#medium rude

[mostly-funnytwittertweets]

[starspilli]

seen a lot of people talking about fanon stuff specifically irt dc recently and i have to say i think it really comes down to a lot of people just… not caring about comics as a medium. which sucks imo! comics are such a unique and special format for storytelling and i really just think a lot of these stories or characters don’t hit the same when you divorce them from that context. which is where i think a lot of the stuff i’ve seen people talk about comes from… like sure you can look at panels posted online or read through a character’s wikipedia article and know all of the technical canon about them but i think that by not reading the comics you’re robbing yourself of smth very special... i really love when you can tell people who talk about these things have a real love for & knowledge of the medium and its history

[roitaminnah]

btw I'm obsessed with my kitties.. ppkk (peepee ketchup kitty) sketchpage I commissioned by @wolpworf I wanted to share :3c :D

[good-beans]

My two cents on lying in Milgram, from a writer’s perspective – I actually don’t think the characters are lying to us at all.

I’m going to preface this by saying I love hearing everyone’s theories and I am still very open to the idea!! I mention a few specific theories here but I’m not trying to come after people who believe them, I’m just giving examples ;--; I won’t be crushed if it’s revealed the characters have been giving us false information, and I’m not trying to push this theory on others. Looking at the project for what it is, I just want to point out that it’s not beneficial to the project as a whole if that’s what’s going on. 

Now, I’m definitely not claiming we are given everything as perfect truths. The Milgram team has certainly had a lot of fun with unreliable narrators, misdirection, and omission of important information. Muu never lied about her role in bullying Rei, it just didn’t come up in t1. Mahiru never lied about the reality of her crime, she was just unreliable because she genuinely saw things in the best light. Characters can keep information and personality traits hidden, or point us to distracting details, or frame things in a very particular tone to maximize upcoming twists.

But why? It all comes down to the fact that Milgram is not a murder mystery story. It doesn’t have the same goals as a mystery, thriller, or even as a story itself. It’s an experiment, or an interactive project at least. There are fun surprises that shift our perceptions of the characters, but no grand twists like you’d find in a normal story. (See this post where I expand on that.) Normal narratives focus on exciting twists and secrets. Milgram, however, is about our decisions. The team doesn’t want to mislead us entirely, because that would make the whole project useless. I’ve seen some posts about Yuno having actually killed someone and the abortion was just a red herring, or similar cases about prisoners hiding their “true” victim – but if that were the case, two-thirds of their whole story becomes absolutely pointless to the overall project. 

Yamanaka has said he wants his audience to reflect on their biases and judgements. Why provide us with completely wrong information to work with? That wouldn’t be beneficial to our process of humanizing the characters, which in turn wouldn’t be beneficial to the themes of the whole project. Also, it would lose credibility if lies are exposed. The minute they reveal a piece of information was a lie, every single interrogation, question, and timeline can be thrown out as unreliable. You can't run a project like this if the audience loses faith in what they can believe.

And, if the nature of the project isn't convincing enough, I think a major point of proof is Kazui. His whole theme is being a liar, but nothing he said in the first trial has been contradicted – if Milgram truly wanted to write characters who lied, he would have been the one to show signs of misinformation by now. And yet, all of Half and his vd hold up strong. The fact that he of all people has always given us the truth (even if it’s extremely limited and hazy) is very telling that they’re avoiding characters actually lying to us.

[ff2-soda-pop]

went into tag of an anime that is Special To Me and literally one of the first posts that isnt just a random photo with "#animecore" "#2000score" "#aesthetic" tags is just someone shit talking the show for "being too sad" and "based on a dating sim" and "its from the 2000s"

[iftitah]

<3

[mallach]

adore honkai & the many delightful tramps comprising its cast however it is popular enough i have to block so, so many tags to see anything that doesn't pop a blood vessel

[hauntsfilm]

sad because of the realization that mason gets scared of what they’re able to do at the end of the day

[fagnumopus]

The venn diagram of theae ppl and ppl who pull put their phones in the middle of a movie night is a circle

Do they know that reading is not mandatory? Nobody is forcing them to read?

[thoughtvoid]

Now that my work schedule is drying up faster than a puddle in a desert, I have to say. Holiday retail is getting really weird now.

It might just be for the store I work for, because management is making some really weird decisions, but some part of it feels like the shoppers are just. Not doing things at the right time, too.

Like. My work has slashed hours to nothing, to the point that I wouldn't even say we have a skeleton crew 90% of the time. Unless we're a skeleton with a couple of missing limbs. But during holiday, we of course have seasonal workers. Possibly not as many as usual, but also enough to make things noticeably better for the months leading into the Big Sale time. And for the Big Sale time, we had all hands on deck on Friday and Sunday/Monday.

But, while we did have a lot of orders to deal with, the amount of people we had scheduled to work them were actually struggling to have a good consistent workload. There weren't enough orders to keep us all busy, and most of our work was from taking care of the orders made during the holiday when we were closed. But as far as dealing with what came in all day, it was just us juggling with taking whatever had come in during the past ten minutes. Orders started to build up a bit over the weekend, but nothing like what I've experienced in the past and came to expect. The 'peak' days were fine and manageable.

