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kitchfit · 10 months ago

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Year in Review: TV Shows

¡Feliz Dia de los Reyes! And Happy New Year! And also happy belated Hanukkah, Christmas, Yule, Bodhi, Kwanzaa and Diso, probably some other holidays. BOXING DAY. You all get a gift! And it's the same thing you ask for every year that I know you love so so much: Unwarranted opinions about tv shows from a stranger on the internet! I am truly generous.

Shadow and Bone s1-2

Confession: I grew up with these books. It’s one of the only book series I snatched up as soon as they were released, and to this day I will read anything Leigh Bardugo slaps my face with, so I was ecstatic to discover they were making a Netflix adaptation. And damn one thing I cannot critique is the casting for this series. Jessie Mei Li pulls off the classic orphan chosen one YA protagonist so well without being cliche, which is also something Bardugo was able to do in the books. And Freddy Carter and Kit Young have just become Kaz and Jesper in my head, replacing whatever image I had of those characters originally. Also evil Prince Caspian is hot!

Season one is genuinely a fantastic adaptation. They seamlessly combine the storylines of Shadow and Bone and Six of Crows. The gaps in pacing from the first book have had their slack picked up by these lovable criminals playing out a similar storyline to their first book, with Alina taking the place of the Grisha scientist as their object of kidnapping. Everything plays out so fluidly that I was enamored with my first and second watch through.

Season two on the other hand is messy as all hell. They try to adapt multiple books into one storyline like season one, but none of them blend in well together. The bastardized Crooked Kingdom plot (which was my favorite in the series) is completely disconnected from Alina’s story to the point it felt confusing and exhausting each time they went back to it, while the Siege and Storm and the Rise and Ruin plotlines are so rushed I could barely follow what was supposed to be happening. Plus they added their own ending, which is fine conceptually, I get them wanting to do their own thing, but I wish they either just adapted the books, or committed to making something original, instead of this clustered amalgamation.

The Owl House s3

Everyone knows this is a show that deserves MINIMUM six seasons and a movie. The world is incredibly fun and versatile, and the characters are fascinating and enjoyable to watch. But Disney is homophobic and lame and Oh My Shit is that Steamboat Willy making out with Oswald the Rabbit?? Holy Shit. I can’t believe that’s canon now! Thank you Bob Igor.

That being said the writers and animators did a fantastic job on tight storytelling in these last two seasons. A lot of shows that aren’t given enough space to tell their story will cut out “filler” content to shove all the dramatic moments they want in your face (looking at you Voltron), but Owl House strikes a nice balance between slice of life character episodes and the more plot focused episodes in the short time they have. There’s so many background details and one off lines that create an intricate backstory that adds both to the lore and the motivations of our deadly Puritan villain. It also delivers on a fantastic ending that works both as a definitive end to the series or the jumpstart to a sequel if it ever gets graced with a renewal.

Merlin s1-5

Back in the day this show was grouped in among the other popular BBC shows at the time + Supernatural, and thus it gets a similar reputation nowadays as a queer-baity overrated show that goes on for too long. I don’t think that’s wholly undeserved, but Merlin is leagues better than either Supernatural or Sherlock and is much more consistent in delivering quality episodes than even New Who, though that last one is higher quality overall imo.

The cast all give a fantastic performance as their characters go through some genuinely well written character arcs, especially Anthony Head as Uther who blends goofy freak with hateable bigot so well that his antagonism commands the flow of the entire first three seasons. Like what’s his fucking problem? After he gets out of the picture however the pacing does tank as the plot forces out about three near identical Morgana takes over Camelot conflicts.

This show is also campy as all hell, and blends together lighthearted comedic episodes alongside extremely well written dramatic plots pretty well, though it occasionally stoops to some tonally dissonant melodrama. Uther falls in love with a farting witch like two episodes before Morgause nearly kills Arthur. I do think the will-they-won’t-they between Merlin and Arthur was written intentionally, and while their friendship is enjoyable to watch develop, the answer is obviously Won’t, because gay people don’t exist in Camelot times. Also Guinevere’s characterization fucking tanks in the last season for no reason at all, but it does have a good ending overall.

