#mid century danish chair

[thehistoryvintageantiques]

#134 Danish Dux lounge chairs

Lounge chairs by Dux Furniture

Denmark 1970s

A pair of authentic mid-century Scandinavian lounge chairs by Dux Furniture, Denmark 1970s. Upholstered in deep -buttoned, supple brown leather upholstery, with a blonde-wood frame on a swivel base.

In very good vintage condition.

Price is per chair.

92H x 72W x 88D cm approximately.

Seat Height: 41cm

[seeking--the--essential]

Jørn Utzon’s Ahm House, 1962. London, England

Interior design: Coppin Dockray

Photograph: Wichmann + Bendtsen

[exo-plushie]

Seattle Kitchen Dining

An illustration of a small mid-century modern kitchen/dining room combination with a laminate floor and a beige floor and white walls.

[westernwearforwomen]

Midcentury Living Room in Austin Living room - huge 1950s open concept and formal medium tone wood floor and brown floor living room idea with gray walls, a standard fireplace, a brick fireplace and a wall-mounted tv

[wildbeautifuldamned]

Rare BRUNO HANSEN MID CENTURY DANISH MODERN CHAIR SWEET ebay eirammai

[jackhkeynes]

Markland

Markland is a polity of Albion, situated east of Wales, north of London and Kent, and south of Northumber and Sodrick.

History

Markland originates with Saxon settlements in sub-Roman Britannia, which in the west formed (what would go on to be named) Mearce land "borderland". Compare the related demonym Mierce "people of the border", whence the Latin name Mercia and native Merchman "man from Markland".

The petty kingdom of Anglia was annexed by Markland with the Treaty of Oxford in the late eighth century, at the dawn of the Viking Age. This established the persevering border between the mouths of the Severn and the Tames, and incited renewed influx of people into the petty kingdoms on Borland.

Markland weathered the Viking Age much more successfully than neighbouring Northumber, though much of its eastern coast was settled by Danes; the city of Lincon served as the de facto border of Danish rule for several decades. In part this was the inevitable result of tensions along the Welsh border; even during peacetime Theodric the Awefast maintained substantial levy forces.

The tenth-century Elved Marriage (which took place near the modern city of Leeds) ended hostilities between Markland and Dane forces in the east for almost a century. It is said to have been solemnised over a sandstone block later inlaid into the Redstone Chair, a low-backed wooden throne on which many subsequent monarchs were crowned.

Around the turn of the second millennium, Markland was conquering territory from the northern reaches of Wales (incidentally leading to Pope Agatho's canonisation of the Welsh St David). The perennial conflicts between Markland and Wales would come to be collectively referred to as the Mallor Wars.

The First Drengot Empire of the eleventh and twelfth centuries counted Markland as a major vassal, conquered from the south following the subjugation of Kent by Normandy and Greater Devon in 1029.

The Mallor Wars were reignited after a quiescent period by the martial-minded King Andrew II, with the Sack of Rexam in 1301 during which the original St Brigid's Abbey burned to the ground.

Markland was embroiled in the Wars of Fealty in the late fifteenth and early sixteenth centuries. Tensions over the location and possession of the Redstone Chair boiled over into a conflict that would last forty-one years. Markland conceded several battles to the young Kingdom of Britain in the early years of the wars, culminating in the 1483 Battle of Rexam which expanded the borders of Wales in the north and killed the last Duke of Chestre.

In the final years of the Wars of Fealty, a code known as Thieves' Script was employed by the forces of King Andrew III, apparently adapted from similar systems used by gangs of housebreakers in Nottingham. It is remembered today as a very early precursor of codes like steeplescript or modern one-zeffre encoding.

The poor economic conditions and population displacement in Markland following the Wars of Featly led it to suffer almost twice as many deaths per capita from the Second Great Dying compared to polities like Willemy.

Long contested between Markland and Kent, the city of London found itself independent for one final, lasting time following the Democratic Wars of the mid-eighteenth century.

The spellings of various towns and cities in Markland were rationalised during the Long Peace period of the late eighteenth and early nineteenth centuries (for example, Conster for former Colncester /ˈkɔn.stə/).

The 2010 Œcumen Count, a regular census, recorded that Utter Safford was the secondmost populous city in Markland proper with 4.4 million inhabitants, after the capital of Tommarth.

People

Monarchs

Theodric the Awefast (fl. 800), repeller of several attempted vikings into Markish territory

Oswin the Becoming (fl. 1029), last ruler of an independent Markland before the First Drengot Empire

Andrew II (fl. 1301), who reignited the Mallor Wars with the Sack of Rexam

Andrew III (fl. 1500), ruler of Markland during the latter years of the Wars of Fealty

Authors

Ferris Bewly (fl. 1942), alchemist responsible for the quire 'Modern Developments in Benjamine Detaxion'

Laurent Burnows (fl. 2015), famous for children's series 'Back to Front' and later for the more mature series 'An Inconvenient Armageddon'

Anna and Ralph Highwater (fl. 1930), cowriters of the series of books 'Games for Sorties and Excourses'

Challow Huddresfell (fl. 1956), historian who wrote 'Daughters of the Sea: The Northwestern Isles'

Jason Ridley (fl. 1967), who with others wrote the quire 'A Handbook of Natural Theory'

Dr Harold Westcamp (fl. 1997), who wrote the series of textbooks 'Albick Medicine in the Workshop Decades'

Others

Sarzan Dawkinholm (fl. c19), long-serving and much-lambasted Outland Minister

(Approximate extent of Markland proper in 2000 N.)

