#metaphor its all a metaphor

[things-falling-apart]

what tha heeellll here be my warriors sona i guess

bruh my fuckin,g oc lore . ok so long ago in spiderclan there existed archstripe , vulturewish and wolfpaw . (and some others but that doesnt matter)

ok a/s and w/p were medcat mentor and apprentice. and they got along pretty well. then! uh oh! v/w 'befriended' and killed w/p because he felt like it! oh well a/s won't take this lightly, so in return he kills v/w by luring a fox to the border. it kills both of them! so in cat limbo w/p and a/s meet one last time before a/s is dragged to the dark forest by v/w, as he somehow gets back into starclan. a/s is stuck in the dark forest for a good long while before w/p finds a way for him to escape (which costs w/p most of her spirit).

then blablabla a/s reincarnates w/p as tigerpool like a billion years later or something but she doesn't know that (she does have w/p's memories though so that's. fun.)

but that doesn't mean anything to anyone else but me so idk look at the funny cat

[cracklewink]

My Mane 6 Redesigns all together! I was going to post them separately but ended up finishing them all before I got around to it lol

[medicalunprofessional]

sorry guys they finally showed me peak fiction . Its called “phantom of the paradise”

[fairsweetlonging]

imagine if after the transmigration shen qingqiu became a combination of shen yuan and shen jiu, not in a "second person living in my head" kind of way, but a "this house is haunted and carries the echoes of the dead" kind of way; imagine shen yuan having nightmares about a house, a fire, a faceless boy behind a door he can't remember; imagine him having flashes of emotions he doesn't understand, rage at a name he doesn't recognize, helplessness when yue qingyuan apologizes for something he won't mention, nausea when ning yingying says the name "a-luo"; imagine parts of his own self have changed too, how he now likes bows in his hair, pretty flowers and flowing robes, but can no longer stand a stranger's touch, a man's touch, yet he longs for the brothels, but never sexually, only fondly, like there's something there he misses. there are many empty spaces in his heart where he feels something is missing

[doydoune]

Hazakura Temple, February

[phoenixcatch7]

Okay but it's super interesting how

Din = Power = Ganondorf

Naryu = Wisdom = Zelda

Farore = Courage = Link.

Because Din, in the hylian creation myth, created the physical world. Naryu then created the laws - gravity, time, etc. And Farore finally created life - plants and people.

Din created the body, naryu the mind, Farore the soul.

And the triforce and its wielders so perfectly reflect that.

Ganon is physical power, he is big and intimidating and he breaks things. He is cunning and determined, but that's not what he focuses on. He is might makes right.

Zelda is wisdom and cleverness. She is stall tactics and information and team work. She is a powerful mage with a spine of steel, but that's not how she'll win. She is the pen being mightier than the sword.

Link is courage and persistence. He is the wild card sneaking behind enemy ranks, always moving, plunging into terrifying situations head first. He's a phenomenal fighter with a keen wit, but that's not what will get him through his challenges. He is bravery not being the absence of fear but the triumph over it.

They sit in perfect parallels to each other.

And ganon is reborn through his body - his resurrection is immortality. No matter how low he is cast, as long as he has a body he can claw his way back. He can cling to his power, build it ever higher.

Zelda is reborn through the magic of her bloodline. It's the accumulated knowledge handed down for generations, the unique power she must master, the skills she must develop to survive and get her kingdom out the other side intact. Even her name, the knowledge of herself, is handed down from all the way from the very first. Her ancestors knowledge of her future presence, her stability, is what gives her the edge.

Link is reborn in spirit. He is not bound by flesh or blood. Just like his wanderlust soul he can reappear in any time or place. His variation, his unpredictability, is exactly how he fights. It's what makes him so hard to pin down.

Ganons need to build strength means he can't chase after link. Links impulsiveness means zelda can outwit him. Zeldas stationary predictability means she's an easy target for ganon.

But the other direction?

Fire melts ice, ice redirects lightning, lightning burns fire.

And that's the very essence of the triforce.

