#maybe it’s being generous but like. maybe this story COULD have worked if it had been an intependent project or separate star wars story

[arcanewhoosh]

Could you right a story where jinx’s S/O is scared of bombs or loud things in general and one of jinx bombs went off scaring S/O and jinx comforts them.

So I forgot that the inbox was a thing and found this two years after you asked for it. Sorry lmao.

I think I completely failed this cause I chose season 1 Jinx and hooboy Season 2 Jinx would've been a better choice.

Also this went over 2k words I realize I may be a yapper.

The Monsters We Allow

2k words (Jesus this wasn't supposed to be this long)

Proofread? Y/N

TW: Descriptions of injuries

You're no stranger to the hazards of working for the Eye of Zaun. Even the more hardened residents of the Undercity oftentimes couldn't stomach some of the work the job entailed, more so the people involved in those jobs.

So now here you were, helping build an explosive device of some sort. Fishbones Jinx had called it. You guess that you should add assistant weapons maker to the long list of jobs you've held working for Silco over the years. It wasn't always like this, though.

You started out as cleanup crew, showing up after fights. You didn't want to at first, but if you crossed Silco, you'd most definitely cross his daughter, Jinx. If you crossed his daughter, then it was almost a certainty that you would end up in pieces and puddles on the walls and floors. You'd rather be the one cleaning than be the one being cleaned up. So you put your head down and went along with it.

It was messy work, but it turns out even with all the fucked up things tolerated in the Undercity, rotting body parts weren't one of them. It wasn't pretty, and your first few days you had to include your vomit in the list of things you had to clean up. Eventually, though, you got over it, got better. Well enough that Silco would only trust you to do cleanups of whichever unfortunate soul was on the receiving end of Jinx's chompers. You could figure out which weapon was used to do what, what the direction of the splatter on the wall or floor meant. You could look at a scene once and replay how the entire fight went.

The job wasn't pretty, not at all, but it put money in your pockets, good money. It put food on your table and clothes on your back. Most importantly, it gave you security. A blanket of protection that ensured people would think twice to cross you. Silco only kept a select few on constant contract. Sure, you didn't run around beating the shit out of people during collections, or blowing them up. You didn't have a robot arm or guns-choice of weapon was bucket and shovel-- but hey, you were deeper in his inner circle than most people.

Eventually, he started bringing you along to meetings. After those meetings, he'd ask you, What's the quickest, and cleanest way we can get rid of this person?

It was jarring at first, being asked how to kill someone. But whatever reservations you had about becoming a murder consultant was heavily outweighed by your fear of being the one consulted about. So you'd answer diligently, if a little hesitantly. The first time you answered, he had looked pleasantly surprised. As if getting recommendations on assassination was pleasant. You remembered thinking.

It didn't take long for people of the Undercity to associate your presence in these tag-alongs with the sudden death of whoever you and Silco were visiting. Whispers about how you wouldn't even talk during the meetings, how you'd sit and simply look around. If you were addressed by the person you were meeting with, Silco would politely redirect their attention back to him. Sometimes, sometimes, that person wouldn't die. Silco once credited it to you, that people suddenly became more pliable once he brought you along. Another blanket of security. People started treating you differently, more respect, fear maybe. It was a little funny, how typically aggressive brutes would become the politest people towards someone who had just barely reached the age of eighteen.

One day, Silco had asked you to his office. You thought it would just be regular stop before another meeting, standard procedure by then, really. But that day he had another guest in his office. The blue braids were already a dead giveaway, but you still politely introduced yourself.  She laughed, and identified you as The one who ruins my fun because she had to follow your instructions when Silco needed her to get rid of people.

You knew back then that she was dangerous. Quite frankly, she scared the shit out of you. You didn't have a problem with seeing dead bodies and parts, sure. But she was younger than you, and already had no qualms about taking lives. She was the one leaving behind entrails that you had to clean up. And apparently, she was now to be occasionally under your watch. Silco thought you'd be a good fit for a companion. Around the same age, he had said.

You kept a respectful distance from her, but she unfortunately grew fond of you and decided to keep you around more often than not. Silco didn't see anything wrong with it, if anything it made the both of you more notorious. His Loose Cannon and his Harbinger of Death. A deadly combination in theory, but in practice, it was mostly you having to accompany Jinx for her less dangerous - there were still casualties - pranks, and bailing her out of sticky situations.

And now here you were, two years later, making a launcher with her- making was a generous word, more handing her stuff - and getting ready to probably blow more people up.

You feel your stomach begin to unsettle again. You were used to seeing dead bodies, parts of bodies, what was left of bodies. But never in the stretch of time that you had worked for Silco, had you ever had to see dying. You always showed up after. It had only been two days since the explosion at the bridge, but somehow Jinx was walking around as if nothing had even happened to her. As if she didn't blow herself up the last time you had seen her. If you were making an educated guess based off of her eyes, you'd say she was hurt and got pumped full of shimmer; or maybe she was just living off of pure mania at this point.

You've cared for her, but now you also care about her. It seems that no matter how much respectful distance you put between yourself and her, propinquity eventually came into play, and affection followed. And the only sense you had was to go along with it.

It took you a while to get used to being around her. She was temperamental, to say the least. But you eventually learned not to ask any questions about her family, not to bring up the dolls she kept at her place, and avoid asking any questions at all about her past. If she wanted to, she'd tell you. The only time she wasn't unpredictable was when she was tinkering away at her little station, blasting her music.

