#maybe they were at some point maybe they were always different. who knows with all those time shenanigans

[lani-heart]

|| series masterlist || next // previously ||

genre(s) -> smut, fluff, non-idol, hybrid au, poly au paring(s) -> yunho ( centric ) x reader warning(s) -> smut, mdni. 18+ words -> 3.5k

abstract -> sometimes... the quietest are who are suffering the most

yunho’s perspective

How long have I been looking at this wall?

It was boring that I was stuck in here alone with my thoughts. I missed Mingi… even if we lived poorly. We had many stories about being on the street… but it was selfish of me to reminisce. He was happier… healthier and way better than he would be with me. 

“Yunho… cheer up today! There’s an adoption fair this afternoon!” The employee said I could only offer a soft smile to cover up my emptiness. 

Maybe… I'll get adopted and get a new start.

Maybe someone will fill the whole Mingi left… and I can atone for what I did when I was a thief, especially to her.

y/n’s perspective

“I see,” Mingi said after I finally sat down and talked to him about it. “Is it selfish to want to ask you to adopt him… but also feel sick at the thought?” he said and I smiled softly. 

“I’m leaving this decision to you, if you’re not comfortable with me adopting him I won’t” I confirmed and he nodded. “I just don’t want to feel like he’s replacing me” he muttered and I sighed. 

“He’d never replace you… look at it like this, Mingi. Yeosang and Wooyoung had the same insecurity” I said and he looked shocked.

“Wooyoung got so bad that he got into a small depressive episode cause he thought I’d abandon him… that I only adopted him because I wanted to be with San,” I said and he stayed silent… deep in thought.

“I don’t treat them differently do I?” I asked and he shaked his head. “And Yeosang thought the same thing but I'd never treat any of you differently…you’re my made family,” I said and he then hugged me in I rubbed his back hoping to comfort him. 

“Yunho had everything… he was perfect and he was never punished or anything. He would get away with everything” he muttered clearly envious. “You wouldn't be treated differently,” I said and he nodded. 

“I know… and I do really miss him,” he said with a sad smile.  “Today is an adoption fair… so this decision–” “I want Yunho back,” he said, cutting me off. 

In the end… they were a bonded pair. 

mingi’s perspective

I felt sick… nervous, anxious… What if he didn’t want to see me again? What if he decided to take revenge and steal them all from me? But I also really missed him. I wanted him by my side again…

The adoption fair was huge… It had lots of people looking at hybrids, special needs hybrids, yellow codes, some orange codes, and of course the green codes. But there wasn’t any place to see red or purple code hybrids, not to mention the black codes. 

Everyone though always seemed to be attracted to green codes, the prejudice of other codes sometimes isn’t aggression. But instead mental health or– “Jaemin told me that’s his” she whispered to me while pointing at the kennel at the end of the hall.

“Can I… go alone first?” I asked and she gave me a sweet smile and let go of my hand. I took a deep breath as I walked to the kennel. Yunho didn’t even see or hear me… he looked lost in thought lying down on his bed that could barely even fit him. 

“What’s so interesting about the ceiling?” I said and his ears twitched as he looked at me clearly confused. “Mingi…” he said and I swear I saw his eyes start to tear up. “You look… so much better,” he said as he got closer to the glass door shielding us from each other. 

“Yeah… she treats me like them. You were right about her you know… she’s one of the good ones” I said and he chuckled. He then just looked at me with a soft smile he used to… “I missed you” he muttered and I smiled. “I did too,” I said.

“Why are you here, Mingi?” he asked and I smiled. “No… I don’t want her to adopt me” he said and I was confused… “Mingi… I know you. You’ll get mad and not say anything… you’ll get jealous, and I want you to be–” “I won’t…” I know I was lying but I really wanted Yunho by my side again. 

Everyone back home was amazing but… Wooyoung and San were glued to each other, and so were the tigers. Yeosang was independent… I wanted someone who would be by my side again. Even if I regret this decision. 

But would I regret my decision?

“Want me to formally introduce you to the sweetest human you’ll ever meet?” I asked and he still looked at me skeptical but laughed anyway. “How is it?” he asked, now relaxing and I smiled, wanting to show him everything. Maybe even ask Seonghwa and Wooyoung to make my favorite dishes for them to make him. 

“Where do I even start? I just know you’ll love it”

y/n’s perspective

“Mingi worries me…” I confessed to Kun. Mingi said he wanted to talk to Yunho some more so I told him I'd get the adoption papers done. “His weakness is Yunho… he seems to have a possessive part of him. He wouldn’t want to share with Yunho but I think in a way he also doesn't wanna share Yunho” he said and I agreed. “What if in the end, I can’t keep Yunho because Mingi won’t allow it?” I ask and he sighs. 

“Then I doubt Yunho will ever be adopted… or he has a really rare chance of it,” he said and I sighed. 

“There's nothing we can do but… risk it huh?” I asked and he nodded while I signed everything. I was truly worried about how everyone was gonna treat Yunho. They treated Mingi… great and honestly had the better transitions into our home but… Yunho I was really worried about and not because of everyone else but Mingi himself. 

I waited in the waiting room when I saw Renjun and Mingi. “Yunho will be out soon but Mingi isn’t allowed in the grooming nor in Doyoung-hyung’s office” he explained and I nodded as he went back to work. 

“Are you excited?” I asked and he grinned. “I finally have him back!” he said happily and I hoped… My worries were for nothing. He talked about Yunho constantly, telling everyone stories and only good things about him. While I knew he had some jealousy and envy towards the golden retriever hybrid.

None of it had aligned with his medical records. And how he was abused more than Mingi was. 

Kun confirmed it… the file as well. 

He confessed to being starved for weeks at a time and even being physically and sexually abused. While Mingi was also abused… he was starved for one week at a time, and physically abused. His heat and Yunho’s would also sync together making his previous owner lock him in a closet while– 

“Yunho!” I felt myself snap away from my thoughts and see the golden retriever hybrid who I once thought was human now in a temporary collar and clothes while Mingi hugged him. He was attached quickly… They were a bonded pair after all. 

Yunho didn’t want to look me in the eye and I didn’t push him too as Mingi just ranted and said he was gonna love their new home. Yunho only silently nodded and smiled… he was happy but looked reluctant. 

“Ohh! And every week y/n takes me out to these cafes after my session! y/n the next time we go can we bring him a lot of the pastries!” he exclaimed and I agreed happily. 

Yunho was also given therapy sessions but bi-weekly… and on Mondays… but for now I didn’t want to tell Mingi that… I didn’t want him to think Yunho was taking things from him already 

 At the apartment, everyone gave him a warm welcome… which Mingi said they should but he already looked a little dejected. Even saying “When I first came, everyone kinda hated me since we did steal from y/n,” he said already showing him the difference… Wooyoung was the first to speak up and say they warmed up pretty quickly to him but I didn’t necessarily tell them to be careful. 

Though Yeosang and Seonghwa already seem skeptical. 

Mingi soon dragged him around to show him everywhere away from everyone… Even when Wooyoung offered, he was immediately rejected by Mingi.

“What's the wolf’s problem?” Yeosang asked and I sighed. “A long story,” I said and he hummed while taking me to his room where Seonghwa followed.

“Mingi is acting differently towards us… almost like he doesn’t want us to get close to Yunho?” Seonghwa added and I sighed. “Mingi is extremely envious of Yunho. In his file it says he has a love-hate relation with his bonded pair. Jealous that he was treated better in his eyes in their old home even saying he had more favoritism while Mingi had the hard-hitting abuse” I said and they nodded. 

“Was it not like that?” Yeosang asked and I shook my head. I handed him the file from my purse which he and Seonghwa read and they didn’t seem to read much before handing it back to me. 

“So… what happens to the two?” he asked and I shrugged. “Nothing… we have to act normal and accept Yunho cause he’s a part of our home now”

yunho’s perspective

I wonder just how much she knew about the problem of me being here truly. Seeing Mingi already trying to isolate me from the others was… not a good sign. 

Of course, he can’t do it forever. So while I had my own room, he already said how he was jealous of that but because no one could share a room with me. 

He was mated to her… they all were, which was shocking. He clearly stated how much living here was like a dream and how much he wanted me here but deep down he was a liar. 

Eventually, Mingi would show everyone just how much he hated me. Because while I do believe I mean something to him… at least in private, to others I'm soon gonna be discarded. Mingi hates when I take things from him because he assumes I already have more than him. 

But I wanted to be selfish and enjoy my time with him… at least for the time being. I really did miss him and I could only hope he missed me like he was saying. 

I don’t deserve a lifetime with him… so I'm hoping that fate can offer me a small amount of time with him until we separate again. 

Mingi was not doing well emotionally.

I was happy seeing that he could interact with other hybrids so easily and even y/n who really was the sweetest person I’ve ever and probably will ever meet. 

So seeing her trying to explain that I had a check-in with the hybrid specialist did not hit him well. Especially since I would be alone with her… doing something that was just like he would.

“Can I come with you?” he asked and she gave him a tight smile.

“Mingi…” she said trailing off and Yeosang scoffed. He wasn’t rude to me but he also seemed to understand what was happening actually… I think they all knew. 

“It's for his health… you want him to be okay and happy with us right?” she asked him and he stayed silent before eventually nodding. “You should start going any longer and you’ll be late,” Hongjoong said and she nodded but not before looking at Mingi who was silently looking at the ground. 

He didn’t even bother to look once as we left but I could see he was mad… his fists were clenched and his tail nervously moved. When we come back it won’t be a happy ending. 

“I’m hoping he comes around to the realization… that well, you aren’t taking anything from him,” I said and he smiled softly. “So you noticed it too? Sorry…” he apologized and it made me wonder if Yunho was gonna be harder to transition into being in a happy home. 

