#meandering thoughts on other characters:

[lady-lancer]

Rewatching a PLA vid made me think of something.

Some say that Volo is supposed to be the rival of the (early) game, with the way he shows up and asks to battle you at random. It’s also used to explain away his randomly showing up where you are.

I disagree. With the usual rivals, they’re on the gym badge quest so of course you’d run into each other at times - you’re both on the same type of journey.

But Volo has a job - that he is constantly skipping, to be fair. How did he know to show up at the solaceon ruins right when you do? How convenient of him to show up on the path to Iscan’s home, when your on the way to Firespit Island. To be at the Quarry when Ingo is leading you up the mountain. To be at Avalugg’s arena when your there to quell it.

Yes, some of it can be explained as logical steps, but taking out the game scripts? It’s kinda creepy ngl. (

[anonymousewrites]

A Not-So-Disastrous Romance (Book 2) Prologue

Saiki Kusuo x Reader

Prologue: Relationship

Summary: Saiki reintroduces us to the cast.

Quick Key:

“Hello” -Saiki speaking telepathically

Hello -Saiki thinking

“Hello” -regular people speaking out loud, Saiki speaking with telepathy

Hello -regular people thinking

Mouse Note: We're back! Just a cute reintroduction to characters and our beloved pair, but we are back. Updates will be Mondays, Wednesdays, Fridays unless I fall behind or have to take a break, which is unlikely. And without further ado, welcome back to A Not-So-Disastrous Romance! It's such a fun story, and we've got a ton of fun moments going on this book. Please comment your thoughts, it helps me continue to write, and I love hearing your thoughts! 

            Saiki sighed in irritation as every single one of his bothers at school (aka “friends”) were reintroduced (even if only a week had passed since his birthday party). He really didn’t need the crowd. He could have made it extremely quick. For example:

            Himself, Kusuo Saiki: psychic who has uncontrollably powerful abilities, loves coffee jelly

            His mother: kind and considerate, loves her husband

            His father: the annoying parent, loves his wife

            Nendou: idiot, his mind can’t be read

            Kaidou: believes/pretends he’s some anime protagonist, stupid

            Kuboyasu: former delinquent

            Toritsuka: pervert, medium, a nuisance

            Hairo: way too intense

            Yumehara: wants more screentime, has a crush on Kaidou (bad judgement)

            Teruhashi: prettiest girl alive according to most people, has a crush on Saiki (not good)

            Mera: hungry

            Saiko: rich

            That was all the annoying people in his life that people had to meet.

            “Hey, Kusuo!”

            Now for someone Saiki was fond of. Really, more than fond of. Saiki turned in his seat to face the final person entering the classroom. They were a pure ray of sunshine with a smile to match, and Saiki found himself far more willing to put up with his bothers so long as they were there.

            (Y/N): Saiki’s significant other, his favorite person, angel, amazing cook/confectioner, wears germanium earrings that mean he can’t hear their thoughts, ray of sunshine, the only person Saiki is ever excited to be around, protects Saiki from bugs and bothers, etc. (Saiki could go on for a while)

            “Hello, (Y/N),” said Saiki.

            Thankfully, as he turned to address (Y/N), the rest of the Saiki K cast meandered away, having gotten their time in the spotlight.

            “So, have you recovered from your party?” asked (Y/N). They grinned and laughed. “I know crowds aren’t your thing.”

            “It wasn’t as terrible as it could have been,” said Saiki. You were there. And that was the day they had admitted they liked one another and decided to start dating.

            (Y/N) just smiled at Saiki. They didn’t need him to say that he was glad they had been present; they could read him well enough. He was their boyfriend, after all. (Saiki was their boyfriend. Boyfriend! (Y/N) still couldn’t believe it and was positively giddy)

            “Well, it’s not like you’ll have to deal with another party for a while,” said (Y/N). “And I’ll keep your actual birthday more low-key.”

            Saiki deadpanned. He doubted that. He never had luck with these things; he knew he’d end up with a giant party where all his bothers (friends) followed him.

            “I’ll make sure you get coffee jelly, at least,” said (Y/N).

            Saiki perked up again. He could always count on (Y/N) to think of something for him.

            (Y/N) chuckled at his instant reaction. He was a total sucker for sweets, and they knew it.

            Saiki looked at them as they laughed, and his heart softened. He really didn’t deserve them.

            “I’m going to Café Mami after school,” said Saiki. “They have a promotion.”

            “For coffee jelly?” said (Y/N). Saiki nodded. “I’ll go with you.” Saiki mentioning it was his way of asking them to go.

            And, hey, (Y/N) wasn’t going to say no to a date with their boyfriend.

            I still can’t believe it.

l

            Saiki and (Y/N) both let out a pleased hum as they took a bit of their coffee jellies. Café Mami was delicious as always, and since they already went their together before they were dating, it wasn’t strange for them to still be seen together, just the two of them.

            Together, Saiki and (Y/N) had decided to keep their relationship lowkey. First, none of their friends were…calm, for lack of a better word (others would include: discreet, normal, not-embarrassing). Second, some of the people they knew would make some problems (see Teruhashi and her crush on Saiki while being friends with (Y/N)). Third, Saiki and (Y/N) didn’t really care about people knowing their business. It didn’t feel necessary.

            So, for now, they weren’t going around announcing to people that they were dating. But that was alright. Saiki and (Y/N) had each other. That was all they needed.

Taglist:

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@characterreaderwriter

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[innerfare]

Luffy Fluff // Angst Compilation 

Summary: A compilation of Luffy angst and fluff from my multi character posts (You're Wounded, Brushing Your Teeth Together, Flowers, Type of Date, You See His Cabin, Fighting and Making Up, Paradise, Nightmares, I Love You, You're Jealous, Wearing His Hat).

Genre: Fluff // Angst

CW: None // SFW

———

You’re Wounded: 

Makes a light joke, inspects the wound himself even if there’s a doctor present, will help bandage you up if you need it. Pretends to be nonchalant about the entire thing, is panicking inside. Fully realizes the depths of his affection for you, is terrified to realize it’s love.  

Brushing Your Teeth Together: 

Turns it into a competition. “First one done wins!” “Luffy, no!” Also gets toothpaste absolutely everywhere. If he was in the habit of wearing shirts, all of his would have toothpaste (and food) stains on them. 

Flowers: 

Not one to buy you flowers. Instead, he picks them. Sometimes they’re weeds he thought looked pretty, other times, he presents you with a lush bundle of pink carnations you think he must have picked from a commercial flower field (this man has no concept of private property). He’s always very proud to present them because he worked hard to secure them; you'd better give him a kiss for his effort. Has, on occasion, accidentally brought you some that are poisonous. Also once brought you a bundle of radishes because he thought you would like the color. Receiving flowers from Luffy can be a bit like receiving a lizard from your pet cat. 

Type of Date: 

Everyone thinks he’d want to take you to dinner, probably to an all you can eat buffet, but this boy would actually drag you to an amusement/theme park. You’ll go on all the rides, riding the scariest ones multiple times over, and by the end of the day, you’ll have a stack of photos taken just before the roller coaster dropped. He’ll probably want to grab a bite to eat afterward, as if he didn’t already sample everything the amusement park had to offer; definitely something casual, like a burger or bbq joint. 

You See His Cabin For The First Time: 

He's literally so proud of just his hammock. Insists it can hold the both of you and could probably hold the entire crew if you tried, asks if you want to try, asks you if you’re sure when you say no. Definitely has a couple of dirty dishes that he’s forgotten about, as well as a few wrappers on the floor. Has some fishing poles, a net, quite a few different games, and a bookshelf that’s full of both comic books and snacks so that he doesn’t have to go all the way to the kitchen if he gets hungry in the middle of the night. 

Fighting and Making Up: 

You fight about his recklessness. You knew who he was when you fell in love with him and you don’t want to change him, but sometimes, it gets to be too much and you lose your cool. One perk of dating Luffy, though, is that he has very high emotional intelligence, so if it’s one of those fights where you just need your space, he’ll give it to you, waiting patiently for you to approach him to make amends (although it does weigh on him quite a bit when the two of you are at odds, like he’s waiting for the hammer to drop on your relationship; he has such an intense fear of you leaving him it’s unreal. He also struggles with the separation because he’s so clingy). He doesn’t really talk through the fight and do the whole apology thing, just pounces on you and kisses all over your face as soon as he can sense you’re good and ready to receive his affection again. If it was a really bad one, he might pick some flowers to give you. 

Paradise 1: 

Meandering through the woods in search of the tallest, most impressive tree, him giving you a boost up to the first branch to get you started before climbing up himself, staying behind you the entire time so he can catch you in case you fall. Finally piercing the canopy and poking your heads up above the forest, his hand on your leg to keep you steady, the two of you grinning as birds fly by, basking in the afternoon sun. 

Paradise 2: 

Escaping the chaos of life and climbing a desolate hill, sharing a late afternoon snack as you stare up at the clouds and point out different shapes, saying, “that’s you,” when you see a funny one. Arguing over which one of you gets to be the dragon cloud, your argument turning into roughhousing and the two of you accidentally rolling down the hill, him laughing and kissing your cheek when he knows you’re okay and then starting the argument again. 

Nightmares: 

He grins at the sight of you standing on a cliffside looking out over the water, tranquil in the peace of night. He hurries toward you and puts his hand on your shoulder to turn you around, ready to place a happy kiss on your lips, only to stop short at the sight of your face. You’re completely devoid of joy, the life and will to live sucked out of you by a force he can’t control. You’re a husk, and he’s powerless against it. He realizes the darkness isn’t from night, that there are no stars glimmering in the sky, that the world has had the goodness sucked out of it, yours along with it, leaving you empty. He wakes up with tears in his eyes and buries his face in his pillow to muffle his sob. 

Wearing His Hat: 

Luffy is very protective of his hat. It’s his most prized possession, given to him by his beloved father figure. He’d fight the bloodiest war in human history to get that hat back should someone steal it from him. It’s for that reason he’s shocked by his own reaction when you get a little tipsy one night and pluck it off his head, placing it atop yours. 

“Call me Captain,” you tell the crew, going member by member and giving them orders, getting onto Zoro’s case for not saluting like Usopp and Chopper did. 

He doesn’t feel the urge to snatch it back, doesn’t feel even a touch of anxiety that you could misplace or damage it. Rather, he feels a sense of pride- everyone knows him by his straw hat, so if you’re wearing it, everyone knows you’re his. And it’s in that moment he realizes that you’re his- not his belonging, but his person. You’re the one he wants to walk through this life beside, the person who chose to wear his hat. 

I Love You: 

He showed it first, asking you to join his crew, making sure you had a safe and healthy place to be yourself, fighting anyone who stands between you and your dreams, saving his funniest jokes until you're around to hear and giggle at them, even going so far as to share a little (really, only a little) bit of his meal with you, but you were the only who actually said it first. He gets severely injured after a nasty fight, and you stay by his side while he sleeps it off like he normally does, though it takes him longer than usual to wake up. When he does finally wake up looking for you and something to eat, you fling yourself on him and tell him how much you love him. You didn’t intend on confessing, but you were so worried about him and the words fell from your lips as soon as you knew he was okay. Your brows are still furrowed, and when Luffy asks why, you voice your insecurity that he doesn't feel the same way. Luffy just laughs at that and ruffles your hair. “Of course I do.” With that, he crawls out of bed in search of food. He quickly falls into the habit of telling you in the morning when you wake up, and it fills you with so much joy, it’s like he’s giving you a happy vitamin to start your day. And saying those words bring him so much joy that saying them is like he's taking a happy vitamin, too. 

You’re Jealous: 

He never told you Boa Hancock was in love with him, and when you find out, you have to remove yourself from the situation before you have an emotional outburst and start something with the Pirate Empress. The problem is, you don’t even know which emotion will spill out of you. Finding out the world’s most beautiful woman, and a powerful Warlord, no less, is desperate to marry Luffy is a whirlwind, to say the least. Luffy can seem clueless at times, but his emotional intelligence is through the roof, and he picks up on what has you upset almost straight away. He knows to give you some space, and when he senses you’re ready, he approaches you with a handful of wildflowers he picked. He doesn’t really say much, just pulls you into a hug, presses a few kisses into your cheek and temple, and says in your ear, “you’re my girl.” 

———

Hope you enjoyed it! If you want more, you can check out my masterlist here!

[literaryvein-reblogs]

Writing Notes: Dialogue

A Guide to Writing Better Dialogue

Consider the following criteria:

The dialogue must move the story forward. After each conversation or exchange, the reader should be one step closer to either the climax or the conclusion.

Reveal relevant information about the character. The right dialogue will give the reader insight into how the character feels, and what motivates them to act.

It must help the reader understand the relationship between the characters.

Tips for Better Dialogue

12 tips to writing forward-focused dialogue:

Keep it brief

Dialogue shouldn’t go over for pages and pages. The best dialogue is brief.

You don’t need to go into lengthy exchanges to reveal an important truth about the characters, their motivations, and how they view the world.

Pair the dialogue down to the minimum that you need for the characters to say to each other.

Avoid small talk

In the real world, small talk fills in the awkward silence, but in the world of your novel, the only dialogue to include is the kind that reveals something necessary about the character and/or plot.

How’s the weather? doesn’t move the plot.

If you’d like to show that your character doesn’t like awkward pauses, work on characterization and scene description.

Instead of using mind-numbingly long exchanges, show the character’s discomfort by describing how she taps her fingers against the window pane, or takes a series of sharp sighs.

Small talk can water down the effectiveness of your scene.

Instead, pick exchanges that capture the essence of the moment, and bypass small talk altogether. Let that be an understood nod between you and the reader, and dive right into the action.

Don’t info dump

While you can certainly use dialogue to learn more about your characters, you shouldn’t use it to dump a whole lot of information on the reader.

If you must info dump, don’t do it in dialogue.

It may slow dialogue to a grinding halt. It may sound awkward.

What’s the difference between info dumping and revealing relevant information?

Info dump is a large amount of exposition given all at once, and left for the reader to sort out.

Relevant information is more subtle, and it’s dispensed a little at a time.

Give your characters a unique way of speaking

Every character, just like every person you know, will have a unique way of speaking and delivering their thoughts.

Some people are more forceful and deliberate.

Others are more passive and meandering.

You can honor these (and other) different styles without rambling.

One method is to focus on word choice.

Example: To show that someone is rather gruff or abrupt, go towards single syllable or somewhat quick words, like “yeah.”

Same basic concept but different delivery, based on character.

Of course, word choice alone can’t dictate character.

You’ll do most of this through characterization, but word choice should subtly support and reinforce characterization.

Also establish a pattern of speech:

Does the character speak in a sharp staccato, or a deliberate, flowy manner?

