#maybe they think it's more compelling than canon. why do you care so much

[wikiangela]

Hi, a bit late but joining in on the @alliwantforchristmasislou project 🫶

I decided to donate to a polish organisation called the stonewall group (which is why the pic is in polish lol)

chose this one just because im the most familiar with this one, and they do amazing work in support of lgbt+ people and fighting for our rights in this... not so queer-friendly country 🫶

now, ive been in the 911 fandom for almost 4 years now (gonna be 4 in i think February), and i only started after the episode Buck actually bc it was allll over my dash. i binged the whole show in a week, before the next episode is even aired, I loved it SO much.

as most of y'all know, I initially shipped buddie - it was the big ship, ofc i did, i wrote so much fic for them and i had so much fun and met so many moots i still love seeing on my dash 🫶❤️ but it might've been obvious (or not, idk) i was kinda getting bored and losing enjoyment, more and more of my fics and snippets were focusing on other characters with buck or eddie, i wasnt really as into it anymore - but i still loved it and wanted to enjoy it (which ironically was killed dead later on by the buddie fandom itself lmao)

and then came bucktommy and everything changed. initially i tried not to give in but within a few days i had two fics and more ideas lol they completely took over my thoughts. ive never been this inspired to write, to create, I even learned how to make gifs for them (with lots of help from amazing talented friends 🫶🤣) during fall and winter I always get so depressed and sad and having very dark and depressing thoughts (last year my buck driving fic was a result of that lol), and its so hard to find motivation to do anything, even write. but this year, even tho I had a lil crisis moment, i wrote through it and im as inspired as always - i havent stopped writing since april. they're literally the most inspiring ship ever - and fun fact, usually i prefer writing about fanon ships, so this was a huge change and surprise

I always related to buck a lot, and especially once we got his bisexuality canon - checking out and appreciating hot people of the same sex and not realizing what it means is too real lol - and Tommy is so compelling and theres so much potential for so many stories there, I wish the show would do something interesting with him 😭 despite being so confident and cool, he feels like he's holding back some sad, maybe (probably) traumatic backstory that could be so good and interesting - and lou is such a good actor and itd be amazing to see more from him in this role

they wrote tommy as the perfect love interest for buck, and it was amazing to see it on screen, it was such a breath of fresh air to see this kind of queer representation on a network show, it was so gentle and adorable, and they initially handled it with so much care, and id love to see where they'd go from there 😭 the break up broke my heart not only because it happened, but because it felt ooc and abrupt and not at all like that's where the story was going. wish they'd fix it and give us tommy back 😭🙏

and lastly but most importantly - thanks to bucktommy, i met so many amazing friends ❤️😭 even when I was writing fics and interacting with mutuals on here, i was never really talking to a lot of mutuals, not for longer than a few messages, and now i got this wonderful community that i feel so comfortable in, everyone is so nice and friendly, and I love y'all so much, this is the best fandom experience ive ever had ❤️

thank you all, ive been having so much fun since april, i love y'all. here's to more bucktommy in 2025 ❤️

[cryptideye]

sry but people get way too serious abt crowsquirrel maybe people don't make art for it because they literally think it would work perfectly in canon maybe they think sassy girl x emo bitch is a funny dynamic. maybe they headcanon them as dating for a while then crashing and burning later down the line. maybe they just like writing au fanfiction WHO CARES if it's ooc, not every single drawing is supposed to be a deep character statement that speaks Truth to canon, sometimes its just fun to play with character like dress up dolls it literally does not matter 😭

[madonnamadeofasphalt]

EA & Bioware honestly did an incredible job at killing any enthusiasm I had for a new Dragon Age. Fucking hell, man, I've played the first two games so much I could probably go through them with closed eyes and still pick all the right dialogue options to get My Exact Personally Canonized Plot. And the only reason I didn't do the same thing with DA:I is because it was made after EA completely gave up on optimizing their shit so the fucking thing takes up like a billion terabytes of disc space and takes 10 hours to download and install. I honestly think it's the best-written cRPG franchise to ever have a budget that doesn't involve a list of Kickstarter backers or getting an eccentric Estonian billionaire fixated on the project. And the gameplay is also there, I don't really care about that part.

Then they proceeded to fire all the talent that made me love those first three games, and scratch and restart the production twice, and be suspiciously cagey with any details or gameplay footage for a fucking decade, so my hype consistently went down and down. And yet I still managed to hold out some hope that somehow, by some miracle, it wouldn't fucking suck.

I kept that hope until the trailer dropped. You know the one. The one where we see a bearded Varric. This, I think, was the exact moment when I lost any desire to play fucking Veilguard.

Like, first of all, Varric being there at all is already an issue. Leave the man alone. His presence was already kinda forced in DA:I. And after DA:I and Tresspasser, his story couldn't be more finished if he got killed, eaten, shitted out, condemned to hell, redeemed by divine sacrifice, bathed for eternity in the everlasting light. There is no point to Varric anymore. Whatever arc they've given him in Veilguard, and I don't even give a shit enough to read the spoilers before writing this post, it has no business existing. Fuck you. The only reason he's there is because he's a recognizable IP, and when you're a certain kind of soulless corporate moron, you think there's nothing more important than putting a recognizable IP in whatever new bullshit you're trying to peddle. Maybe if you didn't fire every decent writer in your trash fucking company, you'd have someone to tell you about the importance of Ending The Fucking Story When The Story Fucking Ends.

But that's not even the core of the problem. Beard? they gave Varric a Beard? Varric I fucking hate everything that's even tangentially connected to dwarven culture with a passion which is why I've made a point to shave my beard all my life to spite anyone who gives a fuck about it Tethras? beard? you gave him a beard? He changed so much offscreen in the goddamn timeskip between these two games that he got a motherfucking berd? fucshhfdbeard? feadsgfsvarricafgfdh BEARD? yyousftoiuslyhhabevarricasgsfucningbeardandthivkimgosabedineditit?beard????

PS. (edit after finding out spoilers) I've gone to TV Tropes to read up on Varric's role in DATV after writing this (just in case I'm wrong and dumb, and there's actually a deeply compelling narrative reason for his presence), and, well, this shit is cheaper than I thought. And more importantly, just as I thought, there appears to be no justification for the beard beyond "adding a beard is a cliche way to show that a bunch of time has passed, and we didn't care enough to think this shit through". I'm fucking tired, man.

PPS. (edit after reading the rest of big spoilers) This is so much worse than I could even begin to suspect. This is worse than the final season of Game of Thrones. This is the final season of Game of Thrones if they straight-up fired GRRM, burned his notes and hired a showrunner who's only read a one-page summary of the first six seasons. This is fucking depressing, man. I'm genuinely fucking sad. So many subplots that were started over the course of these three games, that were clearly going somewhere, scrapped in favour of a simplistic good vs. evil story that would get rejected by fucking CD-Projekt in 2007 for being too basic. All because the artists who poured their hearts and souls into this bullshit franchise got thrown out like trash by its "owners". Morrigan's kid, the Well of Sorrows, all the implied complexities of Tevinter politics, the Crows, the Old Gods, Andraste. All went to shit. Death to capitalism.

[ironunderstands]

I’m having some Aventio thoughts.. :3

Possessive Aventurine urghhh Aventurine who won’t let Ratio out of his sight for more than 10 minutes when they are out together out of fear, Aventurine who is terrified he will lose someone else he loves and will hold Ratio’s hand at any opportunity he gets, Aventurine who mildly and vaguely threatens anyone who so much as looks at Ratio badly…. AAAAAAAAA

Like usually I don’t enjoy the “you’re mine” kinda trope/mindset, but Aventurine has lost practically everything and everyone close to him so I can see him being extremely, well, possessive, of Ratio. However he would still obviously respect the others boundaries (especially due to his trauma), it’s just I can see him keeping Ratio as close as he possibly can.

I think that’s why I like writing fics where Aventurine is rescuing/saving/protecting/etc Ratio because he needs the ability to care for someone like that just as much as Ratio needs the ability to just let go and be vulnerable

Like Ratio already spends all his time trying to help others so having someone else do it for him is a welcome change, and Aventurine constantly has all eyes on him, so not having to be the center of attention for once is freeing..

..which is also why I probably prefer dom aven/sub ratio when it comes to nsfw/suggestive content of them. It’s more interesting than the alternatives to me because it’s a dynamic that would benefit both of them and help work out their issues in canon. Not saying it’s some magic fix it or something but yeah I think Ratio needs to give up his control sometimes and Aventurine needs to gain some. I feel like people downplay how sex can be used to explore character dynamics and I know this is kinda off course for what I usually write/talk about but I just haven’t seen anyone discuss it so I thought it was worth mentioning.

Moving onwards, I really love writing Ratio when he’s not in a normal state of mind. Drunk, injured, sleepy, a fucking owl (IM WORKING ON THE FIC THANK YOU @aurae-rori FOR HELPING ME BETA ITS AT 6.3/~10k WORDS IM GONNA TRY AND FINISH IT SOON I PROMISE), etc.

Whatever one of these you decide to inflict upon Ratio allows for some really interesting characterization to be enabled, because well, the man’s a tsundere, and it’s kinda hard for him to keep that up when he doesn’t have the capacity to. Honestly I view his tsundere-ness as being half voluntary/a choice and half just the way he is because he’s not very good at expressing his emotions or dealing with other people’s emotions.

However if I were to say, make him drunk, a good portion of that barrier breaks and Ratio’s true self gets exposed, and he nor Aventurine nor anyone really know how to deal with that. It’s so much fun to just put a character out of their element and see what they do next, and I think messing with Ratio’s mental state is the epitome of that, because now he has to confront the fact that he IS hiding parts of himself, and that’s scary (in a good way).

I also think Aventurine dealing with the fact that someone just genuinely lives him but is too afraid to really show it would be compelling. Would he blame himself? Would he dig into it and accidentally cross Ratio’s boundaries, then feel horrible about it? Would he doubt that it’s really real until it becomes transparently clear that Ratio does love him? Oh the possibilities..

Would he see Ratio being kind to someone in a similar way that Ratio is to him and get jealous? Would he worry that maybe he isn’t special to him and is just selfishly imagining everything?

They make me insane.

[immaturityofthomasastruc]

Every Episode of Miraculous Ladybug Season 5 Ranked (Part 2)

Part 1

(This site's stupid 30 images per post forced me to do this, so thanks for nothing, Tumblr)

#14: Transmission

I swear, I'm not doing these on purpose. This is just how I've been ranking the episodes.

Like I said in the last part, this episode just did not need to happen. The first half is cheap melodrama between Marinette and Adrien and the second half is a run of the mill Akuma fight with two different heroes. This is the story that seriously warranted two parts this season?

I just can't stand the fact that Marinette and Adrien gave up their Miraculous so easily here. Maybe if it was Season 2, Season 3 at the latest, I'd buy it, but near the middle of Season 5? They honestly view their love lives as more important than the battle with Monarch. If it was anything else like the stress or physical danger, I'd also be understanding, but Tikki and Plagg decide that Marinette and Adrien are so miserable that they need to be happy by losing their Miraculous without a fight. Remember, this was just two episodes after “Reunion”, which showed Joan of Arc was a Miraculous holder. So fighting in the Hundred Years' War didn't get so much as an ounce of concern from Tikki, but teenage angst is too much for her little heart to bear?

Maybe it's the benefit of knowing this won't be permanent, but the issue I have is how much the show draws this out for so long, as if the audience is supposed to buy it. “It's really happening, guys! Ladybug and Cat Noir won't be the stars anymore, we swear!” This kind of plot can work under the right circumstances. All you needed to do is at the very least, make it something they choose to do instead of their Kwamis taking their Miraculous away so we can see them weigh the benefits of giving up life as a superhero in ways that aren't exclusively about their love lives. I'd even buy it if it's something Ladybug and Cat Noir actually agreed on before quitting.

While I can sort of get Alya becoming Scarabella due to her experience with the Ladybug (even if she chose to give up using any Miraculous at the end of Season 4), Zoe getting the Cat just feels like the writers put a bunch of names in a hat and picked hers. The two just don't have as compelling a dynamic as Ladybug and Cat Noir do, because they don't get a lot of time to know each other. Alya and Zoe have almost never interact with each other, so the masks don't really shake up their relationship, because there's no relationship to speak of.

Also, the Akuma here was really forced. We know nothing about this new character while the show acts like we're supposed to know who he is based on some minor hints with Nora calling earlier. While I will give the show credit for arguably giving us the most powerful Akuma of all time due to being both a man and a bear, he's as forgettable as a villain as Kitty Noire is as a hero.

Just about nobody here comes out smelling like roses in this episode. The Kwamis are morons for caring about one ship becoming canon, Marinette and Adrien are selfish cowards for giving up their Miraculous with little hesitation, their friends are ignorant buffoons for thinking some random attempt to get Marinette and Adrien to talk will somehow seal the deal, and Alya and Zoe are idiots for not thinking that they should take off the shiny ring that tracks their every movement. It's a terrible episode, and the only reason why “Deflagration” is ranked higher is because it didn't irritate me as much as this one did.

#15: Determination

And now we're onto the really bad episodes this season.

This episode is pretty much what you've come to expect by Season 5. People keep forcing Marinette into situations she's clearly uncomfortable, and we're supposed to just laugh at her anxiety, because we still have eight episodes to go before the show decides to take her mental health seriously.

What makes this episode really sting for me is that it's Luka and Kagami that are forcing Marinette into these unfunny antics this time. For the most part, they never really stooped to this level and didn't try to force anything with their respective love interests until they had trouble in their relationships that required them to communicate. But now, even though one knows Marinette and Adrien are superheroes while the other is usually very blunt with her feelings (at least, before she became this season's next victim), they're going to try forcing Marinette and Adrien to spend time together even they both know they have feelings for each other and MY GOD, THIS IS SO STUPID! It's just a cheap excuse for more pointless shenanigans that stopped being funny years ago.