“It’s not your fault… don’t apologize when it's not needed I just hope you can enjoy it while being with us,” I said and he chuckled softly. “Everyone is really nice and you’re really exactly who I thought you’d be maybe even more… I hope so too that Mingi comes to the realization” he confessed and I nodded. 

The rest of the walk was… quiet and well by the time we were here I wondered if Yunho would ever open up to me.

“You okay?” I heard and saw Jaemin. “Yeah… just worried for Yunho,” I said and he sighed. “Did Kun tell you about Yunho not being up for adoption anymore?” he asked and I nodded. He looked sad but it was a part of this job…

“Yunho is such a sweet hybrid but… so susceptible to pretending everything is okay and that makes him an easy target you know that” he explained and it was true. With him being so easily obedient his masking of how he actually feels is dangerous. 

When hybrids are trained as well… obedient servants it makes it hard for them to find homes after since either transition will be hard or they’ll find themselves in another abusive home. These hybrids are often taken to the country with other hybrids and… well are under the hands of breeders. Which treat them well but… Mingi would regret it if that happened. 

“y/n? Can we talk privately before Yunho is dismissed?” Kun came to ask and I nodded and said my goodbyes to Jaemin. “He’s finding it hard to interact with your other hybrids due to mingi, I would probably recommend separating them in the home for the time being but be careful since it might trigger Mingi. So I would recommend to talk it out with both of them” he offered and I nodded. 

I trusted Kun’s input and Mingi needed something to push him into accepting a reality check. 

I went outside after signing papers where I saw Yunho. He was currently sharing Mingi’s clothes and… well he even said he didn’t mind so I knew it came from a place of jealousy. He’d hate to see Yunho get treated better than him… 

Mingi… didn’t like the day we got Yunho a collar either but I had to sit down and tell him it's something all of them have. Something that they have uniquely for them but from the same material each other has. 

Mingi has a brownish pink collar while Yunho has a gray one with soft yellow jewels on it. The gesture alone I know made Mingi upset. 

“Are you hungry? We could pass–” “No thanks…” he rejected and I know why. Though I didn’t want to push it… “I’ll ask Wooyoung to make you something special then?” I asked and he shook his head. 

He would continue to reject anything given to him… as long as Mingi showed his insecurity. 

yunho's perspective

I was worried about going up the elevator. Mingi exactly waiting…

“Mingi can I talk with you?” she asked and he nodded softly as she looked at me and gestured me to follow. Her other hybrids looked confused but as we made it to her room she gave us a shy smile. 

“Kun offered some advice… that the two of you should separate for a bit just to help the transition. Mingi you should let him go around the apartment alone and even with everyone else okay?” she asked and he nodded softly. 

“And please… share what you’re feeling? Bottling it up isn’t good for you” she told me and we nodded as we left her room. Mingi was angry…

“Did you go somewhere after?” he asked and I shook my head. “No, I wanted to come back to–” “I bet you did…” he muttered as he walked off but I sighed and caught up to him to grab his wrist when he suddenly jerked back and looked at me angrily. 

“Why do you steal everything from me!” he yelled at me and I knew this was gonna happen. “I went through hell with our old owner and you got off easy! You never suffered anything! You were 'Golden Boy Yunho'!” he yelled angrily and it was starting to piss me off. 

“Mingi?” I heard as I saw the panther… Mingi stayed silent, probably clearing his jealous thoughts. “Can you give us some privacy?” he asked and the panther sighed. “You do know that she isn't the type of person to replace you? She’s not a hybrid collector” he corrected and Mingi stayed silent as he left.

“They weren’t hybrid collectors either… So why? Why was I the only one punished!” he yelled again and I knew he needed to get this out of him. “I hate you… I wish we weren’t bonded so we didn't have to be stuck with each other!” he yelled and I let out a shaky sigh. 

“You know nothing about what I went through–” “Did you ever stop to think, what if I just never told you about what I went through?” I asked and he scoffed. “Like what huh?! She’d favor you always–” “If you haven't eaten for a day Mingi, I didn’t eat for two! If you were locked in a closet I was the one physically punished! You weren't the only one so stop okay!” I yelled... I am now sick of it, pretending I was okay when... just wanted to forget. 

“Don’t you ever wonder what’s happening to me when you're locked in the closet? Or how long has it been since I ate, if you were being punished? Why do you think she liked me so much huh? I did everything I could for you… and in the end, you won’t ever care! You’ve always hated me when I always tried my best!” I cried out now. 

He looked shocked but he shook his head… “Liar,” he said and I sighed and left the room. I can’t stay here if he really does hate me. I knew he’d regret having her adopt me…

I went through the fridge looking for things I could take that would last me a while. 

“Planning on running away?” I heard and I looked behind me to see them all… besides her. I was caught red-handed… “Why are you fighting so much with the overgrown wolf?” Yeosang asked and I sighed.

“He’s always hated me… ever since we were kids. He still thinks he was the only one getting punished but he would get smaller punishments from her” I explained. 

“So you took his blame most of the time?” Seonghwa asked and I nodded. “She finds every little thing to blame him and when I finally stood up for him, she said I could take his punishment. So she would starve Mingi and me but then she’d give me the choice. She'd give me one plate of food for a whole week which I'd sneak little bites but gave the rest to Mingi. Or if he was locked away in heat, she would get physical with me” I explained and I couldn’t look at any of them. 

“y/n knows… she has the records of your abuse in a file. She was hoping you and Mingi could clear things up” Hongjoong said and I shook my head. I subconsciously fiddled with the collar she gifted me.

“Mingi would never believe me… and I never corrected him. I let him hate me cause it was easier that way. I told him he’d regret me being here… so I’m sorry” I apologized and Wooyoung now got closer to me and opened the fridge. 

“If you’re gonna leave you should at least have a good meal” he muttered and I was shocked. “We’re not gonna stop you from doing anything but…we also can’t just let you go without nothing,” Seonghwa said and I noticed San was missing. 

“He isn’t gonna tell her…” Yeosang confirmed and I didn’t believe him until I saw him again. “She had some clothes for you to try on that she was planning on giving you eventually,” he said, handing me a trench coat and warmer clothes. Hongjoong also appeared with money… “This should get you around for a week,” he said and I nodded. 

“Why?” I asked confused and they shrugged. “You’re really unhappy… you can fool Mingi but everyone else can see how upset you are. Even if she can… she was planning on taking you back or finding someone to adopt you but if you're running away then there's no point” Hongjoong said and I didn’t want to cry in front of them. 

“This should be good for you, make sure to eat well” I heard as I saw Wooyoung hand me a lunch box and I couldn’t stop the tears. 

“I’m sorry I caused so much trouble” 

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[ventismacchiato]

18 stuck with you — cherry blossoms !

scaramouche x gender neutral reader

MORNING AFTER

You wake up, and the remnants of last night’s drinking are still rattling around in your skull. The harsh light streaming through the windows feels like a personal attack, and the dull throb in your temples only adds to the misery. You almost don’t remember everything from the night before. Almost.

The kiss. The sight of Mona kissing Scara. Heizou’s arm around your shoulder. Scara’s eyes, watching. The way you rushed to defend yourself.

You try to roll over, but everything feels off. There's this weight in your chest, a weird, almost sticky feeling in your gut that you can’t shake. The weirdness is because of him.

After dragging yourself into the living room, hoping for a bit of quiet before leaving for breakfast, your eyes find the culprit of your headache. Scara. He’s standing by the door, looking entirely too unaffected by the chaos of last night. The cool indifference he always wears is almost infuriating. You were hoping he’d be feeling just as lost as you. 

You’ve always known Scara was beautiful. It's one of the reasons you hated him. It’s why the jealousy burned so fiercely inside you for all those years. His sharp eyes and how they managed to cut through everything, the way his features seemed too perfect to be real, it always made your stomach twist. It made you question why he had to exist in your orbit at all. 

But now…now, as you watch him, you feel that old jealousy resurfacing. But this time, it doesn’t feel the same. It feels different. 

Maybe it was never jealousy at all. The thought makes your heart skip, and before you know it, you’re staring at him.

Your gaze lingers for too long because all of a sudden he looks back at you. His usual detached expression softens for a split second, and you swear a flicker of something crosses his face. A jolt runs through your spine. Heat floods your face. You can’t help it. It’s like you’ve forgotten how to speak.

Remember. Be flirty. Show him you don’t hate him.

"Good... good morning," you stammer.

He gives you a strange look. “Morning?” he says, before walking past you.

Thankfully, the others arrive, and the group starts moving toward breakfast, leaving you in the dust. Your eyes flicker back to Scara briefly, but you immediately look away again, hoping your face isn’t burning as much as it feels. Lumine, who must’ve noticed your awkwardness, grabs your arm and pulls you back. 

"Okay, that could’ve gone better," Lumine starts, voice light but teasing, "I thought you liked him? Why were you glaring at him like that?"

You freeze, mortified. “Not so loud!” you hiss, wincing at the noise in your head. “I wasn’t glaring. I was just… staring. I tried being nice.”

Lumine raises an eyebrow, clearly unconvinced. “Uh-huh. Right. Just staring like you wanted to murder him. I thought you were going to flirt?”

You groan internally, the embarrassment already creeping up.

“That was my attempt,” you say weakly.

Venti, trailing behind, chimes in unhelpfully. “You’re hopeless, Yn. How did Xiao’s awkward ass get a man before you did?”

Xiao, walking beside you, frowns. “What do you mean by that?”

Venti flashes a mischievous grin. “I mean, come on. He can barely string a sentence together, and yet, here we are... take some notes, Yn.”

Xiao crosses his arms, scowling, but you roll your eyes, tuning out the back-and-forth. There’s something heavier on your mind.

