#minutes of play time a day

[emarezi-backup]

burnout from genshin is SO REAL. i keep finding flaws in this game and so so many things that i wish had been designed differently

[heartorbit]

find another role, carry on the show

[iknowwhereyousnoozeatnight]

lawlight week day 2: soulmates

[dailyloopdeloop]

DAY 7: i miss my wife bonbon

[ratatatastic]

the things ekky has done or said that i cant stop thinking about. the 4 minute cut.

[ilkkawhat]

[guardevoir]

100 days of art, 65/100.

I think I've officially run out of art fucks to give. I see this as a positive tbh.

Also, I am currently being so normal about Mass Effect

[caeslxys]

I’ve mentioned this elsewhere but it feels relevant again in light of the most recent episode. Something that’s really fascinating to me about Orym’s grief in comparison to the rest of the hells’ grief is that his is the youngest/most fresh and because of that tends to be the most volatile when it is triggered (aside from FCG, who was two and obviously The Most volatile when triggered.)

As in: prior to the attack on Zephrah, Orym was leading a normal, happy, casual life! with family who loved him and still do! Grief was something that was inflicted upon him via Ludinus’ machinations, whereas with characters like Imogen or Ashton, grief has been the background tapestry of their entire lives. And I think that shows in how the rest of them are largely able to, if not see past completely (Imogen/Laudna/Chetney) then at least temper/direct their vitriol or grief (Ashton/Fearne/Chetney again) to where it is most effective. (There is a glaring reason, for example, that Imogen scolded Orym for the way he reacted to Liliana and not Ashton. Because Ashton’s anger was directed in a way that was ultimately protective of Imogen—most effective—and Orym’s was founded solely in his personal grief.)

He wants Imogen to have her mom and he wants Lilliana to be salvageable for Imogen because he loves Imogen. But his love for the people in his present actively and consistently tend to conflict with the love he has for the people in his past. They are in a constant battle and Orym—he cannot fathom losing either of them.

(Or, to that point, recognize that allowing empathy to take root in him for the enemy isn't losing one of them.)

It is deeply poignant, then, that Orym’s grief is symbolized by both a sword and shield. It is something he wields as a blade when he feels his philosophy being threatened by certain conversational threads (as he believes it is one of the only things he has left of Will and Derrig, and is therefore desperately clinging onto with both bloody hands even if it makes him, occasionally, a hypocrite), but also something he can use in defense of the people he presently loves—if that provocative, blade-grief side of him does not push them—or himself—away first.

(it won’t—he is as loved by the hells as he loves them. he just needs to—as laudna so beautifully said—say and hear it more often.)

[xxplastic-cubexx]

so like do you think they made the plastic wheelchair ALONGSIDE the plastic prison as a Just In Case situation, only after they realized charles was going to be a frequent visitor, or both as in because they knew charles was going to be the only person visiting him during planning they decided to make him a chair ahead of time

[angelsdean]

cas asks dean (and sam) about john in 10x09 to get a better understanding of what a father should do re: claire's situation (bc he says he never knew his father). dean, imo, embellishes and says john was always "there when [they] needed him." sam then prompts dean to tell a seemingly "funny" story abt a time john swooped in to save dean. cas then parallels this moment when he barges in to save claire from the men that were attempting to assault her and traffic her. dean, with his own past experience fresh on his mind--and perhaps letting himself acknowledge what almost happened to him (and my own belief that john didn't actually magically show up to play hero but in fact let dean sneak out to teach him a "lesson")--decides to take things a step further. it's not enough to just save claire from these men, they need to be eliminated, so they can't do this to anyone else again.

[shannonsketches]

Why is the anime so weird, it's not even the same series dude?? It's like,

Anime:

GOKU: I have a great idea to bring peace to the universe, and my leadership and compassion alone will unite us all. I have No Flaws and am A True Relatable Everyman :)

VEGETA: NO! I AM THE BEST AND I WILL CAUSE PROBLEMS UNTIL I AM RECOGNIZED AS SUCH!!!!

Manga:

GOKU: Vegeta what's cornmeal made of? I know it's what the corn eats, but what's it made of? VEGETA: Hey Kakarot let's play the quiet game until one of us dies.

[batwingsandblackcats]

Absolutely fascinated by Laudna’s “she has a debt to pay. She owes me her life like she took mine.”

This isn’t just a “I’m worth nothing so might as well smoke em if I got em” mindset with Delilah. It’s some of that, but it’s not the whole picture.

This is “might as well smoke em if I got em, and if this is the end of me god damn it I am taking this bitch with me.”

[luck-of-the-drawings]

OH ARTHUR BENNETT.. such a gorgeous and intriguing character. terribly burdened by a GRUESOME set of crimes, his light suffocated by a HEAVY century of GUILT. so tragic, so dark and broody, and yet PAINFULLY awkward in any social setting ever

[just-a-carrot]

morning repose🌄

[sulky-cabbage]

The sukugo fight can't get animated any sooner I'm craving sukugo tiktok edits