#maybe one day ill make her a more proper reference

[coyoats]

New goat obsessed farmer dropped 🐐

[fortunelowtier]

I was gonna reblog my original post but I didn't wanna spam people with a long ass post (this post is already long enough) so instead I'll just link the previous post here and if yall wanna go look at it you can, but the short version is that a few days ago I made a post talking about HBs incredibly high turnover rate, and apparently within a few days it got enough traction to where it started spreading to the higher-ups of Spindlehorse, including Viv herself. I decided to make this update post just as a way to debunk what I can and as clearly as I can. 

First tweet:

So for starters, they say this as if IMDB's numbers aren't publically available, it's not like I pulled these numbers out of my ass without merit, these are numbers I got off of IMDB. And I know some people might pull the high school English teacher card of “Anyone can edit that!!” and to be honest I dont feel like going into the semantics of one of the most non-arguments you can possibly use so all I’ll say is that the process of editing a Wikipedia or IMDB page is not as easy as your English teachers taught you to think it is. Sure you can edit it but it's another story if the edit will be saved. There's moderation, it's not a free-for-all.

Also, I find it interesting how this tweet was made (and subsequently deleted) mere days after their promotion to Animation Director, and if there's anything I've learned from Spindlehorse controversies it is that if someone is in any real position at the top of the companies proverbial food chain they shouldn't be allowed to speak for the experiences of employees lower on the ladder than them, especially when a lot of them seem to have a habit of denying certain claims despite the public availability of numerous pieces of evidence pointing toward the contrary

It's like if you visited a bunch of former employees of a restaurant with a high turnover rate with proof that they had worked there and for exactly how long they worked there and then the manager comes along and tries to basically say “NUH UH” despite information proving the contrary being publicly available (maybe not the best analogy but you get what I mean)

—

Ok now onto the second one by Viv herself:

There’s a lot to dissect here so I’m gonna break it down bit by bit.

Firstly:

"They’re listing every single credited person in EVERY art department"

So the way I got my numbers was by going to the Series Animation Department section of HB's IMDB, highlighting every name from the beginning of the section to the end, and then pasting them into this website which gave me the line count of 444. Was that the most optimal way of doing so? No, especially after I learned after the fact that there's a way to just see the numbers straight up, but that hardly matters considering the fact that there are allegedly more people in the animation dept who were uncredited, however, I'm still waiting on some more info from my source as to the validity and the scale of these claims (How many people were uncredited, how little were they paid for their work, etc etc) to make a proper post about it, so until then ill just leave it at that as to not make accusations without merit.

So, humoring Viv, I added up the total IMDB credits for the Art Dept and Visual Effects Dept, as well as the Sound Dept since I qualify sound as a form of art and because I wanted to give Viv as fair a chance as possible and actually tally the total credits of “every art department” as Viv claims I did, and it still only equals 155 total credits, a little over a third of the credits in the Animation Dept

Secondly:

“That includes the TC and Chaos credits”

So these are in reference to Toon City and Chaos Emporium, 2 companies known as a source for outsourcing animation, and just to humor Viv I decided to go onto IMDB and tally up all of the Chaos and TC credits since according to her that's where I got most of my final number.

After doing so, Chaos Emporium had a total of 15 credits, and Toon City had a total of 45

So Viv is making it seem like the TC and CE credits make up a large majority of them, which is why I got the number I did, when in reality when combined they only equal 60 credits. 14% of the total (technically it’s 13.5% but I’m rounding to the nearest whole for the sake of convenience)

Thirdly:

“We dont even have 400 people. Simply Misinformation.”

You’re right Viv, you dont have 400 people, because I never said you did, nor did I imply you did. I said you've had 400. Of course you dont have 400 current employees, your company burns through them like paper because you underpay them while you go burning your Amazon and merch money on cruises and vacations and continuously post photos of you buying from zionist companies knowing full well that they're part of an active boycott.

—

So yeah, that's my 2 cents. Sorry if this sounded like some shit you'd see on a Twitlonger but after Viv was made aware of the posts I made about the turnover rate (and subsequently blocked me within the hour after seeing it) I knew that it wasn't gonna be long before I had people DMing me about how wrong I was because “Viv said it was wrong so it must be wrong”. 

One more thing I wanna add because I've gotten a lot of angry messages/asks about this, a lot of Viv stans seem to think I have this bizarre hate boner for Viv when I really don’t. I don’t hate Viv, I hate what she’s become. I hate how ever since the HH pilot she’s become a bully who can’t take criticism. And not just on the surface level of “criticism makes her upset”, because yea no shit, criticism makes everyone upset at least a little, and it's why I hate it when people see someone being upset at criticism and going “ERMM, CANT TAKE CRITICISM?”

When I say “Viv can’t take criticism” I mean she actively tries to shut down any convo about it without trying to learn from it. She blocks anyone who talks poorly about her or her company and makes baseless claims knowing full well her fans will follow her to the ends of Hell regardless of whether or not what she’s saying is even correct.

That’s all I got for now

[from-the-clouds]

texas sun - joel miller x f!reader - vol. 1

series masterlist | series playlist | writing masterlist |

summary: When you let your new neighbor’s daughter inside to call her father from your landline, you never expect to be dealing with the fallout twenty years later. Series will take place before and after the outbreak, and is partially inspired by this request. Slow-burn(ish), eventual smut. pairing: pre-outbreak!joel miller x f!reader words: 6.4k chapter warnings: mentions of/encounters with a drunk person, references to absent parents, i imply that both reader (and joel) like pineapple on pizza. a/n: i need to get my shit together and make a proper masterlist/post for this series but i'm absolute garbage with photoshop/making collages so that is a project for another day!! for now, i wanted to get this first part out to ya'll. i watched a playthrough of the game too so ill be including some references to that throughout the series. this will be some hallmark-movie ass romance so strap in!! this chapter was super fun to write and i loved writing for reader and sarah, give it a read and let me know what you think!

-March 7, 2003- 

“Excuse me? Ma’am? Excuse me?”

The voice behind you is so timid you don’t hear it right away, especially not when your phone is pressed to your ear with your shoulder as you sort through the mail, your coworker droning on and on…

“Ma’am?” 

It’s a little more forceful this time, a little closer too, and that’s when it finally gets your attention. Turning around on your heel, you find a young girl standing behind you, one hand hooked in the strap of her backpack that hangs off of one thin shoulder, the other worrying about the butterfly pendant of the necklace she’s wearing. 

You recognize her immediately as one of your neighbors, the girl from across the street whose name you didn’t know yet, because you only moved in about two months ago. You’d met the man who you assumed was her father – Joe? Or was it Joel?, you couldn’t remember – the first day you’d moved in, but there had been so much going on that you were too flustered to be engaged.

It’s a Friday, but apparently that doesn’t keep you safe from work calls after you leave the office, because you’re getting an earful of a whole lot of hot air, so much so that you’re probably unintentionally frowning at the girl in front of you while you try to follow the conversation.

“....I think you’re right, but they’re not going to budge unless we sweeten the deal somehow-”

“Can I call you back?” you blurt, ultimately thankful for the interruption. You don’t even wait for his response before you click off your blackberry, sighing, looking up. “Hi, yeah, sorry. Can I help you?”

“Uhm, I’m Sarah…..Miller….I live across the street?” her voice goes up slightly at the end of the sentence, like she’s unsure, even as she points to the home behind her, a two-story place that’s considerably bigger than your own, but maybe a little older. “I uhm…I locked myself out and I was wondering if I could use your phone…to call my dad at work? Please?” 

“Oh, yeah,” you say. “That’s fine. Just uh..follow me I guess.”

Tucking the stack of mail in your hand under your arm, you wave her after you, your kitten heels clicking on the hard pavement of your driveway. 

“Be careful here,” you warn her as you step over the middle step to your front porch that has rotted, and gives easily under any amount of weight. You’d learned about it the hard way, last week, and still had the bruise on your leg to show for it. 

Your front door is open, and Sarah pauses to take off her shoes when you do, a pair of beat-up white Converse that have been doodled on in Sharpie.

“Here, phone’s right there,” you lead her into the kitchen and point to the landline. “Can I get you anything to drink?” 

“Uhm, could I just get some water…please?” She stands rigidly in your kitchen, rocking back and forth on her heels.

“Of course,” you reach into the cabinet. Once the glass is filled and placed in front of her, you retreat to your front living area to give her some privacy while she makes the call, sitting on the couch and scrolling through unanswered emails on your blackberry. Sarah mumbles indiscreetly, until you hear her call out again. 

“Uhm…ma’am…I’m sorry, Miss…uh-what’s your last name?”

“Oh,” you sit up, giving her your first instead. 

“Okay….Uh, my dad wants to talk to you…could you-”

“Sure,” you stand, stepping back into the kitchen, and accepting the receiver from the girl. 

“Hello?”

“Hey, this is Joel Miller,” you’re greeted with a low, gruff drawl. “You’re the new neighbor, I believe introduced myself a while back”

“Joel,” you repeat. It’s Joel. Joel, Joel, Joel, you force yourself to remember. Joel and Sarah Miller. “Yes, we met very briefly.”

“And it sounds like you met Sarah.”

“Yeah.”

On the other end of the line, you hear him hesitate, let out a long sigh. “Look, I hate to put you out, but she lost her key to the house, and she tells me the Adlers aren’t home. Do you think she could stay at your place until I’m able to get off work in a couple hours? I know it’s a big ask, but-”

“Of course she can,” you cut him off, peering over your shoulder at Sarah, who’s staring up at you expectantly with wide, terrified eyes. 

“Really?”

“Yeah, it’s no big deal.”

“She’s probably got homework so I’ll make sure she stays quiet and out of your way. I’m so sorry, she should know better than this. It’s the second time this month this has happened, I keep tellin’ her-”

“Like I said, it’s not a big deal,” you cut him off, unintentionally, before wondering if it was rude you didn’t let him finish. It’s the native New Yorker in you, always in a rush and uninterested in drawn-out excuses. It’s an unfortunate instinct you’ve been trying to train yourself out of, particularly now that you’re living in the southwest. You soften your tone. “She can stay as long as she needs to, seriously. I don’t have anything planned.”

“Okay,” the voice on the other end sounds relieved. “Thank you. Thank you so much. I should be home by nine, I’ll call if anything changes. Thanks so much.”

“Of course, we’ll be fine. See you soon.” You hang up. 

Sarah is still behind you when you turn around, clutching the glass of water she’s got in both hands like a vice. “You can stay here until your dad gets home,” you tell her. 

“Did….did he sound mad?”

“Maybe a little stressed,” you’re honest. “But….not mad. I also don’t know him, so…”

“I bet he’ll be mad. This is the second time I’ve locked myself out this month because I forgot my key, and I already got lectured once that last time because he had to leave work early.”

“You made a mistake, people forget things…” you shrug. “I’m sure he’ll get over it.”

Her shoulders relax slightly, and she looks around like it’s the first time she’s actually registered where she’s at. “You have a nice house. It’s cozy.” 

“Thanks,” you put your hands on your hips and look around too. “I’m still settling in, so not everything’s unpacked, but I could give you a tour if you’d like?”

“Yes ma’am.”

Ma’am. That tickles you. The address is still not something you’re used to hearing, even though you’ve only been in Austin a few years. “You can just call me by my first name, you know? Ma’am makes me feel old.”

“Really?” she grins, following you down the hall. “I can’t wait to be old.”

“You’ll feel differently someday,” you answer. “But…I guess it’s not so bad.”

Compared to the house you grew up in, your new house is nothing special, but it’s yours, and you couldn’t be prouder that you’d bought it all on your own. It’s a three-bedroom ranch, and you’d converted one of the rooms into an office for yourself. There’s a kitchen, living room, and den. But your favorite part is your large, screened in back porch that overlooks your yard. Now that it’s getting closer to summer, you sit outside in the mornings with a cup of tea and read the newspaper, listen to the birds. 

“Can I do my homework at your kitchen table?” Sarah asks once you’re finished showing her around.

“Make yourself comfortable wherever,” you answer. “I could probably stand to get a little work done myself.”

Sarah sits at your dining room table, spreads out her books, and works quietly while you answer some emails and look over some contracts. You’ve got a big meeting Monday with a potential client, and a giant stack of term sheets to go through, but if you could manage to get some of it done tonight it might actually help you down the line. As much as possible, you try to avoid doing too much work outside of your office’s standard hours, but sometimes, it’s inevitable.

The subject Sarah has homework in is algebra, which renders you useless. Even when you have to do any accounting at work, you’re used to having a calculator nearby. It’d been awhile since you spent time with anyone as young as she was – in sixth grade, she told you – and it was starting to serve as a confirmation of your own dysfunctional childhood, because her carefree, sweet nature was so drastically different from anything you remembered feeling. 

After about an hour, Sarah slowly starts to close her notebooks, zipping her pencils back up in plastic pouches. You look up from making revisions on a contract, the smell of blue ink heavy in the air around you. “I’m done,” she announces. “Could I sit on your couch and read?”

“Of course,” you answer. “Give me five and I’ll join you.”

It doesn’t take long for you to find a good stopping point, and you pack up your messenger bag, and join Sarah in the living room. “So…I’m starting to get hungry,” you tell her. “Are you?”

Sarah nods sheepishly.

“I could order us something,” you said. “What do you like?”

You aren’t much of a chef, though you can generally figure your way out around any recipe. However, cooking for one is notoriously tedious. If you had multiple mouths to feed, maybe you’d be tempted to hone your skills in the kitchen a little more. Most nights you usually treated yourself to a depressing, hastily thrown together salad, scrambled eggs, or a PB&J. Tonight, you had actually been planning to take yourself out to dinner – there’s a cute little French bistro down the street and you were hoping to treat yourself to a cocktail and a nice meal while you read.

Sarah closes her book, contemplating. “Could we….get a pizza?”

You think about it. “Sure, yeah. Pepperoni…cheese?”

“Can we get….one of both?” she tests. 

“Yeah, we can do both,” You smile. “I bet your dad will be hungry, too, he can have some if he wants.”

“Maybe…he likes pineapple on his,” Sarah wrinkles her nose.

“He has good taste. I do too.”

“Gross.”

“Don’t worry, I’ll keep them separate,” you call over your shoulder as you retreat to the kitchen. 

Once the pizza is ordered, you return to your living room and curl up on the opposite side of the couch from Sarah, who is engrossed back in her book. “They told me about 30 minutes. What are you reading?”

“To Kill A Mockingbird,” she says, showing you the cover. 

“That was one of my favorites growing up.”

“I have to read it for school…but it’s pretty good so far.”

Your phone pings with another email, and you glance at it quickly. 

“Is that work?” she asks. 

You nod. “Yeah. It still finds you, even when you leave.”

“What do you do?” 

“I’m a lawyer.”

“No way!” Sarah perks up. “Like on the tv shows? That’s so cool.” 

You snort, shaking your head. “No, not exactly. I’m a corporate lawyer so it’s not as fun, actually, it’s just a lot of paperwork and meetings…”

“So…you don’t like it, then?”

“It’s….” you think about it. “....Fine.” Did you like your job? It wasn’t really something you thought about in that way, you’d always seen it as a means to an end. “I went to law school because my dad wanted me to…he wanted me to work for him someday. And…that didn’t pan out so…yeah. But you know…it pays well, and….”

“You get to wear cool outfits,” she gestures to you.

“Yeah, I guess I do. Although the heels do get a little uncomfortable.”

Sarah’s eyes shift behind you for a second to the hallway leading to your bedroom, then widen excitedly. “You have a cat?” 

You turn around to see what she’s looking at, the white and gray ball of fluff that you’d found underneath a dumpster one late night in college. 

“Yeah, that’s Martini.”

“Martini,” she giggles, and the cat approaches her cautiously. He’s notoriously shy and quiet, and not even particularly cuddly, but he likes to sleep at the foot of your bed and will sit next to you on the couch if you stay still for long enough.

The cat sniffs Sarah’s outstretched hand, then presses his face into Sarah’s palm so she can scratch him under his chin, his favorite spot. “He’s not usually a fan of strangers, he must like you.”

“I love animals,” she says. “My dad won’t let me get a pet because he says he’ll end up taking care of it.”

You chuckle. “Cats are pretty easy…at least, he is.”

Martini allows himself about twenty seconds worth of affection before he darts out of the room and heads to his food bowl. 

“I’m gonna go change out of my work clothes, I’ll be right back,” you push yourself off the couch and walk down the hallway. Any other night and you probably would’ve been in pajamas awhile ago but that’s probably not acceptable, so you settle for jeans and a sweater, which is much more comfortable than the dress and tights you had been in before. 

The pizza arrives and after you tip the driver, set it on your kitchen island and pull some plates out of your cupboard. You and Sarah are both long settled with full plates when you speak again. 

“Wow….I forgot how good pizza is…” you say, staring at the half eaten piece in your hand. 

“You don’t eat pizza?”

“Usually only when I’m drunk,” you say, then immediately realize you’re talking to an eleven year old. “Oops, I…probably shouldn’t be telling you that.”

She giggles. “It’s okay.”

“So, it’s just you and your dad across the street?” you ask. “Does your mom live with you?” 

The second the question registers, you immediately regret asking. Sarah shrinks before you, her face dropping, shaking her head. “No I…I don’t really have a mom.”

“I’m sorry,” you say, softly. You just assumed she existed although you’d never seen her, and you feel guilty, racking your brain for something that might help make her feel better. “I understand, my mom wasn’t really around growing up.”

“She wasn’t?” Sarah asked, looking up. 

You shake your head.  “My parents got divorced when I was young, my dad took us, and she moved across the country, so….I didn’t see much of her.”

“My mom… she left when I was a baby.”

“I’m sorry.” You say again, staring at the girl in front of you. 

For a moment, looking at her, you see yourself, and you wonder how a parent can wake up one day and choose to ignore someone that’s one half of themselves. Someone they made. If they really understood what that might do to a person’s psyche, growing up thinking that they weren’t wanted. You had always told yourself that your mother, your parents must have not understood, because if they did, and they still chose to do it…

“Are you married?” Sarah asks, and you’re snapped out of your train of thought.

Taking a bite of pizza, you shake your head no.

“So you live here alone?” 

You nod, chewing.

“Do you like it?”

You nod, swallow. “It’s better than having a roommate, or living in the city.” 

Standing up, you walk towards the fridge for a can of sparkling water. It hisses while you open it, and you lean over the counter while Sarah continues to drill you. “Do you ever get….scared? Like at night?” 

“No….not really. I have locks. And this is a safe neighborhood. And uh, I may or may not have a nightlight still.”

Sarah giggles. “Me too.”

There’s a sturdy knock on your screen door, which you’d left open to let in the cool spring breeze, and you notice Sarah’s eyes widen. “I bet that’s my dad.”

As if he heard her, and maybe he did, the guest calls out. “It’s Joel!” It’s the same voice from over the phone, but much clearer. 

“Come in,” you answer.

