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yamchaas · 3 years ago

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Welcome back to Jessie Yamchaas drink and episode reviews- Today we will be reviewing- Episode 71 of Dragon ball Super and Green Tea topped with whipped cream cheese concoction I saw in a youtube video late last night that disturbed me, keep reading if either of these intrigue you-

First things first, I had to make my drink to accompany my episode rewatch, here he is in all his glory:

Looks wise? Not the prettiest drink, slightly “shreks swamp after the honeymoon” vibes, but looks don’t matter- it’s about the taste. Taste wise? This shit disgusting, what in the actual fuck- Janice, girl, you said this was nice in your video what is this- The whipped cream cheese sits on top of the bitter tea so your first sip is straight up just this weird cream cheese and then you get bitter tea and its fuckin bad- 0.5/5, won’t make again.

Okay now we have that horror out of the way lets move on to something less terrible, surely- Yamcha playing baseball :)

Okay, first things first- animation. WHERE THE HELL IS YAMCHA’S CAKE? WHERE HE FUCKIN THIGHS AND HIS BUTT AT? BASEBALL TIGHT PANTS ARE WONDERFUL BUT WHERE ALL THE MEAT GONE?? YAMCHA ALWAYS HAD MEAT BRO, HE ALWAYS HAD JUICY THIGHS BRO 😭- Okay but with that out of my system there no other glaring issues with the animation in this episode, sure some of the distant shots are funky but I’m not bothered too greatly by that, it’s actually fairly well done- I especially appreciate the scenes where they focus on Yamcha’s technique and of course the cool wolf shot sings to me so all and all no complaints beyond Yamcha being too small.

As for plot, Champa and Beerus are having a “friendly” match between universes 6 and 7, hijinks ensue- This is filler, there’s not much plot to speak on.

Utterly in love with the line from Yamcha that he left Tien and Chiaotzu behind, super funny and a nice little throwback to the Res F movie- Also, they’re married <3 But I do just have to say it does utterly flummox me that Tien is not included in this episode, there’s genuinely no reason for him not to be here and I can’t help but to imagine how fun the episode could have been if Tien was on the universe 6 team to even out the numbers- They never gave us the Yamcha/Tien rematch at the tournament so it could have been a fun way of giving us some kind of rematch and banter all these years later, but sadly they just didn’t take the opportunity- Also no Tien Baseball Tight pants 😭😭 Disappointing.

Whis and Vados look nice :) Vegeta being obsessed with topping Goku once more, nothing new here. Gohan’s a sweety, also nothing new here.

Now some positives: Yamcha being so encouraging and a good team leader is very sweet to see, love that actually. I also love that they made these amazing warriors not very good at something that isn’t fighting, like it’s comical but it’s also nice in a way? Like yes, Goku is unbelievable in so many ways but he struggles to learn baseball- Its nice to be reminded these characters have flaws and struggle in different aspects of life, just like regular people do too- Really like that.

Love them incorporating Yamcha’s use of spirit control into his baseball skills, it’s just fun and cool, no complaints from me at all.

Piccolo being good at baseball is cute and I like it.

Now on to everything else-

This episode truly hurts my feelings, it’s so unnecessarily mean for no reason and I know people might say “but doesn’t he technically win? and wasn’t he better than everyone?” Those are the only scraps he gets- Literally Yamcha speaks in a total of 10 super episodes and this is the only episode that we could even vaguely call a Yamcha episode and it’s just a joke on him 90% of the time-

18 questioning if Yamcha should be captain and being nasty about his skills truly fucks me off- Like he’s been the best baseball player on earth for 20+ years, the show acts like Yamcha is completely useless and it just grates on me- Yamcha trained with King Kai, he can hold his own against the ginyu force- He’s not weak. He’s just plainly not!! Sure he’s not Goku level, or even Piccolo, but that’s okay, because he is human!! He’s still an amazing martial artist and baseball player and he’s also a good friend with a kind heart. The show playing into the useless pathetic Yamcha memes is cheap. It’s just cheap.

As for the he weird, kinda implied Bulma/Yamcha stuff in this ep HATE HATE MALICE BITE KILL- Actually fuck off. The blush pisses me off so bad- Like Yamcha has never acted hung up on Bulma, he was a bit annoyed when Trunks was a tiny baby, which was fair! But other than that he just treated her like a regular friend, no unrequited love. Also I’m pretty sure this is the nicest Bulma has ever been to Yamcha... Ever. In like the entire series as a whole. So... That’s telling.

Also supers insistence that Yamcha’s this cocky, smarmy guy will never cease pissing me off! The Yamcha we leave in Dragon Ball Z has been remarkably chill and humble for years, so why now is he suddenly a dickhead again? This is more prevalent in other episodes but does feature here too. Bad writing- Bad characterization. Bad.

And it ends on the dead fucking Yamcha meme pose- Because of course it does. Because it’s cheap and it’s nasty and that’s all there is to it. They took a character that used to be a main character. A loved character. And they played into the dudebro, abridged series, meme-ifcation to get cheap laughs rather than give this character the dues he deserves. They literally couldn’t even give him one (1) episode. This is actually worse than the fucked cream cheese green tea drink- By a large margin.

NOTABLE, QUOTABLE:

“C’mon let’s see some pep in your step!”

“Wow- It’s been a long time since I’ve seen Yamcha this fired up!” 😭😭 Dude seeing Yamcha confident and excited and Goku being so happy makea me 😭😭

“Let the Yamcha show you what it’s like to dominate on the mound-” I’ll let The Yamcha dominate on my moun- *Comically large hook snatches me by the neck, pulling me and my computer chair off stage*

“The wolf fang pitching fist ball-” Tien, I need you to kiss this man on his dumb mouth, please.

“Yeah for a washed up fighter that’s not bad.” 18 I GOT MAD LOVE FOR YOU BUT IMMA THROW HANDS WITH YOU BITCH IF YOU KEEP THIS UP- “But Jess she’s a powerful android and you’re some chick-” Yeah but don’t you know the power of love is the strongest force in the world? Also I grew up in the country and have reserved farm strength so 😤

“It’s an honour to have this of bat” Cabba I dont know what the fuck this means but I’m fuckin happy to see you mate- You a good boy!! “Watch closely master, I’m going to hit this and prove I’m worthy of your teaching-’ stupid lil bitch ass vegtea don’t deserve this sweety 😤

“What are you even doing here, I’m totally out of my league, at this rate I’d be lucky to walk off the field alive... C’mon Yamcha, keep your head in the game, we are going to win this.” TIEN IF YOU DONT GENTLY AND SWEETLY BRUSH THIS MANS CHOPPY MULLET FROM HIS FACE AND SWEETLY KISS HIS LIPS ON GOD-

Winning shot of the epsiode:

Thanks for tuning in to my review of drink and episode uhhhhhh see you again uhhhhhhh if someone gives me a drink and a episode to watch :)

#meta #?#i dont know what this is #snaps reviews are like a professor- so indepth and well thought out #mine are like a professor who had bad bag if cocaine and is being escorted off campus #CUT IT OUT YAMCHA #dragon ball super #yeah i have nothi else to say

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zigsexual · 4 years ago

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Hey! I see you have good story telling recs for like video games and stuff and I just got a ps4, is there anything you recommend? I have wolf among us and Detroit become human on my list THATS all I have so far

omg girl u have come to the RIGHT place ! story-based games are my shit ok... im gonna start by doing a lil self-plug which is that i’m streaming one i really love called firewatch tonight (at 7pm PST hehe) on my twitch so we can start with that one. its such a pretty game and has a really touching story. but that aside, non-exhaustive list below:

the last of us — i havent played the second one yet, but both 1&2 are playstation exclusive i believe and the first one is probably one of the greatest games ever made. better than most movies i’ve watched story-wise; i fell in love with the characters and i doubt anyone could play this without shedding a few tears.

the walking dead by telltale — same studio that made the wolf among us (which i fucking love also), and all four seasons of this game are a masterpiece. clementine is probably my all time favorite video game character, and there were some side characters who i really sobbed over during the course of the game. plus all the characters you play as are characters of color so there’s a specific attention to diverse viewpoints there!

life is strange — i would hope you’d have played this already if you like story games, but if not, go play the original game ASAP (LiS2 is alright, but the first one is what really shines) and you can also play the prequel before the storm. beautiful atmosphere, attention to detail, gameplay mechanics, etc. good good shit

dragon age — HELLO my fave shit omg, again not to self-plug but i’m gonna be doing a stream series of this and starting with an intro to the lore for beginners because there is serious worldbuilding for these games and the storylines are immaculate. there’s three so far and including the various DLC you will be entertained for weeks if not months.

mass effect — made by the same studio as dragon age, essentially it’s dragon age in space. same great characters, worldbuilding, plotlines, etc. just... ignore andromeda and only play the main three ME games.

uncharted — i will fucking die for naughty dog games omg so they also made the last of us plus all 4 uncharted games and these ones are SO much fun. much less emotional turmoil, think indiana jones in the present day with an extra serving of wisecracking banter and there you go. really excellent fully fleshed out female characters as well. nathan drake is a treasure.

until dawn — more of a horror game but has weirdly excellent actors (hello rami malek???) and a super cool/creepy story with not so much focus on combat (more QTE based) which helps when you’re just there to be entertained. i love this game, i’m not a huge horror person myself but it’s just so good and your choices really impact the outcome.

oxenfree — deeply underrated game with some of my favorite voice acting ever, such a gorgeous art style, and an incredible and resonant story. so much lore to unpack here too, this game was really made with so much love (like there is deadass a morse code message hidden in the beat of the main song that leads to an irl mystery... google that shit its so cool) and it has major replay value. lots of choices to make and they all impact the ending in a ton of ways.

pillars of eternity — i actually liked the second one more than the first one and i enjoyed them both a lot so that’s saying something! you can play on easy mode and ignore the fighting and there’s tons of quests and choices to make and an interesting story/mystery to uncover. plus in the second one you get a pirate ship.

divinity original sin 2 — played this recently and it’s definitely more of a combat game, but as with POE you can just play on the easiest setting lol and then explore the game for its world and storyline. similar to POE in that it’s quest-based as well, the characters are super well done, and it’s all voice-acted which is nice.

star wars knights of the old republic (aka KOTOR) — listen this game is old as hell and looks like ass but its so good. idk what else to say i mean its literally like 20 years old and people are still playing it. there’s a ton of mods you can download to make it look better, but the storyline and the plot twist hold up as one of the all time greats. i’ve replayed it and the sequel multiple times. even if you don’t like star wars, worth it.

stardew valley — HELLO THIS GAME IS SO CUTE its essentially just harvest moon and yes it’s pixel graphics but it’s so charming and the characters are very enchanting. there’s not a ton of story but it’s still worth a play as it’s just very soothing and earnest. i’ve logged like 200+ hours in this game lmao

hopefully you haven’t heard of all of these already!! i love all of these games and i love sharing story-based recs because there aren’t a lot of them out there. if anyone knows of any other good ones please drop ur thoughts in the replies!

#ask #anon #the way i wrote so much here oh my god #im a gamer girl i have to accept it

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strangeandforlornbooks · 4 years ago

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best books with morally ambiguous narrators!

all y’all’s problematic faves and villains! :) also included are third person narrators but in books with morally ambiguous leads/themes

Sci-fi

Scythe by Neal Shusterman: in a future free from pain, disease, and war, people can live forever. ‘scythes’ are given the power to decide who lives and who dies to preserve the balance. sad and kinda gives of hunger games vibes, if you like that.

Neuromancer by William Gibson: basically invented the cyberpunk genre. strange and removed protagonists. (a team of computer hackers have to face off against an evil AI). you kind of dislike everyone and suddenly you’re crying over them. one of those trippy sci-fi classics.

The Sirens of Titan by Kurt Vonnegut: very beautiful and very very sad (same author as slaughterhouse five). the richest man in america has to face a martian invasion. more about free will and bad people doing good things than a plot that makes any kind of sense.

The Man in the High Castle by Philip K Dick: set in an alternate universe where the germans and japanese won world war two. not really like the tv show at all- it’s not an action story, and there’s not really the hope to somehow fix the world that drives a lot of dystopia stories. instead its about how people survive and connect to one another in a hopeless society.

The Scorpion Rules by Erin Bow: a supercomputer convinces the leaders of the world to keep the peace for hundreds of years by taking their children hostage and obliterating any city that disobeys. what happens to the hostage protagonists when war seems inevitable? lots of morally fraught decisions and characters slowly losing their identity. (plus a fun lesbian romance)

Cryptonomicon by Neal Stephenson: a brilliant mathematician and a dedicated marine fight to keep the ultra secret in world war two. fifty years later, a tech company discovers what remains of their story. one of the most memorable sequences in the book is a japanese soldier slowly becoming disillusioned with his nation and horrified by the war even as he continues to fight.

Blade Runner by Philip K. Dick: another one of those sci-fi classics that’s not at all like the movie. there is a bounty hunter for robots, though, as well as a weird religion that probably is referencing catholicism and a decaying society with a shortage of pets. kind of a trip.

Wilder Girls by Rory Power: girls trapped in a boarding school on an isolated island must face a creeping rot that affects the animals and plants on the island as well as their own bodies. the protagonists will do anything to survive and keep each other safe. very tense (and bonus lesbian romance whoo)

The Fifth Season by N K Jemisin: three women are gifted with the ability to control the earth’s energy in a world where those who can do so are forced into hiding or slavery. some veryyyy dark choices here but lots of strong female characters.

Historical Fiction

Fingersmith by Sarah Waters: two victorian lesbians fall in love as they plot to betray each other in horrific ways. lots of plot twists, plucky thieves, gothic settings, and a great romance.

Quo Vadis by Henryk Sienkiwicz: a powerful roman soldier in the time of Nero plots to kidnap a young woman after he falls in love with her, only to learn more about the mysterious christian religion she follows. very melodramatic but some terrific prose.

All the Light We Cannot See by Anthony Doerr: a blind girl in France and a brilliant German boy recruited by the military struggle through the chaos of the second world war. ends with a bang (iykyk.) very sad, reads like poetry.