[captainstarsplitter]

I have been productive in the last couple weeks. More productive than I’ve been in a long time, and yet I still feel drained and unaccomplished. I guess I should feel proud that I’m getting stuff done and remind myself that there are lots of good things happening; but it just kind of … doesn’t reach the part where my brain decides to release some goddamn endorphins. I’m hoping that being in the new place will feel liberating and maybe ease some of the relentless persistent sadness I’m feeling. Y’all, I’ve got the morbs. Depression/grief/trauma sucks.

On a brighter note, I found furniture. First, there was a mid-century vanity complete with mirror in mint condition that I snatched up from my local thrift store. The item is unmarked and likely mass-produced, but in decent shape nevertheless and the (cosmetic) repairs I’m currently working on are minor.

To make things easier, I begrudgingly re-activated my Facebook account and realized that a) Marketplace is still the easiest way to get rid of all the crap you don’t need and b) there’s lots of good stuff for cheap. My first find was a gigantic Safavieh area rug from their Kenya collection. It’s bright and delightfully textured and a lot and I can’t wait to lay down on it after a long day.

My second find was a round dining table made of teak, sold by a wonderful retiree couple from a neighboring town. They were sweet and funny and helpful (not to mention their absolutely beautiful apartment), and the table is in immaculate shape, especially considering it’s older than me.

Third I found a Danish teak side table made by Trioh (and there’s even a matching coffee table available from a different seller, which honestly is just too good to pass up). The side table itself is in great condition.

Lastly, I finally found a pair of dining chairs, and at a steal to boot. They’re Maui by Vico Magistretti for Kartell, and while they were not in good shape anymore, fixing them up has been fun and challenging altogether. Plastic is less forgiving than wood, but triple 0 steel wool has worked well for me so far. (The same seller I got the chairs from also has a beautiful Mission-style leather couch made of red oak, and while it’s totally out of my price range I’m considering the splurge).

I’ve noticed again how much I enjoy working with my hands. The monotony and precision of the task calms and distracts me, and it serves as a good reminder that the effort, elbow grease and dedication I’m putting into things will eventually pay off.

[dd20century]

Jens Risom: Introducing the US to Scandinavian Design

“Good design means that anything good will go well with other equally good things.” – Jens Risom

Jens Risom was not only an iconic mid-century modern furniture designer, but he was also responsible for introducing Scandinavian design to the United States. “Risom was often referred to as the first true Knoll designer” (1).  With the current popularity of mid-century furniture design, Risom’s warm, elegant, timeless designs inspire a new generation of furniture designers.

Jens Risom was born in Copenhagen, Denmark on May 8, 1916, the son of prominent Danish architect Sven Risom. Young Jens studied at the Royal Danish Academy of Fine Arts, School of Design along with classmates Hans Wegner and Børge Mogensen (2) from 1935 until 1938. (3)

Designer Jens Risom. Photographer unknown. Image source.

Jens Risom and Hans Knoll

In 1939 Risom traveled to the United States to study design. Unfortunately, Risom found it difficult to find steady work in New York City. (2) In a 2012 interview with Modern Magazine Risom said, “What I found was that [the United States] was advanced in just about all areas—except for taste” (3). Risom was challenged to find anyone in the United States in the pre-war interested in producing the type of furniture he was designing. Risom’s freelance work secured him a position as Director of Interior Design at Dan Cooper, Inc., where he worked until 1940.

Jens Risom, 645W Chair for Knoll Inc. (1942). Image source.

After 1940 Risom returned to freelance work in furniture and textile design. “It was during this time that he met Hans Knoll. The pair collaborated on an exhibition for the New York World’s Fair.” (4) Risom finally found someone interested in producing and promoting his furniture designs. Then Knoll took Risom on as his partner and first designer for his new furniture company.

The first Knoll Catalog was published in 1942, “which included 15 pieces designed by Risom — the very first furniture to be commissioned specifically by Knoll” (4). One of the most timeless chairs in the collection was the Model 654W was designed by necessity. “Materials were hard to come by during the war, so Mr. Risom designed a chair with simple wooden legs and for upholstery used nothing other than surplus parachute straps” (1). In addition to Knoll, Risom sold designs to Frederik Lunning Inc., and this collection was introduced in October 1942. (2)

Jens Risom, Lounge Chairs Model U-416, (1941). Image source.

War, Love, and Breakup with Knoll

In 1943 Risom put his career on hold as he was drafted into the United States Army where he served as an interpreter under General George S. Patton. (1, 2) Risom returned to New York after the war. “…Mr. Knoll was involved romantically and professionally with a furniture designer named Florence Schust, who held a view of modern design that was in direct opposition to Mr. Risom’s”(1). Florence Schust eventually married Hans Knoll and became his business partner (4) leading Risom to split professionally with Knoll in 1946. (1)

Jens Risom, Magazine Table T.539, (1949). Image source.

Jens Risom Design Opens

Soon after his departure from Knoll, Risom established his own firm, Jens Risom Design which opened on May 1, 1946 (1); Risom ran the business until it was sold in the 1970s. (4) During the 1950s, Risom’s reputation grew as he promoted Danish design to a wider commercial and residential market. He hired fashion photographer Richard Avedon to photograph Risom’s furniture for sophisticated advertisements. The ads consisted of a photo of an item of furniture “against a white background with the simple tagline ‘The Answer is Risom’” (5).

Advertisement for T181 Dining Table and C240 Caneback Chair, (c. 1958). Image source.