Yet somehow, that's not the worst of the Love Square drama this episode. It's here where we learn that Adrien fell in love with Marinette over a season ago, during a scene where she violated his personal space. In addition, Adrien somehow showed no signs of attraction to Marinette until the plot demanded it, and came right after another episode showing him falling for her. Why not make it the fake confession Marinette practiced with Cat Noir in “Glaciator 2”? The kiss Marinette gave Adrien at the end of “Heroes' Day”? I'd even take another umbrella scene callback like in “Mr. Pigeon 72”. But no, it's the statue scene that the writers decided on. It's like they noticed all the criticism Marinette got in that episode and were like “Joke's on you! Adrien actually liked being lusted over like an object!”.

And then the masks come on and make things even more convoluted. Adrien at least got to reflect on the events of a previous episode to explain his new feelings for Marinette, but what caused Ladybug to suddenly fall for Cat Noir after four seasons?

The writers don't even bother with an explanation for this. Ladybug spontaneously becomes attracted to Cat Noir with absolutely no foreshadowing, buildup, or even callbacks to earlier episodes. The writers either wanted to complicate things one last time before Adrienette became canon, they wanted to bury the Ladynoir conflict arc from last season in the sand, or the most likely option, a combination of both.

The idea of the public turning on Ladybug was an interesting one to take, seeing how she's been universally beloved for the past four seasons. But despite hinting at it in “Multiplication”, this is the farthest is goes, and even then, guess who's behind it? You can't keep raising points against the main characters if it's only Chloe who does it. It doesn't open debate on the story and essentially tells the audience that they're wrong to agree with her, no matter what kind of point she makes.

As dumb as the way it happened was, Ladybug still screwed up and endangered the city by losing the other Miraculous, but we can't actually challenge children by acknowledging that the hero actually did something wrong and needs to grow as a person. We need to use a recurring character as a strawman to tell the audience that only bad people think this way! Way to remove any interesting internal conflict, writers.

The Akuma was pretty weak, just being an older Puppeteer, down to using wax statues like what happened in “Puppeteer 2”. The army of wax heroes could have been interesting, but there wasn't enough time to do much with the idea. The one thing I liked was how the Ox Miraculous' Resistance was used. It felt like an upgrade instead of a core power Manipula got.

This episode pretty much set the stage for a new level of frustrating Love Square drama this season, and it was one of the season's first outright awful episodes.

#16: Conformation

The only reason this episode isn't at the bottom is because the rest of the ones on this list are far worse by comparison. Make of that what you will.

Like most season finales, this one continues the tradition of being better at buildup than actual execution. Gabriel's plan is pretty decent, even if it's just Heroes Day on a global scale. He utilizes his public influence and business skills to plan out a plan to get almost all of humanity working for him. While I don't like the Miraculized, I still think Gabriel being on top works here, especially since he's not going out into the field like the last three finales.

But other than an okay evil plan, this episode is still pretty bad. Marinette being infected with nightmare dust only happens to get her to the Agreste manor because the writers forgot that Marinette learned Gabriel was Monarch last episode. It could have been a decent way to up the stakes by showing Ladybug not being at 100%, but like everyone else, she just fights off the nightmare dust and doesn't have a single problem during her fight with Monarch. In general, the nightmare dust isn't really utilized well, only being an excuse to bring out the Miraculized. It doesn't impact everyone fighting off the Miraculized, and there's no lesson or theme about fear that's conveyed here.

Speaking of nightmare dust, I'm pretty sure the only reason why it was introduced in the first place was to bench Adrien, which is still easily one of the dumbest decisions the show has ever made. While everyone else had no problem resisting the nightmare dust, Adrien is just physically incapable of doing so because of some half-assed character arc the show pretended happened. So either Adrien got a more potent dosage of the nightmare dust, or Adrien's just too weak to actually overcome his fears. “Sandboy”? Never heard of it! The fact that the writers also tried to claim they were being subversive with fairy tale tropes and cliches didn't help, since it devalues Adrien as a character even further. He's not a superhero and Ladybug's closest ally. He's just some damsel in distress who needs to be saved. Let me just remind you, if the genders were reversed, this would not be seen as some bold move, but the same overused cliche trying to be something new.

I already talked about my problems with Nathalie in “Passion”, and the stuff she does here isn't really different. Despite enabling Gabriel for five seasons, the episode has the balls to act like Nathalie always had morals and is appalled by Gabriel planning to sacrifice someone to save his wife. Just remember, “Passion” established that Nathalie had a history as a treasure hunter, so this is like Indiana Jones not knowing what the Holy Grail does. Nathalie only got dumber than in “Passion” because she somehow thought she could take on a supervillain with nothing but a crossbow and a body that already has one foot in the grave. And just like Felix, Nathalie can't even apologize to Ladybug for the aiding and abetting a terrorist thing. Between Nathalie, Felix, and Gabriel, does using the Peacock Miraculous just make you an idiot?

While the buildup is decent, it's just not enough to really get audiences excited for the second part.

#17: Representation

This episode is yet another example of the show's double standards.

Without going into detail too much, this episode came right after “Revolution”, the one that essentially portrayed Audrey taking control of Chloe's life as a karmic punishment. What happens in this episode? We learn Felix's father literally took control of his life and it's portrayed as wrong as child abuse should be. That's why this episode is still better than “Revolution”. It at the very least understands how serious child abuse is, and tries to tell Felix's story with as much dignity as two teenagers in white onesies can have.

With that being said, there's a reason why this episode is as low as it is. The Sentimonster play used to tell Marinette about Felix is just so stupid. The sets and costumes look ridiculous, it's hard to take the story seriously with Felix and Kagami doing all the voices, and most of it is unnecessary since the whole point is to tell Marinette that Gabriel is Monarch... something that the writers decided she needed to find out on her own in the next episode. It comes across less like Felix trying to alert Ladybug to who Monarch really is and more like he's just trying to justify his own actions. Hell, the actual reason he decided to tell Marinette about Gabriel was because he and Kagami were worried about their own relationship being ruined by him. And yet somehow, Ladybug lets him on the team at the end of the season.

The stuff with Adrien was also pretty dumb. It's cheap fanservice that reminds the audience of Cat Blanc when none of the characters should know who Cat Blanc is. You can call him Anticat all you want, but everyone can see that he's just Cat Blanc with blue hair. It's bad enough that this was what all the times Cat Noir almost Cataclysming people this season was meant to lead up to, but this is pretty much the reason why Adrien is benched during the finale.

This episode really shows how desperate the writers are to make people take this show seriously by showing serious topics like genocide and child abuse, as if the show didn't already ignore the horrible implications previous episodes (like the very last one before this) raised and will continue to raise during the season finale. So much of the episode is just dark for the sake of being dark. It's nothing too horrifying for children, of course, but the issue is how obvious it is that the writers are trying to raise the stakes right before the season finale and show how mature the show's writing is. For lack of a better term, it's this show's equivalent to “Ow The Edge”.

#18: Revelation

Get ready for the episode where the writers abandon all attempts to be subtle and create an episode specifically to attack people who think Chloe isn't the most evil character on the show. Because how dare they be optimistic and try to see the good in people! What do they think this is, a kids' show?

While a big problem with the Lila episodes was how stupid the class is, this episode made it so Marinette got to join in on losing brain cells too. Despite outright admitting to neglecting her duties as class representative (as absurd as it is to be in charge of notifying teachers about student progress they should be aware of), we're supposed to agree with her for not telling her teacher about Chloe cheating. Not only does this make no sense since you'd think Marinette would want to see Chloe get punished, but her claiming that all Chloe does is abuse her privileges loses any point to it because Marinette admitted to not doing her job as class representative, making her just as lazy as Chloe and unintentionally helping her through not telling the teachers. And that's not even getting into how many times Marinette has broken the secret identity rule despite also being the one to enforce it the most as the Guardian.

If the episode at least admitted to Marinette having personal issues that prevented her from displaying any form of professionalism towards Chloe (especially since this episode takes place after “Derision”), that'd be fine. Sometimes, people just can't let bygones be bygones and let their emotions dictate how they handle things. If she willingly resigned from her position by admitting she was just as at fault for Chloe getting as far as she did with her cheating, that would have worked. Instead, the episode does the same things it did with Adrien for the last few seasons: Go out of its way to vindicate Marinette's complaining and never even consider the idea of her being wrong in the slightest.

It's also hilarious to see Ms. Bustier act like an actual teacher for once and plan to work with Chloe to help make up her missed work, but portray it as a bad thing because in Marinette's eyes, that's not a punishment. Since the school year is almost over, Chloe will have to attend summer school at best and be held back or even expelled at worst. How the hell does that not count as a punishment, Marinette?

And don't forget how she gets not one, but two separate scenes insulting people for being idealistic and not wanting to write off people as beyond saving, the second one being copied from Astruc's Twittter.

And remember, this was right before a string of episodes where characters were able to change their ways, including Sabrina (Chloe's accomplice), Andre (Chloe's enabler), and Gabriel (Chloe's supervillain contact). How the hell is Chloe the only one being written off as irredeemable when she didn't pull off any of her evil plans without help? You can still punish Chloe. All I want is for the other characters to be punished as well.

But let's talk about the main event for this episode: Lila. In one of the most confusing “twists” in the show's history, she's now an identity thief who lives with three different mothers. Why? Because the writers have no idea how to hype people up for her being the main villain for Season 6, so they think just making her mysterious for the sake of making her mysterious is enough to build her up as a villain. It's like the writers realized Lila had absolutely zero resources of her own, so they felt like they needed to establish her as an evil genius to compensate. “Who cares if there's no logical explanation for how she's gotten as far as she has despite constantly boasting about her celebrity connections in public? We have to make her vague and mysterious, damn it! It worked for Judas Traveller and Kaine, didn't it?”

This episode takes multiple shots at fans and tries to make Lila seem more compelling than she actually is. It feels more like damage control than an actual plot-relevant episode.

#19: Illusion

Want to see the main characters acting like idiots for almost a half-hour? No? Too bad!

So much of this episode's conflict, the characters trying to investigate a possible lead related to Monarch, comes from everyone making stupid decisions. Nino tries to get one of the most influencial men in Paris akumatized, talks about it in public, falls for his trick, and lets him into his secret alliance. This season really cemented his role as the Zapp Brannigan of Miraculous Ladybug with how incompetent he is. If you really want to start portraying Nino as a tactical genius, maybe you should actually show him doing something smart instead of getting outsmarted by obvious tricks.

Of course, the other characters aren't immune to Nino's stupidity either. Marinette, Adrien, and Alya just go along with his asinine plan to get Gabriel akumatized, never question his logic, and ultimately still go along with the Resistance despite how obnoxious their leader is. The worst part is Ladybug not recognizing her own partner being stung by Venom... when they're fighting someone with access to over a dozen Miraculous. I know Cat Noir was born with glass bones and paper skin, but I don't think he literally freezes in terror when he's scared. And of course, Ladybug never questions the tiny invisible men who stunned Cat Noir after this scene.

The cafeteria scene is something that should really be cited as an example of how terrible this show is with acknowledging continuity. You thought there would be some compelling drama discussing the secret identity rule and all the double standards it has? NOPE! It's a funny joke about how confusing the identity stuff is at this point. The fact that Nino somehow doesn't understand the concept of secret identities in this scene is yet another reason as to why he isn't even qualified to lead an anime club, much less a resistance against Monarch.

The idea of Monarch using an illusion to fight Ladybug and Cat Noir was an interesting one, but it still had some holes. For one thing, what if the two heroes can't dodge one of the illusion Collector's attacks? What if they're fast enough to try tying him up, only to dispel the illusion? The entire plan pretty much relies on the fact that Ladybug and Cat Noir are too slow to catch the Collector.

But one scene that has only become more questionable after the finale is Ladybug trying to reach through to the illusion Collector. Like several episodes this season, it comes across like the show is spitting on idealism and wanting to solve problems peacefully because Monarch tricked Ladybug into believing he willingly rejected an Akuma. Remember kids, if someone says they want to change, it's really a trick as part of an evil supervillain's plan to maintain his secret identity.

This episode is like a microcosm of everything wrong with Season 5. Poor morals, characters acting like idiots, shooting down any potential for plot development, and being told characters are right when their actions say otherwise.

#20: Confrontation

Ladies and gentlemen, I give you the episode where the writers just gave up.

There is just so much that happens in this episode that the writers cram in. There's Marinette's “final” confrontation with Lila, the battle with Reflekta, Sabrina's redemption, Juleka's character development, Ms. Bustier's character development, Mr. Damocles' character development, and the reveal of Lila's true nature. I don't think I need to tell you that the writers struggle to make all of these plot threads work in less than a half-hour.

First off, Marinette and Lila. The previous episode implied that Marinette let Lila have this short-term victory because she had her own plan to expose her. This episode puts that plan into action. See, she has the genius idea of going along with submitting school application forms to Lila and Chloe with no actual countermeasure in place, waiting for Sabrina to have a sudden change of heart so they can work together to expose Lila and Chloe through a bathroom peephole. This is the kind of tactical intelligence that will be studied in the history books, let me tell you. There's just no weight to Marinette and Lila's final battle of wits because there isn't any. There's no series of gambits or scenarios that actually pit their minds against each other, so you don't get a lot of satisfaction from Marinette's triumph over Lila. It doesn't help that there's more focus on Sabrina than on Marinette, but I'll get to that later. Even the actual payoff is anti-climactic. Most of the class' apology to Marinette was deleted because Mr. Damocles using a Magical Charm shield was just too important to leave on the cutting room floor according to the writers.

This episode really shows just how Marinette's classmates are like NPCs in the Lila-centric stories. They don't second guess Lila's accusations due to their past experiences with Marinette, and as soon as Marinette's name is cleared, they instantly apologize to her and don't even think about how easily they were fooled by Lila and Chloe. The worst example is Alya, Marinette's confidant and someone who was trusted to temporarily use the Ladybug Miraculous last episode, falling for this and not trusting Marinette. My sister in Christ, your friend goes out and saves lives on a weekly basis at least. How can you fall for Lila's story? This is why I think the Lila episodes should have all been set pre-Season 4, so Alya falling for Lila's lies is a little more believable since she isn't already in on Marinette's biggest secret.