She was calm, placated, almost normal. If you had never met her before and had seen her then, you would have thought she was beautiful. Not that she isn't, it's just that her reputation tended to precede all her other perceivable qualities. More than all of this, she was vulnerable. Her back turned to you, not a care in the world if you wandered around touching things. You realize now that it was in those moments probably that your affection for the girl grew. All of a sudden, getting her out of unideal predicaments included treating her wounds; then nursing her back to health if she was sick; staying over when she had nightmares. And yet you were still cautious, careful not to trip on some invisible wire that would trigger her temper.

"Whoops-"

A bang, a clattering of tools, and you're back at the bridge. Back at looking at screaming people, crawling on the ground because their legs had been blown clean off, some with limbs partially attached, some falling off, someone trying to feel where half of their face had gone. All moving, breathing, alive.

"Easy there, jelly legs." You look up to meet Jinx's eyes. Once a soft powder blue, now striking orbs of red violet. She's holding onto you. At some point you had lost your balance and was now kneeling on the floor, one hand on the side of Jinx's desk for support. "You sick or somethin'?" She asks.

"Sorry," You breathe out. "I think… I think I'm still reeling from what happened at the bridge."

She lets out a laugh. Loud, boisterous, manic.

"The bridge? The little ol' light show? You didn't like it?" Her smile falls, and she cocks her head to the side. Fuck.

Now you're on thin ice. "No, no. It was nice." You quickly say, shaking your head. "It's just, I'm not- I'm not used to seeing the before part, you know?"

She guffaws. "Wait, wait, wait." She stands, walking over to her desk littered with metal scraps and remnants of her previous projects, picking up one of the butterfly robots she had made. "You're telling me-" She plucks off a wing, the remaining one flapping aimlessly. "You" Points it at you. "Who's in charge of cleaning up exploded bodies, and telling Silco - who tells me - how to kill someone without a mess," Plucks off the other wing and throws the body away. "Gets queasy over a few blue bellies kicking the bucket?"

You take a breath to steady yourself. "I don't know. I never- I never thought about that part. I've never had to see it."  You unconsciously start clenching and unclenching you hand not holding onto the desk. A nervous habit, one that you tried to shake off. A habit that Jinx had taken note of the first few months of her dragging you along with her escapades.

"I'm sorry." You say after a few beats of silence.

In one quick flash - too quick, inhumanly quick - Jinx is kneeling again in front of you, cupping your face in her hands.  "Hey now, it's alright." Her tone is soft, caring, tragically comforting to you. "We all got our little quirks. I sure do."

She frees up one of her hands to brush your hair back. "Come to think of it, I think that was the first time you had to see something like that, huh?"

It always astounds you how quickly she can disarm the guard you put up for her. You know she's dangerous, you know you should be cautious. But a few sweet words from her and you're putty in her hands, completely at her mercy. You wonder if it's normal to love and fear someone at the same time.

"We'll be okay." She presses her forehead against yours. "I've got you, like you've got me." You nod.

"You can handle helping me with one more thing, right?" There it is. "We just need to do this one teeny thing, and then we can chill out."

You put in active effort to keep your breathing steady. Your stomach still in knots. "What thing?"

She grins. "A dinner party. You're my co-host." She pulls you up with her as she stands, leading you over to where she was working, where Fishbones was seemingly complete. "Wanna see something cool?"

You nod, and she fishes out the HexTech gemstone she had stolen during Progress Day. She opens up a slot near the handle and inserts the gemstone, Fishbones immediately lighting up, a blue hue illuminating her dark room. You contemplate asking her about her new weapon, weighing out the pros and cons. But the fact that her hand was still holding yours, her thumb idly grazing your knuckles was enough to encourage you.

"What are you gonna do with this?"

She runs her free hand above the clear panel where the gemstone is. "We're gonna go make a point."

The rational part of your brain is telling you to stay behind, that whatever this was, being in the vicinity of a HexTech-powered weapon was not a good idea. But this was Jinx, and she had already decided that you were coming with her. Incurring her wrath now, also in the vicinity of the HexTech-powered weapon, was not a good idea either.

So you do what you do best, and go along with it.

[higuchisora]

They said the scripts were "locked in" for season 2 by the release of season 1 and it was just the animation they were working on, but I don't think that necessarily means they didn't make a SINGLE change. I think it might mean they had the general broad strokes of it, though, so even though I can totally see this happening, I don't know how much of it really was just them not thinking shit through ahead of time.

Like I wouldn't be surprised if they really only had the skeleton of a script "locked in" and the rest of it had significant changes, but I think that would make sense - Ambessa feels like she wasn't even supposed to BE in half the scenes she was in because she contributed literally nothing to them. I could imagine a situation in which Ambessa was initially supposed to have a much smaller role, maybe only becoming important towards the VERY end, like final episode or something where it reveals some type of scheme she had/sets up possible future stories etc., and that Caitlyn being "mentored" could've come from someone else. A lot of the lines weren't necessarily relevant to location, so the dialogue could've been tweaked and initially come from another character - maybe one of those "conversations with a ghost" with her mother or something, like an argument with the different sides of herself or whatever.

Either way, there are plenty of moments like this that feel like they were out of place or redistributed or rushed in such a way that I doubt they made ZERO changes (and also because it's Hollywood, last minute changes are NOT new).

Same for Mel; her plot was so irrelevant I wouldn't be surprised if they just added it at the last minute. Especially because she hardly said anything, particularly during confrontations.

To that end, them ignoring Jinx's mental illness feels like one of those cutting corners situations. Something along the lines of, "Well they already know she's mentally ill, there's no need to keep showing it" which we know is DUMB AF but to corporate minds is perfectly logical. It felt like they waffled between making the story "shocking" and keeping the characters likeable (which they failed to do with a lot of them, so...)

Hence why Caitlyn never has to answer for her actions. And why Vi seems like she's been lobotomized and is strictly relegated to the "love interest" role, despite being arguably more of a main character in s1 than Caitlyn (as I was under the impression that this show was about the sisters, not their romantic interests). And why Jinx's only personality traits are semi-sarcastic and suicidal. And why her and Vi's differences seem to solely boil down to "I don't like your girlfriend" (which in s2 is pretty valid for Jinx's part, spoken as a former caitvi shipper, but still takes away from the real weight of their conflict). And why Ekko was exiled for 3 whole episodes on a Spiderverse subplot.

Unfortunately, we'll never really know what the truth is, or what the "original" script would've looked like (and if it was really all that different from now). But what I wouldn't have given to be in that room with a squeaky toy hammer so I could bonk Netflix/Riot every time they suggested some stupid shit....

Something that has really bugged me about season two is Jinx's hallucinations and PTSD. It magically disappears when Silco dies, save for two scenes. I remember when people on reddit were literally making jokes about the writers going this route because it would be so stupid.

One of the things I loved about season one was the realistic depictions of mental illness that you just don't see often in media. I don't know what it is like to experience schizophrenia, but I have experienced PTSD and paranoia, and seeing how it was represented in Arcane was actually one of the things that helped me through it.

And then season 2 comes around and they just completely neglect this side of Jinx.

PTSD isn't a switch that can magically be flipped off. Recovery is a slow and gradual process. In absolutely no world would Jinx killing yet another family member cure her of her conditions, it would make them 10 times worse. Not to mention just before killing him she has an extremely severe psychotic episode, which would only make forgetting her trauma even more difficult since it was just brought up fresh in her mind.

And what even about the end of s1 was it that healed her? I genuinely have no idea, because she finally chooses Jinx only to once again go back and forth between Jinx and Powder in season two, because apparently all that buildup for her final decision was for nothing.

She does experience two hallucinations (I'm not going to count the jail silco thing in act three because what even was that?) when she sees enforcer Vi and when Sevika talks about the attack at Vander's statue, but suddenly that is all that triggers her?

In season one, just seeing Vi, or even someone who looks like Vi triggers her. But now when Vi is literally trying to capture and possibly kill her she is fine, it's only the mask that bothers her? Wasn't that her worst fear, that Silco and Sevika were right, that Vi only wanted to stop her? And she is constantly triggered by Cait in season 1 but not 2?

And then there was the insulting ending, where jail Silco tells Jinx to 'break the cycle' (something he would absolutely never do) and Jinx finally finds redemption by literally killing herself after Isha kills herself in what is framed as an act of heroism (and if Jinx actually didnt, than what even was the point of that scene?) What happened to Ekko trying to stop Jinx from doing that? What happened to Silco having Singed revive her to save her life after she attempts to take it? Or Jayce and Viktor talking each other out of it? Or Silco choosing to keep fighting rather than give into the "peace in water"?

On purpose or not season 2 frames suicide as a glorious, edgy, perhaps even necessary thing and it's disgusting.

[jokeroutsubs]

[📝ENG Translation]: Souvenir Pop Through the Eyes of Joker Out Members

Original article written by Boštjan Tušek, published 27.11.2024 on 24ur. Photos by Miro Majcen. English translation by @kurooscoffee, review by drumbeat, proofread IG GBoleyn123.

Full translation under the cut 👇

We visited Joker Out in their rehearsal space, where the band members shared their thoughts on their new album and explained all the songs from their third full-length album, Souvenir Pop, in their own words. The album has already been released on digital platforms and CDs, and they are promising a vinyl edition as well.

About the Title SOUVENIR POP:

Bojan: We were sitting here in the rehearsal space, struggling to find a short, universally understandable way to summarise everything that happened to us during this time. After some serious thought, we realised that the music is essentially a collection of memories—“souvenirs”—that we’ve gathered. For the first time in our lives, we traveled so much and spent so much time away from home. Everything was very “pop,” and we lived out all the pop star dreams we used to admire. We shortened this journey into “pop,” making it a souvenir pop journey.

Photo: Joker Out recently unveiled their third album, Souvenir Pop. Together with Bojan, Kris, Jan, Nace, and Jure, we analysed all the songs on the album. PHOTO: Miro Majcen.

On the Cover Photo Taken in Bed:

Jure: The cover photo was born long before the album got its title. It was captured on the morning of the semifinals last May in Liverpool. We kept it under wraps for almost a year and a half. We liked it already back then and immediately thought it could one day work as an album cover. When we started looking for a cover, it still best reflected our feelings.

Bojan: It was taken on an iPhone during the filming of a promotional video, so basically a completely randomly captured moment.

On the “Circus” Surrounding Them Because of the New Album:

Kris: What's particularly noticeable is the mental and emotional fragmentation. The songs are quite diverse and colourful, and at first glance, they didn’t seem to belong on the same album. But as Bojan said, they remind us of fridge magnets, which perhaps reflects that we were “all over the place,” and that we were exploring ourselves on a broader musical, lyrical, and instrumental level than usual.

Nace: You can tell the songs are “hyped up” because we were in that mindset. Different things influence you, and it would have been quite different if we had stayed home for a month before that instead of being on tour.

PHOTO: Miro Majcen.

On Lack of Time:

Kris: We had to intentionally carve out time to write and record songs. We spent two months in London, a month in Hamburg, and last year we took a week in Kočevje to work on 'Everybody’s Waiting'. Carpe Diem took 14 days. We were maybe even under a bit of pressure, knowing we had to produce something.

On Three Languages on the Album:

Bojan: We spent a lot of time with all three languages; speaking, listening, and thinking in them. The stories naturally emerged in all three languages, and we didn’t resist that because it would have been truly foolish.

I see language as just another tool for conveying information, like how a specific guitar effect suits one song but not another.

PHOTO: Miro Majcen.

On Egos:

Bojan: Egos have to clash because they’re an important part of our drive. I wouldn’t say our egos fight; they occasionally disagree, but everything generally moves in the same direction—to create something the five of us like. We have a healthy dose of competitiveness, and we’ve never truly had a fight. We separate the person from the musician, which I think is important.

Kris: There was never much ego, but for this album, we threw out what little was left. On this record especially, we faced moments where someone else did something on your instrument that you should have done. But that opened new possibilities and ideas—a fresh perspective. This happened to all of us except Bojan with vocals.

Kris: Today, a friend sent me a message from Venice; they were playing 'Carpe Diem'. Last year, we made it onto the top 40 charts of a Lithuanian radio station. PHOTO: Miro Majcen.

Comments on the songs from the album SOUVENIR POP:

1. MUZIKA ZA DECU (Serbo-Croatian):

Bojan: When the idea came to me, I was thinking about how much I liked what was coming out of the speakers; quite grown up. Then I had a flash of cynicism and sarcasm: it’s all just for girls, for kids. Hence, “muzika za decu” (music for children). Initially, it was called Zlatna kosica (Golden hair), haha. I wrote the intro, then improvised the rest of the lyrics in Hamburg while we were playing it.

Nace: You might have changed two words.

Kris: The intro I play on guitar was originally done by Bojan on the piano. While recording, I was strumming along, imagining a piano intro. But when we listened to it later, everything felt so wrong that we started liking it. That’s how it stayed. We recorded it all together in one room, in one go.

Bojan: Žare was thrilled that he had to “clean up” the vocals (laughs), which we recorded in the kitchen.

Jure: This is one of the songs which features guest performers; a children’s choir at the end.

Nace: The kids from our crew and their relatives sang. The first group sang too in tune, so we recorded another group that was a bit less perfect. In the end, we combined the two recordings, and it turned out just right. There were about 15 to 20 kids altogether.

Jan: The guitar sound came from my Whammy pedal, which the producer Žare Pak didn’t always like, haha.

Nace: We have to commend Žare for producing in such a way that everything unnecessary is stripped away. He never hides anything like some other producers might.

PHOTO: Miro Majcen.

2. ŠTA BIH JA (Serbo-Croatian):

Kris: This was the first song we created in London. Within a week, we already had the structure, though it initially resembled Bijelo Dugme. Some elements were later removed.

Nace: Yeah, Žare came in and said, “Guys, this is unnecessary” (laughs).

Kris: His reaction was hilarious. When he heard it, he said, “Did I send you to the UK to make yugo music?!” (laughs). It was our first Balkan reaction to being foreigners in a foreign country, and it just poured out of us. Bojan already had the lyrics “šta bih ja u ovoj crnoj noći bez tebe radio” (what would I do in this dark night without you), and we recorded it.

Bojan: I actually prefer hearing my voice in Serbo-Croatian over Slovenian, the position of the voice seems more natural.

Jure: It's interesting how the colour of Bojan's voice changes with different languages, which is actually quite normal.

Kris: Yeah, Bojan, in a 'Balkan language,' your rocker alter ego comes out even more, I think.

PHOTO: Miro Majcen.

3. CARPE DIEM (Slovenian):

Bojan: This is the original souvenir. And pop. It’s hard to believe how one song can change everything for you like that. It’s literally just one of our songs; not necessarily better than the others, maybe not even one of my favourites. But as our Eurovision entry, it perfectly conveyed our message. The whole story and image of the band are captured in those three minutes. It’s an excellent channel for our energy, which got people to believe in us and become interested.

Kris: Today, a friend sent me a message from Venice; they played 'Carpe Diem' there. Last year, we were on the Lithuanian radio top 40 charts.

Bojan: The most bizarre thing I’ve ever seen in my life was when an older Mongolian singer and his band played and sang Carpe Diem live at a reception for our president, Nataša Pirc Musar, in Ulaanbaatar. We also received a recording from Zanzibar, where someone played it on a hotel terrace.

Bojan: I wouldn’t say our egos fight; they occasionally disagree, but everything generally moves in the same direction—to create something we all like. PHOTO: Miro Majcen.

4. STEPHANIE (English):

Bojan: Of course, Stephanie isn’t really Stephanie, but these are real people who exist.

Jure: I didn’t have any part in this one since there are no drums; everything is programmed (laughs).

Nace: Yeah, everything was done by Casio, haha.

Kris: For many songs, we had a sample beat to practice with, and in some cases, it stayed in the final version. 'Stephanie' is one of those songs as well.

5. AKO TOGA VIŠE NEČE BITI (Serbo-Croatian):

Bojan: You believe in Santa Claus until you realise he doesn’t exist. It’s the same with love; until something destroys everything so thoroughly that you simply stop believing in it. This is a song about very raw disappointment with love.

Nace: I’m in a long-term relationship, and when you leave home, it’s a sacrifice both partners make. In the spirit of it being good for both of you and your partner supports it, everything is okay.

Kris: Full respect to your partner for enduring how you went from ‘zero to a hundred’ in six months.

Nace: We have to commend Žare for producing in such a way that everything unnecessary is stripped away. PHOTO: Miro Majcen

6. BLUZA (Serbo-Croatian):

Bojan: I wrote 'Bluza' a long time ago, up to the chorus, about three years ago. For a long time, nothing happened with it until I presented it to the guys on an acoustic guitar. From there, it developed quickly, in a day or two. We even played it on tour before its release. Initially, it was more guitar-driven than it is now. The title, 'Bluza', literally just comes from the lyric “u ritmu tvoga bluza” (in the rhythm of your blues), but I quite like it.

Jan: A lot of our songs are titled after a phrase from the first verse that has no connection to the chorus.

Bojan: Similarly, back in university, my friends kept nagging me about 'Gola' (Naked), why we gave it that title, but nobody thought of the phrase “za naju” (for us), haha.

Kris: It’s probably because, during the creative process, we repeat the first part a lot, and that phrase naturally becomes the title.

Bojan: The story of a song always takes shape in the first verse.

PHOTO: Miro Majcen

7. LIPS (English):

Bojan: We heard there’s a lot of money in music for films, so the song sounds like an apocalyptic ballad (laughs). Initially, it was quite Franz Ferdinand-esque. We even considered a duet with a French singer but didn’t have a clear vision, so we dropped the idea. Later, Žare and I restructured it, and then Nace tied everything together into a cohesive piece.

Jure: The song went through quite a few iterations.

Nace: Originally, it was a completely different song called 'Je t'aime'.

PHOTO: Miro Majcen

8. MESTO DUHOV (Slovenian):

Bojan: Trumpeter Luka Ipavec collaborated on this track, adding trumpet parts to the choruses. We created it in England and named it after the street we were living on; it had quite a dark vibe. Initially, the song was about a girl who cheated on me, leading to my suicide. Then we introduced the “papapapa” part, creating an atmosphere of a funeral, a procession. When we decided the song should be in Slovenian, we tied it to how the current social climate feels incredibly negative overall. People are always ready to quickly react to something negative. It’s no longer pleasant to go outside; everything reflects the weight of what’s happening around us. There’s unfortunately an air of superficiality around us.

Jan: The solo came to life in Hamburg. Later, when we were finishing the songs, I had the idea to rhythmically slice the solo so that it spells out “baby boo” in Morse code.

Jan: A lot of our songs are titled after a phrase from the first verse that has no connection to the chorus. PHOTO: Miro Majcen

9. SONCE (Slovenian):

Jan: I play the keyboards on this one. Bojan had already outlined the song on guitar with chords. The idea was to create something orchestral, like in 'Novi val'. I, however, approached it differently and arranged the piano part. I showed Bojan a melody that, in my view, reflects the essence of the song.

Bojan: This song is a direct reaction to events in Palestine. It’s the story of a deceased son speaking to his mother. It’s undoubtedly the most emotionally heavy song on the album. The structure is also unconventional; no part repeats, and the chorus appears only once. Jan captured perfectly what the vocals are saying with his piano part. It’s like a haiku, a single thought; not a classic pop song. Jan nailed the final take on his first try.

Kris: We could quickly get stuck creatively if everyone only insisted on their own instruments. Many songs only broke through when someone pressed something different. There were many moments where we needed that kind of freshness.

PHOTO: Miro Majcen

10. EVERYBODY’S WAITING (English):

Kris: This was a song we didn’t know what to do with until Žare offered the most basic beat, and Jan started working with the Rhodes electric piano, which set the direction for the album.

Bojan: Jan picked up the Rhodes out of nowhere and according to Žare, he plays better than 90 percent of of Slovenian keyboardists (laughs).

Kris: Žare’s modus operandi is to break your conventional thinking and enhance your intuition. He believes intuition is superior to thinking.

PHOTOS: Miro Majcen

[kiwakiol]

Part 2

Okay this idea is not letting me alone so I will add some more ideas I had. It's again way to late (2am). This Is more of a telling the a story. (Also free to use this for inspo if someone wants to turn this in a fanfic) 

Disclaimer : I'm Dislexic

Part 1

Hugh wakes up in Wades one room apartment in Logan's body, I would say about 1-2 months after the D&W movie. The fist thing he noticed is that every seems slightly different and he is hit with Logan's enhanced sense. Like everything is more vibrant he hears a lot of small things and not to forget the smells, I imagine that Wades apartment dose have a lot of strong smells that are not necessarily bad but just extrem. So Hugh needs to adjust to that fist and and than realize he is not in his home but a room that looked a lot like the Filme set from the Deadpool movies. 

When he makes his way out of the room he is in another room that he finds oddly familiar he is hit with a extem sweet smell that he follows. Wade is in the kitchen making some breakfast unaware that his Logen was replaced with the Australian actor Hugh Jackman. Hugh on the other hand is more the confused why (what he assumed is Ryan in his Deadpool make up) was standing in front of him.  They were finish with film a long time ago? He is beyond confused. Wade finally noticed that  Hugh has entered kitchen and greets him with something like "Morning Honeybadger. How did my favorite miserable X-Men sleep?" What confuses Hugh even more.

"Why are was the film set? And why are you in full make up Ryan?" Hugh question the man I from of him who just stared at him with unbelieving eyes. "Are you messaging with me, Wolvie? I mean I appreciate that you try to fit my vibe but the 4 wall braking is my thing. I'm am impressed that you remember that I told you they I'm played by Ryan Reynolds, if I had a star sticker I would give it to you for good effort."

Hugh still not understanding what was happening just look at Wade, silence field the room. "Is this suppose to be at Prank Ryan ? You know I love you and all but that a bit much. Built up the complete fire set and all. You know I'm currently working on a completely different movie..."  Hugh stop himself trying to figure out the face of the man that looked at him realizing it was full of shock 

Wade started to feel like this wasn't a joke and the man in front of him was genuinely confused. "Wait do you actually think I'm Ryan Reynolds? "

"Yeah of course, wo else would you be, you know I appreciate your little joke but this is a lit far what is even supposed to be the pranked? " said Hugh still looking at Wade who was starting to loose even more of his already lost mind. -Okay everything is cool- he thought to himself. He knew Logen wasn't one to make this kind of jokes, this jokes where his thing. Which meant that this was probably not his Logen, if he was even Logen, considering he called him Ryan this only could mean one thing "Wail your Hugh Jackman?!"

To how they could swap bodys maybe something paradox related I read a few fanfic where he came back to mess with Logan and Wade, or something went wronywit the timeline and now they have to figure out how to fix it. Maybe they try to contact the TVA or the X-Men to help.

Some prompt like idea:

- Wade desperately trying to explain Hugh that he is actually Wade. 

- Hugh being way to overwhelmd by all the new things he can hear/ smell

- Wade asking Hugh all kind of things about our world.

- Logens realization that his complete life is nothing more then a movie to entertain people in or world

- Ryan has to get used to Logen not being as calm and silly as Hugh.

- Logen seeing videos of Hugh and is surprised how joyful he is

- Logan bring pissed and confused why his claws don't come out and of no healing factor means he has to figure out how to be more careful in general.

- Ryan and Logan at Disneyland

- Ryan realizing that the multiverse exists and is not only a movie.

- Hugh experiences the horrors of 3 adamantium claws popping from his knuckles 

- Hugh being worried about Wade being hurt because he is not use to people just healing 

I will do a part 3 if I get any more ideas, no promises though. This entire idea just came from me daydreaming to music because I can't sleep.

[black-flag-if]

Helloooo players! To all those that write in asking about progress, you're more than noticed and appreciated. It's nice to know the story is loved. To those that write in about songs reminding them of some of my characters, it's also very nice to see and read those!

As for the story and update. I am still working on it, buuut I haven't had much progress done since the last update. I should've known holidays would slow things down for me.

And it's not like I haven't done anything. I really have. I deleted and rewrote a few times. Not once. Not twice. I'm starting out for the fourth time, actually. 😮‍💨

I'm new to interactive and new to coding in general, so when I first started to write I thought it's best to do and write as I go. Just thought to see how people felt about it. Not the case, hence why the big set back. So although I keep going back and forth between Prologue and Chapter 1, I am writing and I'm not just working on code though that is the most difficult and tedious, and I mean very tedious, part! 😒 It easily drives me bonkers. Also, being a perfectionist, I'm never happy with my product and think I could do better hence the constant rewritings. But, I'm learning to be gentle and I understand that I will never be a 100% happy with writing. It's a working process and so am I.

But I do take some ideas from you all, so I got a lot of messages asking if there was more to some of the RO scenes in Chapter 1, so I'm tiding up everything and rewriting a lot!

So it's a lot of work and I am working. I will not make any time estimates because we all know they never work out, unless I'm like 90% done then maybe. So while I unfortunately don't have the best news, know that I didn't give up. Let's hope for some better news next month.

Take care of yourselves. 💌

[pansy-picnics]

YESSSSSSSS YES YES GOD. OH MY GODDDDDD. RIPPING MY SHIRT OFF LIKE THE HULK. YOU GET IT OP. I LOVE PLATONIC RELATIONSHIPS (Says the aroace guy . Like okay fork found in kitchen cmon now)

No cuz LISTEN. romance and attraction is something that is constantly front in center in society as a whole….its a lot more understood than friendship or familial relationships. so it probably makes SENSE to hugo at least in concept.

Attraction is understood by a lot of people as like a biological instinct (And obviously its more complex than that but thats the most Basic idea thats been held for most of history i think). And hugos definitely been Attracted to people before. I think he kind of just sees it as a nuisance tbh. He just tries to gaslight himself into pretending it isnt there.

But platonic love….you dont have that physical reaction yknow??? I mean ive had what i can describe as platonic “crushes” before but it’s different….It could be different for other people ofc but in my experience platonic love kind of sneaks up on you. You might not even really notice its there. One day you’ll just be looking at someone and you’re like, “oh yeah. This one. Theyre the one. Theyre safe.”

They affect you in little ways. like influencing the way you think or the way you speak and you dont notice until someone points it out. You’ll pick up on words they use and everyday things will make you think of them. ITS JUST. GAH!!! I LOVE PLATONIC LOVE!!

I think platonic love is SUCH an important part of hugo’s general role in the story because like….This isnt his first rodeo remember? Hes done jobs for donella before. Hes probably crushed on a few people before. Maybe even people hes worked with. But clearly its never affected his performance before. none of these crushes have Permanently rewired his brain and this perspective he has of the world.

The reason team radical has such an impact on him is NOT just bc she’s gay for varian. It’s bc ALL OF THEM are the first people who have just Genuinely cared about her, with no ulterior motives, no strings attached, no romantic connotations, no nothing. Theyre the first people she’s actually connected with and felt like she could be herself around. and they’re the first to actually able to counter these mindsets that are so Natural to her- these mindsets that it’s every man for himself, that relationships are all temporary, and that she’s not fundamentally deserving of love. Varian, nuru and yong showed hugo a new perspective on life. ALL OF THEM DID!! NOT JUST VARIAN!!!

Its why platonic varigo is genuinely so important to me and one of the reasons i think varigo are the “best friends first/lovers second” kind of couple. its also why i dont really like them having chemistry like right off the bat. Because like…Them being friends first is the only reason their relationship as it is is even possible. Neither of them really had friends their age before and thats Why they really connect.

if it wasn’t for varian just…being a good friend, and him, nuru and yong all collectively showing hugo this new outlook on life….team radical would have just been another means to an end. Sure maybe hugo would’ve had a little crush on varian or found him attractive, but it wouldn’t have made him like, quit his whole job. He would’ve just done the work and moved on with his life. he wouldn’t have FALLEN IN LOVE like he did. Love and attraction are two different things and hugo didnt just have a crush on varian, he fell in love with him. and he fell in love (platonically, of course) with yong and nuru too.

THATS what changed him!!! Genuine human connection and love!!! It had nothing to do with romance!!! And i feel like people just tend to focus on the yaoi or whatever when like…It means nothing if we aren’t seeing hugo form these bonds with the group as a whole and watching his outlook change as a result! without the core feature of genuine human connection and friendship the yaoi wouldn’t even EXIST!!! 😭😭😭

I especially need more library/betrayal scenes with the whole group bc it genuinely makes me so mad when they’re Just about varigo and nuru and yong are just. Left behind? NOBODY EVER WRITES NURU AND YONG REACTING TO THE BETRAYAL…..NOBODY WRITES THEM HELPING HUGO WHEN VARIAN GETS POSSESSED. THEY’RE JUST. LEFT BEHIND AND THEN THEY SHOW UP AT THE END WHEN THEY HAVE THEIR GROUP HUG OR WHATEVER….SOMETIMES NOT EVEN THAT!!!

IT BREAKS MY HEART BECAUSE THEY’RE NOT JUST SIDE PIECES TO VARIGO!!! 😭😭😭 GAHHH. I NEED MORE TEAM RADICAL JUST ALL BEING BEST FRIENDS AND LOVING EACH OTHER!!!!! I NEED YONG AND NURU TO PLAY A PART IN THESE MAJOR PLOT POINTS TOO!!!!

I feel like we don't talk about how Hugo would be weirded out by the concept of having friends enough. Like we all pretty much agree that Donella, while maybe not being outright abusive, was at least not an amazing parent figure and made Hugo live a life that wasn't super healthy. But I haven't really seen anyone talk about how he probably has never felt platonic love.

I like the idea that it wasn't Varian that convinced Hugo to leave Donella, it was Nuru and Yong.

Hugo would have at least had a crush before, if not an actual relationship, he's aware that liking someone made you want to do stupid stuff, like quit your job, abandon your mother figure, and live with them for the rest of your life, but wanting to do that sort of stuff for someone you have no attraction to whatsoever? Huh?

I just love the idea that while Varian was a huge part in changing Hugo, it took friendship with no hint of romantic connotations to finally win Hugo over.

[seventeenlovesthree]

Since it's my personal mission to make everybody watch the Digimon Adventure Tri Stage Play, I dug up one of my favourite interviews again. I owe the producer my life, because he simply managed to create the best piece of Digimon Adventure media since Adventure itself (in my opinion almost as amazing as Our War Game and that MEANS something). However, I saw a few people being confused about a few things, so I wanted to clarify:

"Wait, is the Stage Play just Tri's story but done on stage?"

Nope, it does take place during the Tri era (between the third and fourth movie to be exact), but it is an original (side) story that can be watched without having any knowledge of Tri or Tri's plot.

"Does the story take place in the real or in the Digital World?"

That would actually be a spoiler and since there is no easy answer to this, I'm gonna say you have to watch it for yourself.

"Are the characters like in the original or like in Tri?"

That's the fun part - of course there are glimpses and pieces of the Tri characterizations, but the producer really did his very best to adapt the characters faithfully and as respectfully from the original source material as much as he could and I think you can feel that:

"To be honest, the generational timing was a little off for me, so I had never seen Digimon before. After I received the request for the stage play, I watched all of it, including the original TV series and the movie series, but I didn’t expect that I’d be crying so many times. It was a story of human growth and Digimon evolution being deeply intertwined, and I watched as that growth and evolution was overlaid with so many other things. Maybe it was because I watched it as an adult, but I was able to see it from all sorts of perspectives in regards to “people growing”. (...) While I’ve worked with other people’s stories and made plays out of them several times, it was usually in the sense of taking the original work’s story and repurposing it for the stage format. But for this one, even though I’m borrowing the original series’s characters, the story is being written from scratch, and it’s my first time writing words for characters that were created by other people. It was a high level of difficulty, and I still feel it even now. Also, it made me wonder how the scriptwriters for the anime must have done this. They were also writing the same characters in the same world, while sharing that job with tons of other people. It’s amazing that they were able to do that. But, naturally, it wasn’t just full of difficult and painful things, but once the story properly got going, I got to hear the lines I was writing in the voices of the characters from the original series, and getting to savor those kinds of moments was very fun. Someone like me, who works in the theatre field, gets to take over the job of writing the lines of characters made by others. And then I have Toei check over it, and we get even closer to the mark. So in other words, we bring these characters to life by sharing them between everyone. And especially in the case of Digimon, it was an interesting experience in that there wasn’t just one writer or director, but rather that everyone had their own version of Taichi and Yamato, and the dialogue was born from between all of that.

"Anything else I need to know?"

If you are able to see past some cringe, don't mind nostalgia baiting and are okay with a few... Questionable scenes in regards to the main antagonist (which you will definitely know if you've watched the original Adventure series), you will enjoy this.

Also, personally, I'd say this is the order of plot relevance of each human character, so if your favourite characters are in the top half of the list (and even if they're not), you are likely to have fun:

Taichi

Jyou

Koushirou

Yamato

Mimi

Hikari

Sora

Takeru

[dashiellqvverty]

like yeah maybe tlj would have been subversive or whatever if finn and poe had been completely different characters. and also white men. but finn and poe already WERE subverting what was typical of star wars (and like pop culture in general) by being men of color in these hero roles. like okay a han solo type getting too confident and fucking up and learning he was wrong WOULD be flipping our expectations but poe never WAS a han solo type, at least not in the way tlj/rian johnson framed him to be.

it is just so clear that rian johnson had this idea in his head for a ~different/unexpected/whatever~ take on star wars but he had to force every single existing character into a new shape to fit what they needed to be for his story with NO regard for who they already were and absolutely no care for how he was stereotyping, demonizing, and humiliating men of color in order to fit his ~vision~

[sonknuxadow]

they werent lying that knuckles series barely has knuckles in it

[arolesbianism]

Thinking abt Sif Odile duo looping au again and I wanna be able to plot everything out more coherently but act 5 eternally looms overhead and boy I do not wanna look up

[daydreamerdrew]

Tales of Suspense (1959) #92

[echoekhi]

I’m Declaring War Against “What If” Videos: Project Copy-Knight

What Are “What If” Videos?

These videos follow a common recipe: A narrator, given a fandom (usually anime ones like My Hero Academia and Naruto), explores an alternative timeline where something is different. Maybe the main character has extra powers, maybe a key plot point goes differently. They then go on and make up a whole new story, detailing the conflicts and romance between characters, much like an ordinary fanfic.

Except, they are fanfics. Actual fanfics, pulled off AO3, FFN and Wattpad, given a different title, with random thumbnail and background images added to them, narrated by computer text-to-speech synthesizers.

They are very easy to make: pick a fanfic, copy all the text into a text-to-speech generator, mix the resulting audio file with some generic art from the fandom as the background, give it a snappy title like “What if Deku had the Power of Ten Rings”, photoshop an attention-grabbing thumbnail, dump it onto YouTube and get thousands of views.

In fact, the process is so straightforward and requires so little effort, it’s pretty clear some of these channels have automated pipelines to pump these out en-masse. They don’t bother with asking the fic authors for permission. Sometimes they don’t even bother with putting the fic’s link in the description or crediting the author. These content-farms then monetise these videos, so they get a cut from YouTube’s ads.

In short, an industry has emerged from the systematic copyright theft of fanfiction, for profit.

Project Copy-Knight

Since the adversaries almost certainly have automated systems set up for this, the only realistic countermeasure is with another automated system. Identifying fanfics manually by listening to the videos and searching them up with tags is just too slow and impractical.

And so, I came up with a simple automated pipeline to identify the original authors of “What If” videos.

It would go download these videos, run speech recognition on it, search the text through a database full of AO3 fics, and identify which work it came from. After manual confirmation, the original authors will be notified that their works have been subject to copyright theft, and instructions provided on how to DMCA-strike the channel out of existence.

I built a prototype over the weekend, and it works surprisingly well:

On a randomly-selected YouTube channel (in this case Infinite Paradox Fanfic), the toolchain was able to identify the origin of half of the content. The raw output, after manual verification, turned out to be extremely accurate. The time taken to identify the source of a video was about 5 minutes, most of those were spent running Whisper, and the actual full-text-search query and Levenshtein analysis was less than 5 seconds.

The other videos probably came from fanfiction websites other than AO3, like fanfiction.net or Wattpad. As I do not have access to archives of those websites, I cannot identify the other ones, but they are almost certainly not original.

Armed with this fantastic proof-of-concept, I’m officially declaring war against “What If” videos. The mission statement of Project Copy-Knight will be the elimination of “What If” videos based on the theft of AO3 content on YouTube.

I Need Your Help

I am acutely aware that I cannot accomplish this on my own. There are many moving parts in this system that simply cannot be completely automated – like the selection of YouTube channels to feed into the toolchain, the manual verification step to prevent false-positives being sent to authors, the reaching-out to authors who have comments disabled, etc, etc.

So, if you are interested in helping to defend fanworks, or just want to have a chat or ask about the technical details of the toolchain, please consider joining my Discord server. I could really use your help.

------

See full blog article and acknowledgements here: https://echoekhi.com/2023/11/25/project-copy-knight/

[gay-dorito-dust]

I have been binging your work!

I don't know if this breaks your trauma rule or not, but (with the guys of your choosing as long as Ratio is there) how would the guys react to losing reader (they haven't confessed feelings yet) during a mission and thinking they died. Then, the reader reappears a week later bandaged up, but alive. Maybe spouts their confession first? ˘͈ᵕ˘͈

I adore your writing. Thank you!

This is way too fucking long, so be warned. It’s like I rammed 4 mini stories in one but got lost at some point cuz I left this ask to collect dust. Also thanks for enjoying my writing it’s much appreciated. :) 🦦🐿️

Sunday:

The moment he got news that you’ve been assumed dead in the aftermath of a dangerous mission, he looses composure really quickly.

Loosing Robin was one thing but loosing you on top of that was the straw that broke the camels back.

He originally doesn’t believe that you were gone, he refuses to as he practically tears his office to shreds in a fit of anger and grief before forcing himself to regain composure and clean up after his outburst. He needed to in order to keep up the illusion that he was the levelheaded leader The Family needed in these moments of chaos and mistrust.

Even if he himself was breaking down internally alongside everyone else, hellbent on finding the culprit for your death and punishing them so severely that they’d beg for death. He’d avenge you in anyway he could, even if it meant sending out