Boxers by Gene Luen Yang: graphic novel reveals the story of a young boy fighting in the boxer rebellion in early twentieth century china. the sequel, saints, is also excellent. beautifully and sympathetically shows the protagonist’s descent into evil- the reader really understands each step along the way.

Fantasy

Three Dark Crowns by Kendare Blake: three triplets separated at birth, each with their own magical powers, have to fight to the death to gain the throne. lots of fun honestly

Six of Crows and Crooked Kingdom by Leigh Bardugo: everyone in these books is highly problematic but you love them all anyway. a ragtag game of criminals plan a heist on a magical fortress. some terrific tragic back stories, repressed feelings, and revenge schemes.

The Dark Tower series by Stephen King: idk how to describe these frankly but if you can put up with King’s appalling writing of female characters they’re pretty interesting. fantasy epic about saving the world/universe, sort of. cowboys and prophecies and overlapping dimensions and drug addicts galore.

The Amulet of Samarkand by Jonathan Stroud: lots of fun! a twelve year old decides to summon a demon for his cute lil revenge scheme. sarcastic demon narrator. lighthearted until s*** gets real suddenly.

Elegy and Swansong by Vale Aida: fantasy epic with machiavellian lesbians and enemies to lovers to enemies to ??? to lovers. charming and exciting and lovely characters.

The False Prince by Jennifer Nielsen: an orphan boy must compete with a few others for the chance to impersonate a dead prince. really dark but very tense and exciting and good twists.

The Grace of Kings by Ken Liu: fantasy epic. heroes overthrow an evil empire and then struggle as the revolution dissolves into warring factions. interesting world building and three dimensional characters, even if they only have a small part.

Circe by Madeline Miller: the story behind the witch who turns men into pigs in the odyssey. madeline miller really said, i just used my classics degree to write a beautiful gay love story and now im going to write a powerful feminist retelling because i can. queen. an amazing and satisfying book that kills me a lil bit because of the two lines referencing the song of achilles.

Heartless by Marissa Meyer: the tragic backstory for the queen of hearts in alice in wonderland. a little predictable but very fun with a compelling protagonist

A Song of Ice and Fire (Game of Thrones) by George RR Martin: ok I know we all hate GRRM and rightfully so but admittedly these books do have some great characters and great scenes. they deserve better than GRRM though. also he will probably never finish the books anyway....

A Series of Unfortunate Events by Lemony Snicket: not really fantasy but not really anything else either. plucky, intelligent, and kind children fight off evil plots for thirteen books until suddenly you realize the world is not nearly as black and white as you thought.

Classics

Rebecca by Daphne du Maurier: gothic romance!! a new wife is curious about the mysterious death of her predecessor in a creepy old house in the British countryside...good twists and lovely prose.

A Separate Peace by John Knowles: not really morally ambiguous but one awful decision suddenly has awful consequences and certain people are haunted by guilt forever.... really really really beautiful and really really really sad. boys in a boarding school grow up together under the shadow of world war two.

Anna Karenina by Leo Tolstoy: while imperial russia slowly decays a beautiful young woman begins a destructive affair. a long book. very russian. the ending is incredibly tense and well written.

Lord of the Flies by William Golding: I think you know the plot to this one. the prose is better than you remember and the last scene is always exciting.

And Then There Were None by Agatha Christie: one by one, the guests on an island are slowly picked off. one of Christie’s darkest mysteries- no happy ending here! very tense and great twists.

Contemporary

The Secret History by Donna Tartt: inspired the whole dark academia aesthetic. college students get a little too into ancient greece and it does not end very well. lovely prose but I found the characters unlikable.

Honorable Mentions

The Dublin Saga by Edward Rutherford: has literally a billion protagonists, but some of them are morally ambiguous ig? follows a few families stories’ from the 400s ad to irish independence in the 20s. beautifully captures the weight and movement of irish history.

Artemis Fowl by Eoin Colfer: how morally ambiguous can you be if you’re, like, eleven? a lot if you’re a criminal genius who wants to kidnap a fairy for your evil-ish plan apparently!

Redemption by Leon Uris: literally my favorite novel ever. the sequel to Trinity but can stand alone. various irish families struggle through the horrors of world war one. the hero isn’t really morally ambiguous, but the main theme of the novel is extremely bad people suddenly questioning their choices and eventually redeeming themselves. sweeping themes of love, screwed up families, redemption, and patriotism.

The Lymond Chronicles and House of Niccolo by Dorothy Dunnett: heroes redeem themselves/try to get rich/try to save their country in early renaissance Europe. if I actually knew what happened in these books I'm sure it would be morally ambiguous but its too confusing for me. in each book you spend at least a third convinced the protagonist is evil, though. lots of exciting sword fights, tragic romances, plot twists, and kicking english butt.

Bonus: Protagonist is less morally ambiguous and more very screwed up and sad all the time

The Goldfinch by Donna Tartt: you know this one bc its quoted in all those quote compilations. basically the story of how one horrible event traumatizes a young man and how he develops a connection to a painting. really really really good.

Never Let Me Go by Kazuo Ishiguro: hard to describe but strange... not an action novel or a dystopia really but sort of along those lines. very hopeless.

#book recs #morally ambiguous protagonists #dark academia #book recommendations #mine

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crystalelemental · 3 years ago

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I have 20 minutes before I have to feed the cat and get started on these courses that finally allowed me access, so let’s take a moment to talk about my good friend Thracia 776.

I made it through Chapter 5, and got both sidequest chapters along the way. So that’s fun. I decided to play on Paragon mode, because I don’t give a shit about challenge, I’m here to try and enjoy the experience for a game whose story I actually really like.

Currently, Leif is doing pretty well, mostly seems to do great with strength and speed, but his skill is bad and I don’t think he’s gained any build so that’s fun. I think Macha’s been the most unprecedented hero so far. She’s had two 6 point levels. That’s really good. Brighton’s had mostly 1 point levels so he’s not doing so hot. Asbel seems super magic screwed, he still only has like 4 magic at level 7. Not looking forward to that long-term. Tanya actually got some fantastic levels too, including a lot of extra strength, so I’ll be doing my damnedest to get her back.

Chapters 1-3 remain pretty enjoyable. Moreso now that I understand capturing as a mechanic and how to do that effectively. A big issue before was not knowing how to set up a good capture, but now that I’m in the swing of it...I kinda like this feature? Like it’s kinda cool. Only kinda, though. And the “only kinda” part kicks in as soon as you hit Chapter 4, where everything starts breaking down, but I’ll get to that.

I’m currently playing with the Lil Munster patch, which also allows me to see the hidden skills for units. Such as Miracle+ on Eyvel, which just literally prevents her from ever dying. I did not know that was a thing, and let me tell you, everything going on with Chapter 5′s pitfighters is suddenly a lot less bullshit. Yes, you can argue all you want that it increases the tension when you don’t know it’s there, but also fuck that.

Chapter 4 is really where I think I’m going to start complaining. Which is funny because on a second playthrough? This is actually a pretty fun chapter. You know, mostly. Facilitating the escape of the civilians was pretty simple and fun, and it honestly helped out Karin the most, since she wasn’t particularly threatened by a guard holding a captive. I was also pleasantly surprised at how engaging that map managed to be in terms of just...gathering Vulneraries. Like, looking at it, I expected a disaster, but judicious use of the thieves and maybe a capture here and there actually nets you enough to equip everyone with a full vulnerary.

Until the trouble. Let me be frank: I am always one for soft resetting when a character dies, and I’m trying to break myself of that particular habit a bit. It’s not that I want to not care about characters, so much as recognizing that some characters I don’t give a shit about so why reset everyone else for them? I play a quick run of Shadow Dragon before this, and just let people die, and honestly it was a lot more engaging when you’re not resetting for stupid things. But there was one unit who causes two of the three resets, because I couldn’t afford to lose him. Julian. I couldn’t just lose the thief and that utility. Resets occur not because of character love, but because you cannot give up the utility presented.

I feel like that’s part of early Thracia’s problem. Chapters 1-3, it’s pretty easy to keep everyone alive, especially with Eyvel being actually invincible, and having three super units in Eyvel, Dagdar, and Finn. If you got the Vouge and the Brave Axe, Osian and Halvan are actually ridiculous too. But once you hit Chapter 4, things feel like they change to a level that’s a bit absurd? If you didn’t successfully set up recruitment of Dalsin, I kinda feel like Chapter 4 and 4x are just impossible. The only way to damage these armor knights are Leif’s Light Brand at range, and Dalsin’s axe. Pretty much everyone else is dealing about 2 damage, and hoping for a crit, with none of them having the B-rank swords to make use of Armorslayer. So the chokepoint strategy to the north feels decisively impossible because of how much damage you take, how little you deal in response, and how hard it is to actually break through and take out the mages when their numbers dwindle. Not to mention one less unit means you have less defense against the soldier reinforcements, and it’s that much harder to protect your thieves. Which, actually, speaking of: Thieves plural. Which requires you actually got Lithis. You probably did, his condition is super easy to achieve. But. My recollection is that the original version of this game didn’t give you little icons to tell you when people could talk to one another. So unless you just figured out that Leif can talk to Eyvel (but not the other way around, that’s too much), you’d miss the hint about “Just catch him and hold onto him.” At which point I feel it is fair to say people might release him after taking his stuff. And then you only have one thief. Which is. Not great. And slows down that prison escape significantly.

Then there’s 4x, where you really need 4 strong frontliners to block off attacks, and if you don’t have Dalsin I honestly feel like you’re just hosed, both in terms of taking too much damage, and having too few units to deal with the mages. I’m not going to say it’s impossible to deal with, but for a putz like me it feels pretty impossible without the big tank man on deck.

Then there’s the issue of capturing. Capturing only works if your build is higher than the opponent. If you have a lower build, you can’t capture anyone. Which is all well and good when you have four chunky axe bros and a cav on your side. Then you can capture just about anything, especially with Tanya and Ronan giving you some nice chip damage to set up those easy captures. But Chapter 4-5, you really don’t have many options. Brighton is consistently able to capture, but Fergus isn’t. 8 build isn’t bad, but it’s not enough to capture one of the soldiers and take their vulneraries. So if you didn’t get Dalsin, you have one guy who can consistently capture people. One. The thieves can steal, but Lara’s build is so low she basically can’t steal anything heavier than a vulnerary or door key, and she’s got 14HP so good luck leaving her in range of anything. So like. That’s fun.

Point being, some of these challenges feel distinctly impossible without save states as a result. I think the biggest offender was admittedly an optional one: the two Loptyr mages in front of the chests in Chapter 5. Man, those guys are fucked. Tremendous damage output, poison, and had an absurdly high crit rate that would one-shot anyone if it hit. I think Leif was able to deny the crits with Light Brand but I’m honestly not sure. The fact you had to deal with two of them, or risk Leif having to chip them 3 damage at a time at range, was kind of a problem. That’s the kind of thing where I don’t really know how you’re supposed to manage that, and save states feel incredibly necessary if you’re going to stand a chance. Granted, this is optional, you can escape and just leave those chests. But this isn’t the only situation I can think of where the game just plays stupid, and usually the stupid is with mages, because magic is resistance and no one has any. Except Karin, who is delightfully too weak to actually KO a mage in response. So that helps. Situations across Chapters 4-5 have been difficult, because of the presence of magical hits that can 2-shot people if they connect, and a lot of situations feel like you’re desperately hoping for a particular attack to connect so you don’t start losing people left and right. And then the attack misses anyway because 100% accuracy doesn’t exist, and whoops now you’re gone.

Despite that, I’m still enjoying this more than my first time through. Maybe it’s familiarity with the game and its mechanics, but I do feel like being able to clear Chapter 4 without screaming is a good indicator that maybe it’s not as bad as I remembered. We’ll see though, there’s much worse to come.

#personal shenanigans #thracia 776

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inactivegaz · 4 years ago

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rating locations in apex legends

Capital City (s3) 8/10 had a rlly good flow and the two buildings were such a chaotic fun time

Airbase 3/10 i only go here when no one has any ideas on where to go

Skull Town 9/10 i miss her, the loml

Thunderdome 7/10 landing here was fun but fighting here was a shitshow, especially if the game Ended here

Fuel Depot 8/10 the BEST part of the s3 map, but only if u dont include that high ridge by the res beacon. She had one flaw.

Epicenter -1/10 not to be straightphobic but can you imagine loading into a worlds edge game and going MMMH EPICENTER IS THE BEST

Bridges 3/10 lol

Cascades 1000/10 the BEST spot on the map, no i will not b taking criticism

Containment 10/10 a TRULY underrated drop, only gets shit on bc ppl miss og kings canyon

Sorting Factory 7/10 i drop here more than I would like but it is kinda fun

Train Yard 5/10 there is ALWAYS a team that sets up there as round 2 starts and i want 2 k*ll them every time! was a truly fun drop when W.E came out until ppl realized that’s where the most accessible vault was

Cage 8/10 tbh i used to not like cage but since i figured out how to maneuver around it successfully it has become my FAVORITE place on K.C

Water Treatment 2/10 i hate it here but the fights are usually pretty fun

Relay 6/10 i miss her everyday

Fragment/Capital City (s4) 6/10 FUCK THE FISSURE, ALL MY HOMIES HATE THAT BITCH. no fr tho,,, its fun but that building on eastside is a Mess n a half

Bunker 5/10 i Will Not land here BUT it is a fun rotation, i love clowning on people with a nice lil 6th party

Dome 3/10 it's a fun design but who tf goes here willingly

Skyhook 9/10 Capital City Lite, its less chaotic until its where the game is ending

Artillery 100/10 has consistently been the most fun location of the game

Thermal Station 7/10 underrated, but I hate lava. The only reason more people dont hotdrop here is bc mirage voyage and the tree (for whatever reason)

The Tree 4/10 i dont care for the layout, although they did kinda pop off with the design of the tree itself

Lava City 2/10 it’s a no from me

Repulsor 6/10 Artillery but add more single room buildings and take away the cool garage/tunnel thing

Salvage 4/10 it's a fun place to go but not a worthy replacement for skull OR thunderdome

Capacitor 5/10 it's fun when u land here for about 20 seconds, then it's just endless third parties for probably the rest of the game

Slum Lakes 7/10 UNDERRATED KING! No one goes here bc they think the loot is gonna b ass but they be missin out on a good time

Runoff 5/10 it’s okay

Survey Camp -100/10 the vibes are HORRENDOUS, who tf is landing here

Geyser 15/10 THE BEST SPOT ON W.E

Drill Site 7/10 underrated in most aspects BUT for some reason it's absolutely poppin off in duos

Wetlands 4/10 was not sad that it got replaced

The Pit 6/10 i dont go here enough!

