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Salt Lake City Stucco Example of a large 1960s multicolored two-story stucco exterior home design
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Salt Lake City Stucco Ideas for a significant exterior stucco renovation of a two-story, multicolored 1950s home
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Salt Lake City Stucco Ideas for a significant exterior stucco renovation of a two-story, multicolored 1950s home
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Stucco in Salt Lake City Large 1950s multicolored two-story stucco exterior home photo
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Front Yard - Midcentury Porch Large front porch image from the 1950s with an addition to the roof
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Porch Front Yard in Salt Lake City Mid-sized 1950s front porch photo with a roof extension
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Midcentury Exterior Salt Lake City Example of a large 1950s multicolored two-story stucco exterior home design
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Kitchen Great Room
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Whispers of the Moon - Birthday Special
Pairing: Minchan (short mention of Felix / very short mention of the other boys)
Word Count: 6325
Summary: In the heart of Seoul, beneath the gleaming skyscrapers and ancient palaces, lies a hidden world of magic and mystery. Chan, a gifted healer, and Minho, a shapeshifter hiding as a sleek black cat, find their destinies intertwined in this enchanting underworld...
Warnings/Tags: magical!au, shapeshifter!minho, healer!chan, angst, fluff, strangers to lovers
A/N: The happiest birthday to my dear unnie @zehina. I actually went all nerdy and wrote loads about the world as well since I know you love it (and included the rest of the boys that way hehe). I hope you like it, love🖤
Seoul, South Korea's bustling capital, is known for its towering skyscrapers, historic palaces, and vibrant street markets. It is a city where ancient traditions and cutting-edge technology coexist in harmony. However, beneath its well-lit streets and modern facades lies a hidden realm—a magical underworld known only to a selected few. This subterranean world, rich with history and mystery, operates parallel to the everyday life of Seoul's residents, governed by its own rules and inhabited by beings from myth and legend.
The gateway to Seoul's magical underworld is not a grand archway or a secret door; it is a modest, unassuming teahouse in the bustling district of Insadong. The teahouse, known as "Moonlit Haven," has been in operation for centuries and has been passed down through generations of the same family. Its wooden exterior and traditional hanok architecture blend seamlessly with the area's historic atmosphere.
To the ungifted human, Moonlit Haven appears to be an ordinary teahouse serving fragrant teas and traditional Korean sweets. However, those who know the secret can access the portal to the underworld by ordering a special tea called "Moon's Whisper." Upon drinking this tea, a shimmering door appears at the back of the teahouse, leading to a stone staircase that descends deep into the earth.
The staircase spirals downward, lit by glowing blue lanterns that float in mid-air. The walls are adorned with intricate carvings depicting scenes with magical creatures: the nine-tailed fox, the dragon king, and the heavenly warriors. As one descends, the air grows cooler and tinged with a faint scent of jasmine and pine.
At the bottom of the staircase, a grand archway looms, its surface covered in glowing runes. This is the true entrance to Seoul's magical underworld, a threshold between the mundane and the extraordinary. Stepping through the archway, one is immediately enveloped in a world unlike any other.
The magical underworld of Seoul, known as Secret City, is a sprawling subterranean metropolis that mirrors the city above but with its own unique twist. The sky here is an eternal twilight, illuminated by floating orbs that mimic the phases of the moon. Streets are paved with luminescent stones, and buildings are constructed from materials that shimmer with an inner light.
Secret City is divided into several districts, each with its own distinct character. There is the Enchanted Market, where vendors sell potions, enchanted artifacts, and rare ingredients. The Celestial District is home to beings of great power, including dragons and celestial foxes. The Whispering Woods, a dense forest of silver trees, is said to be haunted by spirits and home to elusive forest guardians.
The residents of Secret City are as diverse as the city itself. Humans with magical abilities live alongside mythical creatures. Among them are the Gumiho, nine-tailed foxes who can shapeshift and possess immense magical power. There are also Dokkaebi, goblins, mischievous but generally benign beings who love to play tricks on humans. Dragons, both Eastern and Western varieties, make their homes in the Celestial District, guarding ancient secrets and treasures.
The city's governance is overseen by a council of elders, composed of representatives from each major group. The council ensures harmony between the various inhabitants and that the secrets of Secret City are kept from the surface world, which is why any sort of magic is forbidden in the mundane world.
The Enchanted Market is the heart of Secret City, a bustling bazaar where the air is filled with the scent of exotic spices and the sound of lively discussions. Stalls line the streets, their wares illuminated by lanterns that float overhead. Vendors shout out their goods, from enchanted scrolls and rare herbs to mystical artifacts and talismans.
One of the most renowned vendors in the market is Master Hyun, a potions master whose shop, "Elixirs of Eternity," is a treasure trove of magical concoctions. Shelves upon shelves are filled with bottles of all shapes and sizes, each containing liquids that shimmer with otherworldly light. Master Hyun is a man of twinkling eyes and ethereal beauty, always ready with a story about the origins of his potions.
One of his most sought-after potions is the "Dream Weaver," which allows the drinker to enter the dreams of others. Another popular item is the "Phoenix Tear," a potion that can heal any wound or ailment. Master Hyun's potions are known for their potency and reliability, making his shop a favorite among both the magical and non-magical residents of Secret City.
Another notable figure in the Enchanted Market is Ji-Sung, an artifact dealer whose collection is the envy of many. His shop, "Treasures of Time," is filled with rare and powerful artifacts from across the ages. Among his prized possessions are a mirror that shows the true nature of any being, a fan that can summon the wind and a sword that can cut through any material.
Ji-Sung is a mysterious figure, always dressed in elaborate silk robes and adorned with jewelry that seems to pulse with magic. He is known for his keen eye and sharp wit, and it is said that he never forgets a face. His shop is a place of wonder and danger, for while many seek his artifacts for their power, they often come with a price that is not measured in gold.
The Celestial District is home to some of the most powerful beings in Secret City. Dragons, with their majestic forms and ancient wisdom, reside here in grand palaces that float above the ground. These palaces, constructed from crystal and gold, radiate a light that can be seen from anywhere in the city.
Each dragon in the Celestial District guards a specific aspect of magic or nature. There is Aran, the dragon of water, whose palace is surrounded by a moat of liquid silver. There is Seraphine, the dragon of fire, whose abode is perpetually surrounded by a ring of flames. These dragons are both protectors and advisors, and their counsel is sought by the council of elders and other residents of Secret City.
Sharing the Celestial District with the dragons are the Gumiho, or nine-tailed foxes. These beings are both feared and respected for their immense magical power and their ability to shape-shift into beautiful women or men. The Gumiho live in harmony with the dragons, their abilities complementing the dragons' strength and wisdom.
The leader of the Gumiho is Jeongin, a fox spirit with silver fur and piercing dark eyes. Jeongin is known for his grace and intelligence, often acting as a mediator in disputes and a strategist in times of conflict. His palace, the Silver Moon Pavilion, is a place of beauty and tranquility, where the moonlight dances on the surface of a crystal-clear lake.
The Whispering Woods is a dense forest of silver trees, their leaves shimmering like moonlight. The woods are said to be haunted, with whispers echoing through the trees that speak of forgotten secrets and ancient magic. The path through the forest is winding and treacherous, known only to a few who dare to venture into its depths.
