#mobile suit Gundam requiem for vengeance

[gremoria411]

*The following contains spoilers for Mobile Suit Gundam: Requiem for Vengeance*

This is a follow-up post to my earlier one covering the first two episodes of Mobile Suit Gundam: Requiem for Vengeance. I’ll link it here but I’ll probably be covering a lot of the same points

I’m also going to completely give the game away right now: I don’t find Requiem for Vengeance to be a good show. Probably the nicest thing I could say is that that the designs are nice. It has some good ideas, it just really mangles the execution.

A lot of these are notes I made as I was watching the episodes, and I specifically rewatched episodes 4 and 6, because I’ve got a lot to say about them relative to everything else.

Characters

Is the only reason they made Iria a mother so they could justify her empathy towards the enemy pilot!? Like motherhood isn’t a necessary component of caring about other humans. You can just do that.

Follow-up: Iria doesn’t really express much affection towards her actual flesh-and-blood child during the show. He’s presumably in Zeon somewhere, but he never appears except in photograph. But her actions at the end of the show….. really don’t help.

Major Ronnay’s odd. Because he kinda feels like the only sensible character/the only character who’s aware of the wider situation - the war’s starting to turn against Zeon, and shifting to shepherding his resources to compensate for disrupted supply lines feels like a good decision at this point, not picking fights with the Earth federation’s newest prototype. Ronnay also marshalls the group’s evacuation from Earth. Yeah, he’s mean to the protagonists, but he’s under a lot of stress and he’s in charge of a worsening was situation. It’s just quite odd to see the only character who indicates a wider understanding of the conflict presented so negatively. That said, it’s not like he’s really immune to the bad acting and dialogue. When talking about dead civilians in episode 4, he sounds more bothered that they died for something so measly, as opposed to the fact that they were innocent people caught up in a war that had nothing to do with them.

I really don’t like Captain Zydoss. He kinda just exists to verbally explain other characters backstories, or to tell other characters that they’re in the right. There’s no real character here. Man straight-up says: “Those soldiers? They were just doing their jobs.” That is not a line I’m really enthused about hearing in a show like this, because it makes me question what the fuck the writers were trying to say here.

I kinda already made a post about this, but I really don’t like Yuri Kellerne in this. The design’s awful, he only shows up to say to the viewers “Yeah, Iria was right, also she’s a cool dude who doesn’t afraid of anything”. He doesn’t really do anything, and it just feels like a “see 08th MS team fans, it’s that character you like!”.

To be honest, I didn’t really have strong opinions on the other characters. There just isn’t a lot there to care about honestly.

Story

Okay, so “War is Hell” just isn’t a theme here. That’s kinda the main problem. There’s no real attempt to humanise the Earth Federation or present them as anything other than largely faceless. I’ve noted before that “War is Hell” is kinda the main thing that makes Gundam work in my opinion, because it’s really noticeable if it isn’t there. It’s just a very by-the-numbers military series. There’s no real “hook” or idea that it’s putting forward. It might’ve helped if Iria’s squad mates had been better characterised, so there’d be a sense of them having actual plans beyond the war. But, ultimately, they die because of the federation’s new mobile suit - not because war is an ultimately horrifying and tragic thing. The presentation just doesn’t line up for me at all.

I do think the emphasis on the watch is good, because it emphasises that time is running out for Zeon. But it never really comes up again after the first two episodes.

The voice work really brings it down, because there’s just no way for the scenes to have any real gravitas or impact when the voices are this poor.

I think another problem is that the opening episode(s) with the Gundam sell it as a threat too well - it effortlessly wiped out Iria’s entire team, as well as numerous other Zaku’s that challenge it while Iria’s scrambling around in recovery. It shrugs off machineguns, bazooka’s, a fuel tanker…… so any attempts by Iria to bring the fight to it just feels utterly stupid, because there’s no real reason it shouldn’t just wipe out another two Zaku’s. The fight in episode 4 is particularly obvious - the Gundam just slowly approaches, it’s doesn’t exhibit any of its trademark speed and never presses the advantage. There’s never a sense that any damage dealt to it is “earned”, it just takes a hit because the plot demands it.

Okay, the dress turning to blood thing was ambitious, and if it had worked would’ve been really cool. But fabric and liquid are hard to animate at the best of times, so one to the other in a show like this was never going to pan out.

