#mixer channel speaker

[mixer12channel]

(WA) 0851-7988-9353 Mixer Amplifier 12 Channel Elsound Audio di Gegerkalong Hilir Bandung Bandung

Panduan Lengkap: Mixer 12 Channel Kompak untuk Kebutuhan Audio Profesional

Mixer audio merupakan alat yang sangat penting bagi para profesional audio dan musisi, terutama saat menangani berbagai sumber suara dalam satu sistem. Di antara banyak pilihan yang tersedia, mixer 12 channel kompak menjadi salah satu pilihan utama untuk berbagai situasi, mulai dari studio rekaman hingga panggung langsung. Artikel ini akan membahas berbagai aspek dari mixer 12 channel kompak, manfaatnya, dan tips dalam memilihnya, serta memberikan penjelasan tentang fungsi dan fitur yang sering ditemukan pada audio mixer.

Mengapa Memilih Mixer 12 Channel Kompak?

Mixer 12 channel kompak sangat populer karena fleksibilitas dan kemampuannya untuk menangani banyak sumber suara. Dengan 12 channel, Anda dapat menghubungkan berbagai alat audio seperti mikrofon, gitar, keyboard, dan bahkan perangkat lain yang membutuhkan input terpisah. Salah satu alasan utama mengapa banyak profesional memilih mixer ini adalah kemampuannya untuk memberikan kontrol yang lebih besar atas kualitas suara tanpa memerlukan ruang yang besar.

Dalam memilih mixer 12 channel kompak, Anda akan menemukan berbagai fitur seperti efek digital, equalizer (EQ) untuk setiap channel, serta kemampuan untuk melakukan pengaturan volume, panning, dan kontrol gain. Kombinasi fitur-fitur ini menjadikan mixer ini pilihan ideal untuk kebutuhan audio yang membutuhkan kejelasan suara dengan kontrol penuh. Selain itu, banyak mixer juga menyediakan koneksi USB untuk integrasi dengan komputer atau perangkat lain yang mendukung pengolahan audio.

Keuntungan Menggunakan Mixer 12 Channel Kompak

Menggunakan mixer 12 channel kompak menawarkan beberapa keuntungan, antara lain:

Fleksibilitas: Anda dapat mengatur banyak saluran audio secara bersamaan, memungkinkan untuk pengaturan yang lebih kompleks dan mendetail.

Portabilitas: Desainnya yang kompak memungkinkan Anda untuk membawa mixer ini ke berbagai tempat, baik untuk keperluan rekaman atau pertunjukan live.

Kontrol Lebih Besar: Dengan 12 saluran, Anda memiliki lebih banyak kontrol terhadap audio yang Anda gunakan, memungkinkan pengaturan yang lebih rinci pada tiap saluran.

Harga Terjangkau: Meskipun lebih banyak saluran, banyak mixer 12 channel kompak yang tetap terjangkau dibandingkan dengan mixer yang lebih besar dan rumit.

Namun, jika Anda mencari opsi dengan jumlah saluran yang lebih sedikit namun tetap berkualitas, pilihan seperti mixer 8 channel juga sangat menarik.

Mixer 8 Channel: Alternatif dengan Kualitas Hebat

Tidak semua orang membutuhkan 12 channel, dan untuk kebutuhan yang lebih kecil, mixer 8 channel bisa menjadi pilihan yang tepat. Dengan mixer 8 channel murah berkualitas, Anda tetap mendapatkan kontrol yang baik dengan harga yang lebih terjangkau. Berikut beberapa pilihan yang bisa Anda pertimbangkan:

Harga Mixer 8 Channel: Banyak pilihan harga mixer 8 channel yang terjangkau dengan kualitas yang sangat baik, cocok untuk pengguna yang baru memulai atau yang memerlukan perangkat dengan anggaran terbatas.

Box Mixer 8 Channel: Box mixer dengan 8 channel menawarkan desain portabel yang memudahkan dalam mobilitas, sangat cocok untuk panggung kecil atau penggunaan pribadi.

Apakah Anda membutuhkan mixer audio 8 channel atau mencari mixer 8 channel murah berkualitas, pastikan untuk mengevaluasi fitur yang ditawarkan, seperti kualitas preamp, jenis koneksi, dan kemampuan efek.

Perbedaan antara Mixer 12 Channel dan 8 Channel

Sementara mixer 12 channel menawarkan lebih banyak input dan kontrol, mixer 8 channel memiliki kelebihan dalam hal portabilitas dan kemudahan penggunaan. Pilihan mana yang terbaik bergantung pada kebutuhan spesifik Anda. Jika Anda sering bekerja dengan banyak alat dan membutuhkan fleksibilitas tinggi, mixer 12 channel adalah pilihan yang lebih baik. Namun, jika Anda bekerja dengan pengaturan yang lebih sederhana dan membutuhkan perangkat yang lebih mudah dibawa, mixer 8 channel akan lebih cocok.

Fitur Utama yang Harus Diperhatikan

Saat memilih mixer, baik 8 channel atau 12 channel, ada beberapa fitur utama yang harus diperhatikan. Fitur-fitur ini akan mempengaruhi kinerja mixer dan kualitas suara yang dihasilkan:

Equalizer: Setiap channel pada mixer biasanya dilengkapi dengan kontrol equalizer (EQ). Dengan ini, Anda bisa menyesuaikan frekuensi suara pada tiap input untuk menciptakan suara yang lebih seimbang dan jernih.

Gain Control: Kontrol gain memungkinkan Anda mengatur kekuatan sinyal pada setiap channel. Hal ini penting agar suara yang masuk ke mixer tidak terdistorsi karena level input yang terlalu tinggi atau terlalu rendah.

Efek: Beberapa mixer menyediakan efek built-in seperti reverb, delay, dan chorus yang dapat meningkatkan kualitas suara, terutama pada pertunjukan langsung.

USB Interface: Fitur USB memungkinkan mixer terhubung langsung ke komputer untuk perekaman atau pengolahan audio digital, memberikan fleksibilitas lebih besar dalam penggunaan perangkat lunak audio.

Output: Pastikan mixer Anda memiliki cukup output untuk menyambung ke sistem PA atau perangkat lain yang diperlukan, baik itu output stereo, aux send, atau output XLR.

Bagaimana Memilih Mixer Audio yang Tepat untuk Kebutuhan Anda?

Jika Anda sering bekerja dengan banyak sumber suara, Anda mungkin lebih memilih mixer 12 channel. Namun, jika kebutuhan Anda tidak sebanyak itu, mixer 8 channel bisa menjadi pilihan yang lebih praktis dan terjangkau. Perhatikan anggaran dan kebutuhan teknis Anda, seperti fitur efek, input/output, dan kualitas preamp. Ini akan membantu Anda memilih mixer audio 8 channel atau mixer 12 channel kompak yang paling sesuai.

FAQ Seputar Audio Mixer

Untuk membantu Anda lebih memahami penggunaan audio mixer, berikut ini adalah beberapa pertanyaan umum yang sering diajukan.

Apa itu trim pada audio mixer?

Trim pada audio mixer adalah pengaturan level input awal untuk tiap saluran. Fungsi trim adalah untuk menyesuaikan sinyal yang datang dari sumber suara sebelum diproses lebih lanjut. Dengan menyesuaikan trim, Anda bisa memastikan sinyal yang masuk tidak terlalu kuat atau lemah, sehingga mencegah distorsi atau kehilangan detail.

Bagaimana cara menggunakan MIDI dengan audio mixer?

MIDI (Musical Instrument Digital Interface) memungkinkan komunikasi antara perangkat musik elektronik, seperti keyboard atau kontroler, dan audio mixer. Dengan menggunakan MIDI, Anda bisa mengontrol parameter pada mixer, seperti volume, efek, atau panning, secara langsung dari perangkat MIDI. Pastikan mixer Anda mendukung koneksi MIDI dan lakukan pengaturan pada perangkat lunak pengolah audio untuk integrasi yang optimal.

Apa itu solo button pada audio mixer?

Solo button pada audio mixer memungkinkan Anda untuk mendengarkan satu saluran audio secara eksklusif, tanpa gangguan dari saluran lainnya. Fitur ini sangat berguna saat Anda ingin memfokuskan perhatian pada satu suara atau sumber suara untuk pengaturan lebih lanjut, seperti koreksi atau pemantauan.

Bagaimana cara menggunakan USB audio mixer?

USB audio mixer memungkinkan Anda untuk menghubungkan mixer langsung ke komputer atau perangkat lain menggunakan kabel USB. Ini memungkinkan Anda untuk merekam audio secara langsung ke dalam perangkat lunak rekaman atau mengirimkan audio ke sistem komputer untuk pemrosesan lebih lanjut. Pastikan mixer Anda memiliki fitur USB yang kompatibel dengan perangkat lunak audio yang Anda gunakan.

Apa itu pad pada audio mixer?

Pad pada audio mixer adalah fitur untuk mengurangi level input sinyal yang sangat kuat. Biasanya digunakan untuk mengatasi masalah sinyal yang terlalu besar dari sumber seperti mikrofon dinamis atau instrumen dengan output tinggi. Dengan mengaktifkan pad, Anda dapat menghindari distorsi yang dapat terjadi akibat input yang terlalu kuat.

Kesimpulan

Mixer 12 channel kompak adalah pilihan ideal bagi siapa saja yang membutuhkan pengaturan audio yang fleksibel dan canggih dalam ukuran yang lebih kecil. Baik Anda memilih mixer 8 channel atau mixer 12 channel kompak, pastikan untuk mempertimbangkan kebutuhan teknis, fitur yang tersedia, dan anggaran Anda. Fitur-fitur seperti USB, efek digital, dan kontrol gain sangat penting dalam memastikan kualitas suara yang maksimal.

Dengan memilih mixer yang tepat, Anda akan dapat menghasilkan suara yang jernih, seimbang, dan profesional di setiap kesempatan. Jangan ragu untuk mengeksplorasi pilihan mixer 8 channel murah berkualitas jika Anda mencari solusi audio yang efisien dan terjangkau.

Kontak dan Pemesanan Hubungi 0851-7988-9353 ELSOUND AUDIO adalah produsen speaker no.1 di Indonesia. Produk asli Indonesia ini menyediakan berbagai jenis speaker dan komponen speaker seperti: speaker driver, speaker aktif, speaker pasif, power amplifier, audio mixer, tweeter, hingga microphone. Elsound Speaker dan Cipta Suara (main distributor AudioBulls produksi Elsound) siap melayani berbagai kebutuhan audio anda dengan harga terjangkau. harga mixer speaker murah,mixer multiple speaker,music mixer speaker,speaker mixer price list,mixer power speaker

Kontak dan Pemesanan Hubungi

0851-7988-9353 https://wa.me/6285179889353

Klik link berikut untuk informasi lebih lanjut : https://linktr.ee/elsoundspeakers

Follow juga akun sosmed yang lainnya :

Instagram | https://www.instagram.com/elsoundaudio/ Tik Tok | https://www.tiktok.com/@elsound.audio Youtube | http://www.youtube.com/@ElsoundAudio

Official Website : https://elsoundspeakers.com/

Belanja di Marketplace:

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[sitirobiat]

0851-7988-9353 - Mixer Speaker Elsound di Yalimo

Mixer Speaker Input: Panduan Lengkap untuk Memaksimalkan Kualitas Suara

Menyusun setup audio berkualitas di studio atau live sound membutuhkan pengetahuan dasar tentang mixer audio, terutama untuk channel yang lebih besar seperti 12 channel digital mixer. Dengan banyaknya opsi mixer di pasaran, penting memahami berbagai aspek teknis seperti mixer speaker input, cara menghubungkan mixer ke media player, dan fungsi penting lainnya seperti insert send dan return. Dalam artikel ini, kita akan mengupas tuntas semua informasi tentang mixer, mulai dari penjelasan fungsi hingga tips cara menggunakannya dalam pengaturan studio atau live.

Apa Itu Mixer Speaker Input?

Mixer speaker input adalah salah satu elemen dasar dari setiap sistem audio profesional. Fungsi utamanya adalah untuk mengelola berbagai input dari sumber suara, seperti mikrofon atau instrumen, menggabungkan sinyal audio, dan mengatur output suara ke speaker atau perangkat perekaman. Mixer ini berperan penting dalam mengontrol kualitas suara yang dihasilkan, sehingga memungkinkan sound engineer atau musisi untuk memodifikasi karakteristik suara sesuai kebutuhan.

Pengaturan input pada mixer juga beragam, termasuk mixer dengan 12 channel, yang memungkinkan pengaturan dan pengolahan sinyal audio dari beberapa sumber sekaligus. Inilah mengapa 12 channel digital mixer menjadi favorit di studio dan live performance, karena fleksibilitas dan kemudahan pengaturannya.

Keunggulan 12 Channel Digital Mixer

Digital mixer 12 channel memberikan lebih banyak kontrol dan variasi efek dibandingkan analog mixer. Dengan digital mixer, pengguna bisa menyimpan preset, melakukan otomatisasi, dan memanfaatkan equalizer serta kompresor bawaan, yang sangat praktis dalam situasi live atau studio rekaman.

Beberapa mixer terbaik 12 channel juga memiliki fitur tambahan seperti kemampuan menyimpan konfigurasi sound, kemampuan perekaman USB, hingga berbagai efek suara yang dapat disesuaikan. Tidak hanya itu, harga mixer digital 12 channel juga cukup kompetitif, terutama bagi Anda yang mencari kualitas dan fungsionalitas yang maksimal.

