#maybe like (character name) zero?

[bixels]

Reminiscing about Little Witch Academia.

[aroaceleovaldez]

yknow, I am amused that solangelo fanon was so tunnel-vision in like 2014 that in the midst of crawling through literally every time Will had popped up in the series prior, somehow the ONE singular instance of Will referencing something that the fandom did absolutely nothing with was the thing Rick then decided to draw out into being a major character trait for Will.

Like. Nico eats McDonalds once and it becomes a huge fanon thing, but Will references Star Trek and the fandom doesn't make a peep until Rick explicitly canonizes that he's a huge sci fi nerd. and Rick doesn't even keep it consistent! He changes it so Will is a Star Wars nerd instead of Star Trek. smh 😔 /lh

[shooks-stupid-stuff]

i like making shrine maiden characters :]

[fallloverfic]

Really tired of people calling FG by the one name that makes zero sense in context, is alienating to a lot of people, and is actually the single figure Mojito has confirmed he's not. Are people just unaware of one of the more popular hairstyles/looks for guys with long(ish) brown(ish) hair and beards/beard stubble in (and out of) media?

People/characters listed left to right, starting with the top:

Row 1: Sebastian Stan as Bucky Barnes in Captain America: The Winter Soldier; François Arnaud as Cesare Borgia in The Borgias; David Wenham as Faramir in The Lord of the Rings; Oded Fehr as Ardeth Bay in The Mummy Returns; Jason Carter as Marcus Cole in Babylon 5

Row 2: Kevin Sorbo as Hercules in Hercules: The Legendary Journeys; Liam Neeson as Qui-Gon Jinn in Star Wars: The Phantom Menace; "Foreign God" in ENNEAD Season 1, Episde 65; "Foreign God" in ENNEAD Season 2, Episode 10; Robin Atkin Downes; Hugh Jackman as Van Helsing in Van Helsing

Row 3: Ewan McGregor as Obi-Wan Kenobi in Star Wars; Hades in Blood of Zeus, James Watson as Duncan Idaho in Dune (2000); Gale in Baldur's Gate 3; Viggo Mortensen as Aragorn in The Lord of the Rings

Row 4: Mark Ryder as Cesare Borgia in Borgia; Jason Momoa; Nigel Terry as King Arthur in Excalibur; Christian Kane as Eliot Spencer in Leverage; Jared Padalecki

Like I could keep adding people and characters to this because this style is so damn common (I was honestly tempted to make a second collage, bare minimum). But I'd be here forever. There are a number of other fan names for the unnamed foreign god, including Foreign God, FG, Beard, Mustache, or you could go with what Seth calls him, "Furball".

[moinsbienquekaworu]

Worked on a ref for my fursona 🎉

[ladylynse]

@letsbegoblingods replied to your post “Danny phantom ghost king and marceline the...”:

Marceline is from Adventure Time, but I feel like she'd have wildly different reactions to Danny depending when in both her personal timeline and the shows' timeline she was at.

​Nice! I shall trust your assessment of the situation.

[omarwolaeth]

Might be strange sounding, but the card reveals/banlists always come in 2 different perspectives for me, irrelevant of which banlist I'm playing under; because I write fics, I have to contend with the banlist at times (a majority of the time it's based on the sort of half-tcg, half-ocg Master Duel banlist with Anime Specific Additions.)

So when new cards come out I have to judge them not only by what I can figure out from their effects and traits (combined with what's currently meta, and if there's anything that wants to play the new cards, whilst being mindful of banlist differences), I also have the joy of internally discussing the value of a deck when its in a fictional setting.

I don't think anyone normally thinks about if a deck's theme is strong enough to tie a character to it, let alone if a deck's theme is too strong and tying a character to it is like Akihiko Sanada's obsession with protein in anything that isn't mainline persona (Like the Q games.)

Also makes engines less appealing.

[unproduciblesmackdown]

a decade later sure i'll put it into Text Post "tumblr user claims: plausibly may feasibly" form, starting with these classic screenshots i still have saved

this being dialogue from 2015's always watching: a marble hornets story, which is like hey this is a pretty well produced indie venture & you can sure like sit through it even if you then never watch it again b/c it's still kind of overly on the beaten path & "i'm not sure this choice is justified in much of anything" (see: bizarrely omnipresent thread of a love triangle just to be There; typical Mental Patient(tm) Harbinger; several real marked More Is Less instances arguably) that is still a better time than other random horror material i've seen & hated vs. only mostly been underwhelmed by but in an Overall Shrug way alone. yeah imdb's 4.7 out of 10 seems fair enough if you consider like 5 stars truly middle of the road solid if forgettable vs that anything < 7 stars is for [Bad!] or whatever

