#mix cds
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March 2, 2007 💿
#cd#cds#compact disc#2007#y2k#2000s#00s#y2k style#2000s nostalgia#2000s kids#y2k nostalgia#2000s style#y2k aesthetic#2000s kid#2000s tech#00s nostalgia#00s aesthetic#early 00s#00s core#y2kcore#y2k vibes#2000s aesthetic#2000s core#mix CDs#mix cd#cyber y2k
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Let's fuck in the car to the mix cds we make for each other
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Sometimes I feel like I'm the only person in the world who still remembers and loves CDs. Vinyl records have made a comeback and are now considered cool among certain varieties of hipster and audiophile, but CDs haven't had the same treatment.
And like, to some extent, I kinda understand that. CDs aren't cool. Records are cool. They're big and textured and elegant and they're objectively old enough to feel vintage rather than dated. They're not exactly durable but they make up for their fragility with their other positive qualities, and you could certainly argue that warping and scratches add exactly the kind of character to a record that we've lost with digital music and therefore crave from physical media. A slightly damaged CD pretty much always just becomes totally unplayable.
So I get it. And I'll readily admit that the biggest reason why I like CDs is simply that I grew up with them and have fond memories of them. But I do also think it's objectively true that there are certain positive features unique to CDs. I will never tire of the experience of giving and receiving mix CDs. You can't do that with a record. (I mean, I don't think you can? Not easily, at any rate.) And it's not the same as a playlist! It's not the same. When you make a mix CD, you not only curate the music for the recipient, you burn the disc, you decorate it, you make the sleeve or pick the jewel case and make the paper insert for it, figure out how to wrap/package it. I mean, obviously you don't have to do all of these things, but the opportunity is there for a lot of creativity and love. And in the end the person gets both the physical object as well as being able to make digital copies of the songs on their computer (which also allows them to use those songs in their future mix CDs, continuing the cycle!).
The mix CD is just so unpretentious, wholesome, and kind. It gave the average person unprecedented power over how music was curated and shared. (I mean, of course mix tapes did something similar, and maybe they deserve more credit than I give them, simply because they're from before my time; but I kind of have to assume that CD mixing is a much simpler and more efficient process.) The mix CD creates a loving context for experiencing music. Here, I made this! Special from me, for you! I think context is one of the things which we most desperately miss in this modern age, where we're fed our newest songs by the goddamn algorithm (whether that's Spotify, TikTok, YouTube, or whatever). The mix CD is personal, human, earnest and sweet.
(And yes, to some extent, playlists do this as well, and they have their own advantages. But I think the shareability of playlists, while making it possible for many more people to experience your creation, has ended up discouraging the intimate act of making something just for one other person and instead promotes the idea that what is most desirable is to have your work seen by the greatest possible number of people.)
I started thinking about this because I saw another post talking about the removal of CD/DVD drives from computers and it really does make me sad thinking that this may be the final nail in the coffin of the mix CD. I've had to depend on external disc drives to make my mixes, and I'm sure that for most people, CDs have passed totally out of their awareness.
I'm not saying the mix CD is the end all be all of sharing music. There are already lots of other ways to share music and I would quite like to think that we will continue to invent new ways. But I do find it very sad that the art of the mix CD is dying, and while the mix CD itself may be doomed, I really hope that we don't forget its virtues, and find a way to keep the spirit of the thing alive. Physical object as well as digital copies that can be shared with others, permanent ownership of the music (rather than just streaming/renting), the burning and reading of this object being cheap and accessible, personal touch/high customizability (not being limited simply to song order, a single cover image, and a short description), intimacy. These are what I don't want to lose.
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I miss mixtapes and mixed CDs. There are some very specific songs that I hear and I can see the cover of the mix CD that my friend made for me 15 years ago, or I think about when they gave it to me, or I think about singing along in the car on a road trip.
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I truly wish I could get back every single mix CD I ever made someone.
I’d love to take a glimpse back at little ol’ me
💿
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still use mine.
What was your first source of portable music? Walkman? CD player with headphones? MP3 Player? iPod? Phone?
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Is there anyone out there that still rips or broom CDs ?
I have not had a computer with a functioning CD burner in about a decade. I started looking at the cost of CDs on Amazon and some of it is absolutely ridiculous especially when most people don't buy CDs anymore.
However I really like to listen to CDs in my car ---the only place I have a CD player.