"I know I’m awkward," you mutter, glancing down at your shoes. "But I don’t think there’s any point in flirting with him. He doesn’t like me, and honestly, I’m just hoping this feeling… goes away."

Lumine gives you a sympathetic look. 

“Even if that were true, there’s no harm in trying,” she points out, her voice gentle but firm. She doesn’t press further, though. Instead, the group continues toward the kitchen, the chatter from the other group filling the silence.

As you enter the kitchen, you scan the room. Mona’s already there, looking completely at ease, her eyes bright and unbothered. It’s a little strange, considering she was absolutely hammered out of her mind last night. You glance at Heizou too and he greets you with a smile, but there's a tiredness in his eyes that makes you pause for a moment. His usual carefree demeanor seems worn.

Because of you.

Before you can speak, a voice pipes up from underneath the table. It’s Yae’s voice, muffled but chipper, and she sounds far too cheerful for the morning after what was a particularly chaotic night. 

Childe, who was sitting from where she popped up shrieks and practically jumps from his chair. “Don’t do that!”

Yae ignores him, her voice still carrying across the room. "Guess what I just heard? Apparently, last night, Scara and Mona kissed!"

You freeze. Your stomach does a strange flip. Your eyes instinctively snap to Mona, who is sitting across from you. Her face pales as she blinks at Yae in confusion. “We what?!” she exclaims, her tone high with disbelief.

Meanwhile, Scara, who’d been silently sipping coffee, seems to shrink into his seat, his usual stoic mask barely holding up under the weight of the accusation. He looks like he wants to disappear into the floor.

“There was no ‘we,’” Scara mutters, his voice sharp with irritation. “She kissed me. I’m not an asshole to take advantage of a drunk girl.”

Mona slaps a hand to her forehead, groaning in embarrassment. “Oh my god, this is so embarrassing,” she mumbles, her face flushed crimson.

You thought you were done with this, but hearing it said aloud still manages to send a strange ripple through your chest. You knew the kiss hadn’t meant anything, especially with Scara’s angry words from last night. It stings, even though you tell yourself it shouldn’t.

Your eyes move back to Scara. His usual guarded expression is there, but you can see the frustration beneath it. He’s trying to act unaffected, but it’s clear that he’s anything but. You wonder if that’s how you’ve always made him feel. Unreachable.

But Mona’s outburst fades, and the silence that follows feels heavier than it should. You catch Scara’s eye again, and this time, you don’t look away. Neither does he. For a moment, he raises a brow at you, and you swear his lips curve ever so slightly.

“Well, that drama was short-lived,” Yae says, breaking the tension. “Can we milk it any further, or are we done here? What about you, Heizou?”

Heizou, who had been uncharacteristically quiet, speaks up. “We actually discussed how Yn holds no feelings for me.”

Yae sighs dramatically. “Why did we bring you three here, then?”

Diluc, who’s been quietly watching, finally speaks up. “I’m having a swell time.”

“Fuck, finally,” Yae huffs, rolling her eyes. “Alright, whatever. We’ve got another activity, and I’m sure it’ll land you all a place in Paradise.”

“Is this one rigged?” Aether pipes up.

“A little,” Yae grins. “I’ll reveal it at the end. Anyway, we’re doing a Scavenger Hunt! Pairs, but since we’ve got an odd number... Heizou, you’re going solo.”

You wince at that, already guilty for rejecting Heizou’s advances all this time.

“You each get an item to collect. Shells, flowers, rocks, etcetera. Nothing too athletic. Go out and explore, and bring back as much as you can,” Yae continues, casually ignoring the obvious tension.

“But you assigned us flowers,” Scara interrupts, “All the flowers are in the woods.”

“Yes, and?” Yae smiles, unbothered.

“And the woods are up in that mountain,” Scara points out, his voice tinged with disbelief. “You want us to climb that?”

Yae simply smiles.

“I don’t like you,” Scara grumbles.

“I love you, too,” Yae laughs. “Moving on, we’ll meet back before lunchtime! Get going!”

୨୧✧

You get paired with Scaramouche, obviously, but unlike the other times you don’t find yourself too mad about it. You both knew no matter how good or bad you did at the game they’d rig it around you both, so you take your time making your way up the trail. Or what you both assumed to be a trail.

You both stood at the foot of the raging path ahead of you, mentally preparing yourselves to walk up it. Scara digs his hand into his pocket and pulls out a handful of gummies.

“I didn’t take you for a sweet tooth,” you murmur.

He scoffs, grabbing your hand with his free one and letting a few fall onto your skin. You try, and fail, to ignore the warmth of his skin upon yours.

“It’s not candy,” he says, walking ahead of you. You stare at the not candy in your palms and then at his retreating back before throwing them back. Anything to help the swirling pit in your stomach.

You don’t talk much. The silence stretches between you, both of you awkward in your own way. You’re searching for something interesting to say, but the words won’t come.

It’s not until you reach a fallen tree that Scara climbs over and reaches a hand out to you.

“Careful,” he says simply.

You take his hand, letting him pull you over, but as you do, your foot catches on a branch. You find yourself pressed against his chest, and for a moment, neither of you moves. He doesn’t pull away until you shift, pulling yourself off him.

“I’m sorry,” you murmur, already embarrassed, but then his fingers brush against your cheek.

“You’ve got dirt on you,” he says, his tone surprisingly soft. “Walk slowly.”

Your cheeks burn as you watch him walk ahead, hoping the shade of the trees is doing a better job than your body at hiding the blush creeping up your neck.

Eventually, you both come across a small meadow filled with flowers. You kneel down, picking a few, letting the petals twirl in your fingers. You hear a rustling beside you, and when you look up, Scara is crouched next to you, holding a flower in his hand. 

“Here,” he hums, and before you can say anything, he tucks it behind your ear. A gust of wind carries the petals, some of them landing in his hair, and for a moment, the sight takes your breath away.

“I didn’t think sunflowers grew here,” he mutters, pulling the petals from his hair.

“Leave it,” you say, almost breathless. “It’s pretty.”

He stares at you for a long second, his eyes unreadable and a fistful of petals in his hands. He ‘s silent before he lets the petals fall into your hair. “Have them,” he says, his voice low. “They’re like you, anyway.”

You blink, unsure what to say.

“How?” you manage to ask, voice shaking slightly.

Scara eyes you for a beat before answering.

“You follow the sun,” he says, standing up and brushing off his pants. “And people can’t seem to get enough of you.”

He doesn’t look back as he speaks, his gaze fixed ahead. After a beat, he adds, almost offhandedly, “Sunflowers aren’t too bad to look at, either.��

You’re left standing there, watching him walk away, his words hanging in the air like a soft, lingering echo.

Maybe you weren’t a sunflower. Maybe you were a cherry blossom instead. Cherry blossoms fall at five centimeters per second, and you’ve been

falling

…falling

……falling

since the day you met him. Even if there wasn’t any gravity on Earth, you’d probably fall for him eleven times out of ten.

୨୧✧

You both reach the peak, breathless. Neither of you were exactly built for this. “Rock,” you manage to say, sinking onto it before Scara can even respond. The sweat trickling down your neck probably isn’t doing your attempt at flirting any favors.

He sits down beside you, letting the flowers you picked tumble to the ground. The sun filters through the trees, but you still get a decent view of the ocean. You glance to your left. Scara’s staring at it, the wind ruffling his hair.

Your head spins, but you can’t tell if it’s from the lack of oxygen or because of him. “Sorry about your mom,” you say, trying to break the silence. It’s also a way to make up for not checking in on him last night. You never did see if he was okay. You probably should’ve. He chuckles softly, the sound surprising in its warmth.

“Not your fault.” You fall quiet after that, the words you want to say stuck somewhere in your throat. “Just spit it out,” he says, leaning back on the rock, eyes still on the horizon. He always knows when you’re holding back. “If your mom hadn’t paid Mona off, would you have kept dating her?” you ask, the question slipping out before you can stop it. You expect him to scoff or brush you off, like he usually would. But his answer comes quickly

“It wouldn’t have lasted anyway,” he says, voice low. He picks a flower from your discarded bouquet and twirls it between his fingers. “We weren’t suited for each other. She hated how much I focused on work, and said I was too much. I just wish she’d broken up with me herself, though.” You nod, his words strangely comforting. “Besides,” he adds casually, “All we ever did was have hate sex.” You choke on a surprised laugh, coughing at the suddenness of it. And then…he laughs. Actually fucking laughs. The sound is so rare, you find yourself wanting to drown in it. “Prude,” he teases, watching you with a sly grin. You compose yourself, shooting him a glare. “Not a prude.” “I beg to differ.” You roll your eyes, trying to ignore the way your heart skips a beat. Another question bubbles up, one you can’t resist asking. “Was she your first?” He’s silent for a beat, then answers with a firm, “Nope.” “Was she your only?” He glances at you, brows raised. “Why do you care?” Because you like him. Maybe it’s something a little more than that. Something you haven’t dared to admit to yourself yet. The answer is right there on your tongue, but you swallow it down.

 “Just being nosey,” you say, trying to brush it off. “Didn’t think you could pull anyone else.”

He shrugs, nonchalant. “She wasn’t. But after her, I stopped having casual sex.”

You scoff. “But I heard you’ve hooked up with half the industry?”

“What tabloid did you read that in?” he smirks. “You know there’s shit other than sex, right? Or do I need to give you sex ed?”

His words hang in the air, the implication making your cheeks flush with heat. You must’ve looked taken aback, because he doesn’t hesitate to press on.

“Half of them were just blowjobs backstage.”

You choke from his words again.

“God, you are a prude.”

“Shut up,” you muster out before continuing, “Don’t you miss it? I thought you liked…sex?” 

