#mini anime

[aminifanartist]

Ada! Chuuya, based off @muaviinu Soukoku switch au, because it is funny (and I really like his outfit)

[tetrix-anime]

Seirei Gensouki 2 (Spirit Chronicles Season 2) - Character Visual of Liselotte Cretia and new Mini Anime #1. Anime Premiere: October 2024

[markscherz]

You might know this tiny frog.

This is Mini mum (photo by Andolalao Rakotoarison), a species I had the pleasure to name—together with a team of amazing colleagues—back in 2019.

That was the start of a fascination with the process and consequences of miniaturisation for vertebrates. How the hell does this tiny frog manage to fit all of its vital organs—more or less all the same senses and organs that we have—into a package the size of a tic-tac‽ Why and how has it evolved to be so small? And why don't we get frogs that are much smaller?

Well, I just secured 1.5 MILLION Euros (!!!) in the form of a European Research Commission Starting Grant, to answer these and other related questions in the genomes of Mini frogs and other miniaturised vertebrates.

Because it turns out, there are *lots* of miniaturised vertebrates, and they push the boundaries of how small we think it is possible for a vertebrate to be! Here is a little graphic of some of them, scaled to a BIC ballpoint pen.

The project is called GEMINI: The Genomics of Miniaturisation in Vertebrates! You can read more about it on my website here, and in the press release, here!

[swampjawn]

Time to talk an unnecessary amount about floors!

Episode 6 of Dungeon Meshi was produced in collaboration with a smaller studio, Enishiya - and it went way harder than I expected, for being made up of two relatively simple and self contained stories focusing on one character each.

And you can really see how those extra resources meant the animators could give full focus to both halves of the episode. Let's take a look at one piece that stole the show.

The first half was handled primarily by episode director/storyboard artist Keita Nagahara and co-animation director Hirotoshi (or Hiroaki? [1]) Arai. It's actually kinda insane how much of this section can be attributed to these two.

But the real star of the show is the second half, Chilchuck vs the mimic, led by co-animation director Toya Ooshima in his first animation director role for TV anime!

And the biggest aspect that knocked my dang boots off was something that's very consistent with Ooshima's style: background animation!

By animating the backgrounds rather than using painted still images, Ooshima and the team of other similarly skilled animators are able to create these beautiful dynamic camera movements that wouldn't be possible otherwise. Like these cuts by Takeshi Maenami where the camera becomes an expressive part of the scene, zipping forward and backward, and tilting to emphasize the speed of this murderous hermit crab. (Maenami's style is also very recognizable here - snappy timing and quick camera movements)

Or this cut by the incredible Kaito Tomioka which cleverly combines a traditional background for the walls with a fully animated floor. The level of detail in these tiles is just completely insane, and used to great effect with this wide, diagonal angle, and the way the camera tentatively drifts forward before reversing direction, and the tiles blur out as it speeds up.

I don't think I'm the only one caught off guard by how much they full-assed this little side story, but it was a pleasant surprise!

I broke down the entire episode in this video here. A lot of research went into this one, and I think it's the best one of these videos I've made so far, so if you're at all interested in more of this type of analysis in video form, I would really appreciate it if you checked it out, or re-blogged this post! Thanks

[1] It's listed as Hirotoshi on Anime News Network, but Hiroaki on a key frame that Studio Trigger shared on Twitter, so I'm not sure which one is wrong.

[brainbesplit]

every time i see a namari and kiki interaction from daydream hour namari’s like “those leg harness things for daggers that some tall-men wear make me a little horny i won’t lie” and then kiki’s like “i’m wearing six of those right now, namari, how about that” and lifts up her pants to reveal six dagger harness leg things and shes like “does this work for you namari.” Like what the fuck man what the FUCK

[lackadaisycats]

Premiering tomorrow, May 24th, 11am PT / 2pm ET -

Lackadaisy Season 1 kicks off with one of the three promised Mini Episodes - a look back at Lackadaisy's early days.

Lackadaisy Ingenue

[apparently-artless]

⚛》 NATSUME YUUJINCHOU S07E01 ◆ MINI SENSEI 《⚛

[georgiedoodles]

Shit post for shiggles.

[gigi-chococat]

after unearthing the mc life fans here I wonder if there's deltarune fans out here in 2024 LMAO - but here's a little animation I did to practice my compositing although I keep accidentally seeing kris' mouth as their nose oops

[rinibayphoto]

[aminifanartist]

More photos

[tetrix-anime]

Seirei Gensouki 2 (Seirei Gensouki: Spirit Chronicles Season 2) - Mini Anime #14

[markscherz]

At long last, the selfie I have been dreaming of: me with Mini mum!

[swampjawn]

Why The Dungeon Meshi Adaptation Worked So Well

The final episode of Dungeon Meshi season 1, (ep. 24) is like if you took all the best parts of the series so far, all the elements that make it what it is, arranged them all into a luscious charcuterie board, and scraped the whole thing into your mouth in one go like the hungry little bastard ye are.

Series director Yoshihiro Miyajima has shown his dedication to the story and ability to stay true to the source material while enhancing the most important elements and making adjustments when needed to better fit the medium, and that's on full display here with the final two anime original scenes that hint toward the future of the plot and take what would have been a good but not amazing ending for the season and turn it into a great one.

As well as Nobutoshi Ogura's storyboards, whose symmetry and point-of-view and reflection shots always add a touch of foreboding and personality to what's already there in the manga.

Or the addition of color to the scene in the tram where the deep green benches and warm orange glow of electric lighting gives it the comforting atmosphere of respite from the hectic action that came before it -- or a calm before the storm (?)...

But most obvious to me in particular was they carved out a spot for many of the eccentric key animators who have defined the visual style of the show (and who I've pointed out specifically in past episodes of my breakdown series) to go nuts and do what they do best.

Ichigo Kanno's bombastic action with stylized character designs and insanely detailed wrinkles and shadows:

Atsushi Yoneda's clean line work and uncomfortable realism:

Haruki's character acting and subtlety:

Despite the slight awkwardness of having to finish off the changeling plot in the first half, this really is a culmination of everything that's come before and a great end to the season.

There's a whole lot more where this came from, and I get a lot more into the details of the animation in this video where I broke down the entire episode in detail, so if that's something you're interested in, check it out!

Thank you for reading, and double-dog-thank you if you've been here through this whole series -- I had just started trying to figure out how to use tumblr when I started making these breakdown posts and the response has been amazing both on here and on youtube, so thanks!

[bonus-links]

a collection of birthday requests from the $5 tier on patreon! realized I never posted these here

[akimbod]

Maowmaow