So if any Pirates out there want to make a little booty by burning a few CDs for me please let me know.
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The Witcher 4 - Official Reveal Trailer
#the witcher 4#tw4#tw4edit#ciri#cirilla fiona elen riannon#witcher#wiedźmin#the witcher#dailygaming#gamingladies#useranya#eurodynamic#bloodofelves#thelvadams#yocalio#glassrunner#userairika#miyku#vindicia#games#video games#gaming#my stuff#cd projekt red#cd project#gooosh i am so hyyyyyped!!!!#i like how ciri's outfit is a mix of geralt and yen's
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Over the weekend I found a bunch of mix CDs from middle and high school that I made and that friends made for me and I honestly don’t think there is a better type of time capsule.
I still knew all the words to the songs and I got surprised by like 4 Glee covers that I about died laughing. My car couldn’t read the metadata on the discs so each song was a surprise. I can’t wait to listen to more. I miss this era
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they are soulmates your honor
#agatharioeditmine#agathario#agatha x rio#ish?#agatha harkness#april ludgate#agatha all along#parks and recreation#aaa 1x02#p&r 6x03#the moment i saw april threw out ann's cd mix i laughed and made this set#THEY ARE WIVES YOUR HONOR
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Pink Floyd - Wish You Were Here
#Pink Floyd#Echoes The Best Of Pink Floyd - Disc 2#Echoes The Best Of Pink Floyd#Wish You Were Here#Format:#2 x CD#Compilation#Mixed#Remastered#Released:#2001#Psychedelic Rock#Classic Rock#UK#Pink Floyd was an English rock band from London
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Love Notes (Ch. 7)
Larissa Weems x musicteacher!Reader Finally an update!
AO3 link
“Is it actually you?” Larissa’s voice sounds hoarse, her breath hitching slightly. You’re not sure if it’s due to her tears by the fountain earlier or if she is disappointed in the reveal. Her hands tremble at her sides, fingers curling as if to grasp onto something solid. Her blue eyes glisten with unspoken emotions, flickering between disbelief and cautious hope. There’s a vulnerability in her posture—a slight slouch of her shoulders, as though the weight of the moment has softened her usual poise.
Braving the unknown and attempting to control your own voice, you reply, “Of course.” You pause a moment, letting the warm, nutty aroma of the Weathervane wrap around you. “I’m a little surprised you never asked me directly. There were so many times I thought you had found me out.”
Silence.
The other woman seems puzzled. It’s the closest emotion you can track from her features—slightly furrowed brows, eyes distant and focused downward, staring into space. After a long moment waiting for a response from Larissa, or even a change in her facial expression, doubt gnaws from within your chest. Nervous explanations threaten to escape your lips, each word clawing at the back of your throat, desperate to fill the heavy silence. Your fingers begin nervously tracing the rim of your mug while your mind races, replaying every interaction that could have betrayed your secret, every glance Larissa might have misread. You think back to that day in Nevermore’s library when Larissa’s gaze lingered a moment too long on the notebook you hastily shut, its pages filled with annotations about her favorite songs. Or the time in the corridor when her lips curved into a puzzled smile as she caught you humming a tune she had once mentioned in passing. Every glance, every hesitation—it all feels like a series of missed revelations.
The weight of her unspoken thoughts press down on you, and you fight the urge to blurt out all your anxieties. You feel your cheeks warm and word vomit bubbling up to shield your own potential hurt. You take a shaky breath, trying to calm the whirlwind of emotions threatening to spill over.
“I know you’re probably shocked… I’m sorry if this is uncomfortable for you or if you’re disappointed. I promise I haven’t been preying on our closeness or friendship. I admire you so much, and I didn’t want to push you away and lose our friendship by saying anything. I understand if you feel betrayed. I guess I took the coward’s way out not confessing sooner.”
As you speak, Larissa’s confused look turns into a frown. She brings her eyes up to yours, and you try not to become shy under her gaze. Thankfully, determination wins out over worry, and you hold firm when meeting Larissa’s eyes.
“When you were poisoned, I vowed to take a chance—to finally let myself get close to you.” You let in more emotion than intended while confessing the next part. “You were almost gone, Larissa. After the nightshade incident, I saw how much it affected you. How much you carry, day in and day out, to keep Nevermore running. I just… wanted to let you know someone noticed. That someone cared."