anyways the main character is named milo & indeed the creator(s) / actors / writers troy joseph & tim were involved in the production at all: tim at least by being the first step in doug jones's casting by reaching out directly (online), but troy & joseph also via Some writing, like in that slender game sequel also: not the Primary creators / writers, but still officially involved in the creative process at all. & i knew of them & they knew of me by this time & in a [source: dude just trust me] style of way, i, a tumblr user, am like "i think milo alwayswatching Could be named after me, milo unproduciblesmackdown. lol." b/c also like yeah i can take it on the chin if it's a coincidence, which is also likely. great name & it's just not being used enough in fictional & nonfictional people's names. you might also be aware that some role in tribetweIve is named milo (maybe the main guy. i never watched it) so you might also speculate it's named after that guy, which seems plausible also, But: afaik there are no other similar plausible shoutouts at all, to that series or to emh which was just as majorly like One Of Those 3 Biggest Online Series. may or may not add a grain of salt to take it with. like my own "of course, there's a grain of salt in 'milo just like me milo, and Uncoincidentally?' b/c how wouldn't there be. a name people have"

the dude just trust me argument: distilling it down to "i went to their first convention & then the same one the next year, & in these experiences i Know they knew of me from that + also online, where people knew my name was milo as well" and "it seems feasible enough it's an easter egg Not Coincidence that i first knew this character's name happened to also be milo b/c someone who experienced a clip sent me an ask about it, so they assumed it was a possible actual connection too lol." and, of course, it might be a fun coincidence after all. but i'm still like "yeah no it Could be a funny little shoutout to me specifically for real" and mean it and, again, i can endure it if i'm completely wrong. b/c who could care, and also b/c it's so funny that the character is a guy who basically just is like "i am going to have a bad attitude. b/c of the insistent tiresome love triangle thing. well now I'm insistently tiresome" and fucking everything up but like, sure. exasperating epic fail protagonists

the only relevance i think it has besides "to me, b/c i can go haha yeah. that might be like: just like me!!" is that it's Also plausible b/c yeah marble hornets Is the kind of series that might go "this could be an easter egg about some queer autistic tumblr user we know about" lmao, its Inherent Queerness both re: the material and in the creators' knowledge like yep that's how our Appreciators skew! like it's low stakes to be like [lol, Me. perhaps] b/c it's obviously of zero importance like it adds no info, i'm just some rando queer fan from back in the day, but it's this potential Fun Fact that's funny to know & it's about "yeah like they knew i was trans back then too & that it was like, amidst the MH Fans, like nobody's cishet man (shaggy rogers voice)" Gay Rights!

[deepwoundsandfadedscars]

.

[jane-fiend]

I wonder if mime dog would be into selfcest?

I mean, ya know, by the nature of clowns and mimes and whatnot, I’m sure there’s multitudes of clown mime dogs exactly like her.

[frostedturquoise]

In other news heres a flip the coin game: Is it a new fandom interest or did i think too hard about a funny pairing dynamic so it is kicking around in my brain for longer than expected (on top of spending over three weeks between being amused by the inclusion of historical mythology a kid i used to babysit was obsessed with combined with mentally lamenting over 'of COURSE they made him a blonde white guy, its anime why did i expect better') or wind up thinking about something else related to it a tiny bit too hard.

[butnobodycame627]

if anyone has ideas for what to draw my ocs doing send that to me because I love them but idk what to have them doing half the time lol

[seo-m-e]

i am tempted to post a photo of my halloween costume this year but i am also a huge massive fan

sorry had to make that joke. anyways i really like internet safety so please pretend i put a photo of me looking sick as hell in my costume here :)

the orange thing is my friend who went trick or treating w me as "orange spike".

homemade costume :) lemon meringue from strawberry shortcake (her 1991 appearance)

all thrifted, except for the petticoat which i already had and the armwarmers and tights which i bought

the friend in the drawing made the bow :)

used color wax (as i am copper) on my hair for the first time and i'm gonna be doing this forever now its awesome

[physalian]

How to make your writing sound less stiff

Just a few suggestions. You shouldn’t have to compromise your writing style and voice with any of these, and some situations and scenes might demand some stiff or jerky writing to better convey emotion and immersion. I am not the first to come up with these, just circulating them again.

1. Vary sentence structure.

This is an example paragraph. You might see this generated from AI. I can’t help but read this in a robotic voice. It’s very flat and undynamic. No matter what the words are, it will be boring. It’s boring because you don’t think in stiff sentences. Comedians don’t tell jokes in stiff sentences. We don’t tell campfire stories in stiff sentences. These often lack flow between points, too.