...The days after the Big Sale days were hell, though. Employees to process things slashed immediately back to one person per shift a day, two shifts total. The company advertised a pretty good coupon the day after the biggest online sale day of the year. One day use, so anyone interested would have to order that day. I wasn't originally scheduled for orders, we had freight coming in that I was scheduled to help with instead, but I wasn't at all surprised to get pulled off that to chip away at orders instead. We didn't get the numbers under control for a couple of weeks.

I blame most of the insane workload on our company. Us backroom people weren't given a single break, not one single day without a sale to let us catch up with the orders that the Sales left behind. And our hours for backroom were divvied out to other areas of the store. (Which, granted, the floor upkeep people are basically treated as so low of priority that most of the year we might have one person scheduled to keep up with the entire store. And during the holiday time, they might have been given a couple of extra people who were more expected to back up registers.)

However. The customers were also just making the most inane choices. There were so, so many orders coming in like crazy after the Big Sale days, up until a week before Christmas.

I get that the "Big Sales" are overhyped at this point and not always the real lowest price they ever get to. But I've been at this store long enough that the price they get to is pretty much the lowest things will be through the rest of the year. The sales can be lower, or the coupons higher, but they usually aren't as good or are only just as good as the Big Sale day price. During the year, the sales and coupons might match up to more savings, but during holiday season? Everything's getting roughly the same deals throughout the last month and a half. There's no real need to hold off during the days when stores are prepared for high workload. With all the cost cutting, the store only bolsters its workforce for those specific days. And immediately afterward, they leave all the workers to deal with the floods that came afterward, be it with pushing people to work harder, asking them to stay more hours, pulling people from other shifts, or ultimately calling in people who managed to get a day off.

When it's a one day 40% off one purchase, I get it. That's a company screwing us over problem, and they don't even tell us at the store level when they give those limited time deals. That's something we would prepare for, if the company gave a damn about us being prepared for it. But the one week 25% during subpar sales? I'm sorry, I will be calling everyone who ordered during that kind of sale stupid. There was no need to wait compared to the better sales and coupons earlier. There was no need to have the two people scheduled per day struggling to keep the order numbers under control. And the people ordering the week before Christmas to have things shipped to them? 1) I hope they weren't seriously ordering for Christmas, and were just ordering something for themselves because 2) I hope none of those packages got there in time. In previous years, the website used to have a countdown for when something ordered online would be guaranteed to arrive. They stopped doing that at some point, but the deadline used to be 14 or so days before Christmas. (And they may have stopped giving that countdown because they wanted people who don't plan things well to place more orders even if it might not arrive in time.) My patience is thin during holiday season, and I have no good vibes to send to people who didn't jump on the sales they should have and wait until functionally the last possible moment.

TLDR: Retail holiday season has gotten weird because the Sale days aren't a problem, but for various reasons, the time between those days up until Christmas were horrid.

[mymelodyisme]

Is it annoying hearing about the people I find attractive in town 🤔

[plushstarrs]

My experience carrying a stuffed animal with me at school every day

Wrapping up my first semester where I decided to be brave and carry a plushie with me, and figured I’d share my experience for anyone who wants to bring their plushies but may be nervous. I carried a small to medium cat plush in my hands and placed them on my desk every day.

I can safely say my experience has been nothing but positive!

- No one ridiculed or treated me unkind for it, any questions were posed with respect. I worried people wouldn’t take me seriously, but it’s not a problem I encountered.

- I made friends more easily and people asked me questions about my plush (name,brand,etc) quite often and seemed interested in my answers.

- None of my professors made any rude comments or told me to put them away. One asked if my plush was a recording device and why I had her but didn’t push further when I replied no, she’s just here because she makes me happy.

- Some professors made jokes, one pretended to punch my cat plush because he “doesn’t like cats” and another told me not to bring a black cat because it reminds him of a past cat he had and disliked. Nothing serious it was all in good fun from professors who frequently joked with other students as well.

- It made me very happy and comforted to have a plushie friend with me!! That alone makes it worth it.

I’m a fourth year college student, if you are in high school your experience may vary as you could face teasing from peers as I had before, but remember the world is so much kinder <3

[esper-aroon]

I am dead serious, why are people acting like being polite to others and having manners is some unimaginable imposition on them? This total disregard of kindness and politeness is everywhere online and some people really act as though that's how it should be and get so damn offended when they're asked to stop being jerks.

I'm seeing a lot of "ugh, so we can't even criticize fic authors anymore?" posts popping up on here and the ao3 subreddit and I just want to say, for the record: No one's saying you can't criticize (fanfic) authors publicly. They're saying it's rude and antithetical to positive fandom experience. And, yes there's a difference.

If this website was a conference and I had just spent a whole afternoon listening to a presentation on [unpopular fic trope] and after that was done, I got up on stage and very publicly told the audience that [unpopular fic trope] was illogical and anyone who writes it is woefully misinformed and should be banned from writing [relevant character], that would in fact be a dick move.

"But the canon character would never--" it doesn't matter. You're shouting down the hall at the person who just happily did a whole seminar on their OOC version of that character. "But I don't like that the author chose to make them--" good, you're well-acquainted with your likes and dislikes, time to find another fic.