Catching you off guard, Larissa finally utters, “What about the florist?” She needs to methodically respond or bring up each point to clear her head of the mess inside.
“What do you mean what about the florist? James?”
Now it was Larissa’s turn to question herself. “I thought you two were an item.” Larissa attempts to keep her voice from sounding accusatory or too affected.
A shocked kind of relief comes over you as you process Larissa’s worry and justification. In response, you tease, “He was helping me plan the surprise for you. Or did you think I could magically summon flowers as one of my powers?”
A blush touched Larissa’s cheeks. She wasn’t used to being wrong, and certainly not in a way where others might poke fun at the circumstance. “No… I…” Larissa hesitated, her hands twisting nervously at the fabric of her gloves. Her usual poise was nowhere to be found. “I suppose I let my imagination… run away with me.”
You tilt your head, a small smile playing on your lips despite the tension. “Larissa Weems? Jealous? I didn’t think you had it in you.” A smile threatens at your lips.
The blush on Larissa’s face deepens, andshe straightens her posture, attempting to regain some semblance of composure. “I am not jealous. I simply… misinterpreted the situation.”
“If you say so,” you tease gently, though your heart is pounding.
Larissa’s eyes meet yours again, and the vulnerability in them makes your teasing fade immediately. She’s still uncertain—hesitant in a way you’ve never seen before. Her voice is quieter this time as she asks, “Why me?”
Your features soften, and you reach forward over the table to take her fidgeting hand in yours. “Why not you? You’re brilliant, headstrong, compassionate, and… gods, Larissa, you’re captivating. I couldn’t keep this to myself any longer. You deserve to know how extraordinary you are.” You continue to explain, “Even though I had been wanting to, Enid is actually the one who tipped the scales in favor of me confessing. She’s quite perceptive when she wants to be. Must be the gossip blog eye.”
Larissa’s lips part slightly, but no words come out. The emotions in her eyes are too numerous to name—hope, doubt, fear, and something that looks a little like longing. She’s searching your face for something, though you’re not entirely sure what.
Before you can gain clarity on her thoughts, she asks, “How did you do it?” Larissa gestures to the wall where you appeared in the Weathervane.
You knew Larissa hadn’t known about your ability to phase. You didn’t technically disclose that in your interview process for the music professor job. “Ah, well, it’s never come up in our discussions about music. It’s matter manipulation. It’s actually why I am able to create music so easily. I’m technically manipulating the sound waves in the air.”
You pause briefly, gauging her reaction before continuing. “It’s more than sound, though. I can phase through solid objects by breaking down my molecular structure and slipping between the spaces in matter. It’s… not as simple as it sounds, unfortunately. It requires immense focus and control, and if I’m not careful, I could destabilize the matter around me.”
Larissa’s brows furrow in fascination, her earlier confusion replaced by awe. She glances between your hands and your face, a flicker of wonder breaking through her usual composure. The weight of the revelation settles in her expression, a mix of admiration and disbelief. “You’ve been living with this… and using it so effortlessly,” she finally murmurs, her voice soft, almost reverent. “That’s incredible. You’ve been using this ability all along to create those… those beautiful compositions?”
You nod, smiling warmly at Larissa’s words. “Yes. Each note, each harmony, is carefully crafted by manipulating the vibrations in the air. It’s like painting with sound.”
A soft chuckle escapes her lips. “No wonder your music feels so alive. It’s a part of you.”
The sincerity in her voice sends more warmth through you, and you lower your gaze, feeling a little shy under her praise. “It’s not always easy,” you admit, unsure of how to proceed. “Sometimes, it’s overwhelming—hearing and feeling everything at once. But when I focus, it’s like… everything falls into place. Especially when I was creating the playlists for you. I wanted them to be perfect.”
Larissa’s other hand reaches out, her fingers squeezing yours. “They are perfect. And so are you.”
Her words hang in the air, and for a moment, the world seems to pause. The sounds of espresso shots being pulled and customers chattering fades into the background, leaving only the two of you in this suspended moment of understanding and connection.
You sense Larissa’s curiosity growing as you two sit together for a few moments, her focus sharpening as she begins to grasp the depth of your abilities. “How far can it go?” she asks, tilting her head slightly. “Your powers, I mean. What else can you do?”