Cara Menghubungkan Mixer ke Media Player

Menghubungkan mixer ke media player seperti laptop atau ponsel cukup mudah. Anda bisa menggunakan kabel RCA atau kabel AUX (TRS), tergantung jenis input dan output perangkat yang Anda gunakan. Langkah-langkahnya sebagai berikut:

Persiapkan Kabel yang Sesuai: Gunakan kabel yang kompatibel dengan perangkat Anda, misalnya kabel RCA-to-RCA untuk perangkat dengan output RCA atau kabel TRS-to-TRS untuk input 3.5mm.

Hubungkan Output Media Player ke Input Mixer: Colokkan ujung kabel ke output media player, lalu sambungkan ujung lainnya ke input pada mixer, seperti channel line-in.

Atur Volume dan EQ: Setelah perangkat terhubung, atur volume dan equalizer pada mixer agar sesuai dengan kualitas suara yang diinginkan. Pastikan juga level input tidak terlalu tinggi untuk menghindari distorsi.

Dengan langkah-langkah ini, Anda bisa menghubungkan perangkat media player ke mixer dengan mudah dan mendapatkan kualitas audio yang optimal.

Apa Itu Insert Send dan Return pada Audio Mixer?

Insert send dan return adalah fitur penting pada mixer yang memungkinkan Anda untuk menghubungkan efek eksternal, seperti kompresor atau reverb, ke jalur audio tertentu.

Insert Send: Mengirimkan sinyal dari channel tertentu ke perangkat efek eksternal. Sinyal ini kemudian akan diproses oleh perangkat efek.

Insert Return: Mengembalikan sinyal yang telah diproses kembali ke channel tersebut, memberikan fleksibilitas untuk mengontrol suara yang dihasilkan.

Manfaat Menggunakan Insert Send dan Return

Fitur ini sangat berguna dalam situasi rekaman studio atau pertunjukan live di mana diperlukan efek tambahan pada vokal atau instrumen. Sebagai contoh, untuk menambahkan reverb pada vokal, Anda dapat menghubungkan reverb eksternal ke mixer melalui insert send dan return.

Tips Menggunakan Mixer untuk Recording Studio

Menggunakan mixer di studio rekaman membutuhkan teknik dan pemahaman terhadap berbagai fitur mixer, terutama pada mixer 12 channel yang menawarkan lebih banyak opsi. Berikut adalah beberapa tips praktis:

Gunakan EQ untuk Menyeimbangkan Frekuensi: Setiap channel pada mixer biasanya memiliki kontrol EQ. Gunakan EQ ini untuk memodifikasi frekuensi rendah, menengah, dan tinggi sesuai kebutuhan. Ini penting agar setiap instrumen terdengar jelas tanpa tumpang-tindih frekuensi.

Gunakan Gain dan Volume dengan Bijak: Pastikan untuk mengatur level gain agar sinyal tidak terlalu tinggi atau rendah. Gain yang tepat akan memberikan output suara yang bersih dan bebas distorsi.

Manfaatkan Aux Send dan Return untuk Monitor: Aux send pada mixer memungkinkan Anda untuk mengatur sinyal monitor untuk setiap channel. Ini sangat berguna untuk musisi di studio yang membutuhkan monitor suara secara independen.

Simpan Preset Digital (Jika Ada): Jika Anda menggunakan mixer digital 12 channel, manfaatkan fitur preset untuk menyimpan setting audio. Hal ini sangat membantu jika Anda sering mengulang setting yang sama dalam berbagai sesi rekaman.

Dengan tips di atas, Anda dapat memaksimalkan fungsi mixer di studio rekaman, membuat hasil rekaman menjadi lebih profesional dan berkualitas tinggi.

Apa Itu Foldback pada Audio Mixer?

Foldback adalah istilah untuk sistem monitoring pada mixer, biasanya digunakan dalam live performance atau rekaman studio. Fungsinya adalah mengirimkan sinyal audio dari mixer ke monitor panggung atau headphone musisi, sehingga mereka bisa mendengar audio yang mereka mainkan atau nyanyikan secara real-time.

Kelebihan Menggunakan Foldback

Foldback memungkinkan musisi untuk menjaga tempo, intonasi, dan sinkronisasi dengan anggota band lainnya atau track rekaman. Dengan adanya foldback, penampilan dan rekaman bisa berjalan lebih lancar karena musisi mendengar langsung output dari mixer.

Memilih Mixer Digital 12 Channel Terbaik di Pasaran

Ada berbagai pilihan mixer digital 12 channel yang tersedia, dari yang memiliki fitur sederhana hingga yang canggih dengan berbagai efek suara. Beberapa brand terbaik seperti Yamaha, Behringer, dan Mackie menawarkan fitur yang dapat memenuhi berbagai kebutuhan audio. Ketika memilih, perhatikan beberapa aspek berikut:

Kualitas Suara: Pastikan mixer memiliki preamp berkualitas dan EQ yang baik.

Fitur Digital: Mixer digital dengan fungsi preset dan USB recording sangat bermanfaat.

Harga Mixer Digital 12 Channel: Tentukan anggaran yang sesuai. Harga mixer digital 12 channel bervariasi, jadi pilih yang menawarkan fitur sesuai kebutuhan Anda.

Dengan memperhatikan kriteria tersebut, Anda dapat menemukan mixer 12 channel harga terbaik sesuai kebutuhan studio atau performa live Anda.

FAQ Seputar Mixer dan Audio

Apa itu main mix pada audio mixer? Main mix pada audio mixer adalah sinyal akhir dari semua channel yang digabungkan dan diarahkan ke output utama, seperti speaker atau perangkat perekaman. Ini memungkinkan pengendalian keseluruhan volume dan kualitas suara pada output.

Bagaimana cara menghubungkan mixer ke media player? Cara menghubungkannya adalah dengan menggunakan kabel yang sesuai, seperti kabel RCA atau TRS, dan mencolokkannya ke input line pada mixer. Kemudian, sesuaikan level suara dan EQ agar output sesuai dengan yang diinginkan.

Apa itu insert send dan return pada audio mixer? Insert send dan return adalah fitur yang memungkinkan sinyal dari channel tertentu diarahkan ke perangkat efek eksternal, lalu mengembalikannya ke channel tersebut setelah diproses.

Bagaimana cara menggunakan mixer untuk recording studio? Untuk menggunakan mixer di studio, Anda bisa mengatur gain, EQ, dan aux send untuk monitoring. Jika menggunakan digital mixer, simpan preset untuk memudahkan pengaturan pada sesi rekaman berikutnya.

Apa itu foldback pada audio mixer? Foldback adalah sistem yang mengirimkan sinyal audio dari mixer ke monitor panggung atau headphone musisi, sehingga mereka bisa mendengar audio secara real-time. Ini sangat penting dalam live performance dan rekaman studio agar musisi dapat mendengar dan mengikuti musik yang dimainkan.

Artikel ini memberi gambaran lengkap tentang mixer speaker input, mulai dari pengertian dasar, fungsi utama, hingga tips pemakaian dalam studio. Dengan memilih mixer terbaik 12 channel, Anda bisa mendapatkan kontrol penuh atas suara yang dihasilkan, baik dalam studio maupun live. Perhatikan juga fitur yang sesuai, terutama untuk mixer 12 channel harga terbaik di pasar agar investasi Anda sepadan

Indonesia. Produk asli Indonesia ini menyediakan berbagai jenis speaker dan komponen speaker seperti: speaker driver, speaker aktif, speaker pasif, power amplifier, audio mixer, tweeter, hingga microphone. Kontak dan Pemesanan Hubungi 0851-7988-9353 ELSOUND AUDIO adalah produsen speaker no.1 di Elsound Speaker dan Cipta Suara (main distributor AudioBulls produksi Elsound) siap melayani berbagai kebutuhan audio anda dengan harga terjangkau.

Kontak dan Pemesanan Hubungi

0851-7988-9353 https://wa.me/6285179889353

Klik link berikut untuk informasi lebih lanjut : https://linktr.ee/elsoundspeakers

Follow juga akun sosmed yang lainnya :

Instagram | https://www.instagram.com/elsoundaudio/ Tik Tok | https://www.tiktok.com/@elsound.audio Youtube | http://www.youtube.com/@ElsoundAudio

Official Website : https://elsoundspeakers.com/

Belanja di Marketplace:

Tokopedia | https://tokopedia.com/elsound Shopee | https://shopee.co.id/elsoundspeakers

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[dfortrafalgar]

Catch Up

Law x Fem Reader

You might have met your soulmate while intoxicated, making out with him in a dark broom closet. But the only thing you left with was his first name.

Warnings: MATURE CONTENT, MINORS/AGELESS BLOGS WILL BE BLOCKED!!!, reader is meant to be over 21, bar crawl setting and responsible alcohol consumption

--

A/N- I'm still (still!) working on requests, and posting un-posted fics from my google drive in the meantime. I'm hoping to have my inbox open once again at the end of the month, or perhaps early June, now that my work/life balance is adjusting properly since starting my new job! I'm really sorry to those who have been hoping for consistent fics from me, i really wish i could write as much as i was recently but i'm still trying really hard!

[Also posted on AO3]

Chapter 1

[Next]

It was hard to convince yourself that you weren’t just the slightest bit tipsy as you kept your head lowered and channeled all of your focus into making sure your feet walked in a linear path.  How many bars had you gone to again?  Four?  Five, maybe?  Your body swayed slightly with your gait as your mind scrambled to catch up with the last drink that you had.  It was only a cocktail, as all your other drinks from your bar crawl were.  Was it mango-flavored?  What street were you even on now?  You blindly followed the two women in front of you whose voices were gleefully mocking the words you had said some hours before the sun had gone down.

“‘I’m not a lightweight, never have been!’” chided Ikkaku, eyes crinkled in a smile as she poked fun at your previous confident statement.  She tossed a glance over her shoulder where you walked only a few steps behind.

“I’m not a lightweight!  My voice isn’t even slurring yet!” you fought back, increasing your speed to keep pace with your best friends.

“And what was the last drink you had?” Nami asked, pulling her phone out of her bra to check her map.

“A mango margarita,” you confirmed.  “With a little lime wedge and a mint leaf for a garnish.  The place was called Elgia Lounge and it was on–”

“Okay, okay, you’re not drunk!  We surrender!” laughed Ikkaku.  “I’m glad you’re not, though, because this next place apparently has some of the best pineapple daiquiris in the entire city.”

Your mouth started watering immediately at the thought.  You were always a sucker for sweet cocktails, arguably some of the most dangerous drinks due to the way the tangy, sour mixers completely blocked the taste of any alcohol added.  Sometimes, it was impossible to tell if there even was alcohol in the glass, but with the way you walked, there was obviously more than enough from your previous locations.  You hadn’t quite passed the threshold into drunk territory yet, but the image of a sweet and tart pineapple daiquiri might just be the thing to completely inebriate you.

Nami stopped dead in her tracks and looked towards the congested buildings immediately to your right side, scanning the signposts in the dark and looking for a specific one.  Tucked in between two sports bars, with absolutely zero signage on the graffiti-covered door, the red-head nodded her head toward the unmarked entrance.  “This is it.”

“Nami, you’re going to get us killed,” Ikkaku murmured, eyes squinting at the door to spot any indication that this was indeed a speakeasy and not a hidden trap house.  

“Am not, I swear this is the place!”

The three of you approached the steel door, Nami confidently being the one to ring the doorbell that was attached to a small intercom system.  It took a few breathless moments of mild worry before a voice filled with static came through the speaker.

“Password?”

You and Ikkaku were both blindsided as Nami crossed her arms over her chest and loudly proclaimed, “Suck my big, fat cock.”

Another few seconds of silence followed before the lock on the door clicked open and the same voice from before spoke, “Come in.”

“What the fuck,” you muttered in shock.

“Told you it was legit!” Nami chided with a giggle.

“A place that makes you say, ‘Suck my big, fat cock,’ as a password doesn’t seem very legit to me, but I’ll take your word for it,” Ikkaku mused as she followed Nami through the door and down a flight of stairs only illuminated with blue and pink fluorescent lights.

Graffiti completely covered the entire interior of the stairwell, leaving no part of concrete untouched from colorful ink.  Even the ceiling above you was marked in elaborate, incomprehensible swirls and zags of paint of all different colors, made even more colorful in the odd lighting.  The stairwell seemed to last forever as you followed your two friends down into the underground, clutching the steel railing for dear life as your tipsy vertigo fought with your ability to walk down a flight of steps.  You finally reached the bottom to another door, this time lined with a soft, cushiony leather fabric.  Nami pulled open the door and greeted a black-clad man standing in the small room directly behind it.

“IDs,” he grumbled.  Straight to the point.

The three of you fumbled through your purses for your driver’s licenses before handing each of them over to the man for a review.  He clicked on a pocket flashlight, scanning each card, handing them back to you with a hum.  “Enjoy the night, ladies.”  His large hand pushed open another door that was hidden in the wall itself.

The room that was opened to you was unlike any of the other bars you had entered, both during your current crawl and in your entire adult life previous.  The room was cloaked in a sexy blue and pink lighting, decorative art of pin-up models framed on the walls along with retro-inspired neon signs and liquor branding.  Groups of people filled the tables nearby, laughing and drinking through the booming music that flowed freely through the space.  It was crowded, almost overwhelmingly so, but you squeezed close to Ikkaku’s back as you pushed your way through the other patrons to get to the bar.  Your hand accidentally grabbed Ikkaku’s ass as her shoulder bumped into your breast, both of you wheezing out surprised laughter.