You can really tell this was made by former transformers alumni. Not that that’s necessarily a bad thing, just some of the shots are very transformers-esque.

Wait, doesn’t Iria’s comment about not shooting disembarking pilots directly contradict the actions of the federation forces earlier in the show? Also didn’t she just tell her squadmate to kill him? Oh, getting out of his mobile suit and trying to escape in order to come back in a fresh suit? Oh well, it just wouldn’t be sporting to kill him now, better let him go.

“I wasn’t aiming to take out the pilot! This is our best chance to take out the Gundam!” “At what price, lieutenant?” I dunno, two enemy combatants that were just trying to kill you? And have killed your allies? In a warzone? Seems like an odd time to develop a conscience, Iria. It’s not necessarily off-brand for Gundam, but it’s just so hackneyed. Iria recognises the Gm pilot and later the Gundam pilot as human exclusively, but the infantry and tank gunners were apparently fair game.

Follow-up: Iria also randomly spares a Guntank in episode 6. A Guntank that could very easily shoot down Zeon HLV’s that Iria is currently defending. I feel like that was unwise.

To be clear here, I’m not criticising the decision to have Iria spare characters, I’m criticising the decision to present it in this way - it causes Iria to come off as hypocritical and careless to ignore active threats, and the rationale of why she’s sparing them never comes up.

The URMC guy helps the cast attack the enemy (such as in episode 4). Doesn’t that kinda spit in the face of his neutrality?

Oh hey, I was so busy talking about the poor character writing that I almost forgot to mention the false flag operation. Y’know, that thing that is illegal under wartime law? That the characters commit when they dress up as Federation forces in order to steal the GMs? Yeah, that. Like, I know it’s par for the course in shows like this (like 0080), but it still feels odd to see it presented in such a heroic fashion. It just would’ve felt better if the characters had acknowledged that it was a sketchy/desperate thing to do (like 0080), rather than playing it completely straight.

It kinda feels like they came up with the title first, and then introduced elements to fit with it - Iria being a violinist just feels very vestigial, and vengeance…… either isn’t a theme or it’s badly executed enough that I didn’t notice it (characters talk about it a lot, but not to any real purpose).

Okay, the combination of character animation, voice work dialogue and the fact that Iria probably has a concussion makes the fact that Iria decides to pilot her Zaku in episode 6 (unintentionally) really funny. Because she’s giving this big dramatic speech with swelling music, but it genuinely just feels like this is the shock and concussion talking, so I just expect her to step on to the truck and fall flat on her face.

We can swear now, great, good for us. That isn’t an excuse for the dialogue to be as bad as it is.

Alright, I fully fell off on episode 6. I’m sorry, it crosses the line from plain old regular bad to hilariously bad for me. It’s like the hyper-realistic faces coupled with the absolutely terrible animation and voice acting just blends together into something completely farcical.

“Machineguns are not effective, aim for the treads” *continues firing*. Also, did they just forget that guntanks have missile launchers?

There’s kind of no real sense of flow to the fights either. Everything moves as fast as it needs to. Stopping stock-still in the middle of a combat zone is a death sentence, so it’s really noticeable how frequently Requiem for Vengeance stops fights so its characters can have dramatic conversations. This is very, very noticeable in episode 6.

Wait hang on. Iria: “The Earth Federation’s Won, We’re just trying to retreat, please let us go” Gundam Pilot: “Then surrender, if we let you terrorists go you’ll just attack us again later” Iria then proceeds to not surrender. Furthermore, Zeon is withdrawing military personnel and war material like mobile suits, which they will use against the Earth Federation in the last months of the war. Isn’t the Gundam pilot completely in the right here? But the presentation of the scene seems to be trying to put Iria in the right. But what the Gundam pilot’s saying is correct. Zeon did start the war, and will continue attacking the Earth. So it feels like the narrative is presenting the Gundam pilot as being in the wrong simply by their nature as a child soldier thrust into this war. They didn’t have a choice, they need Iria (who’s a mother, by the way) to tell them they have a choice. The narrative places the fact that they’re a mother and child over the fact that they share a common humanity. It’s such a stupid choice.

“Zeon forces were driven completely out of Europe and Asia” that’s a funny way of saying “we were driven off the entire Earth”.