I also have to roll my eyes at how melodramatic the talk about everyone's “futures” is. Yes, I don't know a lot about the French education system (If there's anything I'm getting wrong here, don't hesitate to let me know), but I don't get why they're treating their high school choices like such a big deal. Maybe if it was college, I'd get it, but high school? Why can't you just transfer if it doesn't work out? But then again, this is the same show created by a man who thinks school uniforms are a sign of fascism.

THIS IS WHAT THOMAS ASTRUC ACTUALLY BELIEVES.

Speaking of futures, this episode also showed just how little the writers cared about Adrien at this point, with how a supposedly heartwaming moment is him having no plan in life other than Marinette. I know this might seem weird given my problem with him last season was his refusal to think about anyone but himself, but there's a difference between wanting someone to follow orders without complaining and giving them absolutely no motivation outside of their significant other. And once again, if you swap the genders, this becomes sexist as hell.

But the big problem comes in the form of how the side characters are utilized. I don't know why the writers decided to focus on developing characters like Sabrina, Juleka, Ms. Bustier, and Mr. Damocles with five episodes left in the season. This should have been done in earlier episodes, not in the middle of a major story arc. I'm just left not caring about the development because it takes away from the conflict between Marinette and Lila, to say nothing about how little Adrien and Alya contribute to the story.

To me, this episode feels like the writers had no idea how to make Marinette outsmarting Lila into an episode, so they crammed in all these half-assed character arcs to pad out the runtime. While “Revelation” personally upset me more, I personally think this is the worse episode of the two from a writing standpoint.

#21: Revolution

Given how often I've criticized the way Chloe has been handled over the years, I bet you're surprised that this one isn't at the bottom of the list. You'll be even more surprised to learn that I think Chloe is one of this episode's saving graces.

This episode (along with “Derision”) provide an example of the Chloe we should have gotten ever since Season 3 ended: A villain who's allowed to be a threat while still being funny. So much of the past two seasons have done nothing but portray Chloe as nothing but an incompetent joke, but here, near the end of the season, she's in a position of power and is taken seriously. The episode does a good job showing how tyrannical Chloe's rule as Mayor is while still making it funny and in-character for her. She uses her power on frivolous things because she's a teenage girl who doesn't understand the complicated issues that come with politics. It's also why her idea of punishment involves detention, because it's something she's more familiar with as someone in middle school. Of course, even the episode all about Chloe ruling Paris with an iron fist isn't stupid enough to actually let Chloe be a compelling antagonist. No, we need to constantly remind the audience that Chloe is being played, as if we're supposed to see her as nothing more than a pawn even though the show still wants us to see her as an irredeemable monster.

Putting aside that one speck of something interesting, this episode is still incredibly bad. So much of the story is dependent not on how smart the villains' plan is, but rather, how lazy the heroes are. Not only is there not a single moment where Ladybug and Cat Noir acknowledge that the whole reason why Chloe was able to take over as Mayor was their fault, they act as if Chloe abusing her power to make everyone's life a living hell isn't enough of a reason to stop her. What kind of Prime Directive bullshit is this? YOU JUST HELPED SOMEONE LEAD AN INSURRECTION AGAINST A POWERLESS CIVILIAN! HOW IS THIS ANY DIFFERENT?! If there was at least something involving Ladybug and Cat Noir taking responsibility for what happened or at least showing that they played a part in this (especially since they “grow up” in this episode), I'd get it. Instead, because this is Season 5, our heroes are perfection incarnate, and can't ever be wrong. Even when they finally decide to get off their asses and stop Chloe, they didn't know she was akumatized, and nobody seemed to care before Chloe blurted it out, so Ladybug and Cat Noir have no excuses for slacking off.

The final battle is just a joke. Not only is it another excuse to force the Resistance into the plot, it shows Ladybug and Cat Noir unlocking the full power of their Miraculous in the most anti-climactic way possible. Even though they spent most of the episode caring more about their personal lives than actually stopping the obvious threat, somehow, this means they “grew up”. There's no buildup, no explanation, and no catharsis gained from this achievement. All of a sudden, Ladybug and Cat Noir are adults now. There's one decent scene with Adrien, but that's far from an actual explanation. What, did you actually expect an explanation for something this huge? Too bad! We need to have Marinette tell Chloe she's not afraid of her anymore even though she was never afraid of her prior to this season. Of all the things that happened this season, this is the one that makes it clear that Season 5 was supposed to be the end. There is no way Season 6 can happen unless the writers come up with some crap that undoes this, because Ladybug and Cat Noir have essentially unlocked god mode.

But I saved the worst for last, and you all know what it is: Chloe's punishment. I still can't get over the fact that there's actually a scene heavily implying we're supposed to be happy Chloe is going to live with her emotionally abusive mother in the same season that's trying to tell a serious story about child abuse. There's already been so much said about all the horrible things this implies, so I'm going to try and bring up something else. Specifically, how everyone is just okay with this. I can buy Ladybug given all the things Chloe has done to her, but it's pretty odd that Cat Noir, Andre, and Zoe all decide to wash their hands of their association with Chloe as if they never knew her. They don't even feel bad that it had to come to this, and feel absolutely no sympathy for her. Remember in episodes like “Malediktator” and “Queen Banana” that showed Adrien and Zoe still cared for Chloe despite all the terrible things she's done, teaching kids a lesson about trying to show compassion to your enemies? The writers sure didn't, because Adrien and Zoe don't get to say a thing about Chloe after she's defeated. Way to establish connections between characters and do nothing with them, writers!

This episode had so many things wrong with it, and it only got worse the longer it went on, to the point where the ending is essentially condoning child abuse. It's disgusting, but at the very least, it means we're not going to have to deal with Chloe in Season 6.

.....

#22: Adoration

This is one of those episodes I honestly didn't think would hate as much as I did.

I think of all the episodes this season, this is the one that shows how frustratingly inconsistent the characterization is. Characters will either announce how much someone has changed or will take a complete 180 while the show makes it clear this is how things have always been. Not only does the show say Zoe has somehow changed and suddenly developed feelings for Marinette, but Chloe's view of Sabrina has gotten even lower, to the point where she calls her an underling to her face. Because actually showing character development and changing interpersonal relationships is too hard for these writers. It's like that rule everyone knows: Tell, don't show. That's how it goes, right?

Before anyone gets on my case about this, I'm not trying to say that Zoe having a crush on Marinette was a bad idea. The issue is more how it comes across like the show is trying to earn brownie points with LGBT+ audiences with the reveal. The issue is that this major revelation isn't about Zoe, but rather, Marinette. It's from a Marinette-focused episode all about her heterosexual feelings for Adrien while Zoe's coming out story is nothing more than a cautionary tale to get Marinette to finally try kissing Adrien. I'm not saying Marinette should have dumped Adrien to be with Zoe. The point I'm trying to make is if you want to show something as huge as a character coming out as sapphic, maybe put more focus on that character's struggles than the struggles the straight main character goes through. Maybe instead of being an afterthought in the story, make the episode about Marinette helping Zoe confess her feelings to a girl she likes.

This was also the episode that laid the groundwork for Andre and Sabrina's “redemption arcs”. Normally, I wouldn't mind something like them changing, but it's less to show a character becoming a better person and more to vilify a different character. Andre went from a corrupt politician who abuses his power to please his daughter to an honest politician who is forced to abuse his power to please his daughter. Sabrina went from Chloe's loyal friend who chooses to help her make people miserable to Chloe's underling who is being forced to help make people miserable. Both of them were perfectly willing to go along with Chloe's acts in the past, and as we saw in “Revolution”, being a pawn didn't excuse her from being punished, so by that logic, they shouldn't get a free pass either. It's also strange how this wasn't the episode where Andre and Sabrina officially cut ties with Chloe, considering they already had issues with them. There wasn't really a reason to wait if they already made their issues clear, especially Sabrina. Somehow framing Marinette here is okay but doing it a few episodes later is too much for her?

Also, Lila served no purpose in the episode. Just like in “Collusion” and “Revolution”, all she does is tell Chloe to do things she was perfectly capable of doing in earlier episodes. We're supposed to see her as a mastermind, but I don't get why she has to hold Chloe's hand here. Why can't Lila come up with her own plan or manipulate different people from behind the scenes? It only further highlights the double standards because while Sabrina being a lackey to Chloe earns her sympathy, Chloe being a lackey to Lila doesn't for some reason.

I am getting really tired of the whole “Nobody believes Marinette” formula that every Lila episode relies on (Chameleon, Ladybug, Risk, Revelation, Confrontation). It's the exact same story. Everyone who has known Marinette for the past four seasons suddenly loses all trust in her, only instead of instantly believing Lila, it's Chloe. CHLOE. This is worse than Lila, because she's at least in good graces with other people, but this is the same season that solidified the idea of nobody liking her at all. They seriously take her words at face value over Marinette, someone whose friends know has tormented her for a year at least (Derision)? Put aside how I feel about Chloe, this is a story that depends on trusting someone nobody has any reason to trust, and it makes no sense.

There are just so many minor issues in this episode that pile up enough to really piss me off. It's like a death by a thousand cuts.

#23: Collusion

I normally don't try to get political on this blog unless I absolutely have to, and talking about this episode is one of those occasions.

If you've been around since the early days of this blog, you'll remember that Astruc once compared Chloe to Donald Trump, and not too long after the January 6th attack on the Capitol Building at that.

Even before that thread, Astruc made a joke comparing Trump to Chloe less than a week after the attack.

Whether you agree with Astruc's views on Trump or not, the point is that he kept up with American politics and strongly opposes him. So anyway, let's get to the episode where the heroes let someone lead a small army to storm the mayor's office and force him to resign, which is totally different from what Trump did.

I cannot get over just how confusing this episode is. For a show created by someone who usually keeps up with American politics, this is such a tone-deaf episode. I get that the story is trying to lean into French history, and I'm not sure how far into production the crew was when the attack on the Capitol happened, but given how Astruc was aware of the drama, he and his team should have at least considered the implications this episode could raise. The problem with the discussion around January 6th is that the supporters see it in as righteous a light as Miss Sans-Culotte is. As far as they know, what happened wasn't a violent invasion of government property, but a peaceful demonstration. Sure, none of the talking balloons said “Hang Andre Bourgeois!”, but it still brings similar imagery to mind.

Something that also harms the French Revolution narrative is the fact that all of Miss Sans-Culotte's supporters are helping her against her will. Much like countless Akumas throughout the show's history (Darkblade, Kung Food, The Puppeteer, Princess Fragrance, Despair Bear, Befana, Zombizou, Malediktator, Gamer 2.0, Mr. Pigeon 72, Hack-San, Revelation, Confrontation), Miss Sans-Culotte brainwashes innocent civilians so they can help her cause. This goes against the idea that she's speaking for the people, because her victims don't have a say in this. She's not reenacting the French Revolution, she's reenacting Order 66!

Also, this is something I've neglected to discuss. Why make Miss Bustier pregnant at all, much less akumatize her while pregnant? Outside of her students telling Chloe not to make a scene because the stress caused from dealing that is bad for the baby, Ms. Bustier's pregnancy adds nothing to the story. Seriously, the story thinks Chloe annoying the class is more dangerous for Ms. Bustier's baby than Ms. Bustier herself running around and getting into fights with her baby inside. It could have made for some interesting drama where Ladybug and Cat Noir are hesitant to hurt a pregnant woman, even if she's been akumatized. While the writers do try to work around it by giving her minions to do the fighting (as much as it mucks up the themes of this episode), it still doesn't explain why she needed to be pregnant during this episode in the first place.

Putting aside how unlikable Miss Sans-Culotte is in this episode, you can't even enjoy seeing Andre getting kicked out of office because this is the same episode where the writers really want us to feel bad for him. Look at how sad the rich white politician is. Let's ignore the fact that he's a big part of the reason why Chloe is as bad as she is, has abused his power multiple times, and is all around the cause of his own problems. But even though this is a show that tries to take an anti-capitalist stance (which I'll get to more in “Emotion”), we're supposed to side with one of the biggest symbols of everything wrong with capitalism and political corruption. Even then, Andre is framed for corruption instead of the several instances he actually abused his power, as if they're trying to say he was never a corrupt man. He just loves his daughter. Is that too much to ask for? His daughter herself? Eh, who cares? You really need to support the rich white man. Are we sure this show was created by a liberal?

But the biggest issue is the moral. It's impossible to frame Miss Sans-Culotte storming the mayor's office as a peaceful protest because she's clearly inspired by one of the bloodiest and most violent revolutions in history. If she was supposed to be a violent warrior who needed to learn there was a better way, that would work, but instead, the show downplays how dangerous she is... when she has a guillotine blade for a weapon. You can't claim Miss Sans-Culotte is non-violently protesting Andre's administration when she brainwashes innocent civilians, storms into the building, and demands he resign without any question. Even taking all that into consideration, the moral ends up backfiring because forcing Andre out of office caused an even bigger problem with Chloe taking over, and the very next episode threw the non-violence message out the window.

Whether or not you want to consider the political implications here, this is still a terrible episode with a terrible moral.

#24: Pretension

I've always had issues with Felix, and after the trainwreck that was “Emotion”, let's just say this didn't exactly do anything to raise my opinion of him. Just like his other appearances for the last few seasons, he did absolutely nothing to help Ladybug, focused on only doing things that benefited him, and making everyone's lives worse due to his incompetence. And somehow, this idiot is the one who moves the plot along the most.

The entire conflict happened because Felix kidnapped Kagami without even coming up with a plan. Even when he believes that Kagami is a Sentimonster (I apologize for saying that word Felix hates, but once again, the show provides no alternative to it), he doesn't think of Tomoe being able to track her or command her to leave even at a far distance. He doesn't even try to explain himself to Ladybug and Cat Noir and spends more time running away from everyone who wants to kick his ass. But by the show's logic, he just needs friends, even though his entire deal is that he works alone to get what he wants.

