#me @ that anon

[hinamie]

to moving forward

[shinobicyrus]

Why do you need your earbuds to have a wire so badly?

I am assuming this is about a post I reblogged like six months ago when I went off on forced technological enshitification and the slow erosion of consumer options. But sure, I'll bite.

Why do I "need" my earbuds to have a wire? I dunno, Anon, maybe I:

Don't want to have to worry about recharging my earbuds.

Don't want my earbuds to be even easier to lose.

Don't want my earbuds to need separate accessories that are as easy to lose as the earbuds.

Prefer to have bluetooth turned off on my devices for security and safety reasons.

Like being able to seamlessly plug my earbuds into my computer, my MP3 player, or any other device with a headphone jack.

Don't want to spend 50 dollars on decent wireless earbuds when I can do all the above things with a pair of solid earbuds that cost me like $12 during the Obama administration.

Don't care about what kinds of headphones or earbuds people wear but don't like what it says about our society when other people apparently care what kind of earbuds I'm wearing so much they have send an Anonymous ask to interrogate me about it.

And I guess, more abstractly, because fuck Apple. That's why.

[cahootings]

“their relationship is too deep to be sexual” what’s deeper than dick in hole. please tell me

[endusviolence]

Rowling isn't denying holocaust. She just pointed out that burning of transgender health books is a lie as that form of cosmetic surgery didn't exist. But of course you knew that already, didn't you?

I was thinking I'd probably see one of you! You're wrong :) Let's review the history a bit, shall we?

In this case, what we're talking about is the Institut für Sexualwissenschaft, or in English, The Institute of Sexology. This Institute was founded and headed by a gay Jewish sexologist named Magnus Hirschfeld. It was founded in July of 1919 as the first sexology research clinic in the world, and was run as a private, non-profit clinic. Hirschfeld and the researchers who worked there would give out consultations, medical advice, and even treatments for free to their poorer clientele, as well as give thousands of lectures and build a unique library full of books on gender, sexuality, and eroticism. Of course, being a gay man, Hirschfeld focused a lot on the gay community and proving that homosexuality was natural and could not be "cured".

Hirschfeld was unique in his time because he believed that nobody's gender was either one or the other. Rather, he contended that everyone is a mixture of both male and female, with every individual having their own unique mix of traits.

This leads into the Institute's work with transgender patients. Hirschfeld was actually the one to coin the term "transsexual" in 1923, though this word didn't become popular phrasing until 30 years later when Harry Benjamin began expanding his research (I'll just be shortening it to trans for this brief overview.) For the Institute, their revolutionary work with gay men eventually began to attract other members of the LGBTA+, including of course trans people.

Contrary to what Anon says, sex reassignment surgery was first tested in 1912. It'd already being used on humans throughout Europe during the 1920's by the time a doctor at the Institute named Ludwig Levy-Lenz began performing it on patients in 1931. Hirschfeld was at first opposed, but he came around quickly because it lowered the rate of suicide among their trans patients. Not only was reassignment performed at the Institute, but both facial feminization and facial masculization surgery were also done.

The Institute employed some of these patients, gave them therapy to help with other issues, even gave some of the mentioned surgeries for free to this who could not afford it! They spoke out on their behalf to the public, even getting Berlin police to help them create "transvestite passes" to allow people to dress however they wanted without the threat of being arrested. They worked together to fight the law, including trying to strike down Paragraph 175, which made it illegal to be homosexual. The picture below is from their holiday party, Magnus Hirschfeld being the gentleman on the right with the fabulous mustache. Many of the other people in this photo are transgender.

[Image ID: A black and white photo of a group of people. Some are smiling at the camera, others have serious expressions. Either way, they all seem to be happy. On the right side, an older gentleman in glasses- Magnus Hirschfeld- is sitting. He has short hair and a bushy mustache. He is resting one hand on the shoulder of the person in front of him. His other hand is being held by a person to his left. Another person to his right is holding his shoulder.]

There was always push back against the Institute, especially from conservatives who saw all of this as a bad thing. But conservatism can't stop progress without destroying it. They weren't willing to go that far for a good while. It all ended in March of 1933, when a new Chancellor was elected. The Nazis did not like homosexuals for several reasons. Chief among them, we break the boundaries of "normal" society. Shortly after the election, on May 6th, the book burnings began. The Jewish, gay, and obviously liberal Magnus Hirschfeld and his library of boundary-breaking literature was one of the very first targets. Thankfully, Hirschfeld was spared by virtue of being in Paris at the time (he would die in 1935, before the Nazis were able to invade France). His library wasn't so lucky.

This famous picture of the book burnings was taken after the Institute of Sexology had been raided. That's their books. Literature on so much about sexuality, eroticism, and gender, yes including their new work on trans people. This is the trans community's Alexandria. We're incredibly lucky that enough of it survived for Harry Benjamin and everyone who came after him was able to build on the Institute's work.

