#megumi ishida

[shujichii]

your husband who loved calling you his wife— even outside of moments of necessity.

and the most fascinating part? he wasn't even aware of the fact how often he did it. he knew he did say it, but he wasn't aware of the fact how often he did. those two words, simple yet undeniably laced together with love and reverence, often tumbled out of his mouth before his brain could catch up.

"my wife would like these flowers," he had said to the wholesome elderly florist when he was about to buy a bouquet of your favorite flowers before returning home to you, his wallet— which had a small polaroid of you in it, by the way— already in hand.

"my wife did mention this the other day, now that i think about it." he had said to his friend who was rambling about the latest trending internet gossip.

"for my wife. i trust there isn't an issue?" he had simply said to the cashier upon noticing the way they lifted an eyebrow at the grocery basket filled to the brim with your favorite snacks, to which they gave a solemn, approving nod at his answer. good husband.

"my wife went out to run an errand, but she'll be back soon." he had even said to your best friend when they came to visit you, to which they replied with a very teasing smirk; "you could just say her name, y'know."

"my wife shouldn't pay when I'm around," he had said when you were about to pay for something, holding out his card before you could pull out yours.

"a reservation for my wife and i, please."

"sorry, my wife is waiting for me. i must take my leave now."

"yes, that's my wife— i'm quite proud of her."

"I can take it from here, sweetheart. can't have my beautiful wife overworking herself now, can i?"

and the list went on.

and yet, you didn't mind it. not at all— you had no reason to. your heart always did that funny little flip whenever he'd call you his wife the way he did, the corner of your lips never failing to curl into a smile. he would always say it so naturally— so genuinely, like those words were etched onto his soul for your very existence alone. and you certainly didn't miss the way his tone would sound a touch softer everytime he referred to you, like you needed to be spoken of with the utmost care and gentleness.

so, one day, you decided it was about time you struck.

"you call me that a lot."

his hands— which were reaching for the kitchen towel to dry his hands with after washing the dishes, yes, the dishes because chores are shared in this household— paused midway. he turned his head to look at you, where you had been perched on the counter, your legs swaying ever so slightly.

"call you what?" he inquired with a small tilt of his head, reaching for the towel at last and patting his hands dry.

"you know, your wife."

he immediately caught onto the teasing glint in your eyes, yet; it was unmistakably edged with a hint of affection.

for a moment, he just stood there wordlessly, blinking once, then twice, his brain taking its sweet, sweet time to allow your words to sink in. you, on the other hand, were practically straining your eyes to catch on any shifts in his expression or posture.

and then, you caught it; the faint reddening of the tips of his ears. he subtly cleared his throat, and your smile stretched into a grin.

alas, that dazzling curve of your lips disappeared as soon as it appeared when the man suddenly approached you in a swift few strides, standing between your legs and pressing his palms on either side of the counter which you sat on to cage you in.

you blinked.

"i do, yes."

he didn't even try to deny it. well, he didn't have a reason to. you were his wife, after all. where was the lie in that? and of course, he was absolutely proud of it.

then, he leaned in slightly, his tone lowering. "unless you prefer i stop calling you that?"

oh, now he was the one with that mischievous little twinkle in his eyes. inwardly, you faltered at the sudden boldness of his actions, your fingertips twitching against the surface of the counter. but outwardly? two can play the game.

then, with a deceptively sweet smile, you tilted your head, shot your hand forward and yanked on the collar of his shirt with force— his body jerking towards you.

"not at all," you smirked, inching closer. "i can't say i mind when my sweet husband calls me that."

his confidence faltered for a moment. you were about to internally celebrate your small victory until one of his hands slid up from the counter, now resting on your hips, his fingertips lightly pressing into your skin.

".. let's hear that again."

let's just say, ever since that faithful encounter, "my husband" had also started slipping out.

and every time? it got to him. oh, it definitely did.

(not my second fluff also taking place in the kitchen lol. i promise it's gonna be different next time.)

♡ nanami kento, geto suguru, fushiguro megumi (jjk), zayne, sylus (lads), wriothesley, neuvillette, alhaitham, diluc, ayato (genshin), jiyan, xiangli yao (wuwa), jugram haschwalth (self indulgence because i love him.), kuchiki byakuya, ishida uryuu, ishida ryuken (bleach), anyone else you'd like.

[hinamie]

spiraling

[itwdoris]

OMFGGGG what about this time, reader overstims a character and leading them to piss looooooooots :) ty in advance!!!!!

★.

oh, you won't hear any murmurs as he feels you rubbing against him, needy and almost cumming against the wet bulge growing between his legs. even if his bladder is about to leak, or if his boxers are embarrassingly wet on his thighs.

holding his handsome face while he moans, squeezing his shoulders and squirming, you can hear him whimper just from feeling your wetness against him. pulling him into another sloppy kiss, holding his hair and closing eyes as the cold hangs in your belly.

moaning against his mouth as you feel your whole body relax in seconds when you cum, feeling his hands go up to your waist and grab you in a strong embrace, because he doesn't want you to see the piss leaking desperately from his cock.

even if you don't even need to see it, because you can hear him whimpering against your mouth, you can feel the liquid splashing into your folds. and it won't be long before he releases everything, because his bladder is so full.

his cock is swollen from being so full, giving little spasms with the wet tip leaking and leaking streams of piss non-stop, making him squirm slightly to try and hold it in. but it fails the moment you look at it, shamefully splashing piss before he can sob to hold on, and fails miserably.

because now that he's released a little, it's so hard to hold back, he can't do anything but moan and feel the piss soaking everything, making his cock move ridiculously as it spurts. your mouth salivates to drink it all in, your hole tightens up wanting to have it all inside.

but for now, just seeing him is enough. watching him get all wet underneath you, and then cum with the slightest stimulation, just by rubbing against you like a dog in heat. while you kiss him, he's in heaven.

just imagine it slow, very affectionate and horny. im kinda sleepy, have a lot of requests to make. it was short and ??but i hope u like.

[whoishotteranimepolls]

"Who's hotter?" Trope Wars

[neosprites]

ahh i didnt realize thats my bad 😭 though im glad to see youre well!

could i please request shinji ikari stamps instead? thank you!