Other stuff (mostly Setting and Visuals)

I do like the little Zaku ears, they’re nice.

So why is the character covered in highly identifiable Zeon tattoos considered for an infiltration? Just a note.

The mobile suits are pretty dang gorgeous.

The Gundam pilot has a Nintendo switch.

Sooooo…… no mention of why they’re going to Odessa? No reason that might be relevant to anything?

I will probably do a small post on Loum. Because this is gonna annoy me.

Can the Gouf’s fly in this? It’s really throwing me. Because they shouldn’t be able to, but it looks really cool? Maybe they just didn’t want to model Gouf flight types.

Yes, Requiem for Vengeance, I enjoyed the Gouf Custom in 08th MS team as well. Can I please have literally any other mobile suit. (Yeah, it’s cool, but it’s not cool enough to carry your entire show).

Follow-up: it feels like the writers wanted to emphasise that the Gouf Custom in 08th ms team could totally have beaten the Gundam if it had needed to. Like yeah, but that’s not important. The point of that scene (in 08th Ms Team) isn’t some kind of dick-measuring of mobile suits, it’s to emphasise Norris Packard’s character and skill, that he made those decisions in service to the wider objective (and to iterate on Ramba Ral and Amuro’s relationship from 0079). It’s not there to demonstrate how strong the Gouf is. I mean, yeah they want you to buy the models, but come on.

In case the ratio of criticism-to-praise above didn’t give it away, I really didn’t like Requiem for Vengeance. It just fails to engage with the theme I consider central to Gundam: “War is hell”. It also doesn’t really humanise any of the opposing side, which while not a deal-breaker, certainly doesn’t help its position. There just really isn’t a lot of character on display here, so there’s little to distract from the bad dialogue, stiff animation and near-comedically poor line deliveries. The human animation and writing really kill the series for me, since they just cripple the shows ability to deliver any kind of impact on its points. Then again, when its points are “The Earth Federation is just SO MEAN you guys”, it’s probably best the delivery’s as poor as it is. I don’t really know what the shows trying to say but it certainly doesn’t seem to be “War is bad”.

It feels like the writers were able to grasp gundam’s thesis of “child soldiers are bad”, but took that to be “people who use child soldiers are bad”, not “the circumstances that war creates will eventually cause children to take up arms for a cause they don’t fully understand, leaving them to have short miserable live of perpetuating the harm they have suffered upon others, as just one part of the horror that war visits upon its victims”. This is emphasised by the ending, which is pretty shit. Despite the opportunity to return home and retire, like multiple other Zeon aces did. Iria instead fucks off and joins the Zeon remnant in Africa, while stating that many of the other soldiers there “don’t have a home to return to, are consumed by hatred or yearning only for a glorious death on the battlefeild”. THEN WHY ARE YOU THERE. Why are you perpetuating the conflict by throwing in with remnant groups? How the hell is this supposed to prevent child soldiers from happening? Go home.

Plus, the way Zeon’s presented here seems kind of…… dishonest. Like it’s not incorrect or canon-breaking, it just seems to skirt around a lot of details in order to paint Zeon as, for want of a better term, “less evil”. So, we have characters mention The Battle of Loum, without mentioning what Loum was. We have characters note the worsening war situation, without engaging with why Zeon’s on the back foot. The characters retreat back up into space, but it isn’t stated what they’re retreating from. You’d expect someone to mention the actual wider war situation. I know they’re soldiers, and they’re likely fed a steady diet of Zeon propaganda - but then why not let us see that propaganda, note how the characters engage with it. Do they agree, disagree? Do they take it as gospel, accept that the principality is covering up some things or rage that it’s blatant lies? How does Zeon, the nation, its leaders and its governance affect these characters? The choice to completely ignore it seems wrongheaded and, as above, dishonest. There’s no hint of Zeon’s fractious command structure here, that the upper brass are too consumed by infighting to heed the wider war situation. There’s no mention of Garma Zabi, late commander of the Earth Attack Force, who presumably the characters would have a lot of opinions on. Requiem for Vengeance doesn’t exactly paper over Zeon’s failings, it just doesn’t mention them. I find it interesting that of the “big three” Zeon Earth Commanders (Garma Zabi, Yuri Kellerne, and M’Quve) we only see Yuri, who’s arguably the softest of the three. Like, M’Quve is right there, you guys. There’s even a Tony Takezaki illustration that could be used as a basis to adapt his design to the new style:

And M’Quve would have been the perfect opportunity to showcase Zeon’s fractious upper command. So his omission just feels glaring (much like the illustration). Major Ronnay’s perhaps the closest to being a member of Zeon High Command, but he’s essentially the stock “Commander whose orders the protagonist disregards” archetype. I *could* describe him as the most humanised out of the cast, but that feels like I’m reaching. There is Joshua Stein (the commander in the first episode, who originally calls the Red Wolves in), but he feels more genuinely incompetent, rather than saying anything meaningful about Zeon as a whole - his failings are more personal, rather than symptoms of a wider problem with Zeon Command (and in any case he’s only got around three scenes, so it’s difficult to glean anything from him).

Slight follow-up, but we’re also not told anything about the Battle of Odessa. I noted in my posts in the run-up to the release of Requiem for Vengeance that it takes place shortly before the Battle of Odessa, which was the big turnaround for Zeon’s fortunes on Earth, leading to a mass retreat back up into space. This is a *big thing* in the wider war, because it is where the Federation finally gets its momentum (and mobile suits) going and essentially forces Zeon into the back foot, a position they never really recover from. For all the series loves to bang on about Loum, it never mentions Odessa. Part of this is excusable - Zeon would likely downplay its loss as Odessa to keep morale high, and the characters may not have received accurate reports yet, but I’d just like someone to mention it - “seems Odessa didn’t go to plan” or just something like that. Because it’s the whole reason they’re retreating in the last few episodes and no-one says anything.

I’d ordinarily be pretty easy on the whole “Zeon’s War for Independence” thing, since it’s an example of how the populace of Zeon was motivated to fight, but it’s a lie. It’s a lie told to justify the One Year War (and subsequent acts of spacenoid aggression). Like, there’s no problem with the characters believing the lie, but presenting it completely straight feels off. Like, if there was just one instance where it was acknowledged that maybe we shouldn’t trust the motivation of the guys who declared war and dress like space nazi’s, then cool, but the series doubles down on this impression by Iria’s statement at the end that the war didn’t really end as far as she’s concerned. Again, no problem with Iria believing that, by all accounts that’s how a lot of Zeon Remnant Groups saw the situation but it just reads oddly when talking about the One Year War. It kinda makes the series feel like in-universe propaganda or revisionist history, because at no point does it acknowledge that maybe Iria isn’t that reliable of a narrator.

Iria: “and so, to prevent more children from becoming child soldiers, I became a deadbeat mom.”

So yeah, Mobile Suit Gundam: Requiem for Vengeance - the mechanical design and opening’s pretty nice, but they really can’t carry the rest of the show and over time the dull plot, uninteresting characters and awful voice acting really just sap away any initial goodwill I possessed. The fact that it seems utterly unwilling to engage with *why* the war happened and *why* Zeon lost is particularly irritating, since (by its nature as a Zeon-focused show) it’s in the perfect position to talk about those questions.

[rayz-gamma]

6 episodes of pure unadulterated mobile suit bliss. Simple in it's Gundam lore and yet complex in it's deep straight to the point story. This has me wanting to play Armored Core 6 when I get off work . Speaking of which I gotta order that new Gundam Breaker 4 game immediately. I'm feeling real inspired right now 😏 🤖

[e1dritchqueer]

Okay kinda excited for Requiem for Vengeance

It's a cg film and Gundam's had a messy track record with that, but if it's done well I feel like it can really shine

[bozemane]

[alphamecha-mkii]

Mobile Suit Gundam: Requiem for Vengeance (2024)

[gundamfight]

[ferhog]

My thoughts on that new Requiem for Vengeance clip:

[sanktpolypenbourg]

It may not be super deep but I really enjoyed that 'Gundam: Requiem for vengeance' show on Netflix.

I never watched any other Gundam narrative, picking up the premise only through pop culture, but that was enough to instantly pick up the twist: The Netflix show is told from the perspective of the "bad guys" and is essentially a military-horror story as they are getting hunted down by the "hero protagonist". Showing exactly what it would feel like to be at the receiving end of an overpowered rightous teenage wunderkind with a superweapon.

