#maybe there’s a layer to this I don’t get??

[p1utofairy]

★ your next glow up?

note — i wasn't gonna post this now but i figured fuck it why not?! enjoy, my loves! this is for entertainment purposes only <3 take what resonates and leave what doesn’t. p.s. come in my ask box and tell me what you think!

PILE ONE.

pile mf ONE, you are really stepping into a new era! when i tell you this new you is gonna turn HEADS. tuh, you’re gonna be looking like new money. nicki minaj’s ‘new body’ verse is coming to mind lol “you ain’t fuck me, you fucked the old body. you ain’t fuck nicki, you fucked nicole body! ain’t no miles on this here new body, off with they heads these bitches is nobody’s.” OH YEAH OKAYYY, PILE 1. maybe you’ll be hitting the gym more, switching up your diet or possibly getting some cosmetic work done?

whatever you’re doing differently, it’s gonna be noticeable. people are gonna feel like something changed with you overnight like “um when did pile 1 get so bad?” and this isn’t to say you aren’t already attractive…there’s just something about your energy and confidence that just amplified x1000 and people are really gonna feel and see this change in you. you might start experimenting with your outfits a little more, giving off a more seductive vibe. it’s like you're breaking out of your comfort zone especially if you usually opt for baggier clothes or a more conservative look. wait cause why am i thinking of ‘pretty little liars’ when emily is talking to aria about hanna and she’s like “haven’t you heard? she’s the it girl now.” PERIOD, PILE ONE. giving serena page vibes from love island.

there will be a lot of talk about you and even if you don’t hear it directly, trust me, people are gonna try to keep tabs on you. i’m seeing people re-watch your instagram stories tryna figure out who took you that place and who you’re doing it with — oh these people are spiralingggg. this could very well be potential suitors tryna scope out the scenery, but they’re not sure if you’ll be interested in them. they might fear rejection because you just look so damn good and it looks like you’re in such a better space in life and got your shit together; whereas they feel like they lack the resources/finances to be with you. these potential love interests see you as high value, pile 1. they’re intimidated by your beauty and aura. you’ll be more so focused on attracting a partner that can actually make shit happen.

you don’t have time for the cat and mouse games. you want the real deal and i do see you getting the person that you want. you manifested this person into your life and i sense them feeling like they won the lottery with you! i’m hearing that you are sooo mesmerizing on the outside and your heart & personality makes you so much more beautiful. there’s layers to you and i think this next glow up will allow you to really shine and be yourself unapologetically – you’re leaning into the different aspects of yourself that makes you unique. if there’s anything you’ve got your mind set on or something specific you want to do, go for it! whatever you do, you’ll stand out effortlessly and be successful. ‘say yes’ by floetry is coming to mind. “see, i’ve been watching you for awhile…your smile and style. wanna know if i can be with you for the night, alright.” i meannnnn need i say more?!

how to tap into this energy?

listen closely to your intuition! work on your third eye because i’m hearing that you’re a powerful manifester and you don’t even truly know it. even if you do know this, you start doubting yourself and limiting your own thoughts. always think big and bigger because it’s in your reach. don’t get so caught up in the “how?” because your manifestations can appear in many different ways, not just one. you have a clear vision into the future – you just gotta adjust your lens and focus on what it is that YOU want. who cares if it doesn’t make sense to anyone else, as along as you see the vision then it’s a go! listen to ‘i want it all’ by sharpay evans lol you need to embody that song and its energy.

PILE TWO.

hey, pile 2! i’m hearing you’ve been putting up with the bullshit for wayyyy too long and this next glow up is gonna be a proper FUCK YOU to all your haters! i feel like people take your kindness for weakness and you feel like you don’t get the respect you deserve. you can deal with a lot of passive aggression in your relationships or friendships and people expect for you to suck it up and be okay with it. what i’m mainly picking up is that you like to keep the peace. you don’t want to ruffle anyone’s feather, but it just makes it worse for you because you’re not truly expressing yourself and your emotions. this keeps you up at night like “ugh! i should’ve said this or I should’ve stuck up for myself and finally cussed so and so tf out.” but you don’t because you know why, pile 2? you’re better than them, simple as that.

you wouldn’t treat anybody how some people treat you, and the reality is that it’s so much harder to be nice than it is to be mean. anybody can be mean and say hurtful shit if they really wanted to, but to always be graceful and kind in the face of adversity and ignorance? rare af. +10000 aura points! don’t let anybody make you feel less than or like you can’t speak up for yourself. this next glow up you’re going to use your voice and really make it known that you are not to be fucked with, okay?! you will be standing your ground and really popping your shit in the most calm and collected way possible & people are gonna be like “wait…did [y/n] really just clock me like that?!” and you’re gonna be standing 10 toes down on it as you should. they’ll have no choice but to respect you lol. you will start to realize what is worth your time & energy and what isn’t.

you might start cutting off people that don’t mean you any good and really start to focus on yourself and your energy. no more walking on egg shells and sparing peoples feelings, this is YOUR life and you have a voice just as much as they do – so use it! i think you’ll also be meeting new friends & a potential love interest during this next glow up. i’m hearing ‘how stella got her groove back’ lol so yeah some of you might be playing the field a little bit.

some of you might just want something casual and nothing more because you just want to focus on your own healing journey. you’ll start to understand why things had to happen the way that they did & why certain relationships didn’t work out the way that you thought they would. you’ll be able to decipher what you are and aren’t willing to put up with and honestly i just see you bossing tf up and advocating for yourself no matter who doesn’t like it. that tiktok “nobody loves you baby! you should only love yourself – ON MY SOUL!” just randomly came to me lmfaooo this is your ‘i’m focusing on what really matters aka me’ era and i think it’s exactly what you need pile 2.

how to tap into this energy?

i think you need to transmute the negative energy that people try to project on you into something positive. 12:12 on the clock, yeah. like look at this way, if people doubt you, don’t respect you or don’t feel like your capable of achieving great things then use that to your advantage. let them underestimate you all they want, and then BAM boss up on them and show them who tf you are. what they don’t know only makes you stronger. you have the power to make some powerful ass connections and make a name for yourself so be calculated & strategic with your moves. people will be eating their words when it comes to you, pile 2.

PILE THREE.

pile 3 your next glow up is gonna be a bit of an emotional rollercoaster ngl, but very rewarding nonetheless. i’m hearing that one tiktok sound “you gotta take the good with the bad, smile with the sad. love what you got and remember what you had.” so yeah i think you’re really gonna be figuring out how to transmute your energy and create something from it – whether that be a job opportunity, a love offer, a trip, etc. there’s something that you really want and you’re doing the work to make it happen. you have the plan, you just need the platform lol.

for some of you, i see a major relationship coming to an end. this could be a lover or a best friend, but this person will be exposed because they’re not who you thought they were. this person has very sneaky/deceptive energy and you’ve been in the dark about this for way too long. this person/connection means a lot to you, so you will feel like this is a tough situation to completely walk away from; but my sweet pile 3’s you will be more than okay! you will be spectacular! 10:10 was just on the clock.

allow yourself to sort through your emotions and learn from the situation, don’t let it weigh you down. sometimes we get too caught up in how long we’ve been with somebody and all of the good memories we made with them, that makes us hesitant to move on. sometimes things just run its course and you’re no longer in alignment with that person. you can’t force anything or anyone in your life that doesn’t align with your highest self and that can be very hard to process when emotions are involved but i’m happy to let you know there’s light at the end of the tunnel.

i see some of you traveling to a place you’ve always wanted to go and possibly meeting a potential love interest. in this next glow up, you’ll be doing things that you’ve always wanted to do cause there’s no one holding you back. you’re stepping out of your comfort zone and just taking a leap of faith – high risk, high reward. you’re gonna be making time for yourself and also prioritizing your hobbies/interests. this is beautiful, pile 3. i see you really getting in touch with who you are at the core. be kind and gentle with yourself, because you are a precious gem that a lot of people value and care about.

how to tap into this energy?

stop giving your power away. work on your throat chakra, my loves. your voice is your power and it’s one of the major keys to your success. a closed mouth doesn’t get fed, so you need to speak up and communicate what it is that YOU want and not just say what people want to hear. this next glow up will really have you standing in your power. release is needed especially verbally cause you know that tight feeling you get in your throat when you’re tryna stop yourself from crying? yeah no more of that. no more walking on egg shells, pile 3. say what you feel and stand on it & watch how the tides turn in your favor. mwah!