The screen door creaks open, the sound of boots shuffling inside. “Sarah?” It’s the same voice from the phone. Joel steps into the warm light of the kitchen.

When you first met it had been from a distance, you were carrying boxes and he was loading something into the back of his truck. It’s clear you hadn’t gotten a good enough look at him, wouldn’t have forgotten his name, because fuck, he’s kind of gorgeous…tan skin, dark wavy hair, and a sharp jawline covered in stubble. In the archway to your kitchen he looks huge, taller than you remembered.

“Hi Dad,” Sarah says. “Miss-“

You cut her off simply by saying your first name. “Nice to meet you…again.”

“It’s nice to meet you, too, and thank you so much for keeping an eye on her. We’ll get out of your ha-”

“We got you pizza,” Sarah pipes up, looking at him. You can tell that she’s trying to stall. Or at least, trying to offer him something that might soften the inevitable lecture she’s going to get. It’s a smart play, and definitely not something you would’ve been above trying at her age.

Joel looks at the three pizza boxes spread across your countertop. “You didn’t have to feed her, really, like I said, she should’ve known better,” he turns to look at her pointedly.

“I had to eat anyway. Please, help yourself. There’s a ton of leftovers,” You really did not want cold pizza in your fridge, because it’d be too tempting to eat as a late night snack or even breakfast on your way out the door in the mornings.

Reluctantly, he looks at you before taking a plate. “Thank you,” he turns to his daughter while he opens one of the boxes. “Did you get your homework done?” 

Sarah nods. “And I got ahead on my reading for English.”

“That’s good.” 

Joel turns back to you, settles in a chair with the plate of food in front of him at the island. You do the same. “I’m sorry I haven’t had the time to come over and properly introduce myself. Sarah too.”

You shrug. “I’m the new neighbor, that’s probably my responsibility anyways. It’s been kind of hectic settling in.”

“Where’d you move from?”

“Well, I’ve been in Austin for the past few years, but originally I’m from Manhattan.”

Joel nods. “Why Texas?” 

It’s far away from my insane family, you think, and then settle on something else. “Work.”

Sarah is staring at her plate and tearing a piece of crust into tiny pieces. Joel eyes the slice of pizza he’s just taken a bite of.

“Pineapple?” he looks over at Sarah. “Are you tryin’ to bribe me so you don’t get in trouble?”

“It’s my favorite, too,” you offer, then wink at Sarah when Joel isn’t looking. She tilts her head down, her hair hiding the grin on her face from her father.

A buzzing sound cuts through the room before Joel can answer, and he digs in his pocket to fish out his cell phone. “Hold on, I gotta take this.”

When he steps out of the room, you begin to clear the empty boxes and plates off your kitchen island and bring them over to the sink. Sarah brings her plate over as well, stands next to you at the sink while you rinse them off and load them in the dishwasher. 

“Thank you for dinner,” she says. 

“Of course,” you answer.

“I just really hope he’s not disappointed with me.”

Placing your hand between her shoulder blades, you give her an encouraging pat. “I don’t think he is….” you hear Joel on the phone in the other room, his voice rising in volume. “....and honestly….it sounds like he might have bigger fish to fry…”

“Tommy…are you fucking kidding me? Again? How many times is this gonna happen? Okay…fine. fine. I’ll be there soon, but you can’t keep doing this shit.”

Sarah grimaces, and you both turn back to the sink sheepishly when you hear Joel’s footsteps returning. She bumps you with her elbow while you clear your throat. 

You’re sure there’s still a residual smile on your face when you turn around to face Joel, who has his hands on his hips. “Alright, Sarah, we gotta get going.”

“Is everything okay with Uncle Tommy?” 

“No, I’ve gotta pick him up at the police station.” 

“Did he drink too much again?”

“Sarah!” Joel exclaims. “Please, it’s gettin’ late and you’ve got a soccer game tomorrow, you need to get to bed.”

You’re biting your lower lip so hard to keep from laughing you almost taste blood. It’s not funny, definitely not funny to Joel, who you can tell is having a rough night, but it’s objectively funny as an outsider, watching all their familial drama being put on blast by his daughter who doesn’t quite have a filter yet, and is first and foremost trying to protect herself from getting into trouble.

“She’s a lawyer, I bet she could help Tommy,” Sarah looks over at you. “Couldn’t you?”

Joel frowns. “That’s not how that works-”

“What’d they bring him in for?” you ask. 

Joel runs a hand through his hair. “Public intoxication. Are you really a lawyer?”

“Well…I’m a corporate lawyer so that wouldn’t really be my specialty. But uh…I’ve definitely been able to talk my friends out of that kind of thing before.”

“But this is not the first time,” Joel says. “It’s probably useless.” 

“Didn’t you say you can’t afford to keep-”

“Sarah, enough.” Joel’s voice is as stern as you’ve heard it, and he digs into his pocket, producing a keychain. “Go home and get ready for bed. I’ll be home in a minute.”

Sarah sighs, defeated. “Okay.” 

Joel stands dead still while she shuffles to the door, cramming her feet in her shoes with her backpack slung over her shoulder. 

By this point in the evening, you’d usually be curled up on your couch by the fireplace with your latest knitting project, moderately stoned, watching bad reality television and sipping sleepytime herbal tea. But your night has already gone drastically different from your expectation. Why stop now? “If you wanted…I could try to help.”

Joel shakes his head, looks at the floor. “I can’t ask that of you.”

“You didn’t ask,” you shrug. “I offered.”

He looks up, a soft smile breaks across his face, revealing a row of straight, sparkling teeth, the corners of his eyes crinkling. It’s the first sincere smile you’ve ever seen from him, and your knees feel a little weak at the sight of it. You think you might offer him anything just to see it again. “It’d be a huge favor. But….I’d appreciate it.”

“Alright well…” you look around, push yourself off the countertop. “I probably should change before we go. I don’t think I’ll be taken seriously in this.”

He chuckles. “Yeah, I need to make sure Sarah gets to bed alright, how ‘bout you meet me on my porch in ten?”

“I’ll be there.”

“Thanks again,” he raps his knuckles on the counter twice before retreating, and you stay in place until you hear the screen door close behind him.

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

“I feel like you’re meeting us all at a very chaotic time….I promise, things aren’t usually like this.” 

Joel’s not sure why he feels the need to clarify this to you on the drive to the police station. In fact, he might be saying it more to convince himself, because he thinks ever since Sarah’s mom ran off, things have never not been chaotic. 

In some ways, he’s glad it happened. It was a doomed relationship from the start, they’d both been far too young to understand the consequences of their actions, so it was probably for the better that she was no longer around. But he was caught in a constant state of feeling like he could never quite get a handle on things. 

Joel glances over at you in the passenger's seat of his truck. He decides that you look a little out of place there, dressed in a black pantsuit, a messenger bag tucked between your heel-clad feet. He can’t remember the last time there was an adult woman in his car. Three months, maybe? It had been a date, a third date, and subsequently, a last date. But right now the context is different.

Your head is tilted towards the open window, the breeze casting stray pieces of your hair around as the radio cuts in and out of an old Eagles song and then to static, and then back into music again. He needs to get his damned stereo fixed but unfortunately it hasn’t exactly been high on his priority list. His gaze travels down the slope of your neck, where your skin dips into the collar of your silky blue blouse, then back to your profile, your lips moving as you mouth the words to the song, but don’t sing. 

I get this feelin' I may know you

As a lover and a friend

You stop when his words register, turning to look at him, and he averts his eyes back to the road. “No offense or anything….” you say. “But compared to the family I grew up in….this is all pretty tame.”

Joel ponders that for a moment, notices the way your eyes are narrowed, the corners of your lips quirking. “What, you got a problematic little brother, too? A precocious eleven-year-old?”

“No kids,” you answer. He didn’t think so. “But I do have a problematic older brother. And the stress he’s caused has definitely taken years off my life.”

At least you seem like you understand. 

He’s shocked you’re in this car with him, that after entertaining his daughter all night, you’d offered to help him out with this Tommy mess. Though, he assumes you’re doing it out of guilt because Sarah made it sound like he was broke.

“You know for the record, I actually have the money to bail him out.”

“I figured.”

“Then why’d you come?”

You shrug. “I don’t know. My life has been pretty boring lately. I can’t remember the last time I did something exciting on a Friday night.” 

“This is exciting to you?”

“It’s objectively exciting,” you sound assured. “Maybe more exciting than being the person who got arrested for public intoxication.” 

Despite the stress of the evening, he can’t help but laugh. 

“And whether you’re broke or not, bailing someone out of jail is no joke. If you can at least try to talk your way out of it, you might as well.”

Joel can’t argue with your logic.

“What is it you do again?�� you ask, eyeing the protective glasses he has in the cup holder of his front seat. There are nails stuck between the rubber grooves of the mat beneath the seats, a pair of thick gloves resting on the dashboard.

“I’m a carpenter.”

“Makes sense,” you answer. “So you’re handy?”

“You could say that,” Joel lifts the can of flat, warm seltzer from his lunch break to his mouth, just to take a sip. 

“That’s hot,” you say, and he nearly chokes when he hears it.  Are you….flirting? Though, you can’t be, because when he looks over at you, you’re staring at the road, face neutral. 

“What makes you say that?” 

“I don’t know, I don’t make the rules of what’s hot and what isn’t….it’s just a fact. Everyone knows that.” 

“Do they?” 

“Uh-huh,” you respond. “I mean, I wish I was handy. I’m pretty much a lost cause in that department.” 

“If it paid the bills, you’d figure it out.” 

“If it paid the bills, I can tell you, I would not be living in our neighborhood.”

Joel puts his blinker on, preparing to pull into the police station. “You probably still could, it’s not that nice of a neighborhood.” 

“Shut up,” you snort, rolling your eyes. “But in all seriousness, it is peaceful. It’s quiet.”

“See, but you still didn’t say nice.”

“It is nice. I like it.” 

When he parks the car, you straighten up, unbuckling the seatbelt and exiting without a word. On the opposite side of the truck, he observes how you rebutton the front of your blazer, smooth down its lapels and shift your shoulders back before turning to him. 

“You ready?” you ask. 

He nods. 

“After you.”

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

When Joel spots you again, Tommy is walking a few paces behind you. You turn your head over one shoulder, smirking at whatever he’s saying. From where Joel is sitting in the lobby, he can just make out the soft curve of your hips, the tops of your thighs over the barrier that separates him from all the desks of the officers and staff at the station. You’ve got an easy, relaxed gait and you give Joel a wink when he catches you staring.

He can tell it’s just meant to be celebratory thing, since both you and Tommy seem to be in good spirits, but he likes the sight of it anyways, the idea that you’re both in on some secret that no one else is. 

Joel stands to greet you and his brother to get the download, but as he approaches, your group is intercepted by one of the cops that had been hanging around reception. 

“Miller,” he says lowly to Tommy. “This better be the last time I see you in here.” 

When Tommy doesn’t answer right away, you pipe up. 

“I assure you my client will be on his best behavior.”

The cop turns to you for a minute, turns back to Tommy, contemplating. “You’re lucky you have a good lawyer…” he says. “Although I’m still not convinced you’re really paying someone to get you out of a public intoxication charge.” 

“I-” Tommy opens his mouth but you cut him off.

“Alleged…intoxication,” you interject, stone-faced.

“He can hardly walk straight.”

You purse your lips. “But….you never did a sobriety test, so, would it hold up in court?” you grimace. “If I had to guess….probably not.”

The cop narrows his eyes at you. “Don’t push it, princess.” 

Despite the infantilizing nickname, You respond with a polite smile. “Thanks again, officer. Have a nice evening.”

“Mhm,” he murmurs before backing away. 

You turn to Joel, your smile fading, and Tommy cuts in. “We should get the fuck out of here before he changes his mind.”

“That’s it? You’re free?” Joel asks.

Tommy nods. 

“Tommy’s right, we should definitely leave.”

It’s a mad scramble, the three of you settling back into Joel’s truck, and if he was feeling a little less angsty about the way the whole evening had gone, he might’ve even peeled out of the parking lot for dramatic effect. But at this point, his patience is wearing thin.

He’s back on the main drag, en route to Tommy’s place, with you on the passenger’s side, and his brother in the back, leaning forward with his elbows resting on your seats when his brother speaks up.

“Holy….shit!” Tommy turns to you. “That was fucking awesome, are you kidding me? Joel, where the fuck did you find her?”

He’s still drunk, words slurring together, and he shakes both of your shoulders ferociously. You actually giggle — the sound of it is fucking adorable and Joel wishes that these are not the circumstances for hearing such a noise. He rather it be because of something he said, but he knows Tommy has always been more charming, even when drunk 

“She’s my neighbor, Tommy.”

“No way! How come I’ve never seen you around before?” Tommy asks, and Joel can’t stop himself from rolling his eyes. 

“I’m kind of new to the area,” you answer. 

“Dammit, oh my god, Joel, I wish you coulda seen it.”

Joel looks over at you, and is thankful that he catches your eye. “What’d you say?” 

“Never underestimate your negotiating power when the cop you’re talking to’s shift ended over an hour ago, and he doesn’t want to fill out any more paperwork.” You cross your arms, look over your shoulder at Tommy, who is leaning back against the seat with his head in his hands, laughing, before looking back at Joel. “I told you, I have experience.”

“Oh my god,” Tommy pokes his head back between you. “How’d he even get you to come down here? What’d he have to do, offer to paint your house or somethin’?”

“It’s a long story.”

“Sarah got locked out again,” Joel explained. “And I was over at her place when you called. She’s a corporate lawyer.”

“Ah, that makes sense. You know, Joel’s always liked the smart ones,” Tommy starts, and Joel has to contain the urge to slam on the brakes and send his brother face first into the back of his headrest. Unfortunately, he can’t do that with you in the car. “Too bad he’s dumb as a box of rocks.”

“Okay, watch yourself!” Joel snaps, and he’s only halfway kidding. “You got off easy, but you’re on fuckin’ thin ice, and I’m still pissed that I’m spending my night bailing you out again.”

Tommy doesn’t even catch on to Joel’s irritation – or maybe he does, and has just decided that he’s going to be the Annoying Younger Sibling and see how far he can push it. “Don’t let him fool you, okay?” Tommy continues, and you’ve angled yourself towards him, amused. “It’s not always him lookin’ after me. Before he had Sarah, he was crazy.”

“Alright, alright that’s enough, Tommy.” Joel shoots daggers towards his brother in the rearview mirror, and he watches Tommy’s smile falter, finally deciding to back down. 

“Is that true, Joel, were you really crazy?” you ask after Tommy grows quiet, tilting your head. “I can’t see it.”

“Well we’ve all have our moments, right?” he says sheepishly. 

“We do,” you agree, and then it’s finally silent.

Joel is thankful to see Tommy’s driveway straight in front of him, and his car lurches up the curb. “Alright, alright, this is your last stop,” he says to his brother. “You’ll get in okay?” 

Tommy takes a deep breath, settling himself after all his bravado and sinking back against his seat. “I’ll be fine. I’ll see you tomorrow morning at Sarah’s game.” He slinks out of the truck and slams the door behind him. 

Normally, Joel would’ve chewed him out after something like this, but he knows being hungover tomorrow at a middle school soccer game, sandwiched between screaming parents and the ear-splitting whistles of the referees will be punishment enough.

“I’ll see you then.” He watches his brother stumble up the steps to his home, unlock the door, and give a wave before disappearing inside. 

Joel’s left alone with you. “Should we get you home, now?”

“Yeah, we should.”

Joel puts the car in reverse, puts one of his arms over the back of the bench seat to look for cars behind him, and catches you staring. You don’t even seem embarrassed that he notices, either, you just shift your gaze away to outside the window.

He feels a little self-conscious about the first impression he’s probably made, which is a feeling he’s not used to…caring about what people think. 

“Sorry about him, he’s….a good guy but a real piece of work.”

You giggle. “Like I said, I have a brother, too.”

It’s been awhile since he’s interacted with anyone outside of Sarah, Tommy, and his coworkers, and his day was exhausting. He wants to ask more questions, see if he can hold some kind of conversation, but words fail him, so you spend the short drive on the way back home mostly in silence. You’re so quiet that by the time he pulls into your driveway, he thinks you might be asleep. If you were, he doesn’t even get the chance to wake you, because you immediately sit up straight once the truck has come to a halt.

“Thanks for everything tonight,” he says. 

“You’re welcome, it was no problem,” you get out of the car, sling your bag over your shoulders, and close the door. “Have a good night.” 

Joel’s listening to the retreating click of your heels up the driveway when he rolls down his window all the way to speak again. It’s clear you’re tired, your shoulders are slouched, and he feels incredibly guilty. You worked all day and then had to put up with his entire crazy family. 

“Hey,” he says. “How much do I owe you for the pizza?”

You turn around, still stepping backwards. “Nothing.”

“Look, you’ve done too much for me tonight to say that,” he says. “I’m startin’ to feel bad.”

You stop in your tracks then, the smirk on your face fading a little bit as you slowly step forward to where he leans out the truck window. It’s only a few feet, but you’re much closer now than you’ve been to him all night, and there must be jasmine in your perfume. It smells expensive, he thinks, as your hands lift to rest on the door next to his elbow. “You shouldn’t feel bad,” you say softly, voice low. 

God, you’re fucking beautiful, he realizes, basked in the glow of the moon, a smile creeping along the edges of your lips. Of course, he knew you were attractive, had definitely registered it at some point before –  maybe when he’d walked in on you and Sarah giggling in the kitchen. He was just too busy being worried to even notice until now. 

This isn’t a date, but you’re so close he could kiss you, kind of wants to just to see what would happen, but he doesn’t. You’re his new neighbor, and if he’s reading this wrong, he doesn’t want to be reminded of the mistake everyday, first thing in the morning when you’re picking up your newspaper at the end of your driveway and he’s leaving for work. 

“But uh…if it would make you feel better…one of the steps on my front porch is rotted. Maybe you could come over sometime and fix it? That a fair trade?” 

Joel nods, and you stick out your hand. “It’s a deal,” he says, ignoring the jolt of energy he feels when your palms press together, like you’re a kid wearing a hand buzzer, trying to shock him.

“Great,” you step away. He’s about to put the car in reverse when you speak again. 

“Oh, and Joel?” you ask, he looks back at you. Before you speak again, your eyes shift to the ground, like you’re mustering up the courage to ask him something, and when they return to his again, your expression is somber. “Go easy on Sarah….she’s a good kid.”

Joel nods, understanding.

“I know.”

-

volume ii

taglist: @yaskna @venomous-ko @lomljigg

[cologona]

If you won some sort of lottery contest and DC allowed you to write a comic run for any character, any topic, no limits, what would your comic be like?

What kinda plot and characters would you want to etch into official DC canon? (Or would you prefer to write an elseworlds kinda thing?)