We all run into fics and interpretations we don't like. But there's a huge difference between loudly talking about it on Tumblr where the author can see it, and just venting in a private discord or other group. Also, gentle reminder that this is a hobby for most writers and something they do purely because they enjoy it. Stop being massive dicks just because you feel entitled to a certain flavor of fanfiction you will probably be chasing until the Reformation of Krypton.

[tossawary]

One piece of acting advice that has stayed with me for years in regards to both writing and drawing as well is: "Don't use the body to act what the character is saying. Act what the character is THINKING."

Like, as a very, very basic example: a character is apologizing by saying, "I'm sorry." But that line is going to look and sound different depending on what the character is thinking. Crossed arms and a sullen tone can mean that a character is actually thinking: "I don't mean it and also I hate you." A pleading tone and reaching out to take the other character's arm can mean: "Please don't leave me." A tired voice and slumped shoulders within context could mean: "I did what I had to do."

This is one way to begin to do "Show, Don't Tell" in storytelling. It is trusting your audience to see the depth and to catch on to the things you leave unsaid. It's fun to let the audience be observant and clever. It is also reflective of real life, where people are often scared of being vulnerable, or don't necessarily even understand their own emotions, or can't articulate their own thoughts, or have difficulty identifying the true feelings of the people around them, and so don't say very much.

There are exceptions to this advice, of course. In writing especially, rather than in a visual medium, some POV characters are very good at reading emotions from body language and others are not, and their observations in the narration may reflect this skill. Some characters will assume everyone around them is always angry with them or simply not pay attention to other people's moods at all, personalities which can also be subtly communicated to the audience and later used in the story in some interesting way.

Some characters have excellent control over their body language and tone of voice, because they are on-guard, highly trained in some fashion, or a very good liar. They will not easily communicate their true thoughts through their body language or their actions. Their lie can be so good that it can be slipped past the audience as nothing important to the plot until it comes back to bite. Their oddly perfect control over their body in a tense situation can instead maybe be used to indicate to the POV character and/or the audience: "Oh, there's something up with this person."

Body language will also change by culture and class and disability and so on. This clash can cause communication problems between characters, as a character's affectionate pat on the shoulder of another might be intended as casual comfort, but be received as overly intimate condescension. Different cultures / people can even have very different opinions on what level of eye contact and overlapping speech is rude.

This advice was originally given to me in the context of illustration and animation, in which it is very common for inexperienced artists to act out the words that the character is saying in mime-like gesture. In media for young children, we might choose to keep things very simple, as toddlers struggle to learn what it looks like and feels like to be angry or happy. But past that? People don't really behave this way. What we say and what we really mean are not always synchronized, and we can use the body to communicate this.

[caffeinewitchcraft]

AITA for being proud of my job as a regional Nightmare?

My sister told me she’s making her own post and that if I was so sure I wasn’t TA then I should make my own so here I am.

I’m a regional Nightmare. I’m very proud of how hard I worked to get here. Not many terrors in their 20s get this high up and it’s because I do the work. I get up at 8pm and I’m out in the woods grinding out those quotas until dawn. Sometimes I sleep out there in my uniform just so I can be the first on scene for the multi-part jobs. I’m efficient, I’m punctual, and I’m committed. My goal is to be a Cyptid by the time I’m 30 and, to do that, I have to stay on at all times.

As a result, I work a lot. I’m often not home for days at a time. I have a very strict training regimen and my time for friends and family is virtually nonexistent. That’s why when I do get the time to hang out, I prefer to spend my time intentionally. What I mean by that is that I don’t want to sit on a couch when I could be lifting weights. I don’t want to chill in the pool when I could be volunteering for new scares. I especially don’t want to gossip over tea when I could be getting overtime.

Last Saturday, my sister invited a bunch of family over to her house. My job in the Virginia woods fell through, so I decided to go. Silly (her childhood nickname) said she had something important to tell the family so I thought it wouldn’t be a waste of my time.

Key word: thought.

When I got to Silly’s house, I was surprised to see so many cars out front. Our parents were there and our older brother. The house was packed. There were cousins, aunts, uncles and a ton of people I didn’t know.

At first the event was fine. Silly’s always been a good cook (see, I know you’re reading this, Silly, and see? I do compliment you when do something actually good) and everyone was really enjoying the flank steak (though I did have to save it before she cooked it medium well). But as the day wore on, I could tell people were getting bored. Silly and Mom were focused on cleaning up and said that dessert would have to wait until her fiance got home. Which was kind of rude to be late and I felt really bad for Silly. It seems like my soon to be brother-in-law (BIL for short) is never around when she needs him.

In an effort to help, I engaged some of the people I didn’t know in conversation because the party was getting a little dead and I didn’t want one of my sister’s parties to fail. I was trying hard not to think about the time I was wasting waiting for my future BIL so it also served as a distraction.

It turns out one of the guys was a fellow terror. He worked a corporate job and we talked for a while about the pros of being freelance like me. He asked me a lot of questions and I was happy to mentor another terror.  Corporate can suck the art out of what we do. My clients only care if the quota for their mission is met and don’t enforce such strict timelines. They come to me for quality. Poor guy barely had time to mend his uniform between scares (his cloak was tattered and his hook hand was rusty) so I recommended my tailor and blacksmith.