PILE FOUR.

alright, pile 4! for this next glow up i see you moving. some of you might actually be moving into a new home or apartment and it’s gonna grant you so much peace and comfort. for others of you, this could be you moving on emotionally from a toxic relationship and/or familial bond and finally getting the clarity and peace you need to cut all ties and move onto something better. whatever the situation may be, it was weighing heavy on you and making you feel very down.

you’re gonna feel so free when you leave this situation behind, it’s not even funny. i’m hearing that you were a gilded bird in a cage. some of you could’ve been moving from place to place, not feeling quite settled or financially stable. if you feel lost right now and like you don’t know what to do with your life/where it’s taking you, i just wanna say keep going – W.A.Y.S. by jhené aiko is coming to mind. “if there's one thing that i learned while in those county lines, is that everything takes time. you have gotta lose your pride, you have gotta lose your mind just to find your peace of mind.” awww yeah that’s your theme song for this next glow up. things might not make sense right now, but please trust me when i say that everything is going to work out in your favor & things will be better than you could ever imagine.

you will be blessed with the tools you need to get to this next phase of your life. you are the source, pile 4. whatever you put your mind to, you can surely achieve! don’t let 3D circumstances throw you off, you are so abundant and prosperous you will see in this next glow up just how much of a powerful manifester you really are. you’re still trying to find yourself and figure out where you fit in in the world, but you don’t have to put yourself in a box, pile 4. pave your own way and once you do others will want to follow suit. no one can see your future the way that you do, so keep doing your thing because i’m seeing that you will come across people/friends that share similar interests and niches as you. awww pile 4 you’re going to find your soul tribe.

you have this flighty energy about you (air sign energy/esp gemini) like you’re from one thing to the next and you can’t figure out what you truly want to do. some of you might be in college or almost about to graduate and when people ask you “do you know what you want to do?” you’re like uhhhh….]>|>]^>.]€]€]£ like you truly don’t know but like that’s okay cause actually you do know! on a soul level, you know. what’s understood doesn’t have to be explained pile 4 lol people might not get it now but when you pop out living the life you’ve always dreamed of, TUH. they’ll understand then.

how to tap into this energy?

get out of your head so much and just vibe, pile 4. you can plan plan plan all you want but the reality is: shit happens! it might annoy you or make you feel incredibly frustrated when another problem or inconvenience pops up in your life, but there’s nothing you can’t overcome. it’s life. you will be greatful for these experiences in the long run because it will be another bridge that you’ve already crossed and dealt with, so you won’t fold under pressure – you’ll just already know what to do. you got this, pile 4. shit is about to get really good for you.

[3-2-whump]

The Scent of Jasmine

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Who's in the mood for some carewhumping after the emotional rollercoaster of almost dying? I know I am!

Thank you @whumped-by-glitter and @generic-whumperz for being awesome beta readers

TW/CW: aftermath of mock execution, trauma aftermath, extremely dubious consent, nonverbal whumpee, whumper turned carewhumper, dubiously consensual nudity, death threats, chastity devices (yes, it’s back), forced domesticity, food whump (sort of) (tagging it anyway to cover my bases), intimate whumper

The boss noticed Khaled’s grateful enthusiasm slowly fade into a catatonic silence on the drive home. He didn’t think much of it, though. Poor boy is just shocked is all, he told himself, we can work on that. He parked, got out of the car and led Khaled out of the garage and to the elevator.

His first order of business was to strip Khaled when they got home. The poor thing was soaked in melted snow and cooled piss. He was barely responsive as Thomas pulled him into the laundry room and slowly peeled each layer of clothing off his shivering body. “You need a bath, Khaled.”

Khaled didn’t reply, instead opting to stare at his bare feet with empty, starless eyes. I can’t blame him for being quiet. Anyone would be a little messed up after a mock execution, he figured. He sighed, gently taking the slave’s hand in his and leading him to the master bathroom.

Once inside, Thomas deposited him at the entrance and turned on the lights and the fan. Khaled stood silently watching him by the door as he knelt by the large, deep bath tub. “Come on in,” he beckoned. Khaled inched closer to the bath tub as Thomas poured a generous glug of bubble bath solution into the marble expanse and cranked the water full-blast, making micro-adjustments to make sure the temperature wasn’t too hot. As a finishing touch, he uncapped a tiny bottle of jasmine oil and dripped a few drops into the tub. The floral scent rose on the plumes of steam coming from the frothing tub.

Once the tub was full enough, Thomas turned off the tap and pulled Khaled closer to the tub. He effortlessly scooped the young man’s cold body into his arms, settling him on the edge of the bath tub before gently lowering him in. “I’m going to help you wash your hair and body. Nod if you understand me.”

Khaled faintly nodded, eyes fully closing as he slumped into the soapy water. “Good boy.” Nothing but a small, contented sounding whimper answered him. At least he’s becoming verbal again.

Thomas methodically washed the young man’s body and hair, being mindful of not getting any soap in his eyes as he massaged his scalp with the shampoo. He noticed the newly forming chafe marks on Khaled’s wrists as he scrubbed his body. All the while he whispered sweet nothings into his ear, like “good boy, you’re being so good right now, we’re almost done, I gotta rinse you off and drain the tub next.”

The awareness in Khaled’s eyes was flickering back on once Thomas helped him out of the bath tub and began towel-drying him. “Back with me, beautiful?” he teased.

“Mmm.” Inky dark eyes glittered up at him from dark lashes and damp strands of black hair as Thomas wrapped a soft fluffy towel around his shoulders.

“Yeah, good. Very good.” He procured something small and metallic from behind his back.

Khaled instinctively backed away as soon as he saw what it was. “Khaled,” he warned. It was all he needed to say for the boy to stay rooted on the spot. “I haven’t forgotten about you running around and getting an STD,” he explained as he wrapped the cock cage around Khaled’s privates. “And I’m still mad about it. But maybe I will let you out once we’re both all better.” He padlocked it in place and held the small caged appendage in his hand. “Or once I put that dumpster lover of yours under, like the horndog he is. Whichever comes sooner.” He marveled at how it was but a microcosm of Khaled’s greater captivity. As he craned his gaze upwards, he saw Khaled pout. “Oh, don’t give me that look –I’m doing this for your own good!” The boy smoothed his frown back into a neutral expression of apathy as he hid his eyes behind his lashes.

“That’s more like it. Now, can you change into your pajamas and wait in the living room until Master is done in here?” He measured out his words slowly and carefully, explaining it as if Khaled was a child again. Another quiet hum answered him. “Good boy. When I’m done, we can eat, and then we’ll watch whatever you’d like.” He gestured him out with a small wave of the hand, then hopped into the shower for a quick rinse off himself.

When he got out of the shower, towel-dried himself, and changed into a fresh pair of flannel pants and a wife-beater tank top, Thomas made his way to the living room, where Khaled sat on the floor, at the foot of the couch, gazing down at the carpet with desolate eyes. He was still wrapped in the bath towel. Seeing him there brought back memories of when Khaled was younger, when he would lean against his shins and let him brush his thick black hair. The memory brought back fond feelings in Thomas’ chest. He turned around and went back to the bathroom for a hairbrush.

Once he was done brushing his slave’s hair, they ended up sitting opposite each other at the dining room table, each with a plate of reheated takeout from a new Indian restaurant Tom had wanted to try. While the boss himself ravenously devoured the bhuna ghost, Khaled kept tearing the same corner of buttered naan between his fingers while staring apathetically at the murgh cholay.

“Are you sure you don’t want any more food?” he asked again. “You hardly touched your portion.”

The boy merely shook his head.

“Come on, at least two more bites, Khaled,” he coaxed. “Give me at least two more bites before I put it away.”

Khaled cast him an empty, weary stare, not breaking eye contact as he tore off the weathered chunk of bread, dipped it into the curry, and ate exactly two more bites.

They ended up cuddling onto the couch together after dinner, a rarity in their household. Thomas man-spread on the couch and rested his arms outstretched along the back. Khaled, still wearing nothing but a damp bath towel around his shoulders, leaned against his side with his head resting on his chest. His hands curled around a steaming mug of chai, which he occasionally sipped as they watched a rerun of the AFC World Cup. Khaled didn’t cheer, or groan, or offer any commentary of any kind throughout the whole match. It was unusual for Khaled to remain this quiet and glum during a game. Thomas gently took the mug from his hands and set it on the table. “What’s wrong? Why are you so quiet this evening? Is it –oh, is it because of that little scare off the side of the road?” he guessed. Khaled pushed his weight up against him, just short of burrowing into the man’s side.

“I guess I scared you pretty badly, didn’t I? Look, I’m sorry,” he apologized. “I know now it wasn’t you, but I had to be sure. I promise I will never fake you out like that again.”

The young man remained silent as he leaned against his chest.

“If anything, you should be blaming that boyfriend of yours,” he continued. “I bet he never would’ve attempted that hit if he knew what I was about to do to you tonight. But, what’s done is done, and now you’ll never see him again.”

Khaled did not respond.

It took about an hour more of mind-numbing soccer footage for him to realize the boy had fallen asleep on him.