-redhoodinternaldialectical from the "main" blog

Sorry it took a while to answer this, I got pretty carried away! Jason is my favorite character and the character I know most about, so of course I'd write about him. This is going to be pretty long winded and fanfic-y, hope you don’t mind!

First things first I’m making both UTRH and Lost Days mostly canon again. Jason was a crime lord who did Mean Crime Lord Things for a while and that’s what I’ve decided everyone is referring to when they gesture vaguely to his villainous past.

I’m also bringing back the original “big boob” backstory where Jason makes Bruce laugh on the anniversary of his parents’ death. Catherine was an opioid addict due to illness, Willis was the person who taught Jason about cars (and thus how to jack tires) and Faye Gunn is no longer Jason’s grandma. (I really disliked Ma Gunn’s “redemption” in RHATO.) Just in case, I’m also reiterating Sheila’s role in Jason’s death.

Here’s a few lines I came up with for the Todds:

Jason keeps the letters Willis sent him from prison - the ones Ma Gunn hid- in the same picture frame that holds his Robin graduation photo with Bruce. He loved and resented Willis in equal parts, but mostly he regrets not having gotten more time. It’s all the same with fathers.

Catherine is curled up in bed, her expression is half a grimace. She asks Jason, who is reading a picture-book by her side, to get her ‘medicine’ for her. Jason doesn’t know how else to help her feel better so… that’s exactly what he does. In a moment, he returns with a small heart shaped box and a cup of microwaved soup.

If I can imply in some way that Catherine is in denial about the possibility of her dying I’d like to do that too.

I’m also doing a total overhaul of the All-Caste.

Essence is getting proper Tibetan braids, Ducra is going to wear a khampa chuba instead of her current old coat, and the Acres-of-All are getting reimagined as a towering Ziggurat with all the murals, pillars, curtains, and ornate trim befitting a monastery! The All-caste of memory will be bright and fantastical, but the ruins of the present will be dark and spooky.

Some references for what I'm talking about.

I’m also reframing the “Absolute Evil” part of the All-blades’ description to be an epithet for the Untitled. The sword is not literally judging Goodness and Evilness anymore; now they cut through negative psychic energy Jujutsu Kaisen style. I don’t think I need to spell out a justification for Jason being able to summon them whenever, but for any sticklers I’ll just say it’s because Jason- like the Untitled- has a lot of bad feelings and trace amounts of Dionesium in his system (among assorted other chemicals.)

Since Lost Days is being brought back that means instead of spending an entire 3 years with the All-Caste, Jason only spent a few weeks with them during his world-wide training arc. Ostensibly because a little magic would give him an edge over Batman. Ducra wouldn’t normally just give away powerful magic weapons to any chump with a free weekend, and she knew Jason was dangerous, but since the All-Blades are so specific and the ritual to attain them nigh-unsurvivable she saw an opportunity to use Jason. Sure she's one of the Good Guys, but she's not called a conniving old witch for nothing hoohoo!

Now a few plot ideas for a vague overall mini-arc.

First, Jason goes to ugly lengths to protect or prevent consequences from finding one of his family. Maybe someone threatens their secret identity…? The ‘opponent’ should be someone innocent and/or noble but not easily bought or fought. Maybe Vicki Vale, another Hero, or some kind of wealthy heir. The point is to cast doubt on if Jason’s return to the Bats is really so unquestionably redeeming. Jason has pretty much chosen to betray his morals for them after all.

Then, Jason chooses not to kill a villain who shortly afterwards victimizes more people and skips town before he can get caught. Basically a rehash of Diplomat’s Son except the Garzonas figure gets away. It’s technically a win for Batman- his presence kept Gotham safe after all. But it doesn’t feel like a win, especially not to Jason.

And finally, Jason frames himself for various murders committed by victims against their abusers. Maybe kick the story off with one of Ma Gunn’s boys killing her and telling the cops it was Red Hood in a desperate bid to avoid jail.

Obviously Jason can’t be allowed to do this long-term. It’s a bad precedent to set, an obstruction of justice, etc… Jason hasn’t broken The Big Rule though, and Bruce can only act so sanctimonious when those same complaints could be are made about him as well. There’s no way this ends any other way than Batman running Red Hood out of Gotham again and they both know it, but neither deviates from the path set before them.

One or two “monster of the week” issues where Jason fights various assassins and bounty hunters sent by his more influential enemies might be good- one should occur right after the above story. A consequence for his “return to form” so to speak. Batfamily fans may appreciate a scene where Bruce says something indicating that he ran Jason out for his own safety as well as Gotham’s. Batman may be able to hide in Bruce Wayne’s skin during the day but Jason’s only identity is that of Red Hood, and at times that makes him vulnerable in a way other heroes aren’t. This + some panels contrasting the generic mercenary look of Jason’s guns and equipment with the Bats’ spandex future-tech will be great for showing how separate Jason is from the Bats.

Now while Jason’s out of Gotham again there’s this detail in one of RHATO’s flashbacks that I want to expand on- that being how he used to be able to summon a lot more All-blades.

Red Hood Outlaw 34

“I had a lot of soul back then” - implying that he has a lot less soul now…!?

Jason’s been through a lot, in life sure but also more recently. Fight scenes where the All-blades take the form of daggers would not only be cool and evocative of the wavy dagger Talia gifted him way back when, they’d be good visual sign of his declining emotional state.

Later on as his soul ‘shrinks’ further, I’d give him a pair of mystical guns through which he can channel his All-blades into bullets. If it’s another gift from Talia I’m thinking dark brass revolvers with paisley filigree and a red Endless Knot charm hanging from each handle. If they’re from Essence or S’aru I’m thinking black lacquer and silver cloud-patterned ornamentation, with red coral embedded on either side of the gun. Beautiful Bayonetta-style guns with glowing red veins and a cowboy flair!

antique guns which inspired me

As for what he’s using the All-blades (All-bullets?) for, I think it’d be fun to have Jason exorcising some ghosts. He can solve various murder mysteries, figure out why this place or that person is haunted, and get into fights with horrific otherworldly creatures. Jason is an interesting character to do this premise with because he might just determine that some some spirits should get their revenge, and act on behalf of a ghost rather than erasing it.

I’m not sure whether I’d want to have Essence join him or not… On one hand it only makes sense that Jason would help Isabel and Essence find a way to free themselves from the Blood Blade, and that goal would provide his character with some direction. Then again, Essence/Isabel could be cool as antagonists. Jason might see some ghosts as valid but Essence probably wouldn’t see any merit in appeasing manifestations of lingering resentment. She’s similar to him in that she also turned her back on her family, but she’s different in that she did it because she believed so wholeheartedly in their cause. She’s old and sort of a Jedi, but she’s hot-blooded and she’ll never not be Ducra’s daughter in the same way it seems Jason can never escape Batman’s shadow. I bet she has some real juicy sunk-cost fallacy type thinking too, that’d be fun to dig into.

Anyways I think this is a pretty good set-up to explore the politics/morality of forgiveness. What makes the difference between an injustice and a hatchet that ought to be buried? When is forgiveness empowering and when is it coerced? Who is it that must forgive? Justice vs Revenge, that whole kind of thing.

Other than the supernatural stuff I want Jason working with Talia, and I’m reintroducing Sasha to the post-52 continuity. Duela is getting nixed.

I don’t really have any specific plot ideas for Talia, but I would like to establish Jason as one of her associates. With Lost Days back they have basis for an actual relationship again. They’re not always on the same side but Jason can sometimes do tasks for Talia (outside the purview of Ra’s and the LOA), and Talia can occasionally support Jason with various social power-play type moves.

An instance of Jason getting into a fight with one of the Bats because he’s doing a favor for Talia would be great! I wouldn't write Talia as an evil evil bad horrible dragon lady, so it shouldn’t be a huge blow to Jason’s status as a Good Guy. Also I like the idea of Jason and Talia’s relationship mostly being inferred through their actions supporting one another, rather than directly showing much ‘on-screen’ interaction between them.

Also it’ll be interesting to go into Bruce, Dick, and Damian’s reaction to finding out that they’re not the only ones Jason is loyal to. Bruce thinking Talia was a bad influence on Jason (like fanon), silently frustrated because what he really wants is for Jason to be a full Bat-Believer (like the good old days…). Dick being fine with Jason never falling fully in-line with Bruce, provided that at the end of the day his loyalty belonged to his family.

-brief topical detour to talk about Sasha-

The new timeline of events is that Jason and Sasha met as fellow patients while Jason was in his Vague Villain era. They escaped the hospital building together (Sasha in her bloody dress, and Jason naked save for his skimpy hospital gown dhoti) and having no one else they stuck together. They got close but at some point Sasha lost her memories, giving her a chance at a fresh start. This was around the same time Jason “redeemed” himself and so just like Max Dawkins, ‘Numbers’, and Gabby Christiensen -Sasha became another person from Jason’s past that he didn’t let himself have a relationship with.

Sasha was just old enough that she didn’t have to be sent into foster care, so with some help from Wayne Foundations she got her GED and her feet underneath her. Now… she goes to work, goes to her physical therapy appointments, fights with her mother over the phone, and yes- sometimes she goes to the club.

The new Sasha still has spiky red hair but her face looks entirely normal save for a subtle scar tracing around her jawline and chin- the edges of where her mask used to sit. She wears dark makeup and even darker clothes. She’s prone to false memories and dissociation. She’s lost most of her ability to feel pain. She can’t watch certain shows she used to love anymore because they trigger her. She never returned to Russia. She doesn’t have many friends.

Since this is comics, her reintroduction will come by way of a dramatic fight. Sasha will regain her memories one day and show up out of the blue to fight Jason, angry and heartbroken that he abandoned her. He tries to explain himself but she just says look what they did to my face, referring to the facial reconstructive surgery she was given while amnesiac. She’ll be difficult to fight, not only because being a partial Dollotron gives her enhanced strength but also because she’s being reckless and the longer they fight the more strain and damage her body accrues.

After Jason apologizes and they reconcile (they will both cry) Sasha can become a recurring side character that Jason visits, keeping him grounded and up to date with Gotham. I think it'd be cute for her to bid him farewell by saying she’ll hold the city hostage until he comes back. (Is Sasha going to become Jason’s love interest? No. If I give Jason a love interest it’s going to be Numbers.)

--Going back to the previous topic, I want Sasha’s return to be part of this greater arc of Jason addressing his "shrinking soul" problem. My brain is a little fried now so I’m not exactly sure how but she is related. I think she ought to be.

Jason wants Bruce to be right. He would like for his problem to be fixed by going home and saying sorry. But at the end of my run I want him to face the reality that it’s not about that.

...Perhaps it should be about Jason 'abandoning' Gotham? I don’t really want the final thesis of my run to imply that Jason’s soul would just be fixed if he killed Rogues though, and Jason always came back whenever a big disaster was happening so it doesn't quite fit anyways… Jason does believe in the value of “pure” heroes it’s just not what he’s supposed to be. Whatever his problem's “about” , it ought to prompt Jason to stop taking Bruce’s shit. I'm saying the man is literally breaking Jason's spirit.

I’m sympathetic to Bruce but I wouldn’t write him as a nice father. I would also have scene where a younger Bat accuses Jason of being overdramatic despite 'not even having it the worst’. I don't know who 'has it the worst' but I want to make a statement that you don't need to win the pain-race to be fed up.

Ah anyways, now my brain is really fried. I hope this post was coherent all the way through, I neglected to edit and organize my thoughts as much towards the end. Thank you for asking me such a great question, I had a lot of fun thinking about it! :D

[thegirlwhofellfromthestars]

still can't stop thinking about kara accidentally referring to hal as "dad", even in a more low-key context and how something that could usually be played for comedy is nothing sort of devastating.

maybe kara's having a bad day - the sort where her chest is tight with frustration, every little minor convenience makes her fingers twitch, the sort where the schoolwork and reminders of the ordinary life she has alongside her life as supergirl is smothering her, all the missed phone calls from the friends who only know her as linda danvers. she's snapped at people throughout the day, blurting out a tired little, "i'm sorry" when they frown or look at her in shock. every little reminder of when her ill temper leaks through the cracks is like a stab to the side. i should be doing better, she thinks to herself, everyone says it's okay, that i'm still only a kid. but i don't want to be just a kid. i turn sixteen in september.

she runs into hal and waits for him to say or do something - anything - that will make that horrid little knot of agitations that's formed in her chest tighten further. but he sees the sting of bitterness to her dark blue eyes, the way she's trying so hard to twitch her lips into a solemn but neutral expression. hal must know and keeps himself at arm's distance; they've both had their fair share of bad days aplenty. he only walks away after giving her a slight nod through the green of the mask he wears, leaving her be.

hal comes back a few minutes later with a small cardboard box of juice and hands it to her. apple juice - her favorite, no pineapple or fruit punch on the label to be found. just plain apple juice. she tears the straw off the back and pushes it through, taking a a sip. the rush of sugar is a balm, even if only a small one. the barest hint of a proper smile stirs upon her visage for the first time in a while today. after a few engrossed sips:

"thanks, dad."

her smile vanishes.

they both stare at each other with the depth of something fathomless - horror, maybe, or some sort of flooding, viscous mess of all sorts of feelings. she remembers for a moment the way her father back on krypton would wordlessly give her comfort on bad days - drape a blanket over her shoulders as she stared out at the openness of dark red sky before departing, ensure she had a small snack even as she sulked alone in her room. and hal...

well, kara remembers he only told her a little bit about his father. but that is enough for her to know.

she takes a deep breath, the smile on her face not quite so genuine this time - moreso some sort of crumpled, uncomfortable mimicry of the real expression. "sorry about that. it just sort of slipped out."

"it's fine. sometimes things like this happen."

"still..." the words coat her mouth, fuzzy under the apple juice she'd been drinking. "thank you for doing that. i've been having kind of a crappy day today, and it helped."

the sting from earlier still persists, hal's face settles into a fixed, solemn look. "no problem," he says. "i'm glad i could help, even just a little."

[electrificata]

having music critic thots abt the weeknd im so so sorry

i saw the weeknd in concert last summer, it was amazing. i really dont like stadium shows usually, but his was killer, he had a cool stage concept (gently mad max-ish cult leader and his dancer-disciples, giant inflatable moon) and he's got the presence to fill up all that space. and ive been listening to him for almost a decade, obviously the music's there. actually the show i was at was where he debuted the trailer for the idol. its out now and i havent watched yet. i thought it looked cool then, but after everything ive heard.....im just really ambivalent.

in the early days, when he was keeping mysterious, no press, no photos, you didnt even know if the weeknd was a band or a guy. just this chilly, atmospheric, sleazy/sexy horror-movie r&b. nothing supernatural. but cruel. the lyrics were all about the worst kind of fuckboy shit, and obviously drugs, and the music really seemed to give proper weight to it. the speaker in the songs was awful, the music was telling you that his actions were violent and terrifying for the women he's hurting and for toxic for himself. if youre a person attracted to men, you know what its like to see how awful a guy can be and still be into him, maybe even BECAUSE of how awful he is. thats a fucking horror movie. those first xo eps are crazy, i still listen to them.

then he goes pop star. i remember the collab w/ ariana grande in 2014 was surprising but it found a perfect, plausible midpoint between their two universes. then he goes full max martin in 2015 with "can't feel my face" and again, bizarre to see this plausible way for the prince of darkness to get to the top 40 via a neo-michael jackson jam with a veiled drug reference as opposed to multiple explicit ones. but it made sense! he danced onstage now! i remember hearing it on the radio when i was picking my cousins up from middle school, that felt surreal.

and he just kept on doing the popstar thing. i dont think the sleaze ever really left, it just receded into the background. killer atmosphere, more pop hooks, a general darkness that felt credible coming from him because of the early stuff, its just lit with neon now. he gets increasingly more conceptual, which i love. i love a concept album. its still about fucked up relationships and now death more generally instead of drugs specifically. cool, great. i've been with him the entire time. that brings us up more-or-less to the present.

im not gonna recap all the shit around the idol, if you want it im sure theres an article or youtube video thatll do a better job than i can. ill just summarize my own thoughts: it feels like the sleaze is back, maybe some of the horror, but also Glamour. johnny depp's supermodel daughter has cum on her face. we're seeing headlines about how gross the sex scenes are. look how Glamorous this is. classic showbiz trick of using a cautionary tale about gross men preying on women to just....create images and narratives about gross men preying on women. this might be the place i cant follow him. i cant rule out watching it, i am a habitual hater and i might be in the mood to hate soon. but its making me think about the way we use glamour and beauty in entertainment. it cant be a default, it has an effect on the story.

[rogueshadeaux]

| ➳ Ao3 here | ➳ Quotev here |

InFAMOUS: Erosion Table of Contents

Hey guys! RogueShadeaux here, though that's an absolute mouthful, isn't it? Call me Rogue! She/Her, BIPOC, Mid-20's. I was a fanfiction writer for most of my youth (a cringe one, we aren't talking about it), and I've only just wanted to return after a long stint as a caretaker for my ill grandmother.

➳ What do you write?

This is my blog where I will be posting any art, drabbles or the like related to the inFAMOUS franchise from Sucker Punch Productions. It is also where I will post chapters (along with on my ao3) of my fanfiction inFAMOUS: Erosion, the first of a two book series taking place almost 18 years after the events of inFAMOUS: Second Son.

➳ When do you update?

What are you, a narc? All jokes aside, there will not be a surefire, regular posting schedule that I will promise, though I will aim to post a new chapter every other...Monday. Yeah, Monday, more than likely in the morning on Tumblr, as I’ll queue it, and evening for ao3. Something good to start off the week with, and hopefully, will be consistent.

I'm a weak minded fool with procrastination and perfectionist issues, though, so we'll see.

The first chapter will be dropped December 17th, 2022 — the day that inFAMOUS: Erosion in-story begins (although, another 14 years in the future). Until then, I will post little bits of the story, art, and general inFAMOUS content. Chapter 2 will start the (hopefully) regular Monday postings.

➳ What is inFamous: Erosion about?

I don't have a solid summary yet as I'm typing this, so here, have a blurb from the story so far, which has already accrued 68k words:

She hummed again. That’s all she seemed to do was hum, like it was how she processed words. “I became Delsin’s foster mother when he was your age. A little bit younger, actually — he had just turned 17.” She looked off to the horizon, cool steam lifting from the Sound and threatening to settle on it, freeze it over. “His mother and father were on the east coast when the — when Empire City happened. They caught the Ray Field Plague and…” she sighed. No need to elaborate on what happened to people who had that radiation poisoning. “He became mine when the state came for him. Tribe gets first choice when an Indian goes into foster care, after all. 

“Then those Conduits broke out, and…your father had smoke coming out of his hands.” She shook her head, somehow finding enough humor in the situation to laugh. “And you know what? He didn’t get time to play around with his powers, either. But you know what the difference is between his situation, and yours?” 

 “What?” 

 “You have him.”