[NEON GENESIS EVANGELION - SHINJI IKARI: STAMPS]

pls credit if you use

best seen on dark mode

All good and no problem at all! Happy to :) I love the one in the middle of those two characters having an angry toothbrushing contest lmao.

Other graphics I found while searching:

graphics from ryoumensan

graphics from reivelation

blinkies from gifcitiesfrequenter

blinkies from aroacebat

GIF CREDIT:

this post from coredrill

this post from coredrill

[whosyourfavevoicedby-polls]

[silveryslider]

[mik0is0bored]

Not gonna lie I'm watching the silent voice in English dub and did you know Shouya has the same voice actor as Megumi (Robbie Daymond) and is it a coincidence that both Shouya and Megumi (specifically in the manga) both have spikey black hair and green eyes?

Yeah, that's all. Have a great day‼️

[ayukaze]

Digimon Anime's website has published details about DIGIMON ADVENTURE BEYOND in Japanese.

Apart from an official summary and cast and staff details, they have also shared the idea behind how this PV came to be.

Here is my translation of everything posted on the website. As we don't have an official translation yet, I request you to source back to this post when making references so that anyone can take up their issues/doubts about the translation with me directly and not spread misinformation in the fandom!

Summary: With time having passed since that fateful summer adventure, the appearance of (chosen) children with partner Digimon is steadily on the increase. However, because of their special characteristics, these children are now being persecuted and targeted for military use, casting a negative shadow over them. When Taichi and Yamato are engaged in a rescue mission for one such child, a mysterious Digimon ambushes them…

The Digimon Adventure 25th Anniversary PV ‘Digimon Adventure-BEYOND’, which was shown at Digimon Con 2025, is now available worldwide on the Digimon Official Channel!

This short movie is a cut-out PV from the last episode of Digimon Adventure 02, featuring scenes from the 25 years later portion that were never depicted in the version that aired. In the video, characters from ‘Digimon Adventure’ and ‘Digimon Adventure 02’ can be seen all grown up, depicted in new designs which is a must-see for every fan!

In addition, ‘brave heart-DIGIMON Animation 25th Arrange ver!', the track used in the PV was also played for the first time. The track 'brave heart' from Digimon Adventure enhanced the evolution sequences in the anime with its melody, and was now rearranged specially for this PV.

The PV is directed by Hiroyuki Kakudo, series director for Digimon Adventure and Digimon Adventure 02. Director Kakudo worked on the planning, storyboards and direction of this PV keeping in mind the story of Digimon Adventure and Digimon Adventure 02. Character designer for this work is Rie Nishimura, who was the chief animation director for DIGIMON ADVENTURE 02 THE BEGINNING.

We have prepared this project as an appreciation for all the ‘children’ who have stayed with us through our adventures. We hope you watch Digimon Adventure-BEYOND while reminiscing about those adventure filled memories of summer. We are also planning to release the backstory of Digimon Adventure 25th Anniversary PV ‘Digimon Adventure-BEYOND’!

Please look forward to it!

Digimon Adventure-BEYOND Film Info

Staff

Director: Hiroyuki Kakudo ( ‘Digimon Adventure’, ‘Digimon Adventure 02’ series director)

Character Design: Rie Nishimura (Chief Animation Director, Digimon Adventure 02 THE BEGINNING)

Animation Production: Yumeta Company (Digimon Adventure LAST EVOLUTION Kizuna, Digimon Adventure 02 THE BEGINNING), etc.

Production: Toei Animation

Cast

Taichi Yagami - Natsuku Hanae Yamato Ishida - Yoshimasa Hosoya Iori Hida - Yoshitaka Yamaya Agumon- Chika Sakamoto Gabumon- Mayumi Yamaguchi Armadimon- Megumi Urawa Takeru Takaishi- Hiroaki Hirata Patamon- Matsumoto Miwa

Takeru's original Digimon Adventure 02 VA, Yamamoto Taisuke lent his voice for the dialogues during the flashback as well but he remains uncredited most likely due to his retirement from the field. Instead they have credited Hiroaki Hirata (Narrator, Hiroaki Ishida in Digimon Adventure) for his narration as adult Takeru.

[genoskissors]

Voice Actor Comments: Danganronpa 1

Short comments from the voice actors of characters in Danganronpa THH. Jack and Junko do not have one, but they share VAs with Toko and Mukuro respectively. Monokuma doesn’t have one for the first game, but will for the second. VA names and names in quotes are written surname first.

DR2 Comments

Aoi Asahina VA: Saitou Chiwa (斎藤 千和)

“She’s so cute!” was my first impression of “Asahina Aoi”. She was a straightforward, refreshing, and pleasant girl. Particularly in Chapter 4, where she becomes friends with Oogami Sakura, the relationship between the two is clearly shown and memorable. In the class trial scene, it was difficult to find the balance in “speaking quickly” and “speaking clearly”. “Danganronpa” is a work I personally really like, and Asahina is my favorite character. I would be happy if you could continue to support us for a long time to come.

Byakuya Togami VA: Ishida Akira (石田 彰)

"Togami Byakuya" is a very intelligent character, whose qualities are different from those of ordinary people. He understands that himself, and doesn’t try to use his intelligence to reduce feuding with those around him, so he comes across as a very sarcastic guy (laugh). It will be even more rewarding if you uncover mysteries or clues, please keep this in mind. As for the “sequel”, your imagination may be put to the test...

Celestia Ludenberg VA: Shiina Hekiru (椎名 へきる)

“Celes” is a girl who is mysterious yet cute, with an enigmatic atmosphere. One chapter reveals a different side of her, with lines I had never spoken before, and I found the amplitude of range and integrity of this style to be cool and endearing. The surreal and stylish design of the entire main story, along with the wonderful cast are also highlights. Everyone please support us by publishing a “doujinshi (!)” at an event! I look forward to seeing you again.

Chihiro Fujisaki VA: Miyata Kouki (宮田 幸季)

"Fujisaki Chihiro" was a very difficult role, and every scene was memorable. In the class trial part, I put a lot of emphasis on capturing the sense of urgency, and was especially conscious of this in the serious scenes. Those who have already played the game will know that it's a really crazy story, with some parts that will make you go "Huh!?". If you haven't yet, please check it out! I hope that with everyone's support, the media mix will continue to expand in a variety of ways.

