#might come back to this and clean it up

[dreamsy990]

is that really so scary?

as a bonus. some of my thoughts on this scene from when i played (ft phantom commentary!)

[banbanyaoi]

[soapy-bee]

pwease pretty pwaese moth mumbo for new year 🥺🥺

Happy new year!! Here’s ur mothbo jumbo :D

[chi-arts]

Day 1 & 2 - Red & Addiction

Not me combining two nsfw prompts into one sfw drawing lmao

used this as reference ^^

[yendeena]

父たちらくがき 🚃

[i-can-not-art]

Lazy redraw of this from April

[adragonthatwrites]

"His voice rose above the crowd in sonorous tones, blasting at full volume despite the imminent threat of discovery. Even in the dead of the night, humans sometimes still made rounds through the storage facilities, yet he was unconcerned. He spoke like a drone possessed, hands casting out in wild gesticulations and lips peeled back into a fierce snarl.

He spoke of annihilation. Of death and hope and the end of all that they knew.

He spoke of revolution."

[lemon-wedges]

"To your future career in the circus" 🤡🍷

[mahachi]

Headcanon nanami went through diff kinds of glasses/googles before settling on the googles, and one of the early options looked exactly like gojo’s 😌

[quins-makeshift-menagerie]

Brb gotta just yell into the void

[queerwritersingerdramaqueen]

TUMBLR, I WILL MAKE YOU POST THIS

PREVIEW: 

AKA-NO-KEN YOU ACTUAL PHSCHIC HOW THE FUCK DID YOU GUESS ALL MY GOD CASTINGS CORRECTLY???

AGAIN, WISDOM SAGA SPOILERS SO READ AT YOUR OWN RISK. ALSO MAYBE A TRIGGER WARNING FOR LOVE IN PARADISE CAUSE THAT WAS MORE THAN I WAS FUCKING EXPECTING.

THIS IS SHERLOCK AND BILL'S FUCKING SAGA NOW BITCHES BROS AND NON-BINARY HOES. AND AGAIN, I'M FANGIRLING AS I GO.

So, with where we left off, William's having a minor relapse in his mental state but it won't become too much of a plot point/serious thing. He and Moran are on funky terms but if there is no "reconciliation" in later sagas then We'll figure that out when we get there. Anyway, this saga ain't about him.

(ALSO, I MISSED A FUCKING OPPOURTUNITY

VON HERDER AS TIRESIAS, IM A FOOL)

Anyway, lets get started.

The Wisdom Saga:

Legendary - BILL IS HERE FUCKERS. SHERLIAM'S ADPOTED SON IS GONNA BE LEGENDARY. I really like how this parallels with Canon when Bill only knew William as a genius professor and Sherlock's actually the one who introduces them in a way. It'll set up nicely for when we get to "I can't help but wonder" and Telemachus/Bill has to toss up with the fact that his Dad just removed the twenty year problem but he did also kill a bunch of people (you know, like in canon.). So this starts out with the lights slowly coming in and Bill's "room" has a chair and a few other easily moveable props. This is a very dancey number I'm finding so these props are probably gonna get taken off stage so there can be actors milling around for Telemachus to interact with, I think he'd be mostly weaving between them trying to avoid them while they keep swiping at him. The majority of suitors can be off the stage but Antinous and a few others are up there ready for the "Whatcha gonna do about it, champ?" The lights would change on Boy to a red colour. It would be so cute seeing Billy fight for Sherlock's Honour. I think something really cool that could happen is when Telemachus sings "somebody help me" the lights flash blue for a second like Athena has heard his plea. and at the very end of the song, he punches Milverton square on the nose (in the fake way of course).

Little Wolf - My big idea for this that would absolutely not transfer over to a regular production of Epic the musical would be that Antinous/Milverton is not the one fighting Telemachus/Bill. I cannot really see Milverton fighting for himself and would definitely have lackey's doing it for him; but outside of this AU Antinous absolutely fights for himself. But yeah, Milverton mocks the shit out of Bill while he's fighting somebody. The lights stay red while the suitors and Milverton are doing their thing. When Athena appears the lights turn blue like fighting of the panic of being in a fight. I think this is one of those moments where its so fun having Sherlock as Athena and Penelope cause it's like "Don't worry baby, Mama's here to help." But, onto the super cool crossover intertexuality talk I can't seem to do right now, Sherlock as Athena fits very nicely cause he, alongside William, helps Bill get into the university; so Sherlock being the one helping in this fight reminds me of that. And Athena's "I've no respect for bullies" reminds me of his disdain for Milverton and his methods of blackmail. ALSO, HER PIANO IN THAT PART IS SO FUCKING GOOD I FUCKING ASCENDED. PAIRING IT WITHT HE DRUMS THAT WAY, WHO DOES JORGE THINK HE IS. In a way, this is like showing how Penelope would like to react to her suitors beating up her son (it just popped into my head but kind of like a batman meme, Penelope dressing up as the goddess of wisdom to fuck up her son's bullies). Athena's whole solo there sounds a lot like Sherlock when he was talking to Irene. And when the fight ends and Antinous says Penelope needs to pick a suitor, Athena/Sherlock is very disturbed before he helps Bill up.