The Whispering Woods are guarded by forest spirits, ethereal beings who protect the ancient magic within the trees. These spirits, known as the Guardians, are invisible to most and reveal themselves only to those they deem worthy. They are led by Elder Bin, a spirit of great wisdom and power who has watched over the woods for centuries.
The Guardians are both protectors and guides, aiding those who seek knowledge or refuge in the woods. They are also the keepers of the Sacred Grove, a hidden sanctuary where the most potent magical energies converge. The Sacred Grove is a place of healing and renewal, its waters said to grant visions and its flowers capable of curing any illness.
Among the trees dwell the Spirits of the Lost, souls who have wandered into the woods and never found their way out. These spirits are not dangerous but rather sorrowful, seeking closure or redemption. They often appear as faint, glowing figures, their presence marked by a sudden chill in the air.
The Spirits of the Lost are guided by Lix, a gentle and compassionate spirit who helps them find peace. Lix is a beacon of light in the darkness of the woods, his soothing voice and kind heart offering comfort to those who have lost their way. Under his guidance, many spirits have found the closure they seek and moved on to the afterlife.
Scattered throughout Secret City are hidden temples dedicated to various deities and elemental forces. These temples are places of worship and power where the faithful come to seek blessings and guidance. Each temple is unique, reflecting the nature of the deity or force it honors.
One of the most revered temples in Secret City is the Temple of the Moon, a place of serene beauty and quiet reflection. The temple is built from white marble, its domed roof adorned with silver filigree that glows softly in the moonlight. Inside, a large pool of water reflects the light of the floating orbs above, creating an ethereal ambiance.
The Temple of the Moon is dedicated to the moon goddess, Haneul, who is believed to watch over Secret City from the skies. The temple is tended by a group of priests known as the Moon Brothers, who perform rituals and offer prayers on behalf of the city's residents. The head priest, Brother Seungmin, is a wise and gentle leader, his presence bringing a sense of peace and tranquility to all who visit the temple.
Another secret society is the Shadow Blades, a group of elite warriors and assassins who protect Secret City. They are skilled in martial arts and magic, and their training is rigorous and demanding. The Shadow Blades operate from the Shadowsong Keep, a hidden fortress deep within the Whispering Woods.
Commander Ji-Won is the leader of the Shadow Blades, a formidable warrior known for being both ruthless and just. Under his command, the Shadow Blades carry out missions to protect Secret City from external threats and internal strife. They are the unseen guardians of the city, their presence felt but rarely seen. Minho is one of them, slowly working his way up the ranks but facing struggles with his colleagues. He’s not as powerful with magic as most of them but has the ability to shapeshift into a cat, making him perfect for secret missions. Which pissed a lot of people off.
Throughout its history, Secret City has been protected by heroes who have risen to defend the city against threats, both internal and external. These heroes, known as the Chosen Ones, are individuals of great courage and power, often possessing unique abilities that set them apart from others.
No hero is complete without a healer, and in Secret City, that role is filled by Chan, a gifted healer whose touch can mend even the gravest of wounds. Chan is a member of the Temple of the Moon, his gentle nature and healing magic bringing comfort and hope to those in need. He carries a staff, the Moon's Grace, which enhances his healing abilities and allows him to channel the power of the moon goddess.
Seoul's magical underworld, Secret City, is a place of wonder, danger, and beauty. It is a city where the mundane and the extraordinary coexist, where ancient myths come to life, and where the balance between light and dark is constantly maintained. The residents of Secret City, both human and mythical, live in harmony, their lives intertwined by the magic that permeates their world.
As the gateway between the two realms, Moonlit Haven reminds visitors that there is more to Seoul than meets the eye. For those who dare to seek it, a world of magic and mystery awaits, hidden beneath the bustling streets and modern skyscrapers of South Korea's capital. In Secret City, the impossible becomes possible, and the ordinary becomes extraordinary—a true testament to the enduring power of magic.
-
Minho had always been different. As a member of the Shadow Blades, the elite warriors and protectors of Secret City, his abilities made him a target of both admiration and envy. Unlike many of his comrades, he lacked powerful magic but possessed a unique talent: the ability to shapeshift into a sleek, agile cat. This ability made him invaluable for espionage, slipping unnoticed through shadows and tight spaces. However, his success and the recognition it brought only fueled the resentment of his peers.
The tension reached its peak after a particularly challenging mission. Minho had been instrumental in retrieving a stolen artifact from a rogue mage, but his success was met with scorn rather than praise. Whispers of jealousy and accusations of favoritism swirled among his colleagues, resulting in an unjust decision by his superior officers. They accused him of withholding information and acting independently, charges that were untrue but impossible for Minho to refute without pushing himself even further away.
"You think you're special because of your abilities," spat one of his fellow warriors. "But you're just a liability. We don't need someone who can't follow orders."
The decision was swift and brutal. Minho was stripped of his rank and cast out from the Shadowsong Keep. The sense of betrayal cut deeper than any blade. He was alone, exiled from the only family he had known, forced to fend for himself in the vast, mystical underworld of Secret City.
With nowhere else to turn, Minho fled through the Whispering Woods, a dense forest known for its haunting beauty and perilous magic. The silver leaves of the trees shimmered in the eternal twilight, casting an eerie glow on the winding paths. Here, the whispers of ancient secrets and lost souls filled the air, a symphony of sorrow and mystery.
Exhausted and wounded from his escape, Minho made a desperate decision. He transformed into his cat form, hoping the change would allow him to navigate the forest more easily and evade any pursuers. The transformation was both a relief and a curse, offering him agility and stealth but stripping him of his human voice and hands.
As a cat, Minho's senses were heightened. He could hear the rustle of leaves, the distant calls of nocturnal creatures, and the soft murmurs of the forest spirits. His fur provided some protection against the chill, but the pain of his injuries persisted. Despite his resilience, the journey through the Whispering Woods was grueling, each step a struggle against fatigue and despair.
Lix found him curled up beneath a tree and noticing his injuries he knew there was only one way to save him. He scooped him up from the ground and soothingly caressed his head, able to tell there was more to him than just an innocent, hurt cat.
After days of wandering, they finally reached the Temple of the Moon, a place of serene beauty and powerful magic. The temple, constructed from white marble and adorned with silver filigree, stood as a beacon of hope amidst the dark woods. Its domed roof glowed softly, reflecting the light of the floating orbs above. Lix set him down on the ground and gently shoved him forward. “I’m not allowed to enter, but you are, little friend. Go and accept the refuge they have to provide.”
Minho hesitated at the entrance, his feline instincts wary of the unknown. He had heard of the temple's head healer, Chan, a gifted young man whose touch could mend even the gravest of wounds. Desperation outweighed caution, and Minho limped into the courtyard, collapsing near the temple steps.
Moments later, a figure emerged from the temple. Chan, carrying a staff that radiated a gentle light, approached the injured cat. His eyes widened in surprise at the sight of the wounded animal, but his expression quickly softened into one of compassion.
"Poor thing," Chan murmured, kneeling beside Minho. "Let's get you inside."
Chan carefully lifted Minho and carried him into the temple. The interior was as serene as the exterior, with moonlight streaming through stained glass windows, casting colorful patterns on the marble floor. Chan placed Minho on a soft cushion and gently examined his injuries.