Oh. He softly smiled as he turned off the TV. He carefully got up and lowered Khaled onto the couch, disentangling the towel from his unconscious, nude form. He propped a throw pillow behind his head, then unfurled a fleece blanket and draped it over him, making sure his feet were covered and he was properly tucked in for the night. “Goodnight, Khaled,” he whispered, leaning in to plant a soft kiss on the side of the boy’s parted lips. “I… love you...”

Le Tag List: @kabie-whump @rainydaywhump @whumped-by-glitter @skittles-the-whumpee @generic-whumperz @bamber344 @there-will-always-be-blood @morning-star-whump @a-la-whump @watermelons-dont-grow-on-trees @defire

[toxintouch]

Yooooooo, you write fan fictions, don't you? Halloween is, like, right over there *points*. would you be willing to do one of mhin taking sparrow ghost hunting? and maybe even having a "guest appearance" of a certain shadow manipulator?

if this has already been done, could you point me in the right direction?

thank you~

I've never seen a fic like that but omg. This is such a brilliant idea, I love how all the pieces come together so perfectly–Vere being said to be responsible for his fair share of local ghost stories, mentions of Mhin and haunted houses in the Uquiz results… Premium thoughts.  I had a lot of fun writing this, ty for giving me the prompt!! :>

It took a couple of extra days but it's also longer (~2900 words) so hopefully that makes up for it.  p.s sorry if u meant it to be more gen bc I wrote romantic pining lol Volume Warning! Ambiance (~BEAUTIFUL FOX NOISES) for y'all /j

Cold Spots

You pull your cloak tighter around yourself, sheltering your remaining body heat from the howling wind.  

You ignore the shiver that creeps down your spine.

You’ve been warned that the night is chilly in Eridia at this time of year, but you haven’t quite scraped together enough coin to afford more layers.  So you huddle closer to the swaying lamplight of the Wet Wick, attempting to leech warmth from the cheery (if occasionally overwhelming) atmosphere of the bar.  You’re on edge, wary about straying too far from the Wick’s affable open doors and the balmy light spilling out of them.

You crane your neck to peer as far as you can around the corner without moving, eyeing the myriad of nearby alleyways, all full to the brim with shadows, searching for a familiar splash of moonlight and blue sweeping through the night.

 That’s when you feel eyes on your back.

You freeze, all of your senses on high alert.

“You’re where I asked you to be.”  Mhin says in lieu of a greeting.  You startle, reeling around to face them.  Even when you're expecting them, they have the uncanny ability of sneaking up on you.

“You say that like you’re surprised.”  You chide, in mock affront.  “You’ll notice that I’m also on time.”  Your giddiness shows on your face, a smile tugging at your lips.

“Don’t act so pleased with yourself,” they snipe while rolling their eyes, “for anyone else, that’s the bare minimum.”  They frown, looking you up and down with their arms tightly crossed. “...Is that what you’re wearing?”

Any further quips you have for them die in your mouth, drowned out by nervous chuckling.  You realize they must be asking (in their own way) if you’re not going to get too cold.  You know you could just ask Leander or Kuras for some seasonally appropriate attire but you’d rather not rely on further charity if you can’t help it.  Hence: “I’m, um, warm blooded?”  You mean to inject an appropriate amount of bravado into your voice, but it comes out as more of a question.

Mhin sighs, long eyelashes brushing their cheeks as they close their eyes for one long moment.   “Sometimes I wonder…  Fine.  Let’s just get going.”

The floorboards shriek beneath your feet as you step across the threshold.  The entire shack seems to groan and sway, protesting audibly against the wind.  You stick close to Mhin’s back as they hold their gas lamp up, casting an eerie glow about the interior of the abandoned building.  Their keen eyes do a quick sweep before they nod decisively and usher you inside with a single precise motion.

The bellow of the wind sounds almost like a scream as the door shuts behind you.

“So, what are we looking for, exactly?”  Your voice comes out hushed, the haunting atmosphere insisting that behave accordingly.

“Likely nothing.”  Mhin responds.  “Actual ghost sightings are very rare.  And of those, few recorded instances come from trustworthy sources.  People in Eridia can be quite superstitious.  Count on rats or other pests.  It’s more plausible that this is a mere infestation rather than–”

The roof above your heads gives a long, low creeaaaak.

You both pause for a beat, listening to silence.

“How would we know if it's a real ghost?”  You ask, more out of curiosity than anything.  You’re not about to waste the opportunity, if Mhin is willing to keep talking.

“Depends on the type of ghost.”  Another protest from the floorboards as Mhin wanders further into the dark.  Since you don’t have a lantern of your own, you have no choice but to follow close behind.  Unless you want to stumble around with nothing but the shatters of dusty moonlight cast through the cracked windows to guide your way.

Mhin and you make a quick round of the small building, finding it mostly empty, only a few pieces of broken furniture left behind.  You draw closer to the back wall, carefully avoiding moth-eaten curtains, heeding Mhin’s warning about a small step.  Based on the layout, you think this place might have been a bar or entertainment hall of some sort.  You imagine it had a nice, cozy parlor at one time, though now it’s fallen into squalor.  As Mhin examines the walls for signs of pests and other clues, you examine the graffiti strewn across them: crude jokes and lewd drawings, mostly.  Some scattered names, belonging to people and gangs you’ve never heard of before.  

Framed in the center, though, there's a huge riot of colorful paint.  An abstract painting with no proper canvas.  It's beautiful, somehow, though hauntingly morose.  The artist has contained their work in a neat square, not a single streak of color escaping the precisely imposed prison.  You’re not sure what the intent of the artist was choosing somewhere like this to display it…  

“Is there a type of ghost that makes artwork?”  You wonder aloud.  You almost wish that Mhin would hand you the lantern so you can get a better look.

Mhin clicks their tongue, sparing barely a glance toward the makeshift painting.  “I wouldn't define that as art.”  Mhin follows the line of the wall to the corner, their lantern held up to the wall.  “That’s just…paint.  If you’re looking for ghosts, try looking for scratch marks.  Those are a possible indicator, though not always a reliable one.  A sudden feeling of hot, or cold–any otherwise unexplainable temperature change.  A strange odor…”

You give the air a sniff.  “...I don’t smell anything.  Do you?”

“Dust.  Rotting wood.  And you’ve stopped using Leander’s bath soaps, which I’ll commend you for.  Why anybody would want to smell that strongly of–”  Mhin stops and gives a short whiff, their mouth slightly parted.  Their brows furrow. “It is unusual…I don't see or smell any signs of rats or roaches.  No vultures either…”

“Maybe something else scared them away?”  You posit.  You shuffle closer to Mhin, not liking the way the shadows around you seem to flow and ebb the longer you look at them, your mind making up shapes.  There’s a silly part of you that wants to feel Mhin’s cloak between your bandaged fingers as reassurance that they’ll stay close.  They’d probably hate to know that you see them as something to cling to–a source of comfort, safety.

You try to take another step closer to further dampen your trepidation, but instead you trip over– something–and stumble directly into Mhin.  They catch you on impulse, strong and quick enough to steady you with one arm while holding the lantern with the other.  You breathe an apology, your lips bumping against their chin as they help you get your feet back under you.  

You both search the ground to determine what knocked you off your balance.

It's a dirty old rug, rucked up at one edge.  

A long line of what appears to be claw marks lies half uncovered below it.  Mhin kneels beside the marks, studying them intently, carefully moving the rug to reveal yet more splintered wood.  “I’m not sure what could have done this,” they admit.  “The marks are fresh, but none of the dust was disrupted…”

The floorboards groan another protest, though it bounds off the walls in strange ways, making it difficult to pinpoint exactly where the sound originated.

“Aural contortions.”  Mhin announces.  “And a feeling that you’re being watched.  Reflective surfaces will behave oddly as well.  Hold this.”  Mhin hands you the lantern (more: shoves it into your grasp, really) reaching into their satchel.  Their nimble hands pull out a handful of alchemical concoctions, one which shines like the inside of a seashell, a tiny silver locket, which they flick open to reveal a small mirror.  There’s symbols etched into it, so old and worn away you can’t make them out.

You draw the lantern closer at their behest, illuminating a small smile spread across their face.

Is Mhin …Having fun?

“Is there anything I can do to help?”  You ask, hoping they don’t notice the warmth in your voice. Getting scolded would kind of ruin the mood.

Mhin glances up, blinking at you like they almost forgot you were there.  Their tongue peeks out, wetting their lips as they consider.  “Yes,” they finally agree, “would you–”

The lamplight is smothered by an unknown force.

The cracked streams of light from the window are gone, leaving you in darkness.

Mhin swears, their voice distorting as if they are suddenly very far away.  A moment ago they were crouched beside you, but the shadows surrounding you are so inky you can’t make out their silhouette at all.  Instinctively, you reach your hands out in front of you before freezing and reluctantly forcing them back down.  If both you and Mhin end up stumbling around with hands outstretched, there’s a possibility that they might accidentally grasp onto you and disrupt your bandages.  (You wish you had given into your desire to hold onto them earlier.)  