You take a moment to consider your answer, glancing at your hands as if they hold the key to what you want to say. “It’s… complicated. The more I practice, the more I understand. I can amplify soundwaves to create music that resonates on an emotional level. But I’ve also used it to calm people in panicked states—to harmonize the vibrations around them and bring peace to their bodies. It’s like tuning an instrument, but on a much larger scale for people’s limbic and nervous systems.”
Larissa’s eyes widen. “You can… calm people? Affect their emotions?”
You nod slowly. “Not in a controlling way, but more like… aligning their energy. Kind of like how humming and singing can stimulate one’s vagus nerve. It’s subtle, and I’d never use it without consent. But yes, I can help others find balance.”
Her expression shifts, a mix of admiration and intrigue. “And the phasing? Could you… could you go anywhere?”
“Not quite anywhere,” you say with a small laugh. “There are limits. It’s exhausting, and certain materials make it harder—denser metals, for example. But I’m learning. It’s as much about knowing my limits as it is about pushing them.”
Larissa’s hand tightens slightly around yours, grounding you in the moment. “You’re extraordinary,” she says, her voice soft but firm. “I hope you know that.”
Your cheeks flush, but you don’t look away. “Coming from you, that means everything.” For the first time, you feel completely seen—not just for your powers or your music, but for everything you are. And in Larissa’s eyes, you see that same vulnerability mirrored back at you.
After a moment, Larissa exhales shakily. “This is… a lot to take in.”
You nod, not sure whether or not to remove your hand from hers. “I understand. I’m not expecting an answer or anything right now. I just… I needed you to know.”
Larissa’s leg underneath the table brushes against yours. The touch is featherlight, but it sends a jolt through you. “Thank you,” she says softly, her voice almost trembling. “For everything.”
You rub her hands gently with your thumbs and offer her a small smile. “Always.”
Looking into your eyes thoughtfully before returning to the drinks in front of you two, Larissa suggests, “Shall I get us seconds, and you can tell me all about it?”
For the first time since the conversation began, you feel hope bloom in your chest. Whatever happens next, you’ve taken the first step. And that, you think, is enough for now.
You nod, but before Larissa can move, the door to the café opens abruptly, letting in a gust of cold air. A familiar face enters—a student from Nevermore, wide-eyed and clearly distressed.
“Headmistress Weems,” the student says, their voice shaky. “We need you. Something… something strange is happening back at school.”
Larissa’s expression sharpens immediately, the warmth between you momentarily replaced by her authoritative demeanor. She glances at you, an unspoken question in her eyes.
“Let’s go,” you say, already standing. Whatever was happening at Nevermore, you had no doubt you’d face it together.
—
The drive back to the school is tense, filled with the low hum of Larissa’s thoughts as she grips the steering wheel tightly. The student sits in the back, shifting nervously. You glance at Larissa, and she’s already deep in her role as Headmistress, her jaw set and eyes focused on the road.
As you arrive at the gates, you notice an eerie glow coming from the east wing of the campus. Students are gathered outside in small clusters, whispering nervously. The air is charged, static almost crackling as you step out of the car.
“What’s going on?” Larissa asks a nearby teacher, her voice calm but commanding.
The teacher, a young man with wide eyes that you’ve seen around the corridors, stammers, “I-it’s the greenhouse. Something’s happening inside. It’s… alive.”
“Alive?” you echo, stepping closer.
The teacher nods, visibly shaken. “The plants are… growing out of control. They’ve broken through the walls and windows. I don’t know how to stop it. All I could think to do was evacuate.”
Larissa turns to you, her expression grim and serious. “We need to contain this. Can your powers help?”
You nod, adrenaline already surging. “I’ll try.”
After ensuring other faculty secures the other entrances to the area, you and Larissa head toward the greenhouse. The closer you get, the more chaotic the scene becomes. The vines thrash wildly, scraping against the greenhouse walls with a screeching sound that sets your teeth on edge. Shards of glass crunch beneath your feet, mingled with the earthy scent of disturbed soil and an unnatural, sickly-sweet aroma. You two have to take pains to not trip over bits of broken stone across the ground. The air hums with tension, punctuated by sharp cracks as the plants force their way through wooden beams. A low, guttural groan emanates from deep within, as if the greenhouse itself is alive and in pain, urging you to hurry. Vines continue to twist and writhe, stretching toward the sky as if searching for something.