You popped through the stream of people to the bar which was, unsurprisingly, completely filled with every seat taken.  Two men worked tirelessly behind the counter, filling shakers with liquor and mixers, bitters and juices.  A bin of assorted fruits sat open in front of patrons, allowing the bartenders to grab their garnishes quickly and decorate their glasses with expert precision before passing them off to elated, tipsy customers.  You, Nami, and Ikkaku squeezed yourselves into the far corner of the bar, between the counter and a booth of patrons.  

“At least we can stand here!  It’s a bit crowded but it’ll do for now,” the red-head yelled through the shaking stereo that sat nearby.  

One of the two bartenders waved his hand in the air to attract your attention.  Long, spikey auburn hair framed a sharp face and crooked nose.  You were confused at the angular sunglasses that covered his eyes, but paid no mind in the end.  His voice cut through the music, but was clearly worn after a long night of screaming at people because of the volume.  “What can I get for you, ladies?”

Nami handed the man her credit card, explaining that she was going to close out after one drink for each of them, which he gladly accepted and placed in a secure box by the register.  Your eyes frantically scanned the illuminated menu above the bar, the raunchy, debauched names of the signature cocktails revealing absolutely nothing about their ingredients.  

“What the hell is a ‘Fuck Me Sideways?’” you shouted towards your friends.  

The man behind the counter cackled.  “That’s a pineapple daiquiri!  It’s sour as fuck, hence the name!”

Your mind flashed back to your conversation from the street, mouth once again salivating at the thought of the tangy, delicious concoction.  “I’ll get that please!”

The man memorized your three orders and immediately got to work.  You watched idly as he nudged his coworker’s shoulder and alerted him of the order so he could help with making your drinks.  It was then that your eyes trailed to said coworker.

All sound in the room faded into a muffled nothingness as your eyes narrowed on the other bartender, pupils dilating.  Toned, tanned arms and hands were littered in elaborate, grungy tattoos, and you could tell with the way his worn t-shirt dipped below his collarbones that he had another large piece on his chest, defining his pectorals even from beneath his clothing.  His jawline was sharp, a small goatee defining his chin, black sideburns framing his perfect face as intense, golden eyes focused on his work.   His tongue poked out from his thick lips slightly, revealing a tiny glimpse of a stud pierced through the muscle, and giving his intimidating appearance a sudden adorable qualm as long, deft fingers poured shots of liquor into his metal shaker cup.

You barely noticed the fingers snapping in your face.

“Hey, Earth to Apollo!  Can you read me?” Ikkaku hollered directly in your ear, shaking you out of your trance.

You jumped in surprise, music fading back into your consciousness as the sound of Nami’s laughter brought you firmly back to reality.

“Looks like someone’s got the hots for the emo bartender over there!” sang the red-head, leaning against the wall and making a very lewd gesture with her hands.

You grumbled.  “Do not!”

“Whatever you say, princess,” Ikkaku chuckled in response.  “He is pretty cute… if you don’t make a move I might.”

“Don’t you fucking dare,” you growled, making your best friends roar in laughter.  A rush of blood filled your face with an embarrassed heat.  “He probably already has a partner, a guy as hot as him can’t possibly be single.”

“There’s only one way to find that out, and it’s to talk to him,” lectured Nami.  “Come on, you’re on a bar crawl, you’re drunk, you’re hot, your pants make your ass look fucking amazing.  I would look the other way if you dragged that hunk to the bathrooms.”

“Nami!  Shut up!” you screamed, thoroughly embarrassed now.  It’s not like anyone could hear your conversation amongst the intense volume of the room, but the subject matter still made you flush from your tailbone to the crown of your head.

The conversation dissipated into enthusiasm about the location, the three of you taking note of the sex-positive decor and how good the playlist was.  Every once in a while, your eyes would dart back to the raven-haired man with his eyebrows furrowed in deep concentration as he filtered a cocktail through the metal strainer and into a slim, iced glass.  He reached forward into his box of garnishes, procuring a thin lime wedge and expertly slicing it down the middle to perch it on the rim of the glass.  As you were staring at him, his eyes darted up directly meeting yours.  Your face flushed red hot with embarrassment, but before you could yank your gaze away, he flashed you a grin that had your legs quivering.  He held up the drink.  It was your’s.

You pulled away from Nami and Ikkaku who hardly noticed your movement as you approached the bar and reached between two peoples’ shoulders to grab your cocktail from the man who kept his deep, golden eyes on your form the entire time.  An elated, cold sweat ran up your spine and you flashed him as good of a smile as you could through your ceaseless embarrassment that he had caught you staring.

Once the drink was in your hands, he tossed you a wink.

You hobbled back toward Nami and Ikkaku who were already holding their own orders, sipping idly through their conversation.

“You look like you got spooked by a ghost or something!” giggled Ikkaku, squeezing your left cheek with her fingers.

“Ikka, that hot emo bartender gave her her daiquiri!” Nami replied for you, making the curly-haired girl gasp in excitement.

“Did he say anything?  Did you say anything?”  The questions rolled off of her tongue faster than your heart rate.

“He just winked at me, and smiled, I guess,” you stated through nervous breaths.  

Your best friends dragged you into the conversation that had developed in the short time you were away getting your drink, but when you tossed another glance over your shoulder, you once again locked with golden eyes that froze your feet to the ground.

—

You weren’t exactly sure how much time had passed over all, but it couldn’t have been more than an hour.  You and your friends finished your drinks, closed out your tab, and proceeded to the dance floor to burn off energy under the neon disco lights and pounding music.  You let your mind stray away from the bartender’s piercing glare while you moved your hips against Nami’s, the two of you poking fun at Ikkaku from afar as she found herself in an awkward dance with a random man who was far from her type (that is to say: not a woman).  The room was dipping slightly around you, the sweet pineapple daiquiri definitely making you tipsier than you wanted to be.  You didn’t have to pee at that moment, but you figured it would be worth a shot to sober you up even just slightly.  With a nudge against Nami’s shoulder, you pointed to the bathroom, mouthing your intentions, and waved to her as you walked toward the back of the room through the sea of happy, alcohol-fueled patrons.

The bathroom was situated behind the bar past a few rows of small booth tables, and the further you walked from the center of the lounge the more the music faded to a much more tolerable volume.  The walls remained lined with graffiti, which you trailed with your eyes as you walked, marveling at the tantalizing swirls of colors and personalized messages and names memorialized forever on the concrete.  You finally rounded the corner into the small corridor where the two single bathrooms were found, along with a single broom closet that was kept closed with a padlock.  Your feet blindly led you towards one of the bathroom doors that was cracked open.

“You know, those pants make your ass look phenomenal.”

A husky voice stopped you in your tracks.  A million thoughts rushed through your mind within an instant.  Who was talking to you?  Did you get followed to the bathroom?  Were you being watched?  Were you in danger?  Should you have brought your purse with you instead of leaving it with Nami?  Were you going to make a run for it?

Fighting against your flight, you turned around to face the voice that cut through the muffled music.

Intense, golden eyes, raven-black hair, and a sly, toothy smirk.

“Sorry if I scared you, I promise I didn’t follow you back here,” he added, his face morphing from a flirtatious, mischievous expression into a more apologetic one.  “I had to take a piss, too.”

“Oh, it’s no problem, really!” you replied, inwardly wincing at how your voice involuntarily quivered with excited anxiety.  The Hot Emo Bartender was standing in front of you.  Had he just complimented your ass?  “And, uhm, thank you!  For my ass.  I mean, for saying I look good.  Or, phenomenal, I think?”  You pinched your lips shut forcing yourself to cease your drunken rambling, but your reaction only made the man’s mouth curl into a grin as a laugh bubbled out of his throat.

“Go sober up in there, princess, then we’ll talk.  I’ll wait for you out here.”  The man ended his sentence by entering the second unoccupied bathroom, closing and locking the door behind him.

You quickly did the same.  The bathroom had the exact same aesthetic and lighting as the rest of the establishment, the mirror completely covered in graffiti and leaving little room to view your current appearance after you finished your business.  You gazed through the dried ink, fixing your hair with your fingers and pushing your boobs into place under your top, blowing an encouraging huff out of your mouth before washing your hands, drying them, and exiting the bathroom into the corridor once more.

The man had indeed waited for you, leaning nonchalantly against the wall with one leg up checking his phone.  He was tall, much taller than you, and his legs were long and skinny, complemented beautifully by his tight, bespeckled jeans.  The spots were definitely an odd aesthetic choice in your mind, but you couldn’t complain.  Somehow, they suited his vibe perfectly.  He picked his head up and looked you up and down, that charming, mischievous grin once again returning to his lips.

“Feel better?”

“Absolutely, I didn’t think you’d actually wait out here,” you confirmed.  Somehow, your voice had evened out from the anxious drunken stupor you sported before.  Maybe pissing out the alcohol did have its merits.

“Good, I wanted to talk to you but needed to see if you were too drunk first.  Those pineapple daiquiris are really something,” he explained.

You were very quickly gaining more comfort in his presence, isolated from the club beyond the corridor in the dim lighting that accentuated his cheekbones and gave him the sexiest aura you had ever seen.  You swallowed your pounding heart and returned his grin.

“Talk to me?  Out of everyone here?” you questioned, putting on your charm.

“I don’t just talk to any random bar patron,” he responded.  “In fact, I barely talk to anyone here at all.  But how could I pass up such an alluring face?”  He stepped across the corridor to you, reaching out a hand that smelled like the generic brand soap in the bathroom.  His callouses tickled the fine hairs of your cheek and chin.

“And ass?” you asked innocently, clearly enjoying the little game you two had initiated.

“And ass,” he repeated.  “Though…” his eyes trailed up and down your body from his closer angle, eating you up through your clothes.  “You’re definitely the most stunning girl I’ve ever seen, all around.”  His golden eyes met yours once more.  “You have beautiful eyes.”

He had done it now.  You were beyond flustered, convinced that your entire body was glowing red and steaming like a geyser from your anticipation and embarrassment at his tender compliments.  A part of you still wasn’t convinced that he wasn’t the type to talk up every woman at the bar, but Nami’s words from prior bounced through your skull.  You were drunk, you were hot, and damn it, your pants did make your ass look good!  You only live once, right?

With alcohol and adrenaline fueled courage you never experienced before, you closed the narrow gap between your bodies and pressed your lips against his, standing on your toes and grasping his shoulders to steady yourself.  The anxious voice in your head told you he was going to push you away, call you some horrible slur and leave you in the dust to regret every choice you made leading up to that moment.

You were very pleasantly surprised when his lanky arms looped around your waist, clutching you close to his sturdy form as he moved his lips against yours.  You weren’t an expert kisser by any means, but something about the way his mouth moved told you that he wasn’t actually used to doing this, more of a smooth-talker than a do-er.  He was reluctant to open his mouth to allocate for your tongue, instead simply pursing and unpursing his lips against yours.  The feeling made you pull away, failing to suppress the giggle that followed.

Before you had the chance to make any snide, lighthearted comment, however, a tattooed hand traveled down your arm and gripped your hand, dragging you toward the broom closet.  He fiddled with the padlock on the door without letting you go, shoving open the entrance with his shoulder and pulling you inside.  The door slammed behind you, now almost completely muffling the music blaring from within the club.  The two of you were now free from prying eyes that might wander into the corridor to use the bathroom, completely unaware of the actions taking place just one door away.

In the stark darkness of the closet, the man’s hands found the collar of your shirt and pulled it down as best as he could, encouraging you to slip your arms out and pull it over your head.  His lips pecked at your jaw, your chin, your neck, and the dip of your breast as you unhooked your bra and let it flop to the floor.  Your own hands grasped his ratty t-shirt and yanked it over his head, its loose fit making undressing his torso much easier.  Your fingers now had access to his bare skin, your breath hitching in your throat as you blindly felt around firm abdominal muscles that met a lean yet supple chest and broad shoulders.  Even through the lack of light you could tell just how attractive this man was.  A smattering of coarse hairs covered his chest and stomach, but for the most part he was well trimmed, save for the patch of hair that you felt at his naval.  You heard his breath catch in his throat as your fingers followed the dip of his pelvic bone and trailed along the belt of his jeans.

“Wait,” his airy voice muttered.  “I need to know your name.”

You laughed, divulging your information.  You felt his lips smile against the skin of your neck.

“I’m Law,” he added.

“Law…” you exhaled his name on your soft, aroused breath.  “Can you fuck me, Law?”

A low groan rumbled through Law’s throat as his hands now played at your own waistband.  “Anything for you, princess.”

[pukicho]

So puki you make music, whats your setup like? Audio interface, software, etc etc. Askin cuz I wanna get into the scene

Well I wanna preface this with a few things!! I have spent 90% of my money on music stuff! I love it and have spent like 13 years acquiring this shit, but here is my studio from like 6 months ago

A FEW THINGS HAVE CHANGED SINCE THIS! I no longer have the Pro 3 and swapped it for… nothing! I just sold it, also I cleaned up those cables.

To keep it simple, I have an Apollo x8 audio interface, its the best sounding interface I’ve ever owned, all my synths go into the Apollo, I don’t have a mixer but I 100% need one, I have so many little synths not in use as a result of my lack of inputs!! I have an 8 channel midi host hidden behind some shit, and that really fucking helps. For the love of god don’t use USB midi for big synth setups like mine, it sucks. It pays to learn MIDI shit.

