#me when Penelope and Eloise :3
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lyn-ne · 25 days ago
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Bridgerton doodles cause season 3 is pretty good
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etherrealsx · 4 months ago
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The Bridgerton couples as Taylor Swift songs
Daphne & Simon: Haunted
"Come on, come on, don't leave me like this. I thought I had you figured out. Something's gone terribly wrong, you're all I wanted. Come on, come on, don't leave me like this. I thought I had you figured out. Can't breathe whenever you're gone, can't go back now I'm haunted."
Anthony & Kate: The Great War
"We will never go back to that bloodshed, crimson clover, the worst was over, my hand was the one you reached for all throughout the Great War. Always remember we're burned for better, I vowed I would always be yours, 'cause we survived the Great War."
Benedict & Sophie: Enchanted
"This is me praying that this was the very first page, not where the storyline ends. My thoughts will echo your name until I see you again. These are the words I held back as I was leaving to soon. I was enchanted to meet you."
Colin & Penelope: You Belong With Me (🥹)
"Dreaming 'bout the day when you wake up and find that what you're looking for has been here the whole time. If you could see that I'm the one who understands you, been here all along so why can't you see, you belong with me."
Eloise & Phillip: seven
"I've been meaning to tell you I think your house is haunted, your dad is always mad and that must be why. I think you should come live with me and we can be pirates, then you won't have to cry, or hide in the closet, and just like a folk song, our love will be passed on."
Francesca & Michael / Michaela: I Almost Do
"I bet you think I either moved on or I hate you, 'cause every time you reach out there's no reply. I bet it never ever occurred to you, that I can't say hello to you and risk another goodbye. And I just want to tell you, it takes everything in me not to call you, and I wish I could run to you, and I hope you know that every time I don't, I almost do."
Hyacinth & Gareth: I Can See You
"I can see you in your suit and your necktie, pass me a note saying "meet me tonight", then we kiss and you know I won't ever tell. And I can see you being my addiction, you can see me as a secret mission, hide away and I will stop behaving myself."
Gregory & Lucy: Speak Now (duh)
"I hear the preacher say speak now or forever hold your peace. There's the silence, there's my last chance, I stand up with shaky breath all eyes on me. Horrified looks from everyone in the room but I'm only looking at you."
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chheese-mmmhh · 5 months ago
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my mom is watching the new season of bridgerton and calling me every few minutes to point out the gay…just called me to say “nothing more heartbreaking than your brother, who you love more than life, looking in your eyes saying ‘it’s lucky you’ve never been in love’ when you’re in love with his fiancé” like yes mom so true they’re GAY AS HELL
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leslieseveride · 6 months ago
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the way i hoped for a polin baby at the end of this season, but kept my expectations in the gutter cause i genuinely didn't think that was something that was gonna happen, only to be given the biggest shock of my life at the end of episode 8. i can't believe how much i won this season.
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polin-erospsyche · 7 months ago
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Last thoughts for the road.
I’ve never been more excited and scared for a scene than I am for the carriage scene. I feel like in all the buzz around season three finally dropping after two years we haven’t really talked about this month of waiting between part 1 and 2. Sure we’ve guessed at the carriage scene and we’ve rejoiced at all the polin content we’ll get in the break but I’m truly scared of how wrecked we might be. Wrecked or angry, to be honest I’m not quite sure but I don’t trust the very end of ep 4. I feel like we’ll get so high that there’ll only be a low point after that because otherwise the show does not go on for four more episodes. And also we have to wait one month. One whole month to be in our feelings about this. So you know they’re not just going to let us off easy.
I’m not ready for the utter angst that we might get from this whole Lady Whistledown issue. We are talking about two people who are so so in love with each other. And they know that too probably, although it might not have been verbalised, but because it’s the beginning it will oh so delicate, even more so because they are friends discovering if they can be more for each other, wanting to be more for each other and there’s this huge secret creating a rift between them.
If she does keep it from him, which looks more and more likely to me, I need her to give him the choice when he finally learns about it. I need her to own up to who she is, apologies for what she’s written and how it might have hurt him but not for what and who she is. She is Lady Whistledown. Despite all the mistakes and errors, she is one hell of an amazing, independent and strong woman and I need to see her step fully into who she is and accept it and give him in turn a choice to either leave or to choose her, all of her. The mistakes, the hurt but also the warmth and love.
And while she’s giving him a choice I also desperately want for her to have a face a face with the queen. It is so important to me that she does that on her own though, without a betrothal or the name of the Bridgertons attached to her. I hope we get to see her step into her own self by herself and defend herself. Not in the snappy and hurt way she’s done at the end of season 2, but as the graceful and mature woman we know she becomes in season 3.
Anyway all this to say, I’m afraid of what we’ll get tomorrow as a cliffhanger. There are also things that I hope we get. Pen fully stepping into her power in a graceful, less harsh, manner than we’ve seen previously. Colin fully choosing her despite knowing all the dark sides to her, because that is how well he knows her and how much he loves her. Those are at the forefront of what I hope for.
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dollypopup · 2 years ago
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Tired: Colin teaches Penelope how to fuck Wired: Colin teaches Penelope how to flirt Inspired: Colin teaches Penelope how to fIGHT
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fandoms-my-fandoms · 5 months ago
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THIS.
I don't get why people say Portia is the only person who cared about Penelope talking smack about her own self. Eloise, despite their friendship breakup showed up to her door and told her she was being unnecessarily cruel to herself. And Colin? lol. HE BRIBED RAE SO HE COULD CHECK UP ON HER WITHOUT SUPERVISION IN THE DEAD OF THE NIGHT. CALLED LW "BEASTLY FOR WRITING SUCH THINGS". IT IS WHY THEIR KISS HAPPENED. DO WE WATCH THE SAME SHOW????????
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maximoff-pan · 11 months ago
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the ultimate deception | benedict bridgerton (part one)
summary: you are a well known artist who paints under a pseudonym. What happens when Lady Whistledown comes to know of your identity? How will your relationship with Benedict evolve?
pairing: benedict bridgerton x fem!(artist)reader
word count: 4k
warning(s): poor writing and dialogue (sue me, I'm rusty lol), very unedited so if there are mistakes, I apologize, misogyny, penelope aka Lady Whistledown's biggest defender
a/n: this is definitely going to be more than one part, but I wanted to post something after so many months. Let me know how you like it (or don't like it haha)...comments and feedback are much appreciated <3
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• • • • • •
“I wish I possessed merely an ounce of your talent.” 
Benedict’s gaze seems to be wholly absorbing your latest painting, a depiction of the botanical wonders of London’s Royal Kew Gardens. 
You puff out a breath, blowing on the feathery end of one of your writing quills. In your haste, it had gotten loose, tickling your face irritatingly. Tucking it back behind your ear, you wave him off. “You have much more talent than you give yourself credit for.” You admit through squinted eyes, scanning your work. “You simply lack conviction. And you worry far too much about what others think of you.”
Benedict smiles, receiving your words as the highest of praise. He reaches out to take a better look at the piece of art before him. “You flatter me.” He mumbles in awe. “But I suppose there’s a chance you could be right.”