Later in the decade, Risom began moving the firm away from residential work and into the “office furniture, hospital furniture, and library furniture” (2) markets. During the 1960s, Risom’s firm had showrooms in all major markets in the United States. (5) In 1961 Risom's work "was included in the legendary...Playboy Magazine article 'Designs for Living,' " (6) with mid-century design superstars "Charles Eames, Harry Bertoia, Eero Saarinen, Edward Wormley, and George Nelson" (6). President Lyndon Johnson selected a Risom executive chair for his use in the Oval Office. (2)

Renewed Interest in Risom’s Designs

After the sale of his design firm, Risom continued to design and work as a consultant throughout the 1970s and 1980s. The 1990s saw a resurgence in interest in Risom’s iconic designs, the popularity of his furniture continues today. In 1994 Knoll introduced a selection of Risom’s early 1940s designs. In 2005 Risom partnered with New York art and furniture dealer Ralph Pucci to market his work. Pucci’s firm still sells Risom’s work today. (7)

Jens Risom and Chris Hardy, Ven Cabinet, (1961). Image source.

Risom’s Legacy

“The Museum of Modern Art, the Brooklyn Museum and the Cooper Hewitt, Smithsonian Design Museum all have Risom selections in their permanent collections” (1). In 1996 Risom was knighted by Queen Margrethe II of Denmark. (5) Risom was also a trustee of the Rhode Island School of Design. (2, 5) Risom outlived his contemporaries; he died at his home in New Canaan, Connecticut on December 9, 2016, at the age of 100. (1)

References

Bernstein, J., (22 December, 2016). Jens Risom, Modernist Designer Whose Furniture Still Has Legs, Dies at 100. New York Times website. https://www.nytimes.com/2016/12/22/world/europe/jens-risom-dead.html

Wikipedia.com, (11 November, 2022). Jens Risom. https://en.wikipedia.org/wiki/Jens_Risom

Hine,T., (19 March, 2012), Designer Spotlight – Jens Risom. Modern Magazine. Retrieved from web.archive.org: https://web.archive.org/web/20160311134534/http://www.modernmag.com/?p=1683

Contract Design News, (10 December, 2016). Legendary Designer Jens Risom Dies at 100. https://contractdesign.com/news/people/Legendary-Designer-Jens-Risom-Dies-at-Age-100/

Knoll International, (n.d.). Knoll Designer Bios: Jens Risom. https://www.knoll.com/designer/Jens-Risom

Pamono GmbH, (2022). Designer Jens Risom. https://www.pamono.co.uk/designers/risom

Ralph Pucci International, (2022). Jens Risom. https://ralphpucci.com/artists/jens-risom

[decorworks]

Mid-century modern design "embraced a more human aesthetic"

More than 70 years after its birth, the popularity of mid-century modern design and architecture shows no signs of abating. This overview by Penny Sparke kicks off our series about the movement. Mid-century modern design is hard to pin down. As soon as you think you have grasped it, it re-invents itself. Unlike the late 19th- and early 20th-century architecture and design movements – arts and crafts, art nouveau, art deco, and Bauhaus – which are all linked to specific time periods, places, and visual styles, the definition of what constitutes mid-century modern is in constant flux. Also, while all the earlier movements have been revived from the 1970s onwards, they have tended to come and go. Mid-century modern's rebirth, however, has been in place since the 1990s and, three decades later, is still going strong.

Mid-century modern design, like the Eames House, is still popular. Photo by Leslie Schwartz and Joshua White, courtesy of Eames OfficeAntique shops and auction houses are full of boomerang-shaped coffee tables with spindly metal legs and lightly decorated ceramic and glass items – the prices of which continue to soar – while popular home magazines across the globe show us easy-to-live-in interiors filled with elegant Danish chairs, sculptural room dividers, patterned textiles, modern paintings, and sprawling houseplants. Mid-century modern design usually associated with the home If we can say anything definite about mid-century modern design, it's that it is usually associated with the home rather than the workplace, and that it manifests itself as architecture, furniture, textiles, and as decorative ceramic, glass, and metal items. While they can all be looked at in isolation, they are better understood as ensembles. Moving beyond the austere modernism of the 1920s and 1930s, mid-century modern design embraced a more human aesthetic while remaining aggressively forward-looking. The adulation of the machine was replaced by an affection for the organic forms of the natural world.

'High' mid-century modern design in Scandinavia included Josef Frank's print designs, seen here on a curtain. Photo courtesy of Svenskt TennAlways optimistic, the style emerged to offset the austerity of the post-war years and symbolised the importance of economic and cultural reconstruction. By the late 1950s, many countries in the developed world had developed their own versions of it. While its roots were in Europe and the USA, as a popular domestic style it quickly spread further afield. Many questions remain, however. When did it start and finish? Where did it originate? What does it look like? Who are its designer heroes? Scandinavian mid-century modernism "reached its full potential" post-war In many ways, the Scandinavian countries can be seen as the home of what we might call "high" mid-century modern design, as opposed to its later, more popular manifestations. There were early signs – in the form of Iittala's lightly engraved glassware of the 1920s, designed by Simon Gate and Edward Hald, and the work of the Swedish-based architect-designer, Josef Frank, described as bringing in a new "sanity in design" – that Scandinavia wanted to humanise the stark, tubular steel designs emerging from Germany.