"You're in bad shape, but we'll get you fixed up," Chan said soothingly. He placed his hands over Minho's wounds, and a warm, healing light emanated from his palms. The pain began to fade, replaced by a soothing sensation that spread through Minho's body.
As the healing progressed, Minho watched Chan with a mixture of gratitude and curiosity. Chan's touch was gentle, his expression focused yet kind. There was something inherently calming about him, a presence that put Minho at ease despite his recent ordeal.
When Chan finished, he sat back and smiled. "There you go, little one. You should feel better soon."
Minho meowed softly in response, his eyes conveying the gratitude he couldn't express in words. Chan chuckled and scratched behind Minho's ears. "You can stay here as long as you need to. I'll take care of you."
Days turned into weeks as Minho recovered under Chan's care. He adapted to his new life at the Temple of the Moon, observing the daily routines and rituals from the shadows. In his cat form, Minho found a strange sense of peace. He was safe from his past and had a chance to start anew.
Chan grew fond of the cat he had rescued, naming him "Moonshadow" for his sleek, dark fur and the way he seemed to blend into the twilight. Minho, in turn, became Chan's silent guardian, following him around the temple and offering companionship.
Whenever Chan was away, Minho would revert to his human form, cleaning the temple and performing small tasks to help ease his guilt for deceiving him. He hoped that his actions would repay some of the kindness Chan had shown him, even if Chan never knew the truth.
Chan, however, began to notice the small changes around the temple. Rooms were tidier, supplies were replenished, and the garden seemed to flourish under an unseen hand. He attributed these miracles to the blessings of the moon goddess, unaware of the true source.
Five months later
In the eternal twilight of Secret City, the Temple of the Moon was a sanctuary of tranquility and magic. Within its serene confines, Chan sat cross-legged on a plush cushion, his gentle eyes scanning the pages of an ancient tome. The moonlight streaming through the stained glass windows cast a colorful, ethereal glow around him, creating an atmosphere of peace and contemplation.
Beside him, Minho, in his cat form, stretched lazily, his sleek black fur shimmering in the soft light. As he yawned and settled into a more comfortable position, his eyes never left Chan. There was a bond between them that went beyond mere companionship—a connection forged through trials and a deep mutual understanding.
Chan noticed Minho’s gaze and smiled warmly. “Hey there, Moonshadow,” he said softly. “Come here.”
Minho’s ears perked up at the sound of Chan’s voice. With a graceful leap, he landed beside Chan and began to nuzzle his head against Chan’s outstretched hand. Chan’s fingers moved instinctively to scratch behind Minho’s ears, a spot that always made the cat purr contentedly.
“There we go,” Chan murmured, his voice soothing and gentle. He could feel the vibrations of Minho’s purrs under his fingertips, a rhythmic reminder of the trust and affection between them.
Minho closed his eyes, leaning into Chan’s touch. The sensation of Chan’s fingers running through his fur was blissful, and his purring grew louder, filling the quiet room with its soothing sound. It was moments like these that made all the hardships and uncertainties of their lives seem distant and unimportant.
Chan chuckled softly. “You’re really enjoying this, aren’t you?”
In response, Minho rubbed his head against Chan’s cheek, a gesture of affection that made Chan’s heart swell with warmth. The simple act of being close to Chan brought Minho a sense of security and happiness he had never thought possible before meeting him.
“You’re such a sweet kitty,” Chan whispered, continuing to scratch Minho’s head and under his chin. Minho’s purrs grew even louder, and he started to knead Chan’s chest with his paws, his claws retracting just enough to avoid scratching the fabric of Chan’s robe.
Chan shifted slightly, leaning back against the cushions and creating a more comfortable space for both of them. Minho took this as an invitation and climbed onto Chan’s chest, circling a few times before curling up in a tight ball. His tail wrapped around his body, and he rested his head on his paws, looking up at Chan with half-closed eyes.
“You look so peaceful,” Chan said, his voice barely above a whisper. He rested one hand gently on Minho’s back, feeling the steady rise and fall of his breathing. “I’m glad you’re here with me.”
Minho’s eyes closed fully, and he let out a contented sigh. The warmth of Chan’s body, combined with the rhythmic motion of his hand on his back, lulled him into a state of deep relaxation. His purring continued, a soft, steady sound that seemed to resonate with the very essence of the temple.
For Chan, having Minho close was a source of immense comfort. The bond they shared went beyond that of a healer and his pet; it was a connection of souls, a partnership forged over time. Chan found solace in Minho’s presence, a sense of completeness that he had never experienced before.
As the minutes passed, the tranquility of the moment deepened. Chan’s thoughts drifted, the worries of the day fading into the background. All that mattered was the gentle weight of Minho on his chest, the soothing sound of his purrs, and the warmth of their shared affection.
Minho, on the verge of sleep, shifted slightly and nuzzled his head against Chan’s chest. He felt safe, cherished, and loved—a stark contrast to the loneliness and betrayal he had once known. In this sacred space, with Chan’s heartbeat as his lullaby, Minho found a peace that transcended the physical realm.
Chan continued to stroke Minho’s fur, his touch light and tender. He could feel the trust dripping from the small creature in his arms, a trust that was both humbling and empowering. Chan knew that, no matter what challenges lay ahead, they would face them together, their bond unbreakable.
“I promise to always take care of you,” Chan whispered, his voice filled with emotion.
Minho’s purring intensified for a moment, as if acknowledging Chan’s words. Then, gradually, it began to fade as sleep overtook him. His body relaxed completely, his breathing slow and steady. Chan watched him with a soft smile, his own heart filled with a profound sense of gratitude and love.
The Temple of the Moon, with its timeless beauty and serene atmosphere, bore witness to the deep connection between Chan and Minho. In this sacred place, under the watchful gaze of the moon goddess, they found a moment of perfect harmony—a testament to the enduring power of love and trust in a world filled with magic and mystery.
As Chan closed his eyes, his hand resting gently on Minho’s sleeping form, he knew that their journey together was far from over. But in this moment, they had everything they needed: each other. And that was enough.
-
One evening, as Chan prepared for his nightly prayers, he looked at Moonshadow, who was curled up on a cushion nearby. "You know, sometimes I feel like there's more to you than meets the eye," Chan mused aloud. "You're special, aren't you?"
Minho's ears perked up, and he watched Chan with wide, curious eyes. Chan smiled and continued, "I think the goddess sent you to me for a reason. Maybe you're my familiar, a guardian spirit to protect and guide me."
The words struck a chord in Minho's heart. He had always felt a deep connection to Chan, a sense of duty and protectiveness that went beyond mere gratitude. Perhaps there was truth in Chan's words, a destiny that had brought them together.
That night, Chan performed a ritual to bind Moonshadow as his familiar. He drew intricate symbols on the ground, lit candles, and recited ancient incantations. As the ritual reached its climax, a surge of magical energy enveloped Minho, strengthening the bond between them.
Minho felt a profound shift within him, a merging of their spirits that filled him with newfound purpose. He was now bound to Chan, his protector and companion, their fates intertwined by the magic of the moon.
