#midnight ride

[punkbarnes2]

I've been obsessed with Orville Peck last couple days and someone once said that one of my Bucky drawings resembled him, so here's the big deal

[whoreville-pecker]

Orville Peck in Victoria, BC by Dave Van (davevanphoto on IG)

Sep 9, 2024

[lizweirdo]

cowboys.. are frequently.. secretly… fond of each other….

[fuzzyghost]

[myhughniverse]

Kylie Minogue and Orville Peck - via social media - "Still not over this!! 🥹🥰 Who’s excited to go on a Midnight Ride this FRIDAY?!?? 💙💙"

[lxstfathier]

Mark Hamill as Justin McKay • Midnight Ride (1990)

[appreciatekylie]

Join the sisterhood of gold hot pants and stream Midnight Ride by Orville Peck and Kylie Minogue

[i-should-be-so-lucky]

Orville Peck, Kylie Minogue & Diplo for their single Midnight Ride

[bookofmac]

[tedloganshairclips]

posting him again. for reasons unknown

[galleryofart]

The Midnight Ride of Paul Revere

Artist: Grant Wood (American, 1891-1942)

Year: 1931

Medium: Oil on Masonite

Collection: Metropolitan Museum of Art, New York City

The Midnight Ride of Paul Revere is a 1931 painting by the American artist Grant Wood. It depicts the American patriot Paul Revere during his midnight ride on April 18, 1775. The perspective is from a high altitude as Revere rides through a brightly lit Lexington, Massachusetts. It was inspired by the 1860 poem "Paul Revere's Ride" by Henry Wadsworth Longfellow. Wood used a child's hobby horse as model for Revere's horse.

The painting is located at the Metropolitan Museum of Art in New York City, but is not on view as of August 2024.

[nitrateglow]

Spooky Season 2024: The grand finale, 46-50

Midnight Ride (dir. Bob Bravler, 1990)

A runaway housewife picks up a homicidal maniac played by Mark Hamill. This movie is hilariously bad and I'm sad it's not a cult classic.

The Avenging Conscience (dir. DW Griffith, 1914)

A Poe-obsessed young man kills his controlling uncle. You've read Poe-- you know this doesn't end well. An early DW Griffith feature, it's mostly ponderous, with the exception of some fun camp and a gloriously fake skeleton in the latter quarter.

Dr. Jekyll and Mr. Hyde (dir. Rouben Mamoulian, 1931)

My favorite version of the classic story and arguably the most sophisticated horror movie of the pre-code era, this version of Jekyll and Hyde never fails to impress and move me. It's technically dazzling-- especially for the early sound era-- and packed with fascinating subtext. Not to mention, the acting is amazing across the board... except that one weird kid early on-- you know, the "I CAN WALK SIRR OHHH I CAN WALK SURRRRRR." Where'd they even get that kid?

Bluebeard (dir. George Melies, 1901)

My favorite Melies film, it's a straightforward adaptation of the classic fairy tale. While it starts out comic, the tone becomes progressively more macabre as the movie goes along.

The Black Cat (dir. Edgar Ulmer, 1934)

A honeymooning, all-American married couple are stranded in a modernist mansion that becomes the site of a long-lasting feud between Bela Lugosi and Boris Karloff. Worst honeymoon ever.

I spent Halloween night watching The Black Cat, one of the weirdest, perviest classic horror films of the 1930s. Part allegory of the lingering collective trauma of World War I, part illogical, vibes-driven nightmare, it's a brisk 64 minutes and a lot of fun, if only to see Lugosi and Karloff square off. Honestly, this is easily my favorite of their collaborations, because it feels like the only one where they were both given equal footing in the script.

[alonolaart]

Inspired the yeehawgust prompt "Midnight Ride" 🐎

[vinylluver]

[fuzzyghost]