Chuckling at his words, you grin knowingly. You’re right. It’s more than a chance…you just are. He knows it too. 
You both continue to steadily eye the painting, you out of critical evaluation of your work, and him in sheer admiration of it. 
Benedict’s favourite part remains the beautifully bloomed magnolias that are scattered across the canvas. He’d been sure to tell you numerous times of their elegance while you’d been working on it, eagerly awaiting the finished product. As you’ve come to realize, Benedict loves watching you work. It’s one of the prices you’ve had to pay for his allowance of your workstation being at Bridgerton House, if you could even call it that.  
You are grateful, truly. You wouldn’t be able to make your own living without his kindness. And you certainly wouldn’t be able to keep to yourself in the way you prefer to. 
“When will Augustus Leighton be displaying his latest work of perfection?” Benedict’s question reminds you of your fate as an artist. 
Augustus Leighton is the pseudonym you paint under. Using his name, you have become a well known artist among the ton, even going so far as to have a painting hung at Buckingham Palace. It’s difficult, you must admit, pretending to be someone else. But it’s a necessary evil.
Painting as a woman would get you nowhere. Especially as a woman with no money (particularly at the time you began), no status, and no husband. 
Your mother is a seamstress with little to her name and your father was a servant to Violet and Edmund Bridgerton, before his heart became too weak. He passed away when you were thirteen, only a few years after the Bridgerton children had lost their own father. You’d grown up with little money, but Violet had been kind to both you and your mother, seeing how close you’d become with her children. 
You were raised alongside them, Benedict and Eloise becoming your closest of friends. At three and twenty, there are five years between you and the two siblings in either direction, with Eloise being freshly eighteen, and Benedict having turned twenty eight. To this day, they remain two of only three people who know of your true identity, outside of Penelope Featherington. 
You hadn’t exactly meant for Eloise or Penelope to find out about it, but once they had, it became comforting to have more than just Benedict to speak to about your predicament. Especially considering, although Benedict has been wonderfully supportive, he could never understand the struggle a woman must endure in a male dominated world.  
“Likely never. This one is a gift for Lady Danbury.” You answer Benedict’s inquiry after a bout of silence. “She’s spoken about her love of these gardens quite regularly, so I thought, why not have Mr. Leighton recreate it for her?” 
“How will you get it to her?” He questions. 
A smile pulls at the corners of your lips. “I have my ways, lest you worry about it.”
• ж • ж • ж • ж •
The next few days are interesting to say the least. You’d somehow managed to get the painting delivered to Lady Danbury, and as far as Violet had been willing to speak of her latest visit with the formidable aforementioned woman, you have been made aware that she adores it. 
You’d also heard more about it from Benedict, who’d mentioned something about her being at a loss for words, an ultimate shock to both him and his mother. They’d never seen her look so bewildered. 
According to Eloise, Lady Danbury had been surprised to receive such a gift, especially of something so near and dear to her heart. She’d said it reminded her of her time with the Queen, telling the young Bridgerton woman about the months just after her husband had passed, when a new independent lifestyle began to bloom for her. 
The painting itself reminded her that women like her could be free, and one day, they would be. That sort of metaphorical mindset had definitely appealed to Eloise’s sense of social justice. She’d been more than excited to tell you about the older woman’s reaction to your art, claiming it to be a wonderful revelation. 
Today though, as you sit in the Bridgerton’s common living room, the opposite representation of said female autonomy rests in your hands. The paper feels rough against your skin as you pass it to Eloise who’s propped excitedly to the left of you. You’ve never been a fan of Lady Whistledown’s gossip column, although you can admire her unabashed confidence. But despite her strong will as an author, which could be seen as an inherently empowering trait, you are of the impression that she goes about it in an entirely backward way. 
Women don’t need to put each other down to build themselves up. It accomplishes nothing, consequently acting as a source of nourishment for the patriarchy you find yourself trapped in. 
“You’re not going to read it?” Eloise asks as she takes the pamphlet from you. 
“I never do.” Is your instant reply. 
Penelope perks up at the mention of the column, eyes trained curiously on you. If you had known better, you’d say she was a little too interested. 
But at this moment you shrug it off, listening with no suspicion as she asks a simple, “Why?”
You don’t have the hindsight to understand why your stomach turns at her question, but you respond anyway. “I tend to think of Lady Whistledown as a poison.” It’s the first time you’ve voiced such an opinion. 
Penelope and Eloise turn to you in surprise. “Come again?” Penelope’s soft voice cuts through. 
“She is a poison.” You repeat before explaining yourself. “Do not get me wrong, I hold admiration for her bravado, but her words, the things she writes, they cause nothing but pain and conflict for those she chooses to sink her teeth into.”
“But she’s an independent woman.” Eloise interjects. “One who is doing more than any of us could dream of. She is making a name for herself!”
You try to think about your next words carefully, but your mouth makes quick work of a reply. “A name which she hides behind, casting stones through the guise and safety of anonymity.” 
Penelope lets out a scoff from beside you. She’s always been one to defend the infamous gossip columnist. “At least she does not hide herself behind the mask of a man.” That feels like a shot. “The people know full well of her gender, despite her true identity remaining a secret.”
You hear the implication on her tongue. The same cannot be said for you. 
And she’s not wrong. You do hide yourself behind the mask of a man. You’d never once denied that.
You sigh. “I know you must think of me as a hypocrite.” 
Eloise agrees hesitantly. “Only a little.” She admits. “It’s just that you do the same as Mr. Leighton.”
You soften at her honesty. Truthfully, you understand where she’s coming from, but you can’t help the urge you feel to defend yourself.
“I disguise myself as Augutus because I know that no artist or art critic alike will take me seriously as I am. I want to share my work with the world, that is simply all I want. It’s all I have ever wanted.”
“Does that not make you a coward?” Penelope inquires, although it feels less like a question and more like an opinion. This is what she believes. And she's entitled to that. 
“Perhaps.” You nod in acknowledgment. “But it has also made me uniquely successful. And I take great pride knowing that my work is highly regarded, in spite of the fact that I have to be someone else to succeed.” 
“Does that ever bother you?” Eloise persists. “Knowing that no one will know you for the work you have done?”
Before you can respond, Penelope chimes in with a query of her own. “Does it ever make you feel guilty, lying as you do?” This feels like a challenge. 
You turn to Eloise, answering her first. “No, I feel quite unbothered. I like the privacy it provides me.” Your gaze flicks between the two girls, a fire in your eyes as you speak. 
You answer Penelope’s question next. “Guilt is one of the last feelings to cross my mind.” You feel content with it. “Because of Augustus, I have my own money, my own independence. I do not need a man to survive or to be happy. I have choices. And that's a facet of my life I never dreamed could have existed. If there is anything more empowering for a woman than that, I cannot think of it.”
Eloise listens to your words carefully, absorbing them, reveling in them. She hadn’t thought of it like that, but you’re right. Independence is a sign of true equality. And you have that. Not because of the name you hide behind, but because you’d used the insecurities of men to your advantage. You’d played the game and won. 
