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drakewalkerfantasy · 4 years ago

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The Truth of Pain (Tatum x F!MC)

Summary: The Truth will come out eventually, but are they ready for it? And what will happen when truth will be out. Will they be able to protect each other or will they be torn apart?

Words: 3465

Rating: T

Warning: none

Authors notes: I really hope you will enjoy this. Please let me know if still want to be tagged and what I can improve. I hope you will like this chapter, it’s not what I initially planned and I really didn’t have much time to proofread and make it perfect and I hope the next part will be better

First part: The art of Foreign Affairs

Second part: The Secret of Foreign Affairs.

It was 8 o’clock sharp when Tatum heard Demarco’s worried and slightly panicked voice over the radio, informing the team he couldn't locate Claire. Slightly cursing and grumbling under his breath he pressed his fingers to the ear piece, thankful that even though he was off duty until later today he had connected to the radio in time not to miss the message.

“Copy that,” he replied through the gritted teeth, checking for any messages from Claire, but as he suspected there were none. “Demarco, leave it with me. I will find her... No… I don’t think that backup is necessary.... Yes… No... Wait in her suite. Demarco, this is an order,” said Tatum before disconnecting.

Heavily he moved to the door peeking outside. Cursing, when he saw three guards standing in front of Blaine’s door. His body ached with every step he took while he walked toward there, stopping in front of the guards. His impression - unreadable, knowing that even though he made friends with some of them they still will do their job, which meant not letting the bodyguard of the enemy's country into the room.

“Let me in,” requested Tatum, his hand already moving to the handle to push the door open only to be stopped by one of Hayes’ bodyguards.

“Mendoza, you know it’s against the protocol.”

“Claire is there and that is against the protocol either. So I'm not going anywhere till she leaves with me,” grunted Tatum.

“She isn’t there. Don’t you think we would know if she would be with Hayes? Unlike Rutherland’s bodyguards we know where our charge is...”

“How convincing... wasn’t it him, who was almost expelled a few weeks ago for a security breach... or wasn’t it him, sneaking away from you whenever he wanted? And wasn’t it him you lost in Rutherland few months before the start of the semester?”

“At least he never was spotted with his pants down with some mystery lover,” guffawed one of the bodyguards’.

Lucky bastard. thought Tatum narrowing his eyes, feeling how his fists clenched from the memory.

“Don’t make me…,” seethed Tatum, feeling the need to punch something. He knew that he could trust Claire, but Blaine... he wasn't so sure if he could.

After 10-15 minutes of heated conversation Tatum firmly moved one of the bodyguards’ aside groaning from the pain that the effort took him, but finally getting inside the suite followed by Ardona’s bodyguards. Moving as quickly as he could toward the bedroom.

“Mendoza, you cannot just enter like that,” hissed one of the bodyguards’ trying to reach for Tatum to stop him right outside the door.

“Miles, just try and stop me,” he seethed, whirling around with an angry glare in his eyes before throwing the door open and marching inside without another glance back.

The blood roared in his ears when he walked inside, but even through the rage that was boiling his blood he still could hear two gasps and exclamations following his entrance.

“Hey,” exclaimed Blaine, when the door opened hiding a smirk behind a shocked expression. “Didn't your mother teach you that you have to knock before you enter?” he asked, while making a show from the way the covers slipped from his naked torso, while another pair of hands firmly held onto her half not letting it slip even an inch lower.

“Claire, stand up,” roughly said Tatum, ignoring Blaine. His eyes unmoving on her, while hers widened and moved around the room looking anywhere but him. Guilt? Fear? he thought, knowing that even if it was, it still wasn’t what everyone would assume happened. He knew her well enough to know as much. Regretting the way how his own voice sounded, rougher than expected, sharper then it should have been. And knowing that she thought he was angry with her, but he wasn’t. He was angry about the situation, about the fact she was ready to cause another scandal, only to stir her mother's attention from him. He was angry about that, but not on her... never on her.

He could see how the blood drained from her face, when their eyes finally met, and a silent conversation trespassed between them.

“What are you doing here? I thought Demarco is on duty?”

“I knew you would do something reckless the second he informed me you weren't in your suite. God... What were you even thinking? I knew it was a bad idea to sneak out to him. Why would you even think of something like that?”

“Don’t you see why? Apparently, someone in my security details is a snitch, who passed information on us to my mother. So I needed someone who isn’t you to see me with Blaine so my mother wouldn’t do anything to you and would think her plan is working whatever her plan even is.”

“But you ARE with me...”

“Yes, I’m. But she shouldn’t know it. She should think I’m with Blaine and was all along.”

“You are stubborn.”

“But you still love me.”

“Yes, I do,” murmured Tatum in a voice quieter than a whisper, with a tender smile.

“Nothing happened,” simply stated Blaine stirring them both from the conversation they had, not even noticing that they had one. The one where they didn’t need words to have, and the one they mastered through years of friendship. Blaine’s hand placed under his head on the pillow watching between Tatum and Claire before looking behind Tatum at his bodyguards on alert. “You three can leave and close the door behind.”

“But Sir,” tried the bodyguard Claire remembered from their visit to the children’s hospital a few weeks ago.

“It’s an order,” said Blaine, waiting for the door to close before moving his gaze back to Tatum. “You can relax. I know Claire is in love with someone else and this someone unfortunately isn’t me. It doesn’t take a genius to put 1 plus 1 after the photo we all saw yesterday to realise that she isn’t interested," his eyes fixed solely on Tatum who still was looking at Claire the smirk playing at his lips and his voice taunting, "but I guess even if she would place a billboard in a Rutherland’s capital’s city square declaring that she is in love with that person or would scream that from the tallest tower in city this person still would be either blind or stupid not to get a message and still doubt her. So if this person even for a second could think Claire is capable of cheating, this person doesn’t deserve her.”

“Blaine, don’t...,” said Claire quietly, her gaze still holding Tatum’s, knowing that he didn’t think even for a second that this was what had happened. But also knowing that deep down he was still jealous and hurt that she was ready to play the game her mother would want her to play. Still doubting if he even deserves her and that hurt.

“I...,” he tried, swallowing thickly. His eyes meet Blaine’s knowing that he is right... he doesn’t deserve her, and even not because he could think for a second she could cheat on him. He knew she wouldn’t, simply as this, he just knew. But the voice of her mother mixed with the voice from his past whispering that 'never say never' was louder than that, and he could do nothing to silence them. “Claire, please...,” softly said Tatum, his eyes pleading with her, watching how she slipped from under the covers letting them slide from her body. The summer dress is still on her body with the slightly lowered straps to make her look nude. His eyes moving to Blaine, who followed her, the low rise jeans still snugly around his hips.

“I see you tonight,” said Claire to Blaine, her hand brushing Tatum’s passingly on the way to the door, sending a million of sensations through him. His finger hooking with hers just for a split second squeezing it slightly before letting go.

“You shouldn’t say that in front of him or he will think you are planning an escape route already and will triple your security details, ” laughed Blaine putting on a t-shirt with a wink.

“Blaine!!! I meant you picking me up at 6 for our date,” laughed Claire before she left Blaine’s room with Tatum just a step behind.

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It was already 6 in the evening when Blaine knocked on the door. The bouquet of pink roses in his hand and a charming smile on his face. Tatum lowered his gaze feeling how uncontrolled spark of jealousy coursed through him, watching Blaine bending lower to press a soft kiss to the back of Claire’s hand lingering for a moment longer before handing her flowers. Wanting to be the one who would take her on the dates, who would bring her pink roses just because she loves them so much and to be the one who would hold her hand in his. He could see how Blaine looked her over with a smirk, his voice lowered to a loud whisper, still holding her hand.

“You cleaned up nicely.”

“You look not as bad yourself,” smiled Claire before meeting Tatum’s gaze, reading in them just how good she looked and how much better this long beautiful blue gown with a bare back would have looked on his bedroom’s floor. The single thought and the heat in his gaze, the one he masked behind the mask of stony expression sent a rush of desire through her, making her pulse race and for a tiny blush to colour her cheeks. “Ummm,” she cleared her throat, snapping her gaze back to Blaine’s. “So where are you taking me?” asked Claire, accepting Blaine’s hand to help her out of her suite.