The guy and I exchanged information. I gave him my business card and he looked for one of his. While he looked, I felt nature calling so I headed upstairs to use my sister’s bathroom (like hell I was going to use the same one as my Uncle Joe). From up there, I saw my future BIL pull into the driveway.

 Being a regional Nightmare is a tough job. Like I said, I have to train a lot to keep my certification. So I thought it’d be a good idea to get a scare on my BIL both to punish him for being late and to make up for all the time I’d already wasted at the party.

So I waited for him to come upstairs to change and, when he did, I pulled out the works. I darkened the room and fell back into the shadows. Then, while he groped for the light switch, I stretched out my leg (I have an extra joint in them) and tried to nudge him. I honestly didn’t expect for him to trip and I DEFINITELY didn’t expect for him to fall backwards. I’ve been practicing this skill on my family since I was sixteen and got the leg extension mod and none of them ever fell like that.

My future BIL fell down the stairs. I panicked and raced over to look over the banister. He was fine! He wasn’t bleeding or anything and, when I saw that, I started to laugh.

Everyone freaked out though. They all said I was being immature and bullying my BIL. I told them it wasn’t bullying, it was my actual job. I said that I was just joking and didn’t know my BIL, a former “Cryptid”, would take it so hard.

My mom jumped in and backed me up, but my sister has always been the Queen of the castle. Silly and Dad kicked me out ( I mean, I let them, I’ve got enhanced strength and I didn’t want to hurt them). Dad called me a disgrace and to not come back home.

I asked him if he was really kicking me out just because I wanted to show off my skills a little? And he said yes. And Silly said I had it coming to me for a long time.

I don’t even know what went wrong.

 So AITA for taking pride in my work?

---.

SillyCreeper says: Oh my god, you actually made this post? You’re an actual idiot. For anyone who believes this story, read mine before you vote. My brother left out a few details like how the party was my GENDER REVEAL PARTY and that he’s not a regional Nightmare, he’s a  Slasher for hire.

OP replies: I am TRAINED to operate as a regional Nightmare. That makes me an independent regional Nightmare.

SillyCreeper replies: Regional Nightmares don’t steal failed missions from corporate Slashers

OP replies: Get your own post, Silly

SillyCreeper: Oh, I already did. Have fun being torn apart on yours, dumbass.

-----

Thanks for reading! If you'd like to read Silly's AITA post a week early, please consider becoming a patron (X)!

Aita for going no contact with my brother after he pulled a Scare on my husband?

I'm working on this anthology during November and I'm having a blast with this story in particular! The family drama keeps going on and on

[shotmrmiller]

Big man, Big mouth

Pairing: Simon 'Ghost' Riley x F!reader (because demeaning girl usage) WC: 4.9k it's just gross smut and simon gets kinda mean sometimes nothing crazy :) ty to the brain to my pinky @xoxunhinged and precious beta @waves-against-a-cliff catching my errs

The smile you’d had on your face all morning is subsequently wiped once you’re told that you won’t, in fact, be spearheading a team meeting with air conditioning and a cup full of your favorite medium roast, but instead, you’re being sent somewhere where practical experience trumps theoretical, textbook knowledge. And alone, at that.

Guess your travel mug is about to make its big debut.

The construction site is alive with purpose— the buzzing of drills, raucous banter, and the low hum of music from a stereo. You run a hand down the back of your skirt that is more tourniquet than office attire you were forced into wearing, regretting not drawing the line at the heels pinching your toes. "Professional setting, professional appearance," your boss had said. Nothing here demands you to stand in ironed clothes with dust settling on your eyelashes and the taste of grit on your tongue.

You feel out of place, a white-collar worker surrounded by hard hats and steel-toe boots. Perhaps taking this job for a promotion was hasty on your part. But it’s too late now and the sun above you is wilting the starched collar of your blouse.

Best get this over and done with. (The bottle of barefoot wine at home will be your reward for your suffering.)

Walking to the home still in a semi-skeletal phase had been a bit uncomfortable, anxiety gnawing at your nerves and the polished shoes at the skin of your heel. But what made your shoulders tense and spine stiffen was the crew. You'd expected disgruntled workers, sure. A bit of grumbling here and there. No one likes to have someone with more authority and less experience trample all over your work, telling you what's what.

Not them eyeing you like you're a fish in a shark tank. A little minnow pulled out of her natural habitat and into the mix with dominant predators. The paper on your clipboard crinkles audibly as one of them— the leader, you gather— stops you before you can get any closer than he feels necessary. He plods over, hard hat tucked into his arm, wiping his sweaty brow with his sunbaked forearm, a few wood curls nestled into his beard.

"Ya lost?" he grunts.

There's a guy with a comb for hair and limpid blue eyes staring right at you from the back as he leans on a half-built wall with a smarmy grin on his thin lips.

"No! No, I, um—" you stammer, "I'm here as a temporary replacement for, um—"

He cuts you off with a dismissive wave, fingers thick as steel beams. "Right. Yeah, yeah." Bloody rude. "The inspector." His head tilts and spits on the cement, eyes giving you a once over, lingering on the bare skin of your calves. "John," he says then jerks his head behind him, to the shady inside of the home. "Let's get ya out this sun 'fore you melt like sugar on the driveway."