“I suppose I have been quite short sighted.” There’s much less arrogance in her tone. Eloise sounds humbled. “You’ve given me a new perspective to think about.”
Penelope does not enjoy the direction this conversation has headed. “Surely you cannot think yourself above someone such as Lady Whistledown.”
Your face scrunches in thought. “Above?” You stipulate. “I do not think myself above anyone, gender aside. But I do think I have a much higher sense of self respect than she does.”
“And how could that possibly be?” Penelope has to bite her tongue. She wants to say more, defend herself more. But she cannot. 
Eloise cuts in. “Lady Whistledown has the utmost confidence in herself. I dare say more than all the women in London combined. As much as I have come to see your side, I cannot agree with that.”
“One’s high level of confidence is of little concern here.” You deliver. “Often, in matters regarding the human condition, such as these, it can act as a detriment.” Your eyes narrow as you speak. “Self respect and self confidence can coincide, but they are not the same.”
Eloise laughs out of confusion. She’s not used to being this clueless. “I don’t understand.” She says.
“Ah,” you decide to stop tiptoeing around the subject. “I merely think that no self-respecting woman would use the pain and suffering of other women, or any other person for that matter, for their own profit and entertainment.” 
Eloise’s smile drops. “Oh.” Again, she hadn’t thought of it that way. But what resonates with her most is that you’re not wrong. 
“Is that what you truly think of Lady Whistledown?” Penelope’s voice is calm and collected for the first time this afternoon. It almost scares you. 
“Yes.” You say, before voicing, “However, I mean no offense to either of you. I know how much you girls adore her column. I just want more for you than what she does. A life of gossip is dangerous, and you deserve so much more.”
If you had known you’d been talking to Lady Whistledown herself, maybe you would have kept those opinions to yourself. But little did you know how much your life was about to change, how dangerously you’d walked the line, and how much vengeance rests in Penelope Featherington’s soul.
Future note to self, do not play with fire if one does not wish to get burnt.  
• ж • ж • ж • ж •
“(Y/n), I think you need to see this.” Benedict holds up the newest edition of London’s famous gossip column. 
Your heart sinks at the look in his eyes. I’m sorry they seem to say. 
You haven’t even read it and you already know it’s bad. Handing it to you, Benedict looks hesitant, almost in preparation of what's to come. As you take it from him, you glance down at the ink on the paper, her handwriting etched in your brain. 
You swallow the lump in your throat as you begin to read:
Dearest Gentle Reader,
It has come to this author’s attention that a certain individual is playing an unforgivable game of deception within the world of classical art that this ton so highly regards. This artisan has gone to great lengths to keep their true identity from you, painting under a well recognized pseudonym. 
By now you may have guessed, this artist is a woman. One who has tricked you and lied to you by passing her work off as that of a man’s. What a horrid crime it is to keep such a secret from you, and a desperate one, I must admit. A woman so foul as to seek such attention for her art, far too greedy to be content with the life so many of the wonderful women of the ton lead. Instead, she parades around disguising herself so she can live a life she feels entitled to. 
This author asks you to consider the arrogance of it all. But the question remains, as I am sure you are desperate to uncover: who is the serpent who remains among us?
And so it is with great sorrow that I announce the once beloved Augustus Leighton is a fraud. A man never seen in the public setting, has given us a reason why. He is a woman.
And her name, ladies and gentleman of London, is (Y/n) (L/n). 
As I am sure you, gentle reader, are shocked at this revelation, I will take a moment to address the woman this particular entry concerns.
May I remind you Miss (L/n), I have ears and eyes everywhere. Or did you forget? It would do you a world of good to remember that the next time you think about besmirching me. And, as I write this, I must say, this warning goes for all. Heed it, live by it, breathe by it. I am not a woman you want to cross. 
Yours truly,
Lady Whistledown
Panic crawls through your body. You want to cry, scream, maybe even simply die from the anxiety you’re feeling. 
“What am I going to do?” 
Your voice cracks, it sounds like glass breaking. Shattered, ragged, and tired, and Benedict can do nothing but hold you. 
Again, as your body shakes and caves into the pressure you think, what am I going to do?
• ж • ж • ж • ж •
The moment Eloise enters the room with Anthony at her side, your mind is sent ablaze. Only three people had known about Augustus. Only three people could have possibly let it slip, and you know for a fact it wasn’t Benedict.
As much as you want to believe Eloise would never do something like that to you, you can’t help but feel like she might have offhandedly mentioned it to someone. Her mouth had always worked much faster than her brain.  
Benedict’s gaze meets yours in understanding. He hopes his sister hasn’t done this; he’ll be furious if she has. 
You’re about to say something when a certain eldest Bridgerton catches you off guard. Anthony smiles when he sees you, eyes twinkling uncharacteristically so. 
“I had no idea you could paint like that.” He says. “I must admit, I’m quite proud of you.”
You blink rapidly in confusion. Proud? In all the years you’ve known Anthony, he’s never told you he’s proud of you. 
“So you’ve read the column then?” Your head hangs in shame. Everyone in London has probably read it by now. 
“Everyone has.” Eloise pipes in timidly, confirming your suspicions. 
She’s nervous, understandably so, fingers fiddling with the hem of her dress. You assume when you finally catch her gaze that she’ll avert it quickly, but instead, she holds it well. 
We need to talk. 
Benedict, reading the room perfectly, coughs in apprehension. “Brother, how about we let these ladies be for a moment? I’m certain they have some things to discuss.”
“Of course.” Anthony nods with a smile, not before reminding you how proud he is of you.
If anything good can come of this, it might just be that. 
Once alone, Eloise is eager to assure you of her innocence. “I spoke to no one.” She promises. “Blood be forgotten, you’re my sister (Y/n). I would never betray you like that.”
The look on her face is one of pure panic; she needs you to believe her. And despite everything, you do. It almost makes you feel guilty that you questioned her. 
“It’s alright.” You assure her. “I know you wouldn’t.”
But that only leaves one person…
“I think Penelope is Lady Whistledown.” You're taken aback by Eloise’s words, like a stab to the chest. Twisting the knife in further, she corrects, “I know she is.”
Moments of silence pass before you can collect your thoughts. “How long have you known?”
This is where Eloise loses her composure. Pure shame is etched upon her features. “I caught her a few weeks ago.”
A few weeks. A few weeks… A FEW WEEKS?
“Oh.” Your murmur is dejected and weak.
Eloise had known you’d been slandering Lady Whistledown in front of Lady Whistledown, and she’d done nothing to stop you, except defend her best friend’s honour. No wonder she’d been so reluctant to agree with you. 
“I wanted to say something.” Eloise stammers. “But I couldn’t. Penelope doesn’t know that I know.”
You inhale a staggered breath of air, face falling to your palms. “I’ve been such a fool. How could I have been so stupid?”
“You have not.” The girl beside you opposes before continuing, “Trust me, I am furious with Penelope. The things she’s done and said about me, about the people I care about, I’m not sure I can forgive her for it.”
You scoff lightly. Trust her? How are you supposed to do that?
Sure, Eloise has certainly been burned by Lady Whistledown before, but she’s always had her name to fall back on. “You have no idea what it’s like, Eloise.”