“Where would there be fun in that if I would tell you?” he teased her in reply, leading her to the limousine that waited for them, while Tatum took a deep breath following them side by side with Blaine’s bodyguard. His body still hurting, but he went forward ignoring the pain, knowing that any second of him being distracted by it may cost Claire’s safety and he couldn’t allow it.

The drive to their destination wasn’t awkward, even though Tatum felt how the tension in his body intensified every time when Blaine lowered his voice beckoning Claire closer to him and whispered something that made her blush. Protectiveness and something resembling a spark of jealousy made his own body shift closer to Claire’s. Every nerve in his body was on alert and aching. Knowing that that was a dangerous move to do, a reckless one, but he still couldn’t resist it, feeling how Claire’s hand found her way to his behind their backs. Her body shifted just slightly cloaking the view of their intertwined fingers. Her thumb running gently over the bandage covering his knuckles, squeezing his hand and not letting it go until the limo stopped, meantime still taking the part into her flirtatious conversation with Blaine.

Tatum could feel how her hand slipped from his the moment the car stopped, but not missing the last squeeze of her hand with a light tremor in them. His hand squeezing hers before finally letting it go, not missing the nervous expression passing over her face clouding her smile just for a split second. And he instantly knew why, when his eyes fell to a crowd of photographers readying their cameras just outside the limo.

“God,” mumbled Claire, swallowing heavily. “I know that they want us to be seen together, but did they really need to invite this many paparazzi,” nervously asked Claire.

“No kidding,” whistled Blaine before offering his hand to Claire, lowering his voice to a quiet whisper. “The good thing about going out with me is that I don’t give a damn about these sharks... and another good thing is... I don’t really think they even expect me to behave knowing my reputation or that I will not try to sneak away,”chuckled Blaine with a wink.

“But...”

“No but’s. Do you trust me?” asked Blaine bending closer to Claire, his voice soft and gentle against her ear, not giving a damn for a sharp pointed look that Tatum threw his way.

“I do... but our bodyguards may get in trouble for that and I... I don’t want that to happen,” finally said Claire with a sigh and a worried expression.

“Not if we play our cards right,” winked Blaine. “That involves delivering exactly what our parents want... they don’t expect me to sit at some stuffy restaurant and behave myself. They expect me to run off with a beautiful girl, sneak away from our bodyguards and paparazzi, because everyone knows that everything I do for cameras is to piss my parents. And if I do something secretly... It means that it’s real and something I care deeply about. So why not enjoy ourselves far away from that farce and give our parents exactly what they want from us?”

“The show...,” the realisation downed at her. “The show, that is believable enough for them to get what they want... us together likeable to the public, creating a rumour that it’s real and not PR company your parents and my mother try to pull off thereby setting up even more of the population against them. Blaine, are you sure that they will not get in trouble,” asked Claire, subtly looking at Tatum who grunted while getting from the car, holding the door open for them and waiting for Blaine and Claire to follow him.

“I give you my word, so... are you in?”

“I...,” spoke Claire, chewing at her bottom lip still contemplating her answer before finally saying. “Fine... I’m in. But if anything happens with T...”

“Nothing will happen with him," interrupted Blaine. "And I promise you will not regret it,” he whispered with a smile before helping Claire out of the car under the intense glare from Tatum. And as soon as Claire and Blaine stepped out onto the street the camera flashes blinded them as reporters started to shout questions at them.

Blaine’s hand gently placed on the small of Claire’s back, leading her through the crowd with the help of their bodyguards, noticing that despite the best effort from Tatum he could barely stand, grunting every now and then when some of the most insolent reporters tried to get past him. His teeth gritted, taking a shaky breath before requesting yet another reporter to back off, his hand now and then gripping his side before continuing to clear the path for them.

The questions that were asked, and ignored with flourish by Blaine and Claire, were the same she used to hear for the past couple of days. Most of them about the scandal, some about the feud between their countries and her mother’s political career and what that could mean to her. And some, as everyone hoped would be, the questions if Blaine is that same mystery lover that everyone is talking about. Carefully Blaine led them through the crowd toward the restaurant that was supposed to be their date’s location, meantime thinking of the quick escape plan for them until one of the reporters asked for proof that they are together.

Shakily Claire turned to face Blaine, feeling how her heart was pounding quickly in her chest. And he could feel how her body tensed under his hand. Her eyes widened slightly, and her hands curled around the lapels of his suit jacked neither pulling or pushing him away. And by the look in her eyes he instantly knew that she felt like a deer caught in a headlights. Her breath elevated, while her eyes sought someone behind him, locking her eyes with this person. Blaine’s hands gently grazing the bare skin of her back, trying to soothe her with his touch. His face lowered to hers feeling how her breath hitched in her throat and she swallowed. His lips just inches away from hers wanting to kiss her, but first wanting to make sure that she was okay with it even though he knew this is part of the deal. At least that was what she asked him to do.

The voice of his father rang in his ears: Do something you are finally good at. Date the girl. Kiss her and make her forget about this mystery lover of hers. Make her look good and pretty. Sneak off to make it seem real to you. And probably then you will at least make something good of yourself.

And if that girl wouldn’t be Claire he would never agree to that but in that case he couldn’t say no. But now, he wasn’t sure if this was such a smart idea after all as he liked her, more than he probably should, and more than he liked anyone else since that night only a few months ago before he got here. Trying to push the thought away about the annoyingly sparkling eyes, the same shade of chocolate brown as Claire's, but with the different sparkles of silver and gold swirling in them.

“Are you sure you are okay with that, if not we can go for a hug,” he asked with a concern lacing his voice, watching her nod and swallow.

“Yes... I... We need to do the whole show... you know for mum... for that to be believable. I’m sure my friend...,” she choked on the words trying to meet Tatum’s stoic expression, who was standing just a few feets away from them. But he made a hell of a job not to meet hers. She sighed in defeat. Not buying even for a second, that this didn’t impact him as much as it did her. Knowing him way too well not to miss a fire burning in his eyes, and the way how his fists clenched. “I’m sure he will understand,” whispered Claire, lowering her eyes.

“Okay,” he said, softly pressing his lips to hers without waiting for another invitation. His kiss was gentle and warm and leading, but it wasn’t Tatum’s and it was all she could think of. And she knew that he could feel it too. His lips lingering against hers for a moment longer as if savouring the feel of them for the last time before finally pulling slowly away. Pulling her in a tight embrace shielding her from the press so they wouldn’t see her tears. After a long heartbreaking moment she gently pushed him away finally putting on a forced smile, the fake one as fake as this date is... not knowing if he ever will have anything real.

They could hear how the press shouted their approval taking pictures, making the bodyguards get themselves busy with the amount of paparazzi trying to take a better shot of the happy couple, and as on cue Blaine saw an escape route. Quickly, he leaned to Claire nodding toward the narrow alleyway just behind the restaurant, stirring her away from the crowd until the freedom seemed so close and Claire could feel how she finally could breathe again, finally not suffocating by the amount of attention from the press.

“Where do you think you are going,” ceased someone through gritted teeth, when Claire felt a firm but gentle hand gripping her forearm. She instantly gasped and whirled around to face no one else but Tatum who was glaring at Blaine.

“Busted,” shrugged Blaine, letting go of Claire’s hand and nonchalantly leaning against the wall of the building.

“Care to explain?” seethed angrily Tatum.

“We are ditching my bodyguards and I’m taking Claire somewhere where she will be able to enjoy her meal. Not so pompous as this place. Care to join us?” Smirked Blaine. “And no worries we will be back before the opera.”

“Opera?”

“Yes, they are sending us there and we definitely need to be seen there...” shrugged Blaine before looking back to see if anyone else noticed their absence. “Dude, we don’t have much time so either you go with us or we go without you,” said Blaine looking behind the corner.

“Tatum, please,” softly spoke Claire.

“Claire, it’s unsafe,” tried Tatum before she stopped him with the press of her fingers to his.

“Tate, if you will go with me… with us it will be the most safe place I can be without paparazzi breathing down my every step. Please, Tatum. I need it, I really do.”

“But what about his parents and your mother,” finally asked Tatum.

“This is exactly what they would want for paparazzo to think, that this is real. And this exactly for what we are going. So my question stands are you coming with us? Or will stay behind, I’m good either way.”