By knowing how the character (especially the protagonist) speaks, you can create consistency whenever the character dialogues with others.

Be consistent

Remember to be consistent with your characters.

Someone who speaks in a self-depreciating and shy demeanor won’t automatically become bold and acerbic.

When your characters speak, they should stay true to who they are.

Even without character tags, the reader should be able to figure out who’s talking.

Create suspense

Use dialogue to increase the suspense between characters.

It’s human nature for people to withhold what they’re truly thinking or feeling.

People leave a lot unsaid, and this is also true for the characters in your novel.

To create a realistic interaction between your characters, you must honor the fact that most people leave a lot of things unsaid.

But that doesn’t mean that the reader can’t be privy to what’s being left unsaid.

As a writer, you can build the scene, show the characters’ motivations and desires before the scene, and let it play out, with the reader wanting a resolution that doesn’t quite happen.

Answer the following questions to setup your scene for suspense:

Does one character have the upper hand in the scene?

Is the other character seething just under the surface?

What does the reader find out through the exchange?

You can control all of this through dialogue.

Honor the relationship

Characters tend to speak differently based on who they’re speaking to.

A character will speak to his mother differently than he does to his best friend. That’s not a shift in consistency.

It actually gives more depth and realness to the character. You can still stay true to the personality you’ve created by using the same speech pattern.

Show, don’t tell

“Show, don’t tell” is the writer’s mantra.

When writing dialogue, it’s easy to start “telling” what the characters are feeling instead of showing it.

Instead of your character saying, “I’m angry!” describe how the character’s body is closed--tight lips, narrow eyes, deep breaths.

Don’t underestimate your reader.

The reader likes to see the scene, pick up the cues and come to the conclusion, instead of being told what to think. Your dialogue shouldn’t be completely on the nose, and explain exactly what the character is feeling.

Most people -- including your characters -- aren’t always aware of how they feel.

And sometimes, what they say they feel is different from what they truly feel.

Use dialogue to reveal characters, but not directly.

Body language is also an important part of dialogue, and should be written into every scene. It gives the reader important clues that they’ll use to recreate the scene in their mind.

Minimize identifying tags

“He said, she said” gets boring after a while.

And the answer isn’t to switch out those “said” tags with other words like “enthused” or “shouted”. (When it doubt, “said” wins out.)

Not only is it boring for the reader to constantly see “he said” or “said she”, it may be disruptive.

Identifiers take the reader out of the immersive world of your story and reminds them that you, the author, are relaying a story.

That can be pretty jarring, and it can happen if you use identifiers too often.

Of course, you can’t not use identifiers.

They’re vital for establishing who’s speaking, but can be minimized by doing the following:

Creating a unique pattern of speech.

Using descriptive follow ups. (e.g., “That’s not what I said.” Vincent reached for the rock.)

The second option can show what the characters are doing to further emphasize their words, or add context to the scene.

Greetings and goodbyes aren’t always necessary

While it’s only polite to say hello and bid adieu, it’s not necessary in novel dialogue to document these courtesies.

You can use exposition for salutations, but do avoid writing a blow-by-blow.

Set up the scene by describing how the character enters or leaves the scene.

Avoid speeches and soliloquies

Most people, in conversation form, do not have the privilege of extended speech.

They’re almost always interrupted because who wants to listen to someone natter on and on?

Read it aloud

During the editing process, you should always read your manuscript aloud, but do pay special attention to your dialogue.

If the dialogue doesn’t seem to flow, or you’re tripping over your words, it’s not going to sound right to the reader.

Even though you’re not capturing every part of a conversation in your dialogue, everything that’s written should sound like an actual person said it. If not, it’s time to erase and try again.

Source Writing References: Worldbuilding ⚜ Plot ⚜ Character More: Formatting Dialogue ⚜ Children's Dialogue ⚜ Dialogue Prompts

[etirabys]

meandering post about reading Orson Scott Card again

I've been offline starting at 9pm every day (except once. I was drunk at karaoke and asked for anons at 8:30pm) for six weeks, with the result that in befuddled boredom two nights ago I picked up Orson Scott Card's Songmaster from the house bookshelf.

I read Ender's Game and three sequels when I was a teen thought the books were mid. Since those are OSC's best works I assumed he had nothing more interesting to offer me and didn't try more of him for fifteen years, but Songmaster was compelling enough that I immediately afterwards picked up The Memory of Earth, the first book of a pentalogy.

TMoE is extremely my jam: after humanity blows itself up on Earth, AIs monitor thriving human civilizations in the planets that survivors managed to escape to, and suppress any tech that enables large scale violence by exerting low key mind control via satellites. But forty million years pass, many of the satellites break down, and the AI needs help from humans to restore capabilities. Because as its control wanes, people are starting to e.g. conceive of airplanes or bombs again, and override the injunctions against entering military alliances more than two edges of connection away.

The AI is worshipped as a god all over the planet, but the fourteen year old protagonist that becomes one of the AI's agents tells the AI from the beginning that he'll break with it if its morality seems wrong to him. I like the fourteen year old – unlike Ender or Songmaster's protagonist (adult minds piloting ten year old bodies), he's a normal gifted kid who's unpopular 50% due to his ego and big mouth and 50% because he's socially inept and offends people even when he's trying to be nice.

Songmaster is also partly about a permanent solution to large-scale violence, albeit through one guy who establishes a monopoly on violence and sweeps in pax galactica. Both it and TMoE are preoccupied with the eradication of suffering from evil / human violence, which is closer to my resonant frequency than narratives about defeating particular people or ideologies. At the moment I can't think of any other book with such an insistent focus on the matter than T.H. White's The Once and Future King. It's hard to make a compelling story out of, and I don't think Songmaster really succeeds, but TMoE's premise is well suited to explore that. (I'm also enjoying the matriarchal culture where everyone is expected to have multiple serial-monogamous marriages.) After reading 70% of TMoE last night I wrote:

Usually when I read fiction there's a small part of me going, how can I use this as fodder for my own growth, how can I remix or improve or react against this, how do the author and I measure against each other? (If the quality and content are at an anti-sweet spot, the small part becomes quite large and I feel all teeth towards the author.) But on occasion I read something so close that the absence of that measuring-feeling is its own sensation – ego departs, or at least is split across two bodies. There's just amity and recognition

And it's pretty interesting to feel this way about Card for, well, the reasons.

(If you're familiar with Card drama none of the following will be new to you; I'm coming to it fresh so the rest of this post is me going "uh... wow")

I vaguely knew he was a homophobic Mormon who'd gotten into fights about gay stuff, but I couldn't tell from the Ender books I read. But in Songmaster his issues spring off the page in such a weird way. Every fifth Goodreads review of this book is "Card, u gay?" because, well,

(One review, possibly from a fellow Mormon, that went "Card, it's so sinful of you to be this gay in your novel". Why did he write this book that would predictably make everyone mad...)

it's full of gay male desire. The protagonist (Ansset) is approximately a castrato and characters notice him sexually a lot. The first and only time Ansset has sex it's with a Kinsey 4-5 male character he loves, who's married to a woman but has fallen in love with Ansset. It turns out the drugs Ansset took to prolong his singing career painfully and only-kinda-figuratively explode your balls when you have your first orgasm and you'll never feel sexual desire again. (You'd think his loving teachers would have warned him of that, but, whatever, they didn't.) The other guy is literally castrated in punishment for inadvertently torturing a highly valuable castrato. It's pretty bald: GAY SEX IS ALMOST IRRESISTIBLY TEMPTING BUT YOU SHOULDN'T DO IT.

(Sidenote: both Ansset and the guy's wife are very close and have a "there's enough love to go around" attitude about the gay sex initially, before they go "wait Josif is a SERIAL MONOGAMIST... he can only love one person at a time... the moment he had the gay sex his marriage was destroyed". It's funny in a mildly stupid way that Card would set up this parable of homosexuality destroying lives and a marriage but almost everyone involved is peacefully ready to sail into an open marriage. I guess it makes sense if you want to say very clearly that THE GAY PART IS THE BAD PART)

which is fascinating to me, because... why would you tell on yourself like that

(81k also told me secondhand of an essay? interview? where Card openly says "we have to stand against legalizing gay marriage because everyone will get gay married and society will collapse", so that's informing my read of Songmaster as well)

I am pretty dang open about my personal life online but if I had a lot of feelings I thought were disgusting and immoral I would not write a novel dripping with those feelings before pointedly castrating the leads for them. Especially if it wasn't relevant to the actually highbrow themes of (checks notes) winning over your adversaries with kindness and never relinquishing your monopoly on violence. I would be so so so so embarrassed to let this go to print, it's so psychologically transparent, what was he thinking

(Well, I assume he's a very different person with different social incentives. For all I know, people in his church went "hey Orson we read your book and it's clear that you're gay but signaling strongly that you won't give into the gay feelings, we're here for you, it was really brave of you to publish this".)

[writingquestionsanswered]

how do i make my writing more ‘mature’? i always feel like no matter how sophisticated i write and no matter every which way i change it up it always has a sense of being childish or juvenile.

Making Writing Sound More Mature

1 - Better Plot and Story Structure - One of the telltale signs of juvenile writing is a story that meanders, has no obvious plot or structure, has no conflict or has a protagonist with no goal. So, make sure you have a well fleshed out plot, with a conflict, protagonist goal, and which hits the beats specific to your story's genre.

2 - Three-Dimensional Characters - If you're writing plot-driven fiction, make sure your main characters have a fleshed out personality, stakes, motivation, goal, and compelling relationships with other characters. If you're writing fully or partially character-driven fiction, do all of the above, but also make sure your main characters have a relevant internal conflict and a thoughtful character arc.

3 - Well-Developed Setting and World - One common hallmark of juvenile writing is a lack of "sense of place" and under-developed world building. So, make sure you put a lot of thought into where your story takes place... not just the immediate setting of each scene, but the overall world of the story, or at least the parts of it that are relevant.

4 - Incorporate Literary Devices - Juvenile writing tends to be lacking in the use of metaphor, simile, symbolism, irony, themes, and motifs. So, make sure to include those, but also take the time to make them relevant to your story.

5 - Include a Broad Range of Vocabulary - One common element of juvenile writing is a reliance on limited, simple vocabulary. Don't be afraid to use a thesaurus to find more interesting word choices--just be absolutely certain to crosscheck your choices with a dictionary to make sure they are the right choice. Online thesauruses in particular are bad about offering up bad suggestions. Also, make sure to learn and use special vocabulary that is relevant to your story, genre, or setting. For example, if your character is a retired police detective trying to solve a murder on his stalled cruise to Alaska, you need to make sure you know the proper investigative terminology, because he will definitely use it. And, by that same token, you'd want to make sure you know cruise ship lingo as well. And, part of this, too, is getting better at description and the inclusion of emotional and sensory detail.

6 - Use Varied Sentence Structure - This is a big one... juvenile writing tends to use repetitive sentence structure, such as simple sentences (she stood up, she went to the window, she waved at the man), lack of subordinate clauses (Tad Smith, who was a seasoned and retired investigator, had looked forward to this cruise his whole life...), repetitive starts (every sentence begins with a pronoun, for example), uniform length (all short sentences, for example.) So, make sure your sentences are varied. If you read them out loud, you don't want it to sound rhythmic, but more like a complex melody.

7 - Show, Don't Tell... Most of the Time - Telling definitely has its place, but most of the time you want to show rather than tell, meaning that instead of stating things simply and directly (the sun was shining) you want to paint a clear but indirect image (dappled sunlight shone through the trees.)

8 - Avoid Cliche Phrases - Human language is littered with everyday phrases like "to each their own" or "better late than never." Generally-speaking, you want to avoid these phrases in your story, especially in exposition. If you include them anywhere, they're best spoken as dialogue by a character who it makes sense would say something like that. Likewise, be careful of cliche genre or character-type phrases. For example, villains who say things like "we're not so different, you and I..." or "I finally have you right where I want you!" These overused phrases tend to make stories sound juvenile and unpolished.

9 - Avoid Cliche Tropes - Another type of cliche to avoid if you want more mature-sounding writing is cliches of various tropes. Tropes on their own are a good thing, but when tropes are used the same way over and over again in a genre or type of story, they become predictable. For example, the super gorgeous protagonist who everyone is in love with, but they view themselves as plain and not special. Or the broken/hopeless/addict mentor character. It's not that you can't use any cliche tropes at all, just make sure your story isn't riddled with them, and do what you can to put your own spin on the ones you do use.

10 - Read, Read, Read - And I can't stress this enough... the absolute best way to improve your writing style and take your writing from juvenile to polished is to make sure you're reading a lot of fiction, in a lot of genres, by a lot of authors. Audio books, short stories, and poetry count, too. The more you read, the more you begin to: understand plot and story structure, recognize well-developed characters, easily envision complex settings and worlds, learn vocabulary and literary devices, become attuned to varied sentence structure, and learn to recognize cliche phrases and tropes.

Happy writing!

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

[batboyblog]

https://www.tumblr.com/batboyblog/763234650399424512/the-recent-chappell-roan-thing-is-why-i-absolutely

I frankly also get the impression that a lot of these people genuinely think another Trump term will just be “business as usual” or “it’ll only hurt the people who deserve to suffer” and that they’ll just be able to hide away from the consequences for four years before someone comes along and fixes the mess for them and they get to benefit.

I don’t think they have any realization of just how bad this is gonna get the second time around, because the first time Trump was metaphorically behind a chained fence and held back by strong rope. This time he’s being let loose alongside his fascist theocratic friends.

I've puzzled about this for some time, because like do people honestly not remember what it was like? what those 4 years were like? the fear, the chaos, the national embarrassment. Every day waking up and going "oh god! what did he DO! while I was asleep!" and how often you'd wake up to some story that he'd tweeted something scary and dangerous at 4am. I believe him threatening to nuke North Korea (the "Fire and Fury" tweet) was one of those very early AM specials that we all woke up to.

