#mine is no. 5 btw

[tuiyla]

yeah thanks

[khaotunq]

gif request | Anonymous asked: Can you please make a FirstKhaotung best kisses gifset?

[easyaesthetics]

Long time, no Akeshu memes

[violetlunette]

Sebek: HOW CAN YOU NOT BELIEVE IN LORD MALLEUS?! Yuu: I’m an atheist! I don’t believe in any god, it’s nothing personal. Sebek: Lord Malleus isn’t a god! Yuu: Don’t you have a shrine of him in your room? And aren’t you always talking about making sacrifices and offerings for him? -- Part of this series

[zxmbigirlfriend]

and what if… they were girls…

[nostalgicfun]

White Horse 🌈

[seo-changbinnies]

countdown to lixie’s bday

↳ d-2: felix x dragon age

[fishpondfish]

Emma, there comes a time in every man's life when he has to draw a line in the sand. And I… will never be in a fucking musical.

THE GUY WHO DIDN'T LIKE MUSICALS (2018)

[chasingcomets222]

I got bored and decided to decipher Rodrick Heffley's music taste to close this years-long debate once and for all.

This post will be on the lengthier side, but a TLDR is attached at the end of the post if you want the basic cliff-notes.

Disclaimer: this is a dissection of the film adaptation of Rodrick rather than his source material counterpart. Comparisons to the books are welcome but irrelevant to this analysis.

Soundtrack

During the roller-rink scene in the opening of Rodrick Rules, Rodrick and Bill take over the DJ table to sabotage Greg's moves on Holly. The song they play is "Cut Throat" by the all-female heavy metal band, Kittie. Aside from Löded Diper's music, this is the only song in the series explicitly used to establish Rodrick's music taste.

However, there's many songs off of the Rodrick Rules soundtrack alone that can be reasonably assumed to fit his music profile as well — for example, those used during the party sequence.

I wouldn't doubt if one or two tracks were intended solely as crowd pleasers, but let's not rule out the entire playlist.

In order of appearance, Rodrick's party mix includes: "Heart Heart Heartbreak" by Boys Like Girls, "Electric (feat. Miss Amani)" by The DNC, "Wait Up (Boots of Danger)" by Tokyo Police Club, "Shake" by Bikini Machine, "Move Like This" by Hammerwax, and "Jump In The Line" by Karl Zéro & The Wailers.

There's additionally three other, albeit more subtle, uses of background music to nod toward Rodrick's preferences.

The first instance is during the scene in Rodrick Rules in which Greg confides in Rodrick about his embarrassment from his failed "100 Years Ago" assignment. It's so quiet that it's easy to miss without a keen ear, but "Light Love" by Free Energy plays in the background, mixed to fit in with the ambience of Rodrick's bedroom.

The second is directly before the Löded Diper band rehearsal scene (somebody farted btw), in which Frank pulls into the Heffleys' driveway. "Rock and Roll Slob" by The Boneless Ones can be heard from the garage, once again mixed as part of the ambience.

The third again utilizes The Boneless Ones' discography, and is inserted during the opening sequence of Dog Days at the municipal pool. Rodrick explains it's "time to sell some CDs" for Löded Diper, and turns on his boombox (more on this later), blaring "Miss Fresno."

With the last two points in mind, one can assume the film universe is some twisted version where Löded Diper originally wrote and performed The Boneless Ones' discography (or something closely resembling it).

Band Tees

Rodrick mostly wears seemingly thrifted or upcycled shirts and graphic tees with witty/edgy prints, but there are outliers at times. For example, there's not one, not two, but potentially so much as five moments in Dog Days that he's seen wearing merch from Dead Kennedys, The Who, and Ramones.

While most of his band tees simply include the band's logo or iconography, the latter design takes it a step further by being specific to a particular song title: "Rock 'n' Roll High School" by Ramones.

There's another moment which this may be the case, but it's purely speculative on my end. The Ramones also have a song named "I Don't Care," which is a phrase featured on one of Rodrick's shirts. It's not an explicit reference, but likely a reference nonetheless.

Room Posters

Guns N' Roses, Brutal Truth (Evolution Through Revolution), Stars (The Five Ghosts), Buried Inside (Spoils of Failure), and Decibel are the most notable.

I assume Decibel is in relation to the 70's/80's Italian punk rock band, although I can't find any association between them and this particular artwork. If not connected to them, there's a possibility it may be to the metal magazine of the same name, but I have my doubts.

In this image giving an alternate perspective to Rodrick's room, just off-screen is a Metallica poster, based on the stylization of the ending A. Beside it is a Hanson Brothers poster, which was later replaced in Rodrick Rules with a duplicate of the Stars poster for some reason.

Among his collage of Löded Diper flyers, there's Danny Echo posters as well as Denounce and Billy Talent stickers receiving the Hidden Mickey treatment (also a cameo from the iconic cheeseburger phone on the table).

Of course, there are many other pieces of memorabilia scattered across Rodrick's room, but several of them are blurry from the camera's depth of field or are seen at angles which make them difficult to read or for reverse image sites to identify. So for now, this is the best possible analysis of Rodrick's room in regards to music.

