#me pretending to know how to write

[psychedeliclulu]

🚬🩶📚

I did this sort of art challenge where I drew in very awkward positions while waiting for my flight that was 5 hours late 🤣🤣🤣

Now i'm back home to endure these unbearably hot temperatures yay 🫠👍🏻✨

(this sketch too is inspired by my fic. The brainrot is strong)

[stealingyourbones]

Never will I stop with the steadfast notion that folks in the DPXDC fandom should interact with at least some form of canon DC media.

There are comics, tv shows, radio dramas both old and new, podcasts, movies, magazines, so much shit that intentionally avoiding the media is simply preventing yourself from spawning new ideas and gaining a new appreciation for a fandom that you’re already in.

The Superman Radio Show has episodes 11 minutes long. A lot of the TV shows don’t have episodes that surpass 30 minutes and most are nearly fully clipped on the official DC YouTube channel. The amount of fan made motion comics is astounding. The amount of fanmade animations is equally as incredible.

[deoidesign]

Portrait of a vampire

Photo of a werewolf (who doesn't trust cameras)

As a treat I like to paint my characters realistically from time to time... so I can see them...

Webcomic

[bruciemilf]

Somebody tell me if this is a bad take, or if my love for Bruce is causing my objective brain to glitch, but-- something about advertising Batman, a hero who's very popular for being good with children, for being NURTURING with children, a bad father kinda defeats the whole purpose of what he's supposed to represent.

Batman is a protector; He protects people the world (and especially law enforcement) does not care about. That's literally the point of him.

Something about marketing " you can be incredibly violent to people you care about! And Its fine, because you care about them even if you abuse them, and that's what matters!" towards people, but especially men and young boys, is REALLY fucked up to me.

[angelbaby-fics]

Ooohh! Late night (maybe secret) milk and cookies fresh from the oven! 🍪🥛🍼

ooooh i love the idea of this.... and not just because i made milk & cookies tonight!!

maybe its past your bedtime but daddy hasn't turned off the tv yet, he can sense that you're just not tired yet, and not in a good way either. most nights when you stay up late its because you're far too energized to sleep, running and skipping and dancing around the house insisting you don't need to rest, until next thing you know you're half asleep being carried into daddy's bed... but tonight you're just angsty. you already had your nighttime bottle, you've been cuddling with your stuffy while a calm cartoon plays, but your brain is elsewhere, half small and half spaced out.

then you hear the oven beep on.

"come here angel, i got a surprise"

daddy takes a packet of cookie dough from the back of the fridge, high up on the top shelf where you can't even reach. he puts two squares on a metal sheet, one for him and one for you.

"don't tell... but these are dada's magic cookies. sometimes when you're already asleep, daddy makes a special cookie before bed as a little treat... maybe they'll work for you too!"

cookies are one thing, but a magic cookie? and right before bed?? you couldn't believe how quickly your night was turning around. your sour mood dissipates as the kitchen fills with the smell of sugar. daddy pours another bottle for you to wash down your cookie, and your tummy feels just as warm as your heart as daddy rocks you to sleep.

[jolalibrary]

tell me why I can’t stop thinking of post colombia!javi being in love with his childhood best friend—and why I’m reopening a wip oneshot of him going to her city to surprise her. only to fall more in love with her. tell me why. tell me.

[wlw-cryptid]

I am once again thinking about having a big strong butch lay back in my lap to nurse after a long day

Telling them that I want to make Daddy feel better and pulling their hands to my chest, helping them pull my shirt away. They'd hum and humor me because not even whatever cool-headed calm exterior they put on will stop them from having their princess's heavy tits in their mouth, and I'd eagerly pull them closer. Once their mouth was full, I'd start start talking them through it. Telling them how good it feels in my soft, warm voice, telling them how much I love them. What a good daddy they are, what a good butch they are, how they take care of me like a good husband should. My body's here to take care of all their needs.