Harvester 4/10 it's fun when u play as caustic and ppl just keep comin at ur squad in the middle circle up top

The Rig 5/10 i dont go here enough!!! It looks fun tho!!!

Swamps 6/10 it’s kinda uneventful until the game ends there, it does get cool points for that cute lil tunnel/cave thing

Hydro Dam 4/10 lowkey boring

Lava Fissure 3/10 overshadowed but its okay bc it sucks

Refinery 8/10 GOOD ‘OL TOILET BOWL!!! i love it here

Market 7/10 i have a love/hate relationship with this place, dont want 2 talk abt it

Overlook 6/10 for all the opportunities there are for me to get FLUNG off the map, it hasnt happened yet and we’ve had it for 8 months. Disappointed.

Gauntlet 75/10 the BEST town takeover we’ve gotten!!!

Labs 6/10 i HATE the portal, but it is fun to pull a lil cleanup crew during the initial bloodbath

Mirage Voyage 10/10 the vibes are IMMACULATE even tho i cant hear anything

Trials 5/10 has yet to grow on me, it is pleasing to check out tho

#this was a RIde but i fully encourage u to rb w ur own thoughts abt the locations! <3 #apex legends #kali talks alot

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deadcactuswalking · 4 years ago

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REVIEWING THE CHARTS: 15/05/2021 (Coldplay, J. Cole, Trippie Redd & Playboi Carti)

I’m awful at predicting this chart, I really am, but most of that is probably down to how I only make vague predictions at the end of each episode without even considering most releases that’ll actually chart. Let’s just say I didn’t expect nine new arrivals this week. At the top, however, little has changed as the absolutely huge “Body” by Russ Millions and Tion Wayne with a remix featuring whoever the hell is spending its second week at #1. The rest of the chart, however, gets a bit more interesting. Welcome back to REVIEWING THE CHARTS.

Rundown

The biggest story to effect the chart this week is of course 2021’s BRIT Awards happening this Tuesday, which I’m sure boosted a lot of songs during the mid-week. I also actually covered the awards show on that day if you’re curious, with some of my observations, predictions and opinions. We can very clear see – or hear, for that matter – the impact of the BRIT Awards in this week’s chart, as it did cause a lot of gains and new arrivals that shook up the chart right in the middle of the tracking week. Firstly, we do have some drop-outs from the UK Top 75, which is what I cover, only one of them, “Paradise” by MEDUZA and Dermot Kennedy, being all that important given it was a top five hit but we do have a handful that lasted five or more weeks or peaked in the top 40, like “Medicine” by James Arthur flopping embarrassingly, “Addicted” by Jorja Smith dropping out to prepare for the rebound next week given her album release and “Solid” by Young Stoner Life, Young Thug and Gunna featuring Drake.

Speaking of Drake, he also provides the singular returning entry as “Wants and Needs” featuring Lil Baby is proving to be the actual hit from that three-pack from March, coming back to #65. Scaling down the chart, we also have some notable losses, songs that dropped at least five spots on this week’s chart. Those that fell include “Your Power” by Billie Eilish dropping harshly to #15 off of the debut, as well as “Your Love (9PM)” by ATB, Topic and A7S at #18, “Confetti” by Little Mix to #21 off of the return (with Saweetie, the artist quite literally solely the reason it’s had this second wind, still bizarrely left without a credit by the UK Singles Chart), “My Head & My Heart” by Ava Max at #27, “Titanium” by Dave at #31, “Wellerman” by Nathan Evans and remixed by 220 KID and Billen Ted (yes, THEY’RE credited) at #36, “Patience” by KSI featuring YUNGBLUD and Polo G at #42, “Heartbreak Anniversary” by Giveon at #44, “We’re Good” by Dua Lipa at #47, “Way Too Long” by Nathan Dawe, Anne-Marie and MoStack at #49, “Head & Heart” by Joel Corry and MNEK at #51, “Beautiful Mistakes” by Maroon 5 and Megan Thee Stallion at #55, “Don’t Play” by Anne-Marie, KSI and Digital Farm Animals at #56, “Calling My Phone” by Lil Tjay and 6LACK at #59, “Commitment Issues” by Central Cee at #67, “You” by Regard, Troye Sivan and Tate McRae at #69, “Get Out My Head” by Shane Codd at #70, “Hold On” by Justin Bieber getting ACR’d at #71, “Streets” by Doja Cat at #73 and finally, “6 for 6” by Central Cee at #75.

Filling up the room for those losses, however, are the gains, always a tad more interesting, as the songs that rose at least five spots on this week’s chart – or make their first appearance in the top 40, 20 or 10 – are usually having the BRITs to thank to some capacity. The climbers include “Summer 91 (Looking Back)” giving Noizu his first top 40 hit at #31 (and I’ll admit, the song is growing on me), Griff also getting her first with “Black Hole” at #35 thanks to her win and performance at the BRITs, “WITHOUT YOU” by The Kid LAROI rebounding to #13 thanks to that once-again uncredited remix with Miley Cyrus and finally, entering the top 10 for the first time is “Anywhere Away from Here” by Rag’n’Bone Man and P!nk at #9, getting the boost from a perfect trifecta of gains: Rag’n’Bone Man released his album on Friday then on Tuesday had the closing performance of this song at the BRIT Awards with additional vocals from the Lewisham and Greenwich NHS choir, who are also now appearing on a new release of the song the day after, prompting a whole lot of sales, of which I assume and hope are going to charity. It’s Rag’n’Bone Man’s third top 10 hit, P!nk’s 21st(!) and interestingly enough, the NHS choir’s second top 10 hit as they had the Christmas #1 back in 2015. With all of that out of the way, I suppose it’s time to get to our varied array of new arrivals.

NEW ARRIVALS

#74 – “Dick” – Starboi3 featuring Doja Cat

Produced by Nius and SoFLY

This week is kind of a weird week if that wasn’t immediately obvious as our new arrivals are kind of all over the place, starting with... well, I think I could say less about the song than the title does. Starboi3 is this SoundCloud rapper from New Jersey who made a song with Doja back in 2019 – I assume she was more accessible for features back then –and it didn’t blow up at all, really, giving Starboi3 some additional traction but not until 2020, in which Doja Cat got her #1 hit and TikTok picked up this explicit single as a new sound. Sadly – or thankfully – the song was never released officially onto streaming until very recently, meaning, surely, the hype’s over by now? The answer to that is no, as it’s climbing up charts in both the UK and the Bubbling Under in the US... so there’s got to be something good about this song, right? Well, no. Not at all. Of course, that is subjective, but I do question your sanity if you’re honestly enjoying this unlikeable nobody shout “Dick!” over a basic, no-melody trap instrumental with heavy 808s not too dissimilar to drill, before going into a beyond basic chorus and verse about, well, you can guess, with rhymes sounding either like an awful freestyle or a kid with a rhyming dictionary. “She not with him tonight, she not with Jim tonight”? Of course, that’s in the post-chorus because if there’s one thing this song needs, it’s a freaking post-chorus. I also don’t think Starboi3 realises that making her scream for her parents is quite the opposite of sexy – or even raunchy and mindless, as it’s actually just creepy and terrifying. Speaking of terrifying, Doja Cat is here and not even she can add a less basic flow with a verse that just ends up going in one ear and out the other, even if I do like the seductive backing vocals that at least try to make this not a slow, joyless slog. However, I do NOT like the Pickle Rick reference. To be fair, this was 2019, but also to be fair, never reference that again, I am begging you. This is a disaster on all fronts and probably one of the worst tracks I’ve had to review in this series. Good start!

#64 – “Freaks” – Surf Curse

Produced by Surf Curse

This new song is actually even older, being released initially as a deep cut from this Nevada duo’s 2013 album. As you’ll probably tell, this is charting off of people streaming after hearing the song on TikTok and, I mean, at least the song’s actually good this time, careening off of a clearly surf-inspired clean riff surrounded by some basic drumming and a good bassline. It’s not great as it does feel increasingly basic as I said, almost like one of those local bands that don’t get much national attention or traction but do play some gigs and get some love at those places, to the point where it’s kind of big if they play shows outside of their region... which makes sense because that is exactly what they are. This is just some band from Reno but here it is charting on the UK Singles Chart and while it’s here, I should say whilst there’s not much here to discuss given how minimal it is, Nick Rattigan’s vocals are fittingly desperate for the theme of social alienation and particularly rejection as it’s pretty obvious he’s aiming venom at himself for a bad break-up, although given the sound and tone of the song, probably his first, with that double meaning of the mantra in the outro, “I won’t wake up this time”, potentially being a crushing line for someone in similar circumstances. That’s not me, exactly, so this doesn’t hit, but I’m glad that Machine Gun Kelly song from last week got replaced with some actually decent alternative rock on the chart. I hope this does well.

#60 – “One Day” – Lovejoy

Produced by Cameron Nesbitt

“One Day” is the biggest track from new English rock band Lovejoy’s debut EP, Are You Alright?, and whilst I was planning on not mentioning the fact that the band is fronted by Minecraft YouTuber Wilbur Soot, that is the only reason it’s charting – and he’s charted with “Your New Boyfriend” a couple months back, a song that I actually kind of liked. It’s also immediately obvious in the writing that this comes from an Internet personality, with some not-so-well-woven detail and increasingly gratuitous self-awareness that eventually cycles back and ends up as seeming like they have none at all... okay, like most indie bands but that’s beside the point. This happens to be Wilbur’s least favourite song on the release – one that I haven’t listened to because even if I’m not too old for mindless pop music, Minecraft YouTuber alt-rock may be where I draw the line – and I can completely understand the distaste for this given that it starts with the line, “Why’d you have to kill my cat?” I also have some qualms with the song sonically as it may be the most derivative rock single I’ve heard on this series, given how obviously it rips from indie rock bands of the 2000s, with an oddly clean mix that doesn’t exactly fit the obvious stream-of-consciousness lyrics and Wilbur’s erratic delivery. Also, there’s a whole lot of trumpet on this song, which I guess is a surprise, but that doesn’t make up for a drummer who can clearly play very well but has to chaotically play over a song with practically no groove. I do like that second chorus in how it builds up to a somewhat anti-climactic guitar solo but as a full song I do not really get the appeal of this that I don’t get out of other post-punk revival bands from decades back who are still pumping out music. This isn’t bad – I swear, don’t dox me – but I just want something more compelling from this. I will always be glad regardless of the quality that we have more rock on the chart, though, even if this’ll be gone by next week.

#57 – “It’s a sin” – Years & Years and Elton John

Produced by Stuart Price and the Pet Shop Boys

One of my favourite performance from the BRIT Awards this year was Olly Alexander of Years & Years sharing the stage with the iconic Elton John to cover Pet Shop Boys’ “It’s a Sin” which had renewed interest from last year as it was the namesake for a hit TV series about HIV/AIDS, for which this fittingly played a role and has kind of been recontextualised as a gay anthem, which makes complete sense if you look at its lyrics about the Church telling Neil Tennant “how to be”. It’s also one of the Pet Shop Boys’ most camp and theatrical songs, so giving it to Years & Years and Elton John to cover for the BRIT Awards make all too much sense. No, they’re not able to live up to the theatricality of the original, especially if Alexander’s vocals are going to be this clearly manipulated at points, but with Elton John’s piano laying a perfect foundation for the rising intensity of the track, we do get a sense of that original melodrama, with the synth-work and house groove coming in before Elton John’s voice, sounding smokier and wiser with age, and in my opinion, more compelling as a vocalist, especially if they’re both going to sell this song with the most convicted of deliveries. I don’t think a cover could ever live up to that original iconic track but if anyone’s going to get close, it’s Elton John. Expect this to rise next week.

#50 – “Never Left” – Lil Tecca

Produced by ThankYouWill, Taz Taylor and Cxdy

I’ll always be annoyed that Lil Tecca blew up as a rapper instead of a producer, as I don’t think this guy has any likeability or charisma about his flow, cadence or delivery, and that’s only after you get over how dry and whiny his voice can get. However, he can make some great and incredibly infectious beats for other rappers, including a song I see becoming a hit soon in SoFaygo’s “Knock Knock”, which I will bet on at least making the Billboard Hot 100 if not the UK Singles Chart. It’s unbelievably catchy. With that said, Tecca is here in the form of some SoundCloud raps over a boring synth pluck and vaguely tropical Internet Money trap beat, sounding and flowing way too much like Gunna for his own benefit, or Gunna’s benefit, if we’re honest, as this shows how easily he can be replaced. I usually don’t write off this type of rap and will absolutely defend it, but this song isn’t even catchy or unique. I mean, I don’t like “Ransom” either but at least it was kind of fun and I still know the lines in the chorus a couple years later. I’ll forget all about this by next week if it doesn’t stick around. At least he shouts out Chief Keef. God, I hope he charts sometime, that’d be funny.