You whisper their name, frantic, hoping they can hear you.

“I’m here,” Mhin assures you, their voice pitched low and cautious.  You feel the gentle press of a foot against yours, a light tap of reassurance against the side of your sole.  “Stay close.”  There’s a brush of fingertips against your back.  “If the entity is particularly powerful, it will be able to move objects,” Mhin cautions, “but a ghost should never be capable of causing harm to humans directly.  And there’s not much in here that it could throw.  Just stay calm.  If you don’t keep your emotions in check, it will only be more incensed.”

Light flashes through the room again in a spotlight, guiding your gaze to a particular area of the building.

The abstract mural is defaced, dripping black liquid splattered boldly across the wall like arterial spray.  You retreat a step, feeling something wet beneath your feet.  There’s a sharp, astringent tang in the air.  Musty and earthy-floral.  Old velvet and leather, parchment and fresh paint.

You realize, with a sinking feeling of cold terror, that the black ichor on the wall spells your name.

    Eyes on you.  

Touch like a gossamer spider web.  Brushing against the nape of your neck.

“Mhin,” you whisper urgently.  “Something just–”  

The cold hits you then.  Bone deep and all consuming.  Judging by the way Mhin swears, they must feel it too.  Whatever this unknown entity is, it’s close.  And it wants…

Shadow flickers, fingers reaching for you, claws grasping, white glint of teeth.

Mhin sneers audibly, reaching for you and reeling you in by your cloak just before the figure can snatch you up.  Their arm wraps around you, guiding you with them as they recede.  They sweep their stiletto in a wide arc and you hear the clang of metal on metal, though you have no idea what it was that Mhin hit.  Their night vision must be immaculate–you can hardly see more than the fresh glint of their stiletto blade.

“Turns out it is a vermin infestation.”

A bark of laughter.  

Very familiar laughter.

The door starts to rattle on its hinges, moving to the rhythm of Vere's glee.  Mhin walks over to it, dragging your shaking body with them.  With a definitive kick from Mhin and a final cackle from Vere, the door bursts open.

Mhin tugs you out into the open air and slams it behind them.

“Awful fur-bag.”  Mhin spits the words out like the mere thought of Vere leaves a bad taste in their mouth.

You’re far enough away that the black paint clinging to both of your shoes is no longer leaving footprints, but you can’t say the same about the bone deep cold.

You’re shivering so hard your teeth start to chatter, adrenaline magnifying the chill in your bones.  How did Vere even do that?  You rub your arms and nearly stumble into Mhin in the process.  Their features twist into a half-formed scowl, eyes sweeping you before softening into something more delicate.

You find yourself staring into eyes that seem to catch the moonlight, words caught in your throat.

“You’re freezing.” Mhin murmurs, resting a hand against the curve of your cheek, testing your temperature.

You’re surprised at the contact.  Mhin is always so careful about touching you–it’s something you appreciate, usually, this unspoken agreement between the two of you; Mhin doesn’t ask intrusive questions, just makes silent hypotheses and treats your personal space with care.  You appreciate it–usually–but sometimes, (constantly), you wish…

Mhin’s thumb pets against your jaw.  They glace away from you as they do, unable to hold your gaze, but they don’t remove their hand, even as the moment hangs heavy in the air.  Their hand is soft, you think, fingertips like silk, though you can feel the thick calluses built up at the meat of their palm.  Likely hard won and harder lost, trophies from their time as a freelancer and whatever secret misfortune befell them what led them to Eridia.  Unthinking, you nuzzle into their touch, luxuriating in the coveted feeling of skin on skin.  You have half a mind to turn your head, press your lips against their calluses, kiss them like you’re drawing poison from a wound.

Mhin catches your chin between their thumb and pointer finger.  Their grip is assertive, certain.  You’d worry that you’ve angered them somehow, but the intensity of their gaze, the subtle tilt of their head, the flush of their cheeks, the featherlight caress of their breath on your lips…

–You think they might–

They back away abruptly in one smooth stride.  Their hands work quickly at the intricate clasp on their cloak.  Oh, now they’re really looking away.

“Wear this while we head back.  You didn’t come to this city to die of cold.”

They look at their bracers pointedly as you hesitate, as if itching to adjust them.  You slowly reach out and put the garment on.

The trek back to the Wick is uneventful.  The occasional star glances out from the pall of clouds constantly lingering in the Eridian sky.  You look for the waning moon, finding its reticent light and following it home.  You return Mhin’s cloak at the door, careful to hold it in a way that allows them to take it without having to touch you – touch your bandages.  

Mhin looks, oddly, a little reluctant to see it returned.  You’re not sure how else you can possibly read their body language.  Their hunched shoulders, the downturn of their mouth, their uncharacteristic lingering.  Holding the cloak in their hands like they can’t quite decide what to think of it.

They let out a sharp breath.

Mhin levels you with a pointed glare as they settle their mantle across their shoulders, affixing the clasp without need to look down.  “Buy some warmer clothes.” they order, “Tell Leander that the contract is complete and the buyer’s ‘ghost problem’ is solved.  The building should be fine for renovations, just tell them to start their renewal project on a day when the Senobium is actually holding Vere’s leash.”

 

“You’ll come back for your cut tomorrow…?”  Confusion rolls off your lips.

“No.”  Mhin crosses their arms again.  “I just told you to buy some warmer clothes, didn’t I?  Consider it hazard pay.”  Again, that disgusted tone Mhin reserves for Vere.  “Even with that taken into consideration, you’ll still owe me, though.  Don’t forget.  I’ll collect some day; everyone does in this city.”

You’re not sure what to say.  Mhin is insisting that this is just a loan, and you believe that wholeheartedly.  But that doesn’t mean it isn’t charity.  Mhin’s also offering you transparency–an open disclosure of the deal you’re agreeing to.  You take their cut, buy what you need, and resolve to pay it back when you can.  And if Mhin needs something similar in the future, you’ll return them in kind.  

You think you stumble over your words a little, but you agree to their offer.

“I’ll be back to collect another contract.  Hopefully something that’s not a waste of my time.”

And a promise to come back is a promise to see you again, isn’t it?  To include you in their life?  Is that what you’re supposed to take from this?  That Mhin cares for you, even if they won’t–

 

Or is it your foolish heart, showing you a path that isn’t really there?  

“Goodnight, Mhin.”  You say the words, but their back is already turned, steps already taken.

   ✦ EXTENDED ENDING...? ✦

 

 You putter around in your room at the Wet Wick as you go about your nightly routine.  The occasional cheer or thud from below only accentuates your nervous energy, punctuating your reluctance to settle down and get into bed.  You smooth down the covers with your bandaged hands and fluff the pillow before extinguishing the lamplight.  You tug the covers up above your shoulders, fighting to get comfortable.

As your eyes finally start to droop, the flicker of a shadow catches your attention.  

It dances and sways and bends and grows until suddenly it is right in front of you.  On top of you.

Silken, blood red drips down onto your face, a knife gleam smile too close for comfort. 

You breathe in a gasp, wondering if you should scream.

“Vere, what–”

“Shhh,” he coos, pressing a finger lightly to your lips.  His breath is hot against your skin.

“I only came to keep you warm, pet.”

[sandyferal]

LET’S GO Perirep “play” vs. real dynamic essay. And I’m going to actually go in depth on this. Like actually. It’s going to be long. With references to other media and shit. (I’m gonna be real there’s like a few paragraphs talking about Megamind but I promise it’s VERY RELEVANT.) Only read if you’re interested in that!!

But anyway uh. Very opinions, don’t take this as me trying to make an objective statement. Cause it’s really not. Please Perirep fandom don’t get mad at me for trying to dictate their dynamic I’m really not trying to do that especially since I’m mostly talking about my au

It also very much states things I’m trying to convey more subtlety in my fanfic so if you don’t like that don’t read 👍

NOW. To start off, what is a play dynamic? It’s entirely possible there’s an established word/phrase describing what I mean, but if there is, I’m unaware. So for now that’s what I’ll call it. And what a play dynamic is, is a performative dynamic between two characters that does not reflect how they would interact genuinely, or how they really feel. You could think of bedroom roleplay/dynamics as an example, but it definitely applies in non-sexual settings. Case in point! The movie Megamind.

Now, in the movie, Megamind has two relevant play dynamics. His interactions with Metro Man, and his interactions with Roxanne. His interactions with MetroMan are relevant when talking about Perirep for the rivalry aspect, and for how it affects the “villain’s” sense of identity. His interactions with Roxanne are relevant when talking about how it affects the development of romantic relationships.