Dragon Ball Z Kai s1-4

Every year I make my dad watch a shonen anime all the way through. In 2020 it was Jojo’s, 2021 it was Hunter X Hunter, last year it was Naruto (Ocean Cut), and this year it was Dragon Ball Z Kai. So far there’s been no losers, he’s loved all of them (though he got burnt out on Part 5 of Jojo’s). It took a bit for him to get into Dragon Ball; the Saiyan saga did not hold his interest until the Vegeta fight, but he was thoroughly engaged through the Frieza saga and ESPECIALLY the Cell saga. He told me Cell is the most evil villain in all of the anime I forced this 49 year old to watch. I myself had never watched all of Dragon Ball Z in order before this year, and I’m happy to say most of it holds up, at least in Kai.

Season one is overall hard to rewatch from the beginning, since after Goku’s death we get several episodes of mindless training and running on Snake Way that we already know won’t pay off, but damn the cinematography and choreography in that first Vegeta fight is genuinely stunning and I can probably rewatch that anytime. Season two on Namek pulls off writing without Goku much better. There’s a strong sense of tension as all of these different conflicts barely miss each other: Frieza’s army killing off the already small population of Namekians as Vegeta, Gohan, and Krillin are searching for the Dragon Balls. Writing Vegeta as a secondary protagonist in this arc despite still being a violent jackass is genius and this whole section is thoroughly engaging. Pacing grinds to a crawl when the Ginyu Force show up, and I’m sad to say this continues into the Frieza fight. It’s a good fight, but after the Supper Saying shows up they could have ended things pretty quickly, but the fight draws on and on until even Goku gets bored.

The Cell saga is easily peak Dragon Ball. This is the season Saturday morning cartoons would replay over and over again, so it's the one I’m most familiar with, and damn it I see why they did that. It’s a fun, messy time travel story that focuses on the development of our two biggest protagonists. Goku and Krillin? Nah fuck them I mean Gohan and Vegeta. We get conclusions to their character arcs that are so bombastically enjoyable that Toriyama NEARLY approaches good writing.

Season 4 on the other hand can’t decide whether it wants to be a continuation or its own thing and it shows in the pacing. The Buu saga is way too fucking long for no reason, the stakes rise to an absurd extreme and towards the end none of the characters seem to take any real notice. Goku lets his own son die to save a dog and an old man and then laughs it off as a brain fart. I like Majin Vegeta and regular Buu but everything afterwards overstays its welcome.

Castlevania s1-2

It’s kind of insane to me how good this show is. It takes the plot of an NES game with minimal dialogue and cool set pieces and transforms it into an epic ensemble story where every character has a fascinating arc to explore, not to mention animated BEAUTIFULLY. The show does NOT hold back on gore, but at the same time pulls it off with elegance so the blood and guts don’t feel gratuitous. Castlevania 3 was also my favorite as a kid despite never having finished it so it was personally very satisfying to see this one adapted.

The relationship between Trevor, Alucard, and Sypha is also adorable and one of my mainstays when I think of fictional Polyamorous couples. Their dynamics are further developed in the latter seasons, but the Dracula fight is so stellar that I was satisfied with ending it there for now, I still need to watch the Rondo of Blood anime.

My Adventures With Superman s1

This show was so cute! And also very vindicating after Snyder’s Superman changed every depiction of the character into a deconstruction on whether helping people is good or evil. Or maybe those were the only ones I saw after that. I was introduced to Superman through the Justice League cartoon and that will always be my primary understanding of the guy, so it’s nice to see Clark written in a similar light.

However, it’s Lois Lane that really takes center stage in this show. I mean it’s her adventures after all. She is NOTHING like any previous Lois Lane and is an essential brand new character, and she plays off of Clark’s personality SUPER well and their romance is adorable to see develop. I saw a lot of comparisons of her character to Luz and honestly I see the resemblance, not only in design but in dialogue. Which is fine I like Luz, but it forces me to compare it to the Owl House.