My current synth tower includes the Moog Matriarch, Udo Super 6 and the prophet 6 - under the desk is my OB6! I also own a few doodads like the elektron octatrak mk2, the eowave quadrantid swarm and the 0-coast - I use Adam A77x speakers and some nice headphones!

This is all stupid overkill and not necessary to make good music, I am just a whore, and I have lofty plans and projects! All u need is a focusrite (or a UA volt preferably, sounds better) a good vst like serum or vital (free serum but less presets and worse effects) and some samples u can get from splice or some shit - and maybe a nice MIDI controller - as for daws I suggest FL since its great for learning, or ableton if you plan on going ham with beat making, logic is also a beast for apple users. Most importantly, have fun and don’t be a dick. Also if u think ur music is good 2 years in, it probably isn’t, always something to learn. Byebye

[sycamorelibrary754]

Whoopie!

Summary: You decide to play baker while Yelena is at work and you’re stuck at home recovering from an injury. A fluffy sugar rush ensues. 

Pairings: Yelena Belova x Reader

Genre: Fluff, Comfort, Angst

Word Count: 2k words

Warnings: A tiny bit of angst, but with a happy ending. Mentions of injury. 

A/N: I had so much fun writing this! I took from my own experience as a dessert lover with a tendency for sugar rushes. Plus, I like the idea of Yelena saying whoopie lmao.

You were feeling restless, cooped up at home. You had already cycled through the TV channels several times that morning, having exhausted all the episodes of Friends on Netflix. It had only been a week since a mission gone awry left you with a gunshot wound to the shoulder and a few lacerations. After undergoing surgery and spending a week in the Med Bay, Cho gave you the green light to continue your recovery at home.

You felt ready to return to work in some capacity, but Yelena insisted that you should keep resting at home. It was her first day back at the compound following your surgery, so you knew she would be calling soon to check on you and ensure you were sticking to the rest. While trying to pick something to watch, you came across an episode of The Great British Bake Off. This show was familiar to you – back when you and Wanda were on an undercover mission together, she had convinced you to watch it with her.

You were notorious for your sweet tooth, which was common knowledge among the team. Your unique habit of stashing candy in your suit pockets sets you apart. There was that one memorable incident when Nat ended up with a Twinkie instead of the weapon you intended to hand her during a heated skirmish, much to her dismay. The power of subliminal messaging was evident as your craving for something sweet led you to search for a treat. Despite your careful movements due to your arm sling, you made your way to the kitchen in pursuit of a sugary delight. Disappointed by the lack of candy, you grumbled as you began to head back to your room. Suddenly, thoughts of "The Great British Bake-Off" came to mind.

You considered yourself an accomplished baker. You made Christmas cookies for the team and pastry chef-quality birthday cakes every year. After a brief pause, you began searching for ingredients and the KitchenAid stand mixer. You figured your girlfriend couldn't be upset with you for being up and about if the stand mixer was doing most of the work, right?

You reach for your phone to look up some recipes and come across red velvet whoopie pies. The idea of baking something delicious for Yelena felt right - a sweet gesture to show her how much you appreciate her. She's been there for you since the moment she found you wounded on the ground, and caring for you has been a challenge. You want to express your gratitude, and for you, baking has always been a way to show love.

You carefully gathered all the ingredients on the kitchen counter: flour, baking soda, vegetable oil, eggs, sugar, salt, buttermilk, and vinegar. The sturdy KitchenAid mixer blended the base mixture perfectly, and then you carefully added the rich red food gel. As the batter gradually turned a vibrant shade of red, the faint sound of your phone ringing caught your attention. You reached into your pocket and pulled out your phone, revealing your favorite picture of Yelena smiling back at you. A warm smile spread across your face as you gently slid your finger across the screen to answer the call.

"Hey, Yelena," you greeted, as you put the phone on speaker.

"Hi, detka. How are you doing?" Yelena inquired.

Okay," you grumbled, exasperated. "But I swear if I have to endure that Rogers: The Musical commercial one more time, I might just have to march down there and give Cap a piece of my mind, preferably to his annoyingly flawless face.

Hmm, I’ll be sure to tell him how much you miss him," Yelena said sarcastically. She continued, "I just wanted to make sure you were okay. I left some of the pain medication that Cho prescribed for you on the counter in case your shoulder starts getting cranky. I know it’s tough with only one arm, but have you taken a moment to check your stitches today?”

Yep," you said, "I've checked, and everything seems good.

You crank the mixer to high speed to ensure the vibrant red food gel is thoroughly mixed in.

"What's that sound?" Yelena asked.

"Ah, just watching the Food Network on TV," you fibbed. You didn't want to spoil the surprise of the whoopie pies you were baking. Besides, you knew your girlfriend would kick your ass if she caught you not resting and playing baker simultaneously.

Yelena expressed hope by sharing, "I should be home in a couple of hours. Natasha promised to help me write my overdue mission report from the day you were injured so I can get out of here sooner."

"Sounds great, I've missed you," you admitted.

“I've missed you too, malyshka. Make sure to get some rest, and I'll be there soon for some cozy snuggles.

“Looking forward to it,” you said. “See you later, love.”

"Bye," she replied.

You carefully tuck your phone back into your pocket and return to the delightful task of baking. After thoroughly mixing the batter, you gracefully use an ice cream scoop to transfer it to the waiting trays before gently placing them in the preheated oven. Working on the sumptuous filling, you lovingly combine butter, cream cheese, powdered sugar, marshmallow fluff, and a hint of vanilla extract. As you taste the filling, a contented smile crosses your face, and you have to exercise severe restraint to keep from devouring the entire bowl right then and there. While the round cakes are baking, you take a moment to rest on the sofa. Fanny jumps up next to you, seeking your affection and not minding that you only use one arm at the moment.

"I can't wait to see your mom's face when she sees the surprise; how about you?" You asked the dog with a grin.

Fanny charmingly tilts her head back at you. 

"Sam here. Or, she might scold me in Russian for not taking a break. Either way, we can indulge in dessert," you remark before affectionately kissing her head.

After the oven timer goes off, carefully remove the pan and set it aside to cool. Despite hesitation, you adhere to Yelena's advice and change your bandages. Fortunately, it's your non-dominant arm that sustained the injury. Once you finish tending to your wound, the whoopie pies are cooled and ready to be filled. Using a spoon, you delicately spread the filling on one cake and gently place another on top, feeling satisfied as you finish assembling all the whoopie pies.

You carefully stow away the batch of eighteen luscious whoopie pies in a trusty Tupperware container and pop it in the fridge. As you settle down at the counter, glancing at the clock reminds you that time certainly flies by when you're having fun. In just 30 minutes, Yelena will be back home. At this moment, you become acutely aware of the throbbing ache in your shoulder. You reach for the prescription she had set out for you and grab a glass of water. But as you're about to gulp down the pill, you spot the fine print on the label, indicating that it's meant to be taken with food.

You slump down in your chair with a tired groan, feeling too drained to even think about finding something to eat. Perhaps Yelena was right – maybe you had overexerted yourself. But then you remember the whoopie pies. They may not be the healthiest pair for pain medication, but they are fresh. You open the refrigerator, grab one of the confections, and reach for a soda. You devour the whole thing, then wash down your painkillers with a swig of soda.

You hoped the medication would take effect before Yelena returned home. It was a fact - as an Avenger, you were great at many things, but hiding things from your world-class spy girlfriend was not one of them. You relax back onto the sofa and absentmindedly flick through your phone. Your gaze keeps drifting back to the fridge. Maybe just one more whoopie pie wouldn't hurt. You do need to keep your energy levels up. Giving in to temptation, you grab another treat and a soda before returning to the living room. Fanny's eyes are fixed on you as you savor the second dessert.

"Alright, just a tiny piece. But, let's keep it our little secret," you whispered as you ripped off a small chunk of the crimson cake and sneaked it to the pup.

As you finish up, you let out a contented sigh and run your hand down your face. The baking session was your most physical activity since your injury. Refusing to retreat to your bedroom, you opt for the cozy comfort of the sofa. Wrapped in your favorite blanket, Fanny snuggles up at your feet. After about 20 minutes, you realize the shoulder pain has almost completely disappeared. Delighted, you treat yourself to a little seated happy dance. You cue your favorite playlist and can't resist jumping to your feet when the beat drops on your favorite song. What started as a small happy dance became a full-on, one-armed dance-off with enthusiastic singing. It seems all that sugar is finally getting to your head.

You are so caught up in your sugar rush that you lose track of time. Unaware, you don't hear the jingle of keys or the opening of your front door. Suddenly, Yelena appears in the doorway, silently watching you before finally startling you with an interruption.

"Is this what you call resting?" Yelena asked with a raised eyebrow.

You leap three feet into the air before realizing there's no danger. "Yelena, you're back! Woohoo! Happy dance time!!" you exclaim as you break into a joyous dance around the room.

"What's going on? Have you been sneaking sips of my vodka?" she questioned, her eyes tracking your every move around the room.

"What? No, I just had a snack! Two snacks... Well, dessert. Oh, and sodas! See, I wanted to do something nice for you because I know you've been worried about me since my injury, and I love you, so I made red velvet whoopie pies!" You rambled excitedly.

"Calm down... you made what now?" Yelena asked, her brow furrowed with confusion.

"Red velvet whoopie pies!" you repeated excitedly. "They're these delicious soft rounds of red velvet cake with a luscious cream filling sandwiched in between." With eager anticipation, you rushed to the counter and eagerly picked one up to show her, a child-like grin spreading across your face as you marveled at the sweet treat.

Yelena stares at you blankly for a few seconds before launching into her native tongue. 

Tebe polozheno otdykhat', a vmesto etogo ty provodish' ves' den', kricha! Vy s uma soshli? Vas zastrelili. Chto delat', yesli shvy razoshlis'? YA ne khochu snova okazat'sya s toboy v Med-Bey. YA znal, chto mne ne sledovalo ostavlyat' tebya odnu.

You are supposed to rest; instead, you spend all afternoon making whoopies! Are you crazy? You were shot. What if your stitches split open? I don't want to end up back in the Med Bay with you. I knew I should not have left you alone. 

"Is that your way of saying, 'Wow, you're amazing sweetheart'? I'd love to try one," you questioned with a giggle from the sugar rush.

Yelena shook her head softly as she approached you. Her eyes bore into yours with concern. 'You really should be in bed,' she said gently.

"Come on, just try one for me, please," you pleaded with your best puppy dog eyes.

"If I try it, will you rest?" Yelena asked.

“Absolutely, for sure, of course, affirmative, by all means, certainly, yep, very well, okey-dokey, yes,” happily bouncing up and down on the balls of your feet.

You offer Yelena a whoopie pie. She gazes at you with curiosity, studying you from head to toe, and then takes a deliberate bite. 

“Well?" You inquire with a grin.

"It's good," she conceded, wiping a bit of cream filling from the corner of her mouth. But there's this subtle smile tugging at her lips, and it's obvious that she's absolutely loving it.

"I knew you would love it!" You exclaimed, doing a little celebratory dance and raising my uninjured arm in victory.

She reluctantly admitted, "Okay, it's delicious. Sweet, just like you, Y/N."

"Whoopie! It's really cool, isn't it?" you exclaimed.

Yelena agreed, patting your cheek affectionately to regain your attention. "Yes, your little American whoopie is so cool. I'm going to hop in the shower and change. Could you do me a favor and head back to bed now, detka?

"Absolutely, I could keep doing this all day!" You playfully quipped, channeling your inner Captain America.

Yelena sighed, exasperated, and muttered, "Now I'm going to punch Cap," before turning on her heels and heading towards your bedroom.

As you start following her, you can't resist the temptation to reach for one more whoopie pie quietly.

Yelena's sharp voice cut through the room. “And no more whoopies!” she yelled, her words hanging in the air without her even turning around.

"Awww," you whimpered.

You finally make your way back to bed, feeling the exhaustion creeping in after the rush from all the sugar. Yelena, having showered and changed into comfortable sweatpants and one of your band T-shirts, joins you. She slips into bed beside you, wrapping her arms around you comfortingly.

"I'm the best baker on the team," you whispered before slipping into a peaceful slumber.

“Yes, detka, you're the best baker on the team,” Yelena humored. “Get some sleep now, whoopie.” 

[girlactionfigure]

🟪 ANTI-DRONE - Real time from Israel

 

ISRAEL REALTIME - Connecting to Israel in Realtime

( VIDEO - IDF soldiers on a break in a HEZBOLLAH UNDERGROUND AMMUNITION WAREHOUSE. )

▪️IRAN ATTACK FINAL.. 12 production facilities for rocket fuel mixers, the Russian S-300 air defense systems protecting Tehran, a drone manufacturing plant and a nuclear research site in Perchin were attacked.  US: During the attack on Saturday night, Israeli Air Force planes entered Iranian airspace and carried out deep strikes.  The attack ELIMINATED Iran’s air defense system, completely in western Iran and Tehran.  Anti-aircraft batteries and long range radars.

▪️DEFENSE.. The US is deploying a 2nd THAAD anti-ballistic-missile battery in Israel.  They have also stationed 3 AEGIS missile defense ships offshore from Israel.  While Israel’s Arrow ballistic missile interceptor system is very effective, apparently Israel has requested American coverage for additional capacity vs very large barrages.