Yeah I'm gonna be mean, that's literally all you get until I have a proper summary, which will be posted accordingly. Story was inspired by the Good Karma stencil art "When Toddlers Attack" (which can be found here under 1.8: Lantern District) while I was replaying Second Son with my 5 year old.

It'll follow Good Karmatic events of inFAMOUS and inFAMOUS 2, mostly Good Karmatic events of inFAMOUS: Second Son, lore from inFAMOUS: First Light, Paper Trails and Cole's Legacy, as well as incorporate the little bits of that extra stuff we got from the inFAMOUS DC comic run. This story will not deal with anything regarding inFAMOUS: Festival of Blood. I might make maybe one reference. But no vampires here.

NO SEXUAL THEMES appear in this story. There will be hard and possibly distressing topics mentioned and discussed, which I advise the reader to heed via trigger warnings I will place. Curation is your responsibility.

➳ Any content warnings?

Canon-typical violence, death, mild body horror, murder, racism but in a Conduit sense, racism in a racism sense, terrorism/mass shootings (typical American stuff :) we’re fine), possible ooc. Other triggers will be added with the specific chapter, as I'm still writing and will probably do some more dastardly things to these poor characters.

➳ Any related tags?

You can find all regarding this fanfiction under the #inFAMOUS Erosion tag.

That's it for now! I'm honestly suuuuuper excited to get back to writing fanfiction — it's been so goddamn long — and this story, I guarantee, will never be abandoned. Literally unless I die. I use this story as a warm-up while I write my own novel to get the brain moving, and since my other tale is a longer series of its own, I definitely won't find a reason to abandon it. So you get the surefire guarantee of a complete story! That's always fun. So sit back, relax, and get ready for a good dose of Sucker Punch's best.

[tears-of-boredom]

I feel normal about the name [my uncle's name]. I don't always associate it with my uncle. I can diffrentiate between a person and their name. I don't have complicated feelings about my uncle...seriously i don't know if im jealous or relating or whistful or just thinking about him a lot for no reason. I havent seen him in like probably 8 years, I have no idea where his life went. I don't know if i see myself in him or what. He's the only thing I can think about when I see a turqoise VW van. I don't think we ever even exchanged a single word. My relationship to him is just so weird. Maybe its just because i saw him actually get independent and move away from my grandparents place. Maybe from an early age i felt like I should do that as well. I don't know I feel like these types of feelings are something i should discuss with a therapist. I hate my life and it hasnt even really begun. Its sad how i refer to my childhood like im not currently living it. I wonder how life would've been if mom had a partner to raise us with. I don't really feel sorry for her, I'm just sad that I didnt get a proper childhood. It ended when i was maybe 11. At least thats how it feels. I used to brag about how i knew how to cook macaroni and minced meat for myself at 10...Whenever i think about my age i see this row of numbers in my mind. Theres a clear distinction that a new phase of my life begun when i was 10. That that was like a level milestone in a game...One time when i went to my therapist appointment she talked about my future, and i was too tired to stop myself from crying. I think I talked about how i broke down in swedish class that day. The general consensus was that it was my medication that was making me so sensitive to crying. It really wasnt, but i wanted to believe that changing the meds would magically cure me. One other time she talked about how I should start doing social interactions bit by bit, and to remember that the worst thing people could do was not say anything back. I told her that i was getting really fucking anxious just thinking about talking to someone. She offered to change the topic, reminding me later to still try and maybe say "good morning" to a classmate sometime. Maybe 2 times I've actually told her about a thing that I had to hesitate over, that i had to have a battle over in my head, that was a big deal to me. She listened, but she really only said things like "how do you know that the other person feels like that?" afterwards. I don't know it, but frankly really nothing will change the fact that I have social anxiety, therefore i wont approach someone banking on the fact that they remember me positively and not like a fucking weirdo. I know that my social anxiety isnt that rational. That's why there are two layers to my mind that i call "the emotional side" and "the factual side". It's just fucking hard to really do anything when my mind is contradicting its own thoughts constantly. This mind layer bullshit is why I sometimes feel like im not actually autistic. Its the reason I'm so hesitant to imply that i have any mental illness. If whenever i have a sensory overload, I'm extremely aware of how im acting, I feel like im doing it for attention. Because i do wish people would see me struggling and worry about me and regocnise me and.. everything. Someone said that you can't "accidentally fake something", and I straight up dont believe them. Yeah it sounds logical so it probably is true.. but I don't believe it. I wish my dreams were really clearly nice and exactly what I wish my life was. It feels more painful when they feel like real life but just so that i have friends. She's Losing It by Belle and Sebastian is a good song. The lyrics dont really match my situation but sometimes i like to ignore that and cry to it anyways.

[punemy-spotted]

The Price You Pay

Pairing: Mob!Steve Rogers x Reader

Warnings: Non-con/Dub-con, mentions of murder, unclear timeline, blackmail, unprotected sex, fingering (F!receiving), smut, esoteric references to past abuse, manipulation, Dark!Fic

Words: 5.2k (holy fuck?)

Summary: You need his help. He names his price.

Notes: This is for @stargazingfangirl18 and her incredible 5K Soft!Dark Challenge and I can't believe I wrote over 5k words for a oneshot, making this the longest piece I've ever written. I took a blend of prompts: Mob!AU; “When I woke up this morning, I certainly didn’t think my day would end like this;” and “That’s a big favor you’re asking for, I think you need to make it worth my while.”

And this was intended to be a oneshot but now I can't stop thinking about it so thanks Siri, I think this is now a part of my WIPs too! Your work is amazing and I had a blast being able to take part in this!

As usual, my work is 18+ ONLY, Minors DO NOT INTERACT

You went to him first.

You went to him, handed them your business card and I want to speak to Steve Rogers.

Honestly they almost threw you out with an extra hole in your head but then the man of the hour walked right in.

So now you’re here. Now you’re here, sitting across a gorgeous dining table with a ten-course meal laid out and honestly you’re surprised they didn’t tie your wrists to the arms of the chair while you watch him eat and take in the look of those baby blue eyes scanning you over.

He even brought you non-alcoholic rosé, when you said you didn’t drink.

So.

So.

You wanted to talk to me?

Yeah, I do. Thought you’d just sit me in your office, have a consultation.

I like breaking bread with new friends. Have a nice dinner, get the wine flowing — of course, that’s not gonna loosen your tongue, but we’ll forgive it.

Oh. Cool, I like being forgiven.

He laughs at that one and the room, strumming with tension, snaps into amusement. So do you, cracking a half smile on dark red lips, before swallowing down the lump of anxiety threatening to break through and destroy everything. You need this. You need this and you can’t let anything — not your nervousness, not your morals, not him — stop you. You need this and it needs to be done and if this is what justice is in this fucking city then so be it.

Well, sweetness, you’ve got my attention. You want to talk business or pleasure?

That one makes you laugh, a little sharp and a little cruel, and the curling smirk on his face gets a little furrowed because he hears it too — pain.

It could be both, you say finally, picking up the glass of rosé-that-wasn’t, if your reputation is as real as they say it is.

He lifts a bite of cheesecake into his mouth and lets it melt on his tongue while he watches you, somewhere between impressed and incensed. You know the look — you saw it the last time he met you in court, but you weren’t there as allies then. Never thought you’d come to me, he admits finally, sounding halfway bemused at the idea, but you’re full of surprises, aren’t you, Counsel?

You wince, or maybe smirk, eyes on the man before you.

It’s a game, a dance, a ruse, and the woman you thought you were thirteen months ago when you put four of Steve Rogers’s best men in jail for fifteen years — fifteen years longer than any District Attorney had ever managed to do before you, and you were just the rookie they handed a shit case to — is leagues different from the woman you are now, seated prim and proper in the lion’s den.

You’re not innocent. That’s not been your game for years — this life doesn’t leave room for innocence, it tears at you, leaves you tired and broken and ill.

Your colleagues learned to fear him a long time ago, the man before you. Captain America, leading the city, the country, the world into a new era of high tech crime all under his thumb. It’s a pretty shiny shield, the one that sits behind him, but mirrors are black on the other side and his soul is dark as coal.

You’re not an angel yourself, and this deal with the Devil isn’t for anyone but you.

I need someone taken care of.

So you come to me? I thought you were a lady of morals, Counsel.

Certain kinds of morals.

You can see him smile, see the way he raises his glass, the glimmer of malice and amusement in his eyes. So tell me. What’s the name?

You give it.

He’s not in the city, your target, but he will be. A Judge, an activist, real tough-on-crime-sweet-on-justice type of shit. You don’t tell him the reasons why, because those are yours, but you tell him the name. You tell him he’s a problem, you tell him he’s dangerous, you tell him you’ll pay to have him taken care of, you tell him you don’t want to practice in front of that black, black robe.

And he smiles like the Devil he is, watches you with a grin and drinks his whiskey in one last shot before slamming it down, Real woman of the law, aren’t you?

You said that when we met the first time.

He’s a hunter, you can see it in his eyes. That lion’s mane might be tamed right now but it won’t be for long and you’re playing with wild animals. The eyes on you are ice and daggers, daring you to do the one thing everyone in the office has been begging you not to do.

(Drop the charges, Rookie, the case is just to get your face in front of the judge.)

You upped the charges.

(Rookie, you don’t know what you’re dealing with, there’s other cases.)

You subpoenaed his phone records.

(Rookie, don’t make me drag you off this case!)

You won.

You had no witnesses and a jury you had to drag in from god-knows-where after you proved, over and over again, that he’d paid off the cohort in the courtroom. Finding people with nothing to lose and a desire to do their civic duty wasn’t harder than you thought — it was exactly as impossible as you expected.

But you did it.

That’s what you do, isn’t it? Push and push and fight, claw your fingers at the ledge and pull yourself up, you pay for your crimes in your blood, sweat and tears you pay for the things you could have done then and didn’tdo.

You pay.

And sometimes, that payment bounces back.

And when it was all said and done, when the closing statements were delivered, when the Jury came back out and the Judge — hands shaking, mouth agape, eyes wide — read out the verdict no one expected, you… didn’t feel any better, did you? There was no justice for you in that room, just the searing glare of ice-blue eyes and the burning of your steel spine.

Real woman of the law, aren’t you?

First words he said to you, while the courtroom emptied out and you stood there, facing the man you’d just made an enemy of with your briefcase in your hand and your eyes aflame.

I did my job.

Did you? Is that what you think your job is?

My job is justice, unflinching and blind, Mr. Rogers. I don’t care how much power you have or how afraid you leave this city, I’m going to do my job.

You could always let justice turn a blind eye.

Yeah. I could, but that wouldn’t make this any fun, would it? Thank you for the win, Mr. Rogers — I’m sure I won’t get many more.

You leave him with a smile on his face and the scent of your perfume in his memories.

He leaves you with the pride of victory in your bones and a reminder that your strife could be worth it.

One day.

How do you plan to fill that pit, the one you tossed the corpses of your old self into? The one you let them claw up out of, to haunt you? Remind you?

You’re digging your own grave and you know it, but you won’t let Steven Grant Rogers be the first one to toss a handful of dirt over your corpse.

But now here you are.

In his dining room, enjoying dessert and some sort of after-meal coffee. In need of him…

This might almost have been a date, if not for the topic of conversation.

So. You want a Judge taken out. What if he’s already on my payroll?

Why would you keep a dead man in your pocket?

You like the sound of his laugh, and you don’t even have the excuse of wine to fall back on when it warms your core. Don’t admit it though, don’t say it aloud, don’t let him get an in. Be smart, cross your legs tighter, keep your eyes on the prize.

You’re so close to the finish line.

That’s a big favor you’re asking for, Counsel, I think you need to make it worth my while.

Worth your while?

I’m not a charity. And since you put the guy I usually use to handle these things behind bars for a few years—

You know I can get him out too.

That’s not payment, that’s putting things right.

You take a drink. Steady on, girl.

I’m leaving the DA’s office.

That stops him.

Oh that stops him good, and he looks fascinated. Interested. You’ve said something he can use as leverage and it’s not just about a job. That smirk on his face is smug and his eyes are darker and he has to know the impact that look has.

Can’t falter, don’t falter, don’t give in.

Am I allowed to ask why?

No.

You’ve done your research. You just don’t know why you’re thinking about it now. Steven Grant Rogers, “Captain America,” leader of a crime family that had too many names to stamp out, bolstered by a mad scientist, a military man through-and-through who turned New York into his own private base against whatever stood against his way.

Get in his good graces and you’re set for life. Get in his good graces and you’re safe, you’re protected, you’re good.

Get on his bad side and you only make that mistake once.

There are no second chances in this game, and here you are, asking for one.

So what? You leave the DA’s office, you leave yourself open to me — you think leaving New York is going to be the thing that stops me, Counsel?

No.

Then what?

Breathe. Steady.

I know you gave me that win on purpose — you could have taken out my last jury cohort. This isn’t about the four men… and you know I’ll get them out. This is something else, but I’m not here to ask about what or why.

He falters just briefly, like he’s surprised you knew, but the crack in his mask smooths itself over as soon as it forms and he’s back to watching you, nodding along in silence while you breathe and watch him and keep talking.

But even then. I got four of your guys in prison. And I know how your organization works — I subpoenaed the documents, remember? Your lawyers are good, but they’re not used to people asking the right questions. You want someone to seal up the cracks you need someone who actually knows what to look for.

You have more than his attention, you have his interest, and now he’s leaning in a little. Imperceptibly, but enough. Scanning over you from across the table, like he’s thinking how you managed to get so impertinent in the face of the likes of him but that’s the thing — when the only thing you have left to lose is your life, you’ll risk everything.

So what are you offering?

Breathe. Don’t. Stammer.

Myself.

The chair scrapes and suddenly there’s the clicking of guns, aimed and ready until his hand rises up and he stops them and he’s stalking towards you.

This is the lion’s den, sweetness.

The stakes are higher and you ought to be braver and he’s got your chin in his hand before you have a chance to react, dragging you to your feet. Do you know what you’re offering me, Counsel? Low and hissed and hungry, like those perfect teeth might be sinking into your throat in the next moment.

Oh, you have no idea.

You get me. On your payroll — you know. The offer you sent me a year ago.

You think it’s still open?

If it wasn’t, you wouldn’t have met with me.

The chuckle in your face makes your cheeks warm and you’re looking more flushed than you would like, the open shoulders of your dress suddenly feeling a lot more like a mistake the more you realize just what kind of meal he might make out of you tonight.

We might need to have a discussion about your workplace duties, Counsel.

You don’t notice the hand near your thigh until it’s too late, sliding up the soft fabric of your skirt until it’s squeezing your ass, until it’s jerking you towards him, until you’re pressed against his chest and the hand on your chin is now hooked around the back of your neck, thumb pushing your jaw until you’re forced to look at him. Won’t lie, when I woke up this morning, I certainly didn’t think my day would end like this, having your pretty little body in my arms,and you can look as indignant as you want but he’s got the upper hand and you only thought you were two steps ahead of him.

You think I haven’t thought about what it’d be like to put you in your place, Counsel? You’ve got a smart mouth — I wanna know what else it can do.

He doesn’t give you a chance to use that mouth to lash at him, lips sliding over yours, swallowing that indignant yelp with a punishing kiss. Nipping at the plushness of your lower lip until you open your mouth and yield to him with a sigh of reluctant surrender, let his tongue slide past that barrier for him to explore. He’s got his fingers wound through your hair, just a little too tight and whether the whimper in your chest is because of the pain or because of the want, he doesn’t care.

Knew you’d be sweet, Counsel… softly, when he pulls back to look at you, take a look at those love-swollen lips and your ruined lipstick, the pretty way you pant at him already, the heat burning your cheeks. Pay no attention to the slick warmth between your thighs, pay no attention to the way he makes you burn already, pay no attention to how your fingers have curled into the lapel of his coat to hold yourself steady, pay no attention to how you suddenly miss the pressure of his lips.

All that smart-talk and now you’re quiet, Counsel? F’I knew it just took a kiss to get you to shut up, I would’ve done that at trial, he’s purring in your ear, soft and sweet and you should push at his chest, so uncurl your fingers girl and push.

I didn’t say I was selling my body, there’s your harshness, and there he is, laughing at you again, the grip on your hair jerking your head back until you’re looking into those dagger-cold eyes again.

You don’t make the rules here, Counsel, I do, and you need me more than I need you. So if you want to make sure your Judge can’t start wreaking havoc on your career… you might want to get used to readjusting it for me. I promise I’ll make you feel nice, if you let me…

And if I don’t?

Then I take what I want and I don’t feel bad for not holding up my end of the bargain. Your choice, Counsel, you cum willingly and I’ll give you everything you want. Don’t, and it’ll hurt you more than it hurts me.

That’s not a threat, that’s a promise, and suddenly you’re more scared than you ever thought you’d be, wondering if you’ll need to sell another part of your soul to take him down after. How much of yourself will you put up as collateral to get justice for the wrongs you were never able to correct?

You’re afraid.

Oh sweetness, you’re afraid.

Here? Now?

No, Counsel, we’re gonna do this right, aren’t we? You wanna be in bed with me, I’ll take you to bed with me. Come on, say it. Say the word.

Say no. Say no, rail and fight, stamp your heels into the expensive leather of his shoes, jam your knee into the sensitive between his legs, scream and yell and tell him you will never let another man take advantage of you again to help you reach your goals. Do it. Do the thing you swore you would do the next time a man like him — men who think they can take anything from anyone, men who think they own the world and the women in it, men who think you aren’t strong enough to fight back — propositioned you just like this.

You’re selling your soul to get rid of a man just like this.

But that’s coiling heat in your core that wasn’t there the last time, was it? That’s want. That’s the realization that you like the way this predatory smile feels, that you like the way this one wants you. You’re not her, not scared and alone and helpless. You could fight back and run and maybe escape if you were lucky.

You could choose.

He’s let go of your hair to stroke your cheek with the backs of his fingers, soft and sweet, You gonna give me an answer, Counsel, or am I gonna have to take it?

Say something. Say no. Scream. Say no say no say no say— Yes.

It’s a whisper. A desperate, soft whisper. A helpless, lonely whisper. It’s enough.

He sweeps you around until you’re pressed with your back against his unyielding chest, feeling him flex with every movement, broad arm wrapped around your shoulders from the front. All of you are dismissed, and that’s when you remember there were others in the room with you. Others who just watched you concede to becoming Captain America’s newest plaything and the burn on your cheeks is more shame than lust. You pull at his arm briefly, futilely, earning a tighter hold for your efforts and a whispered don’t make me choke you, before you are half-walked, half-dragged out of the dining room.

The walk to his room is slow and agonizing as you’re pulled along, barely struggling but barely helping at the same time, tears sliding down your cheeks as you come to terms with what’s going to happen next — no one is going to save you tonight, no one’s going to interrupt and drag you out, this is your job and this is your place and here you are.

No one speaks. There’s no sound but the steady tap of your heels and his shoes on fine marble. Even your sobs are silent, even your breathing is muffled, until the stairs are traversed and the faintest click of a lock turning opens the door to the rest of your life.