It's bad enough that Felix has to screw up everything he touches, but now he's dragging Kagami to his level. Kagami has cemented her role as Felix's lackey/girlfriend and nothing more. People give Marinette crap for the way the behaves around Adrien in and out of universe, but Kagami knows nothing about Felix, yet a single conversation about his past is enough for her to fall head over heels in love with him. She went from someone not willing to take any bullcrap from Marinette and Adrien to believing Felix's story in a fraction of a heartbeat. This season really likes ruining the few likable characters the show has left.

I also have to roll my eyes at the conversation Marinette and Gabriel have about fashion. For one thing, it's one of the few times the entire season remembers that Marinette wants to be a fashion designer and doesn't really factor into her rivalry with Gabriel. This season made their conflict revolve around how to treat Adrien, not their views on fashion. It feels like they only brought it up to remind viewers that Marinette is still into fashion. Well, that, and also to take a stance on artistic integrity... supposedly.

And on that note, it's amazing how the writers display little to no self-awareness during this scene. The show that embraces sticking to the status quo and rejecting almost any attempt at keeping consistent continuity is now trying to teach children about the importance of being willing to take risks when creating something. This is like Hannibal Lecter trying to promote veganism. I get the message, but the messenger's history is keeping me from buying it. It doesn't help that for a scene trying to point out how outdated certain views are, the show ultimately chooses to take the side of the man with the “wrong” mindset by the end of the season.

The pancake metaphor really confuses me too. It's meant to be a running gag that the only thing Gabriel knows how to cook is pancakes, but A) Nothing is really indicated to show how terrible they are as a metaphor for how bad his outdated views are other than Marinette's verbal assessment of them, and B) We later learn Gabriel used to be poor, so either he never knew how to cook prior to earning his fortune or being rich somehow made him forget basic living skills. I'm just saying, when an episode of Sid the Science Kid manages to better convey someone doing a terrible job making pancakes, you might need to put in a little more effort to show how bad Gabriel's pancakes supposedly are.

Finally, Tomoe. This episode didn't really do much to show her as a compelling threat, given all she did was nag Gabriel and try to shoot her daughter when she didn't even try commanding her to fight back when she was kidnapped. She's nothing more than a female Gabriel and is another example of how overstuffed this show's cast is,

This episode is awful, plain and simple. It took aspects from previous episodes that were already questionable, and doubled down on them while acting like there weren't any problems at all.

#25: Derision

And now we're onto the really, REALLY bad episodes this season. One of the reasons why this post took so long to make was that I wasn't sure how to rank these last three episodes. Thankfully, I managed to find a way to rank them based on the morals are executed. With that being said, let's start scraping the bottom of the barrel.

Ah, “Derision”. You're the only episode that makes the backlash caused by “Chameleon” seem like a pleasant breeze. It's incredible to see just how much negative a reputation this episode has in the fandom. Virtually nobody likes it because it manages to upset everyone with its poor characterization. I'm talking Marinette fans, Adrien fans, Chloe fans, Kim fans, and pretty much every other character's fans. I've only seen a few die hard fans defend this episode, and they're the people on Tumblr who defend pretty much everything done this season.

I have just one question to ask about this episode: Why did it need to happen? We didn't learn anything new that we didn't know already. We know Chloe is mean, and we know Marinette used to be more timid and had no friends. We didn't even need that much of an explanation for why Marinette acts the way she does around Adrien, seeing how it was usually played for laughs

Speaking of which, let's talk about the fact that the episode tries to shame the audience for laughing at the jokes about Marinette's reactions to Adrien. You know, something that was the show's primary running gag ever since Season 1? A running gag the writers ran into the ground by the end of Season 3 but still chose to go with it? Now we're not supposed to have laughed at it, assuming we laughed at it all. Way to insult even the small portion of viewers who didn't get on your case about this, writers.

I only have about two positive things to say about this episode. For one thing, Chloe actually served as a pretty decent antagonist in the flashbacks. Much like in “Revolution”, when the writers actually let her be a villain on her own without being made a pawn, she can be somewhat entertaining. If this was the Chloe we got after Season 3, I don't I would have been as upset at the direction Astruc's team took with the character.

In addition, the thing that saves this episode from being at the bottom is that unlike the next two, it actually understands that what the antagonist did was wrong. They don't make up excuses for what Chloe did and she actually gets called out as a result. It doesn't lead to anything major, but it's something.

Like with “Queen Banana”, there's not much else I can say that hasn't already been said. There's plenty of retcons, the characterization for everyone is off, it attacks the audience, and the message about trauma got fumbled by the show's usual double standards. It's been said over and over again, and it's become a symbol of how much the show's quality has degraded.

#26: Emotion

I think if you've kept up with my reviews of this season, you should know by now that I don't exactly like Felix, and most of the problems I have with him can be attributed to this episode. In fact, for a while, this was going to be my choice for the bottom slot.

It's clear that the writers want to make Felix this wild card who's only in it for himself, but like most of the show's antagonists, they want to show Felix as this devious mastermind... but he's also not really evil, and you should feel bad for him. For most of the episode, Felix does nothing but make everyone's lives worse during his first outing as Argos. He smears his cousin's reputation yet again, tricks his girlfriend into dancing with him, condemns some rich kids for the crime of being rich when he's just as rich, and eventually wipes out all life on the face of the earth. But he's just doing it for his cousin, we swear!

While Felix has understandable motivations for what he does, wanting to free Adrien and Kagami, the way he tries to achieve his goal makes it hard to sympathize with him. If the whole point was that what he did was wrong and that he needs to find a different way, that could work. Instead, we're supposed to see him as this tragic figure who was forced to do terrible things when the episode shows him happily singing while causing chaos. It's the same problem with Gabriel, wanting a sympathetic character to do unapologetically evil things. The fact that he has to be told that genocide is bad doesn't make us want to sympathize with him when he breaks down crying. It paints a picture that he's crazy but the show wants to act like he isn't.

Even putting all the crap with Felix aside, the episode is still unbearable. The stuff with Marinette was poorly executed and was just done to get her involved in the plot, and later become the first one to excuse Felix for betraying her. Other than the dance scene, you could easily just have Marinette swing in as Ladybug when Argos starts his rampage and nothing would really change. The episode tries to make jokes about how unnecessary this is, but as usual, its attempts to be self-aware come across like its saying “What we're doing it wrong, we know it's wrong, but we're gonna do it anyway!”

Speaking of the dance scene, I can't stop rolling my eyes whenever Felix tries to be all “We live in a society” to Marinette. Forget the corrupt politicians, corporate moguls, human traffickers, and despotic rulers of foreign nations. The absolute worst section of humanity is composed of the teenage children of the 1%. Sure, you'd have to break my legs before I'd agree to supervise them at this party, but I don't get why these are the people we're supposed to see as irredeemable monsters. Do the writers think because these kids associate themselves with Chloe, we'll automatically hate them? Newsflash, but if I had to choose between hanging out with some annoying kids and a mass murderer, I'd stick with the annoying kids.

Rewatching this episode was what helped me finally realize just what my problem with the show's anti-capitalist message is. How the hell am I supposed to hate the villains on this show for being rich when several characters are rich or at the very least, are successful thanks to their connections to the rich? Think about it for a second. Putting aside Adrien and Kagami, you have Marinette, the daughter of two of the most popular bakers in Paris and earned the respect of multiple celebrities, Alya, the daughter of a chef who works at a five-star hotel, Nino, someone who got to DJ at a major fashion show, Rose, who is friends with a literal prince, Luka and Juleka, the children of a popular rock star, and Max, the son of an astronaut with access to cutting-edge technology. Somehow, these people are supposed to be poor? They make Monica from Friends look like Oscar the Grouch. It's why I can't take the message seriously. You can't write a story about a class struggle when both classes are shown to be pretty well-off.

The only thing that saves this episode from being at the bottom of the list is the fact that despite committing genocide while singing, Felix at least gets what he did was wrong and makes up for it. It doesn't fix everything else he did in this episode, but that's better than nothing. As for the villain featured in the episode that's at the bottom of this list? If you've been keeping track, I think you know who I mean.

#27: Re-Creation

I'll admit, I'm sort of cheating here. I'm judging this episode more as a finale than an individual episode, but I'm making an exception because the plot is tied to wrapping up all the loose ends this season.

I'm mentioning this because for a season finale, the stakes just feel so low. The fight between Bug Noire and Monarch doesn't have any weight to it because they've barely interacted at all for the last five seasons. These are supposed to be two mortal enemies, but you can't really buy the enmity between them. It ultimately cheapens the moment of Bug Noire triumphing over Monarch in the end... before Monarch triumphs over her not long afterwards, but we'll get to that.

The stuff with the Miraculized doesn't help either. We already know that the Ladybug and Cat Miraculous are in the Agreste manor, so the Miraculized's goal is impossible to achieve. It's never even explained why the Miraculized don't go back to the manor to help Monarch beat Bug Noire, since they should still be able to track the Miraculous. All of the fights with them just come across like filler, and there's no real sense of danger or hopelessness to be found. Whether the Miraculized win or lose is irrelevant. Nothing will happen either way because the important stuff is happening in the Agreste manor.

This extends to the part where all the heroes appear to help. It doesn't come across as an Avengers-esque moment for the climax, because it doesn't change anything. The episode never explains what any of these characters were doing prior to the events of this episode and why only now they're helping out. The United Heroes are the most egregious example because unlike Fei or Su-Han, they're a major organization whose members include the president, and they didn't do a damn thing when Monarch stole all of the other Miraculous. Speaking of, there is no way in hell that Su-Han taught Mirakung-Fu to three random people over Ladybug and Cat Noir, much less that those three people are actual masters after about two months at best. Maybe they got to train in Bunnix's Burrow? After all, she's not doing anything else to stop the end of the world other than sending four people over to Paris. This whole sequence really highlights how bland the other heroes of this universe are. If they're not slacking off when they're needed, they're criminally underdeveloped because there's a slim chance they'll get spin-offs to flesh them out.

But I think the biggest issue me and other people have with this finale is the resolution. In what is easily one of the most baffling decisions the show has made, Bug Noire doesn't defeat Monarch, and Monarch gets to make his wish. I don't care how many times the writers technically say she won because she beat him in a fight. Gabriel backstabbed her at the last minute and got her Miraculous to make his wish. Yeah, he died, but he succeed in achieving his goal, never faced any real consequences, didn't get any closure with his son (much less apologize for abusing him), told Marinette to lie about the monster he was to him, and was turned into a martyr with a statue made of the same things he used to control the world.

This ending infuriates me because it not only makes Marinette out to be a terrible hero for failing to do the one thing she was chosen to do (get the Butterfly Miraculous back), but it also ultimately makes Gabriel out to be a decent person even though he destroyed and recreated the world. All Marinette did was take credit for saving the world, and even then, Gabriel got more celebration in the end. Our hero, ladies and gentlemen! She got outsmarted by an abusive parent and didn't even get a new statue in her honor!

But the most damning thing of all this is the fact that this finale retroactively makes everything that's happened over the last five seasons completely pointless. If Gabriel making a wish wasn't as bad as it was supposed to be, why didn't Ladybug and Cat Noir let him borrow their Miraculous? Why make the stakes this high if you're going to downplay the impact of a madman recreating the world in his own image? Follow-up question: why make the stakes this high if the wish being made is ultimately shown to have huge benefits for society? In an attempt to wrap things up with a happy ending, the writers accidentally made the conflict completely meaningless.

That's why this resolution is the ultimate example of the writers refusing to allow any major changes to happen. If they're willing to treat the end of the universe as less important than Ms. Bustier becoming mayor, why should we assume they'll ever take their story seriously? For God's sake, every character you know and love is essentially dead, and we're supposed to act like that isn't a big deal? That's how you wanted to end the show originally? Then again, at least they tried to resolve something, unlike the Love Square. We still haven't gotten a reveal, and I don't think we ever will at this point. These writers will drag out the story until the show stops becoming profitable, which won't be for a long time.

And with that, I am officially done with Season 5. Honestly, after having to rewatch this season again, I'm not sure if it's even worth giving Season 6 a shot. There's nothing to look forward to, and Lila becoming the main villain isn't really appealing to me. At the very least, I have the movie review to look forward to, meaning I can watch something good for a change.