[lucabyte]

So does anybody else ever think about how Loop felt the need to demonstrate that the party's deaths wouldn't have any effect on the loops. I know I do but that's besides the point. Anyway I don't think Loop actually needs to bathe, they just like to feel included.

[wolfythewitch]

oh you're aroace :3 I don't mean to pry but, how like, did you figure it out ? or maybe how is it like? I'm pretty sure that what I m but it's... been confusing me for a while I just don't know how to know if that makes any sense TvT

Anyhow, take care have a good day :3

I still have no idea tbh. But I never really cared about attraction and romance and I still don't. I rarely think about it in context of myself and as far I know I've never felt romantic or sexual attraction. So for now it's the label that fits haha

[allforjeanmoreau]

I‘ve been thinking a lot about how perfect it is that Riko is King and Kevin is Queen (the King in chess being the center off attention but he’s actually not that powerful by himself, and the Queen being the deadliest piece on the board).

And it just hit me how Kevin is actually like a pawn that made it to the other side of the board and became a Queen. He left his king behind and ran away and it’s a dangerous path but he fights through it, survives, makes it all the way to the other side and in the end he is Queen, he is fast, he is powerful, he is on top, and the King is nothing without him.

And when the King has lost all his men, when there is no one left to shield him, he is defeated. Checkmate. And the Queen has survived.

[nerdyqueerr]

The Amazing Devil truly knocked it out of the park with Fair in terms of love songs i mean its got everything. Domesticity, deep adoration, confessions of love when youre sure no one else can hear, a that's what she said joke, yogurt, genuinely dont think there's a more romantic song on the face of the earth

[bunnieswithknives]

erm can we see more deer dale he's so silly

Deer Dale!!! Now with full antler face like I initially intended but could not figure out how to draw at the time

[marypsue]

Man, it's cool and all if you see a metaphor for marginalisation in the monstrous, and if you want the power fantasy of 'what if you could just eat anybody who threatened you/pissed you off'. Me too.

However, as soon as you start saying 'no, these monsters are a 1:1 on Specific Marginalised Group, and you have to treat them in the fiction like they are directly representative of real human members of the marginalised group', BUT you also, in the fiction, make them hurt/kill/eat humans? And then try to shame me, your audience, for noticing or engaging with the bit where they kill people, because you made them directly representative of a real-world marginalised group? You have lost me, and also, I think, the plot.

[mysterycitrus]

tim drake college fic — back in action

[lizzybeeee]

DATV explaining the 'Regret Prison'

A REGRET PRISON IS STUPID AND I'M TIRED OF PRETENDING THAT ITS NOT

TL;DR: a prison can serve as a metaphor but it shouldn't be entirely comprised of a metaphor.

From what I understood from what the game gave us: Solas has made a new prison to move the God's too - since bringing down the veil would free them from the Black City. This new prison is separate(?) from the fade or so far removed/contained that bringing down the veil would not compromise it...apparently. We interrupt his ritual, Solas gets sucked into the new prison he made, and the elven gods are free.

When Rook gets kicked into the fade they're physically there - which means it's a physical place in the fade, like how it was a mixture of physical/thought when we entered it in DAI. Which makes sense - the gods are real and living beings, they need to be in a place, there must be some aspect of physicality to it.

Alright, cool, it's a Black City 2.0 - I assume it's better defended to prevent people breaking in/out again?

NOPE.

We get there and it's a 'regret prison'?? It's tied to the regrets of those within it? Composed of regrets??? Solas had to wait for the right moment for Rook to be sufficiently 'full of regret' that they could switch places?

So is the prison tied to Solas's regrets? If so, how can Rook escape? The prison seems to work around the idea that it relies on the regrets of the person it's holding to work - which is how/why Rook was able to be trapped and later free themselves (along with whatever remains of the team apparently being able to do something on their end, not that we hear about it).

WHICH IS STUPID!