You made a deal.

Time to pay.

Sit on the bed.

You move as if in a trance, and he watches your face, the hint of waterproof mascara failing to do its job, the smudged ruby red of your lipstick. Don’t give me that look, you knew what you were signing up for when you walked into this house, Counsel.

His hands are gentler than you’d expect, when he wipes away the streaks your tears leave down your pretty cheeks, coaxing you to look up at him, We’ll set ground rules later. Tonight? I wanna see if I can get that mouth of yours to beg for me.

It won’t, you snap without thinking, knifeblade sharp and cruel, ready for a fight again. He promised you that once, in a hiss you thought you’d misheard but no, you heard him just fine and now if he thinks he can quench your fire and have you pleading just because you sold your body for the prospect of revenge then he’s wrong.

Thing is, he laughs like that’s a challenge, and the hand holding your chin so gently is wrapped around your throat before you know it, silencing your voice with just the right application of pressure. I can do this all night, Counsel. Do you think you can last that long?

Fear. Anger. Indignation. You are fury made flesh and he is manipulating you with just the barest press of his palm and sliding over you, until you’re laid out there on soft sheets and he’s looming over you, splaying that big hand out and sliding it down your throat, over your chest, feeling the ruching of the fabric under his palm. You wrapped yourself up like a present for me, didn’t you sweetness?

The change in nickname isn’t lost on you but here you are, glaring up at him while he smiles so beatifically it leaves your blood boiling and your skin steadily warming. The rise and fall of your chest is hypnotic, every angry breath a swear you don’t utter, every inhale your protests dying in your throat. What can you say, what would you say, right now? There’s nothing that can change the way he looks at you, or the way his eyes flicker from ice to blue fire the more he takes stock of the pretty little thing he’s about to start sharing his bed with.

Fuck, you’re beautiful, that one shocks you, but not as much as the sudden rush of cold air when he tears the emerald green fabric of your dress down and reveals the soft swells of your breasts, nipples peaked from the sudden cold.

You don’t get much time to gasp, just something soft and strangled before he turns your voice to whimpers, wrapping lips around that pebbled tip and laving his tongue over sensitive flesh. Where are your words now, Counsel, while he threatens the softness of your chest with the scrape of his teeth, when he slides his hands over the round curve of your thighs and parts your legs so he can press himself between them, so he can press himselfagainst you? Where is the knife-dagger of your wit to protest each soft, suckling kiss to your skin, each press of his fingers like he could just squeeze his ownership of you into the plushness of your hips, into the sweet swell of your ass? What do you say to the dirty little thrust of his hips as he bucks with his own burning need, reminding you just how much this is for hispleasure as he will make it for yours.

You would, could, should push him off and instead what are you doing? Curling your fingers into the silk-smooth of his comforter, desperate to writhe out of your own skin away from the burning pressure between your thighs, the foreign, unfamiliar heat you suddenly feel like you might be craving.

Anyone ever touch you like this before me, Counsel?Warm breath splays across your skin when he questions you, eyes fixed on yours and he waits. Answer him, answer him, tell him he’s nothing, tell him you’ve had better, lie and destroy that ego, lie lie lie lie—

Nnnh—no.

He looks like you’ve just told him the best news of his life, eyes wide and blown with lust, Oh is that right? You’re saying no one’s ever touched you this good? Or just no one’s ever touched you at all?

You don’t have to answer. The furious blush on your cheeks? The way your eyes slide away from his? The way you writhe, trying to press your thighs together to relieve the pressure and finding the effort futile? If the man’s grin could get any wider, it would, right now. Oh sweetness, we’re going to have so much fun exploring your body together…

He pulls back just enough to take a look at you, already flushed and writhing and overwhelmed and if he could take a picture of this right now he would. He’ll save that for later though. Tonight? Tonight is just the two of you, and his hands are back to your skirt, pushing the tight fabric up over your round hips and revealing the lace of your panties… just before he rips them off, to the sound of your indignant yelp Steve!

You’re going to call me Captain, sweetness, we’re not close enough to use my name just yet.

No. No you’re not, and he’s not sure you’ll ever be — he rather likes the idea of hearing you whimper out his title when he gets you desperate and wanting.

He touches, slow and steady, watching you try to jerk away and tutting at you when you do, fingers at your delicate nerves like an assault on your pleasure. Bite your lip, bite back the moans, whine at him like he’s wounded you, You’re so wet, sweetness, you’re so desperate for me aren’t you, as he palms his cock to relieve the pressure on himself. You’re going to beg before he does and he’s patient, he’ll last the night.

St-stop it, it’s too— he shushes you ahtahtaht and rests his free hand on your mound, holding you down so his probing, inspecting fingers can take stock of the velveteen plushness of your delicate cunt. It’s too much, too much and you want to scream the moment he presses one finger into you, already overwhelmed, already so tightly wound the barest touches are unraveling you steadily.

You’re such a pretty thing, all desperate and needy, sweetness. You wanna cum already, don’t you? So busy, never gave anyone the chance to fuck that stuck-up bitch right out of you, did they? It’s almost pitying, isn’t it, the way he talks, hums at you while you’re reduced to a whining, whimpering mess so soon, so desperate for the release he’s on the edge of denying you, feeling you flexing around his finger and then the second leaping jolt of your body when another joins the inspection. Taking careful stock of the pretty cunt he owns now, and he’s careful to curl his fingers just right as he seeks the spot to hammer just to get you to scream.

You don’t, not yet, but that’s okay too, because he sees the way you take desperate hold of the sheets, the way your eyes roll backwards just slightly, the way you strain against his heavy hand to arch your back. Gotta tell you, sweetness, I imagined you under me a thousand and one ways but this one, right now? Tops the list. You ready to beg for me?

Do it. Do it and end your pleasurable torment. Do it and be released from the pressure, the coiling want. Surrender to him. Let him have you.

The white hot rush of your orgasm is not unexpected to him, his curling, cruel fingers having found the sweetness of your g-spot, but — you, too busy climbing the ranks to think of your own pleasure, too busy demanding your due from an unjust world explore your own warmth beyond that of a memory of a college hookup you would rather forget — you left breathless and wanton in the heat of the explosion he draws out of you, mewling something desperate and pleading against your own will and the song of it fills his ears like it’s all he’s ever wanted. There it is, and I thought we’d be here all night. A thumb flickers over the nerves at your entrance and you practically jump, something between a yelp and a moan escaping your lips.

First one’s just a treat, sweetness. Now on, you cum when I say you do, understand?

You nod.

Oh you nod, and you are lost, here and now. Sensitive and broken and there is so little of that steel spine here, writhing in his sheets and ohyou don’t know the things you do to him.

Think you can go again, sweetness? He’s purring, smug, twisting fingers stretching you slowly, muttering under his breath about how fucking tight you are around his fingers, how good you’re going to feel for him, and the smugness on his face is slowly fading into a dark consternation, brows furrowed like he’s somehow angry at you for being plush and delicate and fuckable.

You’re almost begging him to stop, and yet the pressure is building again, the twisting, coiling heat that leaves you breathless and mewling and he looks like he might be trying to immortalize this moment forever. Say it, sweetness. Say you need me. Beg me for my cock.

That’s it.

That’s what you need to, you need to beg, you need to give in. No more fighting, no more arguing no more —

Please…

Please what, sweetness, come on now. You got a way with words. The snarl is so barely contained.

Please, Captain, please just…

What do you need, sweetness? The fingers are relentless, the buzz in your nerves is overwhelming, you can barely even hear yourself talk, much less him.

Please just fuck me, Captain, I need your cock! It’s hurried and it’s crude and it’s desperate and it’s exactly what he wants as just another wall crumbles and you fall off your pedestal right into his arms.

He’s barely able to resist the buck of his hips, the need to be inside you, the knowledge that you are soft and velvet and you could be all over his senses just like this.

When did he free his cock? You don’t know, you just know it’s practically salvation when he sinks into you, when he fills you like you’ve been desperate for and Oh sweetness…pours from his lips just as you hiss out something like praise right back at him.

You’re so full and he’s so gentle, at first, like you’re made of crystal in his arms, like the slow shifting of his hips might have you shattering underneath him if he’s not careful. Cradling you, even, sliding your legs around his narrow hips as he leans in and takes a hungry kiss from your wanting, whimpering mouth.

Love this look on you, all wrapped around me, whispered low and slow into your ear, sweetness you have no idea how good you look…

Melt into those compliments, melt into him, because the way he’s holding you is divine and you can feel him so deep in you it’s making your head spin. When did your arms end up around him? When did you start clinging to him like an anchor, start winding your fingers through his hair, start leaving the marks of your nails on his back to the sound of his own needy groaning?

He noses your cheek and leaves a mark of ownership on your neck with hungry lips, knowing you’ll bruise a beautiful flower right over your pulsebeat and continuing the steady assault on your nerves, cunt-first.

Harder. Faster. More.

And oh, sweetness, you do shatter.

You shatter all around him, you shatter into something divine and rapturous, full of him and filled with him and he cums so deep inside you as you do, still fucking you through your joined climax, hips rutting and breath hitching and nearly furious at you for the way his vision whites out too, the way he feels like he can Never get enough and so he hisses that at you like an accusation while his thoughts reorient back to reality, back to smugness, back to the control you took from him while he tried to strip you of yours.

In the end, as he pulls away from you and sinks to the side of you, watching your sweet expression as you return to the reality of your new situation, he is satisfied… thoroughly.

Oh yeah, I think we can make this a working relationship, Counsel.

[troquantary]

Edward Cullen: That Boy Ain’t Right

So I was doing a reread of @therealvinelle 's collection of Twilight metas, as one does, and in "Edward, Denial, and a Human Girlfriend" she mentions that she doesn't believe Edward is sane. I thought, "ha, yeah, he's definitely not," and also, "but wait, what does that mean exactly, please say more about that." But since she's already inundated with asks, I've decided to use my own head-muscle and explore this idea. (TL;DR: I start out more or less organized, synthesize some points Vinelle has made across several posts (and have hopefully linked to them all where relevant but please tell me if not), touch a little on narcissism, then take a hard left into the negative effects of being a telepath.)

Just a couple things to note at the outset, though. Theses have been written already (probably) about Edward as an abuser. Edward being insane doesn't negate that at all; he's definitely an asshole and just...a disaster of a human being. (I find it more funny than anything, but YMMV.) I'm also going to try to avoid talking specifically about mental illness and how it relates (or doesn't relate) to abusive behavior -- that's territory I'm not really equipped to discuss, like at all. My starting point is "Edward has a deeply warped perception of reality," not "Edward has X disorder."

So: deeply warped perception of reality. The evidence? Goes behind a cut, because my one character trait is Verbose.

Vinelle provides a great example of it in the post linked above, which I'll just quote because she does words good: "[Edward] keeps acting like his romance with Bella is a romantic tragedy, and all the cast of Twilight are actors on a stage making it as sublime as possible." Edward's the one to pursue Bella, but he does so with the full belief, from the very beginning, that it will never last; Bella will "outgrow" him, go on her human way, and he can spend the rest of eternity brooding magnificently over his too-short romantic bliss. [Insert premature ejaculation joke.] Turning her is never an option, even though Alice, Noted Psychic, says that romancing Bella will either end with her dead (exsanguinated) or dead (vampire).

This framing, where he's a dark anti-hero in love with -- but never tainting! -- the pure maiden and eventually leaving her in a grand, tragic sacrifice to preserve her soul? It's fucking bonkers. Bella isn't a person to him in this scenario. As Vinelle points out, Bella's never really a person to him at all; he falls in love with his own mental construct, cherry-picking from what he observes of her behavior and her responses to his 20 (thousand) Questions to convince himself that she is the ideal woman.

Bella's not the only one who gets the projection/cardboard-cutout treatment. Edward sees everything and everyone through a highly particular, personalized lens. He filters his entire reality, which we all do to an extent, but the thing with Edward is that he starts with his conclusions and then only pays attention to the evidence that supports those conclusions. Often that evidence consists of what he admits in New Moon are only "surface" thoughts -- but recognizing that limitation doesn't keep him from taking those thoughts as representative of what people are. Edward then becomes absolutely convinced by his own "reasoning" and won't be swayed from what he has decided is Objectively True. It's obvious with Bella; it's also painfully obvious with Rosalie. (Vinelle explains this and brings up Edward's raging Madonna/Whore complex in the same post, so refer to that again -- she's right.)

He also catastrophizes. Everything. Bella's just vibing in her room, rereading Wuthering Heights for the 87th time? She's gonna be hit by a meteor, better sneak into her room while she sleeps. Bella's going to the beach with the filthy mundanes their human classmates? She's gonna fall in the ocean. Jasper's cannibal pals are stopping by for a visit, but know not to hunt in the area? DISASTER, DEFCON 1, ALSO FUCK YOU JASPER FOR EVEN EXISTING IN MY AND BELLA'S SPHERE YOU UNSPEAKABLE BURDEN. Edward must believe that Bella is vulnerable and in near-constant peril, to support the reality he has created in which he is the villain turned protector and maybe?? hero??? (!!!) for his beloved. So when the actual, James-shaped danger arrives, he goes berserk, snarling and flipping his shit and generally not helping the situation. His fantasy demands that Bella remain human, so instead of doing the very thing Alice, Noted Psychic, assures him will neutralize the threat (and not just a threat to Bella, either, but to Bella's family and any other human James might decide to include in the "game"), he vetoes it immediately, no discussion. Bella Must Not Turn, and he sticks to those guns despite James nearly reducing her to ground beef, despite leaving Bella catatonic with depression (but human! success!) in New Moon, despite Aro's order and his family's vote and, let's not forget, Bella's clearly and repeatedly stated desire to be a vampire. It's going to happen. But he doesn't accept it until Renesmee busts out of Bella like the Kool-Aid man and the poor girl's heart finally, unequivocally stops.

Sane people don't behave this way. I don't want to slap labels on Edward, but I can't help but note that he comes across as highly narcissistic. He's the only real person in his universe, the lone player among us NPCs. That probably has a lot to do with him being frozen in the mindset and maturity of a seventeen-year-old boy, but I think it's also just...him, on some fundamental level. His failure to connect with others and recognize them as full, independent beings with their own wants and priorities isn't like Bella's failure -- she's badly depressed. Edward is...something else, and I get the sense that his sanity has been steadily deteriorating over time. And a cursory google of narcissistic traits turns up some familiar-looking stuff. He's self-loathing, yes, but also grandiose; he hates himself for the monster he is (and hates most vampires besides Esme and Carlisle for their monstrosity, too) but still feels superior to humans, to the extent that he felt entitled to human blood and resented Carlisle for depriving him of his "proper" diet. He eventually returns to Carlisle, but he's far from content -- the beginning of Midnight Sun finds him in a state of ennui, bored and dismissive of (if not outright disgusted by) everyone around him, that has apparently persisted for years and years. He doesn't play the piano, he doesn't compose, he doesn't enjoy anything...at least until Bella comes along and then he becomes obsessed to a disturbing degree with her and his new, romantic tragedy spin on reality.

[Next-day edit: I’m not sure where else to fit this in, but the way Edward casually contemplates violence against people who have, at best, mildly annoyed him is...chilling. I have a hard time writing off his strategizing how to murder the entire Biology class as a result of bloodlust -- it’s so calculated, nothing like the blackout state of thirst Emmett describes when he encountered his own “singer,” and that is probably the default for when a vampire is extremely thirsty. But even ignoring the Biology class incident, Edward still does things like consider, with disturbing frequency, how he might grievously injure or kill Mike Newton, all because...Edward considers him his romantic rival (despite Bella barely giving the kid the time of day). He thinks about slapping Mike through a wall, which might be an amusing slapstick image, except as a vampire Edward’s actually capable of turning this boy’s skeleton to a fine powder. So it’s, y’know, kind of sick when you think about it.

But even worse than that, when Bella tells Edward about how she flirted with Jacob to get at that sweet, sweet vampire lore, Edward chuckles and then, after dropping Bella home, flippantly observes that now that the treaty’s broken, why not genocide? I’m not even kidding, it’s right there in Midnight Sun; he seriously thinks about the fact that he’d be technically justified now in wiping out the entire tribe because a teenager tried to impress a girl with a spooky story. That is fucked. Remember, Edward was there with Carlisle when the treaty was first established. He knows how remarkable it is that they even came to a truce in the first place, that it was only ever possible because Carlisle is...well, Carlisle, and that it marks a pretty significant moment in supernatural history. He doesn’t care; he doesn’t respect it, or he’d never think something like “Ha ha, if I went and killed them all, I wouldn’t even be wrong. I mean, I won’t do it, but I’m just saying, I wouldn’t be wrong.”

Again: not the thought process or behavior of a sane person. (Or a person that respects life in general -- sorry Carlisle, big L.)]

Finally, whether he's a narcissist or not, I think the fact that Edward has constant, unavoidable access to everyone's thoughts is a powerful contributing factor to his instability. He can tune out the mental noise to an extent, but he can't stop it -- so he comes to rely on it like another sense. This causes issues with disconnect and lack of empathy, of course, but there's another facet to this shit diamond: he's basically experiencing a ceaseless flow of intrusive thoughts. His narration in Midnight Sun suggests that he "hears" the words people think, can "see" what they visualize in their mind's eye, and can sense the emotional "tone" and intensity of their thoughts. Therefore, perceiving Jasper's thirst through his thoughts makes Edward more aware of his own, "doubling" the discomfort. This would be a lot to deal with even from just his immediate coven members, but Edward gets all of this pouring into his head like a firehose on a day-to-day basis because the Cullens live right alongside humans. I know Meyerpires have galaxy brains or whatever, but that's a ton to process.

Besides the compounding effect on his own thirst when he "feels" the thirst of others, Meyer never suggests that Edward has difficulty separating his own thoughts from other people's; even when he was newly turned, he recognized Carlisle's "voice" in his head as Carlisle's. That would create a whole different host of issues around identity, but it looks like Edward's escaped that particular torment. However, I can easily imagine that what he does experience is just shy of unbearable nonetheless, with an eroding effect on his sanity over decades. He can't sleep to escape it; he's on a dishwater diet and probably (like the rest of his family) experiencing a perpetual, low-grade physical discomfort due to his thirst never being fully satisfied; and he's around far more people than is the norm for vampires -- even discounting all the humans, his own coven is unusually large -- meaning more noise.

Honestly, it would be weirder if he were all there, considering.

And even though I feel like I lost a sense of structure around where I started ranting about telepathy, I've written like 1.5k words about Edward fucking Cullen and I think that's enough for one post.

[hobidreams]

october 1864.

but nothing gold can stay.

pairing: joseon king!yoongi x reader genre: angst words: 1.3k contains: historical au, descriptions of accidental parental death and blood, grief a/n: for ease, Yoongi’s father is referred to as King Min even though it’s not technically correct. 

moonlit throne index. this is drabble 11. start from the beginning?