First off, Megamind defined his own identity through his rivalry with Metroman. This is extremely relevant to Irep! From young ages they were presented with a “good guy” who was more loved and more successful than them. And for the majority (or all in Irep’s case) of their lives, the only goal they strived towards was “defeating” that enemy. But I think Megamind shows that in reality, accomplishing that goal would eventually leave Irep somewhat depressed and empty. Because that’s not how he really feels. And because he doesn’t truly know who he is outside of his rival. So that play dynamic isn’t something that can work if played out to its natural conclusion.

Then there’s Megamind’s dynamic with Roxanne. Many people have noticed that even when Roxanne was the “damsel” and Megamind the “villain” there was a little bit of banter. Maybe even flirty banter. Or tension. Because that can often arise from play dynamics. But in reality, that dynamic was performance. It’s implied Megamind was not used to her being so unaffected, meaning she may have played along in the past, but it’s clear that she had gotten used to it a long time ago. No real danger. And even being tied up, there barely even felt like a true power imbalance.

Despite all this, their romantic relationship only really worked when they moved past that dynamic. Truthfully, they couldn’t have created a real relationship with that play dynamic, because it didn’t reflect the reality of who they were, and because Roxanne clearly did not want Megamind when she viewed his villainy as a genuine threat. And I think Perirep is very similar.

At the beginning of my au, Peri and Irep haven’t gotten past their play dynamic. They were in this performative mindset of “scary evil domineering anti-fairy” and “soft goody two shoes fairy” that only truly existed for public perception. They have some sort of real feelings for each other, but they’re so so so buried that there was no possible way they would be acted upon genuinely. So the way their feelings eventually came out was through sexual tension via their play dynamic. And that’s how the pregnancy happened.

That causes a layer of insincerity and awkwardness, specifically on Peri’s part. Because their relationship was started because of that play dynamic. Something that Peri understands is performative and not accurate to who they really are. In which case he questions whether they are capable of a real relationship, because he doesn’t know what their genuine relationship is at all, or if they even have one. Meanwhile, Irep literally defines himself through it. It’s how he sees himself, and all he’s ever been told to be.

In reality, Peri is not soft. He’s irritable, and tired and sassy. He’s occasionally sweet or anxious or pathetic or over-dramatically upset, but he’s not truly vulnerable to Irep. And in reality, Irep is not that domineering. He’s failed almost constantly from birth, and has never actually overpowered Peri. He’s a silly little over dramatic loser who tries too hard.

Does that mean he isn’t possessive or protective? No. Irep is those things I think. Or he tries to be. But there’s not a definitive power imbalance in his favor. At least not once they’re in a relationship. No matter how many times he says Peri is “his” or “belongs to him,” Peri could easily leave. Any time. Not even an issue. And Irep would be sobbing and wailing and begging him to come back.

Now do neither of them enjoy or play into the play dynamic? I don’t think so. I personally think they find it kinda fun. And Peri can get flustered by it (although sometimes Irep is too lol). But they have to realize how performative it is if they want to stay together. Because in my mind, if Irep takes his act too seriously and tries to genuinely enforce that dynamic on Peri in a romantic relationship… Peri would straight up just leave. Like no he would not take that.

In regards to what I think their genuine dynamic would be like. I think Peri struggles to be affectionate and express his feelings. Sometimes he will get anxious or flustered or be a little pathetic. He can also be very confident, stubborn, and independent in the relationship. He wants to have the assurance that he’s capable without Irep. He can get a bit distant or snappy at times, but deep down he cares a lot.

Irep on the other hand can get very needy and clingy. Things can set him off, making him insecure, possessive and jealous. He’s very protective during the pregnancy but less so afterwards. Deep down though, I think he wants someone he can be mushy and sappy with. To the point that he might develop codependency issues. Over time he starts to think of himself as scary and evil and powerful like a dog does. In the sense that he likes it when Peri pats him on the head and tells him he is.

Now!!! All of this is very much my personal opinion! I will clarify, this is obviously not the only way to think about their dynamics. This is how I write them but ppl who write them differently are super cool and awesome!! I just. Think of them like this myself. As a reminder, I am also writing them for an au! So I expect them to not be fully canon accurate. Especially since I’m pretty sure their canon rivalry is meant to be genuine to some degree.

[floweyseviltwin]

helloo. your palettes rule do you maybe have any tips on how you choose your colors :^) no pressure

Ah!!! Thank you!!!

my main tips are to keep values in mind, to not be afraid to saturate the HELL out of your colors, and to use the tools you’re given in digital programs!!!

elaboration & extra tips vvvv

Values- every hue has an inherent value, blue is the darkest, yellow is the lightest, so a saturation or hue change does mean a value change! Whenever i’m working on something more serious, i add a layer with a solid gray on “color“ mode to check my values throughout me making it. (do this as often as you flip your canvas, which you should also be doing fairly often) Values are super iimportant to the composition of your piece, so zoom out really far and see if your piece is still readable off of values!

Saturation- SATURATE YOUR COLORS. every time i color things, i start with a very (halfway to the full saturation or more) saturated color blocked in- often a color i want my character to be tinted- and start from that main color whenever i choose a new one. Though I like to use INCREDIBLY EYE-BLEEDINGLY saturated colors, greys have their place too!!! especially in more soft pieces. I never use fully desaturated greys, whites, or blacks. Again, i keep in mind the inherent value of colors, and use that to keep even my white tones saturated. (often i use a decently saturated cyan or yellow instead of white, and blues, purples, and dark reds instead of black) i also never touch the sides of the color picker when choosing my colors by hand, because it looks nicer.

Tools- this one’s for digital art specifically. Digital programs come with SO MANY useful tools that can improve your pieces so much, it’s silly to overlook them! USE filters, USE curves, USE layer modes!!!!! They’re there for a reason, and they can totally help if you’re too timid to saturate or darken your colors too much.

Other random tip i thought of while writing this that really opened my eyes recently. Try Starting by blocking in your LIGHTEST color, if you change it to be a wildly different hue than your character, then you can use that “white“ hue as reference for the rest of your colors. boom, LIGHTING!!!

^a doodle that came to mind using this. i started wanting the whitest color, their skin, to be this purple hue. so the color of their sweater, normally green, ended up a desaturated Orange because that’s how far it needed to go to appear green!!! Its really good to practice doing colors like this, it gets your artist brain flowin~

i freakin LOVE color theory, i’ve absorbed a lot of my color knowledge from learning from other artists. I reccomend the youtube channel Lighting Mentor for some really good tutorials on color and lighting. That’s one of my favorites, but there is literally a million channels and videos out there for you to learn from! If you type just “color theory“ into the youtube search bar you’ll find so many amazing videos by amazing artists. Don’t shy away from learning more about art!!!!! Embrace it!!!!!!!!!!!!! And GOOD LUCK, HAVE FUN!!!!!!!!!! x^)♡︎♡︎♡︎♡︎

[physalian]

Narrative Framing Devices

This is a long one…

A story need not be told chronologically, nor does it have to be only one layer deep. There’s a ton of different ways to frame your narrative, I’m just picking a couple today, some I thought worked and some I thought didn’t, and my personal favorite.

Most people think of framing devices in terms of time travel stories or fairytales, where it may start in the present or the future and work backwards, giving up the ending before telling how we all got here. Or by chopping up the chronology and letting the audience try to puzzle out the order.

There are also those that break the fourth wall, with the narrator beginning the story directly addressing the audience but never doing so again, or the narrator opening the story telling their own story to a present audience, so we’re the audience behind the fictional audience.

The other obligatory framing device is the time-skip, a la “6 years later” or “8 months later”. I’ve already talked about those. Or the preface/preamble/prologue that may spoil some important event later in the story, or is simply an important moment or montage of moments to catch the reader up on “how did we get here”. Shoutout to Castlevania for the most efficient pilot episode I have ever seen, with a 1 year timeskip.

Also honorable mention to the “A Life in the Day” montage from Magicians, speedrunning decades of a life together between two characters stuck in a Situation, maybe 60 years? Key moments between the two having a whole romance, with a kid and grandkids, over the course of one beautiful bit of soundtrack. One of the best episodes in the show, for a sequence that only lasted a little over 5 minutes.

—

Story within a Story | Princess Bride, "Ember Island Players"

Best example I can think of, specifically the film, which is based on a book that already incepts itself. The movie opens with a regular kid being read the book The Princess Bride by his grandfather, and occasionally cutting between the kid’s reactions and the fantasy story with the actors.

There’s several moments where the grandfather either loses his place and rereads a scene that replays the same dialogue, or skips a scene in the “kissing book” because his grandson gets squirmy, and moments where the grandfather narrates over a couple montages.

Princess Bride is one of those movies that knows exactly what it is and isn’t trying to be something it’s not. It’s self-aware and loudly and proudly sincere, with one of the best revenge arcs ever put to film.