[Image ID: A black and white photo of the May Nazi book burning of the Institute of Sexology's library. A soldier, back facing the camera, is throwing a stack of books into the fire. In the background of the right side, a crowd is watching.]

As the Holocaust went on, the homosexuals of Germany became a targeted group. This did include transgender people, no matter what you say. To deny this reality is Holocaust denial. JK Rowling and everyone else who tries to pretend like this isn't reality is participating in that evil. You're agreeing with the Nazis.

But of course, you knew that already, didn't you?

Edit: Added image IDs. I apologize to those using screen readers for forgetting them. Please reblog this version instead.

[fairycosmos]

how does us politics affect places outside the us? you guys are obsessed with us

i think if you cracked open your skull there would just be a bunch of cotton wool in there

[faffreux]

it's weird to be attracted to an ugly frog like wtf is even your taste in men

i won't argue with you about whether or not fawful is ugly but it is weird yes, i agree

i have long accepted that i am weird

[ilynpilled]

i think men should be locked up and incinerated

[hellsitegenetics]

Dear Hellsites Genetics,

I love all the hard work you do and I really appreciate it. I'm currently learning biology and I'm starting to get really into it. I hope that you are well all the time, and that you have all the luck and happiness in your future. You inspired me to study biology, and I'm really grateful for it. Thank you once again!

With love and respect,

An anonymous amino acid creature

String identified: a t Gtc,

a t a a a acat t. ' ct ag g a ' tatg t gt a t t. tat a a t t, a tat a a t c a a t. t t g, a ' a gat t. Ta c aga!

t a ct,

A a a ac cat

Closest match: Plasmodium sp. DRC-Itaito genome assembly, chromosome: 10 Common name: Unclassified Malaria-Causing Parasite

(image source) Note: this image is not of the same organism, but of P. falciparum, which is of the same genus.

[hinamie]

mentor

[cabbagegunk]

I personally think that all whale sharks should be put on Mickey’s Dick Smasher.

WHAT!!!! they are such gentile creatures why would you say thst…

[marimbles]

Halloween comic two weeks late bc i will never let tamadrien die

[samble-moved]

post itself

false flags

trans/adjacent tags

accessibility features

tumblr live post (thanks for the link, @problemnyatic)

flashing / strobing / lights

unblockable flashing ad

buying ad free

staff @/macmanx guilt trip

list of staff + more issues

[illusioncanthurtme--art]

pls pls heard me out...FIDDLESTAN! <3

ok, i got this ask ten days ago, and I've been thinking about it ever since. Because I got two other asks asking for fiddauthor, and I dON'T KNOW HOW TO LET THEM DOWN LIGHTLY BECAUSE I'M A FIDDLESTAN BITCH THROUGH AND THROUGH 😭😭😭😭 I LOVE THEM SO MUCH!!!!!!

Don't get me wrong, fiddauthor is great and makes sense and everything. But listen. Billford and fiddauthor are multidimensional ships, they are good! But FIDDLESTAN!?!? that shit is the WHAT-THE-HECK-A-HEDRON!!!!!!! Even though it's literally 100% speculation, the implications are FUCKING CRAZY!!!!!!!!! I jumped between three ships so far during this gravity falls thing, each time thinking one is better than the other. I've decided that FIDDLESTAN IS KING!!!!!! I'm sorry. I could rant about them forever. I've been listening to nothing but extended versions of disco music for the past week. (YES THEY HAD A CRAZY ROMANTIC FLING IN VEGAS NO I WILL NOT ELABORATE!!!! (yes i will. I will elaborate at some point. it will be like ten pages or text. or I will draw it. idk.))

Here is a sketchbook doodle from like a week ago. I'm gonna post another fiddlestan thing in a few moments, but my style changes like I'm a completely different artist every week without warning, so I'm gonna leave this by itself!

He comes into YOUR house, he steals YOUR identity, and he fucks YOUR research partner!!! Fuck you!!!!!!!!!!

[frogcroaks]

Daily pokémon 6: Babysitter incineroar

[genericpuff]

Tbh at this point you should just make your own webcomic app/website because it would probably be 100 times better than whatever going on with webtoon right now.

hahaha it wouldn't tho, sorry 💀

Here's the fundamental issue with webcomic platforms that a lot of people just don't realize (and why they're so difficult to run successfully):

Storage costs are incredibly expensive, it's why so many sites have limitations on file sizes / page sizes / etc. because all of those images and site info have to be stored somewhere, which costs $$$.

Maintenance costs are expensive and get more so as you grow, you need people who are capable of fixing bugs ASAP and managing the servers and site itself

Financially speaking, webcomics are in a state of high supply, low demand. Loads of artists are willing to create their passion projects, but getting people to read them and pay for them is a whole other issue. Demand is high in the general sense that once people get attached to a webtoon they'll demand more, but many people aren't actually willing to go looking for new stuff to read and depend more on what sites feed them (and what they already like). There are a lot of comics to go around and thus a lot of competition with a limited audience of people willing to actually pay for them.