“Fine… I’m coming."

Tagging: @choices-bound @jamespotterthefirst @mercury84choices @k2624 @thefrenchiemama @choicesreal @starrystarrytrouble @boneandfur @walkerswhiskeygirl @sophxwithers @ramseysrookiex @suitfer @gardeningourmet

#tatum mendoza #tatum x mc #tatum x f!mc #foreignaffairs #choices foreign affairs

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newcountryradio · 3 years ago

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New country #1080 (639) van 5 juli 2021 (wk 27) tussen 19.00 -22.00 op Smelne fm

Album van de week*Clay Walker *Texas To Tennessee * Show Dog Nashville

Artiest nummer label

1. Martina McBride Independence Day *rca nashville

2. Keith Urban Wasted Time *hit red - Capitol

3. Old Dominion I Was On A Boat That Day *arista

4. Lady A What A Song Can Do * Big Machine

5. Nelly /Florida Georgia Line Lil Bit * Columbia |

6. Toby Keith Old School * Show Dog Nashville

7. Chris Young & Kane Brown Famous Friends *RCA #3

8. Dierks Bentley Gone *capitol #2

9. Luke Combs Forever After All *river house #1

10. Clay Walker Anything To Do With You * Show Dog Nashville 11. Clay Walker Catching Up With An Ol’ Memory* Show Dog Nashville 12. George Navarro Like You Do * George Navarro Music.

13. The Wilder Blue The Conversation . *self released

14. Creed Fisher People Like Me * Dirt Rock Empire

2e uur :Artiest nummer label

15. Black berry Smoke /J. Johnson - Lonesome For A Livin’ * /Thirty Tigers *favoriet

16. Johnny Cash San Quentin *columbia

17. Johnny Cash A Boy Named Sue *Columbia

18. Riley Downing Start It Over *new west /pias

19. The Lasses & Kathryn Claire Follow The Heron *self

20. Eric Church Bunch Of Nothing *EMI

21. Gary Allen Waste Of A Whiskey Drink *mca nashville

22. Walker Hayes /Jake Owen Country Stuff *Monument

23. Morgan Wallen Blame It On Me big loud republic

24. Justin Moore Jesus And Jack Daniels * sofi

25. Clay walker Country Side * Show Dog Nashville

26. Clay walker Cowboy Loves A Woman * Show Dog Nashville 27. Lukas Nelson Perennial Bloom (back To You)*fantasy records /concord

28. Zac Brown Band Colder Weather 2011 *southern ground

29. Jamie O’Neal There Is No Arizona *mercury 2001

30. Steve Wariner Life’s Highway (trucksong )

31. Martina Mc Bride Where I Used To Have A Heart *rca

32. Doyle Lawson & Quicksilver You Ain’t Heard Lonesome Yet juweeltje

33. T. Hardy Morris Shopping Center Sunsets * Normaltown Records / PIAS

34. The Northern Belle Summers End * Jansen Records / PIAS

35. Raoul Malo & Marina Mc Bride Feels Like Home * Sanctuary Records 3 in 1

36. John Mellencamp Grandview *republic ( 3 in 1)

37. Jimmy Buffett Trip Around The Sun *mailboat/rca 3 in 1

38. Clay walker *I Just want To Hold You * Show abum vd week

39. Clay walker *Loving You Then * Show Dog Nashville

40. Jan Van Bijnen Modest Man *Howlin’Chicken/CRS-Coast To Caost

41. Douwe Bob Born To Win, Born To Lose *dutch corner

42. The Young River Highway * *dutch corner

43. Willie Nelson Only Me * Upper Management

44. Kenny Chesney The Good Stuff *BNA

45. Brooks & Dunn The Long Goodbye *arista

#maandagavond smelne's country avond #playlist New Country

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snooty-tooty · 8 years ago

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(this post was made before pinned posts were a thing but this honestly was just a “wow i have a blog now” so ive repurposed it.)

info:

Pandora/Jack

She/Her and He/Him

pfp by artist Louis Wain

tags to block (please tell me if you need something tagged):

#ch: posts that have christianity in them

#nsfw: uh. yeah.

I block freely

I’d prefer kids don’t follow me, thanks!

Other tags:

#current events: usually memes about current events (ex: the evergiven getting stuck in the suez canal)

#for a hard day: posts for when I need reminders to keep going.

#for a rainy day: posts for when I'm feeling sad and want to be cheered up.

#from the opened box: original posts or my additions, a play on Pandora's Box

#history: posts about history

#lolz: memes or things I find funny (rip mfmmd 2 March 2017 - 21 April 2023)

#poll: polls

#yearbook quotes: i started this to try to find a good yearbook quote but now its just quotes that i think are funny, or quotes that stuck out to me.

fandoms (yes i am ashamed no i am not ashamed. the ones that show up the most are in bold):

#american psycho: this doesn’t really count as a fandom.

#breaking bad, #better call saul: 😔

#cream heroes, #kittisaurus, #claire luvcat (see also: #chuchu, #coco, #dd, #dodo, #lala, #lulu, #momo, #nana, #toto, #tt)

#dnd: dungeons and dragons

#g4p, #saki sanobashi: go for a punch

#gravity falls: Gravity Falls

#fallout, #fallout new vegas, #fallout 4: the game series Fallout

#h*r: the flash series Homestar Runner (see also: #trogdor, #strong bad, #the cheat, #coach z)

#hk, #hollow knight: the video game hollow knight and hopefully silk song (see also: #hornet, #little ghost, #quirrel)

#hlvrai: half life but the ai is self aware

#jerma, #jerma985: (see also: #jerma dollhouse)

#lps popular: youtube lps series lps popular (see also: #brooke hayes, #savannah reed)

#mc: minecraft

#mlp: my little pony

#myhouse.wad: a doom mod called myhouse.wad

#paranatural: paranatural, the comic

#pokemon: (see also: #fakemon, #pokevariant, #pokefusion, #new new pokemon)

#redwall: the redwall books

#tf2: team fortress 2 (see also: #administrator, #demoman, #engineer, #heavy, #medic, #miss pauling, #pyro, #saxton hale, #scout, #sniper, #soldier, #spy)

#st: Star Trek

#straycatj: popular tumblr blogger straycatj (see also: #menace cat k)

#sdv: Stardew Valley

#sw: Star Wars

#ut: undertale and deltarune

#utopia, #utopia c4, #utopia uk: the channel 4 tv show Utopia. Not the Amazon Prime one, the original.

#vexillology: flags

#wc: Warrior Cats (see also: #wc art, #clangen)

#first post #from the opened box

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tuseriesdetv · 5 years ago

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Guía de series: Estrenos y regresos de septiembre 2019

Septiembre es el mes oficial de estrenos en las networks, además de los regresos de sus series veteranas. Todos sabemos que esto ya no es tan importante como solía ser, aunque hay varias propuestas interesantes, pero el resto de cadenas y especialmente Netflix, como vais a ver, nos están regalando una buena tanda de novedades que podría parecer su propio comienzo de temporada. ¿Preparados para un mes repleto de entretenimiento de calidad?

¡Feliz septiembre!

Leyenda:

Verde: series nuevas.

Rojo: series de las que haremos reviews semanales.

Negro: regresos de otras series.

Naranja: miniseries o series documentales.

Amarillo: tv movies, documentales, especiales o pilotos.

Morado: season finales.

Púrpura: midseason finales.