Are you telling me the prison intended to hold to megalomaniac elven gods was going to imprison them based on their own regrets? Is Solas assuming that Elgar'nan and Ghilan'nain are as self-pitying as he is? They'd break out quicker than Rook did! He made a time out corner for the elven gods to sit in and gave them an out if they reflected on their emotions/regrets or decided that they don't regret what they did. Elgar'nan, a spirit of tyranny, is not going to 'regret' his actions - he is going to justify them by telling himself and others that he knows what's best.

We can come across some of Solas's regrets in the prison if you run around a bit and explore:

Remnant of Failure - talking about the orb from Inquisition.

Remnant of Parting - talking about Mythal

Remnant of Reflection - more vague, talking about the Titans I believe.

So maybe he altered it - maybe he intended the prison to be 'locked' with his own regrets because after a millennia of having a pity party he still can't bring himself to self-reflect and look to the future. But what if Solas died? Or if his guilt lessened - would it diminish the strength of the regret prison?

We already have pre-established lore (though DATV has shown they don't really give a crap tbh) that once the being that has claimed/altered an area of the fade is slain, it's influence diminishes both in and outside of the fade. So if the prison was tied to his regrets then it would require Solas to basically live forever to keep it stable - especially if he brought down the veil and removed the one barrier that kept the world and the fade apart.

Rook and Solas needed some assistance to exit - but it doesn't seem like it was much! Solas used his dagger and Rook just...got out through a fade tear? This is Solas's 'more secure' second prison? It has a worse track record than the Black City! If Rook - who is not an elven god - managed to escape the regret prison what is to stop anyone else from breaking in and out of the prison?

And what did Solas intend to do with the blight - the bulk of which is apparently in the black city?? If bringing down the Veil would free the gods in the black city doesn't that mean that the blight would also be released?! Did he have a plan? Why does he go fully ahead with bringing down the veil at the end if the black city is still there and filled with blight?!

I get it: the 'regret prison' is a metaphor for how Solas holds onto the past and how Rook can move past their regrets and grow. He's trapped by the past - it's a prison. Cool. But this prison is supposed to by a physical place to contain the gods - not just to solely contain Solas. The mission is literally called 'A Cage for Gods'.

The Black City is an actual place that's so far out of reach of anywhere else in the fade that no mage can ever reach it while in dreams - let alone physically, which was only done once and took tremendous effort/blood sacrifices. It made sense - it was cool to see floating in the sky in DAO!

Though it's not said specifically, it's strongly implied that Arlathan is the Black City. You can see in the concept art that floating elven city is exactly the same as the black city in DAO! It's this foreboding thing just lurking in the sky - a constant reminder of the sin that led to the horrors of the blights and darkspawn. A real place with lore and history that also serves as a metaphor for the hubris and destruction of those who call themselves gods and act as tyrants -> for both the evanuris and the magisters.

I WANT TO UNDERSTAND THIS BIOWARE!

WHAT IS THIS KINGDOM HEARTS NONSENSE???!!

[naggascradle]

[chugging-antiseptic-dye]

beige flags of seventeen 🏳️🏳️🏳️ (part two):

Scoups: leaves the towel wet and used on the bathroom floor

Jeonghan: if you try to bring up an issue, he will won't take you seriously at first. his go to move is deflecting your concerns or laughing it off.

Joshua: holds a grudge if you mess up the invincible timetable in his head

Jun: wants to be praised for doing the dishes every time. he will hover around you and say things like "wow the kitchen sure looks spotless"

Hoshi: sometimes, just sometimes, he will lie to you to avoid taking any personal responsibility

Wonwoo: pulls out the victim card like a professional

Woozi: will leave you on read until he wants to respond. when he feels like responding is anyone's guess.

Dokyeom: his feelings get hurt when you bring up how he hurt your feelings. so, in the end, you end up having to apologize to him and you are left wondering if you should even bother bringing it up next time.

Mingyu: always highlights where you fell short when you just want to be emotionally validated.

Minghao: can be dismissive and cruel with words if he is in a bad mood

Seungkwan: will cancel your dates for networking events

Vernon: if he feels put on the spot he will dig his heels in even if its something he doesn't care about personally

Dino: leaves razors unwashed on the bathroom counter and always mixes his dirty socks with the other clothes