▪️ANTI-DRONE.. the IDF has placed the first Vulcan cannon (very high rate of fire anti-aircraft gun) on the northern border, with the goal of intercepting drones launched by Hezbollah at Israel. The cannon was created by the Israeli Tamar company, and the IDF will mark the effectiveness of the cannon in its operational area in the north.

▪️A CIVILIAN HAS BEEN MURDERED.. in the Glilot terror ramming attack: Betzalel Karmi, 72, from Rishon L’Ziyon.  May his family be comforted among the mourners of Zion and Jerusalem, and may G-d avenge his blood!

▪️OH THE ICC.. The Guardian: The prosecutor at the International Criminal Court in The Hague, who is trying to bring warrants against PM Netanyahu and Def. Min. Gallant, tried to (allegedly) prevent the employee who was sexually harassed by him from complaining against him.

▪️SHELTERS IN ISRAELI ARAB TOWNS.. several social commentators were stating that Israeli Arab towns, which have been hit several times recently with casualties, are not provided shelters.  The Ministry of Social Equality notes it has been delivering protective shelters to Israeli Arab towns within 20 km of the Lebanese border over the past year, including 14 different towns.  The town that was recently hit, Majd al-Khorum, has received 6 shelters to date.  

▪️MILITARY DRILL - AFULA, YOKNEAM, BEIT SHEAN AREAS.. exercise, from 16:00 to 19:00, active movement of police and security forces in the following places: Beit Shean and the nearby towns, Afula, Yokneam, Migdal HaEmek , Ramat Yishai and the Galilee. During the exercise, a partial blockage of traffic lanes is expected.

🔹Reuters: Iraq filed a complaint with the United Nations about Israel's use of its airspace in an attack on Iran.

🔸HOSTAGE DEAL NEWS.. Hamas has rejected the Egyptian deal, then hinted maybe not, or with changes.  A report on the Saudi Al-Arabiya channel: the US supports the Egyptian proposal for a fierce ceasefire and calls for it to be pushed through quickly.

.. With Netanyahu's intervention - the summit moved from Egypt to Qatar. Negotiation professionals recommended that it is a better center of gravity.

.. Saudi Al-Arabiya channel: Hamas is ready to accept the new proposal if it is part of the agreement proposed on July 2. “…We want guarantees of commitment to the Egyptian proposal and the agreement for a comprehensive ceasefire and not a partial deal.”

.. LEBANON SIDE - The office of the Speaker of the Lebanese Parliament Navia Berri: "What is attributed to him regarding the negotiations is not accurate.”

[thebonesofhoudini]

When I'm not mixing on the tables in my living room, I like to mix music in my bedroom studio as well.

Audio Tecnica ATLP120 direct drive turntables, With Ortofon Pro S carts with the Numark M6 4 channel mixer (got to have atleast a 4 channel mixer) with Pioneer DJ Interface 2 and it's setup that all I have to do is plug in my Lenovo Thinkpad with Rekordbox with it and I'm good to go. And ofcourse I have a monitor speaker setup cause the way I set the whole thing up is that my kitchen/dining area is the DJ Booth and my living room is dance floor.

And in the bedroom studio I got my Pioneer DDJ-SB3 controller. It's cool to have like on nights when I can't sleep so I'll just end up mixing music on it.

[bowmanstudios]

GEAR

Microphones:

Sure sm57

Sure sm58

Audix i5

Sure Beta 52

Blue Snowball

Behringer C-2 (pair)

Samson C01

Rode NT1A

Hardware:

Scarlett 18i0 audio interface

Mackie 1402-VLZ PRO 14 channel mic/line analog mixer

Guitar amps and pedals:

Helix HX STOMP

Ibanez Turbo Tube screamer

Guitars:

Fender GC140SCE Concert Acoustic-Electric

Yamaha FX335C Dreadnought Acoustic-Electric

Ovation 1311 Natural Acoustic

Fender Nashville Telecaster

Fender Squire Bullet Telecaster

Fender Squire Jazz Bass

Mitchell MU40 Soprano Natural Ukulele

Yamaha CGS 102A Classical Guitar

Keyboards:

Nektar Impact LX61+

Roland U-20

Drums and percussion:

1 big tambourine

1 small tambourine

LP Medium twist shakers

Simmons Titan 50 electronic drum set

Sound Monitoring:

JBL Professional Linear Spatial Reference 3 Series powered studio monitors (pair)

Sony Professional MDR-7506 studio headphones

Sennheiser HD 201 studio headphones

KRK Classic 5 studio monitors (pair)

Computers and visuals:

Apple MacBook Pro 13 inch

Dell flat panel monitor

DAW/software:

Logic Pro X

Pro Tools 12

GarageBand

Avid/Apple/Native Instruments/SoundToys/FabFilter/Waves plugins

Helix HX Edit

Plugins:

Digital EQ’s:

Waves V-EQ4

Fabfilter Pro-Q

Digital Reverbs:

Waves Abbey Road Chambers

Waves H-Reverb Hybrid Verb

Waves Renaissance Reverb

Waves Manny Marroquin Reverb

Relab Development LX480 Reverb

Digital Compressors:

Waves Renaissance Compressor

Waves CLA-3A Compressor/Limiter

Waves Smack Attack

Waves DeEsser

Extras:

Waves SSL G-Channel

Waves Nx Ocean Way Nashville

Waves Z-Noise

Waves WLM Plus Loudness Meter

Waves Tune Real-Time

Waves Vocal Bender

Waves Torque

Waves CLA Bass

Waves Abbey Road J37 Tape

SoundToys Echoboy

VST’s:

Spectronics Keyscapes

Native Instruments Battery

Toontrack EZdrummer 3

Native Instruments Kontakt Electric Guitar

Accessories/miscellaneous/other studio features:

4 XLR cables

4 1/4 inch jack cables

Power supply cables

USB outlet strip

High speed internet and free WIFI

Pencils, pens and paper

Wireless printer available

5 mic stands

Shock mount, pop filter, and 3 windscreens

HEAROS Ultimate Softness earplugs

Mini Samsung T.V. with Roku entertainment

RIF6 electric record player with built-in speakers

Dean Markley Pro Mag humbucker pickup

Culilux 1/4” audio splitter

Rioddas external ODD&HDD disc drive

Pack of CDs for burning

Guitar pick maker with appropriate paper

3 microphone clips

Alesis sustain pedal

Radial PRO-DI passive direct box

DeltaLab digital metronome

AKAI MPD218 beat pad

GiveBest electric heater

Behringer ULTRAACOUSTIC AT109 15-WATT acoustic guitar amplifier

OWC thunderbolt USB-C dock

APC surge protector

MOONGEL damper pads

Pick holder filled with guitar picks (floppy and hard) and a set of thumb picks

2 capos and clip on tuner

KORG TM-50 combo tuner and metronome

Mackie 1402-VLZ PRO 14 channel mic/line analog mixer

NEXIGO web cam

Big Knob passive monitor controller

The Bowman Studios, Dallas, Texas

Producers: Mason Bowman

[vincentkeehl]

Four Lessons from Baphometrix’s “Clip-To-Zero” Production Method

(or why loudness only matters as much as it does)

Baphometrix’s CTZ (clip-to-zero method) encompasses just about everything I wanted to know about loudness when I first started producing. I don’t adhere to it religiously, but the lessons it’s taught me about dynamics in digital mixing are priceless. Baphy clearly delineates how mixing choices affect overall loudness in a way I’ve never found anywhere else. After years of asking about loudness on forums and being repeatedly told by old heads to more-or-less not worry about it, CTZ was like fresh air. I highly recommend Baphometrix’s long and hyper-detailed video series to anyone seeking in- depth lectures on how to push a digital mix louder. For anyone seeking something more concise, I will share with you my favorite bits. But first, let’s understand what CTZ is with respect to traditional methods of mixing.

CTZ represents a hard break from conventional mixing. Conventional mixing methods largely arose from the limitations of analog technology. Analog compressors, amplifiers, and mixers are known for having a wonderful “color” to them. This is a gift and a curse. It’s a gift, because the gear itself is able to impart a special warmth or tonality to the mix that purely digital workstations can only mimic at best. Analog heads love their gear for a reason. It’s also a curse, though, because this warmth is technically just noise and distortion. Analog equipment can’t be pushed very hard before the processing becomes obvious, or even ugly. Also, the signal coming into an analog mixer needs to be kept lower than it would in a digital interface. This is because a hot signal can often distort an analog channel, even if doesn’t actually clip! So to get the most out of analog dynamics processing, the conventional wisdom came to be that compressors, limiters, and the like should be applied gently, carefully, and incrementally. And even when working digitally, this approach still works wonders for the people who practice it. When you watch an engineer work this way, it’s like they begin with a mellow mix and massage it upwards into a loud and clear form, sculpting and adding color as they go.

CTZ on the other hand, is a mixing discipline for the digital age. Rather than the “color” or “warmth” sought by other mixing methods, CTZ prioritizes loudness and fidelity. It maintains the track’s cleanliness and transparency, while keeping the mix as flush against 0db as it can. This of course comes with some caveats. Firstly, it assumes that you are working completely in-the-box. It needs you to commit to sterile, digital compression. It depends on you being able to create as many tracks, sends, and groups as you want. Secondly, while it can be used on any genre, it was developed specifically for bassy EDM tracks. When DJs at live venues mix an EDM set, they don’t always perfectly gain stage the songs within it for equal loudness. This means that a dance track which sounds perfectly fine on your home speakers might end up sounding quieter and weaker than the other songs in the mix, if it happens to get thrown in the wrong way. Because of this potential variance, it’s advantageous for the EDM producers to err on the loud side when mixing their music, to ensure that it sounds powerful and exciting when the DJ plays it. This is the core focus of CTZ.

Because it departs so far from accepted mixing traditions, CTZ is often criticized to an unfair extent. Yes, it’s a little out there and it fetishizes loudness, but it also kicks ass as what it was built to. As someone who’s studied and sees the value in both worlds, I feel compelled to advocate for CTZ. Here are four things CTZ taught me that sources on conventional mixing did not.

1. I Can’t Believe The Oscilloscope is Actually Useful

When you achieve loudness by slamming the master bus through a brick-wall limiter (as was common at the height of the loudness wars), you get a big fat loud-ass rectangular waveform. But at what cost? If you look up the first CD remasters of Michael Jackson’s pre-CD music, you’d probably be appalled at the distortion. It was ugly. When older engineers would tell me about the loudness wars, I assumed they were being hysterical. This was because I was younger than them, and had missed the worst period of what they were talking about. After all, the digital remasters I was listening to sounded fine! But in time, I found out that yes, the very first wave of CD remasters really were that crazy. It’s as if the engineers of that time were huffing paint or something. They thought all that distortion was worth it for a fat, sausage waveform.

The oscilloscope allows us to sort out this conflict between loudness and fidelity, navigating through the best of both worlds. Mixing may be done with the ears, but the oscilloscope gives the eyes important clues about about how well we’re filling the mix out. It allows us to empirically test how our mixing decisions affect the fatness of the mix’s waveform. By watching the oscilloscope as you shape elements and mix them in, you can see how your choices are contributing to the overall volume while aurally confirming that it still sounds right. That means you can visually see that you are building that sausage waveform organically, minimizing the amount of squashing the final limiter has to do.

2. Hard Clipping is Cool as Hell

When I was a total beginner, I would hear a lot about clipping. Specifically, I would hear that it was bad and you shouldn’t let it happen. And to be fair, this is good advice to give to a beginner. Clipping could cause them to mess up their recordings or gain stage in a crazy or unworkable way. The idea is that when you clip, you distort. And that’s true! But what they don’t tell you is that any kind of dynamics processing causes distortion. It turns out, a little controlled clipping on an element here or there is often the perfect way to boost it without having to hear the compression. Compared to typical compressing or limiting, a hard clipper provides exceptionally clean output gain, acting only upon the the loudest peaks and keeping attack/release pumping to the bare minimum. Normal compression is still good for imparting musicality and shaping the envelopes of sounds, of course. But if you’ve already done that to an element and still need a way to push it hotter without changing its vibe, try a hard clipper! For tonal elements like guitar and piano, you’ll be surprised how far you can push it before you notice the distortion.

3. You Can Get Away with More Sidechain Compression and Ducking than You Think

One core idea of CTZ is “checkerboarding.” The idea of checkerboarding is to reduce the amount of work your final bus limiter or master limiter has to do by minimizing how much the elements overlap. You try to keep each piece clearly defined and separate, like tiles on a checkerboard. This will keep the dynamic peaks of the mix more balanced and manageable, so we can turn the mix up way more at the end. We already kind of do this when we use EQ to give elements their own little space, partitioning them by their spectral makeup. Another way to do this is by making sure big elements don’t occur at the same time, such as arranging a song to have kick drums only on every quarter-note and big bass notes only on every other eighth-note. But if you’re already past the arranging and EQ, another way to checkerboard your elements is with sidechain compression and ducking.

Imagine I didn’t have the foresight to arrange my kick and bass in the way that I described earlier. Imagine I put the bass on every eight note. Now in the mix, the bass and the kick will overlap, forming needlessly tall transients that run too hot into the final limiter. But I can separate these elements a bit by sidechaining the bass to the kick, so that it “ducks” out of the way of the kick transient as much as possible. If you set the compressor attack to hard-zero and play around with the other parameters, you’ll be surprised how much you can duck things without creating the “pumping” effect that sidechain compression is known for. It’s a great tool for precisely tucking a transient element into a steady one without relying on glue compression, which would squash them together in a less controlled, more obvious way. If you’re willing to create an intricate scheme of bus groups, ducking your steady elements around your transient ones, you can squeeze a lot of extra juice out of your mix without much impact on how it sounds. Often, when my mix is too dynamic, I will go through and duck all my major elements in this way, just short of making it noticeable. When I come back to the master bus, I find that with the overlap of elements controlled, the peaks are much milder and I have way more headroom to turn the mix up.