“I’m sorry.” She slumps in apology, shrinking in on herself. Eloise likes to think she can understand where you’re coming from. She’s a woman, same as you, one who has the same struggles against the patriarchy, and yet, hers are much different.  
“Don’t.” You dismiss her apology in frustration. It feels harsh but necessary. “You always speak about feminism and the difficulties of being a woman. How it is impossible for you to hold title and rank, or to be recognized for your accomplishments. But you are a Bridgerton Eloise, and that comes with more privilege, more title, more rank, and more acknowledgment in society than you seem to understand.”
Eloise’s brow furrows. “More often than not, that name is a burden, something you could not possibly grasp.”
“And I should not have to.” Your lips pull into a thin line. This isn’t a competition, but you feel it necessary to defend your point wholly. “I am the daughter of a servant and a seamstress. I have no money, no control, and no future if I am not to marry. Since the day I was born, I belonged to someone else. You talk of struggle, but you have no idea what it truly means.”
Eloise doesn’t like what you’re implying. “You think I live a life of luxury? That I am a stranger to the adversities life has to offer? I can assure you, I know much more about the struggles of which you speak. My mother has prepared me for the purpose of my future; finding a husband is imperative.”
“You plan to remain unmarried, correct?” You ask her seriously.
“With every fiber in my being.” Is her scathing reply. And it only serves to prove your point. But you can see her side of things too. 
“El, you defy your mother with your distaste for society. And while I applaud your determination to fight for equality, your fault remains in your failure to recognize the entitlement that has been bestowed upon you simply by having that choice. Unlike so many women, you can choose to live your life as a spinster. For you, those options exist. For me, I have not one choice besides finding a well suited, at best, middle class husband, because that is all I am suited for.”
In this moment, her heart shatters for you. Is that really what you think of yourself? “You cannot possibly mean that.” 
“It’s how it has to be.” You affirm. 
“It’s not.” She disagrees. “There’s so much more for you than a husband.”
Both your defenses are down, walls have collapsed, and you’re starting to get through to each other. She’s starting to grasp the gravity of what this means for you. Your career is more than likely over, as is the steady source of income you’d managed to build. Except where before you’d had less than no money to your name, you now had a healthy dowry (that you’d earned no less) to find a more comfortable suitor. 
Eloise sees it now. What Penelope has done is monumentally life changing. 
However, as emotional as this circumstance is, you still feel the need to reach out. She’s your sister after all. 
“Eloise,” your eyes search hers. They tread in a sea of empathy. “I never meant to imply you have lived a life without misfortunes. I’m not trying to diminish your hurt. But I thought if you heard my side, you might come to understand mine.”
She softens at your admission, having gotten carried away in defending herself. Nodding, she smiles gently. “I do.” She says. “And while you may not bear the Bridgerton surname, you do have us. Every Bridgerton will stand behind you, always.”
Against every fibre in your being, you believe her. Somehow you’ll always have this little family of yours, somehow you hope you’ll be okay…
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conejita-canelita · 6 months ago
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One detail I love that hasn’t been explicitly shown is that Penelope is definitely the favorite mistress amongst the staff in the Featherington household. Penelope and her lady’s maid Rae are locked in for life. And yeah you could argue that Penelope is obviously going to be Rae’s favorite because of the bond between ladies and their maids during the era, but it’s not just Rae who seems to love Penelope:
-Varley’s loyal to Portia through thick and thin but holds an obvious soft spot for Penelope and a…. tolerance…of Prudence and Phillipa.
-When Eloise came to visit it looks like the staff there were also on edge for Penelope; they seemed to give the girls complete privacy for their whistledown conversation after the moon ball (which is crazy given that staff in Bridgerton are ground zero for spreading gossip lol).
- you’re telling me that in 3 seasons no staff- especially those that work late- never saw Penelope leaving the house in her whistledown cloak? Someone had to have seen her by now and that implies they just pretend that they don’t because they like her that much
- footmen back then usually help escort the passengers down from their carriages. The footmen post-carriage scene knocked on the roof instead. Those footmen knew damn well what was happening, they just happened to be team polin.
- back to the realest bitch out there: Rae. I have a theory that with all her little side eyes and smirks at Colin she told the other staff what was so clearly going on and was like “listen guys Penelope may be our favorite but bless her heart she’s got NEGATIVE rizz. We need to help our girl out” and so that’s how all these too-perfect opportunities for polin to meet up happened.
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satellite-evans · 6 months ago
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Little Miracle
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Pairing: Benedict Bridgerton x reader
Summary: Y/N and Benedict face unexpected challenges during a family gathering.
Word count: 2.3k
Warnings: tiny angst, fluff, reader falls down the stairs.
A/N:
English is not my first language, so I apologize if I made any (grammar) mistakes. Feedback, requests, recommendations, vents or questions are always welcome. I love talking to you guys about anything <3
Happy reading xxx
I do NOT give permission for my work to be translated or reposted on here or any other site.
The ballroom at Aubrey Hall was alive with the sounds of laughter and music as the Bridgerton family hosted yet another grand gathering. Guests twirled around the dance floor, the atmosphere vibrant with joy. Y/N Bridgerton, glowing with the radiance of pregnancy, stood near the grand staircase, her hand resting protectively on her slightly rounded belly. She was engaged in a lighthearted conversation with Penelope and Eloise, who were both delightedly fussing over her.
“You look positively radiant,” Penelope said, her eyes sparkling. “Marriage and being with child certainly agrees with you.”
Eloise grinned. “Not to mention, you have an excuse to sit and rest while the rest of us run around.”
Y/N laughed softly. “I do enjoy the attention, I must admit. But tell me, Penelope, how have you been?”
Penelope smiled warmly. “Life has been wonderful. Colin is as adventurous as ever, always whisking me away to some new place. But seeing you like this makes me wonder about the future.”
Y/N placed her hand over her belly, feeling a flutter of excitement. “I can’t wait for our child to arrive. Benedict and I are so excited.”
Eloise rolled her eyes playfully. “Well, I’m just glad you’re happy. Although I’m still not sure about this whole marriage and babies thing. My books are just far more interesting than every encounter I had with a man.”
“You’ll find your own path, Eloise,” Y/N said with a smile. “And when you do, it will be perfect for you.”
Benedict Bridgerton was mingling with guests across the room, keeping a watchful eye on his wife. His heart swelled with love every time he saw her smile. Benedict planned to whisk her away to a quiet corner of the garden for a few moments of peace amidst the festivities. He could hardly wait to tell her about the little swing he had built for their future child, nestled under the old oak tree. He turned to Anthony and Colin, who were discussing estate matters near the punch table. As soon as he saw Benedict's expression, Anthony excused himself and joined his brother, with Colin following closely.
“You look like a man on top of the world,” Anthony remarked with a knowing grin.
“I am,” Benedict admitted, his eyes bright. “I can’t stop thinking about what it will be like to hold our baby, to see Y/N as a mother. It feels like a dream.”
Colin chuckled. “Our brother, a father. Who would have thought?”