Calendario de series

2 de septiembre:

Departure en Calle 13

Untouchable en Hulu

A Confession (1T) en ITV

3 de septiembre:

Mayans MC (2T) en FX

Greenleaf (4T) en OWN

The Capture (1T) en BBC One

4 de septiembre:

The Reluctant Landlord (2T) en Sky One

Wu-Tang: An American Saga (1T completa) en Hulu

6 de septiembre:

Titans (2T) en DC Universe

Elite (2T completa) y The Spy (1T completa) en Netflix

Scarborough (1T) en BBC One

Into the Dark (1T finale) en Hulu

9 de septiembre:

The Deuce (3T y última) en HBO

Grand Hotel (1T finale) en ABC

10 de septiembre: Mr. Mercedes (3T) en Audience

12 de septiembre:

The I-Land (1T completa) en Netflix

This Close (2T) en SundanceTV

Mr. Inbetween (2T) en FX

Mr. Mom (1T) en Vudu

13 de septiembre:

Unbelievable (1T completa), Marianne (1T completa), Monarca (1T completa), Top Boy (3T completa), The Ranch (4aT) y Tall Girl en Netflix

Room 104 (3T) en HBO

Undone (1T completa) en Amazon

Temple (1T completa) en Sky One

18 de septiembre: American Horror Story: 1984 (9T) en FX

20 de septiembre:

Criminal (1T completa), Disenchantment (2T completa) y Between Two Ferns en Netflix

Hot Date (2T) en Pop

This Close (2T finale) en SundanceTV

23 de septiembre:

The Neighborhood (2T), Bob Hearts Abishola (1T), All Rise (1T) y Bull (4T) en CBS

Bluff City Law (1T) en NBC

9-1-1 (3T) y Prodigal Son (1T) en FOX

The Good Doctor (3T) en ABC

24 de septiembre:

NCIS (17T), FBI (2T) y NCIS: New Orleans (6T) en CBS

This Is Us (4T) y New Amsterdam (2T) en NBC

Empire (6T y última) y The Resident (3T) en FOX

The Conners (2T), Bless This Mess (2T), Mixed-ish (1T), Black-ish (6T) y Emergence (1T) en ABC

25 de septiembre:

Chicago Med (5T), Chicago Fire (8T) y Chicago PD (7T) en NBC

It's Always Sunny in Philadelphia (14T) en FXX

The Goldbergs (7T), Schooled (2T), Modern Family (11T y última), Single Parents (2T) y Stumptown (1T) en ABC

South Park (23T) en Comedy Central

26 de septiembre:

Young Sheldon (3T), The Unicorn (1T), Mom (7T), Carol's Second Act (2T) y Evil (1T) en CBS

Superstore (5T), Perfect Harmony (1T), The Good Place (4T y última), Sunnyside (1T) y Law & Order: SVU (21T) en NBC

Grey's Anatomy (16T), A Million Little Things (2T) y How to Get Away with Murder (6T y última) en ABC

Creepshow (1T) en Shudder

27 de septiembre:

The Politician (1T completa), Bard of Blood (1T completa), Skylines (1T completa) y In the Shadow of the Moon en Netflix

Hawaii Five-0 (10T), Magnum P.I. (2T) y Blue Bloods (10T) en CBS

American Housewife (4T) y Fresh Off the Boat (6T) en ABC

Transparent (series finale) en Amazon

29 de septiembre:

God Friended Me (2T) y NCIS: LA (11T) en CBS

Bless the Harts (1T), The Simpsons (31T), Bob's Burgers (10T) y Family Guy (18T) en FOX

The Rookie (2T) en ABC

Godfather of Harlem (1T) en Epix

Estrenos de series

Departure (Calle 13)

Un avión de pasajeros ha desaparecido misteriosamente en el Atlántico. La investigadora Kendra Malley (Archie Panjabi; The Good Wife, Blindspot), recién enviudada, no duda en ayudar a su antiguo jefe y mentor Howard Lawson (Christopher Plummer; The Sound of Music, All the Money in the World) para descubrir qué ha ocurrido. Deberán localizar el avión y a sus posibles supervivientes, encontrar el motivo del accidente y a posibles sospechosos y evitar que vuelva a ocurrir sean cuales sean las causas. Completan el reparto Claire Forlani (Meet Joe Black, Hawaii Five-0), Kris Holden-Ried (Vikings, Lost Girl), Kristian Bruun (Orphan Black, Murdoch Mysteries), Rebecca Liddiard (Alias Grace, Frankie Drake Mysteries), Shazad Latif (Star Trek: Discovery, My Mad Fat Diary), Tamara Duarte (Longmire, Wynonna Earp), Peter Mensah (Agents of S.H.I.E.L.D., Spartacus: Blood and Sand), Allan Hawco (Republic of Doyle, Frontier), Dougray Scott (Snatch, Hemlock Grove), Sasha Roiz (Grimm, Suits), Mark Rendall (Versailles, 30 Days of Night), Dmitry Chepovetsky (Killjoys, Regenesis), Paris Jefferson (Xena: Warrior Princess) y Tyler Fayose. Creada por Vincent Shiao (Ransom, Aftermath), escrita por Malcolm MacRury (Saving Hope) y dirigida por T.J. Scott (Orphan Black, Star Trek: Discovery). Seis episodios. Se estrenó en julio en Reino Unido. Estreno: 2 de septiembre

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A Confession (ITV)

Basada en el libro del detective Steve Fulcher (2017), en el que cuenta un caso real ocurrido en 2011, nos trae a Fulcher (Martin Freeman; Sherlock, Fargo), que incumple deliberadamente el protocolo policial para atrapar a un asesino en serie, una decisión que le costará su carrera y su reputación. Le acompañan Imelda Staunton (Harry Potter, Pride), Siobhan Finneran (Happy Valley, Downton Abbey), Joe Absolom (Doc Martin, The Level), Daniel Betts (Gentleman Jack, The Crown), Jessica D'Arcy (Electric Dreams), Florence Howard, Lolly Jones, Darcy Vanhinsbergh, Faye McKeever (Trollied), Anna Wilson-Jones (Victoria, Harlots) o Dominic Tighe. Escrita por Jeff Pope (Philomena, The Widower) y dirigida por Paul Andrew Williams (Broadchurch, Strangers). Seis episodios. Estreno: 2 de septiembre

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The Capture (BBC One)

El soldado Shaun Emery (Callum Turner; War & Peace, Glue) es acusado injustamente de asesinato en Afganistán y la detective Rachel Carey (Holliday Grainger; Strike, The Borgias) descubre una conspiración con pruebas manipuladas mientras intenta limpiar su nombre. Con Ron Perlman (Hellboy, Hand of God), Famke Janssen (X-Men, How to Get Away with Murder), Laura Haddock (Guardians of the Galaxy, Da Vinci's Demons), Ben Miles (The Crown, Collateral), Lia Williams (The Crown, Kiri), Sophia Brown (Clique, Marcella), Paul Ritter (No Offence, Friday Night Dinner), Adelayo Adedayo (Origin, Timewasters) y Ralph Ineson (Game of Thrones, Absentia). Escrita por Ben Chanan (Cyberbully, Blackout). Seis episodios. Estreno: 3 de septiembre

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Wu-Tang: An American Saga (Hulu)

Hulu nos contará la historia real de la creación del grupo de rap y hip-hop Wu-Tang Clan, formado por jóvenes negros procedentes de malos ambientes, en Nueva York durante los años 90. Protagonizada por Ashton Sanders (Moonlight, The Equalizer 2), Dave East, Julian Elijah Martinez, Vinnie Pastore (The Sopranos, Hawaii Five-0), Shameik Moore (The Get Down, Spider-Man: Into the Spider-Verse), Siddiq Saunderson (Messiah), T.J. Atoms, Johnell Young, Marcus Callender (Power, Eye Candy), Zolee Griggs (Adam Ruins Everything) y Erika Alexander (Insecure, Black Lightning). Creada y escrita por The RZA, líder del grupo, y Alex Tse (Watchmen). Diez episodios. Estreno: 4 de septiembre

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The Spy (Netflix)

Limited series sobre el legendario espía Eli Cohen (Sacha Baron Cohen; Ali G Indahouse, Borat), que filtró información siria al ejército israelí en los años 60. Con Noah Emmerich (The Americans, Frequency), Alexander Siddig (Gotham, Game of Thrones), Hadar Ratzon Rotem (Homeland), Nassim Si Ahmed (Marseille), Yael Eitan (Hatufim) y Uri Gavriel (Fauda). Escrita y dirigida por Gideon Raff (Homeland, Tyrant). Seis episodios. Estreno: 6 de septiembre

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Scarborough (BBC One)

Comedia que sigue las vidas de unos cuantos habitantes de un pueblo costero de North Yorkshire que se encuentran cada noche en un karaoke local. Protagonizada por Jason Manford (Ordinary Lies), Catherine Tyldesley (Coronation Street), Stephanie Cole (Still Open All Hours, Coronation Street), Maggie Ollerenshaw (Last of the Summer Wine, Still Open All Hours), Steve Edge (Phoenix Nights, Benidorm), Claire Sweeney (Brookside), Harriet Webb (Edge of Heaven, White Gold) y Gina Fillingham (Kiri). Creada por Derren Litten (Benidorm). Seis episodios. Estreno: 6 de septiembre