His smirk is there before you even have a chance to respond. “Well, yeah. Who doesn’t?”

You stop, unsure why you even care enough to ask. Well, you were pretty sure. You’d thought he’d just shut you out.

“What, spit it out,” He presses, and you almost want to avoid his gaze, but you can’t.

“Wouldn’t someone like you get...?” you murmur, barely above a whisper, feeling the heat rising in your neck.

He stared at you. Then he shifts, almost as if to tease.

“Do I need to explain to you what self pleasure is? Ever heard of mastur–.”

“Shut up!” You cut him off, shoving his shoulder, your heart pounding in your ears. But he just smiles, grins, really. And you can’t help but notice how that smile hits you harder than it should. 

How had you gone so long without seeing it?

By the time you and Scaramouche make it back down, your heads are clearer, and the afternoon sun is already at its peak. Lunchtime. Scanning the scene, you both realize you’ve managed to collect more of the required items than anyone else.

“We got distracted,” Venti mutters, holding up the single, sad shell he and Aether managed to gather.

“It’s no matter,” Yae waves him off with a dismissive flick of her hand. “This whole thing was rigged anyway.”

Lumine, ever observant, scans the group. “Aren’t we missing a few people?”

“Oh right, I completely forgot,” Yae laughs lightly, tapping her chin. “Heizou and Mona took off while you were all busy with the game.”

You’re a little taken aback by the news. You’d been hoping to talk to Heizou again before he left, but now... you’re not so sure. Maybe it’s better left unsaid. You’ve probably hurt him enough as it is.

Scaramouche’s reaction to his ex leaving couldn’t be more different.

“Thank the Archons,” he mutters, clasping his hands together in exaggerated relief, causing Kazuha to shoot him a bemused side-eye.

“Anyway,” Yae interrupts, snapping the group’s attention back to her, “Back to the show. Let’s see the results.” She glances around at the gathered group, raising an eyebrow. “Good grief, did any of you actually try? The one couple we rigged was the one that won.”

Xiao speaks up dryly. “You told us to collect rocks.”

“Yeah, and those,” Yae hums, tapping her chin and gesturing toward the small pebbles in Kazuha’s palms, “Are definitely not rocks. Never mind that, though.” She raises her voice slightly, a playful smirk tugging at her lips. “The pair who collected the least will be spending the night on this island, while the rest of you get to go to Paradise.”

She feigns a gasp, dramatically sweeping her gaze across the group. “Congratulations to everyone except Scaramouche and Yn! You two will be spending the night here on this hell island, while the rest of us head to Paradise... including the crew!”

The others around you celebrate, but your thoughts are elsewhere.

Tonight, everyone will be gone.

And it will just be you and him.

Alone.

[00:00:00] GOODBYE INTERVIEW ONE 

YAE: So, how does it feel to go home empty handed?

HEIZOU: Honestly, I got the closure I needed.

YAE: But not the lover you wanted?

JEAN: YAE!

YAE: Sorry, sorry!

HEIZOU: [LAUGHS] It’s alright. I get it. But yeah. 

YAE: Anything you would’ve done differently?

HEIZOU: [QUIET FOR A FEW MOMENTS] Probably have gotten to know Yn a bit more. I would’ve saved a lot of money on snacks they didn’t actually like.

YAE: What a gentleman! Great send off. We’ll miss you, Heizou!

HEIZOU: [SMILES] I’m sure you will, bye.

YAE: And cut!

[00:32:10] GOODBYE INTERVIEW TWO 

YAE: So…how are we feeling girl?

MONA: I CAN’T BELIEVE YOU GUYS LET ME GET SHITFACED ON TV!

YAE: [LAUGHS] It made for great television, how are you feeling?

MONA: So embarrassed. But I’m glad I came and put on a show. Any publicity is good publicity.

YAE: And what about the ex you left on that island? Any regrets about him?

MONA: Oh believe me, a lot. But, I shall just carry on with my life! I’ve embarrassed myself enough on this hell island.

YAE: [LAUGHS] Fair enough. Any jealous feelings towards anyone else on the island?

MONA: [ROLLS EYES] You know what you’re doing. I’ve lost enough fans from trying to kiss Scara. I’ll say no comment.

YAE: Well, I tried folks. Goodbye, Mona!

MONA: Mwah!

YAE: CUT!

stuck with you!

masterlist — prev | next

me googling where sunflowers and cherry blossoms grow and then realizing it isn’t that deep so just pretend for me okay thanks

scara taking an edible to try and flirt he’s so real

peep the lyrics in scaras story like YN OPEN UR EYES but yeah at this point yn is coming to realize scara might like them back 🤭

kinda insecure about this chapter so pls lmk if u liked 😣 pls comment or send me an ask if u enjoyed i need motivation 🤗

comment on the MASTERLIST if i can use ur user as a fan in the au!

notes — i’ve gotten like 8 hours of sleep in total last week i’m lowk goin thru it guys i hate college 😭 pls send me asks about swy or anything i need motivation i’m bashing my head into da wall as we speak

synopsis — after the disaster that was the live award show, where you and scaramouche got into an argument on stage after both of your groups got a tie for top artists, your guys' PR teams have been in shambles trying to scrape up your mess. that's when the idea to send you both off with some other idols to a remote location for a survival dating show to mend your public image comes up. before you know it your bags are packed and you’re on a plane to a remote island. the only obligation is you need to end up with scaramouche at the end of the show, whether you end up liking him or not doesn’t matter to your managers as long as the show’s ratings stay high. whatever you do in between to get there is up to you!

taglist — (closed) @na1lea @cindywasneverhere @lunavixia @aestherin @mlaakai @camvrin @retiredmommylover @iheartpieck @cartierfiles @loveariel @silly-ez @mochipls @pomeiu @flowerypesky @creammpuff @boxdisappeared @kissingkzuha @webbywill @kazusboyfriend @s3xpistolss @bunns-wonderland @lordbugs @localgirlywithnolife @kosumos @danfelions @featuredtofu @pinxeajin @haeunoo @scaradooche @pglt19 @chemiru @childesbabygirl @simonisferal @shutingstar @ttalgi @esuz @tokkishouse @kitsuvil @scarasmood @ihearttori @nomurahayami @starringyau @androxphobic @reivelmin @animeobsessed56 @femaholicc @vi0let-writes @izayumi-chan @aloflapse

[novelmonger]

I am now (finally) embarking on the last of the LotR audio commentaries I never listened to before: the Production/Post-Production one, with Barrie Osborne (producer), Mark Ordesky (executive producer), Andrew Lesnie (director of photography), John Gilbert (editor), Rick Porras (co-producer), Howard Shore (composer), and Jim Rygiel (visual effects supervisor). A lot more Americans in this group than the previous ones have been. I feel much more out of my depth with this one in terms of figuring out who's talking, but let's see what new stuff they have to say for FotR!

The sound from when Sauron explodes comes from a bunch of sounds they recorded both inside and outside ships in the harbor, as well as the sounds of WWII airplane propellers.

The scenes with Gollum in the prologue were actually some of the last shots they filmed for FotR.

The farmers around the area where they filmed Hobbiton would warn them when people would turn up who weren't supposed to be there, with cameras and whatnot, as well as warning them when planes or choppers would be overhead, so they could prevent (as much as possible) from footage leaking before the movie was released. That warms my heart :)

They used the analogy of a "shell game" when talking about all the different techniques they used to keep the proportions of characters correct with their different sizes. Because they would switch up the techniques between shots, it helped sell the overall effect, because you're not just always looking at a scale double or a bluescreen or what-have-you.

In the scene with Bilbo and Gandalf in the kitchen, they used forced perspective, with the table cut in half so that everything is small for Gandalf and the right size for Bilbo. When Bilbo pours the tea into the teapot, Gandalf handles a small lid on his side, putting it on a little rod that holds it in the right position so it looks like it's sitting on the teapot. Meanwhile, the actual teapot is on Bilbo's side so he can pour the water into it. Also, when Gandalf is first sitting down at the table and turning to get his legs underneath it, if you look closely you can see that when he bumps up against it, the half of the table closer to the camera jiggles a little, but the other half doesn't because it was actually some 5-10 feet away.

In the shot at the party that pans down from the fireworks and the tree, the actual party with all the dancing and everything was shot in a set, so they had to go back to the Hobbiton location (which had already been cleared of the set at that point, I think) and match up that shot to get the tree, and then they composited it together.

The direction for that shot of Minas Tirith when Gandalf goes to research the Ring was to make it look like "Constantinople in the morning." This may be my favorite part of this commentary :)

They needed to scan actors' faces so they could have their digital doubles to work with for certain shots. When they brought in Ian McKellen to scan his face, they said, "We just need to scan your face in a neutral position." He said, "Neutral for me or neutral for Gandalf?" And he demonstrated his own neutral expression, and when he switched to neutral Gandalf, he looked completely different, pursing his lips and furrowing his eyebrows and sucking his cheeks in more. Truly the sign of a gifted actor who knows how to ply his craft.

In the scene where Frodo and Sam are trying to sleep on the road for the first time, originally they were going to end with some sort of animal sniffing around them. First it was a deer, and they also tried a rabbit and maybe some other animals (possible fox appearance???). But that part didn't even make it into the Extended Edition.

Something I never thought about that they had to pay attention to was, because Orthanc is made of shiny material, they had to consider the color and quality of the light reflecting off it. So when they filmed the real location, they would take the camera and pan around the location, then print out stills and put them up around the miniature when they filmed that part of the shot, so they could get the right colors to match each shot they would composite over it, so it would look like both were in the same place. Now that's what I call attention to detail!

On the night they shot the little chase sequence with the Nazgul in the forest, it was actually raining off and on, even though you can't really see it in the movie. That made the ground very muddy, so the Hobbits actually had to be carried back to their first position for each new take so they wouldn't get too much mud on their feet and clothes.