“I always knew he had it in him,” Anthony teased. “Even if he does look like he’s about to faint every time he thinks about his wife giving birth.”
Benedict laughed. “I’ll manage, somehow. Though I’m sure you’ll both have plenty of teasing to do.”
Anthony grinned. “We wouldn’t miss it for the world.”
“Speaking of which,” Colin added, “do you have any names in mind yet?”
“We’ve been thinking,” Benedict said, his face lighting up. “But we haven’t settled on anything yet. We want it to be perfect.”
Anthony patted his brother on the back. “Whatever name you choose, it will be perfect because it will be yours.”
Benedict’s smile widened. “Thank you, both of you. I’m just so excited.”
Back at the staircase, Y/N continued chatting with Penelope and Eloise.
"Have you thought of any names yet?" Eloise asked, echoing Colin's question.
“We’ve been thinking about a few,” Y/N replied, her eyes sparkling. “If it’s a boy, maybe Charles, after my father. And if it’s a girl—”
Suddenly, a commotion broke out near the entrance. A servant, rushing to fetch more refreshments, tripped on the hem of a guest’s dress and stumbled forward, knocking into Y/N.
Time seemed to slow as Y/N lost her balance, her arms flailing in a desperate attempt to steady herself. Penelope and Eloise reached out to catch her.
“Y/N!” Penelope screamed, her voice filled with panic.
“Someone help!” Eloise shouted, her eyes wide with terror.
But it was too late. Y/N tumbled down several steps before coming to a painful stop at the bottom. Gasps filled the room, and the music halted abruptly. Y/N felt a sharp pain shoot through her abdomen and a wave of fear washed over her. She tried to move, but the pain was too intense.
Benedict’s heart stopped, his breath catching in his throat as he sprinted toward his wife. The guests parted, creating a clear path for him as he fell to his knees beside her.
“Y/N!” Benedict’s voice was raw with panic. “Please, someone get a doctor!”
Penelope and Eloise knelt beside her, their faces pale with worry. “Y/N, are you alright?” Eloise asked, her voice trembling.
Y/N’s eyes fluttered open, her face contorted in pain. “Benedict...” she whispered, her voice weak. “The baby...”
“Shh, don’t speak,” he said, tears streaming down his face. “Help is coming.”
Lady Danbury, always composed even in the face of crisis, took charge. “Everyone, give them space! Anthony, fetch the doctor immediately!”
Anthony snapped into action, his usual commanding presence even more pronounced. “Colin, stay with them. I’ll be back with the doctor as quickly as possible.”
Colin nodded, his face pale but determined. He knelt beside Benedict, placing a comforting hand on his brother’s shoulder. “She’s strong, Benedict. She’ll pull through this.”
Benedict barely registered his words, his focus entirely on Y/N. “Just stay with me, love. Help is on the way.”
Anthony pushed through the crowd, his voice cutting through the murmurs of concern. “Make way, please! It’s urgent!”
Within moments, Anthony returned with the doctor, a sense of urgency in his movements. Violet Bridgerton appeared soon after, her face etched with worry but her demeanor composed.
“Y/N, darling, you’re going to be alright,” Violet said softly, her voice soothing. She took Y/N’s hand, offering her strength and comfort.
The doctor’s examination was thorough but gentle. Benedict watched, his heart pounding, as the physician examined Y/N with care.
“She needs to be moved to a bed immediately,” the doctor instructed. “We must be cautious.”
Anthony and Colin helped carry Y/N to the nearest bedroom, Benedict never leaving her side. His mind raced with a thousand fears, each one more terrifying than the last. He couldn’t lose her. He couldn’t lose their child.
As they laid her gently on the bed, Violet stayed close, her presence a source of strength for both Y/N and Benedict.
“Benedict...” Y/N whispered, her voice trembling. “I’m so scared.”
“I know, my love,” Benedict said, his voice choked with emotion. “But you’re strong, and our baby is strong. We’ll get through this together.”
Y/N’s eyes filled with tears. “What if something happens to the baby?”
“Don’t think like that,” Violet interjected gently. “Focus on staying calm and resting. The doctor is here, and we’ll do everything we can to keep you both safe.”
The doctor’s examination was thorough but gentle. After what felt like an eternity, he looked up, his expression grave but hopeful. “She’s had a nasty fall, but there’s no immediate danger to her or the baby. However, she must rest completely to ensure a full recovery.”
Benedict released a breath he hadn’t realized he was holding. Relief mingled with lingering fear as he took Y/N’s hand in his, squeezing it gently. “Thank you, doctor. We will do everything you say.”
Y/N managed a faint smile, her eyes meeting Benedict’s. “I’m sorry...”
“There’s nothing to be sorry for,” Benedict said, his voice choked with emotion. “Just rest, my love. I’m here with you.”
As the doctor and the rest of the family ensured Y/N was comfortable, Colin and Anthony took turns comforting their brother.
“She’s in good hands,” Colin assured Benedict. “And you’re doing everything right.”
Anthony nodded. “Just stay by her side, brother. She needs you now more than ever.”
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Days turned into weeks, and Y/N’s recovery was slow but steady. Benedict remained by her side, his love and dedication unwavering. The Bridgerton family rallied around them, their support a constant source of strength. One afternoon, as Y/N rested in bed, Benedict sat beside her, holding her hand.
“How are you feeling today?” Benedict asked softly, brushing a strand of hair from her face.
“Tired,” Y/N admitted. “And scared. I can’t help but worry about the baby.”
Benedict’s expression softened. “I know. I feel the same way. Every time I think about what could have happened...” His voice trailed off, and he took a deep breath. “But we have to stay positive. The doctor said you’re both doing well.”
Y/N nodded, tears welling in her eyes. “I just want our baby to be safe. I’m trying to stay strong, but it’s hard.”
“I understand,” Benedict said, his voice gentle. “But you are the strongest person I know. And our baby is lucky to have you as a mother.”
Y/N squeezed his hand, drawing strength from his words. “And lucky to have you as a father. I couldn’t do this without you, Benedict.”
“We’re in this together,” he assured her. “Every step of the way.”
As they spoke, Violet entered the room with a tray of tea and biscuits. “How are my two favorite people?” she asked, her smile warm and comforting.
“We’re managing,” Y/N replied, grateful for her mother-in-law’s presence.
Violet sat down beside them, her eyes filled with maternal concern. “You’re both doing wonderfully. It’s been a difficult time, but you’ve handled it with such grace and strength.”
Y/N took a deep breath, feeling the weight of her emotions. “I just want everything to be alright.”
“And it will be,” Violet said firmly. “You have a loving husband, a supportive family, and a strong spirit. You’re not alone in this.”
Benedict nodded, his eyes meeting his mother’s. “Thank you, Mother. Your support means everything to us.”
Violet reached out, placing a hand on Y/N’s shoulder. “You’re a part of this family, Y/N. We’re here for you, always.”
Y/N smiled through her tears, feeling a sense of belonging and love. “Thank you, Violet. That means so much.”
As the days passed, Y/N’s strength slowly returned. She spent her time resting and taking short walks in the garden, always accompanied by Benedict. The fear of losing their baby still lingered, but with each passing day, their hope grew stronger.