Hans J Wegner's Wishbone chairs are among many Scandinavian design icons. Photo by Tom RossScandinavian mid-century modern design reached its full potential in the post-war years. In the form of sleek items of Danish furniture designed by the likes of Hans J Wegner and architect-designer, Arne Jacobsen; elegant ceramics and glass pieces, designed in Sweden by Gustavsberg's Wilhelm Kåge and Orrefors' Vicke Lindstrand; airy textiles created by Sweden's Astrid Sampe; and the dramatic forms of Finnish designer Tapio Wirkkala's glass sculptures, the concept of Scandinavian Modern was celebrated worldwide. Many of the designs have become iconic: Wegner's Wishbone bentwood-and-rope chair of 1949, for instance, still graces many a fashionable dining area, while, with its three slim steel legs, Jacobsen's moulded plywood Ant chair looks as modern today as it did back in 1952 when it was first produced. Italian designers rejected the past While Scandinavian mid-century modern design was about everyday family life and democracy, Italy's version was all about high style. The furniture, lighting, and decorative items created by Gio Ponti, Franco Albini, Marco Zanuso, Gino Sarfatti, Piero Fornasetti and others inhabited chic interior spaces.

Gio Ponti's Superleggera chair (top back) represented optimism. Photo by Luc BoeglyNone of them represented the optimism that was in the air at that time more than Ponti's little Superleggera chair, produced by Cassina in 1957. Its light, tapering legs and woven cane seat rejected the weight of the past and looked enthusiastically to the future. The mid-century modern lifestyle dominated in the US Across the Atlantic, American designers Charles and Ray Eames, Finland-born Eero Saarinen, George Nelson, and Harry Bertoia also embraced the new, unencumbered lifestyle. On the West Coast, the Eameses created a home for themselves – Case Study House 8 – which epitomised a new life that was lived as much outside as inside, and which was as comfortable as it was modern.

Harry Bertoia's Diamond chair "was as much about sculpture as it was about sitting". Photo courtesy of KnollTheir leather and moulded rosewood lounge chair and ottoman, originally designed for filmmaker Billy Wilder, epitomised that attractive combination. However, Bertoia's gridded metal chair, with its leather cushion, of 1950-1, was as much about sculpture as it was about sitting. Britain's Contemporary Style attracted manufacturers and retailers Great Britain quickly followed. Lucienne and Robin Day, Ernest Race, and John and Sylvia Reid were among the protagonists of what the British called the Contemporary Style. Manufacturers, such as Ercol, and retailers, such as Heals, joined their ranks, while the producers of decorative glass and ceramics items employed designers to create new, exciting wares for them. With its lightly decorated surfaces depicting abstract organic forms inspired by the natural world, Jessie Tait's Primavera dinner service for Midwinter, for example, evoked a new world miles away from the traditional dinnerware that filled so many people's cupboards. The revival of mid-century modern design While the mid-century modern design movement owes its origins and meanings to the pioneering designers working in Scandinavia, Italy, the USA and the UK in the 1940s and 1950s, from the perspective of the early 21st century the term embraces a much wider, ever-evolving, range of designs.

Robin Day's Forum seating design represents Britain's Contemporary Style. Photo courtesy of Case FurnitureIn today's vintage furniture stores, pieces by Jacobsen and Eames sit alongside Italian plastic chairs by Vico Magistretti and Joe Colombo from the 1960s and chunky German ceramics from the 1970s. While different in style, for today's consumers, the designs from the 1960s and 1970s embrace the same spirit of modernity and optimism as the earlier pieces. That spirit died, arguably, when, from the 1970s onwards, the cycle of retro styles – from arts and crafts to art nouveau to art deco to Bauhaus – came into being and optimism was replaced by nostalgia for past models of modernity. By the 1990s, it was mid-century modern's turn to be revived. Seemingly, however, it managed to buck the trend of ever-changing fashionable retro styles as, in the mid-2020s, the power of that historical design movement remains as strong as ever. The optimism of its early protagonists still speaks to many people who seek to remain upbeat in the face of countless contemporary challenges – from the climate crisis to economic inequality, to migration, to the threat of global war. There are no signs as yet that that power is beginning to fade. Top illustration is by Jack Bedford.

Illustration by Jack BedfordMid-century modern This article is part of Dezeen's mid-century modern design series, which looks at the enduring presence of mid-century modern design, profiles its most iconic architects and designers, and explores how the style is developing in the 21st century. This series was created in partnership with Made – a UK furniture retailer that aims to bring aspirational design at affordable prices, with a goal to make every home as original as the people inside it. Elevate the everyday with collections that are made to last, available to shop now at made.com. Read the full article

[reitmonero]

How to Capture Mid-Century Modern Charm?

Mid-century modern design emerged in the mid-20th century, roughly between the 1940s and 1960s, and continues to influence contemporary design today. Characterized by its clean lines, organic shapes, and functionality, this style blends form and function in a way that feels timeless and fresh. Here are some key elements to consider when capturing the charm of Mid-Century Modern design in your home.

1. Iconic Furniture Pieces: One of the hallmarks of Mid-century modern design is its furniture. Look for iconic pieces such as Eames chairs, Noguchi tables, or the classic Danish teak sideboard. These pieces often feature tapered legs, smooth curves, and a focus on simplicity. Invest in quality items that showcase craftsmanship, as they serve as statement pieces in any room.

2. Open Spaces: Mid-century modern design favors open floor plans and a sense of flow between spaces. To capture this charm, consider removing unnecessary barriers in your home. This doesn’t mean sacrificing privacy, but rather creating a seamless connection between living areas. Use furniture to define different zones while maintaining an open and airy feel.

3. Natural Materials: The use of natural materials is another defining characteristic of Mid-century modern decor. Wood, leather, and stone are commonly used to create a warm and inviting atmosphere. Opt for pieces that showcase the beauty of these materials—think walnut furniture, leather upholstery, or a stone fireplace. Natural finishes enhance the organic feel of the space.