Miscellaneous

An easy-to-miss detail lies in the infamous Löded Diper van. Within the final few moments of Rodrick Rules as Rodrick drops Greg off at school (01:31:52), there's a semi-clear shot of the van's dashboard. On it are a set of stickers, including one referencing Huevos Rancheros, an instrumental rock-and-roll group from Canada.

In Dog Days, Rodrick brings a personal boombox with him to the municipal pool. Along the top is a large sticker for Street Machine, a Czech hardcore/metal band.

Cut Content

In the second studio draft of Diary of a Wimpy Kid, on page 23, scene 43, more of Rodrick's favorite artists are revealed.

The nature of this may be written off as not canon, as it was added into the script while it was still a work in progress and the posters themselves didn't make it into the final product.

What sells it to me as remaining "silent" canon though is that TOOL and Slipknot are often lumped together with Kittie (previously mentioned) as they share an overlapping fanbase. This was more prevalent during the early 2000's within the mall goth subculture, but it's remained fairly consistent for other variants of metalheads over the years too.

TLDR

To recap, the various genres across all of the bands Rodrick is canonically into include indie rock, pop rock, punk rock, hardcore punk, hard rock, industrial, thrash metal, heavy metal, nu metal, death metal, sludge metal, and grindcore.

His musical preferences are punk, rock, and metal-centric but quite broad and inclusive of countries of origin and lesser-known underground artists (some don't break even 100 monthly listeners on Spotify). This leaves the door open for endless possibilities in terms of headcanons.

He's not emo despite popular fan belief, but I still think there's a chance some of his musical leanings could cross over with bands considered emo adjacent for their presence in the community. August Burns Red and The Devil Wears Prada come to mind with his music taste accounted for, but that's just my headcanon.

EDIT: 9/9/24

I've since made two Spotify playlists from my findings: one being what I imagine would be Rodrick's regular rotation, and the other being an extension of his party mix. I feel I've channeled him well, since a lot of his music taste is basically mine circa 2008/2009.

If you've read this far, thank you so much for your patience, and I appreciate any and all interactions left on this post. Happy listening!! <333

[dredgenbane]

GENERAL GESHU LIN.

—Ask yourself this, "General" Jiyan... do you truly deserve your title?

[cerezzzita]

I don't know about you guys, but I've always wondered what in the actual hell (no pun intended) are written or are these arcane-like "portals" that shows up when Dante SDTriggers, in the Judgement move or when he and Nero does some double jumping moves:

@alaxamost said it might be Abyssal, a known demonic language but what really bites me is that we have no canonical info about these since, like, ever. These "portals" may be the Underworld insignia, I don't know I- I just wanted actual canonical lore about this and what it is, in fact, written. What kind of language it is, if demons speak it (probably yes)... I'm a little curious bug and want you guys to be curious as well.

[wervinsky]

met two of my long distance besties at once, we've made quite a lot of ridiculous photos. so behold, redraws of some of those with our persona kins

[lordichamo]

yayyy. hes doing great <3

[easyaesthetics]

Click to see Joker and Akechi’s couples shirts :)

[ash-and-starlight]

extremely heterosexual things are happening

[kyouka-supremacy]

Again the sickness speaking but here's something that has been going through my mind since forever:

I feel like a good way to mitigate a lot of discontent with the doa arc ending and in general the whole Dazai-being-flawless issue bsd has going on is by comparing bsd to Sherlock Holmes by Arthur Conan Doyle. Please bear with me for two minutes.

When Sherlock Holmes was being published, people were intrigued and enamoured by Holmes' brilliant and charming, crimes-solving figure. People read the stories for the pure joy of being left gaping at his superhuman wits again and again; they didn't want to see him fail, they wanted to be shocked and amazed by his genius. When Holmes died and then came back, nobody lamented it being unrealistic, because realism was not what people were reading the books for! They were reading to be impressed, to cheer for the hero and then take satisfaction in seeing him turn out victorious. That's the author-reader deal that was made there: to impress and to enjoy being impressed.

As of recently I feel like we've been asking from bsd something it never promised us in the first place. Maybe it's just not that kind of series! Maybe it's more about surprising the reader with how the hero is going to make it and less about highlighting his flaws and insecurities. And like, that's okay! That's why Dazai getting away with it isn't it him getting away with it “again”, it's just how bsd is; in a way, it's what makes bsd bsd.

I think it really clicked with me like it never did before when I watched the last episode of season 5; because the arc ending felt so shocking and unpredictable, very deus-ex-machina trope, a little underwhelming in its lowering the stakes that were there the whole time, and yet so extremely on brand with bsd, I didn't even have it in me to be disappointed. It was so similar to the Guild's arc ending and even more to the Cannibalism arc ending, and maybe it really is just a pattern, maybe it really is what bsd aspires to be, and that's okay too.

Also, I can't stretch this enough: if it's not your cup of tea, that's fine. I can't say it's mine either. But I feel like criticizing bsd now for how it's always been falls quite short, because it really feels like demanding from it what it never promised to deliver in the first place. That's just as far as my current perception of the series goes, though, so feel free to disagree with me on this.