So funnily enough, I had to sit through 87k words of a “romance” written just like this. It was stiff, janky, and very unpoetic. Which is fine, the author didn’t tell me it was erotica. It just felt like an old lady narrator, like Old Rose from Titanic telling the audience decades after the fact instead of living it right in the moment. It was in first person pov, too, which just made it worse. To be able to write something so explicit and yet so un-titillating was a talent. Like, beginner fanfic smut writers at least do it with enthusiasm.

2. Vary dialogue tag placement

You got three options, pre-, mid-, and post-tags.

Leader said, “this is a pre-dialogue tag.”

“This,” Lancer said, “is a mid-dialogue tag.”

“This is a post-dialogue tag,” Heart said.

Pre and Post have about the same effect but mid-tags do a lot of heavy lifting.

They help break up long paragraphs of dialogue that are jank to look at

They give you pauses for ~dramatic effect~

They prompt you to provide some other action, introspection, or scene descriptor with the tag. *don't forget that if you're continuing the sentence as if the tag wasn't there, not to capitalize the first word after the tag. Capitalize if the tag breaks up two complete sentences, not if it interrupts a single sentence.

It also looks better along the lefthand margin when you don’t start every paragraph with either the same character name, the same pronouns, or the same “ as it reads more natural and organic.

3. When the scene demands, get dynamic

General rule of thumb is that action scenes demand quick exchanges, short paragraphs, and very lean descriptors. Action scenes are where you put your juicy verbs to use and cut as many adverbs as you can. But regardless of if you’re in first person, second person, or third person limited, you can let the mood of the narrator bleed out into their narration.

Like, in horror, you can use a lot of onomatopoeia.

Drip Drip Drip

Or let the narration become jerky and unfocused and less strict in punctuation and maybe even a couple run-on sentences as your character struggles to think or catch their breath and is getting very overwhelmed.

You can toss out some grammar rules, too and get more poetic.

Warm breath tickles the back of her neck. It rattles, a quiet, soggy, rasp. She shivers. If she doesn’t look, it’s not there. If she doesn’t look, it’s not there. Sweat beads at her temple. Her heart thunders in her chest. Ba-bump-ba-bump-ba-bump-ba- It moves on, leaving a void of cold behind. She uncurls her fists, fingers achy and palms stinging from her nails. It’s gone.

4. Remember to balance dialogue, monologue, introspection, action, and descriptors.

The amount of times I have been faced with giant blocks of dialogue with zero tags, zero emotions, just speech on a page like they’re notecards to be read on a stage is higher than I expected. Don’t forget that though you may know exactly how your dialogue sounds in your head, your readers don’t. They need dialogue tags to pick up on things like tone, specifically for sarcasm and sincerity, whether a character is joking or hurt or happy.

If you’ve written a block of text (usually exposition or backstory stuff) that’s longer than 50 words, figure out a way to trim it. No matter what, break it up into multiple sections and fill in those breaks with important narrative that reflects the narrator’s feelings on what they’re saying and whoever they’re speaking to’s reaction to the words being said. Otherwise it’s meaningless.

—

Hope this helps anyone struggling! Now get writing.

[sky-scribbles]

I'm going to say something controversial. I think there's something Veilguard does better than any other Dragon Age game. Namely: incorporating the companions into the plot.

Look, I love Origins as much as everyone. But to be frank: you could cut every companion except Alistair, Morrigan and Loghain and the plot could still work. Once you've finished the mission where you recruit a companion, there aren't other main quests that involve them in any way.

Oghren and Wynne could have stayed home after their recruitment missions for all the difference it would make to the main plot. Sten, Leliana and Zevran could vanish and nothing would change, because once they're on your team, they don't interact with the main plot at all. (There's the Temple of Sacred Ashes, I suppose - but even then, you'd be going on that quest whether Leliana and Wynne were there or not, and it's very telling that they can both die here and next to nothing in the rest of the game is impacted.)

Again: I love Origins. This doesn't detract from any of these characters being great, or from the story being great. It just means there's a layer of separation between the two. They're involved in the story, but they're not driving it, and you seldom get to see them have strong feelings about it.

DA2 is a huge step up. Your companions' personal stories are integral parts of the main plot. You can't do the Deep Roads expedition without witnessing Karl's death and its impact on Anders. You can't enter Act 2 without seeing Varric's brother betray him, or watching your sibling either die or begin a new path in life. Act 2's climax happens because of choices Isabela and Aveline have made. Act 3's endgame is all about Anders making one enormous decision. Even Fenris and Merrill, who have the fewest ties to the plot, have strong reasons to be invested in the Mage/Templar conflict.