To get the sounds of the trees' "voices" when the orcs in Isengard tear them down, they actually used several animal sounds like whales, moreso than sounds recorded from actual trees.

Bob Anderson, the swordmaster for the films, said they needed to have five copies of every sword for every actor every day they were going to be fighting with them, because that's how likely it is for them to be broken (since the swords actors use for hitting each other are lighter and not made like a real sword). But Richard Taylor wanted to find a way to make the swords more durable, because there are a lot of swords in these movies. So Weta developed a technique to help the stunt swords redistribute the shock from hitting them against each other. They took polyurethane, which Mark Ordesky notes is the same material as skateboard wheels, and they made a sort of sheath of that under the surface of the hilt. None of the swords they made like that ever broke.

The tree that gets thrown down into the chasm in Isengard had to be a miniature so they could get it high enough to drop it as far as they wanted to (and so they wouldn't have to cut down a huge tree). But they had to add little springs and things to make the branches bounce and jiggle properly, rather than just break off, as they would if you just made a little model tree. Little details like that really sell the scale.

In the Nazgul horseback chase scene, they cleared a path for the horses to safely run through the forest. But then they would also get branches and put them on the car or whatever vehicle had the camera, so it would look like they were pushing through more dense foliage, while still keeping the actors and horses safe.

The Council of Elrond was the final piece of the sound mix they had to finish for FotR, and it was down to a matter of hours. One of the things they mentioned having difficulty figuring out what to do with was the moment when Frodo sets the Ring down on the plinth. Originally, there was going to be a murmur of the crowd watching, but it didn't seem to have the gravitas and stunned awe necessary for that moment, so they had to play around with a lot of things before Peter Jackson was satisfied with it.

When Gimli smashes the Ring with his axe, John Rhys-Davies was actually only holding an empty handle, and the axe head was added digitally later so it could shatter.

Barrie Osborne (I think?) commented on something at least Billy Boyd and Dominic Monaghan, especially Dom, started to do in order to make it more believable that the primary actors and the scale doubles are the same people. He noticed that their scale doubles tended to move and walk in a certain way (I assume partly because most of them were Little People, so their physique and proportions are a bit different), and so instead of leaving it up to them to mimic his movements, he started changing the way he moved to match them. That's just really cool.

Originally, they were going to do a bit of a flashback when Boromir asks Aragorn, "Have you ever seen the white tower..." etc. It would have been shot in the same place as the scene where Aragorn is visiting his mother's grave, and would feature Elrond talking to Aragorn about how he's the only one who can wield Anduril and how he needs to take his place as the king of Gondor.

For some of the close-up shots of Gimli in the scene where they first head into Moria, they actually had to use a double - not a scale double! an actual guy who was the same size as John Rhys-Davies! - because John had such a bad reaction to the facial prosthetics that he had to go a few days in between each time he put it on. But he'd had the prosthetics on the day before, and they didn't have time to wait until he could put them on again. So they had to find a double, put on the prosthetics and costume, and then John stood out of frame and spoke the lines, and the double mouthed the words along with him. I would never have guessed!

THANK YOU TO WHOEVER WAS TALKING AND I'M SORRY I COULDN'T RECOGNIZE YOUR VOICE FOR SURE, but someone was talking about "cinematic dark." In other words, how to light a scene so you can see everything that's happening even though you're in a place with hardly any light sources, like in Moria where the only light comes from the torch and Gandalf's staff most of the time. Instead of making it all really dark (*pointed stare at too many movies these days*), they shot it as if there is a source of light, but always very far away, like it's filtering through miles of rocky caverns or something. What that meant practically was that they would only light the characters in silhouette or from the side, never the front. So it would still give the impression that they're in darkness, but you don't have to strain at all to make out what's happening. They also desaturated the colors so everything looked muted, similar to how your vision kind of goes black-and-white in the dark.

One of the fundamental elements for the Moria goblin screeches was an opossum screech. There was some kind of opossum research facility in Wellington that they went to to record what became the foundation of the goblin sounds. Then they took them and re-recorded them in some WWII tunnels to get the right echoey reverb effect. And then for the sounds of them moving, they took sounds from insects like grasshoppers, as well as rattling seashells from the beach against the walls of the tunnels to get a scuttling sort of sound for when they come pouring out of holes in the ceiling.

You know that one shot where Legolas fires an arrow at a goblin archer and the camera follows the arrow all the way into his forehead? I always assumed that whole thing was all CG, but no! Even that had a practical element to it! They set up a camera on a sort of zip line with a bungee cord and sent it down as fast as it could go towards an actual stunt guy in costume! Now that's what I call above and beyond.

They shot a scene that didn't make it into even the Extended Edition of the Fellowship arguing about what they should do next after they leave Moria, with some members having misgivings about going to Lothlorien. I wish we could see that, even though I understand why they needed to keep things moving. They didn't mention if they actually shot this or if it was scrapped by the time they got that far, but there was also a mention of the entry to Lothlorien being much more frantic, as they're chased by orcs and then rescued by a sudden volley of Elven arrows.

There was also once a longer scene between Boromir and Frodo as they're waiting to see if Haldir will let them into Lothlorien. He tells Frodo a story of him getting over the death of one of his comrades. Um...I wanna see these extra scenes!!!

They wanted Lothlorien to feel ethereal and maybe almost slightly in a different universe, because of the Elves and especially Galadriel, who can see into hearts and minds. One of the ways they did that was by diffusing the light on the set so everything seems kind of dreamy. Another way they tweaked things was by bringing out the blues and edging them towards lavender. Yes, yes, Lothlorien is supposed to be golden, but after hearing the explanation about how lavender is actually one of the hardest colors to get to look right on film (the word used was "fragile") and to look good against skin tones, and therefore you don't see it very much in the movies, I can appreciate the subtle ways they tried to make Lothlorien feel distinct.

Originally, they were going to have a scene where the Fellowship goes through some rapids on the Anduin and get ambushed by orc archers. Ultimately, they decided they didn't need that as a story beat at that point, and it would have been very difficult to shoot anyway. Makes me wonder if that influenced the infamous barrel scene from the Hobbit movies, like they dug up some old plans for that....

Except for one wide shot where they used a scale double for Frodo, the entire confrontation between Boromir and Frodo was shot just with Sean Bean and Elijah Wood, no special effects, just strategic blocking and using the slope and different angles to their advantage to always make it look like Frodo is smaller than Boromir.

If I understood Howard Shore correctly, he was inspired to use a boy's choir for Boromir's death when he saw Boromir, after falling to his knees from the first arrow or two, looking up at Merry and Pippin. Boys singing at his death gives a sense of lost innocence, which is appropriate both to Boromir trying to take the Ring as well as to the lost innocence of losing the Hobbits. So it's not just a lament for Boromir, it's also his lament for (as he thinks in the moment, because he knows he's dying) failing the Hobbits.

The original mix for Boromir's death had all the sound effects at full volume, which made the moment even more brutal. Mark Ordesky was saying that he (and probably some others) was thinking it might be better if they pulled back on some of the sound and let the music be louder. Peter Jackson said, "Well, let's try it," and as soon as they turned down the volume, the entire room basically agreed immediately that's how they needed to do it. It's meant to sound and feel almost like you're sinking underwater as Boromir is dying, because that's how it would sound and feel for him.

Oh my goodness, further proof that studio execs shouldn't have a say in the story of a movie. New Line wanted the movie to end with Frodo and Sam paddling across the river, and then an Uruk bursts up from underwater and grabs Frodo, pulling him out of the boat. The Ring somehow comes off the chain, and the Uruk is so enamored with it that he ends up drowning while trying to grab it. Then Sam somehow gets Frodo (and the Ring) back into the boat. Thank goodness they came up with the much better ending we all know and love. Because the people actually involved with writing the movie and telling its story knew that the ending of FotR needs to be about the breaking of the Fellowship, about love and loyalty in the face of great evil. So that's why they went with the ending they did: Sam falls into the water and almost drowns, Frodo saves him, and that paves the way for the incredible emotional high of Frodo leaving the Fellowship, but Sam going with him. And just like Frodo is thinking about how Gandalf talked about how he was meant to find the Ring, Sam is thinking about how Gandalf told him not to leave Frodo. It all ties together so much better.

The last shot for the film was Boromir going over the waterfall. It was in the final cut of the movie just as a previs shot, and Barrie Osborne said he assumed it was going to be a CG effect or something. But finally, while Peter Jackson was in London working on scoring the film - so pretty late in the production - Barrie called him and asked when they were going to shoot that scene. Peter Jackson had forgotten about it! So Barrie had to shoot it, and since they didn't have the actors in New Zealand at that point, they had to get Weta to make a silicon dummy to shoot instead.

[gundamthey17]

Day 5 of Payneland Promptfest 2024

I am in fact still working on the Payneland Promptfest 2024 prompts..... maybe I'll finish by December of 2025

Day 5: Snuggling (alive!au)

(the ao3 link has more info about the backstory for this au if anyone's curious. it's not super necessary for this fic, but i spent an inordinate amount of time on it because i am incapable of writing a story without context)

Summary: The Dead Boy Detectives (who are actually very much alive, thank you) find that the heat has broken in their flat-slash-office. 

xxx

23 December 1990

“Charles, do stop kicking the radiator.”

"You tried your way. Now it's my turn, innit."

Edwin, who was seated at the desk and holding the phone to his ear, sighed. "If tools were ineffective, I highly doubt blunt force will do the trick."

"Won't know until we try, will we?"

Edwin rolled his eyes as Charles continued kicking.

"What did maintenance say?" he asked between kicks.

"I am still on hold."

"Bloody brills."