-
As Chan's familiar, Minho took his duties seriously. He remained vigilant, always on the lookout for potential threats. His heightened senses allowed him to detect dangers before they could reach Chan, and his presence provided comfort and reassurance.
One day, trouble arrived in the form of dark mages seeking to disrupt the balance of magic in Secret City. These mages, practitioners of forbidden magic, targeted the Temple of the Moon, believing its powerful magic could be harnessed for their nefarious purposes.
Chan was in the garden when the attack began. Dark figures emerged from the shadows, casting spells that warped the air and sent tremors through the ground. Chan's staff glowed as he raised a protective barrier, but the dark mages' assault was relentless.
Minho, sensing the danger, leapt into action. He transformed into his human form, his body a blur of motion as he intercepted the attackers. With a combination of agility and ferocity, Minho fought off the dark mages, his cat-like reflexes and strength giving him an edge.
Chan, focused on maintaining the barrier, was unaware of the true identity of his savior. He glanced over in shock as he saw a young man fighting with the grace and power of a guardian beast.
Despite his best efforts to hide his true nature, Minho's ears were visible, a telltale sign of his shapeshifter abilities. As the last of the dark mages fled, Chan lowered the barrier and approached Minho cautiously.
"Who are you?" Chan asked, his voice a mix of awe and confusion. Their eyes met and Chan’s eyes widened recognizing those soft brown orbs he’d come to love so much. His eyes wandered up where Minho’s dark cat ears peaked from his messy brown hair. "Are you... Moonshadow?"
Minho hesitated, then nodded slowly. "Yes, I am. My name is Minho. I'm a shapeshifter, exiled from the Shadowsong Keep. I've been living here in my cat form, afraid you would kick me out if you knew the truth. I know we aren’t very welcomed around here.”
Chan's expression softened, and he reached out to touch Minho's shoulder. "You protected me, Minho. You've been by my side all this time, helping and watching over me. I don't care about your past or your abilities. You are my familiar, and I am grateful for everything you've done."
Tears welled up in Minho's eyes, a mix of relief and gratitude flooding his heart. "Thank you, Chan. I promise to always protect you, no matter what."
-
Minho’s revelation had lifted a weight off his chest, but it also left him feeling vulnerable. Living as a shapeshifter meant hiding his true self, something he’d grown accustomed to. Yet, in front of Chan, he was completely exposed. For Chan, the revelation was a mix of shock and intrigue. The gentle healer had always felt a special bond with Moonshadow, but knowing that the affectionate cat was also a brave young man named Minho deepened that connection.
Their daily routines continued, but with a newfound understanding. Minho still shifted into his cat form, now more out of comfort than necessity. He still enjoyed curling up on Chan’s chest, feeling his rhythmic breathing and the warmth of his body. Chan, on his part, welcomed Minho’s human presence when he transformed, appreciating the help around the temple and the companionship Minho offered.
The first night after Minho’s revelation, Chan found it hard to sleep. He kept glancing at Minho, now in his human form, tidying up the temple’s main hall. The moonlight filtered through the stained glass windows, casting a soft glow on Minho’s face. He moved gracefully, his actions efficient and almost mesmerizing to watch. Chan felt a strange flutter in his chest, a mix of admiration and affection.
“Minho,” Chan called softly, his voice breaking the comfortable silence.
Minho turned, his eyes reflecting the moonlight. “Yes, Chan?”
Chan hesitated, then smiled. “You don’t have to push yourself so hard. Come sit with me.”
Minho’s expression softened, and he abandoned the broom he was holding, walking over to where Chan sat. He settled down beside him, their shoulders almost touching. There was a quiet intimacy in the moment, a shared silence that spoke volumes.
“I never thought I’d find someone like you,” Chan admitted quietly. “Someone who understands and accepts me for who I am.”
Minho looked at him, his eyes sincere. “I feel the same way. You’ve given me a place to belong, Chan. For that, I’m grateful.”
They sat in silence for a while, the bond between them growing stronger with each passing moment. Chan’s hand moved almost instinctively, reaching out to hold Minho’s. Minho’s fingers intertwined with his, the simple touch sending a warm feeling through both of them.
-
As days turned into weeks, the relationship between Chan and Minho deepened. They developed a rhythm, a balance of shared tasks and quiet moments of companionship. Minho’s presence brought a sense of stability to Chan’s life, while Chan’s gentle nature provided Minho with a sense of peace he had never known before.
Chan’s duties as a healer often took him to various parts of Secret City. Minho, always in his cat form, accompanied him, providing silent support. He became Chan’s shadow, always alert and ready to protect him if necessary. Their bond as familiar and master was strong, but it was the bond of friendship and growing affection that truly defined their relationship.
One afternoon, while Chan was tending to a patient in the Celestial District, Minho, in his cat form, explored the area. The dragons and celestial foxes were impressive, their majestic forms and ancient wisdom evident in every interaction. Minho’s keen senses picked up the subtle undercurrents of power and respect that flowed through the district.
As Chan finished his work, he called out for Minho. The sleek black cat appeared almost instantly, weaving through the crowd with ease. Chan smiled as he picked Minho up, cradling him gently.
“You always know where to find me,” Chan said, scratching behind Minho’s ears. Minho purred in response, nuzzling against Chan’s cheek.
Their return to the temple was peaceful, the twilight sky casting a serene glow over Secret City. Minho transformed back into his human form once they were inside, stretching his limbs as he did so.
“Another successful day,” Chan remarked, setting down his staff.
Minho nodded. “You’re an amazing healer, Chan. The way you help people… it’s inspiring.”
Chan’s cheeks flushed slightly at the compliment. “Thank you, Minho. But I couldn’t do it without your support.”
Minho’s heart swelled at the words. He was finding it harder to keep his feelings for Chan hidden. The healer’s kindness, dedication, and the way he made Minho feel valued and appreciated—it was all becoming too much to ignore.
Their bond grew stronger with each passing day, but so did Minho’s feelings for Chan. He found himself drawn to the healer in ways he hadn’t expected. Chan’s smile, his laughter, the way he cared for others—it all made Minho’s heart race.
One evening, as they sat together under the soft glow of the moonlight, Chan turned to Minho with a thoughtful expression. “Minho, can I ask you something?”
“Of course,” Minho replied, curious.
“Why do you stay in your cat form most of the time?” Chan asked gently. “I mean, I understand it became your natural state by now, but you can be human whenever you want. Why do you choose to be a cat?”
Minho looked down, his ears twitching slightly. “It’s… complicated. When I’m in my cat form, I feel safe. I can protect you without drawing too much attention. And it’s easier to hide my true feelings.”
“Your true feelings?” Chan echoed, his curiosity piqued.
Minho hesitated, then took a deep breath. “Chan, there’s something I need to tell you. Ever since you took me in, I’ve felt this… connection. It’s more than just being your familiar. I care about you deeply, more than I’ve ever cared about anyone. But I’ve been afraid to show it, afraid that you might not feel the same way.”
Chan’s eyes softened, and he reached out to take Minho’s hand. “Minho, I care about you too. You’ve become an important part of my life, and I can’t imagine it without you. I think… I think I’ve been feeling the same way.”
Minho’s heart skipped a beat. “Really?”