Recap episodes can either be clipshows or get really creative like ATLA, telling the series recap through the medium of a propagandized play about the Avatar's journey, performed by actors of the Fire Nation. The Gaang sits there in vague states of discomfort, horror, or in Toph and Sokka's case, thrilling enjoyment, watching their hardships and heartbreaks played for laughs. That it's the story we know, but also with the added filter of it being enemy propaganda takes what could have been just a clipshow and still told multiple layers of a story with it.

The Fourth-Wall Break | Riordan-verse, Deadpool

“Look, I didn’t want to be a half-blood” defined a generation. It’s one of those fourth wall breaks that opens up the story and never appears again, though occasionally Percy will get slightly self-aware, saying things like “I didn’t know it then, but I’d never come back here”. But for PJO it almost doesn’t count.

Kane Chronicles on the other hand chose a bizarre framing device, having the two leads pretend to host a radio show, or a podcast—something where they were recording themselves and I don’t think it worked very well whenever it popped up and stopped the plot.

Shoutout to Tangled, too, for having a fairytale style fourth-wall break at the end, much like KC, where Flynn reveals that Rapunzel has been listening to him tell their story the entire time. Many fairytale stories open up with the physical book flipping open to the story, like Shrek and Shrek 2, but I don’t think those are translatable to the written medium very well.

The big one, though, is of course Deadpool. Have not seen the second one, and while ‘breaking the fourth wall’ isn’t by itself a framing device, DP & Wolverine absolutely makes it one, fast forwarding and jumbling up the sequence of events to deliver a “how did we get here?” during the opening credits.

Chronology Salad | Memento, Predestination

Have not actually seen Memento but I know the premise, working backwards as the protagonist recovers his memory of “how did we get here?” Predestination is a batshit insane time travel story that I don’t think most people have even heard of and detailing the plot at all is giving spoilers but it is the most “how the fuck did we get here??” movie I have ever seen.

Then you have stories like Twilight that open with “I’ve never given much thought to how I would die” that spoils (kind of) the ending, with the goal of the story not detailing if something bad will happen, but how. Twilight’s prologue reminds me of The Bachelor, where they’ll tease the audience with *shocking* moments completely out of context from later in the season that are way less cool when they actually come to pass (from the one time I watched with relatives out of morbid curiosity).

The point of these chronological mixups is how all the random puzzle pieces fit together, despite essentially spoiling themselves constantly, they’re so random, so out of place, meant to keep you constantly guessing until the big reveal of the picture on the box—and are extremely tricky to do well without completely losing your audience. You’d have to have a very thorough outline to not confuse yourself while trying to write it.

Honorary mention here for Inception, one of my favorite sci-fi movies, because the plot is crazy, but still told chronologically, just across different dream levels. However, the movie does open with the ending scene (though you don’t know that on your first watch). And Tenet, but I don’t know anyone who likes or cares about that movie.

Dual Timelines | Outlander

There are others I just cannot think of them at this moment. Dual timelines tell two stories simultaneously across two different eras, either decades apart or mere hours, with some relation between the two. Sometimes one timeline’s protagonist is the ancestor of the present timeline, for example.

Dual Timelines happen in sequential order, making them distinct from a flashback arc (more below) essentially two chronological plots running in tandem squished into the same book, episode, or film. They carry equal weight and try not to overshadow each other in flair or importance.

In Outlander, Protagonist Claire is already a time traveler, in a time travel story whose rules are “whatever happened, happened, and you end up causing whatever you tried to prevent”. Season 2 opens with her returning to the present, leaving the entire rest of the season with a foreboding sense of dread, wondering what will get her back to that moment.

Season 3 dangles the carrot on the stick, randomly cutting between Claire in the 60s and trying to move on with her life for… I think 20 years, while Jaime, her love interest from the past, just keeps getting kicked while he’s down. It takes forever to get these two back on screen together. And the dual timelines continue taking up screen time when Claire and Jaime’s adult daughter also eventually makes a trip to the past. Points off for being blatantly manipulative storytelling with its cliffhangers, but season 1 is still worth the watch.

Flashbacks, Flash-Forwards, and Flash-Sideways | Lost

This show’s earlier seasons were heavily framed with this device. In The first 3 seasons (up to the last episode) the framing device was exclusively flashbacks, focusing on one of the main 13 heroes for an episode, particularly in season 1.

They didn’t always answer “how did we get here” but told some story relevant to the character in the present, either a challenge they had to face or parallel relationship drama or ghosts come back to haunt them. Usually, these little flashbacks were told in sequential order, but they could hop months or years ahead at a time depending on the episode.

The flash-forwards began in season 4 and closed the gap between the “Oceanic 6” escaping the island and all the missing time while they were gone, before the infamous “We have to go back” line.

The show also had flash-sideways, which featured the main cast, many of whom had been dead for a few seasons, reprising their roles to show what could have been their lives if they never crashed. To… mixed reception.

The show also also had a time-traveling character who in-universe experienced flashes of the future and got mentally temporally displaced between two timelines for a hot minute.

Lost was… a show that demanded a dedicated following. I still love it.

Flashback Arcs | My own personal soapbox

This right here is the whole reason for this post. First you have flashback episodes and I can name a lot of those—ATLA has a couple, “The Storm” & “The Avatar and the Firelord” but both are technically “stories within a story” with characters either around a campfire telling it or reading about it. The alternate timeline takes up a majority of the runtime, only occasionally cutting back to the present characters for a reaction.

In TFP there’s an offbeat flashback episode “Out of the Past”, framed, again, as a character telling this backstory stuff to another character. Many, many vampire stories will have flashbacks to some degree, since their characters live for so long. Vampire Diaries, especially in the earlier seasons, had dozens of them filling in all the blanks back during the Civil War when the two leads, Stefan and Damon, were competing for the affections of the main villain, all leading up to how they were turned, and how she allegedly died. Once the Originals were introduced, the show then had flashbacks to a thousand years ago, when they were human, and various eras in between.

True flashback episodes don’t waste precious minutes setting up a framing device, they just dump the audience in an alternate timeline and let them figure it out on their own that something isn’t right.

But none of that comes close to the full-on Flashback Arc. I. Love. This. Trope.

I actually first saw it when Arrow was good in its earliest seasons, cutting fairly equally between a present-day Oliver back home and starting his hero journey, and him learning combat back in the past, over several episodes like a series within the series.

What you end up with is a happy medium between a full dual timeline and a random grab-bag of flashbacks as they become necessary to the plot. A flashback arc relies entirely on the existence of the A-plot to make sense, as opposed to a dual timeline where it’s essentially two self-sufficient stories rolled into one big narrative. This arc is substantially shorter than the rest of the plot, cutting the story it’s telling down to the absolute need-to-know moments and cutting all transitions between the two. These arcs tend to cover weeks, at minimum, and decades of a long life at most.

I think they're best implimented after the first book, film, or season. Not something you want to throw at your audience who barely knows or cares about these characters, so if you're stuck with ideas for a sequel, consider the Flashback Arc.

My favorite thing that I have ever written (sans ENNS) was for my sci-fi WIP, a C-plot flashback arc in 13 parts. They started out as in-universe nightmares to give credibility to when these flasbacks started occuring, framed around the character's reaction to the scene, but then took off independently to avoid redundancy.

This arc covered his time as a POW, telling the reader how he came to be the living weapon he was, and the first detail it opened with was the reveal that he wasn’t the only one of his kind, he’d lied and shouldered the blame of every atrocity to protect the others, as their numbers dwindled and it all fell into place. A truth he wouldn't tell with a gun to his head.

Because you already knew he lived, because he’s right there in the present A-plot, the arc wasn’t telling you if he’d survive the war, but what he’d do to survive, and how it all fell apart. Because it was framed up with the existing narrative, I had a lot more leeway in omitting details and dropping the reader weeks or months ahead as opposed to this being a completely fresh story with new characters. You knew immediately based on the tone that this POV was the C-plot flashback POV, and you knew the only person who could narrate it was my poor character.

Over 13 POVS, 34k words (of a total whopping 202k), I told a whole love story, established and killed off 10 characters, and gave heaps of worldbuilding lore and exposition to fill in all the blanks in the present and answer questions that this character would never, and revealed just how much he lied about and why.

All of this tied in with the A-plot, staggering the physical placement of POVS within the book to hit at the right moments tonally and as the character’s condition kept deteriorating because he refused to talk about What Happened. His reason was that he’d done all of this and suffered so much to keep their legacies pure. If he gave it up now, he would have done all this for nothing.

And this was some heavy shit. There was murder, suicide, death by giant alien super robots fond of ripping people apart, assault, mercy killing, torture, gaslighting, and psychological horror. One of my magic systems let magicians regrow limbs alchemically, which meant they could endure a shit ton of pain and just get reset to do it all over again.

It was a lot.