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The I-Land (Netflix)

Diez personas se despiertan en una peligrosa isla sin recordar quiénes son o cómo han llegado allí. Cuando comienzan a registrar el lugar, descubren que la isla no es lo que parece. Deberán ser la mejor versión de ellos mismos o morirán enfrentándose a los retos psicológicos y físicos que se irán encontrando. El reparto está formado por Natalie Martinez (Under the Dome, Kingdom), Kate Bosworth (21, Superman Returns), Michelle Veintimilla (Gotham, Seven Seconds), Alex Pettyfer (I Am Number Four, Magic Mike), Sibylla Deen (Tyrant, The Last Ship), Kyle Schmid (Six, Copper), Ronald Peet, Kota Eberhardt (Dark Phoenix), Anthony Lee Medina (Flesh and Bone) y Gilles Geary (Spirit Warriors). Escrita y dirigida por Neil LaBute (Van Helsing, Full Circle). Siete episodios. Estreno: 12 de septiembre

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Mr. Mom (Vudu)

Adaptación/continuación de la película de 1983, protagonizada por Michael Keaton, en la que un padre se queda en casa cuando su mujer vuelve a trabajar. En la serie, la hija pequeña del matrimonio, Megan (Andrea Anders; Joey, Modern Family), es ya adulta y desea volver a trabajar y que su marido (Hayes MacArthur; Angie Tribeca, Go On) críe a sus hijos. Escrita por Leslie Rathe, Mike Culbert y Mike Pellettieri y dirigida por Lauren Palmigiano (Tacoma FD). Diez episodios. Estreno: 12 de septiembre

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Unbelievable (Netflix)

Basada en hechos reales e inspirada en un artículo ganador del Pulitzer, se centra en una adolescente que dice haber sido violada (Kaitlyn Dever; Last Man Standing, Booksmart) y las dos detectives que investigan el caso para descubrir la verdad. Con Toni Collette (Hereditary, United States of Tara), Merritt Wever (The Walking Dead, Nurse Jackie), Danielle Macdonald (Patti Cake$), Kai Lennox (Falling Water), Dale Dickey (Claws, Vice Principals), Austin Hébert (Detroit), Omar Maskati (Better Call Saul, Tyrant), Elizabeth Marvel (Homeland, House of Cards), Liza Lapira (Apartment 23, 9JKL) y Vanessa Bell Calloway (Shameless, Saints & Sinners). Escrita por Susannah Grant (Erin Brockovich) y dirigida por Lisa Cholodenko (Olive Kitteridge, The Kids Are All Right). Ocho episodios. Estreno: 13 de septiembre

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Marianne (Netflix)

Una novelista (Victoire Du Bois; Call Me by Your Name, Mal de pierres) se da cuenta de que sus historias de terror están cobrando vida, y vuelve a su ciudad natal para hacer frente a su pasado y descubrir cómo frenar a la bruja Marianne (Mireille Herbstmeyer), la protagonista de sus pesadillas cuando era niña. Con Lucie Boujenah (Edmond), Alban Lenoir (Le semeur, Les crevettes pailletées), Tiphaine Daviot (Zone Blanche, Demi soeurs), Ralph Amoussou (De bon matin; Aide-toi, le ciel t'aidera), Bellamine Abdelmalek (Roulez jeunesse), Mehdi Meskar (Les engagés, Dans la maison), Corinne Valancogne, Patrick d'Assumçao (L'inconnu du lac, Le secret des banquises) y Pierre Aussedat (Les visiteurs). Escrita y dirigida por Samuel Bodin (Lazy Company). Ocho episodios. Estreno: 13 de septiembre

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Monarca (Netflix)

Thriller sobre la corrupción, el escándalo y la violencia que rodean a las élites que se centra en una familia dueña de un imperio empresarial y la batalla que se forma cuando un miembro decide enfrentarse al sistema corrupto que su familia ayudó a crear. Protagonizada por Irene Azuela (El hotel de los secretos, Quemar las naves), Juan Manuel Bernal (Capadocia, La heredera) y Osvaldo Benavides (La bella y las bestias, A que no me dejas). Creada por Diego Gutiérrez (Without a Trace, From Dusk Till Dawn) y producida por Salma Hayek (Ugly Betty, Frida). Diez episodios. Estreno: 13 de septiembre

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Undone (Amazon)

Alma tiene una nueva relación con el tiempo a partir de un accidente de coche en el que casi pierde la vida, y tratará de usar su habilidad para averiguar la verdad sobre la muerte de su padre. Con las voces de Rosa Salazar (Maze Runner, Parenthood), Angelique Cabral (Life in Pieces), Bob Odenkirk (Better Call Saul, Breaking Bad), Constance Marie (Switched at Birth, George Lopez), Daveed Diggs (The Get Down, Black-ish), Siddharth Dhananjay, Tyler Posey (Teen Wolf, Now Apocalypse) o Jeanne Tripplehorn (Big Love, Criminal Minds). Creada por Raphael Bob-Waksberg y Kate Purdy, creador y guionista de BoJack Horseman respectivamente, es una dramedia de animación con rotoscopio y fondos pintados al óleo. Ocho episodios. Estreno: 13 de septiembre

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Temple (Sky One)

Thriller con tintes cómicos en el que Daniel (Mark Strong; Kingsman, The Imitation Game) trabaja como cirujano en una clínica ilegal en los túneles subterráneos de Londres. Conducido por una tragedia personal y con una moral cada vez más cuestionable, tratará a cualquier que esté dispuesto a pagar por ayuda médica fuera del sistema. Contará con la ayuda de Lee (Daniel Mays; Line of Duty, Atonement), un empleado de transportes descontento; y Anna (Carice van Houten; Game of Thrones, Valkyrie), una investigadora médica con sentimientos de culpa. Completan el reparto Catherine McCormack (Genius, 28 Weeks Later), Craig Parkinson (Line of Duty, Misfits), Marion Bailey (Vera Drake, Allied), Tobi King Bakare (Cursed), Lily Newmark (Sex Education, Cursed), Hiten Patel (Four Weddings and a Funeral, Unforgotten) y Chloe Pirrie (The Crown, The Victim). Adaptación de la noruega Valkyrien por Mark O'Rowe (Perrier's Bounty). Ocho episodios. Estreno: 13 de septiembre

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Criminal (Netflix)

Procedimental policíaca que se lleva a cabo exclusivamente dentro de una sala de interrogatorios. Tendrá doce episodios, tres de ellos ambientados en Reino Unido, tres en España, tres en Alemania y tres en Francia. En cuanto al reparto español, contaremos con Carmen Machi, Inma Cuesta, Eduard Fernández, Emma Suárez, Álvaro Cervantes, Jorge Bosch, José Ángel Egido, Nuria Mencía, Daniel Chamorro, María Morales, Javi Coll y Milo Taboada. Estos tres episodios estarán escritos por Alejandro Hernández (Caníbal, El autor) y Manuel Martín Cuenca (Caníbal, El autor) y dirigidos por Mariano Barroso (Lo mejor de Eva, Todas las mujeres). En los tres episodios ambientados en Reino Unido, escritos por George Kay (Killing Eve, Stag) y dirigidos por Jim Field Smith (Wrecked, The Wrong Mans), podremos disfrutar de David Tennant, Hayley Atwell, Youssef Kerkour, Clare-Hope Ashitey, Katherine Kelly, Lee Ingleby, Nicholas Pinnock, Mark Stanley, Rochenda Sandall y Shubham Saraf. Los ambientados en Francia los escribirán Fréderic Mermoud (Moka), Antonin Martin-Hilbert (Moka, Zone Blanche) y Mathieu Missoffe (Zone Blanche) y los dirigirá Mermoud (Moka). Los tres restantes, ambientados en Alemania, estarán escritos por Bernd Lange (Requiem, Blaumacher) y Sebastian Heeg (Blaumacher) y dirigidos por Oliver Hirschbiegel (Der Untergang, The Invasion). En ellos participan Nathalie Baye, Sara Girardeau, Jérémie Renier, Margot Bancilhon, Laurent Lucas, Stéphane Jobert, Anne Azoulay y Mhamed Arezki en los franceses y Peter Kurth, Christian Berkel, Deniz Arora, Nina Hoss o Eva Meckbach, entre otros, en los alemanes. Estreno: 20 de septiembre