“Stay behind me,” Larissa instructs, but you shake your head.
You swallow a scoff. “We’re doing this together.”
As you step inside, the air grows thick with the scent of earth and something sweet, almost cloying. The plants seem to sense your presence, their movements becoming more erratic. You close your eyes, focusing on the vibrations around you, tuning into the chaotic energy of the greenhouse.
“I’ll work on de-escalating,” you say loudly over the noise, your voice steady despite the tension. “But I’ll need your help if they fight back.”
Larissa nods, her confidence unwavering and her eyes narrowing. “Let’s do this.”
You extend your hands like a conductor, feeling the vibrations of the plants, their restless energy like a discordant symphony. Slowly, carefully, you begin to harmonize with them, sending waves of care and concern through the space. The vines hesitate, their movements slowing as if listening.
But then, a new surge of energy ripples through the greenhouse… stronger and darker than before. Something else is here, something angry.
“There’s a source,” you say urgently, your voice strained. The pulsing energy of the greenhouse thrums in your chest, a heavy, discordant beat that resonates uncomfortably. You can feel it lashing at the edges of your senses… a strange, dark rhythm that grows stronger as you focus on it. It’s as if the source itself is alive, and with each beat, it radiates anger and desperation, sending waves of hostility through the writhing plants around you. Your eyes are closed in fierce concentration, searching for the cause. “Something is controlling them.” You grimace before continuing, “It’s overwhelming,” you add while opening your eyes and glancing at Larissa, “but I can pinpoint it.”
Larissa’s eyes scan the room, and she points to a dark mass in the center of the chaos, pulsating with unnatural light. “There.”
You look to Larissa and then to the area of her gaze; you inhale a deep breath and nod—steeling yourself. Together, you and Larissa move toward the source, determined to face whatever lies ahead.
The source in the center pulses erratically, its light shifting between crimson and black while the rest of the greenhouse seems to grow darker. The ground beneath your feet trembles as the plants around it writhe with renewed aggression, as though they sense your intent. Twisted, gnarled vines guard the pulsating mass of energy, reaching out at you two with sharp thorns. The closer you get, the heavier the air becomes, thick with the tang of iron and an oppressive, unearthly heat. Larissa grips your arm briefly, her expression steely but edged with concern.
“We’re definitely close,” you murmur, the vibrations from the source nearly overwhelming your senses. You focus harder, threading calming energy into the space, though the resistance is dangerously palpable. The mass—a gnarled root-like structure entwined with glowing tendrils—reacts violently, emitting a sharp, dissonant sound that sends a jolt of pain through your temples.
“It’s protecting itself,” Larissa says urgently, stepping forward. With a swift, deliberate motion, she pulls a small silver knife from the folds of her coat, its blade etched with ancient runes. “Do you trust me?”
You peer into the piercing eyes of this woman who has slowly transfixed herself into your life, spilling into and filling all the little gaps within it. Some that you didn’t even know you wanted filled. Breathlessly, you respond, “Yes.”
Satisfied and seemingly making a mental note of something due to the expression on her face, Larissa continues, “Can you disrupt it while I try to sever the connection?”
You nod, bracing yourself as you extend your arms again. The air around the mass is chaotic, a storm of discordant vibrations that resist your attempts to harmonize them. Sweat beads on your forehead as you push harder, weaving threads of order into the cacophony. After grueling minutes that seem like hours, the vines closest to the mass begin to falter, their thrashing movements growing sluggish.
Larissa moves with precision, her knife slicing through the tendrils feeding into the core of the mass. Her jaw tightens with determination, and a flicker of something fierce glints in her eyes. Each cut seems deliberate, as though she’s channeling every ounce of her strength and focus into severing the connection. You can almost sense her resolve, a quiet intensity radiating from her. This isn’t just about the greenhouse—it’s about protecting the students, the school, and perhaps even you. She doesn’t falter, even as the mass retaliates with bursts of angry energy. Each cut elicits a shriek from the greenhouse, the sound echoing like a wounded animal. The ground shudders violently, and for a moment, you lose your balance, falling to one knee. The source’s crimson light flares, blinding and searing hot, and you feel its fury lash out at you.
“Hold on!” Larissa calls out, her voice steady despite the chaos. Her final strike severs the last connection, and the mass collapses inward with a deafening roar, its light extinguished. The vines that had crawled around you during the encounter go limp, their aggressive energy dissipating into silence.