I'd go from holding their hand to rubbing their forearm to massaging over their hips, and their eyes would get heavy as they relaxed more and more into me. Sure I'd sigh and whimper and love how it felt, but my voice would begin taking on that other tone; the one that reaches into their mind and soothes all their thoughts down until they can only wait for what I tell them. Before they even realized it, they're preening at being called a good boy and I'm undoing their belt, slipping my hands under their pants and palming at their bulge. I coo about how hard they are, how sweet they are to me, asking them little things like "do I taste good, sweetheart? does that feel good?" just to make them nod and listen and obey more than anything else. When I stroke their cock through their nice black boxers, I want them to moan into my breast and whine out "more" and "please" until they can't take it anymore n remind me whose in charge

[wonder-worker]

Thinking about Elizabeth Woodville as a gothic heroine is making me go insane. She entered the story by overturning existing social structures, provoking both ire and fascination. She married into a dynasty doomed to eat itself alive. She was repeatedly associated with the supernatural, both in terms of love and death. Her life was shaped entirely by uncanny repetitions - two marriages, two widowhoods, two depositions, two flights to sanctuary, two ultimate reclamations, all paralleling and ricocheting off each other. Her plight after 1483 exposed the true rot at the heart of the monarchy - the trappings of royalty pulled away to reveal nothing, a never-ending cycle of betrayal and war, the price of power being the (literal) blood of children. She lived past the end of her family name, she lived past the end of her myth. She ended her life in a deeply anomalous position, half-in and half-out of royal society. She was both a haunting tragedy and the ultimate survivor who was finally free.

[turtleplushi]

I still really like Frog Wild. I think it's a neat episode.

But what if Meta Knight

[psychedeliclulu]

See what extremely hot temperatures and Tumblr do to me? digging into old fandoms, reminiscences of old lost times 🫠👍🏻✨

And also the fact that I wanted to finish a piece of my fic...but first there's the hard part where they talk about feelings before the handjob (lol) 😔💔

We will see where the future takes us

[crismakesstuff]

thinking of invincible today since it’s one month until season 2

[marimbles]

i miss carpisuns sometimes </3

[stop-breaking-my-heart-dragonage]

I'm not ready to shut up about Aveline and Carver--so, when you go see Aveline in Act 1, you can catch up with her a little bit and that's where this conversation can happen:

Aveline: "It's just one more change, though. The real end for me was Ostagar. What about you, Carver? You were there. Do you feel something similar?" Carver: No. Aveline: All right, then. Bit of a tit, your brother.

I wanted to see what she would say if Carver isn't in the party. Instead, she says this:

Aveline: Carver was there. I imagine he feels something similar. If he allows it.

......well, at least she didn't call him a tit?

[charcubed]

I NEEEED people—especially those with unfathomably large platforms???—to start doing just a tiny bit of internal evaluation before they log onto a blue website and say “I don’t want these queer characters to fuck in canon” or “I’d be fine if these characters never kissed again” or whatever.

This is a post about Good Omens and the prospect of Aziraphale and Crowley potentially having sex in season 3. It's a response to a tweet that I'm crossposting, but let it be known the above statement and this topic applies broadly across multiple fandoms too.

But anyway, in regards to Good Omens specifically:

I am seeing this take that essentially boils down to "Canon has now made it clear that these characters want to have sex with each other through subtext (i.e. Aziraphale and the ox), but I don’t want that to reach narrative completion because the idea of them having sex makes me uncomfortable or isn’t my personal preference” and it is, to put it mildly and delicately, A Very Bad Take.

This is rhetorical (and I do not expect or particularly want an answer), but: explain to me how and why queer characters who are unavoidably visibly queer (aka 2 "man-shaped beings") fucking on screen wouldn’t be a net positive, especially when you can indicate how canon has set it up.

Presumably, some people say things like this because ~they want to see them as visibly ace.~ Okay. But by some of these people’s own admission, there IS more evidence in canon now to indicate these characters crave sex with each other (vs arguing otherwise)... yet people would rather that be ignored/erased all for the sake of them feeling comfortable or feeling better about what canon shows or doesn’t show explicitly??

I’m sorry, but—speaking as an ace person, to be clear—your personal preferences for the story shouldn’t / don’t affect anything here. There’s too much in this.

Yeah, I understand on a personal level not having “representation.” I almost never see myself or my unique experiences and identity reflected in stories. And yet, I also understand that that doesn’t change any story or the world in which we live. Things like this are not said in a vacuum.