#45 – “All I Know So Far” – P!nk

Produced by Greg Kurstin

So, P!nk is back but not with a studio album, rather an upcoming live album in which the two new, original songs are about or featuring her daughter. This is the second single from said album and is probably coasting off her appearance at the BRITs in terms of a relatively high chart debut. I’ve never been that big a fan of P!nk but she has her classics, none of which are in the past 15 years but that’s beside the point. This single in particular is an acoustic ballad dedicated to her daughter in which P!nk provides a rapid intensity alongside pretty great-sounding acoustic guitars, pounding drums and strings that sells the content about empowering yourself, with some nice lyrical detail about always being yourself, basically, which would come off as cliché and preachy if it weren’t for some oddly specific lyrics in those verses and the chorus that basically just tell her daughter that despite the fact the world will constantly try to crack down on her and everything she does much like life does to anyone but especially women, she should stand up for herself and what she believes in. However, none of that cuts deep when she’s being raised by a millionaire, huh? There’s little Hell to be put through when you’re born with a silver spoon, huh, Willow? Regardless, this isn’t a bad pop song and its content isn’t as misguided as it is just sang by the wrong singer, although I’d find it hard to get a singer with as much rasp and wisdom in the mainstream to sell this as convincingly as P!nk does – vocally, not lyrically. This is a couple steps above that last single, “Cover Me in Sunshine” at least, which was just insidious. Next.

#32 – “Miss the Rage” – Trippie Redd featuring Playboi Carti

Produced by Loesoe

Okay, so all of our last three new arrivals are in the top 40 and we start with... o-okay, well, it’s 2021, anything can and will chart and I should know this by now, but it’s still surprising to see a song by these two guys debut so high, especially since Whole Lotta Red produced absolutely no charting hits in the UK outside of “@ MEH”, which doesn’t really count. This is Trippie’s highest-charting song ever in the UK that isn’t fronted by KSI, so I guess streaming must have been that good – also, the charts are still weak. For what it’s worth, I do like both Trippie and Carti to their respective extents, and I am aware that this is only as big as it was because of the hype from the leak, which also featured Mario Judah, and that in itself was a big song but it took years for Carti’s feature to be cleared by the label, as is infamously true for much of Carti’s work and even his last official collaboration with Trippie that was actually deleted after release. I’m still hoping on an official release for his verse on Yung Lean’s “Yayo”, but whilst we have this instead, I might as well talk about it and... Well, let me explain to you what I see as the appeal of these two rappers. That appeal is, mostly, that they don’t rap even though they both very much can. Trippie yells, moans, growls, screams and spends most of his work singing in his typical raspy, venomous voice, whilst Playboi Cart spits and coughs his way through substance-less ad-libs to the point where any actual wordplay or lyrical detail gets you excited for that brief moment. In this song, Trippie and Carti don’t eschew the typical role of a rapper and both just... rap normally, which would not be a complaint if they weren’t so bland in that role, which is the whole point of their unique, phlegm-filled deliveries in the first place. As a result, this song just ends up feeling empty, even if this awfully-mixed, bass-boosted beat with some lovely distorted video-game synths and hardly audible trap skitters does go incredibly hard. Don’t get me wrong: this is still catchy and Trippie flows very well over a beat that sounds made for him and Carti. Hell, Carti has grown on me so much recently that my fondness for this might just be me eating anything he releases up. With that said, he’s the worst part of the song as his baby-voice style emphasises how lacking this song is in just anything. I do like the wordplay at the tail-end of the verse as, yes, that happens, perhaps not as iconic as some of his other oddly profound or clever lines on his last record but at least it’s something. At least this is some interesting American trap, unlike...

#25 – “i n t e r l u d e” – J. Cole

Produced by J. Cole, Tommy Parker and T-Minus

The pandemic has affected the music industry to the point where big-name rappers release album interludes as lead singles. Said album has songs shorter than this interlude, with most of its dull filler feeling like additional interludes, quite unbefitting for such a big and hyped-up album from Cole which frankly is just another boring addition to an already consistently dull catalogue. I’m just not interested in what Cole has to say because he’s never been likeable and I feel like there’s better rappers that bridge the gap between old and new like how Cole sees himself as doing, the “MIDDLE CHILD”, perhaps, like, you know, Drake? If we want to go for a more direct comparison from lesser-known rappers, the direct comparison I use for this new record is Aminé’s latest, also made up of a variation of trap bangers featuring massive, charting names versus introspective, conscious lyrics, yet Aminé is an interesting character with quotable lyrics that aren’t embarrassing, knows how to write an actual hook and whilst he also brings on both classic and modern features, he’s never out-done by them, creating an actual bridge rather than just some guy who thinks he can write his own role in the industry and culture without his own music backing his case. Unfortunately for me, it works – every freaking time – largely because of his continually loyal fanbase but also a general public interest in the guy that I do not understand, especially when more than a decade into his career, he’s still pushing out mediocre projects. He cuts his album’s length by a ton and still ends up with a bloated record. I barely need to talk about the track itself, right? Even if it has as much structure and effort put into it as his normal songs do, it’s labelled quite literally as an interlude. Sigh, well, in this interlude, Jermaine raps over a drowned-out soul sample and admittedly, sticks to the topic of reminiscing on where he came from, the violence in Fayetteville, a similar violence of which was what killed Nipsey Hussle, who he compares amongst Pimp C and Jesus as they all died at 33. Cole himself is 36 so I guess for once he doesn’t think he’s Jesus. It took him a while to realise.

#12 – “Higher Power” – Coldplay

Produced by Max Martin, Oscar Holter and Bill Rahko

I assumed this would debut at #3 until the BRIT Awards performance gave it a boost to debut at the top but I guess everyone else had the same opinion of that awful opening performance as I did, because here it is at #12. Well, that doesn’t matter, right? Coldplay’s last album similarly underperformed... but at least that time, they had a genuinely ambitious album for once in their careers with some genuine experimentation and themes I did not expect to come out of Coldplay. It was a better album but not an accessible one, with its only pop single being a bittersweet anti-war anthem which trivialises bombing in the Middle East to onomatopoeia. It’s a great song but it wasn’t going anywhere, so it’s no surprise that their next lead single is a soulless synth-pop track produced by Max Martin. Admittedly, the synth tone in the intro is kind of unique in all its nasal 80s nostalgia, but, man, I thought we moved past just rehashing for a hit, Coldplay. This is pretty obviously just a crap attempt at being “Blinding Lights” which trades in its machine-gun loco-motive drum pattern for one that is a lot more stiff, and its iconic, memorable lyrics for a forgettable set of love-struck laziness. Oh, yeah, and Chris Martin is far from the Weeknd both in the studio and live at the BRIT Awards – seriously, dude sounded half-alive. This isn’t offensive, just a bore that is clearly a desperate label move ready for when they can tour again, and if their last record proved anything it was that Coldplay seemed like they were finally above that.

Conclusion

Well, that’s our week – again, a questionable one at best and kind of a bad one at worst. Either way, this is a strange array of songs and I do like how the UK Singles Chart subverts everything you’d expect of it so often that chaos becomes the trend, even if not all of it is any good. I guess Best of the Week goes to “Freaks” by Surf Curse, with an Honourable Mention to Elton John’s cover of “It’s a sin” with Years & Years. Surprisingly enough, J. Cole actually doesn’t get Worst of the Week as the album gets a lot worse than that interlude, so he gets a Dishonourable Mention alongside Starboi3’s “Dick” being crowned Worst of the Week, and honestly probably Worst of the Year so far, not that I’m keeping track of that. Here’s this week’s top 10:

What’s coming next week? More J. Cole, Olivia Rodrigo’s newest single and probably – and hopefully – some album tracks from Jorja Smith and Nicki Minaj. For now, though, thanks for reading. It’s a big week next week, and I’ll see you then!

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mikenewtonhateblog · 5 years ago

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My oc’s aka too long of a gd post

The “BL” Crew (does not stand for boys love I’m just a moron who made that abbreviation before knowing what it stands for). My main crew and main series, a lot is a big WIP right now as I’m slowly redoing the first book and all the lore. Why? I love torture. Book is fantasy type but I won’t specify what.

Lacie, the protagonist. God tier idiot, bisexual bipolar depressed MESS, insomniac, former theater kid, doesn’t know what she wants out of life but currently it is not This(plot of book). Hot headed, impulsive, crude, rude, Mommy IssuesTM, would rather be taking a nap right now, rules are made to be broken, absolutely fucking FERAL, more bags under her eyes than the airport lost and found. 5’5, 130lbs, Aries, age 18, white as shit like literally the whitest human you have ever seen, strawberry blonde hair in a 2011 Hayley Willaims haircut with long bangs, the darkest brown eyes you’ve ever seen that stare directly into your soul. Lanky, no curves, body of a 12 year old boy but works out so she can and will kick your ass and thats a threat. Not human?

Josh. Soft boy, smart, Lacie’s cousin and only friend for like the first 18 years of her life, autistic anxious mess who’s special interest is anchient egyptian history, is in honors classes, despises math, passes out when his girlfriend looks too cute, just needs a hug. Can eat a whole carton of easy mac if left alone, whole wardobe is the same outfit just different colors/hoodies, sensory issues, seriously can someone give this guy a hug. 5’9, 150lbs, Pisces, age 18, mixed (half whatever flavor of white Lacie’s family is [they don’t even know its just some scandanavian shit and irish], and half mexican on his mom’s side), medium olive skin with freckles and moles, dark chocolate brown hair that’s a bit of a 2009 Beiber cut, warm brown eyes, not beefy, a lil thicc and self concious about it but squishy boys are GOOD. Gets bit by a werewolf so now he is one his mood on it is “thats a lot to unpack but let’s just throw the whole suitcase away”.

Zander. There is not one braincell in this man, himbo KING, pansexual dumbass with undiagnosed ADHD, no impulse control, head empty and full at the same time, PTSD, his fashion sense should be an actual crime, gets in fights to feel something, basic requirements for him to be attracted to you: kick his ass. Drinks his respect women juice, sees a folding table and must immediately launch himself on it, chaotic, cannot drive a car and will not, food aggression and eats enough for 3 people but never gains weight which is ILLEGAL, him and Lacie may be a couple.....but in this house we stan slow burn, he talks in caps and every sentence either ends with a question mark or exclaimation point, likes romcoms. 6’2, 190lbs, Sagittarius, age 19, austrailian roots and has the accent but is from [REDACTED FOR STORY REASONS], white, dorito shaped with long legs, blueish black hair that’s long and messy, dark navy eyes that match his hair, bigass neck scar from [REDACTED]. Not human

Peter. Gay dad friend who is TIRED of having to be in charge of a bunch of teenagers, only one with full functioning braincells, lowkey a genius who loves engineering, mixes magical technology with human technology because he likes to play god, is he ever sober? No one knows, will kill for a bottle of single malt, his fashion sense? Tastefully expensive suits perfectly tailored. Likes building his own weapons that no one else knows how to even use, generally non-threatening but can get scary if needed. 6’4, 140lbs string bean man, Scorpio, age 179 but looks early 30s, I know I said Lacie is the whitest human but he’s even paler like a literal sheet of paper with scandanavian roots/ancestors were vikings or some shit, blonde hair styled like 2013 Brendon Urie lmfao, light crystal blue eyes. He’s a vampire and was born one.

Danielle. Tiny, sweet, queen of girls supporting girls, comments on all her friends instagram posts with 20 emojis, LOVES fashion and has a wardrobe that would make anyone jealous, oozes feminine energy, only child and parents are in love still, gets exactly 8 hours of sleep each night and wakes up looking like a disney princess. Just because she is small and cute doesn’t mean you should underestimate her she WILL fuck your shit up. Quiet when angey which is terrifying. Josh is her bf and she loves him so much but also loves teashing the shit out of him. Legally cannot cuss, polite, used her high heels as a weapon once, speaks like 5 languages because studying them is her hobby, gardens, hugs everyone. 5’0, 110, Taurus, age 18, mixed (half french-american, half Korean-american), glowy skin always, PETITE frame aka the friend everyone can pick up when they hug, long past her waist curly brown hair, bright green eyes. She’s not fully human as she has fae blood in her and this gives her the ability to talk to and control plants. Flower crowns for everyone

Becca. Theater kid who would die to sing in Wicked and has the vocal range to do so, cannot wait to graduate and go to her dream college which she got into and a scholarship, closeted lesbian bc her whole giant family is extremely catholic and she feels like not dealing with it, “no boys allowed in bedroom” rule is her favorite joke, chill, middle child of 5 siblings and just wants some peace and quiet for ONCE. Her fashion sense is “I’m dropping subtle hints I’m gay but only to other gays”, has a black belt and took self defense classes. 5’6, 145lbs, Virgo, age 18, Latina (cuban and mexican mix), darker brown skin with light freckles over her nose, athletic build, eyebrows on POINT, bright caramel eyes, short light brown hair cut in a bob, has a tiny nose stud, always wears a blue friendship bracelet her gf made her. Human

Anika. Calling her a bitch/slut is a compliment, bisexual, a bit of a mean girl but she grows out of it give her time!!! Is always Too Much, the horny friend, favorite color is red so thats almost all of her outfits, loves to show off her body as much as she can because she’s hot and knows it and thrives in her own confidence. Her mom is literally like Regina George’s mom from Mean Girls but married a rich man 20 years older than her, Anika doesn’t know her bio dad but thats fine neither does her mom and her step dad is nice and does his best to be a dad. Becca’s gf, always hanging out at her home so Becca can get some quiet because Anika’s an only child and has a pool. 5’9, 135lbs, Gemini, age 18, white, long layered dark reddish brown hair, teal-blue eyes, swimmers body type (I normally do not mention bust size but she would want the internet to know she was blessed with big bahoogles so there you go), can sprint in heels. Half mermaid (boy was that a surprise considering her mom doesn’t know who her father is LOL)

Rex. Nb uses they/them he/him pronouns but honestly will respond to any, goth lite, only attracted to men and ace, can read minds so knows all your secrets, mischevious little shit, great friends with Zander and enjoys his dumbass thoughts and that he’s basically a human version of Jackass, wears too many rings, goth boots for kicking and fashion babey, always has the freshest memes and will not hesitate to roast in the group chat, hangs with the girls most of the time. Chaos god who loves making art, be gay do crime, skateboard and spraypaint. 5’8”, 165lbs, Leo, age 18, Native American, masculine frame, dark brown skin, blue eyes, firetruck red shoulder length hair that’s usually in a ponytail, knock-off gucci sunglasses just for judging their friends. Has magic in their blood so not entirely human and can cast spells and shit (don’t roast me its a wip and I’m doing my research)

Sam. Boho goddess, aromantic, makeup and nails are always instagram worthy, quiet and stoic type but losens up around close friends, Rex is her best friend, has some trauma and doesn’t want to talk about it, emotionally numbed out a bit and wants to purely vibe. Has seen some of the worst parts of humanity and wishes she hadn’t, finds no point in being bitter or resentful though because that won’t change anything, loves cats and once she moves out shes adopting one or three. Has wine aunt energy. 5’4, 200lbs PLUS SIZE QUEEN, Scorpio, age 18, Filipino (her parents are immigrants fun fact!), really olive skin sometimes has a grey/green tinge to it, dark brown almost black shoulder length hair, gold-hazel eyes. Sam’s the victim of a family curse that requires her to consume human hearts to survive, she can transform into a pretty scary looking being and uses this curse to hunt down pedoph*les, r*pists, murderers, and abusers. The less often she feeds the less human she looks, hence the constant grey/green tinge to her skin.