But because it was just in flashbacks, I gave you just enough dark shit before cutting back to something marginally lighter, not just one long slog of misery. There was also the unknown of how quickly it would end. The book would end when you hit the last page, but you had no idea which flashback POV would be the last.

And also.

I got to flex my writing skills to the fullest, writing this character’s flashback POV in a completely different tone and style to make it that much more distinct from the rest of the present book.

ENNS’ sequel is very much under construction, but the one thing already polished is a flashback episode packed into one chapter for one of my characters. It’s perfectly knife-twisty and I can't wait for people to read it.

—

There’s dozens of framing devices out there. Most important thing, I think, is not sacrificing audience understanding for the sake of something ‘cool’. Doesn’t matter how amazing the story is if your audience gets completely lost and confused trying to keep up with what’s going on.

If you'd like to check out my book, Eternal Night of the Northern Sky is available now!

[superpyodan]

This is a silly little thing I wrote of @clarisinne's Cringefail Farmer, my Kenny, and The Harvey Debacle™️. Seeing the fanarts inspired me but I wasn't in the mood to draw, so now this exists. It's very self-indulgent (because i am Obsessed with cringefail) but PLEASE... enjoy...

—————

‘’And then,’’ Clarice says, flinging her arms into the air dramatically, ‘’I felt his dick on my leg!’’

Kenny stops dead in his tracks and turns to look at Clarice, comically slowly. Really, he should have been expecting it. She asked him to go out for a ‘walk’, and despite how uncharacteristic it was, Kenny assumed she meant well. It’s a nice day — Maybe she just wanted to get some fresh air, or a break from her farm work. But, she hasn’t stopped talking about Harvey since the second she and Kenny locked eyes. Even when she’s not talking about Harvey directly, he still drips from her words.

‘’Okay? That’s- That’s good though, right? Or bad? Honestly, it’s hard to tell, with you.’’

‘’Uh, bad, obviously. Like - What the fuck do I do about that?’’ Clarice asks. She’s obviously flustered, but hiding it under a thick layer of feigned irritation. Usually, she’s feisty. A firework on the brink of explosion, a person born from the embers of a campfire. Her emotions don’t come out gently, and being abrasive is not something she shies away from. Kenny has seen this exact type of person a million and one times, and there is no way he’d believe that Clarice genuinely believes that she is in a bad situation. Difficult, maybe even a little embarrassing, but not bad.

‘’Was your real motivation for asking me to hang out, to ask for sex advice?’’ Kenny inquires, squinting a little. He figures it’s better to rip the band-aid off instead of dancing around the subject. With Clarice’s temperament, they’d get nowhere doing the latter.

Immediately, she goes bright red, a defensive look spreading across her face. Her instinct, Kenny assumes, is to immediately deny. They’re just friends, hanging out, and talking about friend stuff — Until they’re not. Something Kenny’s been forced to learn over the years is that sometimes, you need other people. Even if it’s embarrassing, or awkward to talk about, you need other people. He can be ‘other people’ for Clarice, if only she’d admit she actually wants help.

‘’Fuck no. Obviously not. I’m just- I’m just saying!’’ She exclaims, just as Kenny expected. So, he holds his palm up to her, preventing a continuation.

‘’No. If you want to talk about this, we can.’’ He assures. Clarice looks straight at him, frantic eyes transitioning into a softness, defensiveness turning into quiet nerves. Quickly, her intentions become clear. She did want to talk about it.

Clarice sighs, and collapses cross-legged into the grass. Kenny shuffles a little then lowers himself to sit in front of her, their knees touching.

‘’I tried to talk to Shane,’’ Clarice starts, ‘’But he was useless. He wanted nothing to do with it.’’

‘’Uh, yeah. Shane’s great at emotional support, but… Yeah. He’d never in a million years discuss sex with anyone. He caught me and Alex making out once and almost killed us and then himself.’’ Kenny reminisces, and it makes Clarice laugh.

‘’Do you fucking know what he said? He was like, ‘I wasn’t even aware Harvey had a dick before all this’, and then started yelling. And then I was yelling, and it was chaos, and I’m never fucking talking to him about anything ever again.’’ She explains, much chirpier than she was while telling the Harvey story. That’s the thing with Clarice — It’s important to match her energy. If Kenny doesn’t make it weird and awkward, she won’t either.

So, he giggles along with her, leaning back on his hands and allowing the sun to hit his face. ‘’Right, well, I’m not gonna yell at you. So, like.. Shoot. I know I seem kind of lame, but I do have experience under my belt, especially with men. Excuse the pun.’’

Clarice grins up at Kenny, before closing her eyes and taking a deep and contemplative breath. It’s a little strange, but he’s grateful that she’s willing to confide in him about something so personal. Sure, he doesn’t know Harvey very well. He can be a bit of a mess, and just as anxious as she is. If Clarice doesn’t get anything productive out of the conversation, at least she will have spoken. For Kenny, that’s good enough. He understands the importance of being able to get things off one’s chest.

‘’I just… Ugh. I don’t know how to go about this situation with him! I haven’t been in a relationship for so long, and like… I really like him. What if it gets ruined if we have sex? What if he thinks I’m a loser?’’ Clarice rambles a little, stumbling over her words, a dust of pink sprinkled over her cheeks. Kenny, however, furrows his eyebrows.

‘’Uh, dude. He got hard just from kissing you. I don’t think you need to worry about him thinking you’re a loser.’’

‘’Men are just like that, though! They’re easily entertained!’’ Clarice retaliates.

‘’Yeah, exactly. If anything, he’s the loser. Men are losers. You’re cool and pretty and literally don’t need to worry about any of that. As for the other stuff, though…’’ Kenny trails off, allowing himself a moment to really think through what he’s going to say. Sensitive subject, sensitive words.

For a moment, he thinks back to the beginning of his relationship with Alex, trying to pull inspiration and advice from that. he was cautious — Terrified of making Alex uncomfortable, terrified of something going disastrously wrong. But, neither of those things happened. They fell into each other very naturally, eventually throwing caution to the wind and exploring each other in a way that suited them both. It seems to have been the way in every relationship Kenny’s had.

‘’I think having sex with someone is something that just, kinda… Naturally happens, over time. If you feel the need to discuss it first, you will. If it just randomly ends up happening, as long as you’re both comfortable, then so be it. Just, go with each other’s flow, you know? I bet Harvey’s nervous about it too, but you guys will come around. It’ll work. And if it doesn’t, then you can just try again. God knows me and Alex had some blunders at first.’’ Kenny says, trying his best to articulate himself well. Clarice nods thoughtfully, but Kenny’s advice isn’t quite enough.

‘’But what do guys even like? I haven’t had sex in so long. What if I’ve forgotten how?’’

He tries to suppress it, but Clarice’s question makes Kenny laugh. Amusement born from love, but amusement nonetheless.

‘’Uh, you definitely haven’t forgotten how to have sex. You forget that humans have been having sex since literally the beginning of our existence. For most of us, it’s pretty hard-wired. You just need to get to know him, explore your options, even ask him straight-up. Genuinely — You’ll figure it out. I know you’re shitting yourself about it now, but, I can promise you with almost one-hundred percent certainty that it’ll be okay. Good, even.’’

Clarice unties the ribbon from her braid, then starts re-braiding it in silence, giving herself a moment to let Kenny’s words truly seep into her brain. It seems to be working — Visually, she’s less tense. Her face is softer, and her shoulders aren’t attached to her ears anymore. Kenny knows that his advice isn’t going to magically absolve her of her anxieties, but if her body language is anything to go by, it’s managed to absolve something. Something is better than nothing.

‘’So, what you’re saying, is that I need to get over myself.’’ Clarice concludes, retying the ribbon in her hair. Kenny smiles at her.

‘’Well — Maybe a little bit. It’s normal to be nervous, but like… I genuinely think you’ll be okay. And if you’re not, you know where to find me, yeah? And please. If you guys do have sex, I want to know all about it.’’

‘’Pervert.’’ Clarice remarks playfully. ‘’But, yeah. Thank you, Kenny. Seriously.’’

‘’Of course. Any time.’’ Kenny replies, soft and sincere.

[ohtheewhorer]

Dale “Longlegs” Kobble x Clingy/Dom Gf!Reader

I can’t stop thinking about how tragic Dale’s life was and how it ended in the movie… (828 words)

So we know that Oz Perkins made Dale a very layered character with one of those layers being that, aside from being so evil, he’s a very sad and lonely old man.

Dale is definitely so used to being feared and avoided that it’s natural for him to be alone for long periods of time. He never goes out much unless it’s to run some errands for himself or Satan. At home, he’s either making his dolls, singing and head-banging to his music, or straight up talking to himself.