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Bob Hearts Abishola (CBS)

Comedia multicámara sobre un vendedor de calcetines de Detroit (Billy Gardell; Mike & Molly, Young Sheldon) que sufre un ataque de corazón y se enamora de la enfermera nigeriana que le atiende (Folake Olowofoyeku, Transparent). Ella vive con sus tíos Olu (Shola Adewusi, Chewing Gum) y Tunde (Barry Shabaka Henley; The Terminal, Agents of S.H.I.E.L.D.) y su hijo adolescente Dele (Travis Wolfe Jr., Raven's Home). Él hará todo lo posible para que le conceda una oportunidad, desde sobornar a una enfermera para averiguar dónde está su casa hasta acosarla en la parada del autobús. Con Vernee Watson (The Fresh Prince of Bel-Air), Christine Ebersole (Royal Pains), Maribeth Monroe (Workaholics) y Matt Jones (Mom). Escrita por Chuck Lorre (The Big Bang Theory, Mom). Estreno: 23 de septiembre

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All Rise (CBS)

Dramedia legal descrita como una exploración del sistema judicial y del mundo de los tribunales y centrada en las caóticas y a veces absurdas vidas de los jueces, fiscales, abogados y policías de Los Ángeles. Al frente se encuentra la nueva juez Lola Carmichael (Simone Missick; Luke Cage, Altered Carbon), una ayudante del fiscal del distrito altamente valorada que no tiene ninguna intención de relajarse en su nuevo puesto, sino que desafiará los límites y las expectativas. El reparto incluye a Marg Helgenberger (CSI), Jessica Camacho (Taken), Wilson Bethel (Hart of Dixie, Daredevil), Lindsay Mendez, Ruthie Ann Miles (The Americans) y J. Alex Brinson (Travelers). Creada y escrita por Greg Spottiswood (King, Remedy). Estreno: 23 de septiembre

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Bluff City Law (NBC)

Drama legal que sigue al legendario Elijah Strait (Jimmy Smits; The West Wing, Sons of Anarchy) y a su brillante hija Sydney (Caitlin McGee; The Marvelous Mrs. Maisel, Shades of Blue), que lideran una firma en Memphis especializada en los casos de derechos civiles más controvertidos mientras lidian con su complicada relación familiar, inexistente durante años pero retomada tras la inesperada muerte de la madre de Sydney. Completan el reparto Scott Shepherd (True Detective, The Young Pope), Barry Sloane (Revenge, Six), Michael Luwoye (The Gifted, She's Gotta Have It), MaameYaa Boafo (Thru 25), Stony Blyden (Hunter Street) y Jayne Atkinson (House of Cards, Madam Secretary). Escrita y producida por Dean Georgaris (The Brave, The Baker and the Beauty). Estreno: 23 de septiembre

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Prodigal Son (FOX)

Malcolm Bright (Tom Payne, The Walking Dead) es el mejor psicólogo criminal porque sabe cómo piensan los asesinos, ya que su padre (Michael Sheen; Masters of Sex, Good Omens) fue uno de los mejores, un asesino en serie conocido como "el cirujano". Malcolm ayuda a la policía de Nueva York a resolver crímenes mientras lidia con unas neurosis constantes, una madre manipuladora (Bellamy Young, Scandal), una hermana demasiado normal (Halston Sage; The Orville, Crisis) y un padre homicida que aún busca conectar con él. Completan el reparto Lou Diamond Phillips (Longmire), Aurora Perrineau (Chasing Life, Into the Dark), Frank Harts (Billions, The Leftovers) y Keiko Agena (Gilmore Girls, 13 Reasons Why). Escrita y producida por Chris Fedak (Chuck, Legends of Tomorrow) y Sam Sklaver (Blunt Talk, Deception). Lee Toland Krieger (Riverdale, Chilling Adventures of Sabrina) dirigió el piloto. Producida por Greg Berlanti (Arrow, You). Estreno: 23 de septiembre

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Mixed-ish (ABC)

Creada de nuevo por Kenya Barris, es una precuela de Black-ish ambientada en los años 80 y protagonizada por una versión joven de Bow (Tracee Ellis Ross), interpretada por Arica Himmell (Thanksgiving), que nos mostrará cómo es crecer en una familia interracial y mudarse de una comuna hippie a los suburbios. Mark-Paul Gosselaar (Saved by the Bell, The Passage), Tika Sumpter (Gossip Girl, The Haves and the Have Nots), Gary Cole (Veep, The Good Fight), Ethan William Childress, Mykal-Michelle Harris (Big Little Lies) y Christina Anthony (Dog Moms, Key and Peele) serán el padre, la madre, el abuelo, los hermanos y la tía de Bow. El episodio de Black-ish que servía como presentación de esta serie se emitirá en su sexta temporada. Estreno: 24 de septiembre

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Emergence (ABC)

Thriller sobrenatural en el que una jefa de policía (Allison Tolman; Fargo, Downward Dog) acoge a una niña (Alexa Swinton, Billions) a la que encuentra en el lugar de un misterioso accidente y no recuerda qué ha ocurrido. La investigación les lleva a una conspiración más grande de lo que cabría imaginar relacionada con la identidad de la niña. Completan el reparto Donald Faison (Scrubs, The Exes), Clancy Brown (Carnivàle, Billions), Owain Yeoman (The Mentalist, Turn), Ashley Aufderheide (The Slap, Preacher), Robert Bailey Jr. (The Night Shift) y Zabryna Guevara (Gotham, New Amsterdam). Creada por Michele Fazekas y Tara Butters, creadoras de Kevin (Probably) Saves the World y guionistas de Agent Carter, y dirigida por Paul McGuigan (Lucky Number Slevin, Film Stars Don't Die in Liverpool). ABC encargó la serie la misma semana en que NBC descartó el piloto. Estreno: 24 de septiembre

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Stumptown (ABC)

Esta adaptación de la novela gráfica del mismo nombre nos muestra a la veterana del ejército Dex Parios (Cobie Smulders; How I Met Your Mother, Friends from College), que tiene una vida amorosa complicada, deudas de juego y un hermano del que ocuparse en Portland, Oregon. Sus brillantes habilidades militares contrastan con su vida personal y con su estilo, que le acaba poniendo siembre frente a los peores criminales, y no precisamente con la ayuda de la policía. Con Tantoo Cardinal (Frontier, Godless), Cole Sibus, Adrian Martinez (No Activity, The Blacklist: Redemption), Camryn Manheim (Ghost Whisperer, The Practice) y Michael Ealy (Secrets and Lies, Almost Human). Escrita por Jason Richman (Mercy Street, Detroit 187) y producida por los autores e ilustradores de la novela. James Griffiths (Episodes, Wrecked) dirigió el piloto. Estreno: 25 de septiembre

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The Unicorn (CBS)

Comedia monocámara (anteriormente iba a ser multicámara) producida y escrita por Bill Martin y Mike Schiff, creadores de Grounded for Life y guionistas de 3rd Rock from the Sun, que se centra en un viudo (Walton Goggins; Justified, Vice Principals) que con la ayuda de sus amigos y su familia intenta superar el año más difícil de su vida, que incluye ser el padre soltero de sus dos hijas y volver al mundo de las citas, donde descubre que es un producto de alta demanda. Completan el elenco Michaela Watkins (Casual, Transparent), Rob Corddry (Ballers), Omar Benson Miller (Ballers, CSI: Miami), Maya Lynne Robinson (The Conners), Ruby Jay (Fancy Nancy, Holly Hobbie) y Makenzie Moss (Steve Jobs). Estreno: 26 de septiembre

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Carol's Second Act (CBS)