They said it was an accident.

She had slipped reaching for a precious herb around the side of the cliff. It had been raining the night before so the stones had still been damp. Too damp to support the weight that had been placed a smidgen too far, a tad bit wrong and then mother was just… gone. They couldn't stop the bleeding in time. And even though you told her to be careful with a warm smile that morning, even though she said she would be back very soon with a pat of your head, none of that means anything anymore.

You stare at the empty, unused bedspread beside yours and feel the warm wetness slide down your numb cheeks. You barely register the tears. Not when they've become so commonplace.

It's been three days since they gave you the news; it's been three days since you've ventured outside this room. It hurts so much to stay here but you are afraid it might hurt more to leave. If not for the kind person leaving meals outside your door (you managed to make out a swish of green robes once; one of the eunuchs it seems), you surely would have starved. But even the heat of the rice porridge doesn't seem to spread through your body, your fingers stiff and cold from lack of use.

Mother would absolutely scold you if she saw you like this.

It was she who always insisted on being independent, regardless of the strict rules that society placed on your gender and your rank. She taught you how to make the best of the resources you had, but also never to take any opportunities for granted when they came by chance. She is the best person you will ever know, and you… you owe it to her to take care of yourself.

Borrowing her strength, you push up from the blankets. You've relied on the mystery benefactor enough. You can get yourself a cup of hot water, damn it. Wrapping your mother's coat around your hanbok, her scent hugging you in comfort, you pad down the halls towards the kitchen with your head bowed.

It's a bit of a walk down, but the air helps clear some of the fog in your mind, even if you know it'll soon return in the end. Having a goal helps move you forward. That's all you need right now. To just keep going.

"Jeonha has issued a full funeral procession for her?"

Your quiet steps hesitate just as you cross the closed door of one of the tea rooms. The words worm directly into your brain. The voice is vaguely familiar, one of King Min's concubines maybe? But there is no chance that they would be talking about...

"Yes, for a mere uinyeo! Who would have thought?" A second speaker, this one harsher, sharper. She punctuates with a laugh.

With a frown, you move closer. Pretend to inspect a piece of the building tile that has come loose.

"She did help deliver the crown prince all those years ago. That would buy her some favoritism."

"Hmph. That wouldn't warrant such a fuss as this. But... I did hear that jeonha picked her off the streets himself, and that's how she first entered the palace. Imagine that — a cheonmin coming to live here!"

"How vulgar."

"But that’s not all one of the maids told me. That cheonmin…” Her voice lowers so you barely catch it. “She gave birth not long after to her daughter."

Another low laugh. "You don't think it’s the king’s bast—"

You rip away from the door, desperate not to hear the end of that sentence.

You’re going to be ill. Violently so. Or burst into the room and do something you’ll heavily regret later. Your feet move so fast you nearly fall over as you back away from the room, clutching the jacket before turning. You run back the way you came, water forgotten, the fresh sting of tears in your eyes.

Is that what they have thought of your mother all this time? Twisting her hardships and the kindness of the king into something so dirty when they knew nothing of the truth. Speculating so wildly when it was your father had abandoned you both. The truth: mother had been near death when the king happened upon you. She used the resources he allowed her to teach herself literacy, and then proper medicine to repay him with a lifetime of pure, untainted loyalty.

You throw aside the door to your room with a furious slam. You’ve never wanted so badly to break something, anything as you scan the place. Your temper flares hotter when you think of all the times mother refused to come to bed and rest because she was too concerned about the concubines and women like them who came so frequently to her for help. She talked to them, hand-fed them, cared for them. She sacrificed so much and this is how they thank her—

You make a wild grab and your hands land on unfolded laundry.

The first smack of it on the floor feels good. No permanent damage but the exertion of grabbing and hurling towards the ground is a like welcome release.

You do it again, again, again, something so deeply satisfying about seeing everything precise rumple and come undone before you as a result of your own actions. Not anyone else’s. Not even the universe’s. You snatch up another handful and prepare to throw.

“You’re packing? You’re leaving?” It’s a sharp voice, bordering on frantic.

You whirl.

It’s the prince, holding a pastry box, his eyes blown uncharacteristically wide with surprise. If this were any other time, you’d probably laugh at his thinking this scene has any semblance of proper intention and order.

“No,” you snap. But then you consider it.

You… You could leave, couldn’t you?

After all, there’s nothing tying you here any longer. Being in the palace will only remind of you of life before she was ripped away. The memories of her smile and her love have yet to scab over and you’re so terrified that they’ll always be there as festering, chafing wounds. You could still serve and be loyal to your king from within the town walls. Maybe open that clinic mother often talked about as a wild dream. It’d be difficult, so difficult, but you could maybe run it yourself, with a few helping hands. Yes… Yes, you could!

The more you think about it, the more you want to do it. An escape from this suffocating place. The easy way out.

“Actually, yes,” you hear yourself saying. “Leaving.”

No one would miss you, a cheonmin’s daughter. The thought of those women and their poisonous words makes you scrunch your fist, only to find you’re still holding clothes. Your heart catches when you realize it’s mother’s blouse. Yours now, you suppose. Yours to take with you and never look back.

“Don’t.”

Your heart leaps as you jerk your gaze up.

“Don’t go.”

You shake your head. “The uinyeo will be fine. All of them are more experienced than me.”

“No, they won’t be.” He grits his teeth. “They need you.”

“Seja-jeonha, I—I don’t belong here.”

“Bullshit.” Always stubborn to the end. “Stay.”

“I can’t—”

“Please.”

The way he looks at you now… you’ve never seen it before. The wobbling of his lip. The irregularity of his breath. It’s like he is truly, completely uncertain. Almost to the point of fear. As if he knows that your paths won’t cross again if he lets you leave now.

“Stay,” he says again, and you think of mother. You think of how much she loved living here where it was safe. How much she loved helping the women even if some of them were undeserving of it in the end. You think of the queen, and the affectionate kindness she always extends to you without fail or question. Then you look at Yoongi. At that charcoal storm in his eyes, and you think maybe there’s more left here for you than you thought.

You draw in a deep, quiet breath.

“Okay.”

[ninma]

A look at Dream's punishment through irl rules and taking into account UN's rules regarding prisons. Because it is just interesting and it proves how there is NO justification for it. But mostly because it's interesting to look at and you may learn a thing or two.

I have seen too many times people trying to justify Dream's punishment. I did research and read through multiple articles and documents (over 73 pages of two different documents) about the more legal sides of his punishment. While Quackity's physical torture is obvious, I am here to address that even before that it was still very illegal. I know it is fictional! This is just a look into the real life facts and rules regarding prisons because it is interesting to look at Dream's punishment and Pandora's Vault under the light of these. So keep that in mind while reading this!

Welcome to my ted talk with actual facts and be prepared for quite the ride!

While yes, he has done bad things...however he has not done something so bad that he deserves a punishment so cruel that it's considered too inhumane for even mass murderers. Like actually! Stay tooned and you'll see what I mean.

His sentence is indefinite solidary confinement. Which is defined by the united nations as:

"the confinement of prisoners for 22 hours or more a day without meaningful human contact."

This means his punishment fits the definition for all his time (including visits) except when Tommy was locked inn and now with Quackity (although I'd consider the last one a turn for the worse). Now that we have that cleared up- lets get into the rule breaking. But first, let me introduce you to The Mandela Rules!

"The Mandela Rules reinforce human rights principles, including

 the recognition of the absolute prohibition of torture and other cruel, inhuman

 or degrading treatment or punishment and effective guidance 

to national prison administrations for persons deprived of their liberty"

Now that we have established that, lets get into this concerning fact train!

Rule 43

1. In no circumstances may restrictions or disciplinary sanctions amount to torture or other cruel, inhuman or degrading treatment or punishment.

The following practices, in particular, shall be prohibited:

(a) Indefinite solitary confinement;

(b) Prolonged solitary confinement;

(c) Placement of a prisoner in a dark or constantly lit cell;

(d) Corporal punishment or the reduction of a prisoner’s diet or drinking water;

(e) Collective punishment.

Yeah...pretty clear breaking of 4/5 there. They can't even break e! Not to mention the pretty explicit breaking of d that was probably a surprise. You can count it as them breaking 4/4 if you count the fact that they can’t even break e. Rest assured my friend, this is just the beginning.

Rule 44

For the purpose of these rules, solitary confinement shall refer to the confinement of prisoners for 22

 hours or more a day without meaningful human contact. Prolonged solitary confinement shall refer to 

solitary confinement for a time period in excess of 15 consecutive days.

Already broken this one too huh. Even visiting days counts because I don't think anyone has been there for hours and I also don't think Sam's interactions would be long enough or count as meaningful human contact. The time with Tommy and Quackity is the only time it dosen't count as solidary. So this is getting...very much concerinng. But this is still only the start.

Rule 45

1. Solitary confinement shall be used only in exceptional cases as a last

 resort*, for as* short a time as possible and subject to independent

 review, and only pursuant to the authorization by a competent authority. It

 shall not be imposed by virtue of a prisoner’s sentence.

2. The imposition of solitary confinement should be prohibited in the case

 of prisoners with mental or physical disabilities when their conditions

 would be exacerbated by such measures

Woops...so not only is it illegal as a punishment...but also the "he is a psychopath" argument (which is already a bad stereotype, but I won't get into psychology here. It's a common misconception and c!Tommy not knowing is almost to be expected. However please do not say that someone, character or real person, have a mental disorder or illness without proper knowledge about psychology and in the case of characters we shouldn’t put labels unless the writer has said that they have taken mental disorders or illnesses into account when making the character) just got yeeted out the window. Actually that argument just took a loop and now is an argument for the other side. It makes sense because as it says: it exacerbates their preexisting mental illnesses. Which is why it's prohibited. 

"In no case may a detainee’s contact with the outside world be

 dependent on his or her cooperativeness, be used as a disciplinary

 sanction or form part of the sentence."

  - Special Rapporteur on Torture and Other Cruel, Inhuman or Degrading Treatment or Punishment, Civil and Political Rights, Including the Questions of Torture and Detention, ¶ 43, Comm’n on Human Rights,

“…The medical officer should visit prisoners held in solitary confinement

 every day, on the understanding that such visits should be in the interests

 of the prisoners ’ health. Furthermore, prisoners held in solitary

 confinement for more than 12 hours should have access to fresh air for at

 least 1 hour each day” - Subcomm. on Prevention of Torture [SPT]

Wow Sam...it is almost impressive in a dark way just how explicitly these are broken. The Warden's very punishments for disobedience just straight up counts as torture. And for the obvious record I highly doubt Quackity's daily visits to the green bloob counts as anything but 'the interests of the prisoners' health'. You can disagree here...but I am being very sarcastic.

Rule 22

1. Every prisoner shall be provided by the prison administration at the

usual hours with food of nutritional value adequate for health and

strength, of wholesome quality and well prepared and served.

Raw potatoes every day for the rest of your life..eehhh no thanks. If Dream ever gets out he will probably join me in the 'eating potatoes trauma' box. As funny as that sounds, it isn't a joke. I was force fed potatoes as a child and I hated it to the point where it gave me a mental block that stops me from eating them as my body just does not want to swallow it. It's a problem. But I can joke about it. Maybe Tommy will join us too, although it wasn't really the eating potatoes that caused that trauma...rip. Rest in anything but potatoes.

Rule 42

General living conditions addressed in these rules, including those related

to light, ventilation, temperature, sanitation, nutrition, drinking water,

access to open air and physical exercise, personal hygiene, health care

and adequate personal space, shall apply to all prisoners without

 exception.

I think it's pointless to say more on that topic as it's pretty much already summed up. Let us now move over to what are probably some of the qoutes so specific that it's scary.

“Furthermore, [the Committee] is concerned about the use of solitary

 confinement for indefinite periods of time.... Full isolation of 22 to 23

 hours a day in supermaximum security prisons is unacceptable

(art. 16).” - Committee. against Torture [CAT]

Oh wow.. talk about on the nose. I should've just started with this one as it pretty much says pretty clearly how it is unacceptable. Like yikes...can you get more specific? It is just downright ridiculous at this point. (-_-;)

“Solitary confinement, when used for the purpose of punishment,

 cannot be justified for any reason, precisely because it imposes severe

 mental pain and suffering beyond any reasonable retribution for

 criminal behaviour and thus constitutes an act defined in article 1 or article

 16 of the Convention against Torture, and a breach of article 7 of the

 International Covenant on Civil and Political Rights."

Ahaha...ha....yeah for those who justify it...the convention against torture is very much against it being justified...Imagine if the characters could read these rules, that'd be interesting. Although I am pretty sure they don't follow realism for the imprisonment. As I have already said; this is just an interesting look at the irl rules and how Dream's punishment and Pandora's Vault stand under light of them.

“No prisoner, including those serving life sentence [sic] and prisoners on

 death row, shall be held in solitary confinement merely because of the

 gravity of the crime.”

 - Special Rapporteur on Torture and Other Cruel, Inhuman or Degrading Treatment or Punishment

Like...there are no loopholes here. It is so extremely clear that it truly is darkly impressive how the characters don't seem to have a second thought about this. How do you accidentally sentence someone to a lifetime of torture without realizing? If they do know...It'd be very dark.

Btw Tommy's exile and his time in prison doesn't count as solidary confinement. Just to clear that up.

It amazes me how badly they break these rules...I know they probably didn't take the realism into consideration. However it is still kind of darkly impressive. Especially considering how scary specific they break them too. Even though this is just a interesting (I was about to write fun, however I wouldn't count realizing how inhuman the prison is is 'fun'. But it is interesting) look at Dream's punishment and Pandora's Vault under the light of real life rules for prisons. (lol my paranoid self have said this so much)

These facts also proves how saying it's justified...is kind of morally bad. Not attacking anyone! I just want to also say how while it is pure fiction and the characters in the story can have whatever opinion they want as they are characters. However when it comes to fans approving and justifying it without taking time to consider how it really isn't something that can be justified (real or no). You can have whatever opinion you want, however just maybe take some of what you have learned today and reflect over it? To think twice after having received new information dosen't hurt. I am not here to tell you what to think, so rest easy. Only to share some facts^^ (*so obviously scared of offending anyone*)

I recommend taking some time to look it up yourself if you want to look further into it. The psychological aspects of it is also interesting to look at!

I hope you have learned something here today and found this post and my research interesting! I spent hours on this so I hope you have enjoyed this! I originally posted this on reddit and I was very surprised at how many stopped by to read it and therefore I choose to post it here as well because you learn something and hopefully also gained a new perspective. 

Ninma over and out!

[hb-writes]

Tidy Sums

Summary: Sophie Mason (OC) was John Shelby’s first friend and his first kiss. They’d never been in love, not in the way he’d been in love with Martha. Their relationship wasn’t quite so tidy, but that had never stopped them from loving one another in their own way and finding their own happiness in the mayhem. 

Characters: John Shelby and Sophie (OC)

Warnings: canon-content, mention of a sexual relationship, kissing/ touching.

--

If Sophie was being honest, and honest was something she usually was, the problem was quite simple. 

The numbers no longer made sense. 

They hadn't for some time now, the figures blurring together with the lines meant to keep each transaction separate, the columns and neat symbols representing the company's wins and losses jumbled in her mind although the tidy sums were somehow still accumulating on the bottom of every page. 

Sophie had been working with the betting shop's books for years now, more familiar with the content of the ledgers than she was with any other book she’d come across—the bible or the latest popular novel she’d taken out from the central library. She supposed the only other pages she knew as well as the ledgers were those of the children’s book John’s kids begged after anytime she sat for them, refusing sleep until they heard a tale from the old, worn tome that was so well-loved it was missing the cover page. Sophie could probably recite the story from memory, but she had no ideas about its proper title, not with the kids referring to it exclusively as “daddy’s story.”

Sophie had worked for the Shelby family in a somewhat official capacity since leaving school almost a decade earlier, but she had had her nose in their books for longer than that, ever since Polly realized the girl had a penchant for numbers. And it was Sophie who encouraged John to get involved with this side of the business when they were only fourteen, convincing him easily enough that the pair of them could get up to the same amount of fun in the betting shop as they got up to out on the lane. It was Sophie who had known, despite what his school records had to say on the matter, that John Shelby was good with numbers. 

But numbers were cleaner, less bloody, less exciting, and certainly more mentally taxing than playing at peaky boy, or at least mentally taxing in a different way. They had to generate their own sources of amusement within the walls of the betting shop. She and John had always been good at sourcing their own amusement though.

Sophie sat back from the books, taking a moment to rub her eyes with the heels of her palms. It was late. Scudboat and the twins had already gone, and John had locked her in when he went home to check on his lot, saying he’d be back to let her out and lock up once he got his kids down for the night. 

That was their routine these days. She’d spend an extra couple of hours each night with the books while John stole an extra couple of hours with his kids before putting them down for bed and coming back to number six to wrap things up for the night.

She startled a bit when John’s hands found her arms, his rough palms pinching and rubbing against the delicate fabric of her shirt. She settled as the warmth of his hands came through her thin sleeves and sunk into her skin, finally leaning her head back to rest against his stomach, tilting her eyes up to him briefly as the left side of her mouth pulled up. 

“Devils went down early tonight,” she said. 

He’d been gone for less than an hour. It was usually twice that before he made his way back and his return was usually accompanied with some sort of complaint about the kids’ behavior, about their refusal to go to sleep or eat the dinner he made them, something Sophie was always quick to remind him was simple coded behavior for them wanting more time with their father and being uncertain of a better way to go about it.

“Finn’s on devil duty for the night.” John shrugged. “Says he’s saving up for something, so he’s eager for the pocket money.”

Sophie hummed, tilting her head back down to the books as she picked up her pen once more. “A little devil put on devil duty,” she mused. “I’m sure that will turn out well.”

“I think you’ll find most of us Shelbys are devils,” John said.

“I don’t...” she started, pausing both her hand and her mouth as John’s fingers traveled up her arm, fingertips slipping across the smooth skin of her exposed collarbone and then her neck as he pushed her hair aside. 

She tried again. “I don’t intend...”

Sophie gulped, stilling for a moment as John’s lips found her neck. A deep breath came from her in a nearly involuntary capacity and her shoulders relaxed back. She was overcome by his slow focus, overcome by the simple way John could tease her. Despite his leisurely wandering, they both knew he was venturing towards the one spot he knew could have her entirely undone, have her forgetting her words and how to properly breathe, obliterating from memory the notion of responsibility and the company books entirely. 

“Don’t intend to what?” John mumbled the words against her skin as she tilted her head, exposing her neck as his fingers wound in her hair. 

“Fuck,” she breathed as his lips found her earlobe, his warm breath melting any remaining resolve as her back arched away from the chair. 

“No, John, stop.” 

John released her from his lips, straightening his back, and turning her face to his with the hand still entwined in her hair, the guidance gentle yet resolute. 

“You really want me to stop?” 