4. The Kick Drum Envelope Should Look Like a Dorito

Getting the kick drum right is hard. Sometimes it sounds nice and punchy when you start mixing, but by the end you’re only hearing the transient and missing the body. Or maybe you have the opposite problem— it sounds big and heavy at the beginning, but by the end you’re only hearing the body and missing the punch. Why do kick drums go off the rails at the end like that? I’ll tell you: Having the kick decay too suddenly or having the transient too high ends up overemphasizing the transient. That leaves it sounding clicky and abrupt. Having the kick decay too late or having the transient too low ends up overemphasizing the body. That makes it sound flat and weak. The sweet spot between these two decay patterns? A line drive.

In order to have the kick drum both punch through the mix and have a strong body, a good rule of thumb is to make sure the waveform looks like a Dorito. By this I mean, the initial transient should be the highest amplitude, and the body should follow a straight line from that amplitude to silence. No matter how long the decay is, try to keep it shorter than the period in between kicks, and make sure it’s shaped like a triangle. This can be accomplished by only using Dorito kicks in the first place, or forcing your kicks to conform to this shape with dynamics processing. Like all heuristics, there are exceptions to this. But for typical dance music, this will ensure that your kick drum stays punchy and dominant, while using up as little headroom as possible. And you know what extra headroom means? We can crank the volume higher later on.

The Valid Criticisms of CTZ, and Why the Loudness Wars are Over

Critics of this particular method and the general pursuit of loudness are right about one thing: the loudness war is over. Direct competition of music recordings on the basis of loudness is a holdover from a previous era. Let’s talk about that era. For a brief period at the zenith of CD’s and mp3 files, there was a special set of circumstances that gave audio engineers both the ability and the motive to push tracks to incredible loudnesses, often at the expense of quality and fidelity. The ability to do so came from the introduction of computers to analog studios. By incorporating DAWs and computer plug-ins in their workflow, music makers were no longer bound by the limitation of analog production. They gained access to digital gain and digital compression— harder and cleaner methods of increasing loudness than they had ever imagined possible.

The motive to crank it came from the forms of popular music at the time. CD players and iPods did not normalize the music played by its perceived loudness. If they normalized the levels at all, it was by the average volumes of the tracks. Volume is related to loudness, but differs in that it only represent the electric signal needed to produce the sound— not how loud it feels to our ears! This meant that in those days, the loudness of a finished track was entirely up to the people who made it. There was no platform to turn the music up or down for the end listener, nor any penalty for a track for being too loud. Songs and albums were exactly as loud to the listener as the engineers printed them to be. And as you probably already know, listeners are generally biased to favor louder versions of the same sound.

It’s common sense when you think about it. If you’re a pop, rock, or hip-hop musician at this time in history, your audience is rapidly switching between your CDs and their other CDs in the disc player. They’re shuffling your raw mp3 files together with all the other ones in their iPod. Wouldn’t you want your track to feel bigger and stronger than the others? Wouldn’t you want it to stand out?

One (one) good thing about the streaming services which replaced those disc players and iPods, such as Spotify and YouTube, is that they normalize audio based on loudness. They do this by weighting the volume of a track against the distribution of its signal across the frequency spectrum, giving more weight to the frequencies we are more sensitive to. This ensures that almost everything, respective of genre and tone, sits around the same level. Today, we still have the ability to to crank audio to crazy- high levels. But because loudness normalization has become standard, pushing the loudness of a track past the target loudness platforms normalize for no longer makes it sound any louder to the end user. The incentive to crank it is no longer there.

But even now that loudness normalization is ubiquitous, it’s still important understand and have control over loudness. Even platforms who normalize this way still have optimal loudness ranges, within which tracks are sufficiently loud without being affected much by the normalization. The target for streaming is around -16 Lufs to -12Lufs. Plus, in other audio media such as audiobooks and certain podcast platforms, hard loudness requirements are common. So it’s definitely still important to know how to increase the loudness of your mix in a controlled, precise way. You may even need to cool your mix down, reversing CTZ thought to precisely add dynamics rather than compress them out.

It’s for these reasons that I wanted to synthesize CTZ with conventional mixing, yielding four simple heuristics for managing loudness within a digital mix. But always remember, loudness is a perceptual quality to our ears— not a number on a meter. LUFS and waveforms, as useful as they are, are merely tools to help us understand what we’re hearing. Ultimately, the best way to sound loud is to produce and work with material that sounds loud in the first place. Beyond that, it comes down to processing. So whichever side of the CTZ debate you’re on, these four distillations are fantastic tools to get the loudness and dynamics of your mix exactly where you want them.

IG vincentkeehl

YT vincentkeehl

vincentkeehl.substack.com

bigfatmixandmaster.com

[mixer12channel]

(WA) 0851-7988-9353 Best 20 Channel Mixer Elsound Audio di Cikadur Bandung Bandung

Mixer Karaoke Mobil: Panduan Lengkap untuk Menyempurnakan Pengalaman Karaoke Anda

Karaoke adalah salah satu bentuk hiburan yang sangat populer, dan saat ini, tidak hanya terbatas pada lokasi tertentu. Dengan perkembangan teknologi, kita dapat menikmati karaoke di mana saja, termasuk di mobil. Artikel ini akan membahas tentang mixer karaoke mobil, dan bagaimana Anda dapat meningkatkan pengalaman karaoke Anda dengan perangkat ini. Mari kita selami lebih dalam!

Apa itu Mixer Karaoke Mobil?

Mixer karaoke mobil adalah perangkat yang memungkinkan pengguna untuk menggabungkan suara dari berbagai sumber audio, seperti mikrofon, musik dari smartphone, atau perangkat lainnya, dan mengatur suara tersebut agar optimal untuk dinikmati saat bernyanyi di mobil. Dengan menggunakan mixer, Anda bisa mendapatkan kualitas suara yang lebih baik dibandingkan hanya menggunakan speaker mobil biasa.

Mixer ini umumnya dilengkapi dengan berbagai fitur, termasuk equalizer, efek suara, dan kemampuan untuk mengatur tingkat volume dari masing-masing sumber suara. Salah satu pilihan yang populer adalah mixer digital 6 channel, yang memberikan fleksibilitas dalam pengaturan suara.

Mengapa Memilih Mixer Karaoke Mobil?

Ada beberapa alasan mengapa Anda harus mempertimbangkan untuk menggunakan mixer karaoke mobil:

Kualitas Suara yang Lebih Baik: Dengan menggunakan mixer, Anda dapat mengatur suara dengan lebih detail, sehingga hasilnya jauh lebih baik daripada suara langsung dari smartphone atau perangkat lainnya.

Fleksibilitas: Mixer karaoke mobil memungkinkan Anda untuk menghubungkan berbagai perangkat sekaligus, sehingga Anda bisa menggunakan lebih dari satu sumber audio.

Mudah Digunakan: Kebanyakan mixer saat ini dirancang dengan antarmuka yang user-friendly, membuatnya mudah digunakan bahkan bagi pemula.

Fitur Utama Mixer Karaoke Mobil

Ketika memilih mixer karaoke mobil, ada beberapa fitur yang perlu Anda pertimbangkan:

1. Jumlah Channel

Mixer dengan jumlah channel yang lebih banyak, seperti 6 channel console mixer, memberikan lebih banyak fleksibilitas dalam menghubungkan berbagai sumber audio. Anda bisa menghubungkan beberapa mikrofon, instrumen, atau bahkan perangkat multimedia dengan mudah.

2. Efek Suara

Fitur efek suara seperti reverb, echo, dan chorus bisa meningkatkan pengalaman karaoke Anda. Dengan menggunakan mixer digital 6 channel, Anda dapat dengan mudah mengatur efek suara sesuai dengan selera.

3. Konektivitas

Pastikan mixer yang Anda pilih memiliki berbagai opsi koneksi, seperti AUX, USB, atau Bluetooth. Ini akan memudahkan Anda untuk menghubungkan perangkat lain, seperti smartphone atau laptop.

4. Harga yang Kompetitif

Sebelum membeli, periksa harga mixer dat 6 channel di pasaran. Pastikan Anda mendapatkan perangkat yang sesuai dengan budget dan kebutuhan Anda.

FAQ tentang Mixer Karaoke Mobil

Apa itu dual mono pada audio mixer?

Dual mono adalah konfigurasi di mana dua sinyal audio yang terpisah diproses secara independen, tetapi dikeluarkan melalui saluran yang sama. Ini biasanya digunakan untuk memberikan pengalaman stereo yang lebih kaya, meskipun sinyal yang digunakan adalah mono.

Bagaimana cara menghubungkan mixer ke soundbar?

Untuk menghubungkan mixer ke soundbar, Anda perlu menggunakan kabel yang sesuai (biasanya kabel RCA atau kabel AUX). Sambungkan output dari mixer ke input soundbar. Pastikan soundbar dalam mode yang benar untuk menerima sinyal dari mixer.

Apa itu matrix mix pada audio mixer?

Matrix mix adalah fungsi pada mixer yang memungkinkan Anda untuk menggabungkan beberapa sumber audio ke dalam satu output. Ini berguna untuk mengatur campuran audio yang berbeda untuk berbagai tujuan, seperti pengaturan suara untuk live streaming atau rekaman.

Bagaimana cara menggunakan mixer untuk live streaming?

Untuk menggunakan mixer dalam live streaming, sambungkan output dari mixer ke perangkat perekaman atau streaming, seperti komputer atau kamera. Pastikan semua sumber audio terhubung dengan benar, dan lakukan pengaturan volume agar suara terdengar seimbang.

Apa itu oscillator pada audio mixer?

Oscillator adalah alat yang menghasilkan sinyal audio, biasanya digunakan untuk menciptakan suara yang konsisten dalam synthesizer. Pada mixer, oscillator dapat digunakan untuk menghasilkan suara tambahan atau efek yang diinginkan.

Tips Memilih Mixer Karaoke Mobil yang Tepat

Memilih mixer karaoke mobil yang tepat bisa menjadi tantangan, terutama dengan banyaknya pilihan yang tersedia di pasaran. Berikut adalah beberapa tips untuk membantu Anda membuat keputusan yang tepat:

1. Pertimbangkan Kebutuhan Anda

Sebelum membeli, pikirkan tentang bagaimana Anda akan menggunakan mixer tersebut. Apakah Anda akan sering mengadakan karaoke di mobil? Atau Anda membutuhkan mixer untuk acara tertentu? Mengetahui kebutuhan Anda akan membantu Anda memilih mixer yang sesuai.

2. Uji Coba Sebelum Membeli

Jika memungkinkan, coba mixer sebelum membeli. Ini akan memberikan Anda gambaran tentang bagaimana perangkat tersebut berfungsi dan apakah sesuai dengan harapan Anda.

3. Baca Ulasan dan Rekomendasi

Sebelum memutuskan untuk membeli, selalu baik untuk membaca ulasan dari pengguna lain. Ini dapat memberikan wawasan tentang kualitas dan performa mixer yang Anda pertimbangkan.

4. Cari Penawaran Terbaik

Periksa harga di berbagai toko dan platform online. Terkadang Anda dapat menemukan penawaran yang lebih baik jika Anda bersedia melakukan sedikit riset.

Kesimpulan

Mixer karaoke mobil adalah alat yang luar biasa untuk meningkatkan pengalaman karaoke Anda di mobil. Dengan banyaknya pilihan mixer digital 6 channel dan fitur yang ditawarkan, Anda dapat menikmati karaoke dengan kualitas suara yang luar biasa. Ingatlah untuk mempertimbangkan kebutuhan Anda, membaca ulasan, dan membandingkan harga sebelum membuat keputusan. Dengan persiapan yang tepat, Anda akan siap untuk menikmati momen karaoke yang menyenangkan di mana saja!

H3 Headers

1. Keunggulan Menggunakan Mixer Karaoke Mobil

Penggunaan mixer karaoke mobil memberikan banyak keunggulan, mulai dari kualitas suara yang lebih baik hingga kemudahan dalam pengaturan. Dalam bagian ini, kita akan membahas lebih dalam tentang keunggulan yang ditawarkan oleh perangkat ini.

2. Cara Merawat Mixer Karaoke Anda

Agar mixer karaoke mobil Anda selalu dalam kondisi terbaik, penting untuk merawatnya dengan baik. Di sini, kami akan memberikan beberapa tips dan trik tentang cara merawat mixer Anda agar awet dan berfungsi dengan baik.

3. Rekomendasi Mixer Karaoke Mobil Terbaik

Untuk membantu Anda dalam memilih, kami akan memberikan rekomendasi beberapa mixer karaoke mobil terbaik di pasaran saat ini. Dengan informasi ini, Anda dapat membuat pilihan yang lebih informed untuk pengalaman karaoke yang lebih baik.

Dengan informasi ini, Anda siap untuk memilih dan menikmati karaoke mobil dengan lebih optimal. Selamat bersenang-senang!