And then Inquisition just... backslides. There are multiple companions you don't need to recruit at all, or can send away with zero alteration to the main plot. Your companions don't like Corypheus because he's bad, but no one - except maybe Varric - has any strong personal feelings about him. They have no personal stake in defeating him, not like Alistair has a personal stake in opposing Loghain, or Anders in opposing Meredith.

We go to the Winter Palace, and Vivienne is not made a part of that story. We have a whole subplot about the Wardens, and Blackwall only gets a couple of extra lines, if you even bring him. Their personal arcs could have been somehow impacted by these missions, and they're just... not. Sera is packed with internalised self-hatred that manifests as trying to distance herself from elven culture, to the point of sometimes lashing out at other elves. And despite all the missions you do where elven history features... Sera's growth past that flaw happens entirely offscreen between the base game and Trespasser?????

IMO, this is one of the biggest reasons why Corypheus is such a bland villain. He doesn't make anyone grow, except by starting a plot for them to be part of. He doesn't challenge them emotionally. No one is invested in him. Because no one interacts with the darn plot.

Veilguard, though? Veilguard keeps your companions interacting with the story the whole way through. The Treviso/Minrathous choice affects both Lucanis and Neve heavily, and impacts who they become for the rest of the game. These cities are personal to you, even if you're not a Crow or Shadow Dragon, because your companions love them.

The Siege of Weisshaupt is beyond personal to Davrin and Lucanis, both of whom are entrusted with major parts of the quest: trying to kill the archdemon and Ghilan'nain. Lucanis is affected by his failure to kill Ghilan'nain for ages afterward. Davrin is haunted by survivor's guilt; he should have died when he struck down the archdemon. He's alive. How can he live with that?

Whenever killing the gods becomes a possibility, Rook hands the lyrium dagger to Lucanis. When the squad go to fight the gods' dragons with the Wardens, Taash is the one to flush the first dragon out. When you infiltrate the Venatori, Neve tricks your way in, and everything that happens is especially weighty to Bellara, whose people have been abducted. On Tearstone Island, because of how Lucanis and Spite have grown, they strikes true.

Did you not hate Elgar'nan before that mission? Because you probably will after you watch him capture Bellara or Neve, and see his fellow god kill Harding or Davrin.

You know what's a great piece of writing? There's no reason Emmrich shouldn't have been an option to deal with the wards on Tearstone Island; he's one of the ideal options to take out more wards with the Veil Jumpers in the final mission. But you can't select him to do it. Because Emmrich has far less personal investment in the Elgar'nan battle than the other two. This is Neve's city. This is the monster who tries to call himself Bellara's god. The game makes sure the characters who take control of the Blight at the end are the ones with the greatest stakes in doing so.

One of your companions, not you, wrests command of the Blight from Elgar'nan. The final mission depends on how well you've come to know each companion's skills. They're just... always involved.

And they're invested, too. The companions all have serious personal reasons to hate the antagonists by the end. Lucanis and Neve have either seen their city burn, or know it happened at the cost of their friend's (and potential partner's) hometown. Davrin has seen his order devastated. These are Bellara's and Davrin's supposed gods, and instead of helping the elves reclaim their history and culture, they're trying to enslave the world. Harding learns that the Evanuris maimed and destroyed her Titan ancestors.

Emmrich and Taash have perhaps the smallest emotional tie - and sadly I do think Emmrich especially gets underutilized in the plot. But heck, Taash is still hella motivated by the way the gods are abusing dragons. And Emmrich is tied thematically to the main conflict. He's facing the question of immortality, while nigh-immortal beings are right in front of him, proving how that gift can be abused. The final choice of his personal arc is whether he's willing to embrace his personal, mortal attachments, at the cost of consequences that terrify him... you know, the same question that Solas faces at the end.

And don't even get me started on how everyone is emotionally tied to Solas. Harding and Neve watched him kill Varric in front of them. Everyone not dead or captured has to watch him drag Rook into the Fade. Just about every companion faces some kind of huge regret or failure at some point, in constant foreshadowing for Solas's prison of regret: both the literal one he sticks Rook in, and the mental one of his own making.

Veilguard has its problems, but it absolutely shines at keeping its characters involved and invested in the main story. It gives them things to do, it gives them reasons to care. For all the flaws this game has, this part is good writing.

[ajdrawshq]

my recommended tags stuff keeps giving me octopath n 999 tags next to each other n its making me. think