You collapse back, breathless and trembling, as the oppressive weight in the air begins to lift. The tension that had wrapped around your chest like a vise slowly eases, leaving you lightheaded but strangely calm. Your fingers dig briefly into the cool soil beneath you, grounding yourself against the lingering tremors in your body. Each inhale feels sharper, cleaner, as though the air has been renewed. Relief washes over you in waves, mingled with an almost surreal disbelief that it’s over as quickly as it began. Larissa kneels beside you, her face a mixture of relief and exhaustion.
“Are you alright?” she asks, her hand coming to lightly rest on the side of your face, brushing tenderly against your jaw.
You nod weakly, managing a small smile. “We did it.”
The two of you sit in the aftermath, the greenhouse eerily still. Outside, the muffled sounds of students and faculty stir as the danger subsides. You exchange a glance with Larissa, and for a moment, the world feels suspended once more—this time, in quiet triumph.
As the silence settles in the greenhouse, your gaze drifts back to the crumpled remains of the pulsating mass. The memory of its crimson and black glow lingers in your mind, vivid and haunting. What was it? You reach out instinctively with your senses, searching for any lingering traces of its energy, but there’s nothing—just an empty void where its chaotic presence once thrived.
“Do you think it’s truly gone?” you ask Larissa, your voice barely above a whisper.
She follows your line of sight, her lips pressed into a thin line. “I don’t know,” she admits, her voice heavy with thought. “But whatever it was, it felt… deliberate. As though it had a purpose.”
A shiver runs down your spine as you recall the way the mass seemed to lash out, not just in anger, but in defiance. The way the violent energy seemed to resist every attempt to subdue it. “It wasn’t just growing wildly,” you murmur, almost to yourself. “It was looking for something.”
Larissa looks at you sharply, her brows knitting together. “Looking for what, exactly?”
You shake your head, frustration bubbling beneath the surface. “I don’t know, but it didn’t feel random. That energy, it was… searching. Reaching.” You hesitate, the words catching in your throat. “Almost like it was trying to connect.”
Larissa’s gaze hardens, her eyes narrowing in thought. For another long moment, neither of you speaks, the weight of the ruined greenhouse surrounding you, punctuated only by the occasional creak of broken glass and rubble settling. Finally, Larissa rises, brushing dirt from her coat with a slow, deliberate motion.
“If it was searching,” she says quietly, “we need to find out what it wanted—and why it was here.” Her expression is unreadable.
You nod again in agreement, though unease still coils tightly in your chest. Whatever answers the mass held, you know they won’t come easily. “Do you think it’s connected to the school? Or something outside of it?” you ask, voice tinged with uncertainty.
Larissa tilts her head slightly, considering. “Whatever it was, it wasn’t natural. And the fact that it was here, on Nevermore grounds…” She trails off, her jaw tightening. “We can’t ignore it.”
The weight of her words settles heavily over you. The questions that the mass of tendrils leaves behind feel as tangled and complex as the vines it controlled. One thing is certain: the danger isn’t over.
—
Tagging: @lilsmeaux, @suckerforcate, @rickistheman, @tundra1029, @aster-loves-gwen, @justcallmelittleone, @poorwritingandstalecoffee, @lvinhs, @one-pining-queer, @kimiinou, @bobia13, @gwendolinechristieiscute, @kay-liah-scope, @readingtheentrails, @a-queen-and-her-throne, @weemssapphic, @ctrlamira, @im-a-carnivorous-plant, @winterfireblond, @gwendolinechristiesnumberonegirl, @enchantressb, @machi-avelli, @alder-saan.
Let me know if you'd like to be tagged for updates or have your tag taken off for future posts. :)
#love notes#chapter 7#larissa weems#larissa weems x reader#principal weems#larissa x reader#principal larissa weems#wednesday#ao3#fanfiction#gwendoline christie#music teacher#nevermore academy#boss/employee relationship#principal/teacher#mix cd#slow burn#mutual pining#angst
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Let's fuck in the car to the mix cds we make for each other
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once again made a mixtape with @nauseant4xx!!!! this time based on vittorino from the game 8:11 by @du-buk
also important context the stickers are 1. vintage and 2. i found them in the church basement/bunker which i think adds even more to it. and yes the cover slips paper is a bunch of ripped german bible pieces <3
artwork of vittorino done by @nauseant4xx
#8:11 game#8:11 fanart#8:11 vittorino#8:11#811 vittorino#811 game#811#811 fanart#vittorino fanart#mixtape#mixtape cd#mix cd#obligatory art tag
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susumu yokota: mix (1999)
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Fleebay Beepo playlist! [youtube link] [zip link]
it's been foreverrr since i finished a character playlist--i missed doing this! tracklist and director's commentary under the cut teehee :)
if you disagree with any of my choices, just remember: 1) this is my playlist for me to listen to made of songs I like for me 2) you just don't see my vision 3) you don't know him like i do 4) make your own so i can disagree with yours too.