[wings-of-fire-confessions]

ultimate ship confession lets go (well not really but here's what i think):

cleril: isn't in a great place right now, but it has potential to be good. i like them a little more platonically. people need to stop ignoring peril's character development omg.

glorybringer: i'm too tired to care at this point. this has been debated to death. 

blacier: it's kind of cute (well, the fandom version is; canon is more toxic and that's less of my thing. good for you if you like that though). no strong opinions.

jamapple: POSSIBLY ONE OF MY FAVORITE SHIPS 💖💖💖💖 they got their spotlight in OND BOOK and that's all they needed to win me over. the flashback to them snuggling in the hammock????? MY HEARTTTTT 💕💕💕💕💞

mastermind x chameleon: i have seen this shipped maybe twice. and i can't get it out of my head. it's just so interesting to me.

winter x kinkajou: wait...... maybe? a part of me thinks they could be cute, but most of me says pass.

ripnami: somewhat has potential; is currently very boring and questionable. i'm not against tsunami having a love interest, but i'm loosing faith in riptide. riptide i KNOW you can become interesting please do literally anything before you bore me to death.

lunatail: they're adorable together!!! obsessed with them omg. people need to talk about them more (for my sake).

clearsight x sunstreak: no opinions; seems fine. i feel like most of the people who hate this ship hate it because they wanted clearsight and darkstalker to get together. which. 🤨

moonbli: it's just okay. a little cute, slightly bland. could get better as they develop their relationship.

quinter: i normally love these types of dynamics, but i'm not interested in quinter? no idea why. i guess like them more platonically.

sunnyflight: uhhh no. don't like this one. i think sunny kindly shutting starflight down and him being okay with that is very refreshing.

whiteout x thoughtful: i feel like people forget about them a lot..... and i can see why. i really think it's cute how they're both artists, but they just don't have much momentum.

glacier x boa: i find this one is more compelling than blacier. glacier crying when she heard boa's backstory... girl me too.

smolder x thorn: i started to appreciate this one so much more when i read smolder's section in the guidebook. that man was a sopping wet disaster. hope they're happy together. i really like them.

sunnyspeaker: seems very cute! no strong opinions. i'd feel a little bad for starflight lmao.

mangrove x orchid: 💖💖💖💖💖💖 I LOVE THEM AND I NEED TO KNOW HOW THEY'RE DOING.

anemone x tamarin: anemone SERIOUSLY needs a good influence, so i think tamarin would be good for her. i'm very curious and i want to see their relationship develop.

winterwatcher: ehhhhhh. i can see the vision, but the vision isn't for me.

scarlet x burn: no. love LOOSES 🔥🔥🔥 the only love for burn is BLOODSHED.

starspeaker: it's cute. that's it. idk. i used to not like them together, but now i think they're fine.

sunlow: 💖💖💖💖💖💖💖💖 THEMMMM!!!! the flashback to their first meeting had me giggling and kicking my feet.

darksight: no. their relationship was very interesting and complex and well written, but from a shipping standpoint??? no way in HELL.

kinkajou x moon: it's cute! no strong opinions. stuck between whether i would like them more as friends or lovers.

clearsight x listener: fun to entertain, but i like them better as friends. if clearsight stayed on pyrrhia, listener would've turned her into a wine mom and they would gossip.

lynxfall: no strong opinions. they're both gay as hell and seem right for each other, but i'm just not really interested. again, no idea why.

anemone x pike: i DO like the bodyguard trope... but anemone x tamarin has more potential in my eyes.

blicket: kind of a guilty pleasure for me....... YES it was rushed but they're really cute this each other. luna imagining that wedding tapestry of them...... melting my heart.

umber x qibli: sounds cute. i like the idea of umber crushing on qibli and then finding someone else though.

turtlejou: meh. has a little potential, but is mostly boring to me. i appreciate how kinkajou was honest with turtle about her feelings at the end.

blister x morrowseer: idk. if they were married i think they would try to poison kill each other 24/7.

carnelian x moon: ehhhh, not for me. i don't like it that much. maybe because carnelian is kind of an eh character to me (SORRYYY i know a lot of you guys are carnelian girlies).

fathom x indigo: glad they got a happy ending. wish we got to see them interact a liiiiiiiiitle more, but i like them.

pertle: no. they're besties and you can't change my mind.

snowfall x sky: thought about this one for a while...... but..... ehhhhhhhhhhhhh...... no.

coral x blister: no.

jambringer: again, very fun to entertain; i can see the vision. but i can't abandon the jamapple ship 😤

arcticslayer: probably one of the most realistic relationships in the book. very conflicted about them. i think they were more attracted to the ideas of each other. maybe.

ok i KNOW there's more ships but i'm cutting it off here because this is getting long. also i haven't read the winglets so idk what's going on over there.

if you're hurt by my opinions and want to rage over them, you're a baby. ship whatever you want (so long as it's not really really weird); i do NOT care.

.

[jakes3resin]

im an advocate for bucky's curls™!! they're a very important character. it does mean i think about what if when they met and for the rest of the canon bucky has a military cut (or anything short) and that's how gale has known him. those curls don't make an appearance until they're in the camp and bucky's hair grows. gale already is "spacing out" when he sees bucky's longer hair but it's still matted with blood and dirt so he doesn't really get to see it properly. he doesn't get the full force of it until after the war when bucky has let it grow out more since and no dirt and grime can hide them. gale feels like he might lose his mind because he didn't think bucky could be any more prettier than he is but he nearly loses it when bucky mentions he might get a cut soon.

Anon you're so right about his curls being an important character. In my opinion and heart, they are the Main Character, and even thinking about them not being there hurts me. But I do like this scenario you've brought up!

Bucky with a shorter hairstyle during the war would be interesting. Maybe he lost a bet the first few days of training where he had to cut them short and decided he liked the shorter cut since he doesn't have time to take care of his curls during flight school. Gale never sees his curls at full power thus develops his obsession with them late.

Imagining the boys making it through the war without Bucky's Emotional Support Curls because Bucky just cuts them when he thinks they've grown out too much, its wild. But it compels me.

I think he'd look like the picture below.

(I'm adding this photo because I found it when I went on a wild internet journey this morning looking for pics of Callum. Enjoy)

After the war, Bucky decides to grow his hair out again, maybe to reclaim his Old Self, maybe because now he has time to take care of them which in turn is calming for him. The routine of haircare would potentially be very therapeutic for him I think. Maybe he even decides to grow them out to cover the scars on the back of his head. The reasons are endless, but very importantly, Gale does not factor into them (outside of Bucky potentially being into Gale pulling his hair during sex) because Gale's never expressed an interest in Bucky's hair. This will soon change.

His hair once grown out would look closer to these pictures.

Gale barely notices how Bucky's hair has been growing longer. It's one of those you see it every single day and don't really catalog the minute changes until it hits you like a frying pan to the head. The pair are both still trying to transition back into civilian life, and he's too focused on Bucky's health and his own nightmares to notice Bucky's hair, which he's never had to focus on before. Outside of battling for bathroom space now that Bucky's hair products take up most of the counter space (there are so many products, I lived with a curly haired girl for a few years trust me) Gale is oblivious to what is about to happen to him.

A while after he starts growing out his hair, Bucky goes back home to Wisconsin to see his mother for a few weeks. His hair grows more before the pair are reunited, so he definitely resembles the above photos. Bucky shows back up on their doorstep with a cheerful "Honey, I'm home!" that goes unanswered because Gale is frozen solid staring at him. Eyes wide, mouth open in shock, Gale experiences his first real look at The Curls.

Gale gets hit full force with the reality of Bucky's Curls, something he'd been vaguely aware of but didn't think about, and he wonders why he was denied such a sight until this moment.

With the sun setting just behind Bucky's frame, his curls are lit up. The rays showing off the highlights in his chestnut curls. The curls aren't tight and springy but loose and wavey. Bucky runs a hand through them, and Gale nearly falls to his knees.

It's official. Gale is enamoured. He's obsessed. He's running his hand over the soft curls (and pulling them just so), and Bucky melts into the touch. Gale will take any opportunity to touch Bucky's hair now. Walking by Bucky asleep on the couch? Perfect opportunity to run a gentle hand over his curls. A curl refuses to stay put and falls onto Bucky's face while he's reading? Gale's there to tuck it back into the style Bucky prefers. Bucky hurts his shoulder on accident and can't really lift his arm while it heals? Gale will gladly help Bucky wash his hair whenever he wants.

After a while, Bucky's hair grows too long, nearly hitting his shoulders, and he's starting to remember why he kept his hair cut short all those years. Maybe he offhandedly mentions over breakfast how he's gonna cut his hair, cut his curls off. Maybe he asks Gale to help him. Maybe he even mentions shaving them all off.

Gale would have preferred Bucky to shoot him.

Listen, those Curls are the 2nd most important thing in his life at this point (the first being Bucky himself of course). Gale won't admit to how much he relies on them to calm down on his bad days, but he will admit that he doesn't want them cut short, lost to him once more after he's just seen them. Gale begs Bucky not to, desperate to save Bucky's hair.

So the pair compromise. Gale will help Bucky cut his hair to whatever length he wants. He just won't help Bucky shave his hair off. Gale gets to run his hands through Bucky's hair, and Bucky gets to make Gale smile. A win-win if you ask them!

Bucky's Curls- keeping your flyboys sane since 1940!

[epickiya722]

I am seeing a lot of people in the jjk fandom idolize sukuna and empathize with him and say that his backstory is more compelling and interesting than geto's and that geto's radicalization journey was not interesting and relatable.

And while I understand that sometimes it can be hard to understand a character that wants to commit genocide I feel like that take is so shallow?

Part of me thinks its just a product of the ship wars but also its deeply fascinating that they would put geto's crimes and sukuna's crimes next to each other and say sukuna is better out of the two of them.

I feel like it has been a deliberate choice by gege to give a drawn out backstory only to geto while not giving Heian era flashback to sukuna as many wanted because the story wants you do understand geto (not agree but understand) while sukuna is presented as a villain even though there are crumbs of his backstory in there but not as nuanced and detailed like geto's.

I don't know I'm rambling but I feel very sad when I see people dismiss geto and his radicalization journey and in the same breath say that sukuna is more relatable.

But fandom is gonna fandom of course.

Before I say anything, I am a fan of both mentioned characters. Sukuna is actually one of my top favorites (of course, after Yuji). So with that said, I don't care for anyone to act an ass and be like "fake fan" or "how dare you bash---". No, no, no. Chill out.

◇

You said something that I feel like some people tend to not do when it comes to villains in stories.

"Understand", that part right there.

Sometimes, I do think the writer can have the intention of readers to sympathize and/or empathize with the villain. However, it depends on the kind of villain. But, at best, when writers give backstories to these villains, it's to understand why the villain do what they do and how they became that villain.

You can understand a villain and still not sympathize or empathize with their actions.

In the case of Geto and Sukuna, I do find it odd that some will say Sukuna is more relatable than Geto. Especially, as you pointed out, Sukuna doesn't have as much backstory present in the canon story as Geto has. We'll get back to that.

Now, do I think people can't relate to Sukuna? No. I think if you relate to him, you can and I'm not stopping you. However, that doesn't mean Geto can't be relatable, too.

In story, both are presented as villains.

We don't know much about why Sukuna turned out the way he did, but we do for Geto.

I know that the arc is also called "Gojo's Past Arc", but it is also Geto's, too. It shows why he changed, too.

It boils down to the fact he was a teenager that was just as much as a victim like his friends were to a fucked up system ran by a conservative group of traditional folks who would rather exploit the people under them than get their hands dirty.

Geto, as many jujutsu sorcerers, witnessed deaths of people he came to care about and if it wasn't death, stress caught up to everyone and him as well as a growing distance played a part.

Now, while usually a teenager isn't going to resort to killing a bunch of people, teenagers (anyone really) have been put in positions that will make them feel helpless. That was Geto.

Bringing back the backstory thing...

What backstory? (Not directed to you, Anon.) As much as people were up in arms about "we didn't get the Heian Era backstory", it's just doesn't make sense to then turn around and Sukuna's backstory is more interesting than Geto's.

I ask again... what backstory?

I said it before, but none of these characters actually had a full backstory. Not just Sukuna.

No one had a backstory that showed everything. In fact, some bits and pieces are found out through fanbooks and interviews.

That may be on purpose. I know it felt like Gege may not have touched on a lot with the characters, but for some parts of the story, what if that is the point? Maybe we're not meant to focus on the past but on the present and future. (Reflecting how some characters are working to make the future better and being more adaptive to the present unlike other characters who are more traditional and stuck in the old ways.)

Yes, some parts of the past are meant to be known but that's meant to understand the present. That doesn't mean everything must be known.

With Sukuna, I feel like some did miss the mark with him. I'm not saying I'm right, but my guess is we're supposed to feel detached from him. We're meant to understand him, but not idolize him.

We don't know much about him because we're supposed to not see him as someone redeemable, someone not humane. Just as Sukuna portrays himself to be. Sukuna does nothing in the story worth going "Ah, he's just a hurt guy 🥺". Sukuna admits that everything he does is out of his own pleasure and selfish gains. He is aware of emotions, he knows what love is. He just chooses to not allow himself to feel those emotions. He doesn't allow himself that humanity.

Rereading the story, you can see how dismissive he can be even about himself. When he talks about eating his twin? He says it like it was just another day for him. When he tells Hajime about being an unwanted child? Again, he's dismissive. He states it with even a small smile on his face.

He has the title "King of Curses", but what are curses born from? Negative human emotions. Taking a guess here, but what if that title is meant to be fitting (other than visually) for Sukuna being metaphorically that how he sees himself? A curse born from the nasty nature of being human and he happens to be the strongest one of all?

For both characters, I do find them interesting in their own right. And I agree with you, I do think some of the fandom have their views on their characters because of shipping. I don't think shipping is the whole reason, but part.

(I think I know the ships, but I could be wrong. Both involve a certain white haired guy? I have no problem with either ship though.)

When it comes to Sukuna and Geto, I feel like some can mischaracterize both and stick to that fanon version of them just to make their ship more interesting.

With Sukuna, some tend to write him as only being attached to a certain person because "he gets him, he knows how to challenge me, I'm in love, he taught me love". When, just me probably, it's not that Sukuna doesn't understand love. I don't think he wants it, no matter the form of it. (Let's remember there are different kinds of love, folks.)

With Geto, it's like he can't stand as his own character because everything he does was only for one person and/or he's a lot worse than what he is.

When you compare who's worse and than say "it's Geto", that's wild. They both may came from a place of hurt, but let's not act like Sukuna is a Saint. He has done more heinous shit just for even the hell of it. Geto isn't the only villain here.

I know people will say "he's a genocidal maniac" but so is Sukuna??? Hello??

Let's be real, Geto's biggest kill counts definitely came from the village and maybe the Night Parade event and I say maybe because by then sorcerers may have already gotten civilians out and some people died at the hands of his followers.

But I doubt he actually was killing endlessly for ten years. I think he killed, but not as many as some of the fandom says. If he was that big of a problem, then why was he able to do whatever for TEN YEARS?! There is no excuse! They knew where he was at. If regular people knew, I know for a fact, the Higher-Ups knew. They could send a group or whatever? No, because Geto was collecting curses and as we see, he doesn't have to kill people to collect curses. He killed those that was no use to him, money wise. And maybe the occasional jackass.

I apologize, I rambled there.

Point is! Both characters are in the wrong for their actions. Both characters can be interesting, however you choose to feel. Find Geto boring, but Sukuna interesting? Alright. The vice versa? That's fine, too.

But regardless of backstory, or lack thereof, to idolize Sukuna and not Geto is rather absurd because "Sukuna is better". No, no. No. He's just as bad. He is evil. He literally had beef with his own nephew and sought to kill him. People in the Heian Era worshipped him out of fear. He wasn't some hero. Saying this as a Sukuna fan.