Edwin pinched the bridge of his nose, a sure sign of a budding headache. Charles knew he ought to stop kicking the radiator, but he needed to vent his frustration somehow.

"You are not going to accomplish anything beyond potentially hurting yourself or breaking it further. If you would just be - yes, hello." Edwin motioned for Charles to be quiet. He covered one ear as he spoke into the phone. "Yes, that is correct. No, we still have power, just no heat... I beg your pardon?"

Charles looked up at the change in Edwin's tone. 'What?' he mouthed, but Edwin shook his head and continued speaking.

"But we have no heat! It is snowing, for heaven's sake! Is there no way you can - but I - very well. We will see you then." Edwin hung up the receiver with more force than was strictly necessary.

"What did they say?"

"As it is currently after business hours, and the start of a holiday, they cannot send anyone out to fix the heat until Wednesday."

"What? Can't you try the emergency maintenance number?"

"That was the emergency number. Apparently, lack of heat in December does not constitute an emergency," Edwin said, his voice dripping with contempt.

"What a load of bollocks!" Charles looked around their flat-slash-office. He shivered. "They seriously expect us to spend three days like this?"

"Evidently so."

"Bollocks," Charles said again.

Half an hour later, Edwin was still sitting at the desk. He had put on his coat, but otherwise seemed to be steadfastly ignoring the rapidly falling temperature inside the office.

Charles, wearing two jumpers and his jacket, had other ideas. He was in the process of raiding the bedroom and the closet for every single blanket they owned, and tossing them into a growing pile on the small couch. Even the tiny, crocheted throw blanket got added to the pile. (They had received it as partial payment for a case. It was canary-yellow and supposedly enchanted to always smell good without ever needing to be washed. It was too small to really make a difference, but Charles had already committed to finding every blanket, so onto the pile it went.) He muttered a steady stream of curses under his breath as he worked. When he had gathered every last blanket, and the couch itself was hardly visible anymore, he climbed into the middle of the pile and nestled himself in. Even after all of that, Charles was still shivering.

He also hadn’t grabbed anything to entertain himself with, or turned on the telly, before settling into his blanket nest. And once he was inside, he was loath to come out again. Surely, at some point, physics would take over and the blankets would have to start doing their job. Surely Edwin would finish whatever he was working on and – and what? Talk to him? Anything to occupy his mind and distract him from both the boredom and the bloody freezing office. He tried to wait it out, to be quiet and patient and let Edwin work.

He did not last long.

“Edwin,” Charles whined.

Edwin hummed but did not look up from his writing.

“I’m still cold.”

“And what exactly would you like me to do about that?”

It was a good question, that. Charles hadn’t actually thought about it. But the answer became immediately obvious. “Come sit with me.”

Edwin’s pen stopped. He glanced up at Charles. “What?” he asked, and there was a slight edge to his voice that Charles didn’t know how to interpret.

“Please? It’ll be warmer with both of us.”

"I find it improbable that you can still be cold under all those blankets."

"I've got bad circulation. Look!" Charles held out his hand. True to his word, his fingertips were pale and bloodless.

Edwin frowned at that, but he shook his head. “I am busy. We have a case, if you recall.”

“So? It’s a holiday, and clearly no one else is working. If emergency maintenance can take a holiday, we ought to be able to.”

“I am sorry, Charles. There is simply too much to do.” Edwin started writing again.

"Edwin! If you don't come over here, I'm gonna freeze to death."

"Charles," Edwin said in a scolding tone. "Given your history, you should not joke about such things."

"Given my history, I'm allowed to joke about such things," Charles retorted. "Come on, I know you���re cold too. I can see you shivering."

Edwin sat up straighter and pulled at the collar of his cardigan. “I am perfectly fine.”

Charles sighed. He suspected now that he knew the true cause of Edwin’s reluctance, but he was unsure if he ought to press the issue. The wind picked up, rattling the window, and Charles shuddered reflexively. Abandoning caution, he said, "Look, mate, I know you don't like touching, but if there was ever a time -"

"I never said I don't like touching," Edwin said quickly.

Charles looked at him curiously. "Didn't have to say it, did you. You go stiff every time I so much as pat your shoulder."

Edwin set down his pen and pressed his fingertips together. "I... am not used to it," he said slowly, choosing his words carefully. "But that doesn't mean I do not like it."

“Would you be willing to give it a shot? Please?” Charles hated the note of desperation that had crept into his voice. “I’m really bloody cold, mate.”

Edwin sighed and stood up. "Let me put the kettle on, and then I'll join you."

"Aces!" Charles couldn’t keep the grin off his face.

—--

Charles made an opening in his mountain of blankets so that Edwin would be able to sit next to him on the couch. Edwin handed him a steaming mug of tea and took his seat. They wrapped the blankets around themselves, their shoulders just barely brushing together.

Charles stared pensively out the office window at the falling snow. "Do you ever think about what would happen if we got caught? Do they arrest people for truancy? Or would they just split us up and force us to go back to our parents?"

"I think the latter is the most likely, though I shudder to think of the consequences. My father would have me institutionalized."

"For reals?" Charles turned to look at Edwin, but Edwin's eyes remained focused on the opposite wall.

He nodded. "He said as much before sending me to the school." They never mentioned St. Hilarion's by name if they could help it. "Said it was my last chance to prove that I could be... normal."

Charles snorted derisively. Then, feeling like that wasn't enough to fully communicate his disgust, he added, "That's bollocks."

"That is all assuming, of course, that the demon does not find me first." They never used Sa'al's name either. Edwin was unsure whether it could hear its name being spoken, and neither of them were keen to find out.

"That thing is not gonna take you away from me. Not a chance in – well, you-know-where." He gave a crooked grin.

The ghost of a smile flitted across Edwin's face. He took a cautious sip of his tea before asking, "And what about your parents?"

With a smile that didn't quite reach his eyes, Charles said, "My dad would probably just beat me senseless. He’s done it for lesser offenses." He shrugged, feigning nonchalance, and let out a single, humorless chuckle. 

Edwin finally looked at him. "I will make sure that never happens again," he said fiercely.

Not quite knowing what to say, Charles nodded. "Cheers to that," he muttered, lifting his mug.

"It is irrelevant anyway. We are not going to be caught. We are presumed dead; no one is looking for us. We just have to make it for another year, and then we will be of age and we won't have to worry about the police or our parents."

"And we're gonna figure out how to undo a demon sacrifice, so we won't have to worry about that bastard anymore either."

Edwin's brow knitted. "I do not know if the ritual can be nullified without the caster. Since Simon and the others are all dead, it may not be possible."

"We will figure out a way. I promise."

Edwin suddenly pushed the blankets off and stood up. Charles’ face crumpled as he feared he’d gone too far. Edwin noticed and smiled placatingly. "It is all right. I'm just getting a book."

Charles sighed, relieved. He smiled too, a genuine one this time. "Brills! How about another one of those Poirot stories? I like him. He's a fun chap."

"He is a fun chap," Edwin agreed. He grabbed a large hardcover book from the bookshelf nearest to the desk, and returned to the couch.

Charles shifted under the mound of blankets so that he could put his arm around Edwin's shoulders. "This okay?" he asked quietly.

Edwin nodded. He cautiously leaned back against Charles' arm before opening the book. "What about The Adventure of the Clapham Cook? I do not believe we have read that one yet."

"Don't think so. Let's hear it."

Edwin cleared his throat. "At the time that I was sharing rooms with my friend Hercule Poirot, it was my custom to read aloud to him the headlines in the morning newspaper, the Daily Blare.”

—

Several short stories later, Charles had fallen asleep. His head lolled against Edwin's shoulder. Edwin was surprised to find himself feeling quite comfortable. Between the blankets and their combined body heat, he hardly noticed the frigid temperature of the room. He gently set the book aside. Then, hesitantly, he rested his head against Charles'. Charles did not stir. With Charles' comforting warmth next to him, and his soft curls under Edwin's cheek, Edwin closed his eyes. Soon, he too fell asleep.

[bellamoooon]

Shitty draft <333

I love my queen tashi but I need her to be a villain for this teehee

Arts grandma loved his long blonde curls, and would point it out every time they talked.

“Have you cut your hair short Artie? You know how much I love those curls of yours”

And if he was completely honest, he actually didn’t hate his long hair, in fact, most girls he would talk to would always say how much they loved his hair.

Especially you, he loved that you adored his hair; how you’d runs your fingers through his thick blonde curls or how occasionally you would braid some strands when cuddling and talking.

But that all took a turn, when he got with Tashi —who by the way did not like his long hair— he immediately chopped it down to a short length but not too short.

She always said his hair would get sweaty, making it annoying during matches, plus she said he look like a little kid with his curls, leading to the decision.

So now in the present, Art and Tashi were in the middle of a divorce, but he still had to attend the foundation’s events, so imagine his surprise as he sat next to you uncomfortably in silence.

”you cut your hair….” Was the first thing that came out of your mouth as you recognized him then going silent.

“Yeah— it was annoying to wash after the matches so…” he spoke with a bit of hesitation as the question popped into his head, what did you think about it? He couldn’t quite read your expression.

“It’s— it looks…nice” you say looking down at your hands, swallowing thickly not really knowing what else to say, not that you didn’t like it, but, he looked so different— sure it had been a good ten years since you last saw him, and you could see him age slightly but his face didn’t change.

He was the same Art, your Art.

“Tashi made me cut it” he blurted out after a couple of minutes of awkward silence, “she said it made me look like a kid” he had no idea why he was telling all that, it’s not like she cared anymore, or did she?

You let out a laugh, a hand covering your mouth as you tried to muffle the noise, Art furrowed his brows as he turned to look at you. “I’m sorry— it’s just that I couldn’t have imagined a single person who hated your long hair” you spoke almost unable to believe that Tashi did not like his curls.