Hifumi Yamada VA: Yamaguchi Kappei (山口 勝平)

"Yamada Hifumi" is a character type I haven't played until now, I was particularly overwhelmed by the design, and thought I would be more confused, but I had fun acting. In his case, I think it's more interesting to just go with the flow and energy of the moment, rather than formulating a performance. I hope you enjoy the story to the fullest.

Kiyotaka Ishimaru VA: Toriumi Kousuke (鳥海 浩輔)

My impression of "Ishimaru Kiyotaka" can be summed up in one word "hot”. Rather than a specific scene, what was most memorable was the fact that he was screaming throughout. He is always “Ishimaru-kun”, no matter the situation. To all the users who play, please enjoy it.

Kyoko Kirigiri VA: Hikasa Youko (日笠 陽子)

At first, I had the impression that "Kyoko Kirigiri" was a cool, calm and collected character, but as I played the role, I felt the passion that was hidden within her. Specifically, the scene where she was suspected of being the culprit was quite memorable. When I act, I try to be careful to make sure my words have a sharpness that stabs the other person. I hope that the “Danganronpa” world continues!

Leon Kuwata VA: Sakurai Takahiro (櫻井 孝宏)

“Kuwata Leon” is a flashy, fun character. He's stupid, but charming... that's what I think (laugh). Dubbing him is like a sport, and I sweat profusely every time I perform it. Everyone, I hope you enjoy this work and feel the sweat put into it.

Makoto Naegi VA: Ogata Megumi (緒方 恵美)

"Danganronpa" was able to come this far thanks to everyone's support, thank you very much. For those who are playing for the first time, did you enjoy this game, full of unique characters and lines? I hope that after fully enjoying the main story, you will also enjoy the various media mix developments.

Mondo Owada VA: Nakai Kazuya (中井 和哉)

My impression of “Oowada Mondo” was “intense!”. Even if you just look at the visual impact, he’s clearly a bad guy, not seen in many modern games. I wondered if he would stand out from the crowd, but the other members are just as intense. That's why it feels good no matter how many times I perform it. I love "lovable idiots" (laugh). This series has been well received by everyone, so please look forward to future developments!

Mukuro Ikusaba VA: Toyoguchi Megumi (豊口 めぐみ)

Since I was playing the role of a "gal," I was able to relax and play the role in a good way (laugh). Considering her character, I thought she would be the type who speaks before thinking, so she would act intensely in the class trial. However, she had fewer lines than expected in the main story due to certain circumstances... I worked hard on the performance, including the media mix development, so I hope you enjoy it.

Sakura Ogami VA: Kujira (くじら)

My impression of playing "Ogami Sakura" was “cool high school girl...interesting”! The "suicide note scene" was particularly memorable. Did you pay attention to the tempo in the class trial scenes? I would like Naegi-kun to refute many things. I think "Danganronpa" is quite rewarding.

Sayaka Maizono VA: Oomoto Makiko (大本 眞基子)

My impression of “Maizono Sayaka” is that she is a very honest, gentle, and cute girl. You feel like you want to protect her, her excitement in being Naegi-kun’s assistant is the most memorable part. Enjoy the pleasure of debating, and have fun playing the main story ♪ We look forward to your continued support of “Danganronpa”. Even so, being lively makes me feel at peace (laugh).

Toko Fukawa VA: Sawashiro Miyuki (沢城 みゆき)

"Fukawa Touko" uses a lot of curse words and abusive language, and she is more memorable as a whole than as any individual scene. However, I get the sense that she is also a normal 16-year-old high school girl who is filled with love and an inferiority complex. Since the persona that comes out on the surface is so venomous, she comes across as a very depressed character, but I had fun playing her (laugh).

Yasuhiro Hagakure VA: Matsukaze Masaya (松風 雅也)

When I looked at the materials beforehand, I thought it would be a cheerful and relaxed style, but in the main story I was like, “This is not the time to be that relaxed!” I won't say the specific chapter, but the scene where he was at the center of the incident, or rather, caught up in it, was the most rewarding to act. The class trial is played with consideration given to the tempo and the lines before and after, so please enjoy it. We look forward to your continued support in the future!

[linkspooky]

So I was genuinely surprised last week when we were finally shown Megumi's mental state inside Sukuna and he was predictably at his lowest point ever, and instead of sympathy from the fans most of the responses on twitter I saw were people mocking him.

Which I am going to assume comes from a misunderstanding as his character. You see Megumi doesn't fit into the role of the black haired supporting protagonist / rival well. He's not Sasuke, he's not Uryu Ishida, he's not Yuno but he's not meant to be a rival or even a typical shonen character who's progress is only measured by a series of power ups. Megumi is perhaps one of the most subtly written characters in the manga, and perhaps he's hard to sympathize with because he doesn't fit into easy to udnerstand shonen tropes. Which is why I will try to explain his arc below and why Jujutsu Kaisen does it like no other manga currently running.

1. Meet Potential Man

Let me introduce you to the worst meme on twitter.

Megumi's inability to live up to his potential to reach his full power as a sorcerer is probably his biggest flaw, one that is rightfully called out by the narrative again and again, but apparently an intentionally written character flaw is bad writing.

It's covered in Gojo's "Swing for the fences" speech.

Gojo notices Megumi bunt in the baseball game and decides to confront him about it later. He highlights that while bunting is alright in baseball, and it's good to sacrifice yourself so your teammates can advance in a team sport that being a sorcerer is a solo sport. No matter what Megumi is going to reach a point where he's forced to fight alone, and instead of trying to push himself to be as strong as he can be he intentionally limits himself to cooperate with the sorcerers around him.

Basically, the opposite of Gojo who literally cannot fight with other sorcerers because he won't be able to fight at full strength as they just get in the way.

It's not just that Megumi can't use the ten shadows to its full potential, something pointed out by Sukuna, and then later again by Gojo, it's also that he always prioritizes either the group or someone else above himself when trying to decide how to act. Megumi is a semi-decent strategist so this is not necessarily a bad thing, but because of Megumi's tendency to care more about trying to live up to other people's expectations towards him, and what other people need of him rather than his own needs he doesn't have the attitude necessary for sorcery, especially since the strongest sorcerers don't take others into account at all and act like living calamities.