You keep your lips pressed in a line, swallowing down the retort sitting on your tongue with a hint of frustration, and follow him on swift feet. It is unforgivingly hot and at least there's a roof overhead. Most of the walls were still just wooden beams, the foundation concrete covered in dust. Rough-bristle brooms lean in corners, the stereo now sitting silently in the center of what’s to be the living room next to a man with a massive frame and a sweat-soaked wifebeater who didn't bother turning around as you made a beeline for the only fan feebly cutting through the muggy heat inside.

John from behind you grabs your attention. "So? What's the issue this time? We jus' had tha' muppet pass through a week ago." You turn around, the breeze now somewhat cooling the back of your neck.

"Just need to personally check what's left—" you clear your throat, giving the clipboard a waggle, "on this. Nothing too grand." The blonde one with shorn hair hasn't looked up once from the blue cooler between his legs.

John scratches his head. "Right." There's a drag of heavy boots behind you. "Temporary, eh?" His eyes are like cerulean rivets, pinning you in place.

Gruff Scottish cuts in, tone dripping with amusement. "Will ye look a' tha'," he mutters, accent thick and deliberate, "bosses up top sent a bonnie wee lass to keep an eye on things. Make sure ye pay good attention, aye?" The brute comes to stand in front of you, flexing one arm, bicep like a knotted tree trunk. "Would hate ye missin' the show."

Show ‘em your teeth, little fish. That promotion is already in your hands, don't let it slip through your fingers.

"Listen, you—" you snap back, cheeks burning hot but then his eyebrows raise to his hairline, the corner of his lip curling in challenge.

"It's Soap, hen."

“...Right.”

What the hell kind of name is Soap?

A third voice— crisp English just like John's— cuts through the air from the second floor. "Wipe the slobber off ya chin 'nd leave 'er alone, Soap! You still hav'ta sweep up 'ere!" A man with bronze skin and a cap adorned with the Union Jack in the center pokes his head out from over the wooden railing. His smile looks stiff.

"Miss." His eyes flash to Soap. "Move it. You can get your cock—" wow, mouth like a sailor, that one, "wet while on company's time." His gaze falls on you for a moment longer before disappearing back into the upper level.

Soap grumbles what sounds like a "fuckin' 'ell Kyle" but heads for the stairs anyway, steps creaking under his weight. "Ah'll be 'round if ye need me," he says with a wink.

Unlikely.

John absently shakes his head and turns to the grizzled, mountain of a man still hunched over that cursed cooler of his. "Simon." He suddenly moves then, rising smoothly to his feet for someone his size. He's a wall of muscle, a very clear force of nature, and he's now staring at your—

your shoes?

"Alrigh'," he gruffly says, "We'll get outta your way. The faster you can look for, whatever it is you're lookin' for, the faster you can get out o' my beard." He places his hard hat back on and gives Simon a nod. "To work, break time's over."

Simon walks past you without so much as a glance, his thick arm brushing roughly against your shoulder with enough strength to make you take a step back but then he speaks. "Don't trip on nothin', girl. I'd hate f'r our pretty mascot t'get injured on the," he emphasizes the last word, tone heavy with mockery, "job."

Your tongue is pressed firmly behind your clenched teeth as you straighten your skirt. Get this shit over with.

--

Their attitudes toward you had left some to be desired, but they had done their job seamlessly. Not a crack in place nor a bolt out of it meaning that ticking off the rest of the boxes on your clipboard had been a cinch, making the promotion even easier. By the time you were ready to go home— the thought of leaving behind the tangy scent of sweat and iron adding a pep to your painful step— the sun had already dipped, casting long shadows over the construction site.

Until John's unwelcome chivalrous gesture: sending one of his to accompany you to your car. "t's late out," he says, leaving no room for lip. Fine, whatever. The faster you get out of here the better. Saliva pools in your mouth at the thought of having a chilled glass of wine with chinese takeout for dinner.

Except the one waiting for you in the garage with a lit smoke between his chapped lips is Simon. He flicks it to the ground, smothering out the embers with the heel of his boot. "Move. Ain't got all day."

The last strand of your patience snaps and your mouth twists into a snarl. "Then leave off! I don't need a fucking chaperone. Believe it or not, I do know how to look both ways before crossing the street."

You'd only taken three irate, swift-footed steps away from him, clipboard trembling in your grip when the back of your shoe dug into raw skin; a sharp, sudden agony flaring out in a hot, thick wave and you stumble. The world spins for a second, colors blurring together until—

The relief is immediate. The hot needles on your raw nerves dulled down to a throb, vision blurring from the brief bite of intense pain. You breathe in a deep lungful of air, tasting salt and sawdust while you flex your feet, hissing when the blistered skin stretches. At least the damage to your toes is minimal.

But not to your pride. Tripping over your own feet, because the driveway while unfinished is still flat, now means you're being hauled over his shoulder, which is broad enough to be surprisingly comfortable, in the opposite direction of where your car is with your heels in hand. The fabric of his tank feels stiff under your sweaty palms.

"Is this kind of behavior normal for you? Or am I just lucky?" your voice is tinged with a mix of irritation and embarrassment. His arm tightens uncomfortably around the back of your bare thighs even though the office skirt you managed to squeeze into is knee-length.