Comedia multicámara sobre una madre (Patricia Heaton; The Middle, Everybody Loves Raymond) que, después de criar a sus dos hijos y haber trabajado toda la vida como profesora, decide que ha llegado el momento de enfrentarse a un nuevo reto: convertirse en doctora. El reparto de la serie lo completan Kyle MacLachlan (Twin Peaks, Desperate Housewives), Jean-Luc Bilodeau (Baby Daddy, Kyle XY), Bonnie Dennison (The Guiding Light), Ito Aghayere (The Blacklist) y Sabrina Jalees (Transparent). Creada y escrita por Emily Halpern (Booksmart, Trophy Wife) y Sarah Haskins (Booksmart, Trophy Wife) y dirigida por Pamela Fryman (How I Met Your Mother, One Day at a Time). Estreno: 26 de septiembre

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Evil (CBS)

Drama procedimental de Michelle y Robert King, creadores de The Good Wife y The Good Fight, descrito por la cadena como la exploración de la batalla entre ciencia y religión. La trama sigue a un peculiar grupo formado por Kirsten Benoist (Katja Herbers; Westworld, Divorce), una psicóloga escéptica; David Dacosta (Mike Colter; Luke Cage, The Good Wife), un aspirante a cura; y Townsend (Michael Emerson, Person of Interest, Lost), un contratista corriente; que se alían para investigar posibles milagros, posesiones y demás sucesos paranormales o sin explicación lógica. Su objetivo será encontrar respuestas científicas o catalogar los eventos como sobrenaturales. Completan el reparto Aasif Mandvi (This Way Up, Shut Eye), Brooklyn Shuck (Rise) y Skylar Gray (Married; Me, Myself and I). Estreno: 26 de septiembre

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Perfect Harmony (NBC)

Un antiguo profesor de música de Princeton (Bradley Whitford; The West Wing, Studio 60) acaba en un coro de la iglesia de un pequeño pueblo y se encuentra con un grupo de cantantes que están fuera de tono en varios ámbitos de la vida pero puede que formen una mezcla perfecta para reinventarse y redescubrir la felicidad cuando más la necesitan. Con Anna Camp (Pitch Perfect, True Blood), Tymberlee Hill (Search Party, Grey's Anatomy), Rizwan Manji (The Magicians, Schitt's Creek), Will Greenberg (Wrecked, Halt and Catch Fire), Geno Segers (Banshee, Pair of Kings) y Spencer Allport. Escrita y producida por Lesley Wake Webster (Life in Pieces, Go On) y dirigida por Jason Winer (Life in Pieces, Modern Family). Estreno: 26 de septiembre

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Sunnyside (NBC)

Garrett Modi (Kal Penn; Designated Survivor, House M.D.) fue el concejal más joven de Nueva York. Se codeó con la élite política, acudió a las mejores fiestas y fue el orgullo de Queens, pero perdió su camino entre tanto poder y glamour y un escándalo acabó con su carrera. Ahora, un grupo de inmigrantes le contratan para que les ayude a conseguir la nacionalidad y le dan un nuevo sentido a su vida. Participan también Diana María Riva (Dead to Me, Telenovela), Joel Kim Booster (Shrill), Kiran Deol, Poppy Liu (Mercy Mistress), Moses Storm (Youth & Consequences, Arrested Development) y Samba Schutte. Escrita y producida por Penn y Matt Murray (Parks and Recreation, The Good Place). Producida también por Michael Schur (The Good Place, Parks and Recreation). Estreno: 26 de septiembre

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Creepshow (Shudder)

Antología inspirada en las películas que Stephen King y George A. Romero nos regalaron en 1982 y 1987. De las doce historias que nos contarán, solamente una es de King, y estará protagonizada por Giancarlo Esposito (Breaking Bad, Once Upon a Time), Tobin Bell (Saw) y Adrienne Barbeau (The Fog). También podremos ver a David Arquette (Scream, Never Been Kissed), Tricia Helfer (Battlestar Galactica, Lucifer), Dana Gould (Stan Against Evil, I'm Dying Up Here), Jeffrey Combs (The 4400), Bruce Davison (X-Men, The Fosters), Big Boi o Kid Cudi. Creada y producida por Greg Nicotero (The Walking Dead), que también dirigirá dos de las historias. Seis episodios. Estreno: 26 de septiembre

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The Politician (Netflix)

Comedia musical creada por Ryan Murphy (American Horror Story, Glee), junto a sus habituales Ian Brennan y Brad Falchuk, que nos traerá las aspiraciones políticas de un joven adinerado de Santa Barbara (Ben Platt; Dear Evan Hansen, Pitch Perfect), que tiene clarísimo desde pequeño que va a ser presidente de Estados Unidos aunque todavía esté en el instituto. Le acompañarán Jessica Lange (American Horror Story, Feud), Gwyneth Paltrow (Shakespeare in Love, Glee), Zoey Deutch (The Disaster Artist, Set It Up), Laura Dreyfuss (Glee, Dear Evan Hansen), Lucy Boynton (Gypsy, Sing Street), Bob Balaban (Condor, Gosford Park), Benjamin Barrett, David Corenswet, Laura Dreyfuss (Glee), Julia Schlaepfer, Rahne Jones, Dylan McDermott (American Horror Story, The Practice), January Jones (Mad Men, The Last Man on Earth), Judith Light (Ugly Betty, Transparent), Bette Midler (The First Wives Club, Hocus Pocus) y Theo Germaine (Work in Progress). Ocho episodios. Ya está renovada por una segunda temporada. Estreno: 27 de septiembre

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Bard of Blood (Netflix)

Thriller de espionaje, adaptación de la novela de Bilal Siddiqi (2015), sobre un antiguo espía de la RAW (Emraan Hashmi) que vuelve a una misión secreta, acompañado de una analista (Sobhita Dhulipala, Made in Heaven) y otro agente durmiente (Vineet Kumar Singh), para rescatar a otros cuatro agentes capturados en Baluchistán. Así, deberá enfrentarse a su pasado y salvar a la India y a un antiguo amor. Dirigida por Ribhu Dasgupta. Ocho episodios. Estreno: 27 de septiembre

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Skylines (Netflix)

Jinn (Edin Hasanovic) es un joven productor de hip-hop que firma con un sello discográfico de Frankfurt y se ve de pronto inmerso en el mundo del crimen organizado y obligado a colaborar con la policía para frenar al hermano mafioso (Erdal Yildiz) del dueño de la firma (Murathan Muslu). Creada y producida por Dennis Schanz. Seis episodios. Estreno: 27 de septiembre

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Bless the Harts (FOX)

Comedia de animación sobre un grupo de sureños que no están viviendo el sueño americano. No tienen estatus ni riqueza, pero se dan cuenta de que basta con la familia, los amigos y las risas para ser feliz. Con las voces de Kristen Wiig (Saturday Night Live, The Last Man on Earth), Maya Rudolph (Saturday Night Live, Big Mouth), Jillian Bell (Workaholics, SuperMansion), Ike Barinholtz (The Mindy Project, MADtv) y Fortune Feimster (The Mindy Project, Life in Pieces). Creada por Emily Spivey (Saturday Night Live, The Last Man on Earth) y producida por Chris Miller (The Last Man on Earth, How I Met Your Mother), Phil Lord (The Last Man on Earth, How I Met Your Mother) y Seth Cohen (The Last Man on Earth). Estreno: 29 de septiembre

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Godfather of Harlem (Epix)

Bumpy Johnson (Forest Whitaker; Empire, The Last King of Scotland) fue un jefe criminal que a principios de los años 60 volvió a Harlem tras pasar diez años en prisión y se alió con Malcolm X para derrocar a la mafia italiana que controlaba la zona. Con Vincent D'Onofrio (Daredevil, Law & Order: Criminal Intent), Ilfenesh Hadera (She's Gotta Have It, Show Me a Hero), Antoinette Crowe-Legacy, Nigél Thatch (Selma, Valor), Paul Sorvino (Goodfellas, Nixon), Giancarlo Esposito (Breaking Bad, Once Upon a Time), Rafi Gavron (A Star is Born, Counterpart), Kathrine Narducci (The Sopranos, Power), Kelvin Harrison Jr. (StartUp, Shots Fired), Lucy Fry (Wolf Creek, 22.11.63), Clifton Davis (Iron Fist, Madam Secretary) y Markuann Smith. Escrita por Chris Brancato (Narcos, Hannibal) y Paul Eckstein (Law & Order: Criminal Intent, First Wave). Diez episodios. Estreno: 29 de septiembre

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#series tv #television

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rosesnink · 11 months ago

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1816 - 1912 - 1913

celestine sinclaire, neé walker / helene foredale / claire montjoy, neé hayes

whereas helene is a direct descendant of harry foredale and his wife, viscountess theresa from their younger son, claire is a direct descendant from celestine's eldest daughter, lydia, who emigrated to the usa with her new husband in the search for a new dream, away from england

#playchoices #desire and decorum #the unexpected heiress #ship of dreams #mc: celestine walker #mc: helene foredale #mc: claire hayes #i am back on 'making my ever historical mc related' shit

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rosesnink · 2 years ago

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Hii 😍

If your MC / OC could be any song or any movie what would it be and why?