Megumi doesn't look at himself, he looks at the people around him. He judges himself based on what the people around him want from him, not what he wants. This is going to be a continual theme in his arc.

Sukuna is a living calamity, the definition of the attitude a strong sorcerer has, Gojo Satoru wields sorcerery only for himself, and is a sorcerer because he finds exorcising curses and using his god given talents to be fun for him.

Megumi's reason for fighting, his self worth, are all much, much less than the strongest characters in this series which is why he continually fails to live up to his potential. It's not because Gege is not good at writing or Megumi is a disappointing character, but rather he's been written as someone with tremendous potential under the pressure to live up to that potential but who continually fails to do so. Megumi's low self-esteem, low self-worth, and lack of self-identity explains both his failure to progress as a sorcerer something that requires selfishness and self-identity to reach greater heights in, but also his tendency to pick the suicide option with Mahoraga because Megumi genuinely believes compared to the others even just his classmates his life is simply worth less.

So potential man, is an intentionally written character flaw already called out in canon. The more interesting question is why does Megumi fail to live up to his potential.

2. Meet The Original Potential Man

So, I said that Megumi is not like a lot of characters in Shonen Jump but that doesn't mean he's entirely unique. To help explain Megumi's inability to live up to his potential I thought it would be helpful to compare him to a character he's clearly inspired by.

Killua Zoldyck, is the deuteragonist of a manga called hunter x hunter. You may have heard of it, Gege certainly has. Killua is born into a family of assassins who all have supernatural powers. The assassins inflict incredibly harsh training on their children from birth in order to raise them into assassins because their potential as assassins is all that matters. They also start with a "Z".

Killua is apparently the most talented Zen'in... I mean Zoldyck of this generation, though he's still young so he's weaker than his father and brother he's expected to easily surpass them one. Which is why Killua's family has already decided for him that he's going to be the next one to take over the family, Killua's opinion doesn't matter. Illumi and Silva are both setting him up for success by forcing their "help" upon him. Several other members of the family even point out that Killua probably doesn't have the attitude to be the head of the family, but what does it matter when he's got such great talent?

Killua is a complicated victim. He's a victim of many things, familial abuse is the most obvious one because the Zoldyck have a nasty habit of torturing their children, but the less obvious one is grooming. Not in a sexual sense, but rather the adults in Killua's life have decided to use their authority over him to manipulate him into becoming what they want him to be - the next head of the family.

What's insidious about this is the Zoldyck's don't just torture or beat Killua into submission, they will use any tool in their arsenal, familial love, emotional blackmail, threats, all to undermine Killua's agency and choices in order to make him not only do what they want to do but make him think he has to grow into the person they want him to.

Grooming not in a sexual sense, but definitely in a psychological sense, an adult using their authority as an adult over a child and their maturity to manipulate that child into becoming what they want them to be instead of letting that child grow naturally. When it's used in a sexual sense it's when an adult establishes a connection with a minor, and then uses that connection in the long-term to manipulate them into having a relationship and lower the child's inhibition. Think of that, but without the sexual part - an adult using their relationship with a child often in a long-term manipulation to lower the child's inhibitions and make them more malleable and raise them to do what you want them to do.

Killua has not been sexually groomed, but he has been groomed by both his parents and his brother to make him more suggestible to becoming the family head which is something he explicitly does not want to do. Not only did Killua's family only raise him for the purpose of becoming an assassin and taking over the family one day (raising him as a child into an adult, his emotional maturity, his health and well being are all secondary priorities to what Killua can do for his family) they also manipulate him into thinking he has no choice other than being an assassin.

Killua is a kid put through extremely harsh training from a young age, to do a horrible job that is being an assassin that doesn't let him make normal friends or have a normal life. On top of the physical abuse he's already endured, whenever he expresses a desire to do something else in his life, his parents send Illumi to emotionally manipulate him into thinking that not only is he a natural born killer, and therefore a bad person who deserves all the abuse he's been put through, to further convince him that his only path forward is to be an assassin.

Killua is a character who has a lot of power, but little agency. Agency, in fiction is the ability a character has to take action and make decisions for themselves. Despite Killua starting as a more powerful and more savvy character than Gon, he has little agency and is often very passive. He doesn't act, he reacts. Even running away from his family is a reaction. We don't really see what he wants in life, we just know that he looked at his family and went "NOT THAT". However, his entire identity is still formed in response to his family's abuse. Even when he gets farther away from them, Killua doesn't really do what he wants, he does what Gon wants, and follows around Gon.

However, it's very understandable why Killua doesn't act with a lot of agency, when Killua does try to make decisions his family always shows up to undermine him and make another attempt to emotionally manipulate him into doing what they want. It's not always Illumi showing up to spook him. Silva pretends to be a loving dad for five minutes and has a heart to heart conversation with his son, and lets his son go adventuring with his friends but that too is a manipulation. He only did so to make sure Killua would eventually come back, by giving Killua more positive memories that would make it harder to make the decision to leave the family.

With the extent that Killua's family goes to sabotage any decision he makes, it's no wonder Killua is so passive and afraid to make his own decisions. It's almost like a character flaw he's gotta work on.

Now here's where I'm going to blow your minds. Megumi is an incredibly similar character to Killua, they are both the victims of longterm grooming however people don't like to acknowledge Megumi's victimhood. That's because in Killua's case, his abuser looks and acts like this.

Killua's abuser Illumi is a creepy guy who looks like the girl from the grudge, telling him he's not allowed to make friends and giving off such rancid vibes that he's obviously a bad guy. Whereas, Megumi's groomer this this guy.

Gojo Satoru who is one of the most popular characters in the series, and who also gives speeches about how he wants to let children be able to live out their youths, which is why it's hard for the fandom to see that he has taken advantage of Megumi and stolen his youth away from him pretty much the same way that Silva / Illumi has for Killua.