Both characters may be different, overall, but why excuse one character for the sake of "I think he's cooler"? That does nothing for the story at all! In fact, that's quite an injustice. Don't get the story, that's fine and all, I'm still understanding some things myself. I'm not an analyst expert on JJK at all.

I get having preferences, do you, folks. But let's not mix up fanon with canon and argue with people because of preferences. Do you truly like that character if you only seem to like a fanon version? Do you really hate a character if you try to worsen how they really are in the canon?

Sorry, this got longer than I intended! As you can see, I ramble!

[voxofthevoid]

relate to being turned off from satosugu bc of the fandom. especially being on twitter makes me feel crazy omg bc i'll see posts where people are straight up acting like gojo was completely fine with what geto did bc gojo is just oh so down bad for him and loves him more than anyone else in the world and he doesnt care about anything he just wants geto back. and that is just. so untrue and also so boring, imo.

Because to me, gojo truly *is* a good person in his actions. he says crass things and maybe his mentality can be detached at times, but he always helps people where it counts. Even when he was taking Riko's body away and he asked geto if he should just kill the cult members and geto said no- I have a hard time picturing gojo actually going through with it even if geto *had* said yes. Because for all that gojo postures, I don't think he truly has that kind of bloodlust and rage in him, imo. Not even saying that I think killing those cult members would've been bad, or that Gojo would never ever kill anybody (simply not true), I just simply don't think gojo wouldve stopped walking, turned around, and killed allll those people in that instance (or if he did, I think he wouldve felt,,, off about it afterwards, despite what he said).

But I see so many stsg shippers who act like the only reason gojo was heartbroken about the situation was just because geto left him, and not bc, yaknow, geto committed reprehensible atrocities and became a supremacist. and i'm like,,, are we watching the same show? it's truly such a BAFFLING perspective of the relationship to me. like why erase their moral differences ? doesn't that make the ship more interesting? Sometimes I feel like the reason they do that is bc they can't handle the fact that Geto post-defection is seriously NOT a good person. at all.

stsg as a ship could be sooo much more interesting, imo, if people didn't erase the fact that geto BETRAYED gojo with what he did. not just the leaving. the village massacre, the parricide, the fact that he had no shame about it and stuck by his actions. all of those things betrayed gojo. bc i think gojo truly does want to help people, and he thought that, no matter how hard it was, he would always have geto along with him to do it, and that would make the pressure easier. instead geto chose to become one of the people that makes gojos job harder, lmao.

i think if shippers actually acknowledged that fact the ship wouldn't feel so fucking boring to me.

I’d save you from Twitter if I could, friend. Not saying other sites are free of harebrained idiots. I have Getou and satosugu blocked here for a reason, and I’ve seen screenshots of rancid fucking takes from TikTok and Instagram. Even Reddit—and I’m talking about canon discussion subreddits that generally ban ship talk—didn’t spare me from having to see people’s most reductive takes on this ship. But Twitter in particular seems to be where brain cells go to die.

Nothing in the world can make satosugu compelling to me, but objectively, it’s a ship with rich potential—for angst, for drama, for fluff, for toxicity, for love, for hate, for all of it combined. Like you’ve said, one of the most interesting facets of their relationship is how their bond culminates in betrayal. I’m personally quite interested in the fact that Gojou killed Getou despite loving him, after sparing him for eleven years because of the very same love. It’s not like Getou was ever harmless—he was a special-grade curse user, not the kind of threat you want running around. His cult activities and killings weren’t exactly subtle either. That angle—the fact that love makes Gojou turn a blind eye to Getou’s actions until he crosses a line even Gojou can’t abide—is very, very interesting to me as someone quite obsessed with Gojou’s characterization. People who have an equivalent interest in Getou would find plenty there to peel apart, probably. The two of them together would also offer rich, nuanced grounds for exploration, and I’m sure there are people doing just that.

But fandom spaces as a whole have become exceptionally sanitized recently. I’m not talking about people who generally simply prefer fluff and write that regardless of canon dynamics; there’s nothing wrong with that. We’re all allowed our self-indulgent tastes. But what you’ve described—a tendency to erase characters’ dark or grey morality, to think along black-and-white lines that put people into neat little boxes, to remove unsavory or unhealthy elements from relationships—has been plaguing fandoms more and more, especially fandoms with a large number of young(er) fans. JJK is definitely one of those.

I’ve seen similar takes on a lot of JJK ships as well as platonic relationships, like goyuu shippers asking why fic authors write Gojou as predatory toward Yuuji in canon settings with their canon ages (yeah, a real mystery why a 28 y/o romancing/fucking a 15 y/o would be written as predatory) and dad!Gojou truthers earnestly arguing that Gojou has paternal feelings toward Megumi (or Yuuji or his students in general) and is also such a good dad. I’ve seen it with even sukugo and tojigo, in the brief days before both wound up on my blacklist.

Basically, it’s a fandom-wide issue in the English-speaking JJK sphere (I’m sure the Eastern side and other language/region-specific sides have their own debates and issues, but I’m unfamiliar with those), and because satosugu is the biggest ship in this sphere, it has a significantly larger number of voices making themselves heard—as well as a significantly larger number of nuance-allergic dumbasses making themselves heard. The latter tends to be so fucking loud, often drowning out the other voices. It can feel inescapable, even with filters and shit.

[lord-squiggletits]

Your Tarn posts make me think about him more

He's a victim but he has so many victims himself, but the person that he is, that cause those victims, was delibrately cultivated. Tarn of the DJD was intentional, and that worse somehow

I have to ask, what do you think it would look like if Tarn, somehow & for whatever reason, decided to take the road of healing, to put whatever pieces of himself back together

YEAH I THINK SO FUCKING MUCH ABOUT THAT, even from my first MTMTE read when I didn't care much about him as a blorbo, I thought it was crazily compelling how Tarn was at once an absolute terrifying monster but also the most pathetic, sad little bully boy in an oversized body at the same time akldjlfksd. Like, you look at Tarn and the horrible shit he did to Pharma, all the victims of the DJD, Skids, the alt. Lost Light, etc and he seems like a completely unstoppable force. Then you actually look behind the mask and Tarn's just so... incredibly short-sighted, blindly worships, really volatile and thoughtless, and ultimately gets his shit rocked by Megatron in what's basically a no-contest loss. It feels really bad like... how can it be that someone so pathetic was able to cause so much destruction before he was put down? In the ideal world, you want to believe that shitty, weak people are powerless, but it turns out that sometimes shitty, weak people can actually be in positions of power (in terms of hierarchy, physical might, politics, etc) and when they do they can hurt an incredibly disproportionate amount of people compared to their actual strength of character as a person. As an example, pre-insanity/mania Pharma was so obviously a better person than Tarn, but look how that ended up: this absolute prodigy of a doctor, next in line to be CMO, a normal good Autobot in all accounts. Gets completely wrecked and turned into a mentally ill, insane asshole that loses everything and everyone he ever valued, and Tarn literally never even thinks about him again. God.

As to how I'd handle Tarn healing arc...

The short answer: I actually want to write about Tarn taking a road of healing, heel-face turn arc in the Pen Pals Tarnma AU I've talked about occasionally on this blog/in asks! So... when I post that fic, literally just (gestures at the whole thing)

The long answer:

If canon-divergent, it'd be Dying of the Light but Tarn and co. stop fighting Megatron bc of how pathetic he is. The DJD basically merge forces with Deathsaurus' Decepticons, and they make a sort of neo-Decepticon movement fighting the Galactic Council/Black Rock Consortia. Tarn isn't really a better person morally speaking (yknow the hating organics and wanting conquest thing), but he'd definitely be put on a path where he divorces his sense of self from Megatron and focuses more on his group of comrades: he finds meaning from a collective rather than from worshiping an individual as a god, and Tarn experiences healing from that fact bc instead of a fucked up grooming/parasocial relationship with a distant, uncaring leader, he's actually having real, tangible bonds with people who are equal to him and love and respect him. So, probably still really fanatical to his ideals, but he's a fanatic who loves his comrades as much as he loves his cause.

In a nonspecified AU, let's say during the war with Decepticon Megatron, I think the only way Tarn could get better would be if Megatron got better and then took the time/care to make Tarn better along with him. Unfortunately, Tarn has been manipulated in such a way that Megatron is literally his entire axis of morality/purpose/etc, and I think he doesn't have enough agency and independence to start healing except unless Megatron says "shittiest of my sons, why don't you deradicalize and maybe you'll calm down." It'd basically take Megatron un-grooming Tarn first, and then for Tarn to get some kind of purpose/relationship outside of him for Tarn to regain the independence he had as Damus, which would then allow him to pull the rest of the way from Megatron and go his own way. (Incidentally, this is what happens in the Pen Pals AU)

In a scenario that I don't even know how it'd happen but I desperately want it to happen: Optimus "I can fix him" Prime and Tarn are forced to work together in some capacity which leads to a slowburn mending of their relationship. Not like Tarn becomes an Autobot, or goes back to being Damus, but like... idk, Optimus is the one to deradicalize Tarn and make him realize that Megatron manipulated the shit out of him. Somehow. I would really like these two to interact so badly, and for Tarn to also have a mentor/paternal-esque relationship with someone besides Megatron. (This also happens in Pen Pals AU ldskfjlsd I told you that fic was the true Tarn Redemption Story dlksfjlsdsf)

[unnamedmedicalprofessional]

There's a fan theory that The Doctor's regenerations are subconscious reactions to the experiences of the previous regeneration (which deep breath pretty much makes canon). It's been argued that the tenth doctor is a response to falling in love with Rose and becoming a handsome young man to woo her.

This kind of recontextualizes the tenth doctor as a character, because his fatal flaw is kind of that he's too good at acting like a 19 year old. He's too human for the life of an alien. His youthfulness is distinctively adolescent compared to other young doctors like eleven, who looks 26 but acts like a mix of an old man and a child.

Ten's youth and humanity is present in some of his most flawed moments. His whole "I could do so much more" rant feels frankly pathetic and adolescent. (which is not an insult to the scene from a writing perspective, I think it's compelling because of that). His "I don't want to go" angst is a distinctly more human perspective than the more detached accepting approach to regeneration a lot of other Doctors have. Him going time lord victorious is motivated by him looking at time travel through a human moral compass instead of a time lord one, but allowing that human mindset to mix with a time lord god complex. His punishment of the family of blood is rooted in him wanting to be human, getting his wish, and having that wish ripped away from him. Him treating Martha like a rebound also feels like something you'd expect from a young man, and the caring but detached alien nature of other doctors prevent them from doing the same thing.

Some people might disagree with me on this, but I've always seen the tenth doctor as less repressed than the average Doctor. This is how The Day Of The Doctor explicitly frames the contrast between the tenth, and eleventh doctor as the man who regrets and the man who forgets. Part of this is also how Tennant plays the role. When 9, 11 and 12 are sad or angry, their actors play it with a sense of world-weariness like they've been through this a million times and are just tired. Tennant plays it like he's experiencing this stuff for the first time. 13 and 15 frankly haven't done scenes like that often enough, but that's a whole separate rant. Part of this is why I don't like 10 quite as much as 9, 11 or 12, as I prefer a more world weary ancient doctor, but 10's great and interesting in his own right.

And in a way, maybe he is. The classic series is on average less emotional and angsty than the new series, and this is really just a product of how the norms of television changed between the 80s and mid-2000s, but you could also interpret the trauma of the time war bringing those emotions to the forefront. Nine was the first to deal with those emotions, ten let them run wild, and 11,12 and 13 are all in various ways trying and failing to put that genie back in the bottle.

[highladyluck]

For the fan theories ask, can you go down the list of Nakomi theories on the wiki? (Or, if that’s too much, just Nakomi is the Creator (or an agent of the Creator))

Ok, before we get into detail on this, if any of you tell me who Brandon Sanderson says Nakomi is, I will be genuinely annoyed. I don't want to know and I hope to go to my grave blissfully unaware of the actual truth. I engage in this for the pure love of unhinged speculation and bitchy judgement. I'm including the 7 theories that @anyboli tells me are on the wiki, and then 3 bonus ones.

1) Aes Sedai From Age of Legends - this is just silly, and frankly after [specific chapter in AMOL when a long-debated fandom question was finally answered] the fandom as a whole should have stopped making theories like this. THERE IS NO PURPLE AJAH!!! I debated shoving it further into 'worst idea' territory but unfortunately it is an undeniably fun premise, and we do canonically have Aes Sedai from the Age of Legends hanging about (they're just evil) which is why everyone keeps trying to make it happen. The placement just into worst idea territory is a compromise.

2) Agent of the Creator/Pattern - this is deeply unlikely- the Pattern doesn't care and the Creator's only agent is Rand- but I like it a little better than the previous option. I also think this is the Bela option, which also nudges it slightly more into 'extremely compelling'.

3) Bubble of Good - I don't think this is the author intent, but on the other hand, it's a random positive encounter that moves the action along, and a Bubble of Evil is a random negative encounter that moves the action along. Functionally, Nakomi ACTS like a Bubble of Good, so I think this sits squarely on the border between likely author intent and definitely not author intent. I enjoy the lampshading of Nakomi as Plot Device so this is somewhat compelling to me.

4) A Hero of the Horn, or Amaresu - Ok, this actually strikes me as somewhat likely and I think if it were an RJ thing this is almost the likeliest option. As a Sanderson thing it seems a little less likely but still pretty plausible. I enjoy the specificity of it and the Heroes do seem to break their own rules about meddling a lot. Maybe Amaresu is vibing with Aviendha because Avi's going to give birth to her reincarnation or something; that's not particularly plausible but I like the emotional implications.

5) A Jenn Aiel - This seems like the most likely of the wiki options. I think the Jenn Aiel still exist, canonically, and probably they'd be in the area and have opinions. It's not the most interesting theory to me because I don't get the mystery aspect at all in this case. I'd rather just know up front that Nakomi was Jenn, then I could get a reaction from Aviendha, which would have been super interesting. It's still pretty neat but the execution could have been improved if this is really the answer. (I actually think this would be AWESOME as part of #10, but without either the use of a specific known character or a reason for the obfuscation, this is not peak cool to me.)