4. Bold Colors and Patterns: Mid-century modern design is known for its bold colors and geometric patterns. Incorporate a lively color palette featuring vibrant yellows, blues, oranges, and greens. Use these colors in accents like throw pillows, rugs, or wall art. Geometric patterns can also be added through wallpaper, curtains, or textiles to create visual interest.

5. Statement Lighting: Lighting is a crucial element in Mid-century modern design. Look for sculptural fixtures that serve as both functional and artistic elements. Pendant lights with sleek lines or floor lamps with interesting shapes can add personality to your space. Pay attention to the placement of lighting; it should enhance the overall ambiance while highlighting key design features.

6. Integration with Nature: Mid-century modern design often emphasizes a connection to nature. Large windows and sliding glass doors are typical features that invite natural light and blur the line between indoor and outdoor spaces. If possible, incorporate plants into your decor. Simple planters with greenery can enhance the organic feel and bring life to your interior.

7. Art and Accessories: Incorporating art and accessories is essential in completing a Mid-century modern look. Choose artwork that reflects the era, such as abstract prints or minimalist sculptures. Keep accessories to a minimum to avoid clutter, focusing instead on a few curated pieces that complement your design.

[thehistoryvintageantiques]

#180 Pair of Ingmar Relling Siesta chairs

Item Number : #74

Low-back Siesta Chairs

Ingmar Relling

for Westnofa Furniture, Norway 1970s.

Beautifully reupholstered.

The Siesta chair, designed by Norwegian designer Ingmar Relling in 1965, is a timeless and iconic piece of furniture known for its sleek and minimalist design. With its curvy beech frame and comfortable canvas sling upholstered with new, soft, and supple leather cushion.

The Siesta chair is not only aesthetically pleasing but also ergonomically sound. Its simple yet elegant form has made it a staple in our homes, offices, and public spaces for decades.

Ingmar Relling's creation continues to be celebrated for its Scandinavian design principles that combine form, function, and comfort effortlessly.

These are the most comfortable of all the Scandinavian vintage lounge chairs.

86H x 62W x 84L cm

[homekitdecor]

Using Indoor Egg Chair to Reduce Anxiety

A Design Classic:

The indoor egg chair, initially conceived by Danish architect and designer Arne Jacobsen in the 1950s, has become a design classic renowned for its unique and instantly recognizable form. Its cocoon-like shape, with a high back and curved sides. Not only provides a sense of privacy but also adds a sculptural element to any room.

Modern Elegance:

Fast forward to the present, and the indoor egg chair has seamlessly transitioned from mid-century modern aesthetics to contemporary chic. Available in a variety of materials, colors, and finishes, these chairs offer versatility that complements a wide range of interior styles. From sleek leather to cozy fabric, there’s an egg chair to suit every taste.

Cozy Comfort:

At the heart of the indoor egg chair’s appeal is its unparalleled comfort. The ergonomic design cradles the body, providing a cozy and inviting space for relaxation. Whether placed in a reading nook, bedroom corner, or living room, sinking into the plush cushions of an egg chair instantly transports you to a world of tranquility.

Statement Piece:

Beyond its comfort, the indoor egg chair serves as a statement piece, effortlessly elevating the aesthetic of any room. Its distinctive design makes it a focal point, sparking conversation and drawing attention. It’s not just a piece of furniture; it’s a work of art that transforms the atmosphere of the space it inhabits.

Versatile Placement of the indoor egg chair:

One of the key advantages of the indoor egg chair is its versatility in placement. Compact and stylish, it can fit into various corners of your home, turning underutilized spaces into inviting retreats. Whether you’re creating a cozy reading book, a conversation corner, or a personal sanctuary, the egg chair adapts to your needs.

Bringing the Outdoors In:

The indoor egg chair also offers a unique connection to nature. With its enclosed design, it provides a sense of shelter reminiscent of a nest. This connection to the outdoors adds a touch of natural serenity to indoor spaces, making it a perfect escape from the hustle and bustle of modern life. The indoor egg chair is more than just a piece of furniture; it’s a design icon that combines timeless elegance with contemporary comfort. Whether you’re a fan of mid-century modern aesthetics or seeking a statement piece to elevate your interior, the indoor egg chair is a versatile and stylish choice. Embrace the allure of this classic piece and transform your living space into a haven of comfort and sophistication.

In the realm of interior design, certain elements effortlessly capture the imagination, seamlessly blending aesthetics with functionality. The indoor hanging egg chair is a prime example, weaving an air of elegance and relaxation into contemporary living spaces. Let’s explore the enchanting world of indoor hanging egg chairs, from their design origins to the transformative impact they can have on your home.

A Suspended Retreat:

The indoor hanging egg chair traces its roots to innovative mid-century designs, where suspended seating became a symbol of avant-garde elegance. Today, these chairs continue to captivate with their suspended charm, offering a unique and visually striking addition to modern interiors.

Timeless Design, Modern Appeal:

Designed to evoke the shape of an egg, these hanging chairs boast a cocoon-like silhouette that provides both comfort and style. Crafted in a variety of materials such as wicker, rattan, or even sleek acrylic, indoor hanging egg chairs effortlessly marry timeless design with a contemporary aesthetic, becoming focal points in any room.