Megumi, like Killua has no choice in who he wants to be when he grows up, or what kind of person he wants to grow into. Megumi, like Killua has been groomed for a young age and forced into an incredibly dangerous and life threatening job that he does not want to do, that denies him the chance of a normal life, and that does not really allow him to make many friends. Megumi is railroaded onto this path, not by his choice, but by Toji's choice, and later Gojo's choice... because he has potential. Megumi like Killua cannot leave his family and stop being a sorcerer, otherwise his little sister who is the only family member he cares about will be hurt.

Gojo doesn't show up with an evil aura looking like the grudge girl and telling Megumi that he doesn't have the right to make friends, and that he's inherently evil and a puppet that only exists to kill people though so it's harder to tell that Megumi is a victim of the same kind of grooming that has hurt Killua so thoroughly.

This is what I mean when I say a lot of Megumi's characterization flies over your head because his victimization is written really subtly. Gojo does the same thing that Illumi / Silva does to Killua, he may seem like a stand up guy compared to those two but Megumi has about as much choice about what he can do with his life that Killua has.

Not all grooming is Illumi showing up with his spooky eyes to intimidate and coerce Killua into submission. Silva shows up to give Killua the first fatherly talk he had in his life, and lets him go from the mansion.... not because he realized he was wrong for restricting Killua's life choices and giving him no choice but to become heir.

No, it was a ploy to guilt trip him into coming back because he knew if he held Killua there by force he'd just run away the next chance he got. Fear and intimidation wasn't working at keeping Killua in line, so they switched to love instead.

Gojo can encourage Megumi to make friends, let him hang out and spend time with Itadori, even honor his wish to save Itadori and in the end still be manipulating him into becoming a sorcerer and not letting Megumi choose what he wants to do with his life. Gojo just prefers the carrot to the stick.

This is something the databooks confirm, that Gojo hunts prospects like Yuta, Yuji and Megumi not out of the goodness of his heart, but because they are talented students he can recruit to his cause with the added bonus that by appearing as their savior, they "owe" him.

Megumi is also a character lacking in agency, he is someone who's had no agency his entire life and what little agency he did have was stolen away from him by the adults in his life.

Let's analyze Megumi's situation for a second. As soon as Megumama dies, Toji gives up on the idea of fatherhood entirely, and decides to sell his son, literally, like in the sense of human trafficking to be raised by the highly abusive Zen'in Clan.

However, before the deal could be completed his father died in the middle of a mission. Megumi apparently saw his father so little that he didn't recognize him on coming face to face with him years alter, which says a lot about what kind of role Toji played in Megumi's life before he was outright abandoned.

Not only does Megumi believe his father just left him to run away with his new wife (Megumi's stepmother and the mother of Tsumiki) but now he and Tsumiki had to live together in a household without supervision for an indeterminate amount of time and watch their money slowly run out.

When it looks like they're about to start starving, Gojo Satoru shows up to save the day.... or not.

Gojo seems like he's offering Megumi a choice, but it's a loaded one. There's no choice in this scenario where Megumi gets to be a normal kid. The option of calling social services so this orphaned child does not starve doesn't occur to him.

Megumi's options are a) go to the Zen'in Clan and be a sorcerer where Tsumiki will be abused, or b) be a sorcerer under me where Tsumiki will be safe. The unspoken part is that if Megumi rejects his offer not only will he just let the Zen'in Take him, he'll also probably just let Megumi starve. Megumi the uh six or so year old child at this point has to sign away the rest of his life as a sorcerer, and work in order to earn money to eat.

No adult is taking care of Megumi, no one is raising him, even the food and shelter Megumi is given comes with a price tag that he has to pay back by being a Jujutsu Sorcerer and attending Jujutsu High as a teenager. Gojo even kind of subtly uses Tsumiki as a hostage to get Megumi to join with his agenda, because his offer isn't really much better than the Zen'ins but he needs Megumi on his side because he needs to raise kids to be future allies to his political agenda.

At the tender age of six Megumi signed his life away to be a sorcerer and he hasn't looked back since. Considering his severe behavioral problems getting into fights constantly at school, I think it's safe to say Megumi is about as reluctant to be a sorcerer as Killua is an assassin.

Honestly, if Megumi had phrased it like this:

"I'm so tired of being a sorcerer, I just want to be a kid."

Megumi would have a lot more fans, and Gojo would have a lot of explaining to do, but I think the brilliance of Megumi's grooming is that it's not really as blatant as Killua's. Megumi doesn't talk out loud about how he wants to be a normal kid, he's just angry at the whole world, and prone to fits of violence because he's mentall unwell.

Another way in which he parallels Killua, by the way.

Megumi does not talk about his lost childhood out loud. Instead of knowing his thoughts on the matter, instead we are shown his behavior, the effects of having his childhood taken away from him and how unstable it makes him and left to ponder as the audience what Megumi himself thinks of this.

The same way that Illumi steals all of Killua's agency away, robbing him of the chance to be anything other than what the Zoldycks want him to be, so to does Gojo. It's just instead of Gojo using the stick, he uses the carrot. He is Megumi's benefactor, he's the savior, for whose help Megumi owes him, sort of like repaying a loan with interest.

Gojo tries to shape Megumi into Gojo Satoru 2.0. Or maybe a second Geto. That's more likely as it's Geto defection which inspires Gojo to go looking for him after neglecting to do anything about Megumi until a year after finding out about his existence. Gojo says that Megumi is going to have to work hard or else he'll be left behind, just days after Geto had left him behind. Megumi is helped by Gojo, he is protected from the clans by Gojo, he has been taken on missions alongside Gojo his entire life, Maki even refers to Megumi as a treasure that was raised carefully by him.

Gojo invests a lot of time and effort into Megumi and because of that Megumi is expected to "perform." However, he doesn't.

That's the thing, Megumi is supposed to be either Gojo or Geto 2.0 but he just can't be. THe reason why again is Agency. If Killua is limited because of his inability to decide for himself, then so to is Megumi b/c Nen and Cursed Technique Development both depend on things like imagination, ego and self-image to raise them up to their full potential.

However, Gojo has shot himself in the foot with regards to Megumi. Becoming a Jujutsu Sorcerer requires a strong identity, but Gojo by sabotaging Megumi's agency and ability to decide for himself every step of the way has robbed Megumi of the chance to form that strong identity.

Megumi, just like Killua has no sense of self and instead both judges himself according to others, how he meets their expectations, how he measures up to them - he also glorifies others while constantly putting himself down.