We'll be Fine - The thing I love the absolute most about this musical is exploring Sherlock's side of this whole fiasco they were in and giving him a chance to vent some of this frustrations. Because it wasn't easy on him either and he might blame himself a little bit for not being able to help more. Bill knows a little bit about it from gossip and rumour and being a part of the Epic cast for a little while, not too much but between the two of them, Bill understands that Sherlock is letting out a bit of his frustration with the previous problem and the repeat that seems to be occurring, because he's super smart like that (I say seems because in real life, it won't last that long and William is probably gonna be ok and reconciled with Moran by the time we get there. It'll hopefully make sense once we get to the next saga but I just can't keep knocking this dude over he needs to start healing and giving him a less self-jeopardising problem to fight). Even though he and William have worked through a fair bit of what happened and their still going really strong, Sherlock is still worried. Sherlock's super soft on Bill because he's so similar to William. Bill, while sticking to the script, is just subtly reassuring him that it's ok, they'll get through this rough patch and they'll be fine. Sherlock doesn't need to be the first responder. A little bit of it probably comes out as Bill saying "William wouldn't want you to beat yourself up over this," especially when he mentions Athena's friend (William and Bill are also probably really close friends at this point, don't tell me William wouldn't take him under his wing immediately after they're introduced). When Athena calls him a good kid, Sherlock ruffles his hair and then Bill makes a move like someone's calling him and runs off, leaving him for the next part.

ALRIGHT I'M HAVING FUCKING ISSUES WITH TUMBLR RIGHT NOW SO STAY TUNED FOR PART TWO BECAUSE ANYTHING LONGER THAN THIS WONT FUCKING POST OR SAVE AS A DRAFT.

@aka-no-ken I'M COMING SWEETIE AND I'M BRINGING MY WORK WITH ME JUST BEAR WITH ME

[citrus-sours]

Its jover folks. My computer is busted. Sooooooo no art for awhile . :'(

[milfbrainrot]

i feel like i type so much more than is reasonable when i do talk to people but i also don't get to socialize a ton so i just have soooo many words in me and if i'm like, tired or short on time, it is so much harder to restrain to the already-pushing-it point i can sometimes manage ;-;

[sirenvrse]

Sj2 au where bugs didn't come back for MONTHS

[clit-licker420]

But the thing is that a 25 year old man was not born over 50 years ago lmao. Which would seem like common sense, but I guess not. Modern men are not the men that committed crimes against your great-great-grandmothers. Which also means modern women did not suffer under your great-great-great-grandfathers. You literally cannot weaponize the past if both you and the person you’re mad at DID NOT EXIST when it happened. Hate men if you want but you have a lot of other reasons to pick from than “men who are dead now were mean 1000 years ago 😔”

let’s put it in a way you’ll understand. my grandfather was one of seven, my grandmother one of nine (both irish). but they only had two children. why is that? because when women have the social and material power to not be pregnant back to back for a decade, they generally do, as pregnancy and childbirth are incredibly dangerous for women. my grandparents were only born due to the reproductive abuse - whether intentional or not - of their mothers; and by extension, i am only alive because of it. just because you and i personally may not suffer this kind of abuse doesn’t mean it does not shape us or our society. that is why we do not forget.

but also, by your own logic, nobody can ever be mad about things that happened in the past. the transatlantic slave trade, the holocaust, the genocide of indigenous americans; the people who committed these horrific crimes are dead, as are those who endured them, so we cannot continue to be angry about it? maybe you do think that, but i don’t. if you do, and youre simply a conservative coming finto my ask because you hate feminism and any semblance of a civil justice movement, then you’re likely a lost cause anyway. but if you consider yourself progressive, its likely you think the listed crimes are different and the anger at them is justified, but not for misogyny.

then i would ask you to tell me how many women, from the dawn of sexual oppression up until now, have died as a result of sexism. how many husbands unintentionally killed their wives through continuous pregnancy? how many went for the direct route of beating them to death? how many women have been raped in wars, or taken as slaves to be raped at their captor’s pleasure, how many died from backalley abortions, how many daughters left to die for not being sons, how many pushed into brothels and died from stis, or forced into the street when they were no longer attractive to johns, how many killed themselves out of despair for the abuse they had suffered, how many women lived lives drenched in trauma purely because they were born women? and then, if you could even find that number, because hundreds of scholars worldwide can’t, i would ask you whether that truly cannot be called an atrocity.

do you truly and honestly believe that 10,000 years of brutalisation, dehumanisation, and oppression can be fully undone in 50 years? the echoes of human atrocities like genocide and industrial slavery, as with millennia of sexual, domestic, and reproductive abuse of women, continue to shape our societies and feed into systemic discrimination, injustice, and oppression. the criminals are dead, but the crime lives on like nuclear half life, continuing to poison the descendants. that is why we are angry.

or how about we try it another way. sure, men alive today are not responsible for their grandfather’s actions, but what about their own? then what accounts for men like wayne couzens, a police officer who kidnapped, raped and murdered sarah everard; or elliot rodgers, who killed six people because he couldnt get laid, or marc lepine, who shot up a university and killed fourteen women. who are their female equivalents, mass murdering men for whatever reason? more crucially, how do we account for the men who did not commit these crimes, but tacitly endorsed the more subtle misogyny that led to them. couzens was nicknamed ‘the rapist’ by his police colleagues. several complaints were filed against hime by women prior to sarah’s death. none led to meaningful action. rodgers has become an idol for online incel communities who praise his actions as necessary to putting women ‘in their place’. incels and their online spaces are largely young men, who were not born 50 years ago and so are not responsible for their grandfathers actions. marc lepine entered a mechanical engineering class and told the male students to leave before he shot the women. why didn’t they try to stop him? how do we account for dominic pellicot, who arranged for over 50 men to rape his drugged wife over several years, and how do we account for the men who agreed, as well as those who declined but crucially, did not report it to the police?

all of these crimes occurred within the last 50 years, and all of them stem from the same foundational idea of misogyny; that women should be property of men to treat as they wish, and women who disobey must be punished. that is why we are angry. the idea never went away, and it wants to come back. we are angry because we know what the societal implementation of this ideology looks like - it looks like dead women.

[neemie101]

The Eyebrow Raise Data gives Fajo as he pulls the trigger is the best part of the episode.