#melanie fitts

[rebel-sqrrl]

2012 Brockton Bay Pride Parade

Undersiders float: Lily and Sabah, with Brian there as an ally to drive. Lisa had better things to do (though she begrudgingly helped fund the whole thing), and Rachel is off-world with the Heartbroken.

Wards float (directly behind Undersiders): just Vista (and Aisha 🤫). She's staring daggers at Lily's back.

Faultline's Crew float: Faultline (traded out the usual lime green and neon pink costume for a rainbow one), Elle (wearing her normal costume but with lesbian flag shoelaces), and Gregor (wearing trans flag short shorts and a fishnet shirt). Gregor is spraying the crowd with HRT slime, and is having more fun by far than anyone else.

[rebel-sqrrl]

This is why people treat Faultline like a Thinker too

Lung is a Thinker 1 because when he powers up he can break through a locked door and steal classified information

[asin201hons]

artists recommended by Sonya.

Emma fits.

‘made material, made substantial’

Varicoloured, captivating and referential assemblages pertaining to the body are crafted by Emma Fitts. Rehabilitating histories, she takes as her subject matter well-known, local artistic and political personages such as Louise Henderson, Edith Collier, Frances Hodgkins, Olivia Spencer Bower and Marilyn Waring. Inspiration is provided by almost out-moded fashions, aged clothing patterns as well as worn bolts of cloth. Aside from these historically-informed re-visitations, Fitts also attempts to realise felt-states in configurations or block-like shapes of darkened fabrics that hover in space like the plans of half-remembered rooms.

Alluding to functional forms of seasonal attire such as the anorak, or furniture such as the garden chair, Fitts’ fabric tributes take the forms of large and generous canopies or banners. Suspended in space these material homages are stitched together from silks, linens or cottons thrifted and sourced from various second-hand shops. Layer upon layer of contrasting materials, prints and textures are brought together to form splendid drops or curtains of conglomerate textiles. Each enjoys a particular palette, jewel-like magentas and apricots; camouflage khakis with garden greens or egg-yolk yellows paired within monochromatic prints. They fall and fold creating broken up colour fields evoking architectural features such as doors, windows, even portals. Fitts has also made anxious objects made of leather and velvet that hang twisted from wooden hooks, echoing absent bodies. Additionally, she has erected thin calcified columns, bony and white that pretend to incrementally provide architectural support.”

(For the artist’s bio on the Melanie rodgers gallery)

[somethingstrangeanddeadlyfanblog]

Something Strange And Deadly Characters As Songs I Like

Eleanor: Marina and The Diamonds - Girls

Daniel: Cage The Elephant - Ain’t No Rest For The Wicked

Joseph: The Fray - How To Save A Life

Jie: Lorde - Team

Oliver: Melanie Martinez - Cake

Laure: Florence + The Machine - Dogs Days Are Over

Elijah: Lana Del Rey - Gods And Monsters

[bookwriting]

Rhonda Liebig Life Health Coach - The Fitt Solution

Jenn Foster and Melanie Johnson interview Rhonda Liebig on the iTunes Podcast - Elite Expert Insider. Rhonda has dedicated her life to helping people step into their authentic path to accelerated connection to their re-balance and revitalize vibrant journey. As an AADP Certified Health Coach, Author, Business Owner, Podcaster (Freedom, Play & Fun), and CPA (inactive now), Rhonda specializes in helping people break through their biggest health roadblocks and sabotages.

Check out this episode!

[rebel-sqrrl]

The yuri angel has reminded me that Faultline and Labyrinth are pretty close in age. Do you think they explored each other's bodies? Did the rest of the Crew kick Elle out post-GM for being too loud?