Megumi doesn't give speeches about how Yuji is like pure light, but he also refuses to let Yuji out of his sight post Shibuya, and even says it'd be better to be killed by Sukuna alongside Yuji if Sukuna does take over.

In the Chimera Ant Arc Killua defines all of his self-worth around being useful to Gon, and beats himself up for not being able to measure up to him - because Killua has no sense of self his selfhood has always been undermined by his family who wanted to make him more suggestible to what they wanted.

Megumi is flippant with his own life and very willing to lay down his life for another's sake, because Megumi has very little agency in his life and has been taught by both Gojo and his circumstances that he himself and what he wants does not matter. Megumi doesn't fight fate, and fight for what he wants because he's already been shot in the kneecaps by both Toji's abandonment, and Gojo Satoru, and he's having a difficult time just trying to stand with bullets in his knees.

Maybe, the reason Megumi is so willing to risk his life to summon Mahoraga and sacrifice himself if he thinks it will help his allies is because Megumi has been forced into a job where he's gonig to be expected to sacrifice his life for the greater good since the tender age of six years old and therefore everything in life has conspired to tell him his life is worth less than others.

Yuji isn't the first person in story to think of himself as a cog, that's Megumi. He doesn't even need Shibuya to beat him down to accept the cog mindset, Megumi is already there at the beginning of the story.

I think a lot of misunderstanding of Megumi's character comes from the fact that his grooming is more subtle and insidious, and not as blatant as Killua's, and also that it's done by a character well-liked by the fandom. However, if Megumi has all the same symptoms of Killua then it's logical to deduce that they share the same trauma

Even Megumi's summoning of Mahoraga has a tie to Killua.

There's a pattern of KIllua running away from stronger opponent that's established in HXH that's eventually revealed to be because of a needle that Illumi inserted directly into Killua's brain to mind control him to run if he faced someone that was too much of a threat.

Obviously, that's just continuing the metaphor of the fact that Killua isn't able to believe in himself to face people who are stronger, because Illumi has been constantly putting him down his entire life.

Isn't this essentially what Megumi does as well?

When Megumi is faced with an opponent that's too strong or a hopeless situation, instead of running like Killua he summons Mahoraga. He does this because he doesn't believe in his ability to surpass his limits and fight, because he doesn't believe in himself or his own potential.

When is actually able to think more freely and picture a version of himself who can surpass his limits and who can do these things - these are the moments he is shown to grow.

Megumi however, for the most part isn't free. He can't think of himself as free and he can't free himself, because not only does he still have no choice about what he wants to do with his life (even if he becomes the msot powerful sorcerer in the world Gojo won't let him quit, he's gotta pay off those student loans), but he's also internalized the idea that he's not free. Not only has Gojo raised him to be a cog, Megumi has also accepted the fact that he is a cog and what he wants does not matter - the most he can do is hope that his actions will protect the people he loves and give them a little bit of happiness.

Megumi doesn't need a needle in his brain to control him and make him run away from fights and more obedient, because Megumi has already done all of that to himself with the toxic and self-harming ideas he's internalized.

Megumi and Killua having given up on themselves, try to make others happy, the same people they put on pedestals in order to make themselves feel even worse in comparison.

However, from this point Megumi and Killuas arcs go in opposite directions. You see after the Chimera Ant Arc when Killua hits his lowest point and his codependent friendship with Gon is exposed for what it is, Killua returns home in order to try and rescue his sister Alluka who is probably the reason he ran away in the first place.

Alluka and Tsumiki are both at the start of the story taken away from Killua and Megumi respectively, and with them the only genuine familial affection they ever enjoyed in their lives is taken too.

However, Alluka and Tsumiki are inversions. Alluka finds her freedom and agency, and Killua is able to reform his connection with his sister by accepting both pats of her, Alluka and Nanika. Afterwards the two of them finally leave their family home together and go off on a journey together.

If Alluka finds her personhood, Tsumiki remains a plot device. She never awakens from her coma, she's possessed instead and then murdered.

Now, here is where I point out how unfair the audience is being to Megumi. If you're a hunter x hunter fan remember all the character development that Killua gained by reforging his relationship with Alluka, how much confidence it gave him to connect to the one person who's even unconditionally loved him as a family member.

Now imagine that Alluka is brutally butchered right in front of him, and Killua has a first person point of view, because somehow in this scenario Illumi used a needle to mind control him into killing Alluka.

Do you really think Killua would be able to stand after that?

Sukuna is really just the last in line of a long line of people who've stolen Megumi's agency away from him, in order to benefit themselves. Sukuna even saw the same "potential" in Megumi that Gojo did.

Sukuna physically posessing Megumi's body, is just what both the Zen'in Clan, and Gojo Satoru have been trying to do to him in the most literal way possible. Gojo wants to remake Megumi into Gojo Satoru 2.0 with no regards to who Megumi is as a person, what Megumi's wants and needs are. No he just wants to raise someone as strong as him and pass the burden of protecting society onto Megumi, this starving orphan Gojo decided to exploit.

People have always used Megumi as a puppet for their own agenda, Naobito wanted to make him the head of the Zen'in Clan because he had the technique, Gojo wanted him to become the next strongest sorcerer / Gojo Satoru and also to replace the elders with Gojo's political agenda. They all want Megumi's "potential" for themselves to use to their own ends. Sukuna just takes what Gojo did one step further by literally stealing Megumi's body away from him and using him as a literal puppet instead of a metaphorical one. Gojo took Megumi's childhood by making him work as a sorcerer, Sukuna kills the physical embodiment of Megumi's childhood innocence by murdering Tsumiki, the only thing Megumi had in his life besides being a sorcerer, his only family, the only person he grew up with in his childhood years, the only person who loved him for who he was.

Megumi coped with what Gojo did to him the same way Killua did, by building himself around his use to others, and by building his identity around protecting others but now that's all gone. Tsumiki is gone, Megumi is trying to kill his friends, and he's already butchered Gojo Satoru.

Yet the fans are surprised that Megumi doesn't immediately get back on his feet.

However, and this my slightly optimistic ending to the post. Perhaps, Megumi is going the complete opposite of Killua, because what Megumi needed to learn was not to grow strong and confident enough to protect his sister but to learn to fight for himself.