I may be a primitive creature but that is something I am immediately on board with.

I dunno, I am at most a part-time audience for military triumphalism. And for military-horror especially, I feel it really plays into the bleakness of it if your protagonists are on the wrong side of a conflict they are not only losing, but deserve to lose.

And also Yeah, "humanizing the wrong people" kicks ass, actually. "It's true (they ARE human) but you shouldn't SAY it" - You can lose me with THAT shit. That makes me wanna be contrarian, actually. Have the "good guys" be the faceless menace. Have the "bad guys" have complex relationships and families they love and desperately want to return to. I dunno I feel it helps reinforce the fundamental "war is bullshit" take. Or specifically, "military propaganda is bullshit". Anti-propaganda must be one of my favorite genres.

[Sidenote, I also appreciate that while the "on-the-wrong-side-of-History" protagonists are sympathetic and human, the show also doesn't shy away from making you understand that they ARE, indeed, "on the wrong side", and SUPER dumb. It's not argued that they are "misunderstood". No, no, they ARE space fascists, actually. They (with one or two exceptions) are trapped running in the hamster wheel of their military-propaganda machine and fail to see why those awful things are happening to them and their friends, why they find themselves running away as angry people try to shoot them in their backs on the way out. And that, too, serves the angle rather nicely.]

[abduloki]

Republic of Zeon declared independence. Principality of Zeon is formed. Zeon declared war on Earth Federation. Zeon deployed G3 Gas on civilians. Zeon used nuclear weapon. Earth Federation devastated. Zeon pressed on the attack on Earth. Earth Federation developed Gundam. Gundam turn the tide of the war.

And you wonder why the Gundam is ruthless. "The white devil." "The cold blooded killer at the controls." As if people forget of Zeon's war crimes on civilians. The Gundam kill combatants in the show, not civilians. You don't expect Gundam to show mercy on combatants do you? Zeon's LeSean said it himself, "The battlefield is no place to debate mercy." Look at what happen to the Gundam in the end when he showed mercy.

As much as I appreciate the show trying to convey the "there are good and bad people on both sides", Zeon had it coming.

The only tragedy is the "good ones" in Zeon have to die for their masters grand ambition to subjugate Earth.

It's like you try to sympathize with NAZI Germany and Imperial Japan for their soldiers dying in combat when they killed many civilians.

Seems like trying to humanize the villains are becoming a new trend in Hollywood now while making the heroes the villains.

[transbianfrommars]

who needs sulemio? my new favorite gundam wlw ship is dollar store Vi x dollar store Grimes

[gremoria411]

The following post contains spoilers for the first two episodes of Mobile Suit Gundam: Requiem for Vengeance

Alright, I figured I’d give Gundam: Requiem for Vengeance a shot, and if I had any opinions after the first two episodes, I’d do a small post as a first impressions sorta thing.

Ah, just before I get into it, I should note that I’ve been somewhat looking forward to Requiem for Vengeance for a while now.

I’m gonna be using bullet points, mostly because I really don’t want to spend a whole lotta time on this, but in a nutshell; Consider me unimpressed.

The character animation and voice work is really bad. The lip-synch is terrible (likely for ease of dubbing into other languages), and so many of the characters just move so stiffly. It’s not like, all-over bad - there’s some really good scenes (like where three characters are chatting in the Zaku Tank) where they either managed to make it work or were able to put the effort in. I’d guess that they put most of the budget into the mobile suits and didn’t care too much about the human characters (or they didn’t have anyone on staff that could animate humans convincingly).

The battle scene that takes up the second half of episode 1 just kinda feels bad. Iria survives because she is the protagonist, there’s no moment that made me feel like she was in genuine danger, since every time something has a bead on her there’s always this dramatic pause, then something distracts them. This happens something like five times.

The actual models for the characters and mobile suits are genuinely gorgeous, they’re just dripping with personality. Unfortunately, this only throws the bad voice work into even sharper relief.

Reid “chubs” Ghela dies about seven minutes in, to show off the power of the gundam’s new beam weapon. Now, I wouldn’t mind, if he wasn’t the only character with any semblance of a personality. He’s also the sole exception to the bad voice work, so it’s really annoying that he gets killed off so soon.

Relatedly, there’s so many odd pronunciations here. It really takes you out of things, because it would’ve been so easy to check this stuff.