One evening, as they sat in the garden watching the sunset, Y/N felt a gentle flutter in her belly. She reached for Benedict’s hand, placing it over the spot.
“Did you feel that?” she asked, her eyes shining with wonder.
Benedict’s face lit up with joy. “Our baby,” he whispered, awe evident in his voice. “Our little miracle.”
Y/N smiled, tears of happiness spilling down her cheeks. “Yes, our little miracle.”
Benedict’s eyes were filled with emotion as he gently pulled her into his arms. They held each other tightly, their hearts beating as one. The overwhelming sense of relief and joy was almost too much to bear.
“I love you so much,” Benedict whispered, his voice choked with emotion.
“I love you too,” Y/N replied, her voice trembling.
They kissed tenderly, their lips conveying all the words their hearts couldn’t express. As they pulled back, Benedict pressed his forehead against hers, his eyes closed as he took in the moment.
“You’re amazing,” he murmured. “Both of you.”
Y/N laughed softly through her tears, her hand resting on her belly. “We’re lucky to have you.”
Benedict’s eyes sparkled with joy as he knelt down, placing a gentle kiss on Y/N’s belly. “Hello, little one,” he whispered, his voice filled with love. “You gave us quite a scare, but we’re so happy you’re okay. We can’t wait to meet you.”
Y/N’s heart swelled with love as she watched him. “Benedict, thank you for being so wonderful. Our child is going to be so lucky to have you as a father.”
He looked up at her, his eyes shining with tears. “And lucky to have you as a mother. We’re going to be the best parents we can be.”
Y/N nodded, feeling a deep sense of peace. “Yes, we are.”
Benedict stood, taking her hand in his. “There’s something I want to show you,” he said, his smile widening.
Curious, Y/N allowed him to lead her through the garden. They walked slowly, savoring the warm evening air and the sense of calm that had settled over them. As they approached the old oak tree, Y/N’s eyes widened in surprise.
Beneath the tree, Benedict had crafted a beautiful swing, its wooden seat polished to perfection and adorned with soft cushions. The swing hung from sturdy ropes, gently swaying in the breeze.
“Benedict, did you make this?” Y/N asked, her voice filled with awe.
He nodded, his smile proud. “I did. I wanted to create something special for our child. A place where they can play and dream, just like we did when we were children.”
Y/N’s eyes filled with tears again, but this time, they were tears of pure joy. “It’s perfect,” she said, her voice trembling. “Thank you.”
Benedict wrapped his arms around her, holding her close. “We’re going to make so many wonderful memories here,” he whispered, his lips brushing against her ear. “I can’t wait to see our child swinging and laughing under this tree.”
Y/N leaned into his embrace, feeling the warmth of his love envelop her. “Me too,” she said softly. “Thank you for everything, Benedict. For your love, your strength, and for always being here with me.”
He kissed her gently, his lips lingering on hers. “I will always be here for you, Y/N. Always.”
As they stood together under the old oak tree, their hearts intertwined, they felt a profound sense of hope and happiness. The future was bright, filled with the promise of new beginnings and the enduring love of adding a member to their growing family, their little miracle.
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emmamayhews · 5 months ago
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i have so much to say about the polin scene in 3x07 outside the modiste because i've been waiting for them to air their shit out. That specific scene was 3 seasons in the making for me. Penelope FINALLY coming clean about everything and revealing her motives to Colin so he can finally move on from his hatred of lady whistledown.
The scene starts with a reminder to the audience that Penelope is not a bad person and her "mistakes" had good intent. She had decent enough motives. She cares, sometimes too much.
Eloise? Tried to save her from the queen because she got too nosy.
Marina? Tried to save Colin from the entrapment plan.
Colin? Tried to coax the real Colin out behind the mask.
and Colin brushed past all of these very quickly, because it was never the real reason why he was angry that Penelope and LW were the same person.
He's resentful because he's still extremely insecure about his place in society, in his family - as the third son - and in Penelope's life. The fact that she made something of herself through writing made him question his own worth. Those insecurities have been there since... forever but they resurfaced after the reveal. He even told Penelope, twice, that he didn't feel worthy of her (once before he knew the truth)
so when he finally thought writing would become his purpose, her praise, knowing what he knows now, felt like she was placating him. He knows now how talented and reknown she is and he doesn't believe in himself enough to accept praise coming from the most successful writer in the ton. A bruised ego is just insecurities in disguise.
and when she tells him she meant it, that she believes in his writing, then came the anger about putting herself in danger.
What was gonna be his purpose now? If not writing, and if he can't even protect his wife and be The Man.... "then what good am I to you?"
I love the way this scene is structured. The only way they would be able to move forward was for Colin to understand that he doesn't need to prove his worth to Penelope to be loved because he was already loved.
so she tells him she loves him because she knows him better than most, and all of his resolve, all of his anger dissipates for a moment and he just has to kiss her.
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dusty-daydreams · 5 months ago
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I think Bridgerton ruined itself when it stopped giving scandals their proper weight.
In the scene between Colin and Cressida in the final episode of season three Colin seems pretty convinced that Cressida just needs to spend the off season or perhaps a year or two being quiet in the countryside and then people will forgive her and let her back into society.
This feels ludicrous- because that’s not how societies based on reputation work.
However, for all that Bridgerton claims to be about the dynamics of reputation, it shies away from consequences.
This is perhaps most clearly seen in Eloise’s story. At the end of season 2, Eloise is ruined - outed as convorting with not only men unchaperoned but working class political radicals. Her name, and to a large extent her family’s name should be mud. Should be poison.
Then in the first episode of season 3 Eloise is out and about at society events with no comment on it at all.
If the show actually did what it claimed too - be telling a romance story in a setting where scandals can make or break you, Eloise would not be welcome back in society.
Another example of Bridgerton failing the follow through with the scandals is how they decided to partially write Anthony and Kate out of the show.
The writers were confronted with a problem - Johnathan Bailey has outgrown this show - so how do we write him out?
They decided first to send him and his wife on an illogical second honeymoon and then they decide that Anthony ‘overprotective’ Bridgerton would be fine taking his pregnant wife across the world on a multi-month journey.
This is all especially illogical when the answer to their problem comes in taking the scandals of last season properly.
They could have easily had Anthony and Kate decide to stay home at Aubry Hall and spare his family the direct association between himself and the HUGE scandal that was their relationship last season. They could still have had Anthony and Kate pop back up to do the scenes they need to as the couple “visiting the family in London” but if the scandals consequences were taken seriously, it would make sense why they aren’t in the show that much, they just decided to avoid society and stay home in the country.
Which brings me to the reason why they seemingly decided to abandon the scandals having consequences.
Because the biggest scandal monger suddenly became the main character this season. Which meant that if her actions had REALISTIC visible negative consequences it would be hard to root for her.
Which means that Bridgerton sacrificed its Stakes and its Drama so that Penelope Featherington would be likeable - because they weren’t willing to have her put in the work to truly improve
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yunofreak · 5 months ago
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During my 685' watch I realised something. During part 1 Pen flees 3 times during a ball. But there's an interesting storytelling with those escapes. Let me explain.