I mean for people like Chappell, its hard to remember, but Trump has been the more or less national main character for 9 years, since the fall of 2015. I mean an 18 year old first time voter could have been 8 years old when Trump came down the gold escalators told us all that Mexicans were rapists and he was running for President. So for anyone under 30, Trump is normal since every election they've been able to vote in, he's been the Republican nominee. I've spent 9 years of my life, across 5 elections fighting Trump directly or indirectly. Depressing thought that.

but past that there's been a national effort to gaslight us all into thinking "yeah no it was normal" I mean I remember the media coverage of 2017, the first year or so of Trump's Presidency, every few weeks or so there'd be some "is it time for the 25th amendment now?" story about if Trump's weird behavior this time for his cabinet to step it and remove him. (A quick google turned up CNN Oct 2017, New York Times May 2017, The Guardian July 2017, and Vox February 2017) compare that to coverage today? The term "Sane-washing" has been coined where when Trump says something bonkers it gets characterized as "sometimes meandering" rather than "incomprehensible" and "worrying"

figures in the media have gone so far as to claim there's just no point to covering new Trump scandals because "they won't move the needle" which really should not be a journalist standard. And we see that they do, take North Carolina's Mark Robinson. Caught in a massive scandal, involving sex, porn, and being a Nazi, he's now down massively in the polls after nation wide coverage. Trump just had new court documents opened that showed he wanted a riot on January 6th, that his reaction to a mob threatening the life of his Vice-President was "so what?" and they he knew full well that he had lost but was going to "fight like hell" any ways. And its not much of a story, indeed I'm seeing more news about a NY Republican Congress having worn black face (new story today) than Trump's effort to over throw the government and kill Mike Pence.

past the media's gaslighting of course there's been a major and on-going campaign to effect how we see reality. I know that sounds very woo-woo, but to step back for second, most of what we know about the world is stuff people tell us, so you know Joe Biden is the President because other people have said so, most likely you've never met him or even seen him in person. Well as more and more people turn away from traditional media, and traditional media turns more and more to making of money by confirming the bias of people, it becomes easier and easier to slip things that are not real into "facts we are told". So for example "Joe Biden is President, and also in decline" there's never been any real evidence of that, but if on social media you are bombarded with it 4,000 times a day... you start to take it as understood wisdom.

people are also getting worse and worse at not just taking what they're told if it confirms biases they already have. Former Vice-President Al Gore wrote a book nearly 20 years ago now, called "The Assault on Reason" which had a ton of very interest neuroscience about the ways that moving images, TV he was talking about, by-pass the logic centers of the mind, the way we relate and trust someone talking to us in a way the written word does not. I can't help but reflect on that with the rise of TikTok and short form video as a "source of information" (lol)

any ways this is a long winded way of saying bad faith players, Republicans, left wing grifters, and agents of chaos, have been very good at flooding the zone all through the Biden Presidency with stuff "student loan debt" remember when that was SO! important SO big and Biden "not doing anything" (untrue) was the biggest deal? well yesterday his newest plan got unlocked in court and 3 out of every 4 people with loan debt will get relief.... oh you're just now hearing about that from me? huh... funny... I thought it was the number one issue and reason we should never trust Biden and the Democrats... weird....

but there have been other issues pushed up as THE! issue, its all misdirection, its all meant to get natural Democratic voters to feel frustrated, upset, and hopeless, and not to vote their interest. The world is a big complex multi moving machine, and anyone telling you that one issue either fixes every other issue or totally totally outweighs everything else and should for everyone, is most likely BSing you and doesn't have your best interests at heart.

and lets be clear, Trump is a Rapist he's a lot of things, traitor, racist, scumbag, criminal, scab, tax cheat, fraud, etc but for me any ways, I'm not gonna vote for a rapist to be President and if other people aren't gonna do everything they can to stop a rapist from being the President I don't want to hear how much they care about progressive issues.

[darkficsyouneveraskedfor]

Cool for the Summer 4

No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.

Warnings: this fic will include dark content such as noncon/dubcon, age gap, power dynamics, cheating, and possible untagged elements. My warnings are not exhaustive, enter at your own risk.

This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: After finishing your degree, you return home only to find things aren’t as you left them.

Characters: Bucky Barnes

Note: baby girls, he we go.

As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me.

Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!) Please do not just put ‘more’. I will block you.

I love you all immensely. Take care. 💖

You rinse out the bowl you used for your oatmeal. It’s only as the back door opens that you notice the roar of the mower’s stopped. You put the porcelain in the dishwasher and shut it as you hear footsteps down the hall. It’s almost ten o’clock. 

“Hey, baby girl,” Bucky greets your back as he enters. “I just put fresh water in the hot tub. Might go for a soak myself, try to loosen up these muscles.” 

You face him, “hot tub?” 

“Oh, yeah. Guess that’s new too.” He chuckles. “Another one of my projects.” 

“Right,” you nod. A sudden buzz makes your jump. 

You look around and scurry across the kitchen to grab your phone. It’s a message from your mom. But why would she text you? Can’t she just come downstairs? 

‘Is Bucky still there?’  

You stare at the message and frown. Huh? 

“Everything okay, doll?” Bucky asks. Your eyes flick up. 

“Um, yeah, erm, it’s my mom...” you shake your head. 

“Right, how’s work going for her?” He plants a hand on the counter and leans. 

“Work? It’s her day off,” you blink. 

“Ah, yeah, she said she didn’t want to wake you up when she left. She got called in. Emergency.” He explains. 

You clutch the phone as you stare at him dumbly. Why didn’t he mention that earlier? Well, it’s not on him, you could have checked. But if she’s gone, why is he still here? 

“Don’t spoil the surprise,” he says, “about the lawn.” 

“I won’t,” you look down and text her back. 

“So how about it? You up for a soak?” He asks again. 

“Um, I’ll think about it. Just gonna chat with my mom,” you waggle your phone at him and meander to the door. 

‘Great. You two can get to know each other.’  

Her answer is disappointing. You thought she’d be surprised, maybe confused. It’s all perfectly normal to them. You’re still adjusting. If she’d told you before you got there, it wouldn’t feel so strange. 

At the same time, you don’t want to let her down. You can’t just ignore her message. You have to try but you feel like you haven’t even had time to settle in. And he’s not the only thing that’s different. Your room doesn’t even feel like yours. 

You stand at the bottom of the stairs. You key in a final reply. ‘Ok’. That’s it. A tepid agreement. 

“Hey,” Bucky surprises you again. “Invitation stands,” he wipes his forehead, his bicep bulging as he does, the muscles of his chest straining. “I’m just going to get in my trunks.” 

“Uh, I... I’ll think about it,” you make yourself take a step up and climb steadily, refusing to look back. 

You stare at the phone. You don’t want to be rude. You’re sure there’s a reasonable explanation for why your mother didn’t mention him. You might do the same in her shoes. After so long being single, she was probably just letting it pan out. 

Still, she could have said something when you were on the train. 

Whatever. It’s not your place to complain. You’re still living under her roof, rent-free, after years of tuition on her dime and a lifetime of dependency. You can pretend like this is all okay. 

You go into your room and shut the door behind you. You wouldn’t have a swim suit in the dresser, you didn’t bother to pack it for college. Wherever your other clothes are, it should be there. You just don’t know where that is. 

A tank top and shorts should do the trick. You prefer that to an actual swimsuit. It won’t feel so revealing.  

You take out a hot pink spaghetti strap shirt and a pair of black shorts. You switch out your clothes, catching your foot in the shorts and tripping slightly. You stand up, shirtless, leaning on the vanity as you get your balance.  

You glimpse your reflection and shy away. You tie the string of the shorts and reach for the tank top. You pull it over your head and check yourself in the mirror. It will do. You hope. 

As you come out of the room, another door opens. You peer down the hall as Bucky emerges from your mother’s room. You gulp and flick your eyes away from him. He wears a pair of light blue shorts, so short you might mistake them for briefs. His thick thighs and torso flex with his movement as he approaches, a towel over his shoulder. 

“You changed your mind?” He asks as he comes closer. 

“Erm, well, I... I’ll give it a try. I’ve never really been in a hot tub, so...” You poke your fingertips together nervously. You don’t want to tell him your mother told you to be social. 

“Great, kinda feel like a loser sitting in there by myself. It’s really too bad your mom had to go in.” He sighs. 

Yeah, it is. You wonder why he didn’t mention it sooner. Or why he’s hanging around. You guess you don’t really know how things work around here anymore. 

“Don’t forget a towel,” he winks as he pats the one on his shoulder. “I’ll go get the cover off and you can come hop on in.” 

He brushes by you, his knuckle glancing off you as he does. You shuffle down to the linen closet and take out a towel. You don’t follow him right away. 

Your stomach is a flurry of nerves. It’s just the oatmeal. It always sits like a lump. You didn’t think about that, you were just hungry. 

You go downstairs and drag your feet to the back door. You come out onto the deck and peer around. The tub sits in the deck, installed where the table used to be. It steams as Bucky steps into it. He sighs and groans, muscles clenching up his back and sides. He must work out a lot. 

You look down at yourself. Self-consciousness creeps over you. It’s been a while since you thought so much about it. You tried not to focus much on your body; as long as you liked what you’re wearing, you don’t worry about what’s underneath. You don’t have the most extravagant taste but you have a few cute pieces. 

He lowers himself into the water and lets out another drone. He shifts around to face you but doesn’t seem to notice you as he closes his eyes and leans his head back. He takes a deep breath so his chest puffs out. 

You set your towel next to his on the small table near the edge. You near and stand at the lip of the tub. Can you just sneak away? 

“Hey,” his voice rolls over the bubbling water, “it’s not bad. Come on. It feels great. It’ll loosen you right up.” 

You nod and bite your lip. You get down on your butt before you ease yourself down onto the seat of the tub. The water steams and spits just beneath your shoulders. It is nice though it does raise a thick sheen across your forehead. 

“Mmm, trust me, when you’re mine age, you’ll need one of these,” he smirks. “So,” he stretches his arms around the frame of the tub, “what’s the plan, doll?’ 

“The plan?” You flap your lashes. 

“For the summer? Beach days with the girls? You wanna invite some friends over? You can have the tub to yourself,” he offers. 

“Mm, no, I... I’m looking for work. Uh, probably send out more applications.” You shrug. 

“Looking for a job? Ah, right, no more school, huh? Exciting. You got the whole world in front of you.” 

“Mhm, yeah,” you reach to rub your neck. 

“I’m sure you’ll still have time to hang out with your friends,” he insists. 

“Uh, I don’t... I don’t really have any,” you utter. You look away and stare at the fence. 

“No? Well, all my buddies are too busy for me. I know how you feel.” He says, “you know, we could be friends.” 

“Um, yeah, maybe,” you look at him again as you chew your lip. His eyes snap up from your chest. You look down and try not to show your horror. Your nipples are entirely visible as the pink fabric clings to you. You cross your arms. “You’ll be busy with my mom.” 

“Not all the time,” he says “You know, ever since she got this promotion, she’s been too busy for me.” 

“Ah, erm, I'm sorry.” 

“Why are you sorry?” He asks. 

You shake your head, “I don’t know...” 

“Mm, I know why,” he tilts his head. 

You stare at him in confusion. 

“You know a guy like me shouldn’t be kept waiting around. You’re a sweetheart, aren’t you? You can’t help but feel bad knowing I’m left all on my own. Lonely.” He traces a finger along the edge of the tub as he speaks. 

“I... guess. I don’t... know? I just...” You look away again. You can hardly stand the heat of the water as it boils your blood. 

He snickers and you wince as he shifts around the tub, sliding into the seat next to you. He slips his arm behind you as he does. You shrink down and stare at the deck railing. What is he doing? 

“This is nice, isn’t it? Getting to know each other?” His fingers tickle your shoulder as he crowds you. “You know, seems like we have a lot in common, doesn’t it?” 

“Um, erm,” you squirm in the seat. “I think... maybe... I should...” 

“Relax, it won’t do you any good if you don’t relax,” he girds. “I’m just saying, baby girl, seems like we’re both pretty lonely.” 

He leans back into the hot tub and lets his head fall back. You bend your arm, rubbing your other, and fidget. You want to just go but you’re scared to move. You don’t think you’re really afraid of him, he probably won’t stop you, but you’re just all locked up. 

You sit there, staring through the slats at the green lawn. The water babbles and your ears pulse. He continues to caress your shoulder. 

“Mm, baby girl, come on, just let yourself...” he taps your arm, “lean back, huh?” 

You obey. You lean back into the tub and slide down in the seat, trying to mimic him. Your head hits his arm as you recline. It is nice as the jets shoot up your back. 

“Wait, wait, you gotta get in the right...” he grabs your thigh and drags you towards him. “..place. Make sure you hit all the pressure points.” 

As he moves you, you spasm and cry out in surprise. A jet blows right against your shorts, a stream of water that sends tingles through you. You try to move back but he holds you in place. He squeezes your thigh and kneads. 

“Ah, yeah, baby girl, right there? Doesn’t it feel good?” 

You squeak as the water hits your clit through your thin shorts. You put your hand on his and wiggle. That only makes it more intense. Does he know what’s happening? 

“Please...” you gasp. 

“What did I say? Relax,” he continues to rub his fingertips into your thigh. “You’re all tense, baby girl. Let it go.” 

Your eyes round and you contort, trying to take the pressure off your clit. It doesn’t help. You puff out and grab onto his arm without thinking. He needs to let go. You can feel a throbbing inside of you. It hurts. Please, stop. 

The sensation crests and coils through you. Your muscles clench then release all at once. You squeal in shock and shame as your body twitches. You think you just... orgasmed? 

“Baby girl, what is it?” Bucky leans into you. 

“I...” you heave. “I-- nothing.” 

“Mmm, nothing?” His hand crawls up your leg and over your stomach. He twists and bends his arm, cradling your head and turning you to face him. You shiver as he cups your chest through the wet fabric and runs his thumb over the hard bud beneath. “Cause I think you just came in this nice clean water.” He leans in closer until you feel his breath against your lips, “baby girl, I thought you were going to be good for me?” 

[clementineofmine]

I'm sitting here rewatching Tua S3 for reasons, and one interesting thing I picked up is that the entire season is really just each of the Umbrellas struggling to define and searching for family in their own way. Here's me laying down some thoughts for y'all:

Luther - For him, family has always been about the team. That's part of the reason he's so drawn to the Sparrows, bc at first they seem to have the cohesiveness that the Umbrellas lacked. Remember, Luther was the last one left at the Academy, then Reginald sent him to the moon alone. So of course seeing a "functional" team is going to be compelling for him, and he desperately wants to be part of it. And then he and Sloane quickly fall in love and for the first time in his entire life, someone wants him for him. It's intoxicating and utterly consuming NRE that is more powerful than anything he's ever felt.

Diego and Lila - For these two, it's about figuring out how to be a family. Both together, but also a little bit with the other Umbrellas. Diego looking out for Allison and Klaus and Lila and Five coming to a truce are part of this - more about Lila and Five in a sec.

Allison - In her mind, her family is Claire and Ray. This one is obvious, but I also think that the writers did us a disservice by not letting us into Allison's perspective. If you think about it, it's completely normal for a parent to put their child above all. While I don't defend her actions, her motivation could have been more compelling and it would have strengthened her character. But sadly she's the character on the show that is most "othered" (which is bad for many reasons)

Klaus - he really dug deep into individual relationships w family, starting with Five (e2 and 5 Five and Klaus bonding are still some of the best bits of the season imo), Diego, Reginald, Sparrow Ben, and then Luther in the afterlife.