"Only when I spot clumsy-footed birds like you. Can't 'ave ya splat on the concrete like a crime scene outline." A slow creeping flame spreads from your neck to the apple of your cheeks when you notice the guys staring at you from a window upstairs, Soap giving you a toothy smile. Even Kyle seems amused. Mortifying. Someone strike you down now. Actually, no. Then who'd feed your cat once you’re gone?

"'nd John would chew me out f'r lettin' ya break these," his long fingers circle your ankle, "in 'alf." You try to muster a response, but the words sit behind your teeth, your chagrin having tangled your tongue into knots.

Then he stops and the creaking of hinges reaches your ears. "Wait." Your eyes land on a black cargo bed, caked with dried mud. "Are you just going to sit me in your car?" He sets you down in the back seat anyway, tossing your shoes inside.

"Truck. I can drop ya on the patch of grass if ya like." Simon leaves you there, going to the driver's side rummaging through the middle compartment. His work truck is exactly what you'd expect from a man like him. The seats are covered in a thin layer of dust, you imagine he gives no one a ride, a well-worn visibility vest strewn about, an extra pair of work boots stained with splatters of white paint—the size difference of your shoes compared to his has you swallowing a lump the size of your fist down.

Simon pulls out a mid-sized red box and places it on the floor mat then props your leg up on his. His grip is firm but gentle as he inspects your open wounds and then sucks on his teeth. "A bit stupid, wearin' ankle breakers when out on a job." He prods around the inflamed skin, the pain making you tense.

"Don't worry about me and mi—" you hiss when he digs his thumb into the arch of your foot, "mine. Maybe I wanted to look nice." Fuck those shoes.

"'m sure ya did, though the skirt's all ya need." The warmth of his breath spreads through your toes and up your calf, raising gooseflesh.

You can't hold back a snort. "And now you're going to tell me that you prefer women in skirts and dresses?"

Simon switches legs, careful to not aggravate the blisters further. "I prefer my women with no clothes. But both of those make it f'r easier access. Like yours. Can see your knickers from 'ere." That has your heart skipping a beat, eyes widening with disbelief. Instinctively, you sit upright, back straightening with a pop.

"They're red."

You chuff out a breath. He's lying. You'd put on the only available pair you had at the time since you'd forgotten to dry your laundry the night prior. A simple, cotton grey. "You—! Fucking hell, I almost kicked you in the teeth." Simon's looking at you now, eyes dark and intense.

"Wouldn't be the first time someone's tried," he says with a smirk, voice low. "White, then."

The first aid kit still lies on the floor mat. "Stop talking." Simon ignores you, instead grabbing your other leg and pulling you closer toward the edge of the seat. Toward him.

"Green," he rumbles, his hands cupping the bottom of your feet, thumb and pointer coming to gently tug on your toes before moving his way up. You feel like a young, dewy-eyed farm girl having her first tumble in the hay and he's only now stroking the protruding bone of your ankle. The motion is slow, deliberate, a tender caress that sends a shiver up your spine. Has it truly been that long since you've had your body shape imprinted into the mattress?

"How about," you swallow thickly, "you patch me up proper and I'll be on my way?" If anyone else had heard, they'd say you're trying to convince yourself that being here isn't what you really want. But the little garble in your voice gives you away.

Simon hums, a sound that vibrates in your chest, sinks into the marrow of your bones. "Little bird wants t’go home 'nd 'ave only a throw 'nd a cat t'warm 'er bed?" You feel a different kind of ache this time, pulsing sharp and deep in your core. "Eh? Y'wanna curl up on the couch with one o’ those sex books while playin’ with your pretty cunt?" 

The idea of having to use the blue bullet sitting inside the nightstand drawer sounds unappealing. And it’s probably out of battery too. Damn. 

You sink your teeth into your bottom lip and shake your head. He doesn’t accept that as your answer.

"Wha's tha'? You will speak when spoken to, pet. Do you," he emphasizes the last word as he begins to open your legs by the knees, "wanna go home with an empty pussy or let me fill it 'til you're leaking cum out ya ears?"

Can't say no to him serenading you like that. You clench around nothing, hesitance crumbling like sand. "B-but what about your job? Aren't you still working?"

Simon grabs you then, dinner plate-sized hands wrapping around the softer part of your waist. "'M on a break. I'd say I deserve it after all my 'ard work." He lifts you effortlessly, the hem of your skirt rolling as you widen your legs further.

He rolls his hips once, feeling the bulge in his jeans brush against your sex, feather-light, and you bite on the thickest part of your tongue to keep from moaning like a cat in heat. "And what about us being in the open?" you ask though the question is redundant. Besides the crew's work vehicles, there's not another car in sight. If anyone else had been working nearby, they've long since left.

He seems to share your sentiment. "If tha's all? 'm tryin' t'see if I got it righ'."

No, that'll just about do it. "Okay. Alright." God knows you need this. Even if it comes from a stranger you'll probably never see again. Simon doesn't wait any longer, pushing up the rest of your skirt to pool above your thighs.

He hisses long and low through his teeth. "Tight little thing, innit?" Yeah, well. You were going to tell him that while putting on your skirt that morning had been an absolute nightmare, it wasn't that small on you until the tips of his fingers glided along your clothed slit. Oh. He's not talking about that.