Andy. Baby of the group, must be protected at all costs, 100% didn’t sign up to be in a friendgroup of 90% monsters but highkey loves it, trans, bi, anxiety MAXED, just wants to draw comics and cosplay spiderman, has to babysit his two younger sisters a lot because his parents are....not great, and as a result now knows all the lines to Tangled and The Little Mermaid. Big nerd energy, has to draw on everything including homework, gets inspiration for comics from his friends, awkward and socially anxious, drinks way too much tea and will accidentally steal your pens. Fears include: crowds, thunder, tall angry men, tiny spaces. Just trying his best. 5’2, 100lbs BEANPOLE BOY, Leo, age 16, white (irish and scottish roots), freckles absolutely EVERYWHERE, orangey red hair thats in desperate need of a haircut, chocolate brown eyes, braces, chronic nail biter. Human and kinda wishes he wasn’t.

That’s it for now if you read all this bless u thank u here is my whole heart. Please no discourse, literally these are fictional people I’ll never publish the books they go to.

#no i am not looking for critiques on them #i get my critiques elsewhere lmao #my ocs

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stepphase · 2 years ago

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Elon Musk taking legal action over a Twitter account that tracks his personal jet.

Elon Musk says he is suing the owner of a Twitter account that tracks his personal jet because he believes it put his son at risk.

The @ElonJet account, which has more than half a million followers, was suspended on Wednesday.

Its owner, Jack Sweeney, 20, tweeted every time Mr. Musk's plane took off and landed using publicly available flight tracking data.

Mr. Musk has stated that legal action is being taken against Mr. Sweeney and others.

"Last night, a car transporting Lil X in LA was followed by a psychotic stalker (who mistakenly thought it was me), who later barred the car from moving and got over the hood," he tweeted.

He stated that any account revealing people's real-time locations will be suspended "since it is a physical safety infringement".

When questioned by the BBC, Mr. Sweeney denied the incident was relevant to his account.

It comes after he revealed on his personal Twitter account on Wednesday that the profile had been suspended.

Mr. Sweeney's account appears to have been reactivated that evening. "Yes, I am back!" he tweeted. It was listed as suspended again minutes later. His personal Twitter account, @JxckSweeney, has also been suspended.

Mr. Sweeney, a college student in Florida, shared a screenshot with CNN of a Twitter notice saying that the social media company had done a "careful review" and had decided to permanently ban the account for violating Twitter's policies.

The student is in charge of dozens of other accounts that track wealthy Americans' private flights, including Microsoft co-founder Bill Gates, Amazon founder Jeff Bezos, and Meta CEO Mark Zuckerberg.

On Wednesday afternoon, many of those accounts, including one tracking aircraft associated with Russian President Vladimir Putin and another tracking celebrity flights, appeared to be suspended on Twitter as well.

Mr. Musk has long been annoyed by the @ElonJet account and was said to have offered Mr. Sweeney $5,000 to erase it.

Mr. Sweeney told US media sources that Mr. Musk eventually told him that paying to have the account shut down did not feel right.

And a month ago, Mr. Musk promised to continue operating it despite the fact that it posed a "direct personal safety risk."

Nevertheless, Mr. Musk tweeted on Wednesday night: "Any account that doxxes someone's current location will be suspended because it violates their physical safety. Links to websites that provide real-time location data are one example of this."

You may not publish or upload other people's private information without their express knowledge and approval, according to a revised media policy posted on Twitter by the Help Center.

Mr. Musk has changed Twitter's moderation procedures in a number of ways since becoming the reins of the company.

Additionally, Mr. Musk promised a month ago to keep it operating despite the fact that it posed a "direct personal safety risk".

But on Wednesday night, Mr. Musk tweeted: "Any account that divulges a person's precise position in real-time will be suspended because it violates their physical safety. This includes sharing links to websites that provide current location data."

A revised media policy from the Twitter Help Center was tweeted, and it states in part: "You may not publish or upload other people's private information without their express knowledge and agreement."

Mr. Musk has changed Twitter's moderation procedures significantly since taking over as CEO.

A few previously prohibited accounts have been reinstated by him, including the profile of former US President Donald Trump, which was prohibited following the uprising at the US Capitol on January 6.

According to the New York Times, the Tesla CEO has reduced Twitter's workforce and ceased paying rent for parts of the company's offices, including its San Francisco headquarters.

Investors have questioned whether his recent acquisition of Twitter has caused him to focus less on his electric vehicle company.

He sold a further 22 million shares in the company this week on Monday, Tuesday, and Wednesday for about $3.58 billion (£2.9 billion).

With this sale, Mr. Musk has now sold roughly $40 billion worth of Tesla stock in the previous year.

For breaking information and reside information updates, like us on Facebook or observe us on Twitter and Instagram. Learn extra on Newest News on stepphase.com.

#Stepphase #technologies #technology #tech #technews #techworld #techtrends #smartphone #apple #techupdates #futuretechnology #newtech #techgeek #technologynews #technologythesedays #smarttechnology #technologylover #technologytrends #technologyblog #gadgets #smartphone #gadget #marketing #digital #india #technologyisawesome #amazing #repost

#Elon_musk #High_Tech #news #tech_news

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sagehaleyofficial · 5 years ago

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HERE’S WHAT YOU MISSED THIS WEEK (2.12-2.18.20):

NEW MUSIC:

· New Found Glory announced a co-headlining tour with Simple Plan, with support from Knuckle Puck. The tour kicks off at Jannus Live! in St. Petersburg, Florida, on May 29 and ends at Stubb’s in Austin, Texas, on June 28.

· Four Year Strong unveiled the video for their new song “Learn to Love the Lie,” the third track from their upcoming fifth studio album, Brain Pain. The song comes soon after the announcement that they would be hitting the road with fellow band Silverstein this spring.

· You Me at Six dropped a new single titled “Our House (The Mess We Made),” through which all of the proceeds will go toward Australian bushfire relief. The last new song we had from the British band was the single “What’s It Like” in August 2019.

· Hayley Williams of Paramore dropped a raw footage lyric video for “Simmer,” her first single off her upcoming solo release Petals for Armor. The singer originally released the song in early January with a darker official music video.

· Asking Alexandria unleashed a brand new song titled “They Don’t Want What We Want (And They Don’t Care).” The band first teased the song on February 11 on their Twitter account.

· Falling in Reverse released a special song and video titled “The Drug in Me is Reimagined,” keeping the same lyrics as the original song for which it’s named. The band is currently on tour with the bands Escape the Fate and The Word Alive.

· Billie Eilish released a new song “No Time to Die,” which will be used as the theme for the new James Bond movie. Rumors of her participation on the film’s soundtrack began as early as January.

· During the NME Awards, YUNGBLUD revealed the release date of his upcoming album. He also said there would be a new song coming “Imminently” before discussing his love for Robert Smith of The Cure.

· Justin Bieber and Post Malone released a new track titled “Forever” off the former artist’s latest album Changes, which also features rapper Clever. In January, TMZ said that sources close to Bieber reported that Post Malone and Travis Scott collaborated on the album.

· SWMRS and FIDLAR teamed up for a cover of The 1975‘s track “People” off of their upcoming record Notes on a Conditional Form. The cover also comes along with a visualizer video with many black and white photographs of the bands.

· Set It Off released a new song, “One Single Second,” after previously revealing the songs “So Predictable” and “Catch Me If You Can.” The band is currently finishing up their headlining dates with Capstan.

· Halsey‘s new single “You Should Be Sad” received a remix from EDM producer Tiesto. The remix provides an upbeat electropop feel to the song’s country-inspired twang for the perfect combo.

· All Time Low declared their first album in three years, titled Wake Up Sunshine, which is due for release on April 3. The album announcement comes after several teasers that began last month.

· Ozzy Osbourne revealed the tracklist for his upcoming album Ordinary Man, which features a new collaboration between him and Post Malone. This follows the pair’s first collab, “Take What You Want,” also featuring Travis Scott.

TOUR ANNOUNCEMENTS:

· My Chemical Romance announced another show at the Eden Project in Cornwall, UK, scheduled for June 16. The Eden Sessions made the announcement on February 12 via their Instagram account, ahead of the band’s official announcement.

· In This Moment frontwoman Maria Brink recently covered Billie Eilish and Radiohead during her solo set on the ShipRocked cruise. The festival took place from February 1 to 6 and included sets from Asking Alexandria, Ice Nine Kills, Beartooth and more.

· The lineup for the Chain Fest Festival was announced, featuring bands such as Jimmy Eat World, Taking Back Sunday, Circa Survive, Saves the Day, Anberlin, Glassjaw, Cartel and Acceptance. The event will take place at the FivePoint Amphitheater in Irvine, California.

· Matty Healy of The 1975 declared the band will no longer be playing festivals where the lineup doesn’t have equal gender representation. Out of the 90 acts that were revealed for this year’s Reading & Leeds Festival, only 20 of them feature women.

· The Pretty Reckless announced they will embark on a headlining tour this spring, which will be their first tour in almost three years. It was also confirmed that their new album, Death by Rock and Roll, is now finished.

· Poppy performed a medley of her songs at WWE‘s “NXT TakeOver: Portland” event yesterday. She played the tracks “Fill the Crown” and “Anything Like Me” while sporting an avant-garde outfit.

OTHER NEWS:

· Jeffree Star released his highly-anticipated “Blood Lust” palette last week, which consists of 18 new shades. The packaging features a velvet exterior along with a never-before-seen jewelry clasp opening.

· In what may be an attempt to help Birds of Prey’s less-than-impressive opening weekend numbers, Warner Bros. changed the name of the film to Harley Quinn: Birds of Prey. The film brought in $33 million in revenue in the U.S - lower than the anticipated $50 million.

· Cartel’s Facebook page updated its cover and profile photo to a new blue logo, sending fans into a frenzy and sparking reunion rumors. The logo also appeared on a new Instagram account, which was just launched recently.

· The lawsuit between late rapper Juice WRLD estate and the band Yellowcard has been put on hold, due to no one being appointed as the executor or the late rapper's estate. Therefore, the case cannot continue until then.

· A super Twenty One Pilots fan launched a project to create a Blurryface musical. However, just short of two weeks after its announcement, the fan in question received a cease and desist order for the project.

· Neck Deep revealed that they added a new member: longtime collaborator and big brother of frontman Ben Barlow, Seb Barlow. They also announced that they launched an official app, as well as invited fans to an event titled “Sonderland.”

· Machine Gun Kelly launched a new merchandise line for his 2019 album Hotel Diablo for Valentine’s Day, which included a vibrator appropriately titled the “Lil’ Devil.” The vibrator comes in a sophisticated red packaging that reads “Let’s get wild.”

· In a new interview with Entercom, Hayley Williams revealed that she anticipated that there will be more Paramore shows in the future. “And there will be more Paramore shows. Yes. Confirmed,” she stated.

· Real Friends and its lead singer Dan Lambton announced that they have parted ways, with posts from both parties uploaded on Valentine’s Day to their respective social media outlets. Both Lambton and the band said that the split was mutual.

· Pierce the Veil is supporting the Australian wildfire relief with a new shirt dedicated to the animals affected by the fires. The shirt is a long-sleeve taken from one of their Australian tour laminates, used on their last tour of the country.

___

Check in next Tuesday for more “Posi Talk with Sage Haley,” only at @sagehaleyofficial!

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let-it-raines · 5 years ago

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Catch Me If You Can (21/?)

298 days. That’s how long Killian Jones was away from a baseball field. It’s less than a year, only part of a season for him, but it might as well have lasted a decade as he alternated between physical therapy and spending an excessive amount of time sitting on his couch.

But then he came back and won the World Series.

It’s something no one saw coming, and it’s certainly not something anyone who knows about his arm would predict. Now it’s a new season with new possibilities, and anything could happen. On-field reporter Emma Swan will be there to cover it all even if she is not his biggest fan right now.

Asking her out live on-air will do that.

Rating: Mature

a/n: I technically don’t have a horse in the race for the World Series that’s currently happening (tonight could be the last game 🙀), but since this lil’ universe exists because of @wellhellotragic, I’ll be pulling for the Astros to actually win a game at home!

@resident-of-storybrooke remains the best for reading these words, which include some more meeting of the fam jams!

Found on AO3: Beginning | Current

Tumblr: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 |15 | 16 | 17 | 18 | 19 | 20 | 21 |

Tag list: @eala-captian @galaxyzxstark @xellewoods @mariakov81 @ultraluckycatnd @royalswan @shey-starsfury @superchocovian @sals86 @iam2307 @ashley-knightingale @karenfrommisthaven @scientificapricot @captswanis4vr @ultimiflos @jamif @idristardis @nikkiemms @resident-of-storybrooke @tiganasummertree @bmbbcs4evr @onceuponaprincessworld @jennjenn615 @mayquita @captainsjedi @teamhook @notoriouscs @kmomof4 @ekr032-blog-blog@cs-forlife @andiirivera @jonirobinson64 @qualitycoffeethings @youraverageshipper

-/-

New York City in the summer is both the best and the worst.

