#mirga gražinytė-tyla

[higherentity]

[aschenblumen]

Edward Elgar, Sospiri, op. 70. Mirga Gražinytė-Tyla, directora

[mineralrabbits-artthings]

You know when you enjoy an LU fanfic and want to draw swirly stuff?

Well I know that feeling.

I've been really enjoying Requiem of the Kingdom by Luckywolfsbane on AO3, this drawing was inspired by chapter 7 - not to spoil anything but Wind using the wind waker = peak Wind usage

Almost forgot to add: a photo of conductor Mirga Gražinytė-Tyla of the City of Birmingham Symphony Orchestra was used for pose reference, very epic conducting.

[lesser-known-composers]

Jacques Offenbach (1819-1880) - Harmonies des bois, Op. 76 - 2. Jacqueline’s Tears (Arr. Cello & Orchestra) ·

Sheku Kanneh-Mason · cello

City Of Birmingham Symphony Orchestra · Mirga Gražinytė-Tyla ·

[masayoshi-kawaharablr]

Mirga Gražinytė-Tyla & Orchestre Philharmonique De Radio France – Weinbe...

[mecdidikmen]

undefined

Mirga Gražinytė-Tyla conducts J S Bach's Air from Suite No. 3 D major  

I love how she stops, listens to the thing on her own, when the moves aren’t of essence? A stance? Do I even need to know? No I don’t, is the answer.

Big fan of her x

[hayleylovesjessica]

Mirga Gražinytė-Tyla, conductor

[official-lithuania]

Mirga Gražinytė-Tyla conducting Beethoven’s Leonore Overture No. 3 in C Major

[sonimage1965]

Mirga Gražinytė-Tyla

[thingsicouldntphotograph-blog]

#2

A tiny conductor, swaying to the music of her orchestra as they perform Petrushka. Only, she’s not some puppet, she’s the magician of the orchestra, creating the story herself.

[aschenblumen]

Dos inmensas: Mirga Gražinytė-Tyla y Barbara Hannigan.

[paulinedorchester]

Women conductors you should know

Today, March 31st, is the last day of Women’s History Month in the USA. With that in mind, here are some women conductors. This is not intended to be an exhaustive list, nor does inclusion here constitute an endorsement of the conductor’s work. The point that I’m trying to make is that women in this field are no longer the jaw-dropping novelty that many in the non-music press would have you believe. They aren't really a new phenomenon.

I’ve given each conductor’s country of birth; this isn’t necessarily where she ended up, and please note that some were born long enough in the past, in parts of the world that have seen great political tumult, that their native countries no longer exist.

Marin Alsop, USA

Jessica Bejarano, USA

Gisèle Ben-Dor, Israel

Victoria Bond, USA

Nadia Boulanger (1887-1979), France

Antonia Brico (1902-1989), Netherlands

Sylvia Caduff, Switzerland

Sarah Caldwell (1924-2006), USA

Daniela Candillari, Yugoslavia

Karina Canellakis, USA

Joana Carneiro, Portugal

Elim Chan, Hong Kong

Han-Na Chang, South Korea

Mei-Ann Chen, Taiwan

Avril Coleridge-Taylor (1903-1998), UK

Catherine Comet, France

Jessica Cottis, Australia

Odaline de la Martinez, Cuba

Alondra de la Parra, Mexico

Sian Edwards, UK

Laurence Equilbey, France

JoAnn Falletta, USA

Alice Farnham, UK

Nicolette Fraillon, AM, Australia

Dame Jane Glover, UK

Mirga Gražinytė-Tyla, USSR

Emmanuelle Haïm, France

Barbara Hannigan, Canada

Sara Hicks, Japan

Margaret Hillis (1921-1998), USA

Imogen Holst (1907-1984), UK

Apo Hsu, Taiwan

Monica Huggett, UK

Jeri Lynne Johnson, USA

Julia Jones, UK

Karen Kamensek, USA

Vítězslava Kaprálová (1915-1940), Austro-Hungarian Empire

Eun Sun Kim, South Korea

Carolyn Kuan, Taiwan

Jeanne Lamon (1949-2021), USA

Anne Lundy, USA

Oksana Lyniv, USSR

Susanna Mälkki, Finland

Joana Mallwitz, Germany

Ariane Matiakh, France

Gemma New, New Zealand

Tomomi Nishimoto, Japan

Eva Ollikainen, Finland

Nicole Paiement, France

Eve Queler, USA

Andrea Quinn, UK

Stephanie Rhodes Russell, USA

Speranza Scappucci, Italy

Barbara Schubert, USA

Anna Skryleva, Russa

Jeannette Sorrell, USA

Nathalie Stutzmann, France

Anu Tali, Estonia

Keri-Lynn Wilson, Canada

Diane Wittry, USA

Jenny Wong, Hong Kong

Simone Young, Australia

Jiemin Zhang, China

Xian Zhang, China

Zheng Xiaoying, China

[profeminist]

“New research into classical music in 2019 shows progress for female composers and conductors, as more women take up space on the concert stage than ever before.

Female conductors, including Simone Young and CBSO’s Mirga Gražinytė-Tyla, now make up eight per cent of the world’s top 100 maestros.

The figures, which come from classical music website Bachtrack, reveal that in 2013 there was just one woman – the great American maestro, Marin Alsop – in the top 100.

There’s also progress for female composers, as the study finds 24 of the top 100 contemporary composers are now women – that’s double the figure of 2017.

London-born Cecilia McDowall, known for her great choral works including Now May We Singen and O Oriens, was 2019’s most performed female contemporary composer – followed by Judith Weir, Anna Meredith and Jennifer Higdon.”

Read the full piece here

[jhs85]

Lithuanian conductor Mirga Gražinytė-Tyla leads the Royal Birmingham Conservatoire Symphony Orchestra in this performance of M.K. Čiurlionis’ In the Forest (Miške). The concert was recorded live on March 11, 2018.

[masayoshi-kawaharablr]

Mirga Gražinytė-Tyla & Orchestre Philharmonique De Radio France – Weinbe...

[hayleylovesjessica]

Mirga Gražinytė-Tyla, conductor