While this show also has very little time to tell its story, unlike TOH it’s paced like shit. Every episode that they put out is fantastic, but all of them feel like the conclusion to a grand story arc, rather than 10 episodes in succession of each other. They introduced multiverse shit in episode SEVEN. And while I love the new design of Mr. Mxldsjdnsk (especially considering I had just finished Dragon Ball Z), they did not earn that shit. This is obviously a production problem I can’t blame on the writers, but this is a show clearly designed as a slice of life with action thrown in, it needs cute fillery episodes, dammit. STOP RUSHING EVERYTHING.

King of the Hill s1

I don’t know if it's a controversial take to say King of the Hill is easily the best adult-oriented American cartoon, right? I think everyone should be on the same page on this. Like the Simpsons is way too long to be objectively good anymore. Maybe Futurama outclasses it but like. Family Guy? American Dad? BIG MOutH? None of those even have jokes. King of the Hill manages to not only be hilarious as all hell, but also tell a meaningful story.

As someone who has grown up in the relative south (Not Texas) I see it as both a satire, celebration, and deconstruction of the culture of rural America. Most episodes focus on Hank trying to give Bobby a meaningful childhood and teach him valuable lessons, but in the process realizing that the culture he grew up in kind of fucked him up a bit, and instead of digging his heels in and refusing to change, he alters his behavior and views for the sake of his son. Bobby himself is a lovable goofball who shows off the fun of growing up as some country hick. Watch this clip of Bobby playing spin the bottle right fucking now.

Adventure Time: Fionna and Cake s1

ANOTHER PIECE OF MEDIA CAPITALIZING ON THE MULTIVERSE TREND LETS GO. I spoke before about the inherent metafiction in Multiverse narratives. I think Fionna and Cake understands that aspect well, which makes sense as in Adventure Time the Multiverse had already been an established fact. This sequel is more of an elaboration on previous world-building from the original, rather than following the trends of Marvel or whoever. It also makes me care about two characters I couldn’t give a shit about in the original, that being the title protagonists. They were cute in Adventure Time, but in my first watch through I really couldn’t be bothered with the watered down, gender-swapped variants of our main dudes, and in this show they basically discard all those episodes anyways! Cool!

Their arcs follow the existential nightmare of being people from a “noncanon, illegitimate” universe, and their quest to bring magic back to their world. It’s a compelling narrative and their differences and similarities with Finn and Jake are genuinely fun to compare and contrast while also being fun characters in their own right. I like the realization Fionna has midway through the series that the violent adventures she craved are actually kind of horrifying, and the simple quiet life she used to have was nice. I’m excited to see what the writers have in store for the both of them in the future.

But the real meat of this season comes in the deconstruction of the fan favorite character, Simon Ice King. Fionna and Cake was his fanfiction, after all, though that gets somewhat retconned. He was already a tragic figure in the original, and the final season gave him a bittersweet ending: his sanity returned but now eternally separated from his wife by her Eldritch transformation. This show gives his character the space and time to process exactly what the hell he’s supposed to do with his life now as well as understand the problems he and Betty had when they were in a relationship. I’m glad to see Simon finally get something far more resembling a happy ending than he ever got in the original.

Adventure Time s1-7

This is a show that I would describe as “high patience, high reward.” It’s not something I truly got into until college, as I was put off by what I saw as Lolz Random humor I was trying to distance myself from as a Cool Mature Teenager™. I still had a hard time getting through the first couple seasons in my first watch-through, but it was an easy show to put on in the background while doing research for papers. Eventually I was hooked and sped through all of it at blinding speeds.

Fionna and Cake inspired me to revisit the show, and I’m happy to say I have a higher tolerance for the aspects of the show I found obnoxious the first time around. The wacky mathy-math lingo of the characters generally fades into the background and builds a distinct vocabulary of this goofy sci-fi fantasy world. It was also fun to see how aspects of the earlier episodes inspired later developments of the world, like the Zombie Businessmen establishing a possible dystopian setting for our goofball protagonists.