Any queer characters having sex on screen IS a net positive. It is rare and impactful, and openly calling for or hoping for otherwise when canon points to its potential is a detrimental alliance with purity culture, whether intentionally or accidentally. Because we live in a Goddamn society!

Who knows (other than Neil Gaiman) whether Aziraphale and Crowley ARE going to fuck on international TV. None of us do! But the subtext right now blatantly says they’re starving for it. And you don’t have to like the prospect of that, but honestly? We SHOULD get to see it play out. There’s no truly legitimate reason we shouldn’t ¯\_(ツ)_/¯ Whether you "prefer" it or not.

And my ultimate hot take is… if someone balks at the idea of that or doesn’t understand the importance of it, despite even seeing the subtext… then they should perhaps unpack that? Just a thought.

Truly the way fandoms are managing to hit either “subtext doesn’t count :/ ” or “let’s keep it to subtext so it’s ‘open to interpretation’ :) ” nowadays depending on what corner one visits is MADDENING. Whiplash-inducing. Surreal. And so much nonsense you can’t pick where to start.

So! I do genuinely hope I'm not kicking off discourse but I felt this Needed To Be Said (and on more than one site). Because posts like “even if they never kiss again, we’ve won <3 “ make me want to be like…

These characters are YEARNING. Do not doom them and us to it. For once, we can reach for the stars and maybe–against all odds–pull them down. Embrace it!

---

[Update: after more discourse has occurred, I have somewhat elaborated on this further, from the POV of the significance of the queer themes in Good Omens and more specifically how they center illicit pleasure/desire]

[iwritenarrativesandstuff]

I've been thinking about how Vash always seems to be hungry. Or at least, that he's shown eating quite often in the manga. Happily having his salmon sandwiches. Eating an entire box of donuts in the side car. Knowing the conversion rate of bullets to pizza. Seeing a flower and immediately wondering if it's edible. Pondering his life over breakfast. It's a really cute little character detail about him - he likes food.

But then I kind of started to think about the angel arm and its specific brand of destruction. How there were no bodies to be recovered. Nothing but a crater left of July, left on the Fifth Moon. It's all been incinerated. Devoured, even. Tristamp takes it even a step further and makes the power something akin to a black hole - a yawning drain; a constant destructive hunger.

Vash is clearly terrified of this potential for destruction, and for very good reason. But it's not separate from him as some kind of "power he can't control" - it's his arm. It's literally his arm. It is him. Vash is scared of himself, scared of losing control. He does what he can to repress it, even subconsciously (the gaps in his memory whenever it activates). He can't control it in the moment, so he takes steps to preemptively push it down, to avoid the use of his abilities entirely, to hide himself away.

I talked a bit in a previous post about how there are probably several interrelated reasons for Vash's chronically avoidant behaviour, but I'd like to throw one more into the ring and suggest that it's not just a matter of not deserving to want things, but maybe also that he's afraid of wanting. That if he allows himself to even think about what he wants personally that he'll want too much, take too much, and that the only cure in his mind for this is to give and give repeatedly.

I wonder how starved he is for love. Vash loves hard, after all. Once he loves (and I’m not talking about the broad, distant love/compassion he has in general), for better or worse, he carries them around with him forever, long after they've passed. Does he feel like it'd be selfish to admit this kind of want? His love isn't really a passive thing after all - it's the drive at his very core; a mournful inferno he is just barely suppressing. Does he remember how to love in a way that doesn't consume him entirely?

Is that part of the reason he checks out at signs of intimacy? Diverts gifts towards others? Tends to accept kind gestures only when under an assumed name? Intentionally starves himself in Tristamp? Runs and runs and runs? Is he afraid he won't be able to stop hungering? That allowing himself to want means his want will become insatiable?

I just have to wonder how much of his avoidance of connection is being scared that he will cause more destruction (to them? or to him?) by trying to take far too much into his hands than he ever caused by turning his back and running.

...of course I may just be entirely deranged here sorry.

[annoyingcat413]

I got a friend who took an interest in me and I became interested in her after she talked to me, she’s shorter than me, writes things really beautifully, is more social than me

Me: omg this is so johnlock coded