Hello love!! Sweet to see you here. I'll answer with all of my OCs so you get to know them (+Celestine)

Joanna would be the movie Mr. And Mrs. Smith

and song would be Mother's Daughter by Miley Cyrus

Joanna would be as a movie Wonder Woman and a song would be Legends Never Die

June would be as a movie Enchanted and as a song, Material Girl by Madonna

Nicole would be the movie Princess Diaries for Reasons and as a song she'd be The Night We Met by Lord Huron

Samantha as a song is Are You Satisfied? by MARINA and as a series she's Grey's Anatomy

Eleanor's song would be Fight Song by Rachel Platten and her series, The Tudors!!

Moving on to OG OCs...

Celestine's song would be Experience by Ludovico Einaudi and her film, Sense and Sensibility!

Claire's song would be Diamonds Are A Girl's Best Friend by Marilyn Monroe and her movie, Titanic!

Olive's song would be Castle by Halsey and her series would be Reign

Joan's song would be He's a Pirate and her movie, Pirates of the Caribbean!!

#ask games #new moot #peonierose #oc: hayley parker #oc: joanna mills #desire and decorum au #mc: olive aster #mc: claire hayes #mc: celestine walker #mc: joan beauchamp #oc: eleanor foredale #oc: samantha foredale #oc: nicole donovan #oc: june dante

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rosesnink · 3 years ago

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TITANIC 1997 REF!!

#playchoices #the unexpected heiress #mc: claire hayes #fr this dress was worn by rose dewitt bukater when she met jack

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rosesnink · 2 years ago

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Meet Claire Hayes

ABOUT CLAIRE

Full Name: Claire Sabine Hayes-Montjoy

Meaning behind the name: Bright, clear (French; Latin)

Birthday: 12th of August, 1894

Status: Dead (as in today) alive (as in the TUH events)

Nickname: None

Age: 19

Parents: Mr. George Hayes, Mrs. Cora Hayes, neé Astor (deceased) Mrs. Delia Hayes (stepmother)

Sibling(s): Amelia Hayes, Devon Hayes, Theo Hayes

Further Family: Aunt Maude

How old they appear: 19

Weight: 58kg

Height: 1.60m

Skin Type: Fair

Religion: Catholic

Sexuality: Lesbian

Hair color and lenght: Redheaded, down to her bust

Taste in clothes: Claire dresses according the fashion of Gemma without spending too much, following the latest trends

Music: Classical, a bit of jazz

Good habits: Always laughing, kind, brave and caring

Bad habits: Blunt, hot-tempered, a bit entitled and proud

Guilty pleasure: Salacious novels

Hobbies: Exploring, travelling, gardening and fashion

Deepest fears: Losing everything and everyone she loves

Love Interest: Dowager Duchess Gemma Montjoy

Child(ren): Ollie Montjoy (adopted son)

Actual Residence: Duchy of Wessex

Allies: The Somerset Family, The Montjoy Family, Hugh Crawford, etc

Enemies: Marquis and Marchioness Seymour

Goals: Avenge her sister’s death

BACKSTORY

Claire Sabine Hayes was born on the 12th of August, 1894 of wealthy businessman George Hayes and his second wife Cora Hayes, formerly Astor, from the very wealthy and influential Astor family. The marriage had been of convenience, and Mr. Hayes was in dire need of a male heir, but the birth of another daughter and the fact that his new wife was very petite and sickly didn’t help. He divorced her and forbid her to see her daughter, and it is speculated that she died on the way to Maryland, where her true love awaited her.

She grew with very few stories from her mother and with a busy and distant father who always left her in charge of nannies and tutors, only paying attention to her during specific events of her life, her only present figure her stepmother, Delia Hayes, his father’s third and final wife. Soon, her brother Devon Hayes was born and she fell in love with him, and while she and Delia argued, they loved each other and could say that they saw each other as family, though Claire never called her ‘mother’.

Whom she was close with, however, was her half-sister Amelia, though she always called her Millie or sister. She was like a mother to her and her anchor, and was devastated to see her go at the age of twenty to England to marry well, to gain coronets in exchange of a very handsome dowry of a decadent viscountcy.

She was devastated when she heard she had died a few months shy of her birthday, and her screams of pain were heard all over the now sorrowful manor.

DURING THE SERIES

Claire takes on the journey to step on her sister’s shoes having had turned nineteen a few weeks ago to marry Francis Somerset and thus become Lady Ashbourne. When she first met him, she thought him depressed and aloof, and soon found out that her sister could’ve been murdered. She allied with Francis and soon planned to pretend to have fallen madly in love and to be officially engaged.

Though the ruse would be hard to go by, as Amelia’s death was still too fresh... and her eyes have been set on an awfully young widow, Dowager Duchess Gemma Montjoy, the widow of the deceased Duke Thomas Montjoy. Despite have lost so much, the young widow was vivacious, intelligent, intuitive, with a forward thinking and unapologetic, thing that intrigued Claire greatly.

The investigation went deep, suspecting several members of the peerage, making the game very dangerous, getting notes of the possible killer to stop sticking her nose in other people’s business. When things got extremely dangerous, she decided to involve her closest allies: Mr. Crawford, the family’s lawyer, John Somerset, Francis’s adopted brother and Gemma herself, alongside her lady’s maid, who took care of the staff.

The months went by and as the wedding neared close, Gemma and Claire got closer, the tension everywhere, and volumes of yearning and longing between their stares.

Francis and Claire decided to break the engagement after the investigation was over.

Days before the wedding, the investigation led to the Marquess Huntsbury and, with evidence gathered, she could prove it was him and the police took him. Claire was relieved, but something inside her that this hasn’t ended just yet. Claire tired to wiggle off the engagement, but their families were adamant; the show must go on.

The day of her wedding, the Marchioness Huntsbury offered her chapel for the ceremony. During the events, she noticed the Marchioness’ odd behaviour and put the last pieces together: the marchioness was the killer, not the marquis! She tried to confront her too, but things went back and Claire ended up badly wounded by the marchioness’ pistol, but the truth was out: the marchioness had killed Amelia after she found out about the marquess’ affair with an Indian woman before his legitimate children were born, and that affair had given out a boy that could replace her sons. Determined to protect her heirs, she poisoned Amelia with a perfume, and her last words helped Claire “Blood runs (thicker than water)”

Claire recovered two months later and Delia relieved her from her duty at the thought of losing her daughter at her ambition’s expense. She immediately went to her beloved Gemma, who had held her while she nearly bled to death and both secretly married in the woods and travelled all over Europe before setting down and raising Ollie together, who would carry on the Montjoy line despite being illegitimate (Gemma and the duke could never produce an heir) and went on to live a happy life.

AFTER THE SERIES

After settling down at Wessex, she raised Ollie alongside Gemma and were close mothers to him, though he never knew the nature of the relationship till later while reading Gemma’s diaries, years after her death.

They supported the suffragist movement, the eventual fall of the British empire, and tried not to have an opulent lifestyle and dedicated the estate’s money to charities instead and to their own family. They travelled to the US as much as they could, visiting a growing Devon and her other brother.

In 1938, she received a letter “Claire, my sun, I beg of you, come to me. I am dying. Mother.” She immediately begged her aging father to tell her where she was and came in time to spend some hours beside her before she died.

As she aged, she helped Ollie with the kids and was an advisor and eventually let go of her anger and hate towards the Seymours and passed away on her bed a year after Gemma in 1994 of old age. Her portrait hangs on a quiet room of wives and daughters of the dukes, and their story was told in a documental called “The Private Lives of the Dowager Duchess Gemma and Miss Hayes”