I complained previously about the “my girlfriend, in space” line, but it’s weird, because there’s a scene later that actually stresses how odd it is for the Zeon Mobile Suit Pilots to find themselves on earth. It’s really quite well-done and it’s a nice character moment.

The opening’s absolutely gorgeous, it’s really good.

Some of the music choices make me think of studio ghibli. Fairly neutral on that.

I have two really petty complaints that I’m only mentioning because they’re fresh in my mind - the Gundam’s beam saber seems really stiff here, it should have at least a little bend and, JUST USE THE NEWTYPE CHIME SOUND. WE ALL KNOW WHAT A NEWTYPE SOUNDS LIKE JUST USE THAT. It’s really irritating me for some reason.

My main issue is that it feels like they made a Gundam series, without watching any other Gundam series first. They had the designs, they had the themes, they had cliff notes, they just didn’t watch any other show first. There’s the shape of good ideas here, the execution’s just bad.

It feels like that line that always gets trotted out when someone tries to launch a new mecha property - “unlike those other shows, this one’s actually about the mecha”. Gundam: Requiem for Vengeance feels like an example of why actually doing that is a bad idea, because it’s so obvious that’s where the budget went, but the show can’t be mech fights 24/7, so we just don’t really spend any time with the characters.

I will follow this up later.

[rayz-gamma]

I'm on episode 2 and so far I'm fucking impressed. They literally made the whole thing using unreal engine 5 damn.

[theballmighty]

You know, Gundam Requiem for Vengeance is clumsy in a lot of ways but more less sticks the landing on the series' main themes of "war bad" for the most part... But Solari deciding basically on a whim to join up with a Zeon remnant in Africa after spending the final episode repeatedly stating her desire to go home to her son is insanely hilarious considering that remnant either goes on to attack and destroy a few cities in ZZ and then get wiped out, or is the one that attacks Dakar and Torrington in Unicorn. And then get wiped out.

[redsamuraiii]

Gundam: Requiem for Vengeance | Official Teaser | Netflix

Focusing on the European front of the One Year War, which was the setting of the first Gundam series "Mobile Suit Gundam" (1979), the new animated series "Mobile Suit Gundam: Requem for Vengeance" will be told from the perspective of Zeon.

[athena-gunpla]

Mobile Suit Gundam: Chronological Watch Order for the Universal Century Timeline

UC 0001

Laplace incident – the Universal Century is declared, and Laplace, the Prime Minister’s residence, is destroyed by terrorists (First few minutes of Mobile Suit Gundam Unicorn (2010) Episode 1: Day of the Unicorn)

UC 0068

Mobile Suit Gundam The Origin (2015-2018) Episode 1

UC 0071

Mobile Suit Gundam The Origin (2015-2018) Episode 2

UC 0074

Mobile Suit Gundam The Origin (2015-2018) Episode 3 first half

UC 0076

Mobile Suit Gundam The Origin (2015-2018) Episode 3 second half

UC 0077

Mobile Suit Gundam The Origin (2015-2018) Episode 4 first half

UC 0078

Mobile Suit Gundam The Origin (2015-2018) Episode 4 third quarter

UC 0079 (the One Year War):

Mobile Suit Gundam The Origin (2015-2018) Episode 4 ending, Episode 5 (January 3rd up until January 15th 0079 UC).

Mobile Suit Gundam MS IGLOO: The Hidden One Year War (2004) Episode 1: Vanishing Serpent of Loum, runs from 4th to 17th January 0079UC.

Mobile Suit Gundam The Origin (2015-2018) Episode 6 (The Battle of Loum, January 15th-16th 0079; later events in the epilogue scattered throughout the first half of the year).

Mobile Suit Gundam MS IGLOO 2: The Gravity Front Episodes (2008) Episode 1: Take Out That Angel of Death!, runs from 26th to 27th April 0079UC.

Mobile Suit Gundam MS IGLOO: The Hidden One Year War (2004) Episode 2: Howls Stained in Dusk, runs from 29th April to 11th May 0079UC.

Mobile Suit Gundam MS IGLOO 2: The Gravity Front Episodes (2008) Episode 2: Kings of the Jungle, Roll Out!, runs from 21st to 26th July 0079UC.