6) Verin - No. I don't even get why people are saying this and I don't care to be informed, either. Verin's great but we don't have to make everything about her.

7) A Wise One - Sure, maybe? But this premise is so deeply uninteresting without specifics. This is the Wheel of Time. I need any random character that shows up once and has a speaking part to have a backstory three pages deep. It doesn't all have to be on the page, but you better convince me that it exists.

8) any Cosmere character - This is my worst fear because it seems so horribly plausible. I know it has been officially denied, but like Taimaindred, it makes too much sense and you can't convince me this wasn't the original intent.

9) Lanfear - This is my personal theory and it sparks joy. Nakomi is a moon-related name like Lanfear's "Selene" moniker, Lanfear constantly goes around in disguise helping protagonists even though it makes no fucking sense, AND Lanfear is apparently still at large even after she appeared to have died? At this point, Lanfear could be doing anything for any reason, we just can't know. The only way we can truly know Lanfear is her vibes--that's why her punishment from the Dark One was to be put into a body that was perfectly good but not her aesthetic--and this whole business has Lanfear Vibes so strong they can be seen from the Age of Legends moonbase.

10) Tigraine - This is @asha-mage's theory and it's the best one I've ever heard. The only reason it's not higher on author intent is because I'm going by Sanderson intent and I don't think this was on his radar, but it absolutely seems like something RJ would have done, so I split the difference. It fits the hints I vaguely remember- someone we haven't met directly in the books but not a totally unknown character either- and it's just so cool, the idea of Tigraine surviving after all, maybe throwing in with the Jenn, and giving advice to her son's lover/a future leader of her adopted people. I want to write a series of 3 vignettes about Tigraine and the concept of legacy: Tigraine at the Tower, dealing with being the legacy kid with no magical skills. Tigraine abandoning Galad and contributing to his complex about his family legacy. Tigraine (as Nakomi) after talking to Aviendha about the legacy of the Aiel as complicated by her son. It would be so satisfying!!! This should be the answer!!!

Again, DO NOT SPOIL THIS FOR ME. I DO NOT WANT TO KNOW THE CANONICAL ANSWER.

[nalyra-dreaming]

Hello :-) I was just wondering if you have overall thoughts now on how you feel about The Drop in series one now we’ve seen all of Louis’ perspective on what happened?

I’ve been mulling it over (and trying to separate it from the fact I find the discourse in fandom about it (Lestat) annoying). I can see why the show runners wanted to do it; it makes the relationship’s toxicity much more clear and Lestat was abusive in the books, just not as clearly as 1x05 lays it out. So I can see why they wanted to give Louis (and especially Claudia) that much more motivation. I did also find Sam’s reasoning - that it’s important to show Lestat’s underlying toxic masculinity more clearly - compelling too. But I also just don’t like that they did that to Lestat. I do think it’s something that changes who he is and what he’s capable of. But maybe I’m just too much a Lestat girl and it is better for the story and it’s actually just laying out some difficult truths about him in a way that’s not comfortable. Obviously he’s a monster, even if in the books he’s a monster that generally tries his best to help and care for those he loves. Where do you land on it?

(I totally understand if you don’t want to open this can of worms, but I’d be interested in the discussion or you pointing me in the direction of your previous thoughts if that’s easier)

Hey!

All good. I have talked about this a few times, so I'll try to... condense where I am at this moment :)

So, re that "toxic masculinity" and the arc they're aiming for... I think it's important to remember here that Akasha does aim for Lestat as her tool because she does see "everything wrong with the males" in him. So that arc makes a lot of sense for them to set up.

Ultimately this is what she misjudges Lestat on though, and why she, why her quest fails - he actually isn't, and he turns against her because he isn't.

I said it before, the abuse is in the (first) book - but not at this level. And not with the added layer of domestic violence, and I think that level will come back to bite the show in the ass again and again (and the fandom is a mess because of it), because what the show showed - and what they let stand for almost two years - is something decidedly different than "two vampires fighting". Which we're supposed to take away from it now. And which is "only" the inside part of that... fight.

The outside has been hinted at in the video with Sam you're referencing now as well, totally apart from the missing blood everywhere which makes the scene unlikely to have happened as shown, there was also the hint re... something else, that Sam caught himself on. I have theorized early on that the outside might be connected to Amel, and I do think that might hold true. Which is no excuse, btw, since Amel uses certain skills and tendencies. We'll see.

So now the drop.

I am not sure if we have seen all, tbh. There were comments about something about the "blood of Akasha" that was cut from that scene, for example. It would certainly makes sense with the tower scene. Also Lestat being so frustrated with Louis and whatever discussion they had up there to drop him? Still doesn't make sense to me, but I guess that's more or less confirmed now. Still reeks like the tower drop parallel to me (that we might get in s3, who knows).

I think there is something quite powerful they could do with the drop vs certain upcoming book canon "flying scenes". I know some fans said that they destroyed that scene with 1x05, but I actually disagree. The level of trust needed would actually only enhance where they are with each other then, but we'll see.

So. After the comments re "toxic masculinity" etc (mostly by Sam) it made click for me.

I think I know why they're doing this, I think I know how they'll spin it. But I don't particularly like it.

Still, it will likely work. In the end.

After a lot of (fandom) pains.

[buckybarnesss]

Blessed post where you detail the storytelling points proving Derek's very young age both when the fire happened and during the show. And it's during the show too, because we may have been watching for six years but the story actually spans about two if I'm not mistaken?

The college-age-Derek-when-the-fire-happened truthers have been around forever and my favorite line from them is: "Why do you want so badly Derek/Kate to have been statutory rape? Just so your fave can claim more suffering?"

And it's not untrue that we like to see our faves suffer because it makes for compelling storytelling. The jokes and memes about the hurt-comfort are true. But this isn't that? No one ever walked up to J*ff D*vis and asked him to write up the story in a way that keeps supporting a timeline where Derek was 16 when the fire happened. He did that all by himself and it's not on us that we went along with it and didn't just discount the actual storytelling for retconning claims D*vis made in some interview or panel or other.

And more importantly, why are these people so passionately for this retconning? That's the real question. Why do they want so badly for Derek to have been 19 or 20 or even 22 (which would be beyond a stretch no matter how you retconned it) when the fire happened? Why is it so much more palatable to them  -better yet, why do they think it would be so much more palatable, so much less the suffering for Derek if he'd been college-age? Is it maybe a secret third idea that it's not even rape if he's a legal adult? That being underage is the only thing that made Derek/Kate not actually consensual? That made it rape?

The funny thing is that Derek is not even my favorite. I do like him but I also happen to like Allison and Scott just as much. And it's Stiles that happens to be my favorite, and I am very much in love with Sterek, but I liked both Derek and Jennifer (however complicated the ship ended up being) and I liked him with Braeden especially because she was the first canon love interest (Paige aside) he got that was actually a good match for him, that genuinely cared for him and didn't hurt him. The point is that Derek doesn't have to be your favorite to call out what Kate did to him as what it actually was, and it doesn't make you sexist either (I've seen the argument, they're really that stupid).

Obligatory addition that Sterek is fanon at the end of the day. So is any other ship involving adult Derek and a teenage character. So @ Derek haters (there's a Venn diagram that shows the impressive overlap between Derek haters and the above-mentioned truthers) who love accusing Derek of being what Kate actually was: canonically Derek had Paige when they were both 16, then he was 16 or even 22 and Kate is established older than Derek (which is what makes 22-year-old Derek impossible when the fire happened because Kate was 22 according to the chem teacher whose name I forget and who told her how to burn the Hales down), then he's an adult and he has Jennifer (who is a high school English teacher and that speaks for itself) and then he has Braeden (who was, like, a marshall or something years ago, before losing her job obsessing over hunting down Malia's mother or something, and I'm pretty sure that also speaks for itself on the question of Braeden's possible minimum age). Even that scene with Erica in season 2, poorly executed as it was, had Derek literally throwing off of him the only teenager that made a move on him (what Erica was actually going for is not the point here at all).

I haven't touched the show in years and I didn't watch the movie either, so correct me if I'm wrong about any of this. But anyway, thanks for reading my rant. It's defending Derek o'clock apparently because there's just some things in this fandom that can really grate your cheese.

thank you anon!

yeah i do not know where people got the idea of derek being much older. in the presentation pilot script derek is specifically said to be 19 but they realized that if the fire was 6 years previous than he would've been 13 when he was involved with kate so they aged him a few years so he'd be 16.

of course that still isn't super great but jeff clearly had a specific story in mind for what happened with derek and how the fire occurred. picking up on those storytelling cues isn't us wishing bad things upon a character and it doesn't make me or anyone else a bad person. it's us engaging with the story and understanding what the creator is trying to convey to their audience without it being explicitly said.

and while it's conjecture that kate was a substitute teacher because it was never confirmed in canon i think there's evidence to support the idea between the on fire novel and how in season 2 the the argents infiltrate the school system. her being a substitute would explain not only how she was able to gain such access to derek but also how she knew to approach harris and how to approach him to get the information she wanted.

when i was watching the show while it was still running from 2012-2014 it was pretty accepted fandom wide that derek was very early 20s and had been 16 when the fire happened. it has only been since i returned in 2023 that i've seen an uptick in the idea that derek wasn't underage when he and kate were involved.

peter and cora's comments in visionary about age were tongue in cheek. it was show winking at the fans about how they were shit with character ages and timelines. and even then despite how messy the teen wolf timeline is we can be reasonably certain of a lot of events within canon and suss out ages and such.

derek wasn't in his 30s during the show. he wasn't even over 25. he was barely in his 20s. scott and stiles treat him like a peer because he is one. the idea of him being some much older guy needs to be put to rest.

i didn't go into detail with kate's behavior in that post because it was about whether or not derek graduated beacon hills high but like kate is a sexual predator. the narrative is very consistent with her behavior.

she makes several suggestive comments about both jackson and scott. in the tell when she's tormenting derek at the hale house she says:

"this one grew up in all the right places. I don't know whether to kill it or lick it."

that is not ambiguous. i've discussed kate and derek before here and here.

her behavior towards de-aged derek isn't ambiguous either.

kate argent is a sexual predator that likes teenage boys. she groomed and raped teenage derek all the while planning to murder his family. this doesn't get any better if derek had been older and was in a consentual relationship with kate.

there's a very consistent story throughout the entire show of derek's consent and body being violated by others for their own gain. kate, gerard, deaton and scott, the twins and kali, jennifer and even the nogitsune.

and yet antis like to turn that all around on derek which i've discussed here about how derek isn't a perfect abuse victim and how it's been used against derek here.

when people deny what happened to derek it's with the same reasonings that people deny men can experience sexual assault and rape. like, how many times has a female teacher engaged in sexual misconduct with a male student only for the comments to be that he should've been grateful and enjoy an older woman's attention? look at the way the news coverage of mary kay letourneau was handled.

i have discussed derek's turning of erica here, here and here. more here about the subject.

the whole sterek thing. it's whatever to me at this point. antis seem to think they're gonna make people stop shipping it when they're not. there's no moral high ground.

[shi-daisy]

Spring Beast and Silver Queen

Day 6 and here we have the second otp! Like Tamcien (or Feylincien) and Neris own my heart but Neslin has so much potential that I wouldn't mind them being endgame in a Canon. So here's a little oneshot for them with some Fairytale tropes. Hope you like!

@tamlinweek

Tamlin Week 2024- Day 6- Fairy Tale AU

Spring Beast & Silver Queen

Nesta walked onto the decayed manor, it was just as destroyed as the rest of the court.

Lucien might be the only one to come here out of genuine care, but if the mild mannered redhead couldn't do more than this that meant the High Lord was all but dead inside. She understood. Nesta felt the same way.

She found Tamlin sleeping. The male was in his beast form, like that day when he came to their cottage and took her sister. There were times she wished that hadn't happened. Now, she just wished she'd ran when she had the chance.

It didn't matter anymore. It was either Spring or a lock up on Night, and she'd take her chances with the wilted flowers.

Nesta came into the room slowly. A bird that slept on Tamlin's mane woke up, and left out the window, sparing her one last glance.

She kneeled on the floor and gently patted the man. He was alive, just deeply asleep, and he looked so very weak.

'Guess they've broken us both.' She thought.

Who had once been a monster to her now looked so very defenseless and sad Nesta felt compelled to be kind. Maybe being here wouldn't be so bad, at least Tamlin wouldn't bother her about her drinking if the empty wine bottles were any indication.

She didn't know why, but Nesta decided to plant a soft kiss on the beasts forhead, and wait for him to wake. Nesta didn't have to wait long.

Tamlin turned from beast to fae form in a flash, and when his emerald eyes fell on her their bond snapped.

***

A deep silence fell upon the room as he sat up and stared at Nesta who was equally surprised and stunned.

"I...Think you know what this means."

"Yes..."

"Wait! Why are you here, Lady Nesta? Is this another strange dream?"

"Afraid not. I'll explain."

She told him of her downward spiral, of her sister's betrayal and the choice she was given. It nearly made his magic spiral in a rage.

"Stay here I'd that's what you want. I swear I shall protect you." Tamlin managed to say.

"...What about the bond?"

"If you keep it, they cannot take you away. Once we're certain they won't hurt you, then you may do as you wish with it."

It hurt to say, to denounce something he'd once wanted, despite knowing of it worst sides thanks to his parents, and yet...he wanted to prioritize Nesta's free will. It was clear she needed it.

Especially when her frown turned into a slight smile. "I appreciate it."

Baby steps, in time they could be friends.

***

Lucien had come to visit. After she explained the situation the redhead not only returned to stay with his partners but he cut off all ties to Night.

"We will help you rebuild this court!"

That was all they needed to let the Band of Exiles become part of the Spring council.