Floating Comfort:

One of the most enticing features of indoor hanging egg chairs is the sensation of floating. Suspended from a sturdy ceiling mount, these chairs create a gentle, swinging motion that adds an extra layer of relaxation. Paired with plush cushions and a cozy throw, sinking into a hanging egg chair becomes a serene escape from the demands of everyday life.

Versatility in Placement:

Unlike traditional chairs, indoor hanging egg chairs boast versatility in placement. Whether hung in a corner reading nook, a bedroom retreat, or even a sunlit living room, these suspended cocoons transform underutilized spaces into inviting sanctuaries. Their ability to swivel and rotate enhances their adaptability to various settings.

Stylish and Space-Saving:

Indoor hanging egg chairs offer a stylish solution for those who value both form and function. Their suspended nature adds a touch of whimsy and drama to any room, while their space-saving design allows you to make the most of limited square footage. It’s a perfect marriage of style and practicality.

Creating a Relaxation Hub:

Imagine creating a dedicated relaxation hub within your home – a space where you can unwind, read, or simply daydream. The indoor hanging egg chair becomes the centerpiece of this sanctuary, enveloping you in comfort and offering a unique vantage point from which to appreciate your surroundings.

Harmony with Nature:

Much like their grounded counterparts, indoor hanging egg chairs bring a sense of nature indoors. The use of natural materials, coupled with the suspended design, creates an organic harmony that connects your living space with the outdoors. It’s a subtle yet powerful way to infuse tranquility into your home.

The indoor hanging egg chair is a captivating fusion of design innovation and relaxation. From its suspended elegance to the soothing motion it provides, this piece of furniture transcends the ordinary, transforming your living space into a haven of comfort and style. Embrace the allure of the indoor hanging egg chair and elevate your home with a touch of suspended sophistication.

In the realm of contemporary interior design, where form meets function, the indoor hanging egg chair has emerged as a symbol of style, comfort, and innovation. Hanging gracefully from above, these suspended cocoons add a touch of whimsy and relaxation to indoor spaces. Let’s delve into the allure of indoor hanging egg chairs, exploring their design, comfort, and the transformative impact they bring to your home.

Design Elegance:

The indoor hanging egg chair, inspired by mid-century design sensibilities, offers a captivating visual aesthetic. Its cocoon-like form, often crafted from materials like wicker or rattan, creates a statement piece that effortlessly blends modern elegance with a hint of retro charm. This suspended design adds a dynamic element to your interior, becoming a focal point that draws the eye.

A Swinging Retreat:

One of the defining features of indoor hanging egg chairs is the gentle sway they provide. Suspended from a sturdy ceiling mount, these chairs offer a soothing rocking motion that enhances the overall sense of relaxation. Paired with plush cushions and a cozy throw, the experience of sinking into an indoor hanging egg chair becomes a suspended retreat within the comfort of your own home.

Versatility in Placement:

Unlike conventional seating options, indoor hanging egg chairs offer unparalleled versatility in placement. Whether positioned in a cozy corner, a bedroom sanctuary, or as a unique addition to a living room, their ability to hang from above liberates floor space and allows for creative design possibilities. The result is an adaptable and stylish piece that seamlessly integrates into various settings.

Comfort Redefined:

While the visual appeal of indoor hanging egg chairs is undeniable, their comfort is equally noteworthy. The spacious, cocoon-like design provides a sense of enclosure and privacy, making it an ideal spot for relaxation, reading, or contemplation. The addition of soft, supportive cushions enhances the overall comfort, inviting you to linger and unwind.

Creating an Oasis:

Indoor hanging egg chairs have the power to transform a corner of your home into a personal oasis. By combining aesthetics with functionality, these suspended cocoons become more than just a piece of furniture – they create a dedicated space for relaxation and rejuvenation. It’s a private retreat within the confines of your home.

Harmonizing with Your Style:

Whether your interior style is modern, bohemian, or eclectic, indoor hanging egg chairs seamlessly harmonize with diverse design aesthetics. Available in an array of materials, colors, and styles, these chairs can be tailored to complement your existing decor or serve as a standout statement piece that defines the ambiance of the room.

Indoor hanging egg chairs represent a delightful convergence of design ingenuity and comfort. Elevating your interior with their suspended elegance, these chairs provide a unique retreat that transcends the ordinary. Embrace the enchanting charm of indoor hanging egg chairs and redefine your living space by introducing a touch of stylish innovation and serene comfort.

In the world of interior design, where comfort meets style, indoor egg chairs with stands have emerged as a versatile and eye-catching addition to contemporary living spaces. Suspended elegantly from sturdy frames, these chairs offer a unique blend of modern aesthetics and unparalleled comfort. Let’s delve into the allure of indoor egg chairs with stands, exploring their design, functionality, and the transformative impact they bring to indoor environments.

A Statement in Suspended Elegance:

The indoor egg chair, originally conceived as a mid-century design classic, takes on new dimensions with the addition of a stand. The outcome is a suspended masterpiece that merges the iconic egg shape with a streamlined frame, forming a statement piece that not only delivers comfort but also functions as a visually striking focal point in any room.

Design Adaptability:

What sets indoor egg chairs with stands apart is their adaptability in various settings. Unlike their counterparts that require ceiling mounts, these chairs with stands offer the freedom to place them anywhere in your home without the need for structural support. This flexibility opens up a world of design possibilities, allowing you to experiment with placement and change your space dynamically.

Floating Comfort:

The essence of suspended comfort remains a key feature in egg chairs with stands. The airy, floating sensation created by the stand enhances the overall experience, making these chairs an inviting space to relax, read, or simply unwind. The gentle sway adds a touch of tranquility, turning an ordinary seating arrangement into a haven of relaxation.