Unlike my first viewing, the pace breaker actually started around season five. Their are some fantastic episodes in this period of the show, but overall the world stops developing as fast and each episode acts more as an exploration of the characters. It’s nice to spend more time with all of these weirdos, but it’s made it tough to binge. That’s actually a positive now that I think about it.

I like Finn a lot. I like that he’s flawed and he fails all the time, it makes it more enjoyable to see him mature as a person. If any episode encapsulates his personality the most, I think it’s the Hall of Egress, where Finn is trapped in a dungeon that resets every time he opens his eyes. It’s probably my favorite episode in the entire show, and plays to all of AT’s strengths: a great mix of comedy and introspection without ever being melodramatic

Scott Pilgrim Takes Off

I was initially disappointed with this show when I realized it wasn’t a direct adaptation of the original comic. It plays this fact as a twist, playing out the first volume in its entirety until the very end, where SPOILERS Scott Fucking Dies. The “Takes Off” part was literal: that dude is Gone. The second episode even plays this for laughs as Envy Adams has a spontaneous concert over his funeral and no one besides Ramona seems to care that their friend exploded. It felt like a cruel joke making fun of fans of the original.

I’m glad I pushed through, though, as all of this was a ploy to put Ramona in the center stage, changing the goalpost of Beat Up the Seven Evil Exes to Investigate the Seven Evil Exes for possible murder/kidnapping motives Columbo-style. In most of the adaptations, Ramona is always playing off of Scott’s dumbass behavior, and it takes a while to truly dig into her personality. Putting her center-stage gives the audience an immediate view into her character and she may be the most likable she’s ever been.

This show works as a sequel to the original through some time-travel shenanigans, and brings back series creator Brian Lee O’Malley, as well as the cast from the movie. This whole deal, if the rumor is true, apparently came out of Michael Cera responding to a group email meme with the og cast a decade late with “That’s funny,” and got everyone talking again. With that in mind it changes my view on the show as a whole, it's not a cruel joke, it’s a love letter to everything that came before it.

I do still have a couple complaints, mostly that a few characters are heavily flanderized, namely Wallace and Scott himself, but like. That’s fine. How many times have we seen these characters explored? Like what 5 times now? I’m fine with them taking a comedic back seat to explore the dynamics of the rest of the cast. It’s also really satisfying to see all the exes get meaningful character arcs, which they never really got in the other versions of SP including the original. It makes me want to see what else they might have in store, but there are no plans for a continuation. Probably because that cast listing was expensive as hell. Do you know how much Chris Evans voice acting costs??? $7.50/hour AT LEAST.

Bee and Puppycat s2

Damn this show is so comfy. Everything from the characters, the music, the voice acting, the animation style, the COLORS! Even when the show hits the dramatic button it never stops being such a delight. It’s also longer than I remember, and gives a lot of time for every plotline to unfold. There’s intrigue and mystery surrounding every inch of this Mario Galaxy-ass setting, and it never fully reveals its hand, but that never takes away from the simple, slice-of-life story about two roommates taking part time jobs to make ends meet.

There’s a heavy theme of responsibility and young adulthood with all of the characters, which is also super relatable to me rn. The most responsible character in this show is the six-year old landlord with WAY too much on his shoulders. I like the dynamics with the Wizard family, I feel they present very realistic sibling relationships overall.

I tried checking out season 1 on youtube. I’ve heard people call it a continuation, but season 2 really is just a reimagining of this short youtube series. It’s only an hour long but for some reason it failed to grasp me. It’s somewhat tonally different, and the romantic tension between Bee and Deckard is weird to me after watching season 2. I’m glad they abandoned that as a plotline.

And those are all the shows I watched this year. LAST YEAR. I did not finish this when I wanted to, so to speed things up I’m gonna skip over the final movie list. Long story short Coraline rules, Home Alone 2 is violent and funny, Love Actually Hugh Grant is hot, and Christmas Vacation SUCKS. Fuck National Lampoon all my homies Hate national lampoon. Next time I will be doing the final games list. Wahoo!