Trying to build a new platform from the ground up is incredibly difficult and a majority of sites fail within their first year. Not only do you have to convince artists to take a chance on your platform, you have to convince readers to come. Readers won't come if there isn't work on the platform to read, but artists won't come if they don't think the site will be worth it due to low traffic numbers. This is why the artists with large followings who are willing to take chances on the smaller sites are crucial, but that's only if you can convince them to use the site in favor of (or alongside) whatever platform they're using already where the majority of their audience lies. For many creators it's just not worth the time, energy, or risk.

Even if you find short-term success, in the long-term there are always going to be profit margins to maintain. The more users you pull in, the more storage is used by incoming artists, the more you have to spend on storage and server maintenance costs, and that means either taking the risk at crowdfunding (ex. ComicFury) or having to resort to outsider investments (ex. Tapas). Look at SmackJeeves, it used to be a titan in the independent webcomic hosting community, until it folded over to a buyout by NHN and then was pretty much immediately shuttered due to NHN basically turning it into a manwha scanlation site and driving away its entire userbase. And if you don't get bought out and try your hand at crowdfunding, you may just wind up living on a lifeline that could cut out at any moment, like what happened to Inkblazers (fun fact, the death of Inkblazers was what kicked off the cultural shift in Tapas around 2015-16 when all of IB's users migrated over and brought their work with them which was more aimed towards the BL and romancee drama community, rather than the comedy / gag-a-day culture that Tapas had made itself known for... now you deadass can't tell Tapas apart from a lot of scanlation sites because it got bought out by Kakao and kept putting all of its eggs into the isekai/romance drama basket.)

Right now the mindset in which artists and readers are operating is that they're trying way, way too hard to find a "one size fits all" site. Readers want a place where they can find all their favorite webtoons without much effort, artists wants a place where they can post to an audience of thousands, and both sides want a community that will feel tight-knit. But the reality is that you can't really have all three of those things, not on one site. Something always winds up having to be sacrificed - if a site grows big enough, it'll have to start seeking more funding while also cutting costs which will result in features becoming paywall'd, intrusive ads, creators losing their freedom, and/or outsider support which often results in the platform losing its core identity and alienating its tight-knit community.

If I had to describe what I'm talking about in a "pick one" graphic, it would look something like this:

(*note: this is mostly based on my own observations from using all of these sites at some point or another, they're not necessarily entirely accurate to the statistical performance of each site, I can only glean so much from experience and traffic trackers LMAO that said I did ask some comic pals for input and they were very helpful in helping me adjust it with their own takes <3).

The homogenization of the Internet has really whipped people into submission for the "big sites" that offer "everything", but that's never been the Internet, it relies on being multi-faceted and offering different spaces for different purposes. And we're seeing that ideology falter through the enshittification of sites like Twitter, Facebook, Instagram, etc. where users are at odds with the platforms because the platforms are gutting features in an attempt to satisfy shareholders whom without the platforms would not exist. Like, most of us aren't paying money to use social media sites / comic platform sites, so where else are they gonna make the necessary funds to keep these sites running? Selling ad space and locking features behind paywalls.

And this is especially true for a lot of budding sites that don't have the audience to support them via crowdfunding but also don't have the leverage to ask for investments - so unless they get really REALLY lucky in EITHER of those departments, they're gonna be operating at a loss, and even once they do achieve either of those things there are gonna be issues in the site's longevity, whether it be dying from lack of growing crowdfunding support or dying from shareholder meddling.

So what can we do?

We can learn how to take our independence back. We don't have to stop using these big platforms altogether as they do have things to offer in their own way, particularly their large audience sizes and dipping into other demographics that might not be reachable from certain sites - but we gotta learn that no single site is going to satisfy every wish we have and we have to be willing to learn the skills necessary to running our own spaces again. Pick up HTML/CSS, get to know other people who know HTML/CSS if you can't grasp it (it's me, I can't grasp it LOL), be willing to take a chance on those "smaller sites" and don't write them off entirely as spaces that can be beneficial to you just because they don't have large numbers or because they don't offer rewards programs. And if you have a really polished piece of work in your hands, look into agencies and publishing houses that specialize in indie comics / graphic novels, don't settle for the first Originals contract that gets sent your way.

For the last decade corporations have been convincing us that our worth is tied to the eyes we can bring to them. Instead of serving ourselves, we've begun serving the big guys, insisting that it has to be worth something eventually and that it'll "payoff" simply by the virtue of gambler's fallacy. Ask yourself what site is right for you and your work rather than asking yourself if your work is good enough for them. Most of us are broke trying to make it work on these sites anyways, may as well be broke and fulfilled by posting in places that actually suit us and our work if we can. Don't define your success by what sites like Webtoons are enforcing - that definition only benefits them, not you.

[miraclemaya]

(so horny i might die) what if i bought you a game on steam... a-and you played it while i watched