Her skin burned hot and her breaths had started to come a bit quicker, more shallow and less gratifying in meeting her need for air, her need for calm and control and the mysterious power she knew a steady cadence of breaths could hold. Sophie forced herself to deepen her inhale and pause before the exhale, forced herself to calm her racing heart and quell the more instinctual desire stirring inside of her, willing her mind and body to focus...on anything other than John.

“I want,” she started after a barely sufficient cycle of inhales and exhales, reaching up to wrap her hand around John’s forearm, “for you to let me finish these ledgers so your aunt doesn’t issue me a death warrant.” 

John sighed and rolled his eyes at the protest but removed his hand from her hair at the gentle nudge. 

“Or a boot. Or a smack upside the head,” Sophie continued, pulling a hair comb from her desk drawer and initiating some attempt at getting the hair out of her face, “or whatever retribution it is she’s offering us these days.”

“Pol won’t come after you like that,” John said.

“She’s done it before.”

“That woman hit you once, almost fifteen years ago, and we both deserved it that day. Scared the shit out of her playing in the Cut like that.” John rocked on the balls of his feet for a moment, thinking on the whiskey and cigars tucked away in his office before deciding to forgo both vices for now. “Anyway, we’re not kids anymore.”

She raised an eyebrow. “Pretty sure Aunt Polly smacked you upside the head just last week.”

“Well, that’s me, not you,” he said. “She’s got a soft spot for you.”

“All the more reason not to chance it, then. One go around with her was more than enough for me,” she answered, finally succeeding at securing the bulk of her hair up, the loose bits falling back into her face just a few seconds after she tucked them away. 

John laughed as he moved to sit against the desk, crossing his arms across his chest. “Well, what if—”

“No, John. No what-ifs…What-ifs and…” Sophie glanced up at him, regretting it even before she met his mischievous eyes, lamenting the decision as soon as she caught sight of his lips, swollen and reddened from his previous endeavors. “What-ifs and that fucking smirk are what made me fall behind to begin with.”  

John chuckled. “You’re behind because you like doing me more than you like doing the books.”

She sat back in her chair, arms folding across her chest as she looked at John, his body shaking slightly with the laughter he only half-heartedly tried to contain. “You think so?”

“Seems like it. You were very diligent back when you were stepping out with that dim bloke. The one with the sweaty hands?” 

Sophie leaned forward just an inch and John held up a hand. “Now, don’t you go smacking me, too. You can’t dispute it because you told me yourself.” 

“This has nothing to do with Phillip’s sweaty hands,” she said, smirking back at John. “Maybe I’m behind because my boss is a hard ass who has put too much on my plate and not enough on theirs?”

John nodded like he was considering her words. “You know, I wouldn’t let Aunt Pol hear you speaking ill of her like that if I was you.”

Sophie rolled her eyes. “I'm talking about you and you know it. I’m here late every night and you leave early every day to go home to those kids.”

John shrugged. “If you don’t want to be here every night with the books, you’re more than welcome to go mother my lot and make us dinner.”

She frowned as he said it, sighing as his playful demeanor didn’t quite stick, the note of his words far too hopeful and desperate and longing. 

“I don’t want to be a mother, John,” she said. “And you know I’m a shit cook.”

Sophie had made that much clear to him over the last year, both the bit about the mothering and the bit about the cooking. She was good with the kids, and would gladly watch them for a few hours or so when he needed, but she had no desire to raise a hoard of children, or even one child. Not someone else’s, and not one of her own either. She had other aspirations and they didn’t involve being tied to a home and a child, or even to a man. 

“I’m perfectly content being an almost auntie. I’m good with children so long as they go back to their parents when all is said and done.” 

“And the cooking?”

“You really want me cooking for you?”

“No, you’re right. You’re rubbish in a kitchen,” he said before picking up the tube of lipstick set on her desk. “You’re their favorite auntie though,” John continued, fidgeting with the tube as he spoke. The thing went unused nearly every day now that she was working late, passing the bulk of her evenings at the shop with John instead of out at a pub or dance hall, but the thing still sat on her desk just in case, a gentle reminder of the types of nights she used to have. 

“They’re always fucking asking after you,” he said.

Sophie pulled her eyes away from his hands to observe his face. “Well, they take after their father then because you can’t seem to get enough of me either.”

Sophie pushed some strands of hair from her face, only causing more to come loose from the hair comb. She pulled the whole thing out and began twisting her tresses up again as she continued speaking. “Constantly bothering me… keeping me from my work… never ending nonsense and devilment.” 

John snorted and pushed himself off the desk, taking the hair from her hands. 

“What are you doing?” 

Sophie turned towards him and John planted his hands on her shoulders, twisting her so she faced away from him once again.

“Fixing your hair so you can focus on your work, so do us both a favor and sit still,” he said, combing his fingers through her hair to release the knots, the nails of his fingers grazing her scalp as he swept the hair back from her face. 

“That’s not going to help me focus on my work,” she muttered as he began weaving her hair, the ritual a calming one, nostalgic even, reminding her of her youth, reminding her of when she had someone to plait her hair. Sophie hadn’t worn a braid in years. She was skilled at braiding other people’s hair, but she had never learned how to manage her own.

“No?” John asked. “You’ve got two free hands and two working eyes while I’m doing this. No reason you can’t be adding and subtracting right now.” 

She shook her head and John tugged the strands between his fingers tight, eliciting a howl as she reached her hand back. 

“What the hell?”

“Sit still,” John said, smiling into the words as he continued with his work.

“Don’t pull my fucking hair.”

He pulled the strands tight once again, laughter spilling from his lips before she even had a chance to react.

“I told you to sit still. You’re worse than Katie. Never have to tug on her braid more than once to get her to settle.”

Sophie huffed but followed his directive, knowing there was less than a minute left of John’s undertaking, and knowing he would have no qualms about tugging her hair again.  

“Remember how we said we’d get married if we both weren’t married by the time one of us turned twenty-five?”

A part of Sophie wanted to look at him, wanted to turn her head and meet his eye, to see what kind of expression graced his face while he brought up the pact from almost fifteen years ago, a silly agreement made between two kids who knew absolutely nothing of life, but John had told her to sit still, so while she felt his hands still winding in her hair, she did just that. 

“You’re turning twenty-five next month,” he said, finally tying off the braid. John stepped to the side, resuming his seat on her desk.

“You’re very good at that,” she commented.

“Good at what?”

She pulled the braid over her shoulder, admiring its neatness. “The braid. You’ve gotten good. You used to be quite abysmal with it.”

“You taught me well, I guess.” John rolled his eyes. “You had more patience with me than Martha did.”

“Well, could you really blame her? You were a horrible student, all fumbling hands and that fucking cheeky mouth running the whole time for no good reason.”

John smiled. “And you’ve gotten quite good at that,” he said.

“Good at what?” she asked.

“Changing the fucking subject.”

She sighed as she dropped the braid and looked at him. “We’re not getting married, John. Not because of some silly pact and not because your kids need a mother.” 

“What if it’s because we like each other?” he asked, tugging her up to stand between his legs. “What if it’s because we love each other, eh?” 

She chewed on her bottom lip and looked away, fighting only a bit when his hand caught her chin and tilted it towards his face. 

“You do love me, don’t you?”

“You know I do,” she said, “but not like you’re asking. And you don’t love me like that either.” 

“Love is love.”

She shook her head. “We love like friends.”

“Friends love like this?” John glanced down and Sophie’s eyes followed his gaze to see how their bodies were wrapped up together. Her hand had settled on his thigh, his on her hip, with both of their fingers idly caressing clothing seams while they were each thinking of caressing the skin beneath.

“Attraction and romantic love are different things, John.”

Sophie was always saying it, and he liked to argue with her even though he knew it was at least a bit true. John knew they were friends who happened to be physically attracted to one another, and maybe, if he’d never fallen in love with Martha, or maybe if he’d never had kids, or if Sophie had not gotten so close with Martha in the years he’d been away, things could be different, but as it was, Sophie was right and John knew it. Because he didn’t feel about her the same way he’d felt about Martha and she didn’t feel that way about him either.

Their relationship was a combination of friendly care and sexual attraction and the type of love that came from knowing someone for as long as it was possible to know another person who wasn’t truly family, but there wasn’t a true bit of romantic desire between them. 

“And I don’t want to be what you need your woman to be. You and the kids deserve someone who wants that life.”

“And what happens when I find someone who wants that life?”

“What always happens,” she said with a shrug, “we stop this and I catch up on the books.” 

“Is that what you want?”

Sophie was telling the truth, but she hesitated anyway. This was the longest stretch they’d done this, the longest stretch during which she’d not bothered with dates, and if nothing else, it was habit now, their ritual. It was a comfort. But if John found someone he wanted to settle down with, Sophie knew they’d put a stop to things, same as they’d done all those years ago when he fell in love with Martha and same as they’d done earlier this year when she’d decided to go on a few dates with Harvey Johnson or a few months later when she’d agreed to see Phillip Miller a few times.

It hadn’t bothered Sophie when he was with Martha, and though John had teased her about the men she’d chosen to step out with over the last year, he hadn’t seemed too bothered by it either, more concerned with expressing what he’d do to the men if she came out of it hurt. Sophie knew from experience they could simply stop. 

Stop the flirting. 

Stop the kissing and the sex and the nonsensical talk of being anything more than friends. 

They could stop with the rest of it and still be friends.

John wrapped his hand around Sophie’s braid, giving it a small tug to pull her attention back to him.

“Quit pulling my fucking hair.”

“It’s the only thing that ever makes you listen,” he said, tightening his hold a bit. “And I know you like it.” 

“And the only thing that ever makes you listen—” 

John caught her hand before she could reach high enough to smack him upside the head. “I’m listening. Answer the question.” 

“I already told you what I want,” she said, nodding towards the open ledger beside him. “To spare myself a lecture, hell, probably two lectures if Polly decides to let Tom know we’re behind, too. Your brother’s in a right fucking mood lately.” 

“Is that what you want? The end of this?” John asked, glazing over her chastising him about pulling her hair and her concerns about lectures and the hand she’d raised to smack him upside the head. 

Sophie shrugged, pulling her hand loose from his hold and absently rubbing at her wrist as she leaned against his leg. 

“C’mon Soph, I’m being serious.”

She pushed her finger into the corner of John’s frowning mouth, forcing a half smile. “John Shelby doesn’t do serious.” 

John moved her hand away from his face. “I’m doing serious right now.”

“Fine, John. I want to be happy. And I want you and the kids to be happy,” she said, turning towards him straight on and resting both hands on his thighs. “And someday that may mean you have someone to go home to, and those babies won’t be looked after by another baby, but for now, that means we do this whenever we can.

“I have to finish this work first though.” 

Sophie kissed him on the cheek then, squeezing his thighs once before she moved to sit back down, but John caught her at the elbow, holding her there in front of him. 

“What about you?”

She tried to pull out of his grasp, but John only gripped tighter and drew her closer. 

Sophie rolled her eyes. “What about me?”

“I didn’t hear anything about getting you your happiness.” 

“I’m plenty happy, John,” she said. 

He raised an eyebrow.

“You want the truth?”

John nodded, his hands slipping down her arms to hold her hands. She sighed, looking down at their hands entwined there together. 

The truth was Sophie was happy. The truth was she had always been happy with what they were and what they weren’t, content with the sum of things though it was by no means tidy like the lines of the ledger books they spent their days looking over.

“The truth is I think if you don’t let me finish these books I might not know happiness ever again,” she said, slipping her hands from his and stepping out from between his legs.

John pulled her back to him before she could slip into the chair though, reaching his arms around her body and wrapping his legs around hers, trapping her against him. “Well, if that’s the case, we’d better make sure you get your fill of happiness now then, eh?”

[pair-annoyed]

Anime I Watched This Fall

My first semester of college is officially over and the December holidays are upon us! I hoped to make one of these posts sooner, but I have been incredibly busy with schoolwork. Now that things have slowed down, let’s take sometime to reflect on things I’ve watched. 

These anime are listed in chronological order and encompass everything I’ve watched from 9/1/2020 - 12/15/2020

Like always, they will be rated on a 1-10 scale; 1 meaning complete garbage, 10 meaning masterpiece. I will offer my thoughts on what I did/didn’t like about each show!

1. The God of High School - 6/10 

Despite the stellar animation from MAPPA and my high expectations, I was really disappointed by how this series was treated. Most of the story’s crucial elements were handled poorly. I finished this series feeling more confused about the plot than when I first began. The power system is really cool, but poorly explained. More time should have been spent on exposition and world building for this series, instead the fights were given the most screen time. 

2.  Doukyuusei - 7/10 

I really liked the style of Doukyuusei. Granted, this was another movie I chose to watch primarily because of the hype surrounding it. The dynamic between Kusakabe and Sajou is an interesting one, and I also enjoy how the movies different acts were separated by the seasons. However, there's nothing that really sets Doukyuusei apart from other romance movies, its a little generic. Still, I enjoyed it nonetheless. 

3.  Re:Zero kara Hajimeru Isekai Seikatsu 2nd Season - 8/10 

My opinions on Re:Zero’s second season are biased. This was, by far, the sequel I was most hyped for during the summer/fall anime season. I was so happy to see the story’s continuation and I’m looking forward to the season’s second part coming sometime in January. Re:Zero is one of my all time favorite series because of the way it handles it characters and power dynamics. I also really enjoy the show’s psychological aspects. If you haven’t already, give Re:Zero a try! 

4. Saint☆Oniisan (Movie + OVA) - 8/10

This was a wonderful comedy. I wasn’t sure how the subject of Jesus and Buddha living together would be tackled, but it was handled wonderfully. I was laughing for pretty much the entire movie. I love the art style and little references to both Buddhism and Christianity, plus the incorporation of Japanese culture. Saint Oniisan is a bright comedy, with two eccentric main characters. If you like a show that doesn’t take itself too seriously, and need a good laugh, I can’t recommend this more.

5. Clannad: After Story - 10/10 

Never, while watching anime, did I cry as much as I did while watching Clannad: After Story. I didn’t realize how much I related to Okazaki until I saw him grow up in After Story. I was left sobbing, especially after episode 18. I still, to this day, cannot listen to the Dango song without tearing up. The original Clannad is nothing special, but the continuation of its story its something heartfelt, emotional, and down-to-earth. I love Kyoto Animation with all my heart, and Clannad made me appreciate everything the studio has done just a little bit more. Thank you Clannad, for reminding me about the kind of person I strive to be. 

6. Nakitai Watashi wa Neko wo Kaburu - 5.5/10

The art in A Whisker Away was beautiful. The story itself, however, is nothing too enjoyable. I found it difficult to like our protagonist or her love interest. Nothing about this movie is inherently memorable. The emotional climax came far too early which made the second half of the film seem long and drawn out.  All in all, the movie has a wonderful concept, I just believe it could have been so much more emotional than it was. When I watch a move, I like to empathize with the characters. It’s difficult to do when the characters aren’t given the proper exposition to be empathized with. 

7.  Shikioriori - 6/10

This is less of a movie and more of a collection of short stories. Flavors of Youth is something you shouldn’t watch on an empty stomach, all of the food looks incredible. The same cannot beside for the rest of this feature. The stories themselves seems heavily clichéd. Much like A Whisker Away, the initial premise is intriguing, but the execution results in something that comes across as trying too hard and carries no emotional weight with the viewer. If you plan on watching, pay more attention to the artwork and animation than the actual plot. You won’t be missing anything. 

8. Vinland Saga - 7/10

Vinland Saga helped me get out of the rut that Clannad: After Story. Not only does this show have a great story, its action packed with lots of interesting fights. I especially enjoyed all the Nordic history embedded within the show. Its really unlike any of the other historical anime I’ve watched. I will say, it’s gory. But, compared to all the other things I watched this time around, I finished this series the quickest. Its good, its graphic, its fast paced! 

9.  Mononoke Hime - 7/10

It’s ironic considering how much anime I’ve watched that I have yet to watch all of the most classic Studio Ghibli films. Princess Mononoke is grittier than most other Ghibli films I’ve seen, but it’s message is positive and its characters are wonderful. I can’t really speak ill towards classics like these. I guess maybe my one complaint is that this movie could’ve been a faster pace. Other than that... I really enjoyed everything Princess Mononoke offered! I understand why it’s so popular.  

10. Howl no Ugoku Shiro - 8.5/10 

Can you believe it took me this long to finally watch Howl’s Moving Castle? Me neither!! This movie is so endearingly beautiful. I loved every second of it, from the characters to the soundtrack. So many iconic things come from just this one movie. I would like to take this time to thank my best friend for reminding me that Studio Ghibli films are wonderful! Thank you for watching this with me, I loved it! All in all, I regret not watching this sooner! 

11. Toradora! - 6.5/10 

Toradora took me a while to finish, just because I lost interest about halfway through. But, I powered through it, and ended up really enjoying the show! I’m not the biggest fan of the ending, but that’s just a personal preference. Somehow, this show also made me cry? I’m not entirely sure why because Toradora! is probably the thing farthest from sad. Apart from the show’s dull slice of life moments, it was super cute! A much needed light-hearted romance. 

12. New Initial D Movie: Legend 1 - 5/10 

Full disclosure, this is the only thing related to Initial D that I’ve ever watched. My band and I watched this expecting to hear some of that iconic Initial D music, itself all we got was a mildly confusing story about different types of cars. It was cliché and frankly a little boring. Although, I am still considering watching the original Initial D just so I can hear the music in the way it was original intended. I’ve got no other opinions on this movie. It’s best not to watch these movies without the context from the rest of the franchise.  

13.  Uchuu Patrol Luluco - 7.5/10

I didn’t really understand why people enjoy studio Trigger so much until I watched Space Patrol Luluco. I loved all the fun references to other studio Trigger works. I loved the humor, and I loved all the bright colors. The animation was extremely high energy, and the art style fits the show’s premise. Each episode was only 12 minutes long so it was a super quick binge. If you’re looking for something quick, light-hearted and comical, this is the perfect show to watch.

14. Orange - 7/10 

I owe a big thanks to a tumblr mutual for recommending this show to me! This holds the honor of making me cry by episode 3! I honestly did not expect the subject matter of this show to be as dark as it was. Usually when I see the genre ‘shoujo’ I do not associate it with a love story like that of Orange. The heavy subject matter made it a little too close to home for me, but I still really enjoyed this series. It reminds me off all the good times I had with my friends in high school, and of all the regrets I carry with myself to this day. 

15. 3-gatsu no Lion - 7.5/10 

March Comes in Like a Lion is another show that was a bit of a slow burn for me. Each episode left me feeling emotionally drained, so I had to take a lot of breaks while I was working on watching this series. Shaft, the studio behind this anime, holds a special place in my heart because I loved their work on the Monogatari Series. March Comes in Like a Lion is a little different. It’s driving force it is characters, and it was cathartic to watch our main character transform through the entire duration of the first season. I know the show’s second season is much better, so I’ll be starting that soon! 