Chan nodded. “Yes. I’ve been trying to understand these feelings, and now I realize that I’ve fallen for you, Minho. Not just as my familiar, but as someone I want to be with.”
Minho’s eyes filled with tears of relief and happiness. “Chan, I’ve loved you for so long. I just didn’t know how to tell you.”
Chan pulled Minho into a gentle embrace. “You don’t have to hide your feelings anymore. We’ll face this together.”
Minho clung to Chan, the warmth of his embrace filling him with a sense of belonging. They stayed like that for a while, holding each other under the moonlight, their hearts beating in sync.
-
With their feelings out in the open, Minho and Chan’s relationship took on a new dimension. They were no longer just healer and familiar; they were partners, united by love and a deep sense of understanding. Their bond grew stronger, their affection for each other evident in every touch, every glance, every shared moment.
Chan continued his work as a healer, and Minho remained by his side, providing support and protection. They faced challenges together, their love giving them strength and resilience. Secret City, with its magic and mystery, became a backdrop for their blossoming relationship.
One day, as they walked through the Enchanted Market, Minho in his human form, Chan took his hand. “I have a surprise for you.”
Minho looked at him curiously. “What is it?”
Chan led him to a small shop filled with beautiful artifacts and magical items. The shopkeeper, a kind young man, greeted them with a warm smile.
“Welcome, Chan. I see you’ve brought a special friend today,” he said.
Chan smiled and nodded. “Yes, Minho is very special to me. And I want to give him something to show how much he means to me.”
Jisung’s eyes twinkled. “Ah, I have just the thing.”
He led them to a display case and pulled out a delicate silver pendant shaped like a crescent moon. “This pendant is filled with protective magic. It will keep the wearer safe and strengthen the bond between two hearts.”
Chan took the pendant and turned to Minho. “I want you to have this. It’s a symbol of our bond and my promise to always be there for you.”
Minho’s lip quivered slightly as he took the pendant. “Thank you, Chan. I’ll cherish it always.”
Chan fastened the pendant around Minho’s neck, and they shared a tender kiss, sealing their love with a magical promise.
-
Their love continued to grow, but so did the challenges they faced. Dark forces still threatened Secret City, and Minho and Chan found themselves in the midst of several battles. Their bond was tested, but their love gave them the strength to overcome every obstacle.
One evening, as they returned to the temple after a particularly difficult mission, Chan collapsed from exhaustion. Minho caught him, his heart pounding with fear. “Channie, are you okay?”
Chan smiled weakly. “I’m just tired, Minho. I’ll be fine.”
Minho carried Chan inside and laid him down on a soft cushion. He tended to Chan’s wounds, his hands trembling with worry. “You’ve pushed yourself too hard, Chan. You need to rest.”
Chan reached up to touch Minho’s face. “I’ll be okay, Minho. I have you by my side.”
Minho’s eyes filled with tears as he leaned down to kiss Chan’s forehead. “I love you, Chan. Please take care of yourself like you do with everyone else.”
“I love you too, Minho,” Chan whispered, closing his eyes. “Thank you for being here with me.”
Minho stayed by Chan’s side, holding his hand and watching over him as he slept. The trials they faced only strengthened their bond, their love a beacon of hope and resilience in the face of darkness.
-
As time passed, Minho and Chan’s love continued to flourish. They built a life together, their bond unbreakable and their hearts intertwined. Secret City, with its magic and mystery, became their home, a place where their love could grow and thrive.
One evening, as they sat together under the moonlight, Chan turned to Minho with a smile. “Do you remember the day we first met?”
Minho nodded, his eyes filled with affection. “How could I forget? You saved me, Chan. You gave me a place to belong.”
Chan took Minho’s hand, their fingers intertwining. “And you gave me a reason to believe in love. You’ve made my life complete, Minho.”
Minho leaned in to kiss Chan, their lips meeting in a tender, loving embrace. “I promise to always be by your side, Chan. Forever.”
Chan smiled, his heart filled with joy. “Forever.”
As they held each other under the soft glow of the moonlight, Minho and Chan knew that their love was eternal. In the magical underworld of Secret City, their hearts had found a home in each other, a love that would endure through any challenge, a bond that would never be broken.
Together, they faced the world, their love a guiding light in the darkness. And in each other’s arms, they found a love that was truly magical, a love that would last forever.
do not repost, translate, or plagiarize my works in any way here or on other platforms. ©️writingforstraykids 2024 -
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‘Maybe Happy Ending’ Review: For Robots, Is It Love or Just a Hookup? by Jesse Green
"The same applies to the acting, which is daring enough to tell the robot story yet not so extreme as to obscure the human one. Criss, who has sometimes seemed stiff onstage, is especially fine here, delivering a startlingly gestural performance, all tics and glitches, that never obscures the true feeling within. The trap of twee is thus thoroughly avoided. And Shen, making a confident Broadway debut, similarly backfills Claire’s facade of wit and smart-girl impatience with the surprise and pain of newfound affection. Though she also sings, as Criss does, divinely, their singing is never an end in itself; it is how we feel that their story is ours. And when their duets become trios with Duron’s Gil Brentley, we understand just how powerful popular music can be: It has given these robots hearts." [..] "A good question for robots and, as posed by this astonishing musical, maybe the most deeply human one of all."
‘Maybe Happy Ending’ Review: Broadway’s Deeply Moving Robot Musical, Starring Darren Criss, Teaches Us How to Be Human by Christian Lewis
"Both Criss and Shen give excellent, very different performances. As an older model, Criss is purposefully more robotic: angled arms, stiff neck, straight spine, minimal facial expressions. His commitment to the physicality is remarkable and impressive — you might only fully appreciate it during curtain call, when he walks and emotes normally. He is the stronger singer of the pair, but his roboticness, though true to character, can make him slightly harder to connect to. (His silent-film star makeup, by Suki Tsujimoto, is also distracting.) Shen, on the other hand, feels practically human, and there’s more pathos to her pained performance, especially in her awareness of her own impending mortality." [...] “Maybe Happy Ending” is an undeniably moving, well-made, adorable musical, and it is a pleasant surprise to see an audience weep at a show about two robots in love. The musical makes the bold claim that maybe we are not that different from robots after all, or that they are not that different from us. Just as robots have much to learn from humans, we in turn can learn from them, especially how to care for each other and for ourselves. It’s crucial to know when you need to charge your battery, but likewise it’s important to be willing to share that charger with someone in need."
‘Maybe Happy Ending’ Broadway Review: Darren Criss And Helen J Shen Delight As Lovestruck Androids Dreaming Of Electric Cheek by Greg Evans
"It takes a special type of theatrical talent, one loaded with heart and wit and insight, to imbue something that looks like an Apple MagSafe iPhone Charger with more romantic appeal than a decade’s worth of Valentines Day chocolates, but that’s just what the creators and performers of the delightful musical Maybe Happy Ending have achieved." [...] "Featuring marvelous performances from Darren Criss and Helen J Shen as two obsolete “helperbots” retired to rooms in a sort of well-appointed robot hospice center – think those all-the-rage tiny houses as if designed by Pee-wee Herman – Maybe Happy Ending is set outside Seoul at some point later in this century. It’s a world that seems distant enough to quality for sci-fi, but familiar enough to look like that eye-candy Mid Century Modern furniture catalogue you got in the mail last week."