Sturdy Support and Stability:

The stands supporting indoor egg chairs are crafted with stability in mind. Made from durable materials such as steel or aluminum, these frames provide a sturdy foundation, ensuring both safety and longevity. The combination of a robust stand with the enveloping comfort of the egg chair creates a harmonious balance of strength and style.

Versatility in Placement:

The addition of a stand introduces a new level of versatility in placement. Whether positioned in a sunlit corner, a reading nook, or as a chic accent in a larger living space, indoor egg chairs with stands become versatile design elements that seamlessly integrate into your home. Their standalone nature allows for easy relocation and experimentation with different layouts.

Aesthetics and Material Variety:

Indoor egg chairs with stands come in a diverse range of materials, finishes, and styles, allowing you to choose a design that complements your interior aesthetic. From classic rattan to modern acrylic, the variety in materials ensures that these chairs can seamlessly blend with existing decor or make a bold statement as a focal point.

Creating a Retreat:

The combination of the egg chair’s cocoon-like design and the stand’s architectural elegance creates a retreat within your home. This is not just a place to sit; it’s a curated space that invites you to escape, relax, and rejuvenate. The indoor egg chair with a stand transforms ordinary moments into extraordinary experiences.

Indoor egg chairs with stands represent a harmonious fusion of design, functionality, and comfort. Elevating your interior with their suspended elegance and adaptable placement options. These chairs redefine the concept of seating in contemporary homes. Embrace the allure of indoor egg chairs with stands, bringing a touch of elevated comfort to your living space and creating a sanctuary where style meets relaxation.

In the dynamic world of interior design, where comfort and innovation intersect. The indoor egg chair swing has emerged as a captivating and versatile addition to modern living spaces. Combining the iconic egg shape with the playful motion of a swing. These chairs offer a unique blend of style and relaxation. Let’s explore the irresistible allure of indoor egg chair swings, from their design evolution to the delightful experience they bring to indoor environments.

A Playful Evolution of Design:

The indoor egg chair swing is a delightful evolution of the classic egg chair concept. Retaining the distinctive egg-shaped design, these swings introduce an element of playfulness with their suspended motion. It is a seamless union of enduring sophistication and enchanting charm that captures both the gaze and the essence.

Dynamic Suspension:

The defining feature of indoor egg chair swings is, undoubtedly, the dynamic suspension. Hanging elegantly from a sturdy ceiling mount or a specially designed stand, these swings provide a gentle, rocking motion that transforms the act of sitting into an interactive and enjoyable experience. The sensation of floating adds an extra layer of comfort to the already cozy confines of the egg chair.

Versatility in Placement:

One of the key advantages of indoor egg chair swings is their adaptability in various settings. Whether placed in a reading nook, a sunlit corner, or even as a central feature in a living room, these swings offer versatility in placement that transcends traditional seating options. Their ability to sway and rotate adds a dynamic element to the overall ambiance of the space.

Comfortable Cocoon:

The egg-shaped design, synonymous with comfort, takes on new dimensions when combined with the swinging motion. The result is a comfortable cocoon that envelops you in a sense of security and relaxation. The soft, plush cushions often associated with egg chairs enhance the overall comfort, making it an ideal spot for unwinding and escaping the demands of the day.

Creating a Relaxation Haven:

Indoor egg chair swings go beyond mere furniture and become a focal point for creating a dedicated relaxation haven within your home. Whether employed for reading, daydreaming, or relishing a moment of serenity. These swings introduce a touch of luxury to daily life, converting your space into a haven of comfort.

Stylish and Whimsical: The combination of style and whimsy sets indoor egg chairs swings apart in the realm of interior design. Available in a variety of materials, colors, and finishes, these swings can be tailored to suit a range of design aesthetics. They effortlessly infuse a space with personality, serving as both a functional seating option and a stylish statement piece.

Interactive Seating:

The interactive appeal of indoor egg chair swings makes them attractive to individuals of all ages. Whether children revel in the playful sway or adults savor a sought-after moment of relaxation, these swings provide an interactive seating experience that infuses daily routines with a touch of joy.

Conclusion:

In summary, indoor egg chair swings epitomize a delightful blend of innovative design, comfort, and playfulness. Elevate your interior with the irresistible allure of these swings, turning ordinary moments into extraordinary experiences. Embrace the kinetic suspension, craft a chic sanctuary, and step into a fresh dimension of comfort and design within your living space.

[retromasterseo]

Furniture Trader

Title: Embracing Timeless Elegance: Exploring Furniture Trader's Retro Master Emporium

In a world where trends come and go, there's a timeless allure to the classics, an elegance that transcends passing fads. Enter Furniture Trader – Retro Master, a haven for aficionados of enduring design. Nestled in the heart of the city, this emporium stands as a beacon, drawing in those who appreciate the beauty and craftsmanship of yesteryears.

Step inside and be transported to an era where furniture was more than just functional; it was a statement of style and sophistication. Each piece in Furniture Trader's collection tells a story, whispering tales of bygone days when quality and aesthetics reigned supreme. From mid-century modern marvels to art deco delights, every item is meticulously curated to evoke nostalgia and admiration.

What sets Furniture Trader apart is its unwavering commitment to authenticity. Unlike mass-produced furniture that floods the market, each piece in their collection is a testament to craftsmanship and attention to detail. Here, passion and expertise converge, with the team of curators scouring the globe for hidden gems waiting to be rediscovered.