Kontak dan Pemesanan Hubungi 0851-7988-9353 ELSOUND AUDIO adalah produsen speaker no.1 di Indonesia. Produk asli Indonesia ini menyediakan berbagai jenis speaker dan komponen speaker seperti: speaker driver, speaker aktif, speaker pasif, power amplifier, audio mixer, tweeter, hingga microphone. Elsound Speaker dan Cipta Suara (main distributor AudioBulls produksi Elsound) siap melayani berbagai kebutuhan audio anda dengan harga terjangkau. audio mixer 12 channel,audio mixer 12 channel price,audio mixer 12 ch,audio mixer 12 channel for sale,best audio mixer 12 channel

Kontak dan Pemesanan Hubungi

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[sitirobiat]

0851-7988-9353 - Mixer Speaker Elsound di Yahukimo

Mixer Speaker Aktif: Panduan Lengkap untuk Audio Berkualitas

Dalam dunia audio, kehadiran mixer speaker aktif sangat penting, terutama bagi mereka yang ingin menghadirkan suara berkualitas tinggi di berbagai acara. Dalam artikel ini, kita akan membahas secara mendalam tentang mixer speaker aktif, termasuk cara kerja, komponen, dan tips untuk memilih serta menggunakannya. Kami juga akan menjawab beberapa pertanyaan umum yang sering diajukan terkait dengan audio mixer. Mari kita mulai!

Apa Itu Mixer Speaker Aktif?

Mixer speaker aktif adalah perangkat yang menggabungkan fungsi mixer audio dan amplifier ke dalam satu unit. Dengan mixer ini, pengguna dapat mengatur dan memanipulasi berbagai sinyal audio sebelum akhirnya disalurkan ke speaker. Mixer ini dirancang untuk memudahkan pengguna, baik pemula maupun profesional, dalam mengelola audio di berbagai jenis acara, mulai dari konser, presentasi, hingga DJ.

Komponen Utama Mixer Speaker Aktif

Mixer speaker aktif terdiri dari beberapa komponen utama yang bekerja sama untuk memberikan hasil suara yang optimal. Beberapa komponen tersebut meliputi:

Input Channels: Saluran input adalah tempat di mana sumber audio terhubung, seperti mikrofon, alat musik, atau perangkat lain. Setiap saluran biasanya memiliki kontrol untuk volume, gain, dan equalizer.

Equalizer: Equalizer digunakan untuk mengatur frekuensi suara. Dengan equalizer, pengguna dapat menyesuaikan nada tinggi, menengah, dan rendah sesuai dengan kebutuhan audio.

Fader: Fader adalah kontrol yang digunakan untuk mengatur volume dari setiap saluran input. Fader biasanya berada di bagian depan mixer dan memungkinkan pengguna untuk mengontrol level suara secara halus.

Output: Output adalah saluran keluaran yang mengirimkan sinyal audio ke speaker. Pada mixer speaker aktif, output ini terintegrasi langsung dengan amplifier.

Speaker: Tentu saja, speaker adalah komponen terakhir yang mengeluarkan suara. Dalam mixer speaker aktif, speaker telah terintegrasi dengan amplifier, sehingga memudahkan pengguna dalam pengaturan dan penyambungan.

Cara Menggunakan Mixer Speaker Aktif

Menggunakan mixer speaker aktif tidaklah sulit, tetapi ada beberapa langkah yang perlu diikuti untuk memastikan kualitas suara yang optimal. Berikut adalah panduan langkah demi langkah:

1. Menyambungkan Kabel

Sebelum mengatur mixer, pastikan untuk menyambungkan kabel dengan benar. Gunakan mixer to speaker cable untuk menghubungkan mixer ke speaker. Jika Anda menggunakan speaker yang memerlukan daya, pastikan Anda juga menyambungkan kabel mixer to powered speaker cable.

2. Mengatur Input

Setelah kabel terhubung, atur input sesuai dengan sumber audio yang Anda gunakan. Jika Anda menggunakan mikrofon, sambungkan ke saluran yang sesuai dan sesuaikan gain untuk memastikan suara tidak terlalu lemah atau terlalu kuat.

3. Mengatur Equalizer

Setelah input terhubung, langkah selanjutnya adalah mengatur equalizer. Sesuaikan frekuensi tinggi, menengah, dan rendah sesuai dengan preferensi suara Anda. Ini adalah langkah penting untuk mencapai suara yang seimbang.

4. Mengatur Volume dan Fader

Setelah equalizer diatur, atur volume dengan fader. Pastikan tidak ada saluran yang terdistorsi atau terlalu keras. Mulailah dengan volume rendah dan tingkatkan secara bertahap hingga mencapai level yang diinginkan.

5. Uji Suara

Setelah semua pengaturan selesai, lakukan uji suara untuk memastikan semuanya berfungsi dengan baik. Dengarkan suara dari speaker dan lakukan penyesuaian lebih lanjut jika diperlukan.

Tips Memilih Mixer Speaker Aktif

Ketika memilih mixer speaker aktif, ada beberapa hal yang perlu diperhatikan agar Anda mendapatkan perangkat yang sesuai dengan kebutuhan. Berikut adalah beberapa tips:

1. Tentukan Kebutuhan

Pertama, tentukan kebutuhan Anda. Apakah Anda memerlukan mixer untuk acara kecil atau besar? Berapa banyak saluran input yang Anda butuhkan? Mengetahui kebutuhan Anda akan membantu mempersempit pilihan.

2. Periksa Spesifikasi

Periksa spesifikasi mixer speaker aktif yang Anda pilih. Pastikan mixer memiliki kualitas audio yang baik, seperti frekuensi respons yang lebar dan tingkat kebisingan yang rendah. Anda juga harus memeriksa daya output dari amplifier untuk memastikan dapat mendukung speaker yang Anda gunakan.

3. Cek Konektivitas

Pastikan mixer memiliki cukup konektivitas untuk semua perangkat yang akan Anda sambungkan. Ini termasuk input untuk mikrofon, alat musik, dan perangkat lain. Jika Anda berencana menggunakan perangkat nirkabel, periksa juga dukungan untuk koneksi Bluetooth atau Wi-Fi.

4. Ulasan Pengguna

Sebelum membeli, baca ulasan pengguna tentang mixer speaker aktif yang Anda pertimbangkan. Ulasan dapat memberikan wawasan berharga tentang kualitas dan kinerja mixer dalam situasi nyata.

FAQ (Pertanyaan yang Sering Diajukan)

Apa itu channel pada audio mixer?

Channel pada audio mixer adalah saluran tempat Anda menghubungkan sumber audio. Setiap channel memiliki kontrol sendiri untuk mengatur volume, gain, dan efek audio. Misalnya, Anda dapat menghubungkan mikrofon ke satu channel dan gitar ke channel lainnya.

Bagaimana cara mengatur equalizer pada audio mixer?

Untuk mengatur equalizer pada audio mixer, temukan kontrol equalizer di setiap saluran. Biasanya, ada tiga knob untuk frekuensi tinggi, menengah, dan rendah. Sesuaikan setiap knob untuk mendapatkan suara yang sesuai dengan preferensi Anda. Ini membantu dalam menghilangkan frekuensi yang tidak diinginkan dan menonjolkan nada yang Anda suka.

Apa itu gain pada audio mixer?

Gain adalah kontrol yang digunakan untuk meningkatkan atau menurunkan level sinyal dari sumber audio. Dengan mengatur gain, Anda dapat memastikan bahwa sinyal audio cukup kuat untuk diproses tanpa distorsi. Gain biasanya diatur sebelum sinyal masuk ke equalizer.

Bagaimana cara mengatur volume pada audio mixer?

Untuk mengatur volume pada audio mixer, gunakan fader pada setiap channel. Geser fader ke atas untuk meningkatkan volume dan ke bawah untuk menurunkannya. Pastikan untuk memonitor level suara untuk menghindari distorsi.

Apa itu fader pada audio mixer?

Fader adalah kontrol yang digunakan untuk mengatur level volume dari setiap saluran input. Dengan fader, pengguna dapat dengan mudah menyesuaikan suara dari masing-masing saluran secara langsung. Fader biasanya terletak di bagian depan mixer dan memiliki rentang kontrol yang luas untuk penyesuaian yang halus.

Kesimpulan

Mixer speaker aktif adalah alat yang sangat berguna bagi siapa pun yang ingin menghasilkan suara berkualitas tinggi. Dengan memahami cara kerja dan cara menggunakannya, Anda dapat meningkatkan pengalaman audio di berbagai acara. Selalu perhatikan kebutuhan dan spesifikasi ketika memilih mixer, serta lakukan pengaturan yang tepat untuk mendapatkan hasil suara terbaik. Semoga panduan ini membantu Anda dalam menjelajahi dunia audio dengan lebih percaya diri!

Indonesia. Produk asli Indonesia ini menyediakan berbagai jenis speaker dan komponen speaker seperti: speaker driver, speaker aktif, speaker pasif, power amplifier, audio mixer, tweeter, hingga microphone. Kontak dan Pemesanan Hubungi 0851-7988-9353 ELSOUND AUDIO adalah produsen speaker no.1 di Elsound Speaker dan Cipta Suara (main distributor AudioBulls produksi Elsound) siap melayani berbagai kebutuhan audio anda dengan harga terjangkau.

Kontak dan Pemesanan Hubungi

0851-7988-9353 https://wa.me/6285179889353

Klik link berikut untuk informasi lebih lanjut : https://linktr.ee/elsoundspeakers

Follow juga akun sosmed yang lainnya :

Instagram | https://www.instagram.com/elsoundaudio/ Tik Tok | https://www.tiktok.com/@elsound.audio Youtube | http://www.youtube.com/@ElsoundAudio

Official Website : https://elsoundspeakers.com/

Belanja di Marketplace:

Tokopedia | https://tokopedia.com/elsound Shopee | https://shopee.co.id/elsoundspeakers

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[songoftrillium]

Reblogging this with a note. If you ever wondered why audio has gotten so bad in the last decade, its not the mixing to blame. Well, sort of. The audio IS mixed poorly, but it's not the fault of the mixers.

It's surround sound. That's the start and end of the problem.

I guess to get it you need to understand what the numbers in surround sound mean:

Stereo: 2 speakers 3.1: 3 speakers. Left, Right, and 1 is a dedicated subwoofer 5.1: 5 speakers. Two Left and Right speakers representing your center and mid audio so you are hearing stuff both in front of you and at your left and right, as well as a dedicated subwoofer. 7.1: 7 speakers. Three Left and Right speakers representing your center, left and right, and side sounds, so in addition to hearing your front and mid audio, you're now hearing whats behind you as well (side audio).

Dialogue is nearly always exclusively reserved for the 'center' channel. This is important.

Most movies are mixed in surround sound, with levels set intended for each individual speaker. If you were to watch this film in stereo, the loudness intended for multiple speakers surrounding you is now coming out of just two. Voices are quiet because they're used to having a dedicated center channel that nothing can be louder than them. Sound effects are LOUD because you're hearing the same relative amplitude of multiple speakers coming out of just one (or two), meaning it ends up significantly louder than it were had it just been mixed in stereo. 3.1 is usually what most have in their home setups. As if that's not all, you don't always get them mixed, sometimes, channels are omitted entirely (if you watch the extended LotR DVD in 7.1 on stereo speakers you'll only hear the mid audio effects and soundtrack, and no dialogue at all)

If you own physical media like a DVD or blu-ray you can easily fix this by making sure your audio is set to stereo (or you don't have a dedicated 5.1 or 7.1 mixed version). In digital streaming you get a lot less control over this.

Happy streaming, everyone!

Why do people need subtitles to watch a show in English? I don't get it. What is wrong with the ears of young people?

[post-sound-workshop]

Post Sound Workshop 3

The 24th of October I had my Third workshop on learning pathway 4.The unit explores the wide department and roles of the post sound team and treatment.

This week we looked at the role of Sound Mixing. Sound mixing is the process of adjusting audio levels of all of the sound in a the production diegetic and non-diegetic. A sound mixer adjusts every audio file together from all post sound departments. This is the final role of the post sound department before sending the production along to the editor.

The part I found most interesting was the the use of a mastery fade layer in pro tools. The master fader is a track that allows you to control the overall signal level that is being output by Pro Tool to your speaker system or other outputs. Way I found the use of a master fader interesting is the freedom of control the tool gives. an interesting case would be producing a quiet scene, the master fader allows the induvial elements such as footsteps, breathing and wind to be heard by audiences whilst the master fader brings the down to instil the subtle element.

This picture is of me working on post production of testing the sound mixer exporting to multiple channel to then be mixed.

[cocochocolatechanel]

11/11/2024 Testing install for tech gear setup

equipment:

4 Speakers + 1 Sub speaker

Tascam Model 12 Mixer/Recorder

Bunch of cables and extenders

A laptop

Me

So.... the mizer that i will be using in my setup is different to the mizer we have in the spatial audio studio which means LEARNING HOW TO USE THIS.

Steps we took to make everything HAPPEN:

We had to add all the individual tracks that we rendered from spat into Reaper (ie. left, right, back left etc.)

Connect the laptop and mixer using a USB-C cable

In Reaper, select output as 'model 12' (which is the name of the mixer we are using)

Select routing for each track's output left -> 1 right -> 2 sub, back left & back right -> 3/4 (because the back two speakers will be connected to the sub and the sub is connected to the speaker, the routing for these three tracks will be the same.

on the mixer for channel 1&2 press down the 'main' switches and for channel 3&4 press down the 'sub' switches because that how we routed it in Reaper

then plug in all the speakers: left and right and the sub speakers will be plugged directly into the mixer and the back left and right speakers will be plugged into the sub (which is the big speaker).

after all the speakers are plugged in they are then pulled into a square making sure to put them in their correct position.

we then solo played each track , which is routed to only one speaker to make sure the speakers are in the correct position.

i then put tape and labelled each speaker so I know which each one goes tomorrow so I don't have to do everything again.

then all the equipment is put back into the back corner of the production studio so it's not in anyone way.