WDKYWMYAK -- Rabbit junk
This is a Killing Game After All -- Gadgetor
chance bought this cd from the comic store. i think the album is Doom-inspired? pretty cool! check it out! anyway this first section is pretty obviously all violence killing and maiming etc
3. All Futures -- The Armed
4. Bears -- Mass of the Fermenting Dregs
5. You Know What You Are -- Ministry
6. 1969 -- Boards of Canada
we're coming down out of the chaotic songs into some confusion for the amnesia arc, starting with ministry and boards of canada. 7 references an unwilling change of the self, and just fits the vibe right now. 8... should be obvious lol.
7. Long Road Home -- Oneohtrix Point Never
8. I Don't Remember -- Peter Gabriel
9. Come Back June -- Pussy
sorry i heard a psychedelic rock song that starts with a big cat meow and blacked out. EBONY MOMENT!!! this and the next couple songs are again more about contributing to the Feeling of the groovy train than a direct relation to the lyrics. though 10 can be justified by the fact he's british.
10. Hey, Mister Sun -- Bobby Sherman
11. Baby All the Time -- Julien Love (NOTE: NOT IN YT PLAYLIST)
12. Handlebars -- Flobots
i didn't think i would end up keeping this song when i threw it on here but it just... works really well structurally. sigh... okay well it kind of works thematically. we're moving into some merger au territory at this point, which is my way as a fan to give fleet more of a self-actualization arc. establish his own identity, make friends, accept his existence a bit more. 13 is again more focused on the caring environment of groovy train (and the idea that this won't last forever) but we'll come back around to merger in a second.
13. Cursis Melodías -- Natalia Lafourcade
14. Flagiolletes -- Billy Mahonie
15. Wake Up To Be You -- The Aesthetics
i'm so obsessed with this as a song from fleet to sonic. esp focused on the idea of fleet being the trauma dump that everyone wants dead and sonic being the one who gets to keep their friends. another lucky cd find--this time thrifted. this band still has their old website up--you can contact them if you'd like to get ahold of your own copy!
16. Every Home a Prison ft. Jello Biafra -- DJ Coldcut (Inevitable Alien Nation mix)
i'm in love with this song. we're back in merger au btw. fleet is now a goddamn hooligan in the street (teenager socializing outside with his friends).
17. Default -- Django Django
we're getting to the end of his life! canon, not au. once again on the idea of fleet (dying, cringe) being a comparative failure. the next two songs are our big explosive end! 18 is another band i found from a thrifted cd. lucky!
18. Werewolf -- Progger
19. light speed drift ft Kasane Teto + Adachi Rei -- frog96
the end! thanks for listening! ^_^ as a treat, YOU get to see the special bonus track: The Adventures of Little White Baby -- No Soap, Radio.
#if you r able to recreate this in spotify and want to then be my guest. i dont use that.#full mix is in the zip. youtube dmca's track 11 :(#fleetway super sonic#stc#sonic the comic#sonic the hedgehog#sth#id in alt text#fanart#character playlist#<- idk if thats a tag ppl use#music draws#<- thats a tag *I* use#anyway it's only 19 songs + a separate bonus bc i make playlists to burn to cd#this is just BARELY within the time limit#it gives a nice creative restriction :) and also thats how i listen to music in my car lol#what else did i want to say?#oh i had to upload flagiolletes to youtube myself bc i couldnt find it there? i say in the upload but the cd i got it from was weird#um and im happy with how the cover turned out :) and also i forgoooot to name the playlist </3#and im glad i did directors commentary this time bc 1) i love sharing my thought process on playlists#and 2) so i can figure out wtf i was thinking when i come back to this later#okay bye!#beepo#merger au
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