At this point Megumi has nothing else left. It's sink of swim. He either develops a strong enough identity to regain control of his body and push Sukuna out, or he loses and the anti-Sukuna team will just have to resort to killing Megumi along with Sukuna.

Even in that case.

Megumi not being saved by Yuji is a good thing.

Because a victim who gets rescued by a hero still has no agency.

Megumi told Yuji that he needs to start by "saving me."

However, it might just be the opposite. Before Megumi can save anyone else, before he can become a protector, he has to find his own power and save himself. He has to both accept thathe's someone worthy of salvation, and at the same time he can't just passively accept the hand that Yuji's offered to him he has to actively be the one to break free of Sukuna and save himself.

Megumi can't become the strongest sorcerer by becoming the next Gojo Satoru or being what Gojo or Sukuna wants him to be. THe only way Megumi can become the strongest, is by being himself.

[itwdoris]

yuta, yuuji, megumi, noritoshi, sakura, choji, hiragi, sanemi, tomioka, rengoku, uryū, sado, ichigo.

who know what an adult video is, but thinks your pussy is so much better. see how your little hole swallows his cock completely, squeezes him and get him all dirty, oh, he can hardly stand it.

[kcuf-ad]

Looks at Ichigo, Yuno, Megumi, Sasuke, Aki from Chainsaw man, most of the rivals from Yugioh, Uryu and more

Ah... fair.

I have... I thing for the edgy and/or gloomy side protags in anime...

[dustinheaven059]

˙✦•┈๑⋅⋯🌌🌑 ⋯⋅๑┈•✦

─── ⋆⋅☆⋅⋆ ──

🇧🇦⋆˚࿔ 𝐌ɛʟ 𝜗𝜚˚⋆🇹🇷

⋆˚࿔ 𝕌𝕟𝕝𝕒𝕓𝕖𝕝𝕖𝕕 𝜗𝜚˚⋆

⋆˚࿔ Ｓｈｅ／ｈｅｒ - Ｔｈｅｙ／Ｔｈｅｍ 𝜗𝜚˚⋆

˙✧˖° 🪐 ⋆｡˚꩜⏳️⋆.ೃ࿔*:･

๑‧₊˚ ☁️⋅♡𓂃 ࣪๑ ִֶָ☾.

⌗ !! ꒰ 𝐿ikes ꒱ ✒️⌗

Space, Neptune, rain, listening to music, reading, gray, purple, blue, learning about stuff, my friends, playing games, searching about things, hyperfixating, learning in general, being alone, butterflies, daydreaming, doodling, silence, PJSK, HSR, HI3, Genshin Impact, Omori, Wonderend 0, Needy Girl Overdose, Lacey's series, cats, jellyfishs, Enstar, Kimetsu No Yaiba, BFDI, DDLC, drawing, BSD, Pokemon, designing characters, Homestuck, Sanrio, Vocaloid, CoE, Co9, CRK, writing, etc... ꒱ 𝅄ഒ

⁺ 　﹒　 𔘓 ﹒　　⁺ 　﹒ ⊹ 　 ﹒ 　⁺ 　﹒

⌗ !! ꒰ 𝑫islikes ꒱ ✒️⌗

Useless arguements, false accusations, hot weather, misunderstandings, insisting on something I don't want to, anxiety, MATH, pedophiles, overwhelming social interactions, stalkers, ableists, etc... ꒱ 𝅄ഒ