‘Maybe Happy Ending’ Broadway Review: Definitely a Big Hit Starring Darren Criss by Robert Hofler
"Oliver is an older model, so Criss delivers a lot of robotic mannerisms — there’s a distinct jerkiness to his gestures and gait, his speech sometimes emphasizes the wrong syllable. All and all, Oliver is a remarkable achievement and brings to mind Haley Joel Osment’s David in Stephen Spielberg’s “A.I.,” if that boy robot had ever been able to grow up." [...] "More than delivering big, Arden knows how and when to hold back to make the audience a participant. His direction never fails to activate the imagination."
Review: ‘Maybe Happy Ending’ Is the Best New Musical on Broadway by Tim Teeman
"The show begins with Claire requiring a battery recharge, so knocks on the door of neighboring retired robot Oliver. He takes so long opening the door when he does so it is to her frozen, temporarily without-power figure. A nervy, very particular robot himself (whose most intimate relationship is with his houseplant HwaBoon), Oliver doesn’t know what to do. Criss plays him with the coiffed handsomeness of a K-pop star and the stiff gait and easily-rattled manner of C-3PO (he has the added skill of really knowing how to decorate a small studio space)." [...] "Criss erupts with puppyish excitement and panicked worry, while Shen gives Claire a defiant edge that co-exists with a resigned fatalism." [...] "In the end, you are not only rooting for Claire and Oliver, but also for them recognizing the intricately weird routes we take to figure out what and who we love, and what and how we feel as we do so. For a musical about robots, Maybe Happy Ending is a very human show about not just the value of connection, but also the life-saving, heart-expanding importance of us recognizing that value."
Maybe Happy Ending: Beguiling Musical Charmer from Korea by Michael Sommers
"The performances of Darren Criss as the chipper Oliver and Helen J Shen as the clear-eyed Claire are not so utterly adorable as to be cloying, but they are pretty adorable anyway. Dressed by designer Clint Ramos in cute boy-bot duds, Criss’ slightly androgynous looks suit Oliver’s character, whose movement reveals subtly robotic gestures. Making an auspicious Broadway debut, Shen gives her sensible Claire a warm voice and presence. Another newcomer, Dez Duron looks sharp and sounds dreamy as the big band singer. Marcus Choi, Arden Cho, Jim Kaplan and Young Mazino ably depict various people throughout the story." [...] "Lately there’s been audience complaint – if chat boards can be believed – how some recent Broadway musicals blast out hellishly loud, banging music. Maybe Happy Ending is surely the balm for any such feelings, since its sometimes jazz-inflected score is orchestrated gently for mostly strings, keyboard and woodwinds with exceptional grace by the composer."
Darren Criss in a robot rom-com that will fly you to the moon by Naveen Kumar
"Their single-occupancy apartments are the vision of urban loneliness. Flashbacks to the cozy but bleak self-sufficiency of solo pandemic-era isolationare inevitable for some of us when Darren Criss, who plays a model No. 3 named Oliver, sings an ode to the world within his room. (I’m not saying I also sang to my favorite plant, but I’m not saying I didn’t.) Part toy box and part hypermodern studio, Oliver’s is a space for maintenance and introspection. Claire, a more-advanced model No. 5 played by Helen J. Shen, comes knocking because her charger is busted and she needs some juice. (Newer models have advantages, but Oliver is quick to point out sacrifices in durability.) Oliver, who inherited his owner’s appreciation for Duke Ellington and Bill Evans, moves like a graceful marionette; Claire carries herself like a regular girl next door. There’s an offbeat ease to their chemistry, and Criss and Shen are both lovely singers with an unshowy confidence that’s become all-too rare." [...] "The Broadway debut benefits from the swells of self-reflection many of us have waded through in the meantime — about what makes us who we are, why we want to be with each other and how long any of this is really going to last. Whether anyone’s ending turns out happily or not, at least we have the choice to be together."
‘Maybe Happy Ending’ review: Darren Criss shines in one of the best musicals in years by Patrick Ryan
"[...] Criss, on Broadway for a fourth time, is delightful as the eager-to-please Oliver, whose sunny outlook gets clouded by the sobering realities of life. Portraying a fish out of water, one could easily overdo the robot’s wide-eyed wonderment and stiff, mechanical movements. But the “Glee” star is smartly subtle, deftly landing many of the show’s funniest punchlines and sight gags. (In a clever bit of stage magic, Oliver briefly short-circuits and smokes up after nervously downing a cocktail.) " [...] “Maybe Happy Ending” is undoubtedly the most original musical to grace Broadway since 2022’s “Kimberly Akimbo,” another small story with big ideas and even bigger emotions. With gentle humor and pathos, Park and Aronson manage to tap into the most human of questions: Is it still worthwhile to love, knowing that pain and loss are inevitable? "It’s the kind of show that’s hardwired to make you cry. But judging by the resounding sniffles from our audience, there’s nothing artificial about this rare, tender gift of a musical."
MAYBE HAPPY ENDING: A Visionary Ode to Emotion — Review by Juan A. Ramirez
"The story concerns Oliver (Darren Criss) and Claire (Helen J Shen), two “helper-bots” residing in a sort of purgatorial dorm for obsolete technology in near-future Seoul. Oliver is all bright smiles, perfectly gelled hair, and a ‘50s sense of politeness, which gives Criss a chance to play into his own squeaky-clean persona, and wring humanity out of a Kabuki-level performance of surface sheen. (Clint Ramos did costumes; Craig Franklin Miller hair; Suki Tsujimoto makeup.) He’s spent the past decade or so mindlessly amassing stuff he gets delivered, poring over the Jazz Monthly subscription his owner left him, and hoping he’ll one day return for him. " [...] "[...] One becomes aware, throughout its lush 100 minutes, of what a humbly groundbreaking experience is unfolding onstage. This is a very special show; a tender, visionary ode to the space we’re able to create and hold for feeling, and the hope that it may continue."
‘Maybe Happy Ending’ Review: Robot Love by Dan Rubins
"[...] Arden deploys a series of theatrical gestures too breathtaking to spoil here. It’s stagecraft that illuminates the musical’s messages about the value of looking up and outward from our devices while simultaneously pointing towards theater’s unique ability to transcend technological bells and whistles in the service of a more natural, unadorned beauty. Criss and Shen, too, turn the slightest of touches into electric connection. Criss, expert at gluing a not-quite-human grin to his face and circling Oliver’s apartment with mechanical grace, lets his rigid, aloof character gradually thaw out. He inherits a century-spanning tradition of musical theater characters, from Marian Paroo to Henry Higgins, slowly shedding their tough exteriors, unleashing a bottled-up potential for passion, though Oliver just happens to be a literal robot. Shen, charmingly kooky off-Broadway in Teeth and The Lonely Few earlier this year, makes an explosive Broadway debut as Claire: Only 24, she has a preternatural gift for marrying the tender and the deadpan. Both do Aronson’s music, which he orchestrates himself with a richness that deliberately belies the HelperBots’s artificialness, full justice." [...] "[...] But a musical made as well as Maybe Happy Ending deserves to be with us for some time to come."