Five - Five remains a pragmatist. His bar for family is very low - success for him means the Umbrellas being alive, no matter what the personal cost or sacrifice to him or to some extent others. It is somewhat depressingly delightful to see how he makes his peace with the end of the world as the season progresses. Before that, however, I'd like to meander back to e3 and 4 where Lila convinces him to electrocute himself and then they go on the Commission mission. Both of the actors do a fine job here bouncing back and forth between witty banter and genuine emotion and I love it. It's a quick and subtle piece of dialogue when Five explains how he saved Lila from the Handler. The undertone is that they were both abused by that woman in a similar way - ultimately, she developed and kept them both as pawns in her own game. And I think Five, starting in S2E10 and fleshed out through S3, develops genuine empathy for and eventually acceptance of Lila as family, as one of them, because of this shared experience.

Viktor - Like Viktor in all seasons, he continues to feel out of place with the Umbrellas and compensates by over-prioritizing his relationships with others. Don't get me wrong, I do empathize with him that he lost real love with Sissy and Halan, but I also think Allison was 100% valid to call him out on his lying in E6, and it was on point to verbalize how the constant focus on Viktors pain minimizes her (and everyone else's) experience. (Edit to add: Viktor finally seems to get the message on this, after being called out by Allison, then subsequently both Sparrow Ben and Five, and spends the last few episodes trying to make amends. Real character development here and I like to see it)

Reginald - Well, his overarching motivation since S1 has always been bringing back his dead wife, so I won't belabor that, but also it's interesting to see how he interacted with Klaus particularly - esp in E7 when he sobers up it seems he is experimenting with remembering his role as a father. Now we don't get a ton about his internal motivation here, but you can tell there is some mild curiosity, if not affection, for Klaus, despite the fact that he ultimately is cool with sacrificing him.

Some of these are more obvious than others, but when you tie them all together, the idea that they are all desperately looking for family and the blind spots that that creates for them, some of the messiness of S3 starts to make a bit more sense.

[peachsukii]

Operation: Shut Down

『♡』  fem!reader x��bakugo ╰➤ ꒰ Senior year of UA | Characters are all 18 ꒱ ♡ katsuki bakugo masterlist ♡ summary: during their senior year of UA, midoriya, bakugo and todoroki return to endeavor's agency for senior internships. while on a supervised patrol, bakugo experiences his first 'failure' as a hero-in-training and takes it extremely hard. reader makes an attempt to care for his fragile state when he returns to the dorms. tags & warnings:  failed mission, ptsd/trauma, mentions of blood/gore/violence, depression & anxiety, mild angst, emotional comfort, semi-fluff, bakugo and midoriya hug!? a/n: similar to the "tidal wave" story, but this one is a bit grittier and heavier subject matter. hopefully this also isn't too OOC for bakugo! i figure at some point during their time at UA, or in the field, they’ll have to go through something similar to this on their own. ꒰ Ao3 version | word count; 2,671 ꒱

Ahh, Saturday mornings - one of your favorite times of the week! There's something refreshing about being free from classes, surrounded by all your friends as you laze around the dorms. Yourself and Bakugo are usually the first two awake, often bumping into each other in the kitchen for breakfast. Midoriya and Kirishima are typically next, followed by a random assortment of the rest of the class. One thing's for certain, though, Kaminari is always the last one awake. Jiro swears it annoys the shit out of her that she needs to have an extra alarm to get him up, but he never fails to make her smile when she does.

Today, the dorms are on the quieter side as most of the class are off at their senior internships for a long weekend. You completed yours a few weeks prior, leaving yourself and Kirishima, Kaminari, Ashido and Yaoyorozu hanging around this weekend. Meandering toward the kitchen to grab a bowl of cereal, you run into Midoriya, sitting at the small table - alone.

"Hey! I thought you guys were gone 'til Monday?" you ask, confused as to why he's back early. As you approach the table, you see the somber emotion painted across his face, the usual radiance in his eyes dulled.

"Oh, hey y/n. Yeah, we got back late last night."

There's something unsettling about the way he said "late last night." He still hasn't looked up at you. You place a hand on his shoulder to grab his attention.

"Everything okay?" He jumps a bit at your touch, startling you. He's not typically this jumpy. "You look like you've seen a ghost, Zu."

You can see he swallows nervously, his eyes glued to the table.

"Christ, Izuku! You're scaring me, spit it out already!" you urge, growing impatient with his evasiveness.

Midoriya finally turns to face you, his face not able to hide the fact he didn't sleep last night, the darkness growing under his eyes.

"It's Kacchan...," he starts, stopping for longer than you were comfortable with before continuing quietly. "He's in his room and hasn't come out since last night. He won't talk to me or Shouto."

Your stomach cartwheels with a sour feeling.

"You can't just say that and not give me more background on what the hell you're talking about."

He shifted uncomfortably in the diner chair, placing his head in his hands on the table.

"We were on a supervised patrol with Endeavor after dinner last night. The three of us were responsible for escorting a family across the city when Endeavor received an emergency call, taking Kacchan with him and leaving myself and Shouto responsible for the original task."

Midoriya paused, letting out a soft exhale.

"While on the emergency call, Endeavor ended up getting hurt -," he puts his hands up, waving them as he quickly interrupts himself to say he's fine before putting his head back down. "- due to a fall. Supposedly, the villain they were pursuing took advantage of that as a distraction. Kacchan was able to subdue him..."

Again with the damn pauses.

"...but?" You try not to sound too annoyed, but can't help it. You loved Izuku dearly, but he really needed to learn to get to the damn point.

"...but the civilian he captured wasn't so lucky."

What the hell does that mean?

Something in your gut tells you to sit down for whatever it is he's going to say next. You take the seat next to him, placing a hand on his thigh for reassurance.

"You...don't have to say anything if you don't want to, Zu," your tone shifting from your previous annoyance to concern.

He puts a hand on top of yours and gives it a squeeze. "T-thanks, but it's okay. Maybe you could try to talk with him? I had Kirishima try, too with no luck."

"Okay, sure. Do you wanna tell me what happened, then?"

You're not really sure if you should know, at this point. If Bakugo's locked himself in his room and refuses to speak to anyone? Some serious shit must have happened. He's not one to completely shutdown and isolate himself, let alone from Midoriya and Kirishima.

"The...civilian didn't make it. The villain planted a bomb inside of the civilian as, uh...a backup plan, I guess. It went off as Kacchan was escorting them to the ambulance for evaluation."

Your stomach stirs a second time, afraid to confirm what you think happened. "...so, you're telling me he saw someone...explode?"

He hesitates. "Y-yeah. Endeavor told us he went into shock, which isn't like him at all but completely normal, all things considered. He went non-verbal until we got back last night. He didn't even yell, told us he was going to bed, walked off and slammed the door."

"Fucking hell...do you know if he at least got some sleep on the drive back?"

"Funny enough, yeah. He fell asleep on my shoulder." He smiles faintly, trying to look at the positive in this situation. You can't help but smile, too, imagining Bakugo passed out on him without a care in the world.

Midoriya rubs two fingers against his temple - he's intensely fighting to stay awake. But who could blame him? His best friend just went through something extremely traumatic and he doesn't know the best way to help him.

You rub his back, attempting to calm his visible anxiety.

"Alright, I'll tag in. Please Izuku, go to bed. You need to rest," you assert, knowing that he would keep himself up until he physically couldn't stand if it meant helping a friend - especially Bakugo.

"Yeah. Thank you, y/n," Midoriya says wearily. As he stands, you jump up from your own seat to wrap him in a tight hug. He accepts, sighing into your shoulder as his body deflates into yours.

"Come on, I'll walk you back to your room."

───

After you walk Midoriya back to his dorm room, you go inside with him for a few minutes to be sure he actually gets into bed. He lazily crawls under the sheets, letting you tuck him in as his eyes are fluttering closed. You pat his head and mutter a 'night Zu' as you tip-toe to the door, carefully shutting it behind you.

Jogging up to the 4th floor, you make your way down the hall to Bakugo's room. You stand outside for a moment before knocking twice.

No response.

You give him a few seconds before knocking again.

Nothing. You don't hear any movement on the other side of the door, either. Maybe he's asleep?

One final try before you give up and resort to calling him.

Thudding footsteps are stomping on the floor from inside his room after the third set of knocks. The sudden sound shocks you as the door flies open, Bakugo's scowling face emerging from behind it, the whites of his eyes faintly pink in color. Has he been crying?

"God dammit, nerd! I fuckin' told you -," He doesn't notice it's you right away as he's shouting in your face. Once the realization sets in, he visibly recoils at his mistake. "...sorry. Thought you were Izuku."

"I could go dye my hair and draw freckles on if you wanna yell at me," you joke.

He doesn't laugh - not even an eyeroll.

Your heart sinks.

Neither of you say anything, standing there awkwardly as the air thickens between the two of you. Bakugo audibly exhales and you can't tell if he's annoyed, angry or...sad.

"Can I come in?" you ask humbly.

He says nothing, retreating back into his room - but, he leaves the door open for you. You take that as an accepted invitation, coming inside and closing the door behind you. He sits on his bed, knees tucked up to his chest as he scoots back to the wall.

Seeing Bakugo like this tugs at your heartstrings, despondent and detached, the opposite of any emotions he'd usually carry. You follow him to the bed and quietly ask permission to sit with him.

"Do you want me to sit with you, Kat?"

He doesn't move, just answers with a muted 'whatever.'

As gentle as you can, you climb onto the bed and shimmy next to him, back against the wall. You'll take this as a win, especially since Midoriya mentioned him not answering anyone else. You're about to say something as you hear a sniffle, confirming your suspicions.

Bakugo was and has been crying.

You reach over to put a hand in his hair in an attempt to comfort him. Instantaneously, he smacks your hand away - hard - and a spark jumps off his palm. Normally, he'd let you touch him without an issue - to an extent, of course, but right now? You understand why he wouldn't want any physical touch.

"Okay, I'll sit here as long as you want," you affirm, retracting your hand and pulling your own knees to your chest. "You don't have to say anything."

With that, the flood gates busted wide open. Bakugo whips his head in your direction, his nose red and eyes swollen, and frantically scrambles on to you. The two of you fall sideways into the pillows at the head of the bed as he wraps his arms around you into an awkward embrace. He buries his face in the curve of your neck, latching onto the back of your shirt with an ironclad grip as he begins to sob.

You have never heard him cry this hard over anything, not even after his fight with Midoriya back in their first year.

You don't wait for Bakugo to say anything before you're cradling him against you, one hand delicately stroking his hair while the other massages light circles on his back.

"I've got you, Katsuki, it's okay," you whisper soothingly while trying your damndest to stop yourself from crying along with him. You wish, more than anything in the world, that you could physically remove the memory from his brain to free him of this trauma.

"I'm not going anywhere, I'll stay as long as you want."

He doesn't respond, only pushes himself deeper into your embrace. You can feel the material of your shirt sticking to your skin at your collarbone from his snot and tears, and you're definitely going to have bruises on your back from his fingers digging into you for support. None of that matters though in the moment, what matters is that he's getting the initial shock out of his system.

You're not too sure how long you both lay there, but with time, you can tell Bakugo's calming down by his sobs mellowing out. His body begins to loosen up, the tension melting from his tightened grip around you. And then you hear it - a low snore.

He'd fallen asleep.

You tilt your head back to get a look at his face. His features have relaxed around his puffy eyes and pink nose. Without thinking, you run a hand through his bangs, exposing his forehead and press a tender kiss to it. He doesn't stir and continues to take deep, sleepy breaths.

───

Bakugo wakes an hour later, dazed and exhausted. When he starts to shift in your arms, you open your eyes. You give him a hearty smile as he releases his hold, rolling onto his back next to you.

"Mornin' sunshine. How're you feeling?"

He snorts as his eyes focus on the ceiling. "Like shit."

He pauses before looking back at you. "But less than before. Thanks. I'm just fuckin' tired."

"You scared me, I've never seen you that upset before," you admit. "You don't have to talk about it now, or ever, just know that I'm here for whatever you need."

"I don't even know what to say about it. Shit sucked, but it's what we signed up for." He's very monotone, but at least he's talking.

You roll over to face him. "I'm sorry you had to see it."

Bakugo sighs. "'S what it is. I'll get over it. Endeavor told me the first one is the hardest, better to get it outta the way before becomin' a pro."

Damn, that made your heart ache.

"Just 'cause we wanna help people doesn't mean we can't also ask the same for ourselves. Heroes need a hero, too."

He lolls his head to the side and stares at you, a gleam in his tired eyes. "...yeah."

The room is silent as the two of you take a break from the rough conversation. If he doesn't want to continue talking, you don't push it. Instead, you offer a distraction.

"I'd love to take you hiking today, if you're up for it," you say with enthusiasm. "I know how much you love that one trail nearby with the overlook of the city."

Bakugo felt his heart flutter at the proposal, confusing the hell out of him, but offered a sense of comfort that he needed. He loved that you remembered something so niche about his interests.

"Maybe tomorrow."

"Sure! You tell me how early you wanna go and I'll get my ass out of bed. Just for you," you tease, jokingly smacking his arm. "We can get lunch on the way back from the hike, too. Wherever you wanna go!"

Between the swirl of emotions from earlier and how sweet you're being to him now, he's overwhelmed with a feeling he can't quite place.

"Y/N, can I ask you something?" he asks abruptly.

Well, that came out of nowhere.

"Always, Kat. What is it?"

He stalls his follow up, seeming to think a little longer on how he wans to phrase his question.

"Why...are you here with me?"

His question baffles you. "Because you're my best friend?"

Best friend, he repeats in his head.

You notice the pondering look in his eyes as he turns to face you, shifting to lay on his side.

"It's because I care deeply about you, Katsuki. Nothing'll ever change that."

"...promise?" His voice is shaky, a nervousness to his tone.

You reach out and touch his cheek, stroking it lovingly with your thumb.

"Is that even a question? Yes, I promise. You're stuck with my ass forever, like it or not. I’ll be cheering for you every step of the way."

He laughs - genuinely.

And then he smiles. Your heart soars into the heavens.

"There's my favorite firecracker!" you boast, squishing his cheek in your hand.

Bakugo huffs at the sudden affection, a dusting of pink on his cheeks and nose.

"Th' fuck?!" he curses, playfully poking your forehead. "I'm not a firecracker!"

“Coulda fooled me, Mr. Lord Explosion Murder God Dynamight.”

The two of you play fight, cackling like children as the tension melts from the room.

Even if it’s just for a little while, Bakugo forgot about the agonizing dread from hours ago.

───

Later on in the dorm lobby, you’re sitting on the couch with Bakugo, feet in his lap watching TV as he’s reading a book. Midoriya comes prancing into the room, fresh faced from his nap. His eyes brighten when he sees Bakugo on the couch.