One of the joys of visiting Furniture Trader is the opportunity to discover rare finds that you won't find anywhere else. Whether it's a sleek Eames lounge chair or a vintage Danish teak sideboard, each piece has been lovingly restored to its former glory, preserving its original charm while ensuring it's ready to be enjoyed for years to come.

But Furniture Trader is more than just a place to buy furniture; it's a sanctuary for those who appreciate the finer things in life. Stepping into their showroom is like stepping back in time, surrounded by timeless beauty and elegance. It's a place where design enthusiasts can indulge their passion, surrounded by like-minded individuals who share their appreciation for the classics.

For those who are new to the world of vintage furniture, the team at Furniture Trader is always on hand to offer guidance and expertise. Whether you're searching for the perfect statement piece for your living room or looking to furnish your entire home in retro style, they'll work with you to find the perfect solution.

In an age where fast furniture dominates the market, Furniture Trader offers a refreshing alternative. Their commitment to quality, authenticity, and timeless design sets them apart, making them a destination of choice for discerning shoppers seeking something truly special.

As you browse through their collection, you can't help but feel a sense of nostalgia for a time when furniture was built to last and design was celebrated. Each piece tells a story, a glimpse into the past that reminds us of the enduring appeal of classic design.

So whether you're a seasoned collector or simply appreciate the beauty of timeless design, Furniture Trader – Retro Master is a must-visit destination. Step inside and rediscover the elegance of the past, brought to life through meticulously curated pieces that are sure to stand the test of time.

[ourfurniture]

Designer Classics at Unbeatable Prices: OurFurniture's Classic Modern Collection

Are you looking to infuse your living space with timeless elegant mid-century sofas, tables, and mid century chairs for sale? Look no further! We're about to introduce you to a treasure trove of iconic furniture pieces. OurFurniture is an online store with a remarkable Classic Modern Collection. Let's look at some of their showstopping pieces that are sure to make a statement in any home. 1949 Protractor 98" Desk: A Modernist Marvel One of the standout pieces in OurFurniture’s collection is the 1949 Protractor 98" Desk, a true modernist masterpiece. This desk was originally designed by the Italian architect and designer Carlo Mollino in 1949, and it's a symbol of modernist writing desks. Its construction is a work of art with a thick glass plate resting on raised stainless steel support buttons, providing a stunning writing surface. The desk boasts a unique design with hardwood beams floating off the surface, supported by stainless steel bolt sleeves. There's also an open-faced single pull-out drawer offering complete transparency. The result? A faithful replication of a design masterpiece with a dazzling shiny finish. CH25 Easy Chair: A Fusion of Comfort and Danish Design OurFurniture’s CH25 Easy Chair provides the ultimate comfort. This Danish-inspired mid century modern armchair seamlessly blends into any modern or traditional setting. Crafted with solid ash wood and hand-woven paper cord, this chair is a true testament to exquisite craftsmanship. The adjustable backrest and broad armrests ensure a relaxing experience, making it an ideal choice for long hours of lounging. Curved Boucle Sofa Fabric: A Touch of 70's Aesthetics Reimagine your living room with the Curved Boucle Sofa Fabric, a creation by the talented Australian designer Anthony Spon-Smith. This sofa provided by OurFurniture has soft curves, solid wooden legs, and the unparalleled comfort of high-density foam cushions. The boucle fabric not only adds a unique texture but also elevates the overall aesthetic of your space. Its handcrafted framework and sturdy build ensure both durability and a sense of serenity. At OurFurniture, quality is paramount. Each piece from the collection, whether it is a small round marble dining table, or a classic mid-century sofa is meticulously crafted with the finest materials. So, why wait? Elevate your home with these timeless, affordable, and sophisticated pieces from OurFurniture's Classic Modern Collection, and make a statement that stands the test of time. Buy now at the best prices at https://ourfurniture.com/ Original Source: https://bit.ly/3OXV1za

[wildbeautifuldamned]

2 Vtg Dining Chairs Wood & Black Leather Seats Mid Century Danish Modern 1960s ebay AGoGoVintage

[jrmilazzo]

At the first televised US presidential debate in 1960, John F. Kennedy and Richard Nixon sat in Round Chairs. Danish Modern was presented as a symbol of the luxury, freedom, and stylishness afforded by the capitalist development with which America had become politically synonymous; it was now as American as democracy itself. This association, however questionable, became an important element of the furniture’s appeal—and of the marketing campaigns to sell it. Danish Modern was, in ad copy and in the words of the era’s tastemakers, furniture for all Americans. “It is a significant part of the Wegner story,” wrote House Beautiful editor Marion Gough (as quoted by Taft), “that people were ��discovering’ this beauty even before the experts stamped it with their approval.” Wegner’s Chair belonged, at least in theory, to anyone and everyone.

Danish cabinetmakers, American manufacturers, and tastemakers like Doris Scherbak—an American whose husband was stationed in Paris to work on the Marshall Plan—popularized not just the specific pieces of Danish Modern furniture but the very idea of it. Curved lines, splayed legs, rich wood: These became emblematic of the idealized, placid mid-century American lifestyle made possible by the outrageous growth of capitalism. Since the high cost of producing those emblems kept them out of reach of a number of Americans, capitalist ingenuity saw an opportunity to satisfy its profit motive: Copies and knock-offs proliferated in the United States, where copyright rules were lax to the point of nonexistence. Even Scherbak, who had outfitted her apartment in Paris entirely with furniture and fabrics from the Danish store Den Permanente, bought a pair of knock-off chairs in Mexico and proudly wrote to Fischer that she was “happy to have” them, because they were “really good copies and were so very cheap.”