The first escape takes place during the first ball of the season at Lady Danbury's house. This ball was an opportunity for her to show off her new look. And although she initially gets the intended effect, it later becomes apparent that the exterior alone is not enough. Pen is unsure of herself and doesn't know how to talk to potential suitors. She is all alone. Colin has let her down, Eloise has turned on her, and the only person who showed her a shred of sympathy at the ball - Francesca - has also been forced to leave her on her own, due to social norms. Pen continues to be a wallflower. And the ball itself ends with her being humiliated by Cressida (nothing new). Upon her escape, the only person who reacts is, of course, Colin. Unfortunately, after Pen finally explains to him why she doesn't want to speak to him, our traveller is so shocked and embarrassed that he simply has to watch her leave.
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The second escape takes place at The Full Moon Ball. Pen feels much more at ease there than before. Her relationship with Colin is in a good place again and her interactions with potential suitors are not as disastrous as before. Colin has already given her a bit of confidence which she uses efficiently. Plus he is always somewhere around to make her laugh and give her encouragement. She is no longer completely alone. Unfortunately when the information that Colin is helping her find a husband gets out, she is once again completely embarrassed. All eyes are on her and not for a good reason. She feels cornered and so she runs away. And once again Colin is the only person who reacts, but Pen is too stunned to notice that he is following her. He starts at least, but despite his earlier statements, COLIN IS BOTHERED by the opinions of others. And above all, he still doesn't fully understand his feelings for Pen, so he's not determined enough to stop her. Instead, he confronts Eloise (who instinctively also rushed after Pen) for revealing the secret he asked her to keep. Unfortunately, because of this confrontation, they are both left in a situation where they just allow Pen to leave once again. She leaves alone and in shame once again.
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The third time tho...
The Queen's ball. Penelope was sure Lord Debling would propose to her that evening. It was a turning point. She had to abandon her old self that evening - her feelings for Colin and her dream of marrying for love, to avoid ending up as a spinster and to finally gain some acceptance and respect from her mother, sisters and society. But Colin ruined those plans for her and caused her to find herself at square one again - without love and/or friendship. Rejected, humiliated and with no acceptance or understanding from her family. Once again she is on the run, alone. Except this time it is not the same. COLIN LOVES HER and as he watches her depart once again, he knows he cannot possibly let it slide. He literally runs after her, even though he could just take his carriage and follow her. No - he needs to make sure that he catches her and that she understands that she's not alone and doesn't have to escape anymore. That he will be by her side, and that he will never let her feel completely alone in this world.
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I am most certainly not crying right now..
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thebluemallet · 5 months ago
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Eros/Psyche Parallels in Bridgerton Season 3
The show was not subtle with the Eros/Psyche parallels this season. So I attempted to go through episode by episode and find the connections. If I miss any obvious ones, let me know and I'll edit the post.
3x01- Out of the Shadows
Starting off strong with the opening credits! You briefly see a butterfly. Not only do the Featheringtons use butterflies as often as the Bridgertons use bees, but the butterfly is a symbol of Psyche.
When Penelope opens her wardrobe to that sea of YELLOW, her butterfly dress from the first ball of season 1 is visible.
Penelope talks with Genevieve about needing to find a husband this season and then we cut directly to Gregory with a bow (sans arrow) and he's pointing it directly at Colin. The bow and arrow is a symbol of Eros/Cupid.
Penelope sheds her cloak at that ball like a butterfly emerging from its cocoon.
The original Eros/Psyche myth has some jealous sisters and Prudence and Philippa, while maybe not jealous per se, are not happy to see their baby sister shining so brightly when she arrives.
And for more connection to the sisters--Psyche is the youngest of three daughters and her two older sisters are married before she is.
This one is, admittedly, a bit of a stretch but in the original myth there's some ire from Aphrodite because of all the attention Psyche is getting. And Cressida rips Penelope's dress once she is getting all the attention at the ball, specifically from Lord Debling.
Eros is sent by Aphrodite in the original story to marry Psyche off to marry someone/thing horrible (or just making sure no man wants to marry her) but Eros ends up falling for Psyche himself. Colin offers to help Penelope find a husband as a way to make up for what he said about her last year and, well, we all know where this is going!
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3x02- How Bright The Moon
Edited to add (credit to @bridgertonblue)- Colin cuts his hand on the glass in the study. They flashback to this scene a few episodes later when Colin finally decides to take action with Penelope and his feelings for her. This can be a parallel to Eros getting struck with his own arrows and falling for Psyche.
Eros only visits Psyche at night. Colin comes to see Penelope at night in the garden after their scheme is exposed.
Eros accidentally struck himself with his own arrows and that's how he came to fall in love with Psyche. Colin kissed Penelope because he thought he was doing it for a friend, and he ended up awakening feelings he didn't even realize he had for her.
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3x03- Forces of Nature
In the Architectural Digest Bridgerton Set Tour video, you'll see butterflies on the staircase in the entrance hall of Featherington House. It's not exclusive to this episode, I just thought I'd highlight it here since it's when we have the Eloise apology scene.
THIS ONE IS A HUGE STRETCH BUT I'LL PUT IT IN HERE ANYWAY--remember how windy it was with the balloon and Colin's arms that Penelope couldn't stop drooling over? Psyche was carried by Zephyrus-the West Wind-to her fancy new home and the godly husband she never sees.
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3x04- Old Friends
Eros is tasked with marrying Psyche off, falls in love with her, and marries her instead. Colin offers to help Penelope find a husband earlier in the season, realizes he's been in love with her this whole time, and we get the iconic line, "For God's sake, Penelope Featherington! Are you going to marry me or not?"
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3x05- Tick Tock
This one is another stretch, but Psyche has some jealous sisters who are not permitted to visit her at her new home (until Psyche convinces her husband to let them visit many months later). Prudence and Phillipa are being mean to Penelope over her engagement and Portia doesn't allow them to attend the engagement party. A Bridgerton engagement party, so you know that stings.
And another stretch! Psyche gets pressured by her sisters to find out her husband's true identity. Penelope gets pressured by Eloise to reveal her secret identity to Colin.
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3x06- Romancing Mr. Bridgerton
Eros tells Psyche that she can never know what she looks like, which is why he only visits at night. If Psyche knows who her husband is, then eventually Aphrodite will find out and she'll be pissed. But Psyche, filled with doubt thanks to her jealous sisters, lights a candle while Eros is asleep, revealing his identity and betraying Eros.
Penelope writes/delivers her Whistledown column at night. Colin follows after her, discovers her secret identity, and feels betrayed.
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3x07- The Joining of Hands
Eros leaves Psyche, feeling betrayed even though he still loves her deeply. Colin is cold and distant to Penelope in the fresh sting of his betrayal. But he still loves her and goes through with the wedding.
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3x08- "Into the Light"
Eros refuses to see Psyche because he's been so hurt by her betrayal. Colin sleeps ten feet away from his wife's bedroom door (they must have had other bedrooms!) and leaves soon after she wakes up in episode 8.