“Hey guys! Kacchan, how are you feeling?” he asks cheerfully, taking a seat on the couch next to him.

Unexpectedly, Bakugo wraps an arm over Midoriya’s shoulder, tugging him into his side.

“Fine, nerd. Thanks.” He lets go, puts a hand on his head and roughly fluffs his curls - just like when they were kids. Midoriya is so taken aback that he doesn’t say anything, he just smiles and relaxes next to him.

“What are we watching?”

You lean sideways to catch a glimpse of the boys together on the couch, co-existing without any negativity. Even after all the shit life throws at them, they still find ways to shove it all away to enjoy each other’s company. Sometimes, they just need a little help getting back to that mentality.

A silent huff escapes you as you lay back into the couch.

These boys are going to be the death of me.

i love these goobers and wanna buy them a lifetime’s worth of ice cream and take them to disney world to make them happy :’)

[thebibliophilevigilante]

When it comes to getting intel, there are several ways to go about it. One could ask politely, or ask the right questions to eventually draw information from their target. There is intimidation, threatening your target and demanding the information in exchange for remaining unharmed. Then there is incognito surveillance, appearing inconspicuous and melding in with one’s environment just listening and watching.

The current session was the latter.

A raven-haired man with a blanched tuft in his bangs kept his teal eyes trained on the book in his massive, calloused right hand. His left swirled his take-away cup absentmindedly. He was reading words, but they weren’t registering in his brain. His focus was more concentrated on the conversations around him, and what information he could gather before his next patrol.

The first three rules of real estate are location, location, location. Burnley Brewhouse definitely had that, especially for Jason Todd. It was conveniently placed right on the very edge of Burnley, practically at the juncture of where Crime Alley and The Bowery neighborhoods started (which were all Jason’s domain). By day, the neighborhood was full of regular citizens, students and tourists. By night, the whole area was crawling with denizens of the dark wheeling and dealing for their own personal gain and vices while putting others at risk.

Jason brought his cup to his mouth for a sip, his eyes flicking to the counter where two men with heavier builds were waiting for their order. One had a rough 5 o’clock shadow, the other a scraggly, unkempt blond beard, both wearing holy jeans and beat-up leather jackets. He recalled seeing them once during a patrol a couple of weeks prior, skulking around by the Freight Yards. They were definitely up to no good then, and could offer him decent information in the present. The barista handed both of them a take-away cup, and his eyes quickly glanced down to his book again, his peripherals watching as they meandered around to sit at a table caddy-corner from his in the back corner of the shop.

“Terry was telling me about that new candy order he has coming in,” 5 O’Clock muttered lowly to his friend. “Said it should get here overnight, and we can distribute to the stores first thing in the morning.”

Scraggles ran his nails over his beard as he listened. “Loaded with sugar? Y’know these kids can’t get enough of their sugar.”

“He said it was everything needed from the inventory list. He said he has his pal Molly coming in to help with the shipment too.”

There was a small pause before, “How many donuts did he get and where from?”

“11 for the crew. I think he said they’re from Declan’s over on 14th Street.”

Jason had to refrain from rolling his eyes. Those two idiots were blatantly discussing a drug drop in broad daylight just as if they were talking about a regular candy store shipment.

He switched the book to his right hand as he snagged a napkin from the holder and a pen from the table. He scribbled a note to himself, writing the characters’ names from his book, followed by “PG 11, DL 14.” He knew his own shorthand; the character names were to keep up appearances. “PG 11” would remind him the drop was scheduled for 11, and “DL 14” would remind him the ship would be at Dock Bay 14.

His attention went back to his book as he brought the pen to his lips, teeth nibbling on the retractable plunge as he appeared deep in thought. He was about to tune back into 5 O’Clock and Scraggly’s conversation when the cafe’s entry bell rung.

His eyes flitted to the door to assess the entrant, and he froze. A young brunette with piercing dark eyes was glancing around, looking for a place to perch herself no doubt. She was breathtaking, and certainly unlike any other person he had seen come in to Burnley’s. As she turned to the counter, he couldn’t help the large grin that danced over his face. First he got lucky with the tip-off. Would he be lucky enough for that gorgeous girl to sit anywhere within his vicinity?

@rpwiththelilflower

[lu-is-not-ok]

*rises from the grave*

*trips and falls flat on my face*

Heyyyy, it's ya boy, your favorite chronically exhausted Hong Lu identity that forgor about posting to Tumblr. Hi. Hello.

So. Timekilling Time, huh? Very fun, very exciting, we love focusing on Sinners that are misunderstood both in and out of character. We love Rodya, Hong Lu, and Ryoshu focus. We love Ryoshu's butch mustache swag.

Anyway, allow me yap about it a bit, because I took frame by frame screenshots of the teaser and I haven't yapped on Tumblr in a while. I'll also give a general update on how I've been doing at the end of the post for those who are interested.

The first thing I've noticed in the teaser is Dante actually lays out the exact traits that their choice of Sinners would need. These being (exact wording):

Someone who can support Dante

Someone who can remain laser-focused on the case

Someone who can be free from biased judgement while making rational, quick spur-of-the-moment decisions

In other words, we need Sinners who will help Dante out, are able to stay focused, and who can think on their feet without relying on their own internal biases.

I think it's important to lay those out as clearly as possible, because it makes the selections made by Dante and Verg very interesting, and also kind of funny.

Let's look at Dante's picks - Yi Sang, Meursault, and Faust. These are all, at a surface level, decent general picks, as all three of them are seen as smart and rational. However, if we look at them while keeping the previously mentioned traits in mind, it turns out these three might just be some of the worst picks Dante could ever fucking make.

The biggest issue - none of these bitches can think quickly. Faust is especially notorious for this, as it's consistently pointed out how she always needs a long time to come to a conclusion or otherwise has to pause to come up with answers. We also know Yi Sang is the type of person to get lost in his thoughts and just meander instead of getting to the point. Meursault is a bit of an outlier in that we see that he can think quickly, but if he's not given any orders he's never gonna act on those thoughts. Admittedly, he has been getting better at speaking up over time, but he's still mostly in this "only does what he's told to do" mode of operations.

This is where their issues split up a little bit.

Yi Sang is probably the most likely to be supportive of Dante out of the three - we see that he cares about others and has learned to interfere and give advice when he feels it's necessary (though who knows if he's doing well enough to keep that up after Canto 6, oof). No, rather his other issue lies in the focus department. This is the guy who, as I previously mentioned, meanders all over before getting to the point. Again, like Meursault, he has been getting better at not doing that, but he's still got ways to go.

Faust and Meursault on the other hand have the opposite issue. While they're fairly goot at staying focused on what they have to do, the issue is that they never fucking speak up. They're probbably the furthest from being supportive of Dante. They're most likely to learn info and just keep it to themselves until everyone has wasted way too much fucking time. Hell, Meursault would probably make a decently good detective if allowed to do the case all on his own, but since he's meant to be a part of a group, he's unlikely to help out that much without Dante directly ordering him around.

Now, onto Verg's picks - Rodya, Hong Lu, and Ryoshu. This is where things get really, really interesting. Because we have the reverse situation to Dante's picks - on the surface the choices seem random and counter-intuitive, but if we look deeper, it turns out they all fulfill the requirements surprisingly well.

I'm about to go on a tangent here, but I find it extremely important that we're focusing on this group of Sinners in the first Intervallo between what I consider to be the most thematically different arcs within Limbus. The first half of Inferno has been pretty squarely about confronting one's past, whether learning to face it properly after running away from it (Gregor, Rodya, Sinclair), or learning to move past it after refusing to let go of it (Yi Sang, Ishmael, Heathcliff).

However, looking at the Sinners we have left, it feels like the second half of Inferno might be focused less on the past specifically, but more about the Sinners' general reality. Especially the next upcoming trio of Cantos - Don Quixote, Hong Lu, and Ryoshu - have some heavy thematic focus on the idea of one's perception of reality, especially fitting for the three Sinners with weird eye shit going on.

With Timekilling Time focusing on the Sinners most misinterpreted by others in-character (and out of character), it feels like the perfect intro to this switch in thematic focus - exploring the actual realities of people who are otherwise hard to understand.

Anyway, back to discussing how Rodya, Hong Lu, and Ryoshu fit Dante's requirements.

Supportive of Dante - this is the requirement all three fulfill pretty well. Let me explain.

Rodya is probably the most obvious - she's a hypegirl through and through, and happy to take the reigns in some way or another if nobody else is able to, as we see in Canto 2. She's often one of the first people to point out when someone is not doing well, and shares a lot of her insight if in the mood, but she also knows when discretion is necessary.

Hong Lu is a fun one here - he's extremely perceptive and insightful, often sharing his thoughts with very little prompting. His only issue is that he tends to backpedal when he feels like he said something wrong, or generally just words shit in weird slightly offensive ways. He's supportive, he just doesn't always talk like he is.

Ryoshu is one I find most interesting here, as a lot of people seem to miss this about her character - despite her short temper and peculiar manner of carrying herself, she's actually pretty understanding and helpful towards people she's on amicable terms with. She always explains her acronyms if asked (and when she doesn't it's usually because people stop asking or Sinclair translates instead), she listens when told to stand down or otherwise do something when asked of by Dante or Sinclair, and the reason she tends to stay quiet is because she only speaks when she feels what she has to say is important.

Staying focused - this one is a bit harder to judge, but I'd say the only one who might not fulfill this one is Hong Lu, but only by a margin. Ryoshu is shown to get so focused she gets impatient when she can't get to the point, and Rodya always has her goal in mind even when she might act like she doesn't. Hong Lu is a bit harder to judge, as he seems to be the type to prioritze gathering information and satiating his curiostiy over the main goal, but in a case like this that might just be a massive plus.

Unbiased quick thinking - again, all three fulfill the quick thinking part very well. Rodya shows it constantly throughout Canto 2, Hong Lu shows it best in social interactions, and Ryoshu just doesn't want to waste time and so she naturally thinks quickly as well. It's when we come to the unbiased part that things get extremely interesting.

As individuals, Rodya, Hong Lu, and Ryoshu are all very biased people. Rodya sees the world from the perspective of someone who suffered in the poor Backstreets. Hong Lu sees the world from the perspective of a rich Nest dweller coming from a family of dubious morality. Ryoshu sees the world from the perspective of (probably) an ex-Ring member obsessed with the art that is reality. Their backgrounds color the information they take in a lot.

However... this means that as a group, all three balance each other's biases out. Rodya's cynicism gets balanced out by Hong Lu's idealism, which is balanced by Ryoshu's realism. Their backgrounds couldn't be more different, and thus give the widest possible perspective when put together.

I think this is the point Verg is making with this selection. Dante's selection is the easy way out. It's people that Dante already knows how to deal with, and would rather pick even if their skillsets don't fit the situation. Verg is making Dante learn how to work with Sinners who might be harder to deal with, but have skillsets more fitting for the situation at hand.

Dante can't keep half-assing everything by always turning to the same few people. Every Sinner in the group has their use and are smart in their own unique ways. They have to figure what every Sinner's strong point is, otherwise they'll end up putting everyone in danger by relying on people who are simply not good in a situation while ignoring those who could help.

So... that's what I think.

Anyway, personal general update - I'm still alive! And also very swamped with college and constant exhaustion. So, things will have to change a bit moving forward.

Number one - I will not be returning to old analysis requests. There's too many at this point, and I just don't have the time to sit down and write longass posts whenever I want anymore. However, that isn't to say E.G.O and Sin analyses will never return! I have plaaans for what I want to do with those moving forward, it just may take some time to materialize.

Number two - I'm generally just more active on Discord than on Tumblr. Yapping on Discord feels more natural for me, as it's just... less formal than making a full post I guess. So, if you want to discuss things with me, or if you're on a server that you think would do well with having me yapping in there, feel free to shoot me an invite link in replies (or in DMs if you don't want it to be public)!

Number three - Go check out the Absolute Pride Resonance event on Youtube! I'm not a part of it maybe next time wink wink nudge nudge, but you should still check it out cause it's a bunch of cool people doing very scuffed streams, as is fitting for the scuff Project Moon is known for.

Alright, that's it. I still don't know how to end Tumblr Posts. Bye.

[fandomgirlz01]

Somewhere Out There 

Paul {TLB} X Reader

Imagine on fandom instagram?: No

Prompt or Request or Requested Prompt?: No

Style of Writing: Stand Alone Fic (has potential for more in the future though... 😉)

Rating: R for some mature themes such as smoking as well you know the description of a vampire losing it and going absolutely raving mad, like so mad all he sees is red 😉

Edited: Yes

Word count: 4,867

Post Date & Time: November 1st 2024 at 12:16AM

Ko-fi

Masterlist

Warnings Here 

Listen to the story be read out loud here.

Summary: Ever since all the vampires have known they and humans alike have a soulmate. The only member of the lost boys who hasn’t found his other half is Paul, but what happens when he does actually find them? 

PSA from Faith: This is the first time I am writing for a character from The Lost Boys. I just love both Paul and David as well as Dwayne and Marko. Yet I also love Mike so you might see more of this fandom down the line… maybe. I have loved some of the works that I have read for this fandom, however I did notice there’s not very many where it’s not just centered on one of the boys specifically so I thought I’d give them (especially my favorites) a little attention. I did try to keep some canon and I also went non canon so before any of you guys come at me for it not being all accurate, this is just how I foresaw the boys okay? By the way you do NOT need to have seen the movie to read this fic. Yes it’s based off of the characters, but it will be spoiler free if you choose to watch the movie that is completely up to you guys. That being said I have NEVER written a soulmate AU before so if this isn’t 100% right, I’m sorry, but again this is just how I wanted to depict it all and I just really wanted to try something newish. Thank you and please enjoy the story! 

Song that goes with fic:

Many say Santa Carla has its deep dark secrets hidden away in the shadows, and only some know what those secrets are. Just like every night the boardwalk is lit up; couples walk under the moonlight none the wiser to what lurks in the night, others play games and go into the stores or on rides. Shouts of cheer and fright are all surrounding while the vampires make their usual meander all over the boardwalk, senses sharp yet vigilant as they look for anything they can do for a bit of amusement or maybe even find some dinner. 

Tonight, however, David notices that Paul seems to wander back behind them, seemingly feeling down which is unusual for the other blond vampire. Paul kicks at the dirt as he finds himself locked in his thoughts once more, thinking about her and what she might just be like. David laughs at something Marko said before telling the baby of the group (a nickname given to him by all the boys because that’s just what Marko is, the baby who everyone wants to protect, the happy-go-lucky spirit of the group and most innocent looking one) to keep going and he’ll catch up to him soon. Marko agrees before skipping off to walk and talk with Dwayne. David watches his brothers for a moment before turning around. He comes up beside Paul and pats him on the back, knowing just what Paul is thinking about. 