16. Yojouhan Shinwa Taikei - 8/10 

I loved how artsy and smart The Tatami Galaxy is, but honestly I couldn’t watch too much at once cause it would hurt my head. I also couldn’t watch this show while I was tired because the speaking rate is much faster than typical anime. The Tatami Galaxy is so unique for its medium. I loved the different time loops and the crazy animation. The characters were fascinating. The dialogue, although very fast, it also fantastic. There’s an element of humor to this unique story telling, and I enjoyed ever minute of it! 

Currently Watching:

Hunter x Hunter - 6.5/10 (As of Episode 30)

I pride myself in having watched a lot of shounen anime, but I was reluctant to start Hunter x Hunter for years because I thought I would find it boring. I was oh so very wrong. Considering great shows like Naruto and Fairy Tail that fall under the same category, I expected Hunter x Hunter to be subpar in comparison. It gets a low score for two reasons. One, the power system was introduced a little too late and now I’m wondering if all the fights post episode 30 will involved nen in some way, shape, or form. Two, its still on hiatus. 

Two Cursed Additions For This List

Please to do not let these be representative of my anime taste. 

1.  Yarichin☆B*tch-bu - 4/10

I am a CLOWN for not knowing this was 18+. The only reason I watched this was to see why everyone was talking about the pink-haired boy with the glasses and tongue piecing. I know why now, and I regret it. This was a massive mistake on my part. But hey, at the least the art and ending song kinda slap? 

2. Euphoria (Dropped After 1 Episode) - 2/10

If you know what I’m talking about when I say Euphoria, I am so sorry. And no, I am not talking about the HBO series. Seriously, don’t google this. Don’t watch this. Don’t interact with anything related to this. You’re probably wondering, “Then why did you watch it?” I did not watch this willingly. You see, I have a very bad habit of starting anime and then taking months to finish them. I made an ultimatum with a friend, lost, and then was forced to watch this a punishment. Not a fun experience. I’m very glad there are no GIFs of this on tumblr...

[yourdeepestfathoms]

i have been working religiously on my book, so here is another part for y’all!

— — —

“I’m sorry, Mister Proctor,” Mary whispered as they approached Proctor’s horse.

“For a mouse that squeals and cries as loudly as you do during punishments, you sure love doing things that will warrant such treatment,” Proctor said.

Mary lowered her head. It still hurt. “I’m sorry.”

“I don’t want to hear your excuses. Help me onto my horse.”

Mary obeyed.

“Do try to keep up. I don’t want to be waiting on you. A storm is coming.”

“Yes, sir.”

Proctor was right: a storm was coming, and it hit with the regular ferocity of a Massachusetts winter tempest. Now she understood why Proctor was wearing so many layers.

By the time they were halfway to the farm, Mary was completely soaked and shivering, the cold having crept deep into her bones, turning them into rods of ice. She wondered if this freezing rain had been sent by God Himself to punish her for her wrongdoings. It certainly felt like a lashing from the Lord.

“You could have been back inside by now,” Proctor mused atop his steed. Mary could barely hear him over the crunching of gravel and pattering of rain. “But instead you had to go galavant through Salem.”

“I was worried about my friends,” Mary said, daring to defend herself.

Proctor scoffed but didn’t say anything.

In the distance, a farm swam through the sheets of icy rain. It wasn’t the Proctor property, so there was no point in stopping, but someone called out to them anyway.

“Ah, John! Have you come to accuse me some more? If you haven’t noticed, it’s raining. I can’t set anything on fire in this weather.”

Proctor ground his teeth. “I already apologized to you for that.”

“And yet, here we are!”

There was an old man leaning on the fence bordering the property, white hair clinging to a balding scalp, deep blue eyes sparking with mischief in the half-light. He had a wrinkly lizard’s face and hands more befitting for a skeleton. Despite his age, Mary knew he had enough vigor to best any of the younger men in the village. She heard he once beat a burglar to death with a cane. He was a lot of vex and a little well-mannered, and he loved nothing more than to irritate the people of Salem Village, especially John Proctor.

“It would be a shame if this would be the year your land floods, John,” Giles Corey said. No person in their right mind would be out in this storm; he had definitely been waiting for Proctor to go down the road so he could prod him. He would risk getting ill if it meant he was able to dig under the younger farmer’s skin.

“If this is some kind of attempt to get the deed to my farm, then you can save it,” Proctor said, spurring his horse into motion again. “I’ve heard it all, Giles.”

Corey huffed. His expression brightened once again when he noticed Mary holding onto the saddle.

“Ah, Mary Warren! How are you, dearest? Is the back of your head alright?”

Proctor was quick to step in: “Don’t talk to her,” he snapped at Corey. Then, to Mary, “Don’t talk to him.”

“Yes, sir.”

“You’re going to kill that girl, John!” Corey shouted after them. “If you ever need a place to flee to, Mary Warren, Martha and I are willing to take a servant!”

His words were washed away by the rain, but they remained rooted inside of Mary’s brain. If only she could switch employers. If she weren’t an indentured servant, she would have gone to the Putnam’s a long time to work with Mercy. Maybe then every day wouldn’t be such a pain.

And speaking of pain…

Mary winced, tentatively touching the back of her head. She couldn’t tell if the dampness she was feeling was blood or just rainwater. Didn’t matter now. She dropped her arm.

Above her, Proctor was muttering in his saddle, casting a dark look at the road in front of him. He said something about Giles Corey and something else about the farm and something else about wanting to rip out the old man’s gizzard. He seemed awfully worked up about the confrontation.

“If I may, sir…”

Proctor looked down at her, eyes narrowed. Mary nearly stopped talking right then and there, but she swallowed her nerves and continued on.

“If Mister Corey is such a bother to you, why not do more to stop him?”

“Are you lame, girl?” Proctor snapped. “What do you think I’ve been trying to do all this time? Ever since the fire, he’s been a thorn in my side.”

The fire referred to a fire that started in Proctor’s house, a time before Mary went to work with his family, which she was grateful for because she wouldn’t have been able to handle that drama. Naturally, Proctor said Corey was responsible for the fire, which made Corey file a lawsuit against Proctor. Later, one of Proctor’s sons would come forward and admit to being the one to cause the fire. Proctor begrudgingly apologized, but that didn’t stop Corey from continuously bringing it up whenever he got the chance.

“Why do you bring it up?” Proctor then asked. “What would YOU do? Since you think you’re so clever.”

“Me? Well, I-- I, uhh… Maybe raise the price on the land? Make it to where it would be too expensive for him to want to buy.”

Proctor opened, then closed his mouth. Then, he squinted at her. Finally, he actually laughed and took off his broad-brimmed hat, batting her over the head with it.

“I guess you aren’t so stupid after all,” he said affectionately. “I’ll have to keep that in mind.”

Mary cracked a small smile. The bad outweighed the good when it came to her master, but she knew John Proctor wasn’t all cruelty and lashings. He had a strong softness for all of his children and a deep love for his wife. Sometimes Mary would hear him reading light-hearted Bible stories to his younger kids at night. Sometimes she would stand outside the room and listen.

Through the glistening shroud of mist and drizzle at the side of the road, the Proctor property unfolded from the fog like a proper country castle. Acres upon acres of emerald green grass, sturdy barns, a fine house, fields chock full of crops and livestock. Their cattle were fat and happy, slick with rain, water streaming from their round bellies and mud splashing up from each delicate footstep. It darkened their coats and made them look like they were soaked in blood. It was no wonder why Giles Corey wanted the land so badly. It was thriving with wealth.

“Put my horse away,” Proctor said after sliding off the chestnut stallion’s back. “Tack him. Then come inside immediately. Do not run off.”

“Yes, sir.”

Proctor gave her one last warning stare, then handed her the reins and walked to the house.

Mary would have taken her sweet time putting away the horse if it weren’t for the fact that she was freezing and her head was killing her. She tacked the stallion, put him into his stall, and fed him in record time, ready to get inside and change out of her wet clothes. However, when she finally entered the house, she didn’t get to do that. She was stopped by her master and mistress.

Proctor and Elizabeth were speaking to each other, but Mary could tell they were arguing, despite their level tones. They both turned to her when she stepped inside. Proctor was already in dry clothes, standing beside the roaring hearth. The flames looked so comforting and warm.

“Stay where you are,” Proctor ordered, noticing her desire to go to the fire.

“Yes, sir.”

“I understand she is in trouble, but at least let her warm up,” Elizabeth said.

Elizabeth Proctor had always been Mary’s favorite Proctor. Twenty-two years her husband’s her junior, though she looked a lot younger than that, she was kind and patient, never using the whip and rarely ever raising her voice. She wore dresses in soft shades, greatly mirroring her soothing nature; right now she was wearing a pale green gown with a white apron. Her hair was champagne blonde and her eyes were a pretty hazel with flecks of gold near the pupils. Mary craved her warm, maternal gaze so much it was almost painful.

“No,” Proctor said. “This is a part of her punishment.”

“She is going to freeze. Do you want our servant to freeze, John? Then what shall we do?”

“Get a better servant, perhaps? One that won’t run off?” He shot a glare at Mary, reminding her that he was, in fact, still mad about that, in case she had forgotten. She hadn’t.

So much for their moment on the road.

Elizabeth opened her mouth, then sighed. She looked at Mary. “Yes, you should not have run off. You aren’t allowed to go anywhere without our permission. You know that.”

“Yes, ma’am. I’m sorry.” Always obedient, always agreeable. Mary knew her place.

“Why did you leave?” Elizabeth asked.

“Mercy came to see me, ma’am,” Mary answered. She didn’t want to throw her friend to the crows, but she also knew better than to not be dishonest, especially when she was already in trouble. “We wanted to go check on Abby and Betty. We heard that they weren’t well.”

“I heard that, too,” Elizabeth nodded slowly. “How are they?”

“Strange. They slept like the dead, but woke up out of nowhere and started screaming. Betty tried to jump out of the window!”

Elizabeth’s eyebrows shot up. “Did she?”

“That is none of our concern right now,” Proctor growled, butting his way back in. “This disobedience cannot go unpunished.”

Elizabeth sighed. “Yes…I suppose you’re right. I say no dinner tonight.”

Proctor rolled his eyes. “You coddle her, Elizabeth.”

“I do not coddle her!”

Ignoring his wife, Proctor looked at Mary, “Fetch me a switch.”

Mary released the breath she didn’t realize she was holding. Her heart leapt out from the pit in her stomach. She nodded.

“Yes, sir.”

[skekheck]

Theory: UrVa’s Arrows Were Originally Meant To Incapacitate, Not Kill, skekMal

Maybe this is common consensus, but it’s something I’ve been thinking about for a while. On the surface, it seemed like urVa had wanted to put an end to skekMal at the Circle of the Suns and the Hunter escaped before he could finish the job. But then there was this line in episode 10 that always felt odd to me:

urVa: I had a dream that I was one that became two that became one again. I looked through my dark half’s eyes and knew Aughra was right. [...] ...The Hunt must end. 

It’s just “but urVa, weren’t you doing just that a day or so prior?”. But then after rewatching their standoff again it hit me: maybe urVa’s intentions were not to kill skekMal but to incapacitate him.

Let’s look at the scene again

SkekMal was shot a total of three times: the first one through his upper arm, the second around the bottom right of his torso, and the last through his upper leg (possibly thigh?). 

(Sorry couldn’t find a better pic of his leg shot)

Weird places to aim for if urVa had wanted to kill him, right? Wouldn’t he have gone for targets that would more likely result in death, like the throat or through the eye sockets? It’s not like he would miss: urVa’s a master marksman. Instead, all three shots prevented (or at least was an attempt to stop) skekMal without taking his life.

The first shot prevented skekMal from harming Rian. The second was retaliation for ignoring the Archer’s warning. UrVa flat out told him to not approach the Gelfling but you see the Hunter take a step forward anyway, prompting him to release the second arrow. The final one was an attempt to stop skekMal from escaping with Brea. Seeing as how urVa immediately collapsed after firing that arrow, it would have worked. However, he underestimated how committed skekMal was to the Hunt, considering he pushed through the pain to get what he needed done.

Those arm and leg wounds aren’t inherently life-threatening. The arrow in his torso, though, is more concerning. It’s possible it could have had or at least be at risk of damaging his organs. Now, the Skeksis have weird-as-fuck anatomy (that goes without saying) so we have no real way of knowing if it was endangering him or not. But considering the nature of his other two wounds, I don’t think it was a kill shot. A more serious wound, but not deadly if tended to. And that’s probably what urVa intended: he aimed for that spot in the hopes skekMal would stop to take care of his wounds. 

But Weren’t Both skekMal and urVa In Critical Condition?

Oh yeah, they still were and skekMal’s partially to blame for it. It’s not a great idea to move around too much with arrows lodged in you. The arrow heads and shaft could move around and cause more internal damage. SkekMal moving made what would have been minor to moderate wounds way more serious. Not to mention, he never stopped to pull them out and heal himself: he kept those things in. 

And let’s not forget how far of a distance between the Circle of the Suns and the Castle is. There are multiple versions of maps of Thra that have some siginifcant differences, but the main point is those two locations are pretty far from each other. Even if he used Bennu to fly all the way over to the Castle, skekMal would still have to deal with Brea thrashing around on his back. And it looks like he took a detour to grab a cage for her, which he then dragged through the Castle’s corridors. Baiting Rian and his friends just so he can fulfill his Hunt was apparently more important to him than his well-being (which is ironic if you believe skekMal’s philosophy surrounding the Hunt is his own way of self-preservation).

EDIT: Wanted to add that skekMal was in a difficult position in terms of what he wanted. He would know that if he’d pull those arrows out he would have to treat them right away otherwise he’d bleed to death. At the same time, he would also had to keep Brea from escaping. I think he weighed his options and found that he’d had more success just pushing through it and keeping them in then treat them later. SkekMal might had also thought the other Skeksis would be able to treat him if it was serious enough? 

And SkekTek Made It Worse

SkekTek is no doctor. He can cut up and research on animals all he wants, but that doesn’t count as medical knowledge. It’s painfully obvious he has no idea what he’s doing: his diagnosis and treatment of skekMal’s condition is enough proof of that. And speaking of which, skekTek’s diagnosis is full of nonsense:

Skektek: Subject suffers severe exsanguination. Extreme distress to the humus. [...] Imbalance of intrinsic fluids. Manifold ruptures in corporeal morphology. [Checks for a heart beat] Ah. Ah... . Expiration... is... [dramatic pause] inevitable.

Literally he’s saying skekMal has multiple holes in his body and he’s bleeding out. You know, pointing out the obvious. Also, I tried finding out if “humus” related to anything biologically, but all I could find was it’s a term for... soil made of organic matter. I’m not sure what he was trying to refer to, I think he was just misusing it to make himself sound smart.

EDIT: I have been told by a few people that skekTek might be referring the humerus, which is a bone found in the upperarm that’s forms joints at the elbow and shoulder. This would make more sense and would mean skekTek made a proper diagnosis. However, at least to me, it still sounds like he’s saying humus. Another skeksis repeats him and they also say humus, not humerus. Turning on the captions also has it as humus. This could either be a typo or skekTek did mean humerus, but said humus instead. 

And how he actually treats skekMal is atrocious. 

He pulls the arrows out without making any attempts to stop the bleeding, clean the wounds, or apply stitches. He’s letting him bleed out and he should at least know they need blood to live. Do you know what happens when someone loses too much blood? Among other side effects, organ failure and falling into a coma. SkekTek did eventually made an effort to heal skekMal by giving him essence, but it was too little too late. SkekMal’s condition was so far gone at that point he really needed Aughra’s essence to survive.

UrVa’s Intentions

And now we’re going right back to urVa. While thinking over on urVa’s actions, I started wondering if he anticipated skekMal wouldn’t stay put and that the Hunter would do his own self in by moving around with the arrows lodged in him. I mean, urVa is a mystic, an indirect kill would make sense. But giving it more thought, I don’t think that’s the case. A lot of his actions during the series suggests otherwise. 

UrVa was very contemplative, even saddened, about having to end the Hunt for skekMal. He is not like his other half: he respected and appreciated all life on Thra. He also sees the cycle of life as well as the wilderness as something untamable. This is implied while he was talking with Aughra in episode 4:

urVa: We do not get to decide when our part in the song is finished.

While urVa is one of the more proactive Mystics, he still is... a Mystic. He doesn’t believe he should manipulate or control what goes on around him and let things be. The Bestiary book points to the fact that while urVa did keep tabs on skekMal, he never interfered with his hunts. So it was a big deal when Aughra quested him with the task of stopping skekMal. 

Also I’d like to point out urVa and Aughra’s final conversation because it’s also important for this discussion:

urVa; And where does my path lead? Aughra: Into the sands to face the Hunter. urVa: [sighing and looks away from Aughra for a moment] I cannot defeat my dark half. Aughra: You will find a way. But not without sacrifice.  urVa: And if I fail? Aughra: The heroes of Thra will be lost. urVa: Mm... [pauses and takes a deep breath] I will end the hunt. Aughra: Good. Get a move on. You Mystics are not known for your swift speed. We have much to do. [...] urVa: [pauses and looks at Aughra] Will we meet again, Aughra? Aughra: [stops walking, saddened] Hm... [faces him] Some things... even Aughra cannot see, old friend.  [urVa pauses and then groans, walks away from Aughra as they both parted ways for the final time]

He shows a lot of hesitance in completing this task. I’m sure he knew what Aughra was implying: that he may have to take skekMal’s life away but he still went and asked if they would meet each other again anyway. I think he was hoping for a positive answer, that it wouldn’t have to come to that, and seemed disheartened by her answer. But he still tried. He tried to stop skekMal in a way that, while not exactly peaceful, was not meant to be life-threatening. UrVa even pleads for him to stop... twice! The first time as skekMal was making his get-away and the second time while urVa helplessly watched him go after Rian again through the Hunter’s eyes. 

These two only had one scene together so we don’t really know the extent of their relationship. But if there’s one thing that’s clear was the conflict between them. I mean, during their whole duel, the characters were purposely placed on opposite sides of the room while making sure to show that skekGra and urGoh, a pair who were able to find harmony, were always side by side. It’s also in the way they address each other: while urVa does refer to him as his dark half, he also called him by his name. SkekMal, meanwhile, only ever referred to urVa as his title and nothing more. 

But I don’t think urVa had any ill-will towards his Skeksis. He seemed understanding of him and valued his life as much as he valued all living beings on Thra. I think if they both didn’t end up in a near-death situation, he’d try incapacitating skekMal again. However he understood and accepted his situation towards the end: with skekMal on an essence high, incapacitation method was no longer possible. If he allowed it to go on, all of Thra would be at risk. It was a desperate situation, but he knew Aughra was right. She gave up her life for the preservation of the world and urVa knew he had to do the same: for her and for Thra. The Hunt had to end and in order to protect the world he cherished he had to make the ultimate sacrifice.