Psyche has to go through some trials put forth by Aphrodite to get a chance to see her husband again. Penelope is confronted and blackmailed by Cressida when the latter learns that she is Lady Whistledown.
Psyche approaches two different goddesses to help her find Eros. Sometimes they refuse to help. Sometimes one of them points her in the direction of Aphrodite's place. Those two goddesses are Hera and Demeter. Two members of the most unlikely dream team in this episode are Portia and Eloise.
Hera is the goddess of marriage, women, and family, and she doesn't have the reputation of being an upstanding mother in mythology. She parallels Portia, mother to three ladies who she wants to see in secure marriages.
Demeter is the goddess of the harvest and agriculture. This is more of a reach, but she can parallel Eloise. In her book, her love interest Sir Phillip is experimenting in his greenhouse with peas(?) (I should probably read that book again) to increase their yield. Eloise also initially refused to get in between Penelope and Colin in the previous episode.
When Psyche goes through these trials, she's pregnant with Eros's baby. The showrunners confirmed that Colin knocked up Penelope in that mirror scene so she's in the very early stages of pregnancy here.
Psyche is indirectly helped by Eros (Zeus's eagle helps her out when they remember they owe Eros a favor). This angers Aphrodite and makes things worse for Psyche. Colin tries to save his wife by appealing to Cressida and ends up making things worse for Penelope.
Psyche's final trial involves going to the underworld. She deems this an impossible task and intends to sacrifice herself before she finds another way. Penelope decides to reveal her identity to the Queen and the ton, effectively sacrificing her reputation and potentially her marriage.
Zeus listens to Eros's pleas and grants Psyche immortality. The Queen is merciful to Penelope and doesn't punish her for Whistledown, allowing her to keep writing.
Psyche is often depicted either with butterfly wings or with a butterfly near/around her in art. Mrs. Varley releases the bugs (butterflies) directly after the Whistledown reveal.
Eros and Psyche are reunited and live a rare Happily Ever After in mythology. Penelope and Colin reconcile and go on to their own Happily Ever After.
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dollypopup · 1 year ago
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all this talk about Pen and Eloise mending their friendship but let's take just a second to be real. i mean really real.
if your best friend did to you what Penelope did to Eloise, would you ever trust that person again?
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mandaplease10 · 6 months ago
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A Polin Take Nobody Asked For #5
*Penelope & Colin Aren't Friends*
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Once again, there are complaints about how Pen & Colin were never actually friends because we never see them be friends. We're simply only told they are friends and now we're supposed to believe Colin loves her after saying he would never court.
Well, I am here to tell you why that is wrong. Oh and someone on twitter claimed this season has no narrative... like are we watching the same show??
FYI this is a long post!
Season 1:
Colin dances with Penelope after Cressida spills a drink on her. Even before this, he sought her out to have a conversation with her.
There are several times we see Colin and Penelope speaking at balls or gatherings.
Penelope tries to tell him about Marina and he is grateful for her friendship and care, but he doesn't listen to her because he thinks he knows Marina. Yet, he still took the time to hear her out for the most part.
Once Marina's secret is revealed, Colin apologizes to Pen and recognizes she was just trying to look out for him.
Colin goes traveling the first time because of Pen inspiring him to do so.
Colin singing in the drawing room and lowers his voice/stars at Pen when she walks in.
Season 2:
Their letters - This is a huge element to their friendship and their storyline. Honestly, I would love to have seen what their letters entailed over the years. Maybe one day we'll have a scene of them going through their old letters or something.
Colin's arrival - hello! That look he gives her when he sees her there in the drawing room after greeting his family. I believe had Hyacinth and Gregory not rushed him and Anthony didn't walk in to go to the races, he would have walked over and said something to her.
At the races- he sees Pen and walks over to her. He initiates the conversation and talks about their letters until Eloise ruins the moment.
Another moment he initiates a conversation is when Pen assumes he met someone on his travels and he talks about how he 'found himself' thanks to her letters.
Lady Crane was right about you - He knows that Pen cares for him and is special in his life and the fact that someone else saw that made him open his eyes a little more.
Defending the Featheringtons - Colin stood up to his friend Will when he said something negative about Pen's family and then again when he realized Jack was scheming around.
You are special to me. I will always look out for you - HELLO! Yes, Colin has a hero complex, but he doesn't do this for everyone! He doesn't seek out to help Cressida or other women of TON, but he risked standing up to a "Lord" to save Pen's family from ruin.
You are Pen. You are my friend - Colin literally calls her his friend and holds her above just another woman. Yes, in this moment she was sort of friend zoned, but the fact he still wanted her in his life, means something.
"I would never court Penelope Featherington" - Yes, this was not a good look, but this was also Colin trying to put on a facade in front of the gentleman. Plus, I also believe that in his state of mind, what he was doing and how he is around Pen, is just how they are together, yet in other's eyes, it was very much courting action.
Season 3:
His arrival - Immediately looks for Pen and when he doesn't see her, looks towards her house confused as to why she isn't present.
The Gardens - Smiles when he sees her and is eager to talk to her, upset when she cuts their conversation short.
The ball - Stares at her and watches her from afar and rushes after her when he sees her in distress.
Goodnight Mr. Bridgerton - Tries to joke around with her and have a friendly conversation, but realizes something is wrong. Feels horrid when he realizes why she is upset with him and wants to talk it out, gets upset when she leaves.
The Featherington Garden - Again, he seeks her out because he wants to make things right with her. THIS ENTIRE SCENE IS PRACTICALLY A WHY YOU ARE SPECIAL AND MORE THAN A FRIEND TO ME DECLARATION. If you actually watch this entire scene, you will see that there is genuine friendship and love there.
The Meet Cute - Seriously, the fact that HE remembers how they met AND he was the one who brought it up, says A LOT.
The Drawing Room - He listened to her and brought her to a place that makes her comfortable. He even made sure it was during a time when they would be alone. Also, it is obvious he feels something during the touch of hands and her attempt at flirting with him.
The Ball - They have yet another conversation amongst the two of them and he encourages her to talk to someone. Then they have a laugh. A genuine laugh, one that she never really had with Debling later on... Then we have the little bouts of jealous Colin when she's speaking to Lord Remington. Then how angry he gets when the word gets out about him and Pen and how he rushes after her in worry.
The First Kiss - Once again, Colin is seeking her out... in the middle of the night... bribing her maid for alone time. Like... not just anyone does that. Colin only had to do the one kiss. The one peck because that was all Pen asked for, but guess what? He went in for another one and would have kissed her again if she didn't leave. We can tell on his face, that he felt something he never felt before.
The Dream - Most people don't have romantic dreams about their friends unless there are feelings there.
The Willow Tree - The awkwardness is everything and pure friends to lovers.
I could continue the rest of their moments, but I'm not going to because so many of the same people keep saying the only reason Colin wanted Pen is because of Debling, well guess what everything that I listed above is PRE DEBLING. Yes, there is that moment in episode 1, but it isn't until episode 3 when Debling actively tries to pursue Pen and vice versa.
So, yeah, Polin haters can keep complaining and trying to make excuses as to why they dislike the season, but the receipts are the there to debunk those claims.
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