Ever since the vampires knew they each had a soulmate, all that mattered was when they’d find each other. The only one of the group who hadn’t found his soulmate yet was Paul, and sometimes he’d get discouraged when thinking of it all. When he did, he’d leave the mind link so his brothers didn’t have to hear his incessant inner thoughts, but David knew. He always knows. 

“You’ll find her, Paul. I know you will. It’s only a matter of time,” David tells his brother as he pulls him into his side. 

“Yeah, but it’s been so long, David. You’ve all found yours. What if I’m not meant to have one?” Paul asks, discouraged once more and David holds back the sigh he wants to let out at having had this conversation a million times before. 

“Listen, Paul. I know it feels that way. I used to feel that way before I met Nyra, Dwayne felt that way before meeting Amalie, and Marko felt that way before meeting sweet Charlotte. We’ve all felt that way at one point or another. It’ll pass,” David promises as he squeezes his brother’s shoulder. 

“I don’t know, David. It’s been a lot longer for me…” Paul again denies and David clicks his tongue to the roof of his mouth. 

“Well, you still have that song title written on your wrist, don’t you?” David asks.

“And you still see all colors, right?” Marko asks as he pops up behind the two, always the one to pop up at random times. 

“Yeah. I still have both…” Paul mutters as he holds up his wrist, showing the song title Somewhere Out There, a song by Linda Ronstadt and James Ingram that he knows well. 

“See, if you didn’t see color anymore or the song had faded, that’d mean she was dead. The fact you have both is a good thing,” Marko cheerily adds on, slapping him softly on the back and Paul only sighs. 

“What if she doesn’t have it? I mean, I’m dead myself,” Paul adds on and David shakes his head, laughing. 

“I’ve told you, Paul. I was dead and I still had it all, still do,” David informs him as he thinks of his Nyra and Marko hums in agreement. 

“And technically you're not dead, you're undead! Huge difference, buddy,” Marko very pointedly yet happily adds.

“I don’t think being a vampire changes the soulmate laws. I think you’d have to be dead dead, like in the ground dead for that,” Dwayne adds with a shrug as he now jumps in to help comfort his brother. 

Nobody really knows all the details about soulmates and the way it works. For centuries, they’ve all just known that it’s a powerful thing that only comes from the universe. People have done studies, but even then they’ve only learned the basics, so people and vampires just go with it, continuously being pulled together. 

“Who knows! Maybe you’ll find her tonight!” Marko again happily adds on, not knowing how right he might just be. 

“Yeah… maybe…” Paul sighs out, choosing to just agree with them to change the subject. 

Each of them always found their other half and David was sure it’d happen for Paul at some point if not sooner than later. Turns out David, Marko and Dwayne were right because as the night went on, they continued to goof off on the boardwalk for a few more hours before suddenly Paul felt different. He couldn’t put a finger on why he felt lighter all of a sudden. He thought for a moment maybe it was the new strain they’d all smoked before the night started, it felt like being high, but at the same time it didn’t feel like the high he was used to. 

“Do you guys smell that amazing smell?” he asks, perking up as they ride on the carousel again for the millionth time. 

“No. What is it, Paul?” David asks, concern written all over his face until he realizes what’s going on. 

“It smells sweet and fresh. Like… like…” Paul struggles to describe the smell that just hit him. 

“Like vanilla and cinnamon mixed together. Like… home…” Paul finally mutters as his confusion grows more and more. 

“Paul. Follow the scent. Let your nose guide you,” David commands his brother with a growing smile that he shares with the other boys, who catch onto what’s going on. 

“What? Me? Why? I suck at catching dinner,” Paul asks, knowing he definitely isn’t the best hunter of the group. More often than not, somehow Paul would lose his prey and Marko is the first to snicker. 

“That isn’t dinner you're smelling, Paulie my boy,” David tells him, his own grin growing in happiness for his brother. 

“What is it then?” Paul asks, confused and Marko face palms. 

“Dude. Just follow it and maybe find out!” Marko shouts as he pulls his hand away from his face and Paul shrugs. 

“Okay. What could it hurt?” he asks nobody in particular before doing just as his brothers had said. 

He follows the scent, electricity seeming to flow through him, making his toes and fingers tingle the more he moves toward it. The scent grows more and more intoxicating, making him feel more primal than ever before. The sweet smell only calls to him like a siren's call, making his whole body seem to light up. 

He continues to follow it, his brothers all flanking him, egging him to keep following it as they protect him while he’s in his unusual focus. The closer he gets to the alluring scent, the thicker it gets in the air. His blood boils though his veins which if he was not so focused, he would have thought that was weird for a vampire, but he could care less at the moment. He continues to follow the scent like he’s a compass needle, looking for its true north until he comes to a stop in front of the music store. He stands there frozen as he looks on at one of the workers, a girl at the counter talking with a customer as she rings them up. 

“Welp, Paul, my boy. I’d say you just found yourself your soulmate,” David happily comments as they all watch you from the large opening in the side of the building. 

Paul doesn’t answer as he watches you in awe and without knowing it, Paul’s ears activate his vampire hearing so he can hear you. He smiles to himself as the first thing he hears is the music you have playing on the boom box behind you: Somewhere Out There. Then he’s smiling wider as he overhears your conversation, your voice a brand new melody he never wants to forget. 

“That’ll be eight dollars, buddy,” you tell the kid who reaches into his pocket. 

“Oh. Linda Ronstadt. I love her work,” the kid tells you as he hands you the money and you smile warmly at him. 

“I love her too, but this is my favorite song. You wanna know why?” You ask the kid, putting the ten dollars he gave you into the register and without a doubt Paul knows exactly what you’re gonna say. 

“It’s mine and my soulmate's song, see,” you happily tell the kid after he nods and you hold out your wrist. 

“Wow! You and your soulmate must really be meant for one another then,” the kid tells you and you grin even more as you go back to getting his change. 

“Here's your two dollars back. Have fun listening to that tape,” you tell him as you reach out and hand him his money. 

Meanwhile, Paul still stands frozen, just staring at you in awe. His brothers all stand around him, smirking as they watch the lovesick look that he’s had to watch on all their faces wash over his own face now. 

“Well, aren’t you going to go over and say hi…?” Marko asks, nudging Paul a little bit, but again Paul doesn’t speak back, so entranced with watching you. 

You watch the little boy leave until he walks around the corner and then feel someone’s eyes on you, so you look around until your eyes land on Paul. The two of you make eye contact and stare at one another for a few minutes before he seemingly snaps out of the moment and walks away looking sad. You don’t know why (well actually that’s a lie, you have an inkling as to why, but you shrug it off) but you feel sad that he seems sad and wish you could just give him a hug. With a shake of your head, you decide to leave it be seeing as he was with a group of what seemed to be friends that could comfort him and just go back to work. 

“Paul?” David asks as Paul starts to hastily walk away, moving faster and faster by the minute, heading for his bike and his brothers follow after him in confusion. 

“Paul? What’s wrong? That’s your soulmate, buddy. You gotta go say hi!” Marko tries but Paul shakes his head, seemingly angry now. 

“No, I don’t,” he almost practically seeths out before kicking his kick stand up and starting his bike up. 

The three brothers watch on in confusion as he rides off and once he’s gone, Marko turns to David. David stands there with arms crossed, trying to figure out what would have spooked him. 

“You’d think he would have been happy. He’s been waiting for this moment for centuries…” Marko comments in utter disbelief and confusion. 

“You would think so,” Dwayne comments next, breaking David out of his thoughts. 

“Let’s go find him,” David commands before getting onto his bike with the others following suit and getting onto their own bikes. 

Together they all ride out to the cliff side where they know Paul goes when he wants some peace and quiet. Sure enough, they find him there sitting on his bike and smoking another rolled cigarette with his head low. 

“Paul?” David asks in an attentive tone, which is unusual for the vampire who’s normally commanding and stern.

No matter how cold, commanding and stern as he can seem or be, he still cares for his brothers, all three of them. David, Marko and Dwayne slowly get closer to him, if anyone was watching them right now, they would be surprised to see vampires of all creatures being soft on one another, but again Paul is their brother. They found each other and became family and as David likes to say, family comes first. 

“Paul, what’s wrong?” Marko softly asks again out of character.

“What’s wrong? Ha! What’s wrong?!” Paul retorts in what sounds like disbelief, rolling his eyes at the question. 

“She’s human! I can’t go near her. I’ll hurt her and I could never ask her to become one of us and… and…” Paul trails off, taking a gulp as he now tries to hold his tears back. 

“It’d ruin her beauty, man…” Paul sadly mutters, shaking his head in anger. 

“And to ask her to give up her life. Just to be with me. I can’t… I won’t…” Paul chokes on his words before lowering his head, refusing to look at his brothers. 

“Paul. How do you know that isn’t what she’d want? You gotta at least try to fight for her,” Marko comments with a frown, sad for his brother. 

“I don’t care if that’s what she’d want, Marko! She’s my soulmate! It’s my job to protect her! How do I do that the way I am?! Huh?!” he shouts in his brother's face, anger running through him as he heaves while Marko takes a step back. 

“How do I protect her from myself, huh, Marko?? Tell me that one,” he continues to let his anger take over before he sighs, turning around. 

“But if you love her that much already, then you couldn’t hurt her. You’re only hurting yourself by not reaching out to her,” Marko continues to try and convince Paul, who scoffs again, shaking his head as he flicks his joint away. 

“No. I’m protecting her. My pain is a small price compared to if she were to be hurt,” Paul mutters softly before he shrugs halfheartedly. 

“I’ll meet you guys back home at the cave,” Paul softly promises before kicking his kick stand up and starting the bike back up. 

“Dude needs to calm the heck down,” Marko comments as they all watch him drive away. 

“He’s just blinded by the shock of her being human. He’ll come around eventually. Paul always does, he likes to stew in his thoughts, ya know,” Dwayne comments back and Marko laughs in agreement. 

“Yeah. For being the wild carefree guy he is, he definitely is too broody sometimes. And people say you're the broody one,” Marko adds on with a roll of his eyes and Dwayne nods in agreement, chuckling along. 

“Hey. I’m most definitely the broody one. Paul is the crackhead. He smokes more than any of us…” Dwayne practically complains, making Marko laugh some more. 

“Awe, jealous that your place will be taken?” Marko taunts and Dwayne crosses his arms across his chest. 

“At least I don’t get called the baby…” Dwayne argues back with a smirk when Marko shyly grins, proving his point. 

“I actually don’t mind it…” Marko replies with a shrug and Dwayne shakes his head at him. 

“Of course you don’t,” Dwayne chuckles out and David reaches up to grab onto both of their shoulders, giving a light squeeze. 

“Okay. Okay. That’s enough, you two. Come on,  We’ll just leave him be for now. He’ll reach out though the link should he need us. For now, let’s go find dinner for ourselves,” David commands with a roll of his eyes at their play fighting. He still worries for Paul, but he knows he just needs time to come to terms with everything. 

“You got it, big D,” Marko jokes and Dwayne holds back the laugh he wants to let out at David’s annoyed look. 

This is how it always was with the brothers. Dwayne is definitely more silent and broody when others are around and Marko is the innocent curious one. David is leader and commander while Paul is the crackhead that will jump to do anything, yet Paul has always been the most in touch with his emotions, hence why he smokes. 

Meanwhile, as his brothers go on the hunt for dinner, Paul finds himself back at the boardwalk and sits on the beach, just watching the waves. He can still smell that intoxicating scent that he now knows is all you, so very strong that it makes him want more and more of it. He keeps his eyes closed, listening to you talk to all kinds of different customers that come and go. Soon before he knows it, you're closing up shop, saying goodbye to your coworker that stands with you as you pull down the door and lock it up tight. It’s only then he realizes all the loudness and craziness that normally surrounds the boardwalk is now quiet. 

He watches as you turn and you pull your headphones that had been resting around your neck up to your ears. He then starts to follow you, but stays in the shadows just watching over you. At first you look around like you're weary of something or someone being around, but you shrug nonchalantly and continue to walk. He watches over you with pure adoration rolling off of him, yet he also stays vigilant in case someone or something were to harm you. However if anyone saw the way he follows you, they’d probably say he follows like a lost puppy.

Finally after a long walk down the beach, you walk up the stairs to a door and open it before heading inside which makes him realize it’s probably your home. He stays for a while, just sitting on the bottom step, not fully ready to leave you just yet. Eventually the sun starts to rise, so he reluctantly leaves you safe in your apartment and heads home back to the cave. When he walks in, it’s only then he realizes he hadn’t eaten, so taken with making sure you were safe to even really care. He walks further in and finds David sitting in his wheelchair he loves so much. 

“Did you eat, Paul?” David asks with a raised eyebrow and Paul shakes his head. 

“I, uh… forgot…” he mutters, thinking David would be mad, but he’s surprised when David just smiles. 

“It’s okay. We saved you some. Did you figure out what you want to do?” David asks and Paul sighs once more. 

“I’m going to leave her be. That’s it,” Paul tells him and David sighs, sitting forward. 

“Paul. The universe will never let you stay away from her. You might be able to resist for a while, but eventually something will pull the two of you together,” David tells him in a pointed tone. He tries to be soft on him even though he wants to just command him to go talk to her or have max sire him to do it, but David won’t do that, he knows Paul has to choose to go to her himself. 

“It’s whatever, David. I’m going to eat and go to sleep,” Paul responds, shrugging before disappearing toward where they store their food sometimes. 

David frowns as he watches his brother disappear before sighing and shaking his head. David stands slowly from the chair before going and joining Dwayne and Marko as well as all their soulmates in sleeping from the rafter, knowing Paul will join once he’s finished eating. 

Three months have gone by now and every night, David seems to notice that at a certain point in the night Paul will just simply disappear. Where Paul disappears to, David thinks he knows, but he doesn’t want to try and interfere and so he lets him do his thing. 

Once again Paul sits in the sand, watching the waves and just listens to you the whole night. He’d come to realize that your voice is more calming to him then even a joint could be, so he just sits there and listens. Like every night since that first night he’d sat there listening to you and enjoying a peace he never knew he needed until you close up shop. Without fail every single night for the past three months, he waits until you have your headphones on and then he stays in the shadows as he follows you home, just wanting you safe. However, tonight something feels off and Paul just can’t figure it out. 

He’s been trying to figure out why your scent that’s so alluring to him seems off, but he can’t place why. He’s in such deep thought about it that he doesn’t clock the two surfer nazi’s creeping up from the other side. It’s when the one guy grabs you and pulls you into the dark under the boardwalk that Paul is alerted. He quickly follows after and finds one of the surfer nazi’s holding you struggling against the cement wall while the other one seemingly watches. 