Then, you come along. Probably as roommates or maybe you’d eventually move in to his home after sometime of dating. You and Dale instantly click because your interests align. You both love music, crafts, dressing up and such. Not to mention you’re an absolute angel in his eyes; bubbly, full of heart, and always willing to see the good in others. And you’re also very perceptive and could easily identify that Dale is in desperate need of someone who’ll care enough about him. The world’s so ostracizing of misfits and he’s been casted aside for so long that he’s not only accepted it but embraced it to the point where he simply does not care to conform.

But you don’t ever wish for him to conform. You love the way he is and despite what he may say regarding his insecurities of his appearance ‘fading’ youth, you find him so breathtakingly beautiful and you only wish he could see it. The only ways in which you’ve expressed this is by being so doting and loving to him.

The way you’d hang on his every word, hold him, sometimes clinging to his side even when he’s busy working in the basement, or telling him he’s beautiful and that you love him every chance you get, and, of course, in the way you kiss and make love to him.

At first, Dale’s probably uncomfortable and maybe a little annoyed, wondering why is it that you wished to be so close to him all the time. But give him the benefit of the doubt, he’s just not use to such sincere love like this and one day it legit makes him cry to the point where he’s sobbing so loud and you just end cradling him and telling him everything’s okay and that you’re here for him now.

No more were the days would Dale come home to a quiet and empty home because he’d barely get a foot through the threshold of his house before your jumping him and peppering his plump face with big wet kisses. No longer were there days or even weeks where Dale would go hungry, because you’d always whip him a good home-cooked meal making sure he’s well-fed and hydrated.

One day he’s home alone because your probably at work or out with friends, and these anxious feelings like the fear of abandonment would just hit him hard. He’s worried that you’ll leave him one day and he’ll be all alone again. That meant no more of your warm hugs, playing in his hair, or hearing your sweet voice singing to him. And whenever Dale gets scared, he does irrationally things. So he’s just planning ways he could keep you from ever leaving him like searching up ways to slowly brainwash you and make him be all that you need.

You learn of this tactic one day when he’s acting all suggestive and weird around you. Then, you stumble upon the collection of books he’s purchased that are about persuasion and other psychological things. And you simply laugh and feel so happy, telling him that you’re not going anywhere.

“Why else would I be stuck to you like glue, Dale?”You say. “I’m never leaving you and you’ll never leave me.” Because you’re just as obsessed with him as he is with you.

And you’d show him just how obsessed you are late in your shared bedroom where you bound his hands and legs to each post of the bed and ride him until he sees God. And even after he’s cum already 2 times, you push his limits and overstimulate him because you know he can take it. The squish and squelch of your combined fluids and symphony of moans gives you the great idea to record the noise as a gift for him to sample in a song he’ll make someday for you both to listen to.

Then for aftercare, you’d both soak in a nice hot bath and he’d lay against your chest while you shampoo his hair and lightly scratch his scalp. And you’d take the time to wash his body and really take your time admiring and caressing every part of him, handling his pretty cock with care. And it’s in that moment where he truly allows himself the freedom to bask in such wonderful treatment of him and maybe he doesn’t feel like he deserves it but you’re pretty damn convincing.

~All of this to say, I want to pamper and love on Dale *sigh*

[aro-aceattorney]

Can I make a confession. I do not get the paranoia around selling bound fanfic

[sashthesloth]

“Janiris. It’s an asari holiday.” […] “It is mainly marked by a feast and the making of flower crowns and necklaces. Then exchanged between friends and lovers.”

The Untamed Effect, Chapter 6 by @thievinghippo

[thefiresofpompeii]

i hope ruby gets a well-that’s-alright-then-style notdeath. on the one hand it will make haters mad because oh no not another companion with an impermanent end (and i like to see haters mad) on the other it would require creativity to depict this in a new way + i love all the implications i love the dark fairytale quality of these companion exits i love my un-undead schrodinger’s women

with the way the legend of ruby sunday is titled… legends aren’t usually told about living people. legends are stories of the bygone past, of an age long since over, fictionalised and overgrown with folklore like barnacles sticking to an abandoned shell. there is such a thing as a living legend, but they’re exceedingly rare. the unmistakeable raven’s call in the 73 yards teaser, the trailer’s cut to fifteen crying alone after promising to cherry he’d protect her daughter… the foreshadowing is clear as day…

and yet. there’s one massive HOWEVER. ruby appears in s15: millie’s been spotted on set filming it. which leads me to believe — the doctor isn’t one to take the time travel route and revisit companions that in his future are genuinely dead. that would hurt too much, it would cause unnecessary trauma and could break the timeline. that must mean ruby stays alive in some way. ish. she’s alive and a legend and a mystery. girl-ballad girl-song girl-paradox

here she is, fading out.

p.s.: thesis statement on moffatgirls from the tags i left on somebody else’s post about charley pollard.. well it belongs here since it’s basically the semiotic hurricane swirling around ruby at the moment :)

[st-hedge]

The first sketch I made by slapping at the tablet screen vs the one I made after which is about 100 layers cuz I decided to put effort into composition (so everything is its own layer)

[amethystsoda]

Falin closet cosplay test :3

[elleloquently]

i never want to like question people’s opinions and tastes lolllll but why does everyone always write ellie as so aggressive and heartless when it comes to relationships and intimacy and stuff )): it’ll be like ellie v abby and they always make ellie so harsh and like hurtful on purpose and then they write abby as soooo sweet and loving.

like .

i wanna gatekeep ellie so bad it makes my heart ache

[multiversal-madness]

Thinking about the Bronev family again, I hope this is coherent-

(Cw non graphic mentions of child death, Azran Legacy spoilers ahead)

Leon Bronev, a man who was likely once a good ordinary man gets kidnapped along with his wife, leaving behind their two young children because he’d found something big about the Azran (did that make it his fault? Did he blame himself?). He loses his wife while there (I’m partial to the headcanon that it wasn’t just a normal sickness) and endures who knows what other hells while stuck in that cult for decades, ending up with nothing left but the Azran.

He turns down darker and darker paths going on some twisted version of a sunk cost fallacy (he’s gone this far already, why not go further?) until he either knowingly or unknowingly orders the murder of his granddaughter and daughter in law. Then he does it, he completes his goal, he solves the last puzzle of the Azran only for all of it to have been for nothing. Then he dies for it, but is revived with the rest and thus being unable to pay with his life. He’s arrested, likely too old at this point to hold out any hope of making amends or fixing what he’s done.

Hershel Bronev, still a young child when his parents are stolen from him and he’s left with caring for his younger brother. Then they get news that he’s going to be adopted alone, that he’d have to leave Theodore behind. Instead of that, he gives up this better life and his name, giving it all to his little brother who he wouldn’t see again for decades. He becomes Desmond Sycamore

He grows up devouring his father’s archeology books, to find a way to get some kind of revenge on the ones who stole his family from him. Instead he finds peace, he finds a new family, people who love him and people he loves the same. But it doesn’t last. Targent comes again to steal his family away, this time with his own Father at the head. Desmond Sycamore dies and he becomes Jean Descole.

But despite now loathing Targent, hating his father, he follows in their footsteps. Threatening loved ones, manipulating people, even attempting to kill a child (Luke was only 10 the first time Descole had tried to kill him), all so he could be the one to uncover the Azran. He becomes like his father in more than just appearance, but does he even realise this?

He’s put on many different faces before, but he pulls Desmond from his grave to use as a mask for what should be his final trick. He meets his brother again, but he’s the only one who knows it. Throughout their journey, he almost finds that peace again, but he knows it won’t last, he won’t be tricked again. He goes forth with his plan, revealing himself attempting to claim the sanctuary for himself.

But then he jumps in front of a laser for Luke, sacrificing himself for the boy he’d attempted to kill on more than one occasion (Maybe Desmond Sycamore still existed somewhere inside him…) On what would be his deathbed, he tells his rival of their connection, of them being blood. Then they leave to confront Bronev, he should have died but he couldn’t, not yet. He drags himself to final chamber, dying and being revived with the rest of them before disappearing, leaving loose ends untied. Now Descole has no reason to exist either. Who is he?

Then There’s Theodore Bronev, but that wasn’t his name anymore. He was given his brothers first name, given his new parents’ last name, he was Hershel Layton, he has been for most of his life.

He endures tragedy after tragedy, not even remembering the first, but he doesn’t let that change him. He loses his best friend (loses the rest of the Stansbury gang), his partner (then a month in a coma) and even when he remembers his lost family, he stays a good man, a true gentleman.

I don’t know how to end this, just wish I could add a section on Rachel but we know so little about her ugh

[mildmayfoxe]

here’s a pic of me in the bathroom at the restaurant earlier btw. really really cute patio. good drinks!! my hair looked fucking crazy bc it was soooo humid. frizz fuckin cityyyyy!! can’t wait to go to my salon appointment on tuesday & be like “i want to look like a lion that somebody gave a trim to with kitchen scissors in the bathroom at a basement show except im so tired of cutting my own hair in the bathroom so that’s why im paying you to make it happen. please”