Maybe Happy Ending review: Darren Criss is effortlessly charming in a visually dazzling romance between robots by Shania Russell
"Shen and Criss share an easy chemistry as Claire and Oliver, a mismatched pair who delight with their charming interactions. As the older model, Oliver is the more robotic of the two, an amusing distinction for which Criss nails the physical comedy. Oliver is gleefully stilted where Claire is natural and relaxed. Together they are playful, his sass matching her snark, his optimism complementing her jaded outlook. Despite the perpetual pep in his step, it's Oliver whose path forward seems unclear, as Claire embraces the potential offered by the time that remains to her. From that push and pull emerges a constant, endearing tension." [...] "Despite Oliver’s earnest nature — familiar territory for the Glee alum — Criss is not the one stealing the show. Charming as Oliver’s pronounced quirks are, his interiority feels as though its held at arms length — especially when compared to Claire, whose fraught emotionality pulls focus courtesy of Shen’s moving performance. Oliver may have his optimism challenged and his nerves tested, but he remains much the same, clinging to life’s simple joys. Alas, charm goes a long way. Criss is often his most compelling when given a character with edge (his stint as the titular East German rocker in Hedwig and the Angry Inch or his Emmy-winning turn in The Assassination of Gianni Versace: American Crime Story) but here he is charming, spirited and wonderfully funny." [...] "[...] There’s nothing robotic about this production: it wears its heart on its sleeve and on charm alone, succeeds"
Review: Maybe Happy Ending With Darren Criss and Helen J Shen, a Balm for Trying Times by David Gordon
"From his stiffly humorous movement (choreographed by Moni Yakim) to the unblinking sincerity in his delivery, Criss is immensely impressive as he captures the discreetly emotional essence of this outdated bot. His tightly coiffed hair (styled by Craig Franklin Miller) and shellacked makeup (Suki Tsujimoto) go a long way in helping him bring us to an uncanny valley that’s legitimately freaky. Shen is effortlessly charming, infusing Claire with a shy humor that makes her utterly lovable. Together, they share such easy chemistry that you find yourself rooting for these two lonely robots to be together forever." [...] "Despite its flaws, Maybe Happy Ending exudes an undeniable charm and warmth, which sets it apart from many other new Broadway musicals these days that go for bombast over emotion. Refreshingly original, this story about two robots who, for a brief moment, meet each other halfway, becomes a poignant celebration of finding connections in an ephemeral world. It’s a comforting reminder that love and friendship, however temporary, make the journey worthwhile."
Maybe Happy Ending. These are the robots you're looking for by Adam Feldman
"In a Broadway landscape dominated by loud adaptations of pre-existing IP, Maybe Happy Ending stands out for both its intimacy and its originality. Arden and his actors approach the material with a delicate touch; they trust the romantic comedy to be charming, which it is, and let the wistfulness emerge naturally. In the faint artificiality of both his movement and his appearance–pale face, neat dark hair, red lips, high-waisted pants—Criss’s Oliver endearingly evokes the silent-film clown Buster Keaton. (He also sometimes suggests a neurodivergent adult.) Shen’s more naturalistic Claire—she’s a Helperbot Five; he’s just a Helpbot Three—has a winsome, Eponine-y combination of pluck, resignation and piercing pop-vocal emotion." [...] "Can a show as strange and special as Maybe Happy Ending find a place for itself on Broadway today? I like to think that maybe it can. But as the show reminds us, everything is ephemeral: “We have a shelf life, you know that,” says Claire. “It’s the way that it has to be.” The fact that this show is casting its firefly glow on Broadway at all feels like a gift. In its gentle robot way, it helps us see ourselves through freshly brushed eyes."
Maybe Happy Ending review: heart-grabbing robot Broadway musical by Adrian Horton
"This refreshingly original musical, first staged in Seoul in 2016 and directed here by Michael Arden (most recently of Broadway’s excellent Parade revival), makes swift work of time and space; sheer layers of digital displays (video design by George Reeve), impressively constructed modular sets (scenic design and additional video design by Dane Laffrey) and Criss’s rote movements succinctly illustrate the patter and (robot) heartbreak of Oliver’s daily routine over 12 years in the Helperbot Yards, waiting for an owner who never comes back." [...] "[...] Criss’s at first overtly physical performance – the startled, staccato movements and jerkiness of a machine – settles along with Clarie’s scorn into beloved familiarity over the course of the show’s 1 hour and 45 minutes. Both robots struggle with their obsolescence and hard drive memories of past humans, and the strange tale kicks into gear once they hit the road as reluctant buddies in a quest for answers." [...] "Which may hit one’s hardened soul – it did mine, a bit – while still pulling some punches. You will likely leave without a song stuck in your head, but with a lump in your throat nonetheless."
‘Maybe Happy Ending’ review: Romantic robot musical is glorious on Broadway �� really by Johnny Oleksinski
"The sublime start of “Maybe Happy Ending” is the closest I have ever come to experiencing a Pixar movie on Broadway. Oliver, a lonely robot played by Darren Criss, goes through his usual daily routine — over and over and over again." [...] "This big swing of a musical wouldn’t work without the perfectly tuned performances of Criss and Shen. These roles could easily be twee and irksome — they are anything but. Criss’ Oliver is a smiley mix of J. Pierpont Finch from “How To Succeed” and Pee-Wee Herman with a bit of earnest boy next door. He’s a bucket of bolts with a heart of gold."
When Robots Meet Cute: Maybe Happy Ending by Sara Holdren
"Park and Aronson get a lot of mileage out of the pair trading barbs over their different model types — one of the most genuinely funny bits involves Claire recalling a function by which the Helperbot 3 must respond with “You’re welcome” any time someone says “Thank you” — and it’s all very Threes Are From Mars and Fives Are From Venus. It’s a little easy, but the show’s not trying to be hard, and Shen and Criss are the ones who make it work. Shen especially is a delight to watch, with an open, emotive face full of quicksilver expressions and a tartness that can turn explosive when she needs it to. “You just said it was my turn!” she roars at one point during a shared song in which Oliver keeps blithely noodling over her. It is — another requisite of the genre — #relatable." [...] “Why, love?” croons Gil Brentley from Oliver’s record player. “Why did we bother to try love? … When all things end in good-bye, love, / Why did we dream that this fate would not be ours?” If you find yourself cruising the streamers at night, sipping chamomile tea and searching for Sliding Doors and Sweet November and French Kiss, then Maybe Happy Ending is waiting for you."
#reviews are looking amazing#my heart is so full ❤️😭❤️😭#yassss go see the show#(and then come back and tell me everything about it 🥺)#daren criss#helen j shen#maybe happy ending#maybe happy ending bway#mhe reviews#broadway#broadwayedit#theatreedit#musicaltheatreedit#asiantheatrenet#please do not repost
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The Vees as Perfumes
Vox
The smell just before a storm, something bright and electric with just a hint of danger. It hurts just enough to excite, a little shock to the system to really get the blood flowing.
Cigarettes by the ocean, the salt air mingling with the tobacco smoke. The scent of a car fire on the beach, the artificial polluting the natural in an olfactory assault.
Classy, contradictory, and intense-- turn heads with the scent of the new century.
Top Notes: Finger Lime, Metalic, Ozone
Mid Notes: Whiskey, Salt, Tobacco
Base Notes: Gasoline, Ambergris, Rubber
Valentino
If debauchery had a scent, this would be it.