There are approximately a million things to do, which is pretty much always true for this city, but things seem to multiply this time of year compared to any other time. Well, maybe besides around Christmas, but then every street is so full of tourists that Emma can’t do anything for fear of losing her temper and yelling at a middle-aged couple simple trying to enjoy their twenty-fifth wedding anniversary trip.

Bah-humbug.

And as much as Emma likes the way she can wear her jeans with a cozy sweater and coat draped over her with a warm beanie covering her ears, summertime is pretty much the prime time for her with so many baseball games happening and with the US Open coming around at the end of August. But it is decidedly not the end of August since it’s more like the end of July, and all she feels right now is like a big puddle that’s ready to melt whenever she walks outside. Also, that she smells like garbage, but that’s more likely the city than her considering she showered this morning and used vanilla body wash that she can smell on herself.

As well as sunscreen.

And sweat. There is definitely some sweat involved despite the fact she is only wearing a pair of shorts and a tank top with a hell of a lot of deodorant. She literally has deodorant in her backpack next to her laptop and notebook full of stat sheets.

Her hair is really gross too despite the braid it’s in, and the game hasn’t even started. It’s going to be a long day. For a multitude of reasons.

David, Mary Margaret, and Leo walking toward her in the hallway is near the top of that list.

“Emma,” Leo gasps when he sees her, quickly running toward her and leaving his parents behind in the dust. He’s got on a Captain America shirt and the signed Killian Jones hat gracing the top of his head. They didn’t explicitly tell Leo that she and Killian are dating – kids being kids and not being able to keep secrets and all that – but he pretty much knows. And he’s definitely going to after this.

“Hi, bud,” she laughs, squatting down the slightest bit (he’s getting too tall) to wrap him up in a hug that she knows is far too tight. “Long time no see.”

“I saw you for dinner last night.”

“That is too long.”

“You’re clingy,” Leo scoffs before pulling back from her hug to look at her with those furrowed little brows of his.

“Clingy? Who taught you that word?”

“Mom said that about dad.”

“Hey,” Mary Margaret huffs, sliding her arm around Emma in greeting, “don’t be telling tales.”

“It’s true.”

“I’m clingy?” David questions, his forehead wrinkling when he raises his brows. “Since when am I clingy?”

“That’s a conversation for another time.”

“But I – ”

“Okay,” Emma claps, breaking up the argument that is very inevitably about to happen no matter how small it’s going to be, “so I’m going to show you guys to your suite before I have to go out onto the field for a bit.”

“Emma, I know my way around the stadium,” David grumbles like he always does when there is any implication that he does not know absolutely everything that he needs to know, but then he’s kissing her cheek in greeting and gently patting her back in that David way of letting her know that he’s teasing even when she already knows this. It’s, like, a whole full circle thing. “Why is it that you are taking us to a suite today instead of us just sitting in my seats?”

The scorecard keeps ticking higher on David mentioning his investment in baseball by mentioning his season-ticket seats, but honestly, she can’t even say anything.

“Because,” Emma sighs, wrapping her arm around Leo’s shoulder and pulling him forward, “you are a workaholic who needed to get out of the office and spend some time with your family, and I made some special arrangements for that. Also, it’s crazy hot outside today, and the suites have air-conditioning.”

They’re in one of the first suites that Emma comes to, and she unwraps her arm from Leo’s shoulder to flash her badge at one of the security guards in charge of the player family suites before a door is opened for them to go inside. Liam, Elsa, Anna, and Kris are already inside sitting down on the couches that are in front of the TV monitor, and Addy and Lucy are watching something on an iPad, pink headphones covering their ears.

“Emma, are those?” Mary Margaret asks, trailing off at the end.

“Yep, that’s Killian’s family.”

“But we haven’t even met Killian yet.”

“Oh,” Emma sighs, smiling a bit to herself at them reacting to this exactly the way that she knew that they would, “I know. He’ll be up here when he finishes with the game though, okay? I’m feeding him to the lion’s den while I’m working, but he’s going to take us all to dinner afterwards so that you guys can do your creepy interrogation like Liam did to me.”

“He did what now?” David fumes, reaching forward to gently grab her elbow while Liam himself turns around, finally spotting they they’ve entered the room.

Emma can’t help but roll her eyes while her stomach does that twisting thing that is pretty much becoming its trademark. All of these people are ridiculous. “It’s fine, David. It was a joke. But seriously. I might be in and out depending on how the game goes, but Killian is going to come up here after he finishes his cool down, and afterwards, we’re going out to dinner.”

“How is that going to work if you guys are keeping things quiet?”

Emma shrugs her shoulders, a little bit of nervous energy washing over her. It’s something she and Killian have talked about a lot in the past week now that everyone important knows about everything important, and while they’re still figuring things out, they’ve decided that it’s probably safe to go somewhere low key for dinner as long as they’re in a group. Maybe eventually they’ll be able to go to dinner with just the two of them without Emma looking over her shoulder. It’s not like Killian is Brad Pitt or anything, but her worries of being spotted are legitimate. She’s in a very happy little bubble right now, and even though a bit of it has been burst, it’s still holding strong.

She deserves this. Killian does too.

“We’ve got it figured out,” she tells David before walking toward Liam and greeting him with a hug and doing the same with everyone else. Killian’s family are a bunch of huggers, even for people they don’t know very well, and that’s something she’s figured out very quickly. “Okay, so I’m about to do some quick introductions, so everyone brace yourself.”

“David Nolan,” David interrupts, reaching forward to shake Liam’s hand in what Emma can tell is a far too hard handshake to show off some kind of weird masculine authority. “It’s nice to meet you – ”

“Liam Jones. And this is my wife Elsa, her sister Anna, and Anna’s husband Kris. The two munchkins ignoring us are my daughter’s Addison and Lucy, and I bet they will be great friends with your son.”

“How old are they?” Leo asks. “Because I don’t want to be friends with anyone younger than four.”

Elsa actually snorts while Mary Margaret’s intake of breath might as well be a sign that death is coming with how dramatic it was.

“Leo,” Mary Margaret admonishes, “that is not very nice. You should apologize.”

Elsa stops laughing to wave Mary Margaret away, a kind smile on her face. “It’s fine, I promise. I get it. The girls do stuff like that all of the time, and luckily for Leo, they are both a little bit older than that. Plus, Addy really likes Captain America too.”

“Really?”

“Yeah, why don’t you go over there and talk to her?”

Leo smiles and nods his head before sprinting over to the girls, plopping down on the couch hard enough that Addy and Lucy might as well bounce off of it.

“I’m really sorry about that,” Mary Margaret says again. “He was stuck with me working with a bunch of younger kids the other day, and I think that’s scarred him.”

“It really is fine,” Elsa smiles. “At least he’s a kid and there’s a bit of an excuse. Anna here sometimes says things like that, and she’s an adult.”

“Only technically,” Anna laughs.

“This is true,” Kris adds in.

“Hey, you’re not supposed to talk about me like that.”

“What? It’s true. It’s how you are. You have the enthusiasm of a kid with a bag of skittles. It’s wonderful.”

“Yeah, but you guys aren’t supposed to say things like that when we’re trying to make a good impression with Emma’s family. We’re supposed to look normal.”

It’s Emma’s turn to snort and shake her head before reaching forward to squeeze Anna’s forearm. “There’s no such thing as normal, which I’m sure you guys will realize as soon as I leave you all here to make some awkward small talk.”

“There isn’t going to be anything awkward about it,” Kris smiles before bumping his hip into Anna’s, “unless Anna keeps talking.”

“You are something else today.”

“You guys are all something else,” Emma laughs, hoping to everything that this is going to go well. This isn’t something she’s ever really had to do before, and it’s kind of terrifying. “But I trust that you can all get along with your spouses, since that seems to be a problem today, and each other. Now I’m going to go sweat my ass off outside, but you guys have a good time up here. And if they bring in those cheeseburger sliders, save me some.”

With that, she turns to walk out the door, knowing she doesn’t have time to go through proper goodbyes with all of them (she’d be there forever), and quickly makes her way to the elevator so that she can get to the tunnels that are going to take her out to the dugout. She always loves the days where she gets to spend some time in there, to really get a behind the scenes feel at it all, and while she’s a bit wary of some of the players now, she knows that it’s all going to be fine.

This is a game, but it’s also a job.

Al nods his head at her when she pushes open the door and walks toward her designated spot at the end with the water cooler and bat racks. August and Lance greet her, the rest of the guys sitting around ignoring her, and she’s thankful when she finds Jeff already in his seat.

“Hey,” he mumbles, his legs shaking up and down.

“Hey, why do you look nervous?”

“I’m fucking hot.”

Emma laughs and takes her seat next to him, and Jeff hands her the microphone pack and her earpiece, which she immediately turns on even though she knows Ruby is probably about to bombard her with questions.

“We can go inside for a bit when the first inning is over. I don’t plan on being out here the entire time.”

“Thank you.”

Emma knocks her knee into Jeff’sJeff’s,but he ignores her and turns his head to look out at the field. He’s always such a character.

“So,” Ruby teases, her voice breaking through the static, “how did the meeting go?”

“Fine. I bolted pretty quick, though. Also, Rubes, we can’t really talk about this stuff while I’m working.”

“Why not – oh, wait, never mind. I got you. There are a lot of people around who can hear you.”

“Yep,” Emma sighs, shaking her head a bit, “so tell me what kind of coverage you want me to get for this game. Jeff and I are already dying of heat.”

“Fine,” Ruby grumbles, and Emma can practically imagine the roll of her eyes, “I guess I will give you instructions for your job instead of gossiping about your life.”

-/-

Killian only pitches three innings, and while it’s a bit unusual, Emma doesn’t think anything of it. They’ve got their first road game in Boston next week, and she imagines Al doesn’t want anything to happen to Killian’s arm. And there’s no reason for him to overexert himself when they’re so easily winning and have already got this series in the bag no matter what happens the rest of the afternoon.

Plus, he winks at her when she finishes doing a quick interview with him after he’s pulled from the game, and the smile on his face tells her everything that she needs to know about how good he’s feeling.

She hopes that he feels that way after he goes upstairs and meets most everyone.

They probably should have eased everyone into it, but honestly, she thinks Killian will be more comfortable with his family around.

“Are you going to make me do one of those Instagram filters again today?” Will questions, as he plops down on the bench next to her, tilting the water cup back and drinking it down in one gulp. “Or am I playing twenty questions? Do you want to talk about my wedding? Or maybe even the game?”

“Shut up, asshole,” Emma laughs before reaching up to fan her face and wipe the sweat from her brow. “You’re the worst.”

“Um, actually, I believe you quite like me.”

“That’s debatable.”

Will hums as there’s some shuffling in front of them with Arthur King reaching around Emma to get his bat and helmet. Anxious shivers run down her spine when she sees him now, and her entire body stiffens until there’s a gentle pressure on her forearm from where Will is squeezing it.

“Hey,” he whispers, dipping his head down to look up at her, his goofy grin replaced with a soft smile that she usually doesn’t see with him, “you okay?”

She nods her head, wishing that her stomach wasn’t twisting like this. “I’m fine.”

“He’s not going to say shit like that again, Emma,” Will promises as his hand squeezes her arm again. “You are a member of this team, just like me and Killian and Rob, and we’ve got your back no matter what happens. I don’t let people talk shit about anyone but especially my friends.”

“Are we friends now?”

“Jones told me that we had to be.”

Emma scoffs and rolls her eyes, but she still knocks her knee into Will’s, a smile curving at the corner of her lips. Who knew that Will Scarlet was going to be so in her corner this early on? Or at all.

“Thanks. I’ll let you pick the filter you use the next time I do Instagram stuff simply because of that.”

“Sounds like music to my ears.”

-/-

Emma doesn’t get any chances to go back up to the suite during the game, but afterwards, when she’s wrapped up all of her work stuff and told Jeff goodbye, she finds herself walking through the suite doors only to find Killian standing at the counter wrapping sliders in a paper towel while talking to David.

Should she focus on the fact that she knows that Killian’s wrapping those up for her even though she asked everyone else to do it or the fact that Killian is talking to David?

Probably both.

“Hey,” she says slowly, stepping up to the two of them so that they both glance over at her, small smiles gracing both of their lips. Okay, good, that’s a good sign. “How are things going?”

“Just dandy,” Killian tells her, lifting his arm so that she can step into his space and press up on her toes to kiss his cheek. “Dave is telling me about how he makes me look good on TV.”

“Dave?” she questions, and all Killian does in response is brush a kiss over the hair at the crown of her head.

“That is not exactly what I was saying,” David clarifies. “Killian asked me about work, and I explained it to him. Him thinking that he needs help to look good is all on him.”

“I mean, I get it. I help him look good every week when I could very easily make him look awful.”

“You are so kind to me, darling.”

“I know.”

Killian smiles down at her in that way that makes her heart stutter and her breath hitch, and there are so many emotions flying through her right now that she’s not entirely sure what to feel. There are also a million questions she’s going to have to gulp down, and Emma already knows that she’s going to have to ask Mary Margaret or Elsa for all of the details how everything went.

She really, really, really wants Killian and David to get along. That’s, like, everything to her even if she didn’t realize it when this whole thing started. Ruth and Mary Margaret will like anyone who is nice to her, but David has seen so much of the shit that’s happened in her life that he’s a little bit more particular.

Okay, a lot.

“Are these sliders for me?” she asks even though she already knows the answer.

“Aye. I figured you’d want something to eat on the way to the restaurant since I didn’t see you eat during the game. Were you avoiding it so as not to get on camera again?”

“Kind of. It was also too damn hot to eat.”

Killian’s lips tick up on the right, his brow arching high on his head, and she knows that there’s a dirty joke rumbling around in there. It must be hard for him not to be able to say it, but they are most definitely not at a comfort level where he can talk about having sex with her in front of David. In fact, it’s probably best if they never get to that comfort level.

“Dad,” Leo groans as he walks over to the them, “Mom said to ask you when we can go eat.”

“I think we can go now since Emma’s all finished with work.”

“Thank goodness. I thought I was going to starve to death.”

“You know, kid,” Killian laughs, dropping his arm from around Emma’s shoulder, “you sound a lot like your aunt.”

