’ve been listening to for months who has like 3k-ish listeners and you find out randomly one day that this band (that’s become one of your favourites) is performing in that town two blocks away from your house and tickets are 5 dollars? And then a few months after this (today) they’re performing in the closest city and you get to see your favourite small obscure band for a SECOND TIME??? Because that’s pretty awesome. I’m so hyped! Also the venue they’re in today is a theatre in a school (my school) so when I was helping move drama props one of the band members walked by me and I struggled not to fangirl and just acted normal. I’m having the time of my life.

[justahillbillyfromouterspace]

Randy Lynn Rag

[breezingby]

Appalachian Bluegrass Banjo & Fiddle Music | Uplifting Happy Music

[thorn-enterprises]

The Evolution of Bluegrass Music: From Roots to Contemporary Sounds

Bluegrass music, with its lively rhythms and soulful melodies, has a rich history that has evolved significantly over the decades. Born in the Appalachian region of the United States, bluegrass blends traditional folk, country, and jazz elements, creating a distinctive sound. In this post, we’ll explore its origins, key influences, and modern adaptations.

Emerging in the 1940s, bluegrass was pioneered by Bill Monroe and his Blue Grass Boys. Monroe's unique blend of traditional folk tunes and jazz set the foundation for bluegrass, establishing the signature sound with instruments like the mandolin, banjo, upright bass, and fiddle.

The Great Migration played a critical role in shaping bluegrass, as African American musicians infused new sounds into traditional folk music. The rise of the Grand Ole Opry and radio broadcasts helped popularize bluegrass, reaching a wider audience and allowing the genre to flourish.

The 1950s and 1960s saw artists like Flatt and Scruggs innovate the genre with vocal harmonies and storytelling lyrics. Songs such as "The Beverly Hillbillies Theme" and “Foggy Mountain Breakdown” bridged the gap between traditional sounds and popular appeal, solidifying bluegrass’s place in American music history.

In the late 20th and early 21st centuries, bluegrass artists began blending the genre with rock, pop, and even hip-hop. Bands like Nickel Creek and the Infamous Stringdusters kept the genre fresh and relevant, attracting younger listeners while honoring its roots.

Today, bluegrass has become a global phenomenon. International artists and festivals celebrate the genre worldwide, showcasing how it has transcended geographical boundaries. Major events like MerleFest and the Telluride Bluegrass Festival draw thousands, uniting generations through music.

Bluegrass music reflects the dynamic nature of cultural evolution, continuously blending history with innovation. As it evolves, its future remains bright, with new generations of fans and artists keeping its spirit alive.

Are you a long-time bluegrass enthusiast or new to the genre? Share your favorite songs (like Firefly's Flicker) or artists in the comments below, and let’s celebrate this remarkable genre together!

https://rumble.com/v5jx039-fireflys-flicker-banjo-beats-single-thorn-enterprises.html

[svalleynow]

World of Bluegrass is Coming to Chattanooga

Chattanooga Tourism announced Monday that the city will host IBMA’s World of Bluegrass from 2025-2027, starting with the inaugural event on Sept. 16-20, 2025. Tennessee’s Special Event Fund makes this incredible opportunity possible. Established in 2022, the Special Event Fund was designed to attract large-scale events to Tennessee, generating substantial economic benefits. Chattanooga is proud…

[myobt]

The Cleverlys

The Cleverlys Continue reading The Cleverlys

[joy-of-jamming]

Lesson 25 - Play 12 - Open Chords - A Major - Learn How to Play Guitar

[yourcoffeeguru]

Vintage 1976 Mel Bay's Fiddler Bluegrass Sheet Music Song Book USA Print || AUtradingpost - ebay

[crewman-six]

The Partner has just stumbled upon a musical genre called Gangstagrass and I unapologetically think it may actually be the very best thing I've ever heard!?!

Holy shit! 🤩

[joules-per-second]

When I'm on long stretches of highway, I like to put on my proverbial Hyperanalyzing Fangirl hat for the sake of celebrating media I love. Here's my deep dive into a couple of my favorite songs, both written by dear friends (and recipients of the Quad-Beard), the Ol' Joey Scrums:

"Pipe Dream" has a fascinating interplay going on between the instrumentals and the lyrics. The words to this song are incredibly jaded - there's a touch of optimism towards the end of the chorus, but even that is tempered by the "maybe" of "maybe someday we'll be the show you'd like to see". But even as the verses are self-deprecating to the max, and the chorus just barely brings itself out of a well of pessimism long enough for a couple of "maybe"s and an "I think" that things will get better, the instrumentals are playing another story. Every instrument is unabashedly optimistic, and it makes you really believe in that grain of hope offered by the lyrics of the chorus. For a song that contains the lyric "weathered from the rain, the pain, the cocaine, and the tears", it's one of the most concentrated joy-inducing songs I know.

"Self-Destructing Man" provides quite a case of emotional whiplash from "Pipe Dream", as it paints a clear image of a very depressing carnival attraction: "Step on up, just a five dollar ticket; Stand in wonder at the self-destructing man exhibit". The most intriguing aspect of this song to me is the narrator, a carnival barker of sorts. Throughout the chorus, the perspective seems to shift until the barker turns into/is revealed to be the titular Self-Destructing Man himself, calling "Why me?". That in itself is quite interesting, but a fascinating thing happened when I sang it on my own one day - I realized the entire mood of the song changes when it is covered by a woman. And unlike the changes that occur from feminine covers of songs like "Only the Good Die Young" or "December 1963", it was NOT to give the song sapphic vibes. Instead, when I sang it, the image of the song was no longer a man feeling like he's onstage in all his woe and insecurity, and using the imagery of a carnival barker to express this - instead, it became a scene of an actual carnival barker who is absolutely reveling in the despair before her, mocking the man with the final "Why me?" of the chorus. Removing the implied "self" from the self-deprecation of the song transforms it into quite a villainous piece! I love seeing how the same song can change so much from how different artists cover it.

Anyway, thanks for reading. :) I simply had too many thoughts going on to not share them, especially when sharing them could lead just a couple more people to find some music they might really enjoy!

[justahillbillyfromouterspace]

DEAD SKUNK IN THE MIDDLE OF THE ROAD - LOUDON WAINWRIGHT III