"I guess grey's my new favorite colour. Especially this—" he thumbs the darkened wet spot on the fabric, "shade." When he adds more pressure, you can't help but let a gasp out as you buck your hips in want of more. "Easy. 'aven't even started with you." Simon opens the front of your blouse with a single hand, coming undone easily. He goes for the clip of your bra that's serendipitously placed on the front.

"Gotta let the girls breathe," he says. Whatever his reasoning doesn't matter because all there is, is relief. No more underwire digging into your skin, no more suffocating restraint. You only wore the blasted thing because all of your sports bras would've been visible through the blouse.

Simon rolls a hardened bud with one hand while unbuttoning the front of his jeans with the other. "Eatin' this," he gives the mound of your pussy a mean tap, "gonna 'ave t'wait. I'll get ya off though, don't worry tha' little head o' yours."

You wonder if he says that to everybody he fucks in the back of his truck. "What? Why?"

His length sits hot and heavy over your cunt. And it's big enough to kill. Death by cock. That'll be on your epitaph. "'m a big geezer," he mutters, fingers toying with the side of your panties, "lyin' down so you can sit your cunt on my face isn't gonna work righ' now."

Definitely says that to everybody. "Doesn't matter. I'll take care o'ya 'nother way." Simon pulls the dampened gusset to the side and lowers his head to— "Pretty like I thought it was." A fat glob of spit lands on the puffy lips of your pussy and he smears it around with his cock, tip sliding right along your clit. He uses his thumb to press himself down harder, more friction, more sensation, each slow roll of his hips pricking neglected nerves awake, alive, and it feels good. Surprisingly good.

The way the scar on his lip whitens as he bites it tells you it's just as good for him too. "Thought about it much, did you?" He goes lower this time, ruddy tip catching on your entrance momentarily before returning up.

"Since you walked inside a place you 'ave no business bein' in. Birds like you shouldn't be minglin' in the trenches with us grunts." The tips of your ears are hot as he stares down at you. "Should be sittin' nice 'nd pretty in a cubicle with air conditionin' 'nd an oversized mug o' watered-down coffee."

Simon cups the swell of your arse, canting your hips to glide himself better. Every bump and ridge on the underside of his cock is rubbing slowly on you and the thought of licking a slick stripe on the vein only tightens the white-hot coil below your navel.

"Or better yet, sittin' at home doin' wha'ever else while waitin' f'r a man like me to come back from work with a ribeye 'nd redskin potatoes in the oven." He lets your panties fall back into place; the sodden front almost transparent as he rubs against your swollen clit at the same time. God, he's fucking. your. panties! And you're bloody letting him.

What a way to break this year-long dry spell.

He bends your legs so that your feet are now being held flat on the thick of his chest with his hands as he picks up the pace. The suspension springs on the truck begin to groan. "I like mine medium rare."

Your back's come off the seat, spine bowed. You're close, so fucking close, you've got slick coating the inside of your thighs, dripping down to your arse, probably staining his polyester material underneath. This is torture and your pussy feels tender, raw, yet he's barely touching the focal point of your desire. If he doesn't make you come in the next minute, you're breaking that thick neck of his.

It's like he read your mind because he uses his cock to tap on your clit firmly, hard enough to hear a wet thwack and he does it once, thrice and—

And then your body gives, an intense climax that steals the breath in your very lungs, has you your blunt nails biting into the muscle of his forearms, his groan drowned out by the shrill ringing in your ears. Your face feels hot, probably is hot to the touch and there's a sting on the middle of your bottom lip and can taste iron on your tongue. Even the tips of your fingers tingle.

Through your half-lidded gaze, you see Simon holding onto the top of the truck while his breath comes in ragged gasps. Did he come? You curiously touch the expanse of your stomach. Not sticky.

"No. I didn't come. You," he takes in a deep, steadying breath then reaches to squeeze the sides of your face, cheeks plumping under the pressure. "You almost 'ad me, though. I don't remember the last time I 'ad to think tha' 'ard of London t'not finish. But I'm not done with you."

Simon hooks his thumbs into the waistband of your panties and takes them off with urgency only to stuff them in his back pocket. "Better with no clothes on, remember." You can feel his twitching cock leak onto your heated skin.

"If ya need, use this." A black bundle of fabric lands on your chest, what is— It's a mask? If he means to hide your identity from his coworkers, you're not sure this skull mask is going to work. He drags you to him roughly until your arse is hanging off the seat. And then there's a hot, dull pressure pushing against your entrance that's followed by a searing sting, and it, it's so much, it's too m-

"Tight fucking-, Ya need t-, fuck, to relax," he grunts, fingers dimpling your thighs. Simon's thrusts are jerky, short, as he wrenches your walls apart. Even with your creamy cum and his spit it's still a struggle. "'Alf way there," and a rattled breath escapes you. You're being split right down the middle and there's still some left?

For the next few moments only your squeaks and mewls can be heard as he makes room for him, your hand flat on his lower stomach— feeling the coarse, thick patch of hair on it— as if you're trying to keep him away, out, something but then he snarls and snaps his hips. You've heard of a ring of fire some women experience at some point in their life and you think this is yours. The thin skin of your entrance burns, most likely stretched to its limit, like a rubber band about to snap.