What can she say? She and Leo like to eat.

They go to a low-key pizza place six blocks over from Liam and Elsa’s townhome. All of them are so spread out in different boroughs of the city that it’s pretty much impossible to meet in the middle, but Liam suggested the place since he knows that it’s quiet and that the girls like it a lot. Emma’s honestly pretty nervous walking inside, Killian following right behind her with his hand ghosting over the small of her back. It’s odd to have been dating someone for this much time and never really been out with them, but this relationship is never going to fall into the category of ordinary anyways. It’s always going to be a little off and a little funky, and that’s fine with her because it works. She’s never been one to need to be wined and dined anyways.

And maybe she’s also nervous because of the fear that someone is going to see them and that connections are going to be made, but Elsa quickly talks to the hostess and has them moved to a large corner booth in the back that no one else in the restaurant can really see. Bless Elsa. Honestly and truly. Emma knew she would be great for how Killian always talked about her, but Emma had no idea that she was going to so quickly hit it off with the woman so that they almost feel like friends now too.

It’s been a week since they met, but everything goes so naturally that it feels like so much longer.

This isn’t her or her life or the way things usually go. Emma doesn’t just make friends with people she meets and doesn’t integrate her life with others. The only constant friend she’s had over the past six years that isn’t somehow quasi-related to her is Ruby – toss Graham in there too – and if it wasn’t for Ruby pretty much demanding that she and Emma get along, Emma would probably still think of the woman as just her producer.

How different life would be.

So Emma is definitely not the type of person to have multiple people texting her throughout the day or asking about plans, knowing and understanding that the rigorous game scheduling makes those plans kind of difficult to make. But here she is at a table with ten other people where the conversation is easily flowing from subject to subject because all of these people are making an effort to get along for she and Killian.

She’s got some pretty awesome people around her, the man whose hand keeps inching up on her inner thigh included.

Emma twists her head to look at Killian and tell him to stop teasing her by squeezing her thigh, but instead of seeing the smirk she was expecting, his free hand reaches up to cover his mouth as he yawns.

“Are you tired?”

Killian nods as he keeps yawning, small tears escaping the corners of his eyes, and when the yawn finishes, he has to keep blinking the tears away. “Exhausted. I could go for an entire vat of caffeine.”

“Or get an IV of coffee in your arm.”

“What?” he questions, very obviously not getting her reference.

“Gilmore Girls reference, twenty-nine,” Emma sighs, patting his hand on her thigh. “Gilmore Girls. I know we’ve talked about it before. You should watch it when you have time. It’s, like, a peak early 2000’s show. But you can skip the last season.”

“I’ll keep that in mind when I inevitably forget about this conversation and the show.”

“Do you need to go home? We can leave whenever.”

“No,” Killian promises even though he yawns when he says it, “I’m good for a little while longer.”

“Is it past your bedtime?” Lucy asks quietly from her seat next to Emma.

“Do you think your uncle goes to bed before you, sweetie?”

“He looks sleepy. Do you want my pizza?”

Emma’s not exactly sure where the correlation is there, but that’s kind of how kids are. It’s much more entertaining than talking to adults sometimes.

“No, Luce,” Killian promises, leaning over Emma to talk to her, “I don’t want your pizza, but thank you. That’s very sweet. I think it’s past your bedtime though.”

“It’s not Lucy’s bedtime for another hour,” Addy helpfully adds in, much to the amusement of everyone else. “Mine isn’t until eight because I’m older.”

“Mine is at nine,” Leo says.

“I wish I could go to bed that early,” Elsa sighs as she reaches down to pick up her glass of water. “You guys don’t know how good you’ve got it sleeping that much.”

“I don’t like to sleep,” Addy laughs.

“Me either,” Leo says back to Addy, giving her a high five.

Mary Margaret is probably already planning their wedding or something ridiculous like that for how much fun they seem to be having. Actually, Mary Margaret is probably planning hypothetical weddings for several people at this table, but that is not something Emma is going to start thinking about. Nope. Not anywhere near to even being close to being ready and the little thoughts need to chill the hell out. So, if Mary Margaret is going to plan creepy hypothetical weddings, it can be her son’s.

They’ll probably have Captain America-themed plates with baseball hats and stuffed animals from the zoo lining the aisle.

Okay, now Emma is the crazy one.

Maybe she’s a little tired too.

“So, Killian,” David starts, very obviously changing the subject, “I mean to ask earlier, but why did Al pull you out of the game so early?”

Killian’s hand squeezes her thigh, nails digging into the skin a bit roughly, but then he’s letting out a breath and releasing her thigh so that he can scratch at his jaw. “Ah, preservation for the Sox series. Nothing to worry about. I wasn’t feeling top notch, and it’s better not to risk it, you know?”

“That makes sense. I feel like I spend so much time simply making sure things run smoothly on camera that I never get to actually pay attention to the game, so today was nice.”

“See,” Emma huffs, looking between the two of them and pushing down that little feeling of worry over Killian not feeling well today. It was probably just the heat. “I told you that it would be nice. You got all defensive about sitting in the suite.”

“To be fair, I had no idea we would be meeting Killian’s family today.”

“Yeah, hon,” Mary Margaret sighs before picking up a slice of pizza and taking a bite, “we were blindsided a bit, and apparently everyone else already knew.”

“I didn’t want you to prepare questions or some kind of actual interrogation or something else ridiculous beforehand. You have a tendency to be a little too much on the friendly scale.”

“I do not.”

“You totally do.”

“How?”

“Marg,” Emma laughs, “you probably would have been like Ariel and tried planning a vacation for all of us before you even shook Liam’s hand.”

“I would not have.”

“I bet if I looked at your phone right now there would be flights pulled up to Aspen or something.”

Mary Margaret narrows her eyes at Emma, but then Anna is clapping her hands together and making everyone look at her. “Oh, I just love this too much! I think a group vacation would be the most fun.”

Everyone starts laughing, and Killian picks up his bottle of beer to tilt at Anna. “Emma was right when she said that you and Mary Margaret get along swimmingly. It’s uncanny, actually, how similar you are.”

“Friendly people make friends, little brother.”

“Liam, I don’t know how many times I have to say that there is nothing little about me. Ask Emma.”

“Oh my God,” Emma gasps, reaching back to slap his chest, “no. We are not talking about that. You’re an idiot. There are children here.”

“To be fair,” Kris starts, and everyone turns to him, “they got here by the either little or not-so-little attachments we’re alluding to.”

Nothing like alluding to dicks to make a group of people come together.

Okay, that thought could be taken a lot dirtier than Emma intended, so it’s a good thing she’s not thinking out loud.

They all quietly leave the restaurant half an hour later, the conversation and laughter not at all slowing down for the rest of the time there. Maybe it was the bit of alcohol that most everyone had or maybe it was simply hitting a stride in conversation, but it doesn’t really matter. All Emma knows is that her stomach hurts from laughing and she’s got this smile on her face that she hopes stays for awhilea while.

“Today was nice,” Mary Margaret sighs as the two of them stand outside the restaurant while David and Killian settle the bill inside. “I like Killian a lot. I really like that he makes you smile.”

Emma blushes, and her smile increases despite her best efforts not to let it. Who in the world is this woman who is smiling all of the time? This is not her. But maybe it is now.

“You are such a mom, Marg.”

“Literally I am.”

“You know what I mean, though.”

“I do, I do,” she sighs, wrapping her arm around Leo’s waist and pulling him closer so that he doesn’t wander off the sidewalk and into the street. “But you’re basically my first baby even though this one came so close after I met you. All I want is for you to be happy, and that man makes you happy.”

“Yeah, he does.”

“Emma,” Leo asks, looking up at her as the restaurant doors open behind him, “can I meet Will Scarlet now too?”

“We’ll see, kid,” Emma laughs. “We’ll see.”

“You ready to go, love?”

Killian walks over to her and moves to wrap his arm around her shoulder before stopping himself, eyes glancing to the few people around them, and Emma’s heart sinks at that. But she knows that this is for the best, and Killian not being able to wrap his arm around her shoulder when they’re about to get in the car isn’t that big of a deal. It’s really not a deal at all, and Emma pushes down her worries so that she can look up at Killian and smile.

“Yeah, I’m ready.”

The two of them say their goodbyes to everyone else before walking two blocks over to find Killian’s car where it’s parked, Killian opening her door for her even when she insists that she do it herself so that Emma can quickly slide into the passenger’s seat.

“You and David took a million years to pay.”

“Did we?” Killian hums, very pointedly taking a little too long inspecting the gearshift.

“You did. Did he go all big-brother on you?”

“I don’t know what you’re talking about, Swan.”

“You, Killian Jones,” Emma scoffs as Killian pulls out of the parking spot and onto the street, “are a liar.”

“And obviously not a very good one either.”

Emma sighs as Killian twists his head and winks at her, a mischievous smile painted on his lips. “What did David ask you?”

“About my intentions with you.”

Groaning, she sinks down further on the leather seat, wondering if it’s acceptable to unbutton her shorts because she’s eaten pizza and cheeseburger sliders in the past three hours and has food babies inside of her stomach. Multiple. That’s how much she has eaten.

“Seriously?”

“Yep,” Killian laughs, turning the blinker on before reaching over to grab her hand and bring her knuckles to his lips to brush a kiss there, the charmer.

“What’d you tell him?”

“That I love you and am very much in this for the long haul as long as you’ll have me. Now do you want to go to your place or mine?”

“Mine,” Emma tells him as her heart stutters in her chest at his words and all of the implications behind them. “Let’s go to my place.”

#catch me if you can #cs fic #cs ff #captain swan fic #captain swan

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country-wannabe · 5 years ago

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I said I wasn’t going to respond to the people in my inbox who refuse to acknowledge the sexism and racism in country music, but I can’t get this out of my head, so I’m going to address the biggest faults in your arguments in this text post and then end this conversation.

“They play what their data says their audience wants to hear and by reaction to what they play. Why? Ratings = money.“

According to a study conducted by CMT and Coleman Insights Media Research, about 7 in 10 listeners want more female artists in country music. 53% of fans say that they do not have a gender preference within the genre. 28% of listeners actually said they would listen to country radio more if there were more women featured, versus 11% who said they would listen less. A majority said they would listen the same. And a resounding 84% of listeners wanted equal play for female artists.

Source: https://www.cmtequalplay.com/wp-content/uploads/2020/02/CMT-Coleman-Equal-Play-.pdf

"Out of that has come this myth that you shouldn't program women back-to-back—that the listeners don't want to hear women's voices. That male artists are preferred," Watson said. "None of this is based on statistical fact. There has never been a study, that we have ever seen, that has indicated that these myths are in fact true." - Jada Watson, WOMAN Nashville

Source: https://www.vice.com/en_us/article/v74dn3/a-country-radio-station-admitted-they-cant-play-two-female-artists-98kcq-kacey-musgraves-discrimination

“Are there fabulously selling female artists in streaming and purchases in the digital format that radio chooses to ignore? As far as streaming and sales go are there many females that outsell/stream than men and are ignored on radio? This focus on radio seems dumb anyways since most consumption is on digital formats anyways.”

"Radio is still the number one form of marketing for artists, particularly country," Chiang said. "We play something, the streams go up. Sales go up. And so on. So it's still very important for them to get radio airplay." - Johnny Chiang, Program Director for Houston 93Q

Source: https://www.vice.com/en_us/article/v74dn3/a-country-radio-station-admitted-they-cant-play-two-female-artists-98kcq-kacey-musgraves-discrimination

“Believe it or not, radio is still king. I feel like we are training people not to hear female voices.” - Leslie Fram, CMT

Source: https://www.youtube.com/watch?v=IVFXbkIruws

“Oftentimes, they’re consuming many of the same artists they hear on country radio. The current Hot Country playlist of 52 artists reflects an unmistakable overlap with the Top 40 of Billboard’s Country Airplay chart: Luke Combs, Kane Brown, Dustin Lynch and Jason Aldean are common names on both surveys. That similarity, and especially the lack of female artists represented in the Hot Country playlist, has been a source of criticism for Spotify. Presently, only one woman — Kelsea Ballerini — is included in the service’s most popular country compilation. (Pop singer Becky G has a cameo on a Kane Brown track).“

Source: https://www.rollingstone.com/music/music-country/spotify-streaming-country-music-nashville-779010/

89% of country fans report listening to AM/FM radio weekly, while 66% to 71% report streaming. So radio is still the most popular form of listening to country music, and it often affects streaming anyways.

Source: http://www.insideradio.com/free/country-music-fans-tune-in-longer-digging-am-fm/article_eff34ce6-229b-11e8-af81-8788ad63d375.html

“In the 90’s men were almost extinct in country music. The institutional bias was present then also”

First of all, men were not extinct. They still greatly dominated the genre. There were just a few more female country singers than there are now.

“But a quick check of industry charts reveals that the gender split was no better back then. Billboard's recent chart from Nov. 9 featured five solo female artists in the top 30, along with two bands or duets with female singers. Its chart from Aug. 22, 1970 — the first time Parton cracked the top 10 — had five solo female artists in the top 30, along with three male-female pairs. Some brief periods have offered exceptions to this status quo: In the 1990s, for example, women featured more prominently on country radio. But according to an analysis by musicologist Jada Watson, representation steadily declined over the next two decades. Today, the number of women on country radio is approximately at the same dismal level as it was 50 years ago.”

Source: https://www.washingtonpost.com/outlook/five-myths/five-myths-about-country-music/2019/11/27/bb8af2aa-1070-11ea-9cd7-a1becbc82f5e_story.html

“Since 2000, there has been a 66% decline in songs by female artists on country radio.”

Source: https://www.youtube.com/watch?v=IVFXbkIruws

“Oh ya. Lil NAS X was held down in cm by those homophobic white men running cm! You seriously don’t know what the fuck you’re talking about”

Little Nas X was successful outside of country music, because country radio actually refused to acknowledge the legitimacy of the song.