Sickeningly sweet at the start, intoxicatingly floral, and sharply oversugared. It's poison in a pretty package but it burns so good on the way down.
The facade breaks down soon, revealing the carnal reality of blood, sweat, and choking smoke. Still, the scent of burnt sugar remains, a reminder of what first lured you in.
Top Notes: Opium, Maraschino Cherry, Angel's Trumpet
Mid Notes: Smoke, Gunpowder, Vodka
Base Notes: Blood, Sweat, Burnt Sugar
Velvette
Fruity, fresh, and immediately attention-grabbing, this scent knows what it wants to be.
The fruity notes are strong and are fighting each other as much as they are complimenting each other. The thistle is a welcome afterthought that finishes the first impression.
Grenadine and cardamom precede the shockingly artificial finishing notes of this perfume. A scent for a modern woman in a modern world with all the trappings that implies.
Top Notes: Cranberry, Pomegranate, Thistle
Mid Notes: Grenadine, Cardamom
Base Notes: Nail Polish, Plastic
#hazbin hotel#hazbin hotel vees#the vees#hazbin hotel vox#hazbin hotel valentino#hazbin hotel velvette#vox#velvette#valentino
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This store was most recently a Big Kmart, as you can see from the labelscar & the remains of the "Hello!" stickers on the doors, but it began life as a similar discount store called Grant City. W.T. Grant was a big company in mid-century America with their small "dime stores" in downtowns around the nation. During the suburban sprawl, Grant's started building ever-larger stores called Grant Cities (just as the S.S. Kresge company evolved from Kresge's dime stores into the modern Kmart discount store). Grant Cities anchored strip centers and shopping malls all over the place in the 60s and early 70s, like this one at the Pittston Mall in Pittston, PA. They usually had blocky overhangs with tiles on the front and sides above the main entrance, as you can see in this picture.
But a slowing 70s economy made the bubble burst, and the mishandling of Grant's credit card program made the situation dire. The W.T Grant bankruptcy of 1976 was then the largest retail bankruptcy in American history, and it resulted in the entire company going out of business. Many locations were then taken over by Kmart, which tended not to renovate most of the facades. Because of this, almost 50 years on from the Grant's bankruptcy, some examples of Grant Cities are still around today. In fact, I've photographed one other example at the former Trexler Mall in Trexlertown, PA, though that location has since been renovated. Grant's kept the title of largest American retail bankruptcy until Kmart's 2002 bankruptcy filing.
The Pittston Mall was developed in the 70s featuring Grant City, Giant Supermarket, McCrory's, and smaller stores like Fashion Bug & Bernie's Luncheonette. The small mall fell out of favor in the 90s and ceased being able to pay taxes after 1996. In 2000, redevelopment began to turn it into a strip mall. The old Grant City / Big Kmart store is the last obvious remnant of the Pittston Mall as it was.
#pittston mall#photography#dead mall#retail#dead malls#deadmall#mall#malls#shopping mall#shopping malls#retail apocalypse#dead mall series#nepa#pennsylvania#exploration#explore#grant city#kmart
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montross architecture - lucky lebubs & acelle corp headquarters
montross is alive. the city, founded in the mid 19th century, breathes air through concrete lungs and and pumps blood through lead pipe veins. much like the citizens that occupy its body, montross thinks and feels, though its thoughts and emotions are only a reflection of the people who live there. its mind is scattered, constantly expressing and repressing all sides of municipal politics.
for decades, the lebub crime family has acted as the de facto rulers of the city. it wasn't until after an economic crisis in the mid 1970s that the paradigm began to shift and the newly formed acelle corporation's power rivalled that of the lebubs.
just like the city, the main buildings of each respective power are alive. though their minds are much more focused and reflect the values of the organization. even their appearances reflect the differences between them. while the lucky lebub hotel & casino tends to hold onto traditions of the past, acelle corp embraces and pushes forth new consumer trends.
the rivalry between the lebubs and acelle in the mid 1970s resulted in great tragedy within only a few months. slade, the new owner and family patriarch, had been changed by the incident. he had ordered renovations of the hotel & casino for a fresh start. stylistic trends are almost never contained within a single era, and so the renovated hotel & casino's aesthetic influences spanned from the 1950s to the (then contemporary) 1970s. notable styles include googie & mid century modern. specific characteristics include conversation pits, bright wallpaper, geometric designs, shaggy carpeting, and vertical wood panelling.
a full renovation was both financially and physically impossible, as the hotel & casino is an endless labyrinth that often traps its guests within. only the facade and most common areas had any change. the deeper one delves into lucky lebubs, the older it will appear, from old wallpaper visible beneath the topmost peeling layer to entire rooms seemingly untouched by time. we can't often afford to leave the past behind, and neither can the hotel & casino.
the same can't be said for acelle headquarters, as the company pays for constant construction and expansion. the building is emblematic of 1980s luxury and its ceo avoids acknowledging older trends. it mixes traditionally expensive materials like marble, glass, and gold with postmodern designs. one is far less likely to get lost in any acelle building or find its labyrinth and no part of the past remains there. whatever labyrinth you find will be an empty, aesthetic void.
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truly am obsessed with bdubs going "scar's asked me to build this" and then someone asks what is "this" and he's like. i have no clue. mr. crastle? mr. wishing for warped wood settled for snow? mr. mid century god damn modern? mr the b stands for building with double o? on session THREE and still no plans or concepts or anything beyond stacking stone and brick taller? are you crazy? even the facade of the mcm house is gone. sicko
#limited life spoilers#this is of course the natural progression. cf advertisements for architecture. but STILL
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I hate the commercialization of subcultures and their reduction into shallow aesthetics by mainstream trendsetters (i.e punk and alt most recently) but the one that has been making me the most angry as of late is the whole fascination with southern gothic because of Ethel Cain’s music. I’m not discounting her or trying to discredit her music. Her experiences are genuine and she has a Real history with the genre as someone who grew up in a Southern Baptist family in the rural Deep South. But it seems like a lot of people who simply see her aesthetic posts on tumblr and casually listen to her music suddenly have created a romanticization of the American south as this fantasy land that has been forgotten by a progressive society where its citizens wallow in an air of restlessness with their “wasteland” of an environment and their mid century modern decor.
I feel like I’m rambling but I guess to illustrate my point I will say it seems that with the release of Preacher’s Daughter I’ve seen the start of the romanticization of some aspects of the underbelly of southern culture like trauma and substance abuse. Like in the same way some people who listened to Born to Die by Lana del Rey in 2012 started fantasizing about 50s aesthetics combined with self-deprecating behavior and large age gaps in relationships.
All of this to say I am a southern American who was born and raised in the Deep South and many parts of good AND bad southern culture (like transgenerational and religious trauma) are intertwined with my being and to see some people turning some of these experiences into a meaningless facade just rubs me the wrong way.
Anyway. Am I reading too much into this? Probably. I’m drunk at 3:30 on a Sunday leave me alone. Peace and blessings onto you. Roll tide
#before anyone says ‘nOt EvErYoNe WhO LiStEnS tO hEr DoEs ThAt’#I’m not talking about them am I#tt#it’s not that deep#<- me telling myself that
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