The Spring Library was a marvel after it was cleaned and she took to devouring every book she could. It helped fix the court and bring back the population.

In a few months things were already looking up, and Tamlin wouldn't stop thanking her. "Lucien did most of the administrative work. Vassa is in charge of diplomacy and Jurian is training the sentries. Why are you thanking me too?"

"Because if you hadn't arrived that day. I wouldn't be here right now. Your silver flame is what kept me holding on and made me rebuild what I shouldn't have left crumble. Thank you."

His gentle hand on hers gave her pause. Despite the slow friendship they'd cultivated and the bond that kept her safe, sometimes Nesta doubted a man like him could want her if it wasn't because of the mating bond. Still, she didn't want to break it. Her safety was at stake but also...she didn't want to hurt Tamlin further.

Nesta felt a tear slide down her cheek, but it was soon wiped away as Tamlin kissed her forehead. "You don't have to say anything. If I have to wait forever I shall. You're worth waiting for."

Worth. She hadn't heard that from anyone.

"There's a lot I still must deal with, but when I do. I'm certain you'll be who I want to spend my time with."

"I'm honored to hear that."

***

Tamlin often thought that beyond any person music would remain his ultimate love. Perhaps that would've been right, as he played his fiddle before the Calanmai celebrations and everyone danced with joy.

Then she stepped into the scene wearing the long sleeved silver dress he'd gotten for her and the glass shoes he'd seen her eyeing at the boutique.

Nesta was a delightful dancer. He knew she loved music as much as he did when she organized all his sheets and instruments with great care, probably more than the books.

Nesta danced beautifully for him, and he didn't remember the last time he'd played that well. By the time the song ended and she stopped dancing, Tamlin had picked her up in his arms and they shared a kiss.

"I love you." Nesta said, and he couldn't help but cry.

"I love you too."

No other Calanmai had left him as breathless and full of joy

***

Eventually they came for her a little over week after their bond was sealed and their frenzy over.

Nesta nearly barbecued the entire inner circle when they tried to get close to Tamlin. He'd wrapped them in thorned vines.

"We are mated. We are happy. We won't bend to you if you're trying to get the crown. Leave!" He said.

Cassian glared at her and Nesta regarded him with indifference, she had the man of her dreams right by her side and wore a crown of roses rather than chains of stars. The only ones she'd mourn for were her sisters, but she was free and she wouldn't apologize for it. Let the. Make their choice for themselves.

And they did. Because when shadows took her to the House of Wind and she was locked in its tower, Nesta could hear a battle far away in the Velaris palace. By now she'd realized Morrigan was the traitor and that Feyre had joined her, but she couldn't wait for them to rescue her. She had to get out herself.

Rhysand had brought her back to fight for Night's side. She wouldn't and so he locked her up. But he forgot she had power and she had read enough to figure out the end of the tale.

Nesta used her power to create thin threads of silver. They grew from her hair and she made sure to tie them onto the balcony rails. It wasn't enough to reach the ground safely, but she wouldn't need to. She saw a figure of green and was aware he High Lord came to save her.

With rope of hair in hand she jumped from the balcony of the tower and safely mounted Tamlin, who was now a dragon.

"My silver flower"

"My fiddler lord."

They flew away as the Obsidian castle in the distance was swallowed up a black hole in the sky. Both of them were worried until the event passed and the castle was nothing but rubble left away.

After landing they spotted Lucien in the distance with the healers. She saw Feyre and Mor with them, out cold but alive.

Tamlin and Nesta both breathed a sigh of relief. Then they looked at eachother. Nesta smiled at the sight of her mate, her beloved and the man who'd come to her rescue.

Tamlin pulled her close, holding his savior, his queen and his beloved.

Nesta kissed him, using words he'd once said to someone else yet were never returned until now. "I love you, thorns & all."

"And love you, my queen Nesta Acheron."

Two birds flew over them as they shared a kiss, into their happily ever after.

[dreadsuitsamus]

Day Zero | Kensei Muguruma x Reader |

author's note: i want him 🤷‍♀️

pairing: kensei muguruma x fem!reader

warnings: takes place during turn back the pendulum, canon-typical violence, light angst, comfort, established relationship

"Missing souls?" Your stare down with your much taller husband is fierce, despite his weariness and lack of time to do anything but gather his things and maybe even get a quick kiss before he goes on his mission.

"So you do know how to listen to me." He murmurs, avoiding answering any further questions that he really shouldn't be answering. You're his former lieutenant, not an active member of the Gotei 13 as a result of it, so you hold no official title to mark any claim on top-secret information.

But you're also his wife, and there's a very different fine line to cross when it comes to these situations. A happy wife equals happy life even in Soul Society.

"And why are you the one that has to do this??"

"You were a Shinigami once. You already know the answers to all the questions you're going to ask me!" Irritation bubbles beneath his skin, as his temper is quick to flare up as usual. But it simmers down just as quickly: you're just worried about him, as a good wife should be for her husband.

He sees the fear flickering in your eyes and takes your hand with exceedingly gentle care. "You trusted me more before we got married, I think."

"Souls didn't go missing when I was your lieutenant." You allow your husband's kiss to your palm, flicking away a stray hair from his eyes as he presses another to your soft skin. "Let me come with you."

"No can do." Kensei mutters. "If you were active duty, I would let you. This is a high level threat, and as out of practice as you are—"

"As long as my blade can cut anything or anyone, I can fight!" Your lips curl in a snarl and your husband feels your ire behind the smack against his chest. "Mind you, I only retired so I could marry you, bastard! I could be a captain now, if not for that!"

"And the significance is not lost on me!" Kensei circles your wrists easily with his long fingers, holding them tightly enough to your sides that you can't lash out again with ease. "I know what you did for me, for us. And we can have this argument later, for as long as you like. I have to go now."

The desire to argue burns your bones, if only for the sake of keeping him home just a bit longer. Souls don't just go missing! But his decision is final: you're not a Shinigami anymore, and thus you have no place in such a dangerous mission. It's your heart and your worry that compels you to tag along rather than anything close to a sense of duty, and such things wouldn't be recognized as a good reason to intrude on a mission by the head of the Gotei 13.

"Fine. Stay alive, otherwise you'll wish your soul had gone missing."

Kensei can't help but smile for you and lean in for your kiss. He claims they bring him good fortune, and while you see through such a bad excuse for his wife's love, this time you actually do kiss him with a sense of good luck behind it.

Sleep never comes easy when Kensei is away, but this time is different. It hasn't come at all, and your zanpakutō calls for you relentlessly as it nears an hour past midnight. Your husband's word lingers in your mind, an all-too annoying reminder that he was once your captain and in charge of you and as your husband, he still relatively holds that sort of power. Your Kensei is rarely wrong about these decisions, but this time…

He's dead wrong.

In a flash, you're wearing your old Shihakushō and your dear blade is buzzing with excitement as adrenaline rushes your veins. The moonlight is cold, chilling your bones just as much as the ugly scream that resembles only one sort of monster as you follow what feels like Kensei's Spiritual Pressure to the same area those previous souls were lost.

The group around it, made up of a rather odd pairing of individuals, ponder what exactly is going on with only a little bit of surprise at your approach. Captain Hirako gazes at you expectantly, eyes dark as he holds a wounded Hiyori at his side.

"Lieutenant." His joke holds no mirth, though he's certainly happier to see you here than not.

Praying that your voice doesn't shake as the overwhelming, imposing Spiritual Pressure looms over the area, you speak to the captain of the 5th Division with only one goal in mind."Where's Kensei?"

"You don't need me to tell you that, do you?"

There's another ugly, horrifying scream and as Shinji raises his blade to defend you, all whilst still holding the 12th Division's lieutenant, your impressive speed and decisiveness has already struck out and blocked the attack yourself. A mask covers his face, but there's far too much left, even with this transformation, for your dear husband to be unrecognizable.

"He should've let me come with." Your husband's strength is much more powerful now as he pushes against your blade, and certainly the Hollow before you doesn't intend to pull punches against his own wife. "Where's Mashiro?!"

Another Hallowed scream and the sounds of swinging blades and bursts of Kidō answer the question for you, and Kensei quickly overpowers your hold and kicks you squarely in the stomach, the agonizing feeling of your lower ribs cracking leaving you nauseated. Air harshly escapes your lungs and the cold ground beneath your back doesn't soothe anything as the Hollowfied man you married looms over you, the mask on his face betraying absolutely nothing even in the face of the one he's loved for a hundred years.

"Kensei…" Coughs splutter out as Love, yet another captain that's been caught in this mess, swoops in to pull you to safety just before Kensei destroys the ground you laid on with a single, all-powerful punch that reduces it to nothing.

"Attacking his own wife?" Rose responds with a swift blast of Kidō, anger evident as his brows knit together. "The Captain I know is far above something so scummy."

"It's not his fault." Your murmur of defense falls short: of course your husband would never lay harm to you, or to any woman. But this is no longer your husband, you determine as Hachi binds him with the strongest thing he can: Bakudō #99. Kin.

Kensei is pinned with ease, officially down and out now. The sight of the mask on his face, covering the sharp jaw and the warm eyes of the man you've spent countless decades with, makes your stomach turn with relentless nausea. He's a Hollow, and there's but one thing Shinigami are known for.

Clutching the hilt of your zanpakutō, you release it from its scabbard to the surprise of those around you. "Sharpen—"

"No!" Shinji's sword clashes with your own. "Do not kill your own husband."

"What do you presume we do?!" You growl, sneering right in the face of a revered captain without a care in the world. Kensei would be distraught at the sight, but not anymore than he'd hate himself for what's happening now. "He's not Kensei anymore!" Despite the strength you put on, doing your best to mimic your husband's usual demeanor, the breaking of your voice is heard clearly.

"We will find a way to save him." Shinji's promise is hardly heard before an inky darkness surrounds everyone on the battlefield, and you fall to your knees before your restrained, Hollowfied husband.

The last thing you see before nothing is the mask that covers your husband's face, and fruitlessly, you reach out to touch it.

There's far too much light as you come to, with a mix of murmured voices doing their best to remain quiet while ultimately failing to do so. The air around you is different— This isn't Soul Society.

Thin blankets fall as you shoot out of the bed and reach for your zanpakutō, but the dizziness sends you into a wall instead. How long have you been unconscious? What happened after Kensei was restrained?

The sliding door to the room opens and your vision clears as the room stops spinning around you. His voice is deep and his arms look strong, and that handsome face cracks a little amused smirk at the rare sight of you being caught off-guard.

"You're noisy."

"K-Kensei!" Your body feels odd and there are plenty of questions to raise, but damn does none of it matter more than making it across the room and tackling your dear husband in a tearful fit.

"Oof!" Kensei's arms encircle your frame, taking the brunt of the impact as his back hits squarely against the wall. "Control your strength!"

"Bastard!" His tank top is soon drenched in your tears and you're in Kensei's arms fully as he picks you up and encompasses you both in the thin walls of privacy your temporary bedroom provides.

He settles at the end of the bed, wiping your fretful tears away as best as he can once he's placed you beside him. "Crybaby… What do you remember?"

"You… As a Hollow."

Kensei sighs grimly. "In Soul Society?"

"Yes? What's going on, Kensei? My body feels strange— No, it's not just me… The world feels strange. Where are we?"

"In The World of the Living." Your husband murmurs, his eyes meeting yours. "We're in exile."

Flashes of the recent days come to life as Kensei explains further, his story no doubt the truth as your memory recovers. Captains and lieutenants alike, Hollowfied and cursed with such monstrous forms that give an inexplicable boost of strength and speed. Ousted from Soul Society and left to meander in this world you've sworn to protect…

"Are we Hollows?" The shaky whisper matches your unstable core, the feeling of something there that wasn't there before putting you on edge. You remember a fight in the same plane of existence your zanpakutō lives on, scratching and clawing and forcing your way to the autonomy you've always had until after what felt like weeks, you emerged with the victory.

"Urahara tried to undo what was done, to no avail. We're not Hollows… Entirely, at least."

"So what do we do?" You murmur, hands eagerly clutching his tank top as his warm arms come around you once more.

Kensei's lips find your forehead, a soft, lingering kiss saving him from a question he can't answer right now. He supposes the real answer is to just simply survive— even with Kisuke and Yoruichi's help, there's nothing guaranteeing that Soul Society won't come to finish the job. Or rather, there's nothing explicitly stopping Aizen from making sure those who know his true self take their information to the grave.

"So… You came to the battlefield." Your husband murmurs against your skin, no sense of anger or mirth alike in his tone.

"I did."

"I know you know how to listen to me." His deep chuckle dispels any ideals that he may be less than pleased with your insubordination, given your current situation would be far different had you remained home that night.

"You like a brat." Your teasing falls flat and silence fills the gap between you, the sounds of Shinji and Hiyori arguing in the other room preventing it from becoming too quiet.

Never one to mince his words, Kensei murmurs in a soft tone. "Is it true that you raised your blade to kill me?"

Your lips turn to a frown. Why the hell did Shinji tell him that? "I did. Are you upset?"

Kensei's arms squeeze tightly around you, encompassing you in his warmth and desperation for his wife's love. "You should've been faster. You were hurt because of me."

"Not you. The Hollow." Your arms hold your husband as tightly as he holds you, the scent of soap pleasing your senses as your husband accepts forgiveness.

"I'm sorry." There's an edge to his voice, a hoarseness you don't often hear from him; he's always been strong, so put together and brave that it's a tad frightening to hear him on the verge of tears.

"I forgive you. Will that help you forgive yourself?"

A smile pulls at your lips as you're pulled closer to Kensei, so impossibly close to his strong, scorching body that your arms loop around, and you press a soft kiss to his cheek before gazing out of the window as the sunlight rises. The world is upside down now and the future is more uncertain now than it was back when you were caught between a career or a love life, but the laugh bubbling up comes anyway.

You've at least got one helluva trump card for the next time you blatantly ignore Kensei's command.

"And no…" Kensei murmurs against the flesh of your neck, nuzzling in comfortably. "Being right once doesn't mean you can defy orders."

We'll certainly see about that!