"Easy," he drawls out, "The worst's over. Took me like you're made f'r me. G'mme ya 'and." He takes your clammy hand and has you touch where the two of you meet. His eyes are glued to your fingers that are split into a v, pads feeling your cunt soaked in viscous slick.

The groan he lets out at the sight makes the world around you spin. "Stay jus' like tha'." Sure, not like you’ve got anywhere to go. Not with his hands tight around you like metal cuffs. Simon holds nothing back, not even in the very first minute. Doesn't warm you up to it, don't let you try to get used to him turning you inside out. His thrusts are long, firm, hungry— bottoming out every single time until he sits snugly at the plug of your womb. Grinds up when he meets resistance, eyeing your features in case there's discomfort.

The only ache you've got is the one he's fucking into you. (And you also might be partly lying on his tape measurer.)

But then he hitches your legs up, hands around the back of your thighs as they're pushed toward your chest and that pulls a whine out of you that you're sure John and the crew heard. "There she is, bird's got a healthy set o' lungs on 'er." He keeps the same, unforgiving angle and doubles down, using the bulk of his weight to pin you in place, forced to do nothing but take and take and take.

Until Simon's strikes the side of your arse with an open palm. "D'ya hear 'em?" Wha? What? Hear who?

And then you hear it. Him. The handsome one with the hat from upstairs. "Ghost?" he sounds right across the street and Simon hasn't stopped rocking the truck as he fucks you right through it. "Wha's tha' Kyle?" His voice is steady even though there are beads of sweat rolling down the side of his temple.

"I said good job on all your 'ard work 'nd we'll see ya tomorrow. You 'ave a good night too, Miss." There's a crude whistle followed by a pained grunt and a quick mumbled apology. Maybe if you don't respond they'll just get in their car and go home.

But then John calls out to you too.

"Simon must’ve missed you, sweetheart. “Wow. He barks out a laugh. " 'ave yourself a good night, Miss.” Then, sternly says, “Tomorrow at 6, Simon.”

Simon, though, has no intention of letting you take the easy way out. He smacks your arse again, right in the same— already tender— spot from just moments before. "Answer 'em, pet. Or 'ave I fucked all the manners outta ya?" He accentuates the last three words with thrusts so sharp that if he hadn't been holding you in place, you would've been sent sprawling back.

Whatever words you're supposed to say are snagged in your throat like hooks, only whimpers and high-pitched gasps falling past your trembling lips. He drags his thumb over your bottom one, the calloused pad of it tough. "Go on. Be good 'nd tell 'em to 'ave a good night too. And no names. Only one comin’ outta you should be mine."

When you open your mouth, he weaves a hand down to your clit, jerking it in fast little circles that have you forgetting where you even are. "Mf- g-good," he gives you just a second of respite to spit on it. "Good night-," his fingers are almost torture, and god, you're going to come in front of all of them. You warble out the words hastily, feeling your impending orgasm come at you with the speed of a freight train.

"Tha's a good bird, singin' when I tell ya to." There's no stopping this, not with all of his focus on the little bundle of nerves and every drag of his cock making your spine arch as if he were winding it. "Squeeze my cock, tha's it."

Your legs shake violently, toes curled, and you can feel a cramp begin in your calf but none of it matters, not when you're seeing bright lights behind your scrunched eyelids, not when you feel fingers in your mouth to stifle the scream that's viciously wrenched from your throat nor when Simon growls out a "Fuckin' 'ell."

"I told ya, if ya needed somethin' t'bite on, use tha'," he jerks his head toward the mask that's tight in your fist. Your soul is still floating adrift in the wind and he's already trying to make conversation. And he did not say to bite on it.

"I'm not puttin' this unwashed thing in my mouth." You languidly watch him inspect his hand, looking at the deep purple teeth imprints on his fingers. Whoops.

"But you'll 'ave me after sweatin' under the bloody sun for 'ours." His hand slides behind your nape, lifting your head a bit as he lowers his chest to meet your sweat-slick one. Your hands come to claw at the shifting muscles of his back when he begins anew, this time his pace is relentless, sharp, predatory. He's a shark that has scented blood and is now on the hunt.

The prickling bristles of his facial hair scratch against your temple. "This," the hand around your neck tightens, your rapid pulse now roaring in your ears, "is the best pussy I've ever had." His thrusts are jarring, make your teeth clack together hard enough to hurt, and after a dozen of them, he comes with a cruel bite to the junction of your shoulder, snarl animalistic.

Hopefully, the guys drove off a while ago otherwise you're re-dressing and driving home with that mask Simon tossed your way.

Your blouse is unfortunately beyond saving. Your skirt isn’t faring any better if that massive tear in the front has anything to say about it and your shoulder will require at least half a bottle of concealer plus a couple of bandaids, which the first aid kit is completely empty of. Not even the first aid guide is inside. 

You sluggishly begin to button up one of Simon's spare flannel shirts when he asks you if you're hungry.

"No." Not really. Hard to feel much when most of your nerves from the ribs down are shot.

"Get in the front, I'd like t'eat my dinner soon." He's staring right at the apex of your legs, your cunt still throbbing from the abuse."'m 'ungry." There’s no tow car sign on the street, actually, there’s not even a simple stop sign here. 

It better not get towed. You’re not paying a dime if it does.

(Are your feet still hurting or can he fuck those too? No? Next time, then.)