telabs

[telabs]

Jean-Pierre Sudre Apocalypse, Révélation 1967

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Tucked away in a lonely corner of the SDF baggage claim a once-futuristic videophone sits unpowered, next to a couple of empty payphone cabinets that grimly foreshadow its fate.

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[telabs]

Pipilotti Rist, “Mutaflor”, 1996 x

[telabs]

HANS RICHTER PRODUCTIONS- ARNOLD EAGLE

JEAN COCTEAU

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Marcel Duchamp New York 1957 - John D.Schiff

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L’Année dernière à Marienbad (Alain Resnais, 1961) in color.

[telabs]

Hermann Landshoff Max Ernst at Peggy Guggenheim’s home, New York, fall 1942 1942

[telabs]

Jean Marais in a suit designed by Coco Chanel and Jean Cocteau for “Oedipus the King”  1937 

[telabs]

Scan of a rare book cover by surrealist Wolfgang Paalen (1905-1959) for Contes Bizarres by Achim d’Arnim, introduction by André Breton, published by Eric Losfeld for Arcanes, 1954.

[telabs]

[telabs]

György Kepes

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This is a test.

[telabs]

Manfred Mohr, "Cubic Limit" (1973-74) from bitforms gallery on Vimeo.

Manfred Mohr "Cubic Limit" (1973-74) digital transfer of 16mm film 4 minutes

About Manfred Mohr: bit.ly/pBrODI

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The 33 Brightest Shots of "Tokyo Story" (1953, Ozu) from Retnull on Vimeo.

A computational analysis of Ozu's film, one of the masterpieces of Japanese cinema. The brightest four minutes of the complete film's 136 minutes are seen in an alternate visualization: motion over time is presented as geometry, and spatial form as sequentiality.