“Yeah well— I kinda regret cutting it, I think I’ll let it grow back, y’know retirement and…the divorce” he slowed his pace as he mentioned the divorce, it really sucked to be him right now, he thought.

“That’s good, you always did look better with your long hair, I didn’t want to be a bitch in case it was your choice” you said as you pointed at his hair with a playful grin.

Right there. There it was.

Art wanted to die on the spot, how the hell did he manage to ever get with you, AND leave you for his teenage fantasy with Tashi.

Deep down he knew things between the two of you would never be like it was before, but a small part of him wanted to convince himself just for the night, that maybe, just maybe, the two of you could actually start over.

“Art, they need you for pictures” Tashi’s voice brought him back, he nodded softly muttering “be right there” as she turned away not even caring, you looked at Tashi walking away to then turn to Art, who had the expression of a kicked puppy with his tail between its legs.

“I’d hate to be you” you joked with a hint of tenderness you always carried when talking to him, “I’ll see you…around, hopefully.”

His heart dropped at the words, you had a longing look as you waved goodbye while walking away, he definitely hated being him right now.

I kinda hate this 😩💀

[httpuckdrop]

ashes – day 60

"she's just... amazing, you know?"

nico chuckled, arms crossing over his chest as he leaned back in his seat. he and jack had managed to steal the seats by the only table on the bus to the second game of their newest road trip. while most of the team caught up on some sleep, the two friends were engrossed in a round of gin rummy – one jack was losing by quite a lot. "you keep telling me that," the captain said, placing a king down on the table. "so does anna. i haven't met her, but it feels like i know everything about her already."

jack laughed along with this, picking up a new card from the pile. "i'm going to bring her along so you can meet her someday, and you'll see."

"to the christmas family skate, maybe?"

the younger of the men pressed his lips into a line, head tilting to the side as he looked up from his cards. "not sure about that, it's still a little early," he said.

"early? you've been going out for months, and it's still early?" nico shook his head. "you two see each other all the time, and it's still early. whenever i ask if you want to do something, it's always, no i have a date, or something."

"you're exaggerating."

the swiss sighed, shaking his head. "what's the deal with that, anyway?" he asked. "why won't you bring her along? are you ashamed of her?"

"of course not." jack gazed over his cards for a long time, pretending to think about which card to place instead of formulating his next sentence. "it's just… complicated. difficult. she's not the type to want to be paraded around the arena like a puck bunny or whatever." he finally placed a queen on top of the discard pile, reaching over to grab his water bottle from his bag and take a sip.

"sure. but showing her off and just taking her to one game is different, no?" nico countered, grabbing the queen jack had just placed, and dropping it down in front of him along with two other queens.

the younger groaned at his actions, shaking his head. "how is that even possible?!" he exclaimed, before letting out a deep sigh and returning to the former subject. "i guess… i don't really know where we stand. like, we see each other all the time, but…"

"man, i heard she's got some serious commitment issues, but if it's this bad…"

jack's ears perked up at this. "you heard what? did anna say something?"

nico thought for a moment before placing his cards face-down on the table and sighing. "i don't know how true this is – anna told me that jenny told it to her, but you know girls." jack nodded slowly, so he kept on talking. "there's… some stuff in her past, apparently. her parents' relationship wasn't too good, and one of her exes… man, i shouldn't say anything because i don't really know, so you should ask her yourself."

jack tried his best not to react, to make it seem like he in fact knew everything his captain was talking about. he nodded slowly, a soft "yeah, you're right" slipping from his lips. on the outside, he looked calm as a ???

but on the inside? completely freaking out. your parents? your ex? jack thought he had finally managed to reach deeper into you, that he had finally gotten you to open up. you were much more honest with him, and he was sure that you two were on the right track, even if you moved slowly. but you had never as much as hinted to anything in your past affecting you the way nico was insinuating.

he felt a little dumb, though, that he hadn't realized sooner. of course there was something deeper going on that he had no idea about. but oh how badly he wished you were comfortable enough to tell him about it, instead of him having to hear about it from his friend. who heard it from his fiancée, who heard it from your friend, who heard it from you. four degrees of separation were three too many.

as if sensing that jack needed a break from his own thoughts, nico placed his final two card onto the table, leaving jack with about fifty points worth of deadwood. the boy slammed his head onto the table as he let nico collect all of the cards, a string of curses falling from his lips.

sure, his mind was now occupied, but at what cost?

[azurefaire]

It's really weird to me too... the Tecna mistake. Like I know technology has a silent H, but why on earth would her name keep that silent h? Most of the other names have at least 5 letters too. I assume they grew up with the show on 4kids when people make that mistake- because if you consumed the show through the other dubs the intros have the characters name. If you had the print media or the show though you should know. I honestly think it reveals a lot about the fan if they make that mistake. With the Tinker Bell ones I'm not sure...

One of the reasons I blame for the Tinker Bell typo is Google autocorrect. I distinctly remember in the late 2000s that Google would autocorrect "Tinker Bell" to "Tinkerbell". A lot of people online spelled it that way too. Being a kid around 5-9 years old who learned to type on my own this would always make me angry because I went out of my way to spell it as Tinker Bell seeing it in print media, but eventually I succumbed to writing it as "Tinkerbell" just so Google wouldn't bother me. Luckily, Google will spell the name right now... Deep down I knew it was never spelled like that even when I have typed it like that. I also made the double r Terence mistake more than I like to admit, but that's because I had forgotten. The Disney Fairies books were the only ones where I had seen that name with one r as well. I also cared about the other characters more and I feel it is relevant to that.

Is it wrong to admit that I assume a lot about the person both typos? In a non judgemental way of course... we all make mistakes 😔

If someone misspells Tecna's name as "Techna" or I see the Disney Tinker Bell's name as "Tinkerbell, TinkerBell, or Tinkerbelle" my brain automatically makes a lot of assumptions as to why they made the mistake. I assume people who misspell Tecna's name may engage with Winx Club and it's community a bit differently, might be from a non English speaking country or an English speaking but aren't usually native Italian (maybe other romance language?) speakers because Tecna comes from the Italian word for technology that has no h. Or, that people who misspell Tinker Bell's name as "Tinkerbelle" are quite old, and may associate certain characters together like Belle and Tinker Bell. People who use the stylized combined version I imagine are very confused on how it is supposed to be spelled or assume a lot from the DVD cover which looks like it says "TinkerBell" when in reality it's Tinker Bell. But, I usually genuienly admire their commitment to be so correct and use what they believe to be the source material even when they aren't. I'm not naming any names though but I do notice that the I've talked people who use this spelling tend to be and 1. bilingual 2. dedicated fans which would make sense in this context. It's a little endearing seeing that dedication to getting it right even if they aren't. I've come to a different conclusion about Tecna. Tecna will never get that same fandom dedication from certain Winx Club fans. People just assume her name is spelled with an h with no further context and people who have been confused on Tink's name for a long time seem to care enough on how to spell her name. I'm sure there's people who would want to spell her name right but not that's not always the case with Tecna. Tecna's name could be on so many Winx things and somehow people reach the conclusion that there's an h. Google could tell them too. Google wasn't lying on how to spell Tecna's name for half a decade.

Maybe even some Winx fans keep that mispelling... from my understanding there are people who don't want to correct themselves on a proper spelling- or they come to the conclusion on their own that her name just sort of keeps the silent h. Which is just sort of wild to me as her name is so short...

I don't understand that there are people who don't correct "Techna" to Tecna when at some point giving how often they are in the community. If they have been they should know how it is spelled. Why don't they? Why go through the effort of extending her name by one letter when you know how it's spelled? Is it an instinctive thing? Community mistake? Autocorrect being annoying? "Tecna comes from technology so Techna would be the proper spelling and the creators themselves got it wrong" (Is this a comment that's been made before? Cause somewhere this was quoted and I've just been confused. I'm paraphrasing it a little.) Do they not read comments? Why is it so common to see people misspell Tecna? Has this common mistake happening for as long as Winx has been around? It's gotten to the point where I assume whether someone cares about her or not, not in a "fake fan" way though. Just that Tecna might not be a relevant character to them and they don't consume a lot of content with Tecna. Which, okay... maybe I do judge a little bit knowing Tecna is unpopular. Common one letter off/additional letter typos are now a new fandom small peeve of mine cause I don't get how people collectively misremember how a name is spelled to such an extent. It does get annoying. Sometimes a character's name can be spelled wrong so many times you can feel your self get slightly relieved when someone finally spells it right...

the fact that ppl still misspell tecna as techna should be studied

[gosteon]

TWO! OF! THEM!

[deoidesign]

Can you make a tutorial on how you world build and make ocs? I can't seem to make any people in my brain, but then when I try to come up with environments jobs, beliefs and little details to slowly come up with someone, I think: well I don't really know how people have influenced the world- it's a weird loop

To be honest, I don't think I can! Writing is an extremely personal process. The way I write is directly related to how I process things, what I find important in stories, years of my own analysis of my and other's writing, etc... The way you write will be unique to you, as well. But I can explain how I personally think of it.

The short answer:

Write. Write anything and everything, it's a tool to explore your ideas. Analyze your own writing, and write more. Then, as you discover which ideas you want to develop, write more to explore them more. You won't know what you want otherwise!

The long answer:

I think this kind of loop is common. It's easy to feel like everything needs to be done "at once," because our job as writers is to make elements logically fit with each other for our readers. But as you've discovered, developing multiple elements simultaneously isn't really possible, or at least is extremely difficult.

Personally, when I think of writing, I break it into three major elements; characters, world, and plot. As much as possible every scene explores one or more of these, and as much as possible these three things tie back into what I personally consider most important: theme.