[speakeraktifkecil]

0851-7988-9353 |TERBAIK! Speaker Aktif Elsound di Tabalong

Kontak dan Pemesanan Hubungi 0851-7988-9353 ELSOUND AUDIO adalah produsen speaker no.1 di Indonesia. Produk asli Indonesia ini menyediakan berbagai jenis speaker dan komponen speaker seperti: speaker driver, speaker aktif, speaker pasif, power amplifier, audio mixer, tweeter, hingga microphone. Elsound Speaker dan Cipta Suara (main distributor AudioBulls produksi Elsound) siap melayani berbagai kebutuhan audio anda dengan harga terjangkau.

Kontak dan Pemesanan Hubungi

0851-7988-9353 https://wa.me/6285179889353

Klik link berikut untuk informasi lebih lanjut : https://linktr.ee/elsoundspeakers

Follow juga akun sosmed yang lainnya :

Instagram | https://www.instagram.com/elsoundaudio/ Tik Tok | https://www.tiktok.com/@elsound.audio Youtube | http://www.youtube.com/@ElsoundAudio

Official Website : https://elsoundspeakers.com/

Belanja di Marketplace:

Tokopedia | https://tokopedia.com/elsound Shopee | https://shopee.co.id/elsoundspeakers

Speaker Aktif untuk TV LED: Menghadirkan Kualitas Suara yang Mempesona

Di era digital saat ini, memiliki TV LED berkualitas tinggi tidak cukup hanya dengan visual yang cemerlang; Anda juga membutuhkan suara yang mendukung pengalaman menonton. Di sinilah speaker aktif masuk. Speaker aktif bukan hanya sekadar tambahan, tetapi dapat mengubah pengalaman menonton Anda menjadi luar biasa. Dalam artikel ini, kita akan membahas semua yang perlu Anda ketahui tentang speaker aktif untuk TV LED, termasuk rekomendasi terbaik, tips pemilihan, serta cara penggunaan yang tepat.

Mengapa Anda Memerlukan Speaker Aktif untuk TV LED?

1. Kualitas Suara yang Luar Biasa

Salah satu alasan utama mengapa speaker aktif sangat penting adalah kualitas suara yang mereka tawarkan. Speaker bawaan TV sering kali tidak dapat memenuhi kebutuhan audio yang mendalam. Dengan speaker aktif, Anda dapat menikmati suara yang lebih jelas dan bertenaga. Ini sangat penting saat menonton film atau acara, di mana dialog dan efek suara berperan besar. Dalam konteks penggunaan lain, seperti pengeras suara pemandu wisata, kualitas suara yang jernih juga sangat dibutuhkan.

2. Konektivitas yang Mudah

Sebagian besar speaker aktif dilengkapi dengan berbagai opsi koneksi, termasuk Bluetooth, HDMI, dan USB. Ini memudahkan Anda untuk menghubungkan speaker dengan TV LED dan perangkat lain. Apalagi, speaker aktif juga bisa digunakan untuk sound system hajatan atau sound system Bandung, memberikan fleksibilitas untuk berbagai jenis acara.

3. Multifungsi

Speaker aktif tidak hanya bermanfaat untuk menonton TV. Anda bisa menggunakannya untuk berbagai keperluan seperti mendengarkan musik, bermain game, bahkan untuk pertemuan. Ini adalah investasi yang bisa digunakan untuk berbagai tujuan, termasuk paket speaker mobil yang menawarkan solusi audio untuk perjalanan Anda.

Rekomendasi Speaker Aktif Terbaik untuk TV LED

1. Sony HT-X8500

Sony HT-X8500 adalah soundbar yang menawarkan suara luar biasa dengan teknologi Dolby Atmos. Dengan desain yang ramping, speaker ini cocok untuk TV LED modern.

Kualitas Suara: Suara yang mengesankan dan bass yang kuat.

Konektivitas: Bluetooth dan HDMI ARC.

Portabilitas: Cocok untuk berbagai ruangan.

2. Bose Solo 5

Bose Solo 5 adalah pilihan yang sempurna untuk mereka yang mencari suara yang jernih dan bass yang dalam.

Kualitas Suara: Suara yang sangat jernih, ideal untuk dialog.

Desain: Desain kompak yang mudah ditempatkan.

Fitur Khusus: Teknologi dialog mode untuk meningkatkan kefahaman suara.

3. JBL Bar 2.1

JBL Bar 2.1 adalah sistem speaker 2.1 yang memberikan suara yang bertenaga. Cocok untuk film dan musik.

Kekuatan Suara: 300 Watt, ideal untuk ruangan besar.

Subwoofer Terpisah: Memberikan bass yang mendalam.

Konektivitas Beragam: HDMI, Bluetooth, dan lebih banyak lagi.

Cara Menghubungkan Speaker Aktif ke TV LED

1. Menggunakan Kabel HDMI

Salah satu cara terbaik untuk menghubungkan speaker aktif ke TV LED adalah melalui kabel HDMI. Dengan HDMI ARC (Audio Return Channel), Anda dapat mengalirkan audio dari TV ke speaker dengan kualitas tinggi. Pastikan kedua perangkat mendukung HDMI ARC.

2. Menggunakan Bluetooth

Jika Anda memiliki speaker aktif yang mendukung Bluetooth, prosesnya sangat mudah. Aktifkan Bluetooth di TV dan speaker, lalu cari perangkat yang ingin dihubungkan. Ini memungkinkan Anda untuk menikmati audio tanpa kabel yang berantakan.

3. Menggunakan USB

Beberapa speaker aktif memungkinkan koneksi melalui USB. Cukup colokkan kabel USB dari speaker ke TV, dan Anda siap untuk menikmati suara berkualitas tinggi.

Tips Memilih Speaker Aktif untuk TV LED

1. Tentukan Kebutuhan Anda

Sebelum membeli speaker aktif, tentukan apa yang Anda butuhkan. Apakah Anda lebih suka menonton film, mendengarkan musik, atau mengadakan pertemuan? Jika Anda berencana menggunakan speaker untuk meeting, pilihlah model yang mendukung koneksi yang mudah dan kualitas suara yang jelas.

2. Ukuran Ruangan

Pertimbangkan ukuran ruangan tempat Anda akan menggunakan speaker. Untuk ruangan besar, pilihlah speaker dengan daya output yang tinggi. Ini penting agar suara dapat menyebar merata di seluruh ruangan.

3. Fitur Tambahan

Perhatikan fitur tambahan seperti pengaturan bass dan treble, mode suara, atau konektivitas tambahan. Fitur ini dapat membantu Anda menyesuaikan audio sesuai dengan preferensi pribadi dan meningkatkan pengalaman menonton.

FAQ

Bagaimana cara memperbaiki speaker aktif yang berdengung?

Speaker yang berdengung biasanya disebabkan oleh interferensi atau pengaturan audio yang salah. Coba periksa koneksi kabel dan pastikan tidak ada perangkat lain yang mengganggu. Jika masalah tetap ada, coba atur ulang pengaturan equalizer pada amplifier.

Apa itu speaker aktif tower?

Speaker aktif tower adalah jenis speaker yang dirancang dalam bentuk vertikal dan biasanya memiliki beberapa driver. Speaker ini dirancang untuk menghasilkan suara yang lebih bertenaga dan mendalam, sering digunakan dalam sistem home theater atau acara besar.

Bagaimana cara memilih speaker aktif untuk ruangan besar?

Untuk ruangan besar, pilihlah speaker dengan daya output yang tinggi (minimal 1000 Watt) dan kemampuan untuk menghasilkan bass yang dalam. Selain itu, pertimbangkan juga desain dan pengaturan speaker untuk memastikan suara tersebar merata di seluruh ruangan.

Apakah speaker aktif bisa digunakan untuk meeting?

Tentu saja! Speaker aktif dapat digunakan untuk berbagai keperluan, termasuk meeting. Pastikan untuk memilih model yang memiliki konektivitas yang mudah dan kualitas suara yang baik agar semua peserta dapat mendengar dengan jelas.

Bagaimana cara menghubungkan speaker aktif ke perangkat USB?

Menghubungkan speaker aktif ke perangkat USB biasanya mudah. Cukup sambungkan kabel USB dari speaker ke perangkat Anda. Pastikan perangkat Anda mendukung output audio melalui USB.

Kesimpulan

Memiliki speaker aktif untuk TV LED bukan hanya tentang menambah volume; itu tentang membawa pengalaman menonton Anda ke level yang lebih tinggi. Dengan berbagai pilihan yang tersedia, Anda dapat memilih speaker yang tepat sesuai dengan kebutuhan Anda. Dari pengeras suara pemandu wisata hingga sound system hajatan, speaker aktif memberikan kualitas suara yang membuat setiap momen lebih berharga.

Dengan panduan di atas, Anda kini siap untuk memilih speaker aktif yang sempurna untuk TV LED Anda. Nikmati pengalaman menonton yang lebih imersif, dengarkan setiap detail suara, dan buat setiap acara menjadi lebih hidup. Selamat berinvestasi dalam pengalaman audio yang menakjubkan!

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0851-7988-9353  - Speaker Aktif Elsound di Tabalong

post 4:

[aaryan-mwa-blogs]

How to Choose the Right Audio Amplifier for Your DJ or Live Setup

Choosing the right audio amplifier is crucial for any DJ or live sound setup. An amplifier plays a significant role in delivering sound quality and ensuring that your audience enjoys an immersive audio experience. With so many options available on the market, it can be overwhelming to decide which amplifier best suits your needs. In this blog, we’ll explore key factors to consider when selecting an amplifier for your setup, helping you make an informed decision that enhances your performances. 

Understanding Amplifiers

Before diving into the selection process, let’s briefly discuss what an audio amplifier does. An amplifier takes a low-level audio signal (like the one from a mixer or a DJ controller) and boosts it to a level suitable for driving speakers. Amplifiers come in various types, each designed for specific applications and sound requirements.

Key Factors to Consider

1. Power Output

One of the most critical factors when choosing an amplifier is its power output, typically measured in watts (W). The power output must match the needs of your speakers to ensure optimal performance. Here’s what to keep in mind:

Speaker Compatibility: Check the specifications of your speakers, including their power handling capacity (RMS) and impedance (measured in ohms). For example, if your speakers have a power rating of 300W RMS at 8 ohms, you’ll want an amplifier that can deliver at least that amount of power without distortion.

Venue Size: Consider the size of the venues where you’ll be performing. Larger venues will require more power to fill the space with sound, while smaller settings may need less.

2. Amplifier Type

Amplifiers come in various types, including:

Class A: Known for high sound quality but low efficiency. Best suited for smaller setups where sound fidelity is paramount.

Class AB: Offers a good balance between sound quality and efficiency, making it a popular choice for many DJs and live sound professionals.

Class D: Highly efficient and lightweight, these amplifiers are ideal for portable setups. They are perfect for DJs who travel frequently.

3. Channel Configuration

Amplifiers can be mono (one channel), stereo (two channels), or multi-channel (more than two channels). The configuration you choose will depend on your setup:

Mono Amplifiers: Great for driving subwoofers or single speakers.

Stereo Amplifiers: Suitable for standard DJ setups where two channels are needed for left and right audio signals.

Multi-Channel Amplifiers: Ideal for complex setups that require multiple outputs, such as when you’re using separate amplifiers for different speaker types (e.g., mid-range, highs, and subs).

4. Input Options

Check the input options available on the amplifier. Common inputs include:

XLR: A balanced connection, great for long cable runs without interference.

TRS (1/4 inch): Another balanced option, often used in live sound applications.

RCA: Common for consumer-level audio, but can introduce noise over long distances.

Ensure the amplifier you choose has the appropriate input connections for your gear.

5. Cooling and Reliability

Amplifiers generate heat, especially at high output levels. Look for amplifiers with good cooling systems, such as:

Built-in fans: Help to dissipate heat during prolonged use.

Heat sinks: Passive cooling solutions that prevent overheating.

Reliability is key for live performances, so choose a well-built amplifier from a reputable manufacturer to minimize the risk of failure during a gig.

6. Portability and Weight

If you frequently move your setup, consider the size and weight of the amplifier. Class D amplifiers are generally lightweight and compact, making them easier to transport. Make sure the amplifier can withstand the rigors of travel and set up without compromising sound quality.

7. Budget

Finally, consider your budget. While investing in a high-quality amplifier is essential, there are options available for every price range. Set a budget that aligns with your needs, but keep in mind that quality audio equipment often pays off in performance and durability.

Choosing the right audio amplifier for your DJ or live setup involves careful consideration of power output, amplifier type, channel configuration, input options, cooling systems, portability, and budget. Understanding these factors will help you select an amplifier that enhances your sound quality and meets the demands of your performance environments. Before making a purchase, consider visiting reputable audio equipment shops like VIP PRO AUDIO to get some guidance toward the right amplifier that fits your specific needs, ensuring you’re well-equipped to deliver an unforgettable audio experience.

By investing time in selecting the right amplifier, you’ll be better prepared to create powerful and immersive performances that keep your audience engaged and energized.