⁺ 　﹒　 𔘓 ﹒　　⁺ 　﹒ ⊹ 　 ﹒ 　⁺ 　﹒

⌗ !! ꒰ 𝑺pace ꒱ ✒️⌗

4n4, m14, BPD, ADHD, GAD, and many more diagnosis I'm lazy to count... ꒱ 𝅄ഒ

⁺ 　﹒　 𔘓 ﹒　　⁺ 　﹒ ⊹ 　 ﹒ 　⁺ 　﹒

⌗ !! ꒰ 𝑪haracters ꒱ ✒️⌗

⁺ 　﹒　 𔘓 ﹒　　⁺ 　﹒ ⊹ 　 ﹒ 　⁺ 　﹒

An Shiraishi, Akito Shinonome, Minori Hanasato, Airi Momoi, Shiho Hinomori, Ichika Hoshino, Honami Mochizuki, Rui Kamishiro, Nene Kusanagi, Kanade Yoisaki, Mafuyu Asahina, Mika Kagehira, Shu Itsuki, Till ALNST, Rosaria Genshin, Kaeya Genshin, Heizou Genshin, Wanderer Genshin, Hu Tao Genshin, Razor Genshin, Fischl Genshin, Zhongli Genshin, Yunjin Genshin, Shenhe Genshin, Xinyan Genshin, Celestia Ludenberg, Ibuki Mioda, Nagito Komaeda, Tsumugi Shirogane, Toko Fukawa, Kyoko Kirigiri, Kotoko Utsugi, Monaca Towa, Cyno Genshin, Aventurine HSR, Sunday HSR, Jiaoqiu HSR, Madoka MMG, Homura MMG, K-Angel NSO, Ame-chan NSO, Kokichi Ouma, Collei Genshin, Lyney Genshin, Lynette Genshin, Freminet Genshin, Ororon Genshin, Kinich Genshin, Hiyoko Saionji, Angie Yonaga, Ruruka Danganronpa, Chiori Genshin, Mami MMG, Kyoko MMG, Kazuha Genshin, Furina Genshin, Rika Wonder Egg Priority, Luka ALNST, Mizi ALMST, Dazai BSD, Nikolai BSD, Sigma BSD, Kaveh Genshin, Ivan ALNST, Qiqi Genshin, Sigewinne Genshin, Firefly HSR, Sparkle HSR, Herta HSR, Therta HSR, Signewinne Genshin, Xiao Genshin, Columbina Genshin, Sandrone Genshin, Kevin FPE, Aiden FPE, Cube FPE, Basil Omori, Mari Omori, Sunny Omori, Omori, Mitsuba TBHK, March 7th HSR, Mikan Tsumiki, Shuichi Saihara, Hajime Hinata, Kate Shadow House, Emilie Shadow House, Barbara Shadow House, Bob Animal Crossing, Mene Tame, Luchika Guchiry, Michiko Ame, Jiro Nito, Iru Iruma, Riko Maino, Sari Sasori, Tadashi Kunai, Chips FPE, Seek DOORS, Rei Ayanami, Gojo Satoru, Nitta Akari, Nobara Kugisaki, Yuji Itadori, Megumi Fushiguro, Shoko Ieiri, Kirara Hoshi, Shouka Nishimiya, Shoya Ishida, Kaworu Nagisa, Shinji Ikari, Kaori Miyazono, Kousei Arima, Kiyotaka Ayanokoji, Suzune Horikita, Kikyo Kushida, Chococat Sanrio, Hello Kitty Sanrio, Kuromi Sanrio, Little Twin Stars Sanrio, My Melody Sanrio, My Sweet Piano Sanrio, Wanmi Sanrio, Tsugi Sanrio, Vinegar NomNomNami, Maiden NomNomNami, Space NomNomNami, Nil NomNomNami, Cascascava NomNomNami, Killua HxH, Norman Promised Neverland, Emma Promised Neverland, Misa Amane, L Lawliet, Ririka Momobami, Kirari Momobami, Yumeko Jabami, Mary Saotome, Erimi Mushibami, Runa Yomozuki, Yumemi Yumemite, Sayori DDLC, Natsuki DDLC, Ryota Suzui, Kaede Manyuda, Pantalone Genshin, Nagi Kamishimo, Karma Akabane, Nagisa Shiota, Koro-sensei, Kagaya Ubuyashiki, Giyu Tomioka, Muichiro Tokito, Kanae Kocho, Kanao Tsuyuri, Tamayo KNY, Susamaru KNY, Spider Mother KNY, Spider Daughter KNY, Rui KNY, Douma KNY, Enmu KNY, Sabito KNY, Makomo KNY, Alan WonderEnd 0, Null WonderEnd 0, Nullan WonderEnd 0, Juli WonderEnd 0, Yume WonderEnd 0, Tartaglia/Childe/Ajax Genshin, Candace Genshin, Mystic Flour Cookie, Black Pearl Cookie, Pure Vanilla Cookie, Shadow Milk Cookie, Frilled Jellyfish Cookie, Mavuika Genshin, Citlali Genshin, Mocha Sanrio, Yanfei Genshin, Charlotte Genshin, Kanade Otokonoji, Kokoro Mitsume, Esdeath, Mikado Sannoji, Stockings, Carl Guchiry, Hajime Hinata, Dainsleif Genshin, Argenti HSR, Huohuo HSR, Acheron HSR, Tsurugi Kinjo, Kinji Uehara, Satsuki Iranami, Haruhiko Kobashikawa, Akane Taira, Yuki Maeda, Sora SDRA2, Shobai Hashimoto, Nikei Yomiuri, Setsuka Chiebukuro, Iroha Nijiue, Sebastian Solace, pAInter Pressure, Columbina Genshin, Sandrone Genshin, Seek DOORS, Screech DOORS, Giggles DOORS, Maisie LaceyGames, Lacey LaceyGames, Draculaura MH, Moanica D'kay MH, Operetta MH, Rochelle Goyle MH, Scarah Screams MH, Spectra Vondergeist MH, Twyla Boogeyman MH, Kiyomi Haunterly MH, River Styxx MH, C.A. Cupid MH, Elissabat MH, Z-V06 Pressure, Kiyotaka Ishimaru, Sua ALNST...꒱ 𝅄ഒ

⌗ !! ꒰ 𝑻ags ꒱ ✒️⌗

#melly , #mellyxqz , #mel , #dustinheaven059: all posts

#melly vent, #🌫🪐: vent in general

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#📜✒️: quotes, poems, or just poetic shit in general (both for serious & silly reasonings)

#📸🖌: art ꒱ 𝅄ഒ

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[yukiteruakari]

The Hopeful Radio & The Hopeless Ogata

I've recently managed to find all the recordings of Megumi Ogata's (Makoto Naegi's VA) talk show! The show features many guests, including voice actors and even Kodaka himself. Please feel free to check it out!

Vol.1 & Vol.2

🍀

Vol. 1 Tracklist:

1. The Role of Makoto Naegi: Megumi Ogata

2. Guest: The Role of Byakuya Togami: Akira Ishida

3. The Role of Makoto Naegi: Megumi Ogata

4. Guest: The Role of Kyoko Kirigiri: Yoko Hikasa

5. Guest: Planning, Scenario: Kazutaka Kodaka

6. Guest: The Role of Sayaka Maizono: Makiko Ohmoto

7. The Role of Makoto Naegi: Megumi Ogata

8. Guest: Script: Makoto Uezu

9. The Role of Makoto Naegi: Megumi Ogata

10. Guest: The Role of Chihiro Fujisaki: Koki Miyata

11. The Role of Makoto Naegi: Megumi Ogata

Special Travel Edition - Guest: The Role of Leon Kuwata: Takahiro Sakurai

[Special Guest]

The Role of Asahina Aoi: Chiwa Saito

🍀

Vol. 2 Tracklist:

12. Guest: The Role of Kiyotaka Ishimaru: Kosuke Toriumi

13. Guest: Anime Producer: Yuji Higa

14. Guest: The Role of Celestia Ludenberg: Hekiru Shiina

15. The Role of Makoto Naegi: Megumi Ogata

16. Guest: The Role of Sakura Ogami: Kujira

17. Guest: Director: Seiji Kishi

18. Guest: The Role of Junko Enoshima: Megumi Toyoguchi

19. Guest: Game Producer: Yoshinori Terasawa and Hope's Peak Academy Store Department: Editor T

20. Guest: The Role of Yasuhiro Hagakure: Masaya Matsukaze

21. Guest: Music Producer: Masafumi Takada

22. Guest: Original Scenario Writer: Kazutaka Kodaka, Anime Producer: Yuji Higa and Ryoko Amisaki

[Special Guests]

The Role of Sayaka Maizono: Makiko Ohmoto

The Role of Celestia Ludenberg: Hekiru Shiina

The Role of Yasuhiro Hagakure: Masaya Matsukaze