Everything I do is in service of the themes I want to present. Without them my events feel aimless. It can take a while to discover them, but they're the core of my work. You will have to discover what you feel is the core of yours. Analyzing other media helps with this too.

Concepts in your brain exist in a state of infinite potential. But when you start writing you have to start making choices, which removes potential as you move forward... But you have to move forward anyways. If there's ideas you want to explore later, you can always explore them later.

What this ends up meaning, to answer your question, is that I don't think of my characters as "people in my brain" or my worlds as something people have influenced... Not at their core, at least. They are tools that I use to represent specific ideas. Obviously they're also my blorbos, but mostly they're serving a specific narrative purpose.

So above all else... Write. Write, and discover what you're writing about, and then start over and write with that in mind. Keep doing this. But you have to write!

[sunsetzer]

On one hand, I want a final fantasy 6 remake, because the game is criminally underrated and the amount of fan content (which is all absolutely fantastic btw) is Not Enough for my neurodivergent, hyperfixating brain.

On the other hand, that would inevitably encourage more people to join the fandom, which would be great, except it seems these days the bigger a fandom gets the more toxic it becomes, and I really like what we have going on over here in our little corner. We all just love the game and its characters and nobody fights about who should and shouldn't date who or who you shouldn't like because they're ~problematique~. Nobody's trying to make one ship morally better than another, nobody's calling anyone names or threatening to doxx people who don't agree with their opinions. It's so peaceful and I love that for us. We're just vibing. Moisturized. Unbothered. In our lane. Flourishing.

[bayofwolves]

how did abeke take care of her braids when the team was on a mission is what i want to know

[mainfaggot]

just watched challengers at the cinema w my little sister. it was so intense wtf

[featherymainffins]

Sometimes I think I must be a weird author because everyone keeps making "haha writing the middle part of the story is so hard haha the start and the ending are so easy baba" jokes but I never know how a story will end.

I start and then I write the middle, and then a logical conclusion happens.

[icewindandboringhorror]

everyday I miss miitomo .. aaa

[frog-with-no-therapy]

That villain scientist peter parker au won't leave my head

Worst of all is that it's evolving to something more, much more, and there are some twists?? And character development?? Found family that may end up tragically??

Also somehow Felicia Hardy, Johnny Storm, and Miles Morales become something of a main characters themselves in this, and their interaction with peter is sweet, funny, a bit tragic, and found family vibes over all

And listen I love this a lot but I also know that if I let this be any deeper I may start taking things into my own hands, and I absolutely can't afford nor the time nor the effort for that so please for the love of god someone take this off my hand and write something for it please

[batboyblog]

Copy Right and Public Domain in 2025!

It's January 1st 2025 which means it's my favorite unsung holiday! Public Domain Day! This is the day once a year when, in the US, copyrights expire and things enter the public domain, meaning they belong to everyone! even you, Steve!

American copyright for books, movies, art work, and musical compositions (but not recordings, more on that later) runs for 95 years (way too long!) so today works published in 1929 join us in the public domain.

So whats free? so glad you asked.

Popeye the Sailor Man

Many people assume Popeye originated as a cartoon character but thats not true, he comes from a comic strip. The strip was called Thimble Theatre and Popeye was something of a late addition. Thimble Theatre was first published in 1919, so Popeye's girlfriend Olive Oyl has been in the public domain since before the big 20 year copyright freeze of 1998-2019. Popeye first appeared as a minor character 10 years into the strip's run but was so popular he soon took over and the strip would be renamed Popeye less than 5 years later. Now as always whats public is only what appears in 1929, later developments, remain copyrighted. Such as, while Popeye always had super strength its not till 1932 his superpowers were tied to eating spinach, and Olive Oyl originally had a different boyfriend named Ham Gravy, who she dumped for Popeye when he became the main character. It looks like Popeye is following tradition for famous now public domain characters and getting a quicky horror movie this year.

Tintin!

This is personally very exciting as someone who grew up with the Belgian boy detective. Like Popeye I expect a lot of people don't know that Tintin started off as a weekly comic strip. Indeed Tintin appeared as a part of a weekly youth supplement in the Catholic newspaper The Twentieth Century. Any ways, Tintin was first published in there in January 1929, and soon would start what would become the first Tintin story, Tintin in the Land of the Soviets. Now only part of Tintin in the Land of the Soviets was published in 1929, the story line wrapped up in May 1930, so only those 1929 stories and what appears in them is free and clear and Tintin was published in black and white not color. Tintin's author Hergé had no idea what he was doing and was really learning on the job so In The Land of the Soviets is generally seen as his weakest outing and the only one he never opted to redraw in later years. Even so it's nice to see the character free in the world. No word on if Tintin will star in a horror movie.

Buck Rogers (but not really)

The original futuristic space man was published, again a comic strip, in 1929 which means he should enter the public domain today, but he won't. That's because he already is public domain! Before the Copyright Act of 1976 copyright was 28 years with the option to renew for another 28 years. The copyright on the original comic strips was not renewed so ran out at the end of 28 years, 1958. So Buck Rogers has been free and clear for close to 70 years now, whatever you hear about him today.

What else?

Famously last year Mickey Mouse entered the public domain, but all the entered public domain was one (maybe two) animated short, Steamboat Willie. Well this year a dozen Mickey Mouse animated shorts enter the public domain, including the first time Mickey has his iconic white gloves, and the first time Mickey speaks (the first thing Mickey Mouse ever says, voiced by Walt Disney himself, is "Hot dogs! Hot dogs!" in case you were wondering) This will give creators much more to work with if they want to use Mickey in their works which is exciting.

Speaking of Walt Disney, The Skeleton Dance is entering public domain, you likely don't know the title but I suspect you've seen at least part of it at some point

so look for this showing up on TVs in the backgrounds of films and TV shows in the next year or so

Books

The iconic novels of World War I, Ernest Hemingway's A Farewell to Arms and Erich Maria Remarque's All Quiet on the Western Front enter public domain. In fact All Quiet on the Western Front entered public domain last year, but only in the original German, the 1929 translation by Arthur Wesley Wheen is whats entered the public domain now. John Steinbeck's first novel, Cup of Gold, William Faulkner's The Sound and the Fury, Virginia Woolf's A Room of One's Own, and Agatha Christie's Seven Dials Mystery (always get an Agatha Christie novel on this list for the rest of our lives). Dashiell Hammett published both Red Harvest and The Maltese Falcon, later made into one of the greatest films of all time, in 1929. Future children's book author E. B. White (who's go on to write Charlotte's Web and Stuart Little) and future New Yorker cartoonist and humorist James Thurber teamed up to write the delightfully titled Is Sex Necessary? Or, Why You Feel the Way You Do a book of spoof essays making fun of popular books on Freudian sexual theories at the time. The Roman Hat Mystery the first of the long running Ellery Queen mysteries was published, Queen would keep publishing mysteries into the 1970s (and Ellery Queen was a pen name for two people). Richard Hughes' A High Wind in Jamaica and Oliver La Farge's Laughing Boy also came out in 1929 and are in the public domain now. There's much else but those are the highlights sorry if I missed your favorite 1929 novel.

Movies

Alfred Hitchcock and Cecil B. DeMille's first movies with sound, Blackmail and Dynamite respectively, came out in 1929. Marx Brothers' first feature film The Cocoanuts joins the public domain. Other comedy land marks are Harold Lloyd's first sound film, Welcome Danger and Buster Keaton's last silent film, Spite Marriage (which Keaton also directed). John Ford's first sound film, The Black Watch, which also is 21 year old John Wayne's first appearance in a film, as an uncredited extra, he worked in the art department. Hallelujah the first studio film to have an all black cast came out that year. Also worth noting is The Hollywood Revue of 1929 a singing and dancing review, one of the earliest and the movie that popularized the song Singin’ in the Rain, maybe the first time a movie made a song a hit.

Musical compositions

musical compositions, ie the lyrics and musical notations you might see on sheet music are governed by the 1976 Copyright Act, and music written in 1929 is public domain. Music recordings are governed by a whole different law (we'll get there). Songs written in 1929 include Singin’ in the Rain by Arthur Freed & Nacio Herb Brown, Ain’t Misbehavin’ and Black and Blue by the legendary Fats Waller, What Is This Thing Called Love? by Cole Porter, Tiptoe Through the Tulips by Alfred Dubin, You Were Meant for Me by Arthur Freed & Nacio Herb Brown, and also Happy Days Are Here Again by Jack Yellen which would become FDR's campaign theme song in 1932.

Art!

a number of pieces by Salvador Dalí including:

Illumined Pleasures

The Accommodations of Desire

The Great Masturbator

are entering the public domain as is René Magritte’s The Treachery of Images.

Art is hard because while movies and books are clearly "published" and put on sale, what counts as "published" for a piece of art? the law is not totally sure.

Musical Recordings

as I promised, we got here. Till 2017 there were no federal laws governing the copyright of music recordings before the 1970s, it was governed by a confusing patchwork of state laws and it was not totally clear what was or was not free and clear even from the very earliest recordings ever. Now the term of a music recording's copyright is set at 100 years (way too long) so music recorded in 1924 is now public domain such as. Nobody Knows the Trouble I’ve Seen by Marian Anderson, Everybody Loves My Baby (But My Baby Don’t Love Nobody But Me) by Louis Armstrong, California Here I Come by Al Jolson, Rhapsody in Blue by George Gershwin, Shreveport Stomp by Jelly Roll Morton, Mama’s Gone, Good Bye by Ray Miller, and It Had To Be You by Marion Harris. Now many recordings a lot less famous can finally be preserved and digitized to save them for the next 100 years. Many abandoned works are literally rotting away since without the copyright holder's permission digitizing a work isn't legal.