“I told you earlier I’d find you and we’d have some fun,” the surfer nazi holding you growls as you continue to squirm and fight him. 

“And I said I didn’t want to. I do have a soulmate, ya know?!” You shout out and for a minuscule minute Paul stops to wonder if you’ve known he’s been around, but he shakes his head clear. 

“And I said I don’t care. Now stay still,” the surfer nazi commands out though a growl and when you don’t do as he says, he reaches up to smack you, fear falling over your face. 

Paul, however, feels his veins boil and an anger he’s never ever felt before washes over him. All he sees is red as he transforms into his vampire self and pulls the first guy off to the side, snapping his neck in the process before pulling the second guy off of you. You watch on as he pulls the guy away and punches him down before crouching over him. He bares his fangs before sinking his teeth into the guy's throat and ripping at it. When he’s satisfied that the guy is good and gone, he stands, heaving for breath, blood all over his face. Suddenly though, like breaking through a fog, his anger dissipates and he turns to look at you. 

You sit there against the sand, staring at the scene in front of you and he immediately rushes over. He crouches down next to you, shielding your view of the carnage behind him. 

“Hey. You okay?” he asks softly and all you do is nod as you stare at him with wide eyes, making him think you're scared when you're more in awe. 

“I’m sorry if I scared you at all, but I promise I am of no threat to you,” he quickly informs you, hoping it’ll help calm your fear, but he’s shocked when you softly smile at him. 

“I’m not scared of you, far from it actually…” you pause, trailing off to bite at your lip. 

“I was actually wondering when you’d come out of the shadows and talk to me,” you shyly admit, a blush on your cheeks now and a warm fuzzy feeling takes over Paul’s stomach. 

“It, uh, it was about time…” he admits almost shyly himself even though he’s shocked that you knew he'd been there all along. 

“I take it, you know who I am then?” he asks and you grin, nodding. 

“You’re that cute guy I saw a few months back standing on the beach,” you tell him, not quite sure if he knows about the two of you being soulmates or not. 

“I’m uh, y/n. Thank you for saving me…” you shyly continue and he shakes his head. 

“I’m Paul, and there’s really no reason to thank me,” he responds with a shrug as he gives you his name in return. 

“Hello, Paul, it’s very nice to meet you,” you joke with him and he chuckles, not being able to help but just adore you. 

“Here. I’ll walk you home,” he starts as he stands before holding a hand out for you. 

“So basically what you’ve been doing for the last three months, only I can actually talk with you now?” You jokingly ask in faux shock and he playfully yet bashfully rolls his eyes. 

“I had my reasons-” he shrugs before you place your hand in his and his sentence gets cut off with a halted breath as the two of you stand. 

He’s stunned by just how easily your hand fits in his like a puzzle piece and how warm you are. You look up at him, making real eye contact for the first time and as he looks into your eyes, his whole center seems to shift once more as an all consuming love for you just flows through him. 

“Are you okay, Paul?” You ask as you reach up and rub his cheek, trying to get some of the blood off, shocking him even more. 

“No. Yeah, I’m okay,” he tells you although he so badly wants to kiss you, but before he can he’s shaking his head as if to rid himself of the thought. 

“Come on. Let’s get you safe at home,” he fully breaks the tension now, ruining the moment and you frown before nodding as the two of you start to walk. 

Hey, boys. There’s food on the beach if you want it. He reaches out to his brothers though the mind link they share before you nudge him as the two of you walk. 

“So are you the only one I’m safe with? Or is your whole group supposed to like, protect me now?” You joke, but Paul can tell it’s a serious question that you want answered. 

“Nah… No vampire will hurt you. Not with me around now. Definitely not from my pack anyway. You’ve kinda already been adopted into the family,” he informs you and you give him a confused look like you're not fully getting it. 

“You’re part of this family whether you decide to change or not…” he tells you while trying to hide the fact he knows your soulmates. 

“Why?” You ask, egging him on hoping he’ll say it first and he pauses for a moment, trying to decide if he wants to tell you or not. 

“Well umm… because you're my soulmate,” he shyly admits, he’d probably start blushing if vampires could and you let out a giggle, making him look at you in shock. 

“Oh, my sweet Paul. I knew… you really thought I wouldn’t know? Especially when you’ve been following me home every night like a lost puppy. I knew it the moment our eyes first met,” you pointedly tell him with a proud smile.

“Why didn’t you say anything to me then?” he asks and you pause to purse your lips. 

“Well you walked away looking rather sad and I just wanted to give you a hug, but your friends-” 

“Brothers,” he corrects you and you smile softly at him. 

“You were with your brothers,” you amend your first words with a shrug before going on. 

“I assumed you just were shocked by finding me and you’d come talk to me eventually but you never did. I assumed you just didn’t know how to approach me,” you explain to him as you show him your wrist proudly with the words he knows so well written in matching ink: Somewhere Out There. 

“No. I wanted to. Believe me, I did so badly, but my fears of what I am got in the way of it all. I’m sorry,” he explains before looking away in shame. 

“It’s okay. We all let the fear get the best of us sometimes, but I’m glad we’ve finally actually met,” you tell him as you stop in place to turn to him and reach up to touch his cheek, not really caring about the blood. 

“Even with the circumstances of how we met?” he asks you with a raised eyebrow and you let out a giggle that sounds heavenly to his ears. 

“Yes. Even with the circumstances of it all,” you tell him and he shakes his head at you in disbelief before grinning at you. 

“Yeah. Again I’m sorry. I just wanted to protect you, even from myself,” he says and he grimaces at himself after saying it. 

“Paul. It’s really okay. I’m just glad we're together now. We are, right?” You ask, scared he’ll leave you at your apartment and never come back. 

“Babe, I couldn’t leave now even if I tried,” he charmingly tells you with a grin taking over his face. 

“Good, because I wouldn’t want you to,” you grin now too, happy to be on the same page. 

That's how the night ends, with you and Paul now walking hand in hand in the moonlight. Paul can’t help but to think just how right his brothers had been, if only he’d talked to you that very first night this could have been the two of you every night for the last three months. But Paul refuses to think any further about it and can’t help but smile the whole way as he walks you to your apartment. He leaves you there knowing you’ll be safe, promising to see you tomorrow night and together you both know this is the start to an even more beautiful story for the two of you to tell in the future. 

The End...

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[leighsartworks216]

... Oops

Harvey x gn!Farmer

Had this thought when I remembered I had to take my meds tonight. I just think it would be nice to have someone who takes care of you when you're a bit stupid and forget to take very important meds 👉👈

Also, Baja Blast is the actual name of my blue chicken lmao

Also also, this is written in third person POV instead of my usual second person POV

Warnings: swearing, dizziness, anxiety, possibly OOC Harvey

Word Count: 1,592

Masterlist

AO3

Harvey rubbed at his eyes as he slipped out of bed, glancing absentmindedly at the empty space beside him. The farmer was already up, of course. He worried for them when he realized how early they woke up each day, but it couldn't be helped if they wanted to take care of their farm all in one day.

He adjusted his glasses on his face as he shuffled to the kitchen. A cup of hot coffee sat on the counter waiting for him, as it always was. He smiled to himself. Fresh coffee from beans they grew themselves always tasted better than anything Gus could ever dream of making. It was perfectly bitter and smooth as he gulped it down.

He looked out the window of the cabin that overlooked the field left to the farmer by their grandfather. There weren't any unwanted stumps, logs or boulders anymore. Fences penned in the animals as they meandered about, munching on fresh grass. The crops were already watered. The scarecrows teetered slightly in the breeze, the fabric of their gloves almost appearing to wave back at him. He always enjoyed the one that resembled an animated movie character - the farmer had been so proud of it when they stuck it into the ground.

His eyes scanned the paths and fences, searching for his partner.

Hm, they must be in one of the barns.

He stared out a while longer, hoping to catch a glimpse as they came out. A concerned frown etched its way onto his face, but he tried writing off the anxiety swarming in his gut. They're probably just refilling the feeders or refilling their kegs or... Really, it's nothing to get worried about. They knew what they were doing! As long as they stayed out of those damn mines, he had nothing to worry about.

He sighed, shaking his head to remove the flood of worried thoughts in his head. Downing the last of the coffee and placing the mug in the sink, he went off to the bathroom to get ready for a day in the clinic.

He peeked out the window again after he got out of the shower. A blue chicken - a gift from Shane the farmer had named Baja Blast - clucked cheerily as it walked out of the open gate. The farmer usually kept the gates closed, always worrying about coyotes or foxes coming to eat their precious hens. It was unusual for them to keep it open, even if they were inside the coop.

He bustled about in a slight rush to get dressed and gather his things for work, namely a giant thermos of coffee and a lunch prepared for him waiting in the fridge, before slipping out of the cabin. He set it all down on a rocking chair sitting on the porch, creaking in the wind.

Baja Blast clucked up at him as he scooped her into his arms. “C’mon, you shouldn’t be out here. All your food is in here,” he says to the chicken as he steps through the gate and closes it behind him. With a cursory glance back, it didn’t seem like any other chickens got out. He couldn’t remember how many his partner had anymore. He had no idea how in the world they kept up with chickens, ducks, goats, sheep, cows, and pigs on one farm alone. It made his head spin trying to guess how they kept their head on straight with so much to do.

He set Baja Blast down with a white chicken, Madame Clucks. She went back right to pecking away at the grass.

Harvey set his hands on his hips as he looked around. Even out here, he couldn’t see the farmer. Okay, how he was worried. His hands fidgeted anxiously as he stumbled in his loafers through the soft dirt to the coop door. If they weren’t in here, he’d have to check the other barns. And if they weren’t in the barns, he’d have to call Marnie or Shane, or, Yoba forbid, Marlon at the Adventurer’s Guild, just in case they really had slipped off to the mines without telling him. But what if they weren’t in the mines? He’d have to call- Yoba, who could he call? Everyone? Ask if they’ve seen the farmer around today? It wasn’t even 8am, nobody would be up and about to know if they’d gone through town.

He pushed open the door, a bit harder than he meant to as some chickens lingering inside bawk’d and spooked away, leaving feathers in their wake. He couldn’t even focus on that. His eyes immediately landed on the figure sitting on the chest by the mayonnaise machine. They were hunched over and holding their head.

“Farmer!” Harvey rushed forward, all the old anxiety quickly replaced with a thousand more fears. He knelt down by them and rested a hand on their shoulder, looking at them with wide eyes. From this angle he could see their eyes were closed, face pinched in discomfort. “What happened? What’s wrong?”

They shook their head. “‘M just lightheaded. I bent down to grab the eggs and I got really dizzy.”

He pressed the back of his hand to their forehead, brushing back some hair as he pulled away. “You’re not running a fever.” He let out a hesitant breath of relief. “Do you think you can stand?”

After a moment, they nodded. Harvey stood up and supported them as they stood. They wobbled on their feet, but he wrapped an arm around their waist to steady them.

“Easy now. Let’s get you back inside.”

“What about-”

“Don’t you dare put your farm over your own wellbeing,” he warned. “I can call Shane and see if he’ll take over for the day.”

The farmer sighed, relenting. He knew how much peace they found tending to everything themselves, despite how overwhelming it seemed on the outside. They had a whole process for everything, and they’d explained before just how much of the simpler tasks they’d automated with sprinklers and some of Maru’s machines. Still, he was absolutely not about to let them go right back to work when they can barely stand up without a light breeze threatening to knock them over.

Harvey opened the gate and helped them through, shooing Baja Blast back inside as he shut the gate again. His partner gave an undignified snort at the offended squawk she let out. “At least you feel well enough to laugh.”

“Like I said, Harv, I’m just dizzy.” They leaned heavily into him as he led them along the paths to the cabin. Their feet hung up on uneven stones and the stairs leading to the door more than once.

“Dizziness is a symptom of something else. I just want to make sure it really is nothing serious.”

“I know you do.” They offered him a slight smile, but it quickly soured to a frown as they shut their eyes again with a frown. “Yoba, it feels like the whole world is spinning.”

“We’re almost there.” The line would have been less out of place if this wasn’t their home that they knew as well as they knew the names of all their animals, but they were too out of it to point it out and Harvey was too in his own head to notice it. So they stumbled together through the house to the large two-person bed.

The farmer laid down with a whine, pressing the balls of their hands to their eyes. “How is this worse somehow?” they groaned.

Harvey pressed a comforting hand to their shoulder. “Did you eat breakfast this morning?” They hummed affirmatively with a nod. “When did you get back home last night?”

“Like… 1? 1:40?”

He sighed, scratching his brow with his thumb. That was a conversation for later. “Did you take your meds?”

The silence was deafening. They covered their whole face with their hands with a muffled, “Fuck, I’m stupid.”

“So you didn’t take your iron?”

They shook their head but regretted it immediately after, uncovering their face with a grimace. Their hands plopped pathetically to the bed beside them. “No, I completely forgot. I was trying to run back from the beach after fishing all night - I must have been so tired it just slipped my mind.”

He let out a long sigh. “At least it’s nothing serious. I’ll be right back, okay?”

“‘M sorry, Harvey.”

“It’s…” He frowned at the idea of saying ‘okay’. As a doctor, he really couldn’t brush off not taking prescribed medication, especially with a partner with such a severe case of anemia. He’d protest against them running a farm at all if they weren’t so determined. “We’ll figure out a better system, okay? We can put them in a pill-minder and keep them on your nightstand.”

They nodded. “Thank you for taking care of me.”

That shocked a laugh out of him. He leaned down and pressed a kiss to their forehead, his mustache scratching their skin in a familiar way. “Of course - that is my job after all. Now sit tight, I’ll grab your supplements and call Shane. Anything he needs to know about?”

“Just make sure he pets all of the animals. They deserve daily pats.”

“I’ll make sure he knows,” he chuckled fondly as his footsteps began their retreat from the bedroom to the house beyond.

“I love you!”

His warm laugh rang out again, echoed against the wood Robin nailed together and the photos on the walls. “I love you, too!”

[lilpotatjj]

Couldn't wait to write it all down. Our sweetheart Cait became emotional after taking off her wig for the last time. And we all ken that there's only one person she gets the comfort right? Here ye go (it's a wee bit longer as I thought..should I be sorry?..nae ;) )

Warning: sweet comfort and some sadness and a wee bit of drama. And a Sam that is so in scots character 😂👀

One last time

There it lay...a simple scrap of hair. Simple? It was anything but simple. This wig was a part of her existence, her life. It had been with her for eleven years and it was hard to believe that this was the last time it would be taken off. She tried to pull herself together and put the mobile aside, the tears still in her eyes. Recorded for eternity and for those who made it possible to embody Claire Fraser for so long. The fans. She looked silently into the mirror and suppressed a small sob as she fixed the rest of her own hair. Sam hadn't finished when she got up and left the trailer quietly and without a word. He looked after her anxiously and thoughtfully, oblivious to the fact that he had unfamiliar hands halfway down his face. A smile, a small and heavy smile was on her face as she left and she tried to keep her composure. She always did. Pretending to be strong and trying to look professional, which she usually managed quite well, but...not today.