“In March, Billboard chose to pull Lil Nas X’s song from its country charts — where it had reached No. 19, and would have inevitably reached No. 1 — ostensibly for failing to embrace “enough elements of today’s country music,” while keeping it on the R&B/Hip Hop charts. More recently, many white country fans have taken to Twitter to voice their anger over Lil Nas X’s recent sponsorship deal with Wrangler jeans, a brand that has been connected with cowboy and rodeo culture since the 1940s.“

Source: https://www.washingtonpost.com/outlook/2019/06/20/lil-nas-x-continued-segregation-country-music/

Other useful information:

“The "rule" against playing two female country artists back-to-back is an open secret in the industry. Christi Brooks and Johnny Chiang—the music director and program director, respectively, at Houston's 93 Q—told me that they've both talked to country program directors and DJs who abide by it.“

Source: https://www.vice.com/en_us/article/v74dn3/a-country-radio-station-admitted-they-cant-play-two-female-artists-98kcq-kacey-musgraves-discrimination

“Songs recorded by women constitute just 10% of all songs played on country radio.”

“A recent USC Annenberg journalism school study also found that the average age of top male performing artists was 42; the average for the top female artists was 29.”

Source: https://www.usatoday.com/story/opinion/2020/02/24/country-music-sexism-women-artists-fight-discrimination-column/4820142002/

And, finally, this heartbreaking story from a well-deserving artist:

If you got through all of this, congrats. Now don’t come to my inbox and tell me how this is fake news. Sexism in country music is real, and there are undeniable facts and powerful testimonials that speak to that. And I didn’t even go that deeply into racism because I went based on what was in my inbox, but artists like Mickey Guyton suffer the most from these systems. But I know that none of this probably matters because the only people that care about people who already know its a problem. Regardless, I had to say something.

And now... I’m done.

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coffeeandcalligraphy · 5 years ago

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Moth Work Intro + False Idol | Writing Update

Hey People of Earth!

Today I thought I’d do a writing update on a project I’ve mentioned a lot in my vlogs but haven’t mentioned as of yet on here! This is a personal ‘passion project’ that I’ve been picking away at since January and have recently taken on as my transition project from Rewired to my next book.

So yee! MOTH WORK (or ‘boys on a boat’ for those who keep up with the vlogs lols) has been my current project for the last few weeks since finishing REWIRED. I didn’t really mean to expand it as much as I have as it simply started off as a spinoff story of my boys Lonan and Harrison which I write every few months when I’m having a breakdown and need something to cheer me up. :-)

I’ve mentioned a few of these stories in the past (like Fishbowl and Mandarin), though this story is a bit different, as I’ve expanded it quite a lot more than I intended to! If you aren’t super caught up with Rewired, I’d definitely scroll through a few of my last updates so this one will make more sense!

What’s it about?

Moth Work is a FOSTERED spinoff story following Lonan and Harrison (dumb+dumber) at the peak of their relationship. I *was saying* that the plot went loosely as follows: after finding a photograph of a woman in Lonan’s father’s dark room, they set out to find her, HOWEVER, because I never stick to plans, I have yet to follow through with this main plot thread, lol. Vaguely, I’d just say the most important part of this story is their relationship at its most fragile because who is plot I don’t know her.

Moth Work follows the events after REWIRED, and is a bit of a bridge between it and the next book. This makes it kind of hard to explain because a) it’s in a different POV, and b) context, but hopefully that makes sense! In essence: Lonan + Harrison’s relationship is big sad and Harrison tries to make it less big sad and it gets even more big sad.

I’ll share a very quick profile of both of the boys so there’s some context for the following excerpts I’ll share!

Harrison

My boy

Generally very outgoing, tho around Lonan this fizzles. Only wants the best for Lonan despite their history. He’s the ‘main’ narrator of the piece (third limited to him though I’m guilty of head hopping lol), so the work has a softer tone than I’m used to. Though Harrison tries to be a Macho Man, around Lonan he’s most himself--mellow, a lil stupidly romantic, and vulnerable.

Lonan

My problematic son/probably should be cancelled

The “issue” in the relationship loool. He’s emotionally immature and lacks accountability, but because of his past, lacks the ability to recognize these faults and work on them. Because of this, he’s fundamentally stayed the same for the last few works he’s been in (if not gotten worse). Lonan requires a lot of emotional assistance, though he isn’t self-aware enough to recognize this. This is often the cause of much conflict.

Conception:

Like I mentioned, I often write short spinoff stories following these boys because it’s a safe happy place for when I’m feeling stressed. This is basically how this piece started, though I’ve continued it for different reasons which I’ll get into. I don’t remember how the first scene was brainstormed, but I do know when I started writing this a few months ago, I wanted it to be a lot longer than my previous stories--a place where I could just dump my writing, even when it wasn’t good. I think I did this to cope with the stress of my writing class honestly, lol, I think I needed a break from ‘serious’ writing AKA a place I could just goof off and have some fun.

The writing bit:

Writing this story has been a bit inconsistent. I’ve been drafting it in little pieces since the beginning of the year, and only recently picked it up as more of a ‘full-time’ work. This is subject to change depending on whether or not I get more of book 7 done. I’ve gone from writing 20 words a day to 0 to 1000--there’s really no consistency with the drafting process here.

I have recently decided that I’ll most likely expand this into either a novella or novel itself because there is literally so much tea left to explore and it’s surpassed 10k words. Drafting Moth Work has been so helpful in easing me back into the world of FOSTERED and piecing together the huge time gap from the end of book 6 to the start of book 7. I’ve been a bit anxious to really dive into book 7 for the fear of the unknown, so inching myself closer to that timeline through this project has been very helpful!

The editing bit:

I recently did an edit around the line level for this entire piece (it’s about 12k words right now) because a) it really needed it b) I was losing steam/starting to get embarrassed and c) I needed a refresher of what had happened because je suis tres forgetful. This edit made me feel so much better about the project. It initially started off as a work where the writing didn’t actually matter and this mentality was working until I got so embarrassed of the prose I found it difficult to read through old scenes to refresh myself and thus couldn’t productively draft.

This project isn’t written exactly in my usual style--it’s pretty stripped back and actually reminds me a lot of how my style would’ve been in book 3 had I been a better writer four years ago lol. I think the looser style works for the voice/the story itself but I def wouldn’t categorize this as litfic (what I usually write). Although the prose isn’t very complex, it took me a really long time to get comfortable enough to edit?? But once I got into the rhythm of it a few days ago, I completed the edit fairly quickly, and I’m 100% feeling better about the project overall! Though the prose is still not my top priority I’m not as embarrassed of it currently lols.

I also divided the project into chapters because it was getting pretty long to just be one mass of text. I currently have 3 chapters. This update will cover chapter 1.

Playlist:

Yo this is literally the best part of writing this project, lol, I get to listen to so much different music?? I’ve made a comprehensive playlist for this story with a character by character breakdown (if anyone wants to see that/highlights, let me know!). This playlist pulls from every song from my library, so we span genres and artists like crazy. Nothing But Thieves has been the primary artist for this story (specifically their self-titled album). These songs (all NBT oop) are the most relevant if you want to get the general tone lol (anything with a star has explicitly inspired the project):

Excuse Me*

Honey Whiskey*

Tempt You (Evocatio)*

If I Get High (II)

Gods

Lover, Please Stay*

I Was Just A Kid*

Get Better

Hell, Yeah*

Afterlife

Reset Me

Particles

Sorry

Number 13

Excerpts:

I don’t have *many* because prose hasn’t really been a top priority for this project, but I’ll try to include at least one per scene.

This is one of the opening paragraphs from chapter one which I’ve titled ‘False Idol’. In short, the chapter follows the boys first attempting to destroy the dark room and then getting distracted and eventually not pulling through after Harrison finds a picture of Ominous Lady.

The chapter’s chronology is wild so we can break it up as follows:

Scene A

The boys enter the dark room with the intention of burning it down

Harrison reaches for his lighter and drops it which prompts him to find the photograph of Ominous Lady

Him and Lonan mildly argue about Ominous Lady until Lonan takes it too seriously and throws a tantrum :-DD

Scene B

Not really a full scene, just a bridge between scene A and C.

Harrison has been waiting for Lonan to return to their campsite for the entire day and he decides to at the very last moment

“hey so i’m unable to apologize for anything but also! cigarette! let’s share it! lungs!”

Scene C

The boys exercising their canoeing skills

This leads us to our first “beat”.

Lonan interrupts Harrison’s peaceful evening by having a mild crisis

This takes place right after the events of Lolita, Lolita (chapter 16 of REWIRED). We then jump back to the fictive present.

This alternates like 5 more times lol then the chapter is done!

The following excerpt describes their entry into the dark room. Don’t know how smart it is to be smoking in a room full of highly flammable material but we out here.

I don’t think she’s particularly special but I also don’t hate her so!! hoping an aesthetic photo will make it read better :’)) I ! don’t ! think ! it does ! but !

Harrison shoulders the door first, traps it open with the clip of his boot. Dust and streaks of light rake behind him as he pushes through cardboard boxes, mountains of photo paper on the ground. Lonan follows silently, still wearing Harrison’s jacket. Trails of smoke from his cigarette catch in the negatives hanging by the clothespins, chemical peel between the layers of ink. In one hand he tends to his cigarette, and in the next, lugs in the canister of gasoline they found in the cabin’s cellar. As Harrison fumbles for his flashlight, Lonan sets it down by the table so it sloshes like the Pacific.

This is a bit of when Harrison finds the photograph of Ominous Lady:

He turns the photograph over, and shines the flashlight on it. It’s scratched and developed wrong, little bits of orange obscuring the woman’s face, but it’s very much a woman. A dark bob and bangs in her eyes, jewelry hanging from her septum. Sunshades enough to reflect the European street behind her. The discreet jet of ink on her skin, blues and greens peeking out from under her sleeve. Izzy, he recognizes. Lonan’s mother.

Nudging Lonan with an elbow, “I didn’t know your mom has tattoos.”

Lonan takes the photograph cautiously, holding it by the corners like it’ll burn him. His brow trembles, but it takes him only seconds to say, “That’s not my mom.” He takes the flashlight from Harrison and examines it closer, fingers nimble and tracing the edges. In the grey light of the dark room, he looks nullified. Just a monochromatic hum of chromosomes and skin.

that’s not my MOM

After the boys find the photograph, Lonan gets triggered at Harrison’s suggestion to find the woman (he presumes her to be someone involved with his father) and promptly has a tantrum and exits. This leads us into the next scene where the boys! actually! get! on! boat! In this scene Lonan tries to say sorry for his tantrum by offering Harrison a cigarette (lol) and because Harrison is hopelessly romantic and also hopelessly dumb, says yeeeees sir! They go for a canoe ride on the water. Thought it was going to be sweet, ended up being a shitstorm but!

This paragraph is kind of toast but:

The canoe isn’t hard to get into the water. After a few nudges from the dock into the slow dip of tide, it stabilizes easily. Harrison is convinced it will capsize but Lonan knows it won’t. They take one ore each, and ignore the life jackets at the back of the shed.

The moon is large and mesmerizing. As Harrison and Lonan take turns pushing the canoe into the water, mast first, then its entire belly, it colours them silver. Lonan’s protected the cigarette in the pocket of his shirt. Harrison stares at its faint outline stretched under the fabric. Lonan steps into the canoe first, rocking with the current, and extends a hand for Harrison. He pulls him in and they row until the cabin is the size of a fingernail, the wave steady and dense. Each cut of the paddle feels like plunging a scalpel into flesh and Harrison watches Lonan do it easily. In the distance, the cabin doesn’t look so menacing. Reeve has left the lamp on by the loft, and it glimmers back like an eyeball, effervescent and tiny. Nothing but a reflective penny in the distance.

Here’s some Harrison being lame:

The water laps at the base of the canoe, and Ris reaches over and touches it like it’s holy. He makes the sign of the cross and it feels perverse, cold water dripping from forehead to chin.

For a while it’s quiet. Just the distant hum of crickets, the slash of the paddle, and the off-chance flash of something in the distance; an animal, a flashlight. Ris tries not to think about Lonan’s dad, like a dead man slithering through the water, following their boat. He picks at a saltine, sucks it between his tongue meditatively. Against the sky, Lonan is backlit and lovely and flecks of his hair peek up from around the jacket’s collar. Harrison wonders if as a child, everyone said he looked just like his father.

On top of lacking accountability, Lonan is also a professional canoeist so he takes over while Harrison eats saltines and reminisces about an encounter they had weeks prior. This leads into the solid chunk of backstory that I weirdly jump in an out of for the entire chapter. :)

Backstory consists of drunk Lonan having a crisis while Harrison tries to have a peaceful evening of taping up his drawings to his bedroom ceiling. The following excerpt describes the moment right after Lonan enters the room.

Harrison’s lips secured around his cigarette, his hand mid-air with packing tape and line drawings of the moon. A tinny country song dribbled through the radio. The minute-meal he’d heat up in the microwave lying forgotten and cold on his desk. Harrison set the pile of drawings down and turned off the music.

“Emily left?” Lonan asked. He kept his face upward, stared clumsily at the ceiling. Harrison watched his eyes trace the new drawings, following the uncalculated pattern.

This paragraph is made up of 5 similes and this is the only reason I’m sharing it :)))):

Lonan has stopped paddling. The canoe sits in the middle of the lake, lifeless, like a bone in the water. He’s turned so Harrison can see him in profile, and Ris can’t tell if it’s relieving or worrying to see his face. Lonan’s jaw is taut, like there are words he wants to say there but can’t. Filling up the hollow bone. He blinks slowly, like he’s trying to re-centre himself, his chest quivering with breaths meant to steady him. The water laps at the base of the canoe, whirling. Dark hair tangles down his cheeks like the fingers of a poltergeist.

I think that’s a pretty good way to end this post lol! How many similes have you put in one paragraph? What’s your record lol this is probably mine!

Hope y’all enjoy the intro to MOTH WORK. I have two other chapters already written which I’ll update on in a separate post! For now I hope you like this more laid back project, let me know what you think!

---Rachel

#writing #writingupdates #writeblr #amwriting #writerblr #fostered #mothwork

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