Mobile Suit Gundam (1979) Episodes 1-15, starts September 18th 0079UC.

Mobile Suit Gundam: Cucuruz Doan’s Island (a movie adaptation of Episode 15), around about late October 0079UC. This is set in the Mobile Suit Gundam: The Origin timeline, and thus the White Base has already visited Jaburo and all members are officially part of the Earth Federation Forces. The Guntank is replaced by a second Guncannon, Sleggar is present, and Cucuruz Doan's Island is relocated to the Canary Islands rather than Japan, although the event still precedes Operation Odessa.

Mobile Suit Gundam (1979) Episodes 16-25 (up to early November 0079UC)

Mobile Suit Gundam 08th MS Team Episodes 1-11 (October 6th 0079UC up to around 15th November 0079. Starts after 0079 Episode 10 (Garma's death), and finishes sometime after the battle of Odessa during the Zeon Asian Ground Forces retreat)

Mobile Suit Gundam: Requiem for Vengeance (2024), runs from November 6th until around about the end of that week, shortly after Operation Odessa and the evacuation of the Zeon Eastern European and Asian Ground Forces. The timeline is a little sketchy as Yuri Kellerne appears in both this and 08th MS Team, but dies in the latter, but the series definitely ends by at most two days after 8th to 9th November and Operation Odessa in Episode 25 of Mobile Suit Gundam (1979).

Mobile Suit Gundam MS IGLOO 2: The Gravity Front Episodes (2008) Episode 3: Odessa, Storm of Steel!, runs from 8th to 9th November 0079UC, concurrently with Operation Odessa in Episode 25 of Mobile Suit Gundam (1979).

Mobile Suit Gundam MS IGLOO: The Hidden One Year War (2004) Episode 3: Dance of the Orbital Ghosts, runs from 24th October to 11th November 0079UC.

Mobile Suit Gundam (1979) Episodes 25-35 occur from around November of 0079UC up until the start of December, although there aren't many exact dates for when exactly in the year each episode takes place, although The Battle of Solomon in Episode 35 takes place on 24th December 0079 UC).

Mobile Suit Gundam MS IGLOO: Apocalypse 0079 (2006) Episode 1: In the Skies of Jaburo I Saw the Sea, happens from 3rd to 7th December 0079UC, sometime after 0079 Episode 30.

Gundam 0080 War in The Pocket (1989) runs from around December 9th 0079UC up until around 12th to 25th December 0079UC.

Mobile Suit Gundam MS IGLOO: Apocalypse 0079 (2006) Episode 2: Cross the Path of Light, happens from 28th to 30th December 0079UC.

Final few episodes (around 36/37 until 43) of Mobile Suit Gundam (1979) definitively happen on December 30th and 31st 0079UC, as this is when the Battle of A Bao Qu occurs in canon.

Peace treaty with Zeon signed on 1st January 0080UC.

Mobile Suit Gundam MS IGLOO: Apocalypse 0079 (2006) Episode 3: Spirits Returning to the Cries of Thunder, happens from 31st December 0079UC until 1st January 0080UC.

UC 0080

Mobile Suit Gundam 08th MS Team Episode 12 (unspecified number of months after the end of the One Year War)

UC 0083

Mobile Suit Gundam 0083: Stardust Memory (1991-1992)

UC 0087

Mobile Suit Zeta Gundam (1985-1986)

The Gryps Conflict/Gryps War

UC 0088

Mobile Suit Gundam ZZ (1986-1987)

The First Neo-Zeon war

UC 0093

Mobile Suit Gundam: Char's Counterattack (1988)

The Second Neo-Zeon war

UC 0096

Mobile Suit Gundam Unicorn (2010-2014)

Laplace incident - occurs from around April 7th 0096UC til May 4th 0096UC

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Mobile Suit Gundam Narrative (2018)

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The Principality of Zeon is officially dissolved and reabsorbed back into the Earth Federation

UC 0105

Mobile Suit Gundam Hathaway (2020)

UC 120

Mobile Suit Gundam F90 (1990)

UC 0123

Mobile Suit Gundam F91 (1991)

UC 149

Zanscare Empire Declared, Zanscare War Commences

UC 0153

Mobile Suit Victory Gundam (1993-1994)

End of the Zanscare War and all key members of the imperial core