When Sam had finished, he stood up in a flash, like a horse just waiting to race to the starting line. He came out and looked around. There were other smaller trailers everywhere. It was already starting to get dark and the whole set was in an after-work mood. He took a deep breath and ran a hand through his hair. Sam walked slowly through the various crowds. Cait had been tense all day, then the photo for 'The Last Wrap'. She didn't have a single second to herself. He kept getting a hand slapped on his shoulder or back as a sign of excellent work and gratitude, but he hardly bothered to respond. Here and there a small nod of thanks and a smile as he meandered past the people.

He couldn't find her, not even in her trailer. He decided to go into the hall to the set and bumped into Sophie. "Have you seen Cait?" he asked her, unconsciously worried.

"Sam! Ah...yes, she was walking towards Lallybroch's set" she said, adding "Are you coming to the bar for drinks tonight too?"

He raised his hand in thanks and nodded, but left without saying anything to Sophie's astonishment.

"Okay?" she mumbled quietly, shrugging her shoulders as she left too.

A huge room with green and blue screens opened up to him as he entered. Parts of masonry could be seen. Lallybroch. The heart of the set. There she stood in the middle of the walls. He went to her and gave her space, standing a little apart behind her to enjoy the silence with her. It's so ironic, the usually loud hustle and bustle of the set during filming was stifled. You'd think no one had been here for centuries, as if only ghosts were wandering around. She didn't move, although she knew it was Sam standing with her. She could feel his aura very clearly, the same as every day. It could have been anyone, but she would recognize his from thousands.

He finally came a little closer to her, stood close behind her and followed her gaze across the huge set. She wiped her face, not turning an inch. She knew that if she did that now, the dam of her whole frame would break. The actually positive advantage of being able to let herself go with him and only him. But now she felt it was a weakness. She didn't want to cry, not over something so trivial. That's what she thought. Sam took a quiet breath and cleared his throat. He knows her and knows that it's better not to push her now. She'll come to him when she needs him, just like always.

"The others want to go partying, have a drink. Are you coming?" He asked carefully to give her room to breathe. "Of course!" she sounded completely normal as she turned to him. There it was, the smile that could have melted him, but... it had a bitter aftertaste. "Let's go, I want to freshen up quickly and then we can go," she said, playing relaxed. Yes...acting, but she can't do that to him. If anyone could keep their composure, it was Sam. Not Cait. She was Claire through and through when it came to interpreting emotions, she couldn't lie. In front of anyone else...but not in front of him.

He followed her to the trailer and didn't bother to wait outside. He didn't care what anyone else on the set thought. He had to stay with her now, make sure he was there at all times. After all these years, he just wanted to think about her and not worry about what others were saying or thinking about either of them. Cait looked at him in surprise for a moment, hesitantly closed the door and followed Sam with her gaze, who simply sat down on one of the small benches and stared out of the window. She paused briefly, then went to change her clothes and freshen up, only to stand in front of him ten minutes later, ready to go. He stood up and grinned at the sight of her. "You're far too pretty for tonight my dear" he said more proudly than jealously. She smiled sweetly at him and studied him silently for a moment, giving him a kiss on the cheek. It was breathy, almost apologetic, which was why he scanned her curiously.

"We should go before I change my mind mo chridhe" She giggled affectionately at his words and they both left the trailer.

When they arrived at the bar, they joined the others. There were quite a few of them. Sophie, Richard, Lauren, John and César were also there. When they arrived at the table, the others cheered them loudly, glasses were raised and everyone roared. Sam laughed contentedly, gently placed his hand on Caits back and took one of the whisky glasses to clink glasses. Cait gave Sophie a hug and took a glass too.

"Slainte!" the Scot called out loudly and everyone joined in. with one big draught, almost everyone drank the glass empty together while the music played loudly in the background. "So James Fraser!" said Sophie and continued with a smile. "Let you and your Sassenach celebrate hard today!"

His face lit up with joy and he raised his newly refilled whisky glass. "Not just me, but my wonderful partner Cait, as well as all of you!" They raised their glasses again, but at Sam's words, the Irishwoman stared at him silently for a moment, then drained her glass in one go, which Sam just looked at silently. They all talked about the wonderful memories of the last eleven years. Everyone had a lot to say, except Cait, who was quite silent. Had agreed here and there or made a quick comment. Richard was in his own world, having another drink.

As Cait poured herself her 5th glass, the Scot stopped her without thinking. "Ok, slow down babe the evening is still young" She looked at him in disbelief. He knows what her limit is, but she didn't really care at the moment. Fully focused on Cait, Sam didn't notice the looks from the others, which he had caught with her nickname.

Now it was Richard who interrupted the tension and drew the puzzled looks when he distracted the group with a question.

"Do you have any ideas or other projects for the future?" Everyone joined in and suggested ideas or said no, including Cait. "I'm sure it won't be easy to switch off Claire after all this time. But you have so much talent, you could play anything," Sophie said without thinking and received a serious look from the Irishwoman for this statement. Cait stood up and politely excused herself, all eyes fixed on her. Sam did the same and rose to follow her. She went out into the fresh air, breathing faster, doing her best not to lose her composure completely now. Sam came out to her and saw her pacing back and forth, slightly upset and with tears in her eyes. He stood there, still hesitating, he knew her.

"Do you want to go?" he asked calmly and she looked to him for help. That was the hint. He went to her, took her in his arms and simply held her tightly. "We're going..." he whispered softly and lovingly and she just nodded silently, hiding her face in his chest. Sam gave her time and gently hugged her tighter, then took her to his car. Thank God he only had two whiskies.

"I'll let the others know," came from him briefly and as quickly as he was in, he was out again. She sat quietly in the passenger seat, looking at him apologetically as he got behind the wheel. "You don't have to look like that, it's all right. The others are having fun without us," he said in his soft voice, but she looked out of the window briefly as he started the engine. "That's not it. I didn't want to ruin your evening," she said, again with an innocent look. Sam snorted in amusement. "Cait as long as I'm with you every night is saved" he spoke seriously and smiled sincerely at her. "I just need you mo chridhe"

She gave him a wistful smile, she was happy. He stroked her chin and smiled at her with his typical wide grin. "And now let's check into the hotel" he drove off, concentrating on the road and sensing that Cait was still tense.

When he arrived, he looked at her quietly.

"So Claire Fraser" he rolled the 'R' especially and started speaking in Jamie's accent. God she loved his Scottish accent, but it's exactly what her heart doesn't want to hear right now. Cait ignored him and fussed with her hair. "Ye cannae hold it in forever," he said, letting Jamie hang out in full conversational tone. "Stop it Sam, we're not on set anymore," she said annoyed and snappy. He raised his typical eyebrow and walked slowly towards her. "it winnae get any better if ye dinnae let it out...~Claire~!" He emphasized the name of her second life again and made zero effort to stop. She turned to him and scowled. "You're not Jamie!" she commanded rather than saying it. "hm.. nae?" he couldn't ask more Scottishly and grabbed her arm, gently but firmly. "Cait, we've lived these roles for eleven years, they're a part of us and they'll be a part of us forever!" he said sternly, not even thinking about locking the Jamie inside him away. "But it's over now, damn it!" she hissed and tried to pull away. He was beginning to feel like he was filming a scene on set with Claire rather than arguing with Cait herself. She finally clung to him as she gave up. She knew he was right... right from the beginning. But the painful thought that it's over forever is too great.

At last he had her where he wanted her. She could no longer hold back the tears and hid her face in his chest while he held her and stroked her head. The Scotsman gave her a gentle kiss on the head every now and then. It took a while before she finally calmed down. She swallowed it for too long and didn't let it out. Otherwise so tough, it's still not such an easy path. After all, it is the goal that has been irrevocably achieved.

Eleven years of hard work and so many memories. The fact that she had met and fallen in love with her husband there weighed deeply. He picked her up bridal style and carried her to the couch in the room. "It's okay my love...I'm so proud of you. You've done such a great job all these years" she laid her head on his lap. "That's what the right person says...without you, the show would only be half as good!" she said with charming sweet but tired smile and grabbed his chin with his slight beard stubble.

He returned her smile just as lovingly, leaned down and gave her a kiss on the lips. "It doesn't matter what the future holds for us, as long as we're together I don't care," he couldn't say it any sweeter and stroked her silky, dark hair lovingly. She just looked at him in love, the blush on her face full of happiness to have him with her.

"Do you want to watch something?" he asked and she nodded silently. Sam switched on the TV and pulled her closer to him. "My Sassenach," he said quietly and proudly.

"My red-haired, stubborn and hot-headed Highlander"

[skaruresonic]

The common rebuttal to "this reads like fanfic (derogatory)" is "read better fanfic," which is true in certain cases, but on the other hand, there is some grain of truth to the idea that you can tell when someone's primary mode of literary analysis is fanfic instead of... well... literally anything else. It's okay to like or even prefer fanfic, but if you want to take your craft seriously you also need to read books, dude. Published books will teach you a lot of stuff fanfic doesn't, like proper dialogue formatting and how to introduce your reader to unfamiliar characters. Even the crappiest book (well, if it's not After or 50 Shades, which started off as fanfic to begin with lol) will have been subjected to some sort of editing process to ensure at least the appearance of proper grammar. That's not a guarantee with your average fanfic, and hence why you can't always take all your writing cues from fanfic because it's "so much better" than commercially published original fiction or whatever. Frankly, fic writers tend to peddle some absolutist and downright bad takes sometimes. "Said is dead" is a terrible rule, though not because said is invisible and a perfectly serviceable tag; that's just part of it. Dialogue tags are a garnish, not a main dish that can be swapped out for more ostentatious words. If your characters murmur and mutter instead of simply saying stuff, your readers are going to wonder why nobody speaks up. "'I'm explaining some very plot-important shit right now lol,' she elaborated," likewise, is a form of telling. Instead of letting the reader extrapolate that "she elaborated" via the contents of the dialogue itself, you're telling them what to think about it. And that's why it's distracting: your authorial hand is showing. Writing is an act of camouflage. You, as the writer, need to make your presence as invisible as possible so as to not intrude on the reader's suspension of disbelief. That's the driving reason behind "show, don't tell." And overall, everyone could stand to cut down on the frequency of their dialogue tags anyway. Not every exchange needs "he said" or "she whispered" attached as long as you establish who is doing the talking before the exchange. Some people will complain of confusion if you go on for too long without a dialogue tag, and that definitely is a risk, but at some point you also need to resist the temptation of holding the reader's hand. If they can't follow a conversation between two people, chances are they weren't meeting you halfway and paying that much attention in the first place. In fact, you don't even necessarily need action beats in between every piece of dialogue, as Tumblr writing advice posts will often suggest as a fix. Pruning things often cleans them up just fine.

Another fanfic-influenced trend in writing is, I guess, beige prose? A heavy focus on internal narration with lots of telling. It's not a style I can concretely describe, but every time I click on a non-mutual's writing, I feel like it always has, like. This "samey" voice to it. There's no real attempt to experiment and use unique or provocative language, or even imagery half the time. It's almost a dry recital of narration that doesn't leave much room for subtext. I see this style most often in fanfic where you can meander and wax poetic about how the characters feel without ever really getting around to the plot. And it's like. DO something.

Other tells that the author is taking their cues from fanfic mores rather than books: >>too much minute description of eyes, especially their color and their movement >>doesn't leave much room for subtext (has a character speak their every thought aloud instead of letting the reader infer what they're thinking via action or implication) >>too much stage action ("X looked at Y. Y moved to push their seat in. X took a deep breath and stepped toward Y with a determined look on his face. 'We need to talk,' he said.") >>tells instead of shows, even when the example is about showing instead of telling ("he clenched his teeth in agony" instead of just "he clenched his teeth") >>has improper dialogue tag formatting, especially with putting full stops where there should be commas ("'Lol and lmao.' she said" instead of "'Lol and lmao,' she said." This one drives me up a wall) >>uses too many dialogue tags >>"em dashes, semi-colons and commas, my beloved" - I get the appeal but full stops are your friends. Too much alternate punctuation makes your writing seem stilted and choppy. >>"he's all tousled brown hair and hard muscle" and "she's all smiles and long legs." This turn of phrase is so cliche, it drives me up a wall. Find less trite ways of describing your characters pls. >>"X released a breath he didn't know he'd been holding" >>every fucking Hot Guy ever is described as lean and sinewy >>sobbing. why is everyone sobbing. some restraint, pls >>Tumblr in general tends to think a truism counts as good writing if you make the most melodramatic statement possible (bonus: if it's written in a faux-archaic way), garnish it with a hint of egotism, and toss in allusions to the Christian God, afterlife, or death. ("I will stare God in the face and walk backwards into hell," "What is a god to a nonbeliever?") It's indicative of emotional immaturity imo, that every emotional truth need be expressed That Intensely in order to resonate with people. >>pushes the "Oh." moment as the pinnacle of Romantic Epiphany >>Therapy Speak dialogue. why is this emotionally constipated forty-something man who drinks himself stupid every morning to escape gruesome war memories speaking about his trauma like a clinical psychologist >>"this well-established kuudere should Show More Emoshun. I want him to break down crying on his love interest's shoulder from all his repressed trauma" - I am begging u. stop >>"why don't the characters just talk to each other?" "why can't we have healthy relationships?" I don't know, maybe because fiction is not supposed to be a model for reality and perfect communication makes for boring drama?

>>improperly using actions as dialogue tags ("'Looks like we're going hunting,' he grinned") >>why is everyone muttering and murmuring. speak up >>too many adverbs, especially "weakly" and "shakily." use stronger verbs. ("trembled" instead of "shook weakly") >>too many epithets ("the younger man" or "the brunette detective") >>too many filter words ("he felt," "she thought," "I remembered")

>>no, Tumblr, first-person POV is not the devil; you're just using way too many filter words (see above) and not enough sentence variation to make it flow well enough. First-person POV is an actually pretty good POV (not just for unreliable and self-aware narrators) if you know what you're doing and a lot of fun crafting an engaging character voice. Tumblr's hatred of first-person baffles me, and all I can think is you would only hate it if your only frame of reference was, like, My Immortal. Have you tried reading A Book? First-person POV is just another tool in your toolbox, and like all tools, it can be used properly or improperly. But it's not inherently a marker of bad writing. The disdain surrounding it strikes me as about as sensical as making fun of the concept of characters. Oh, your work has characters in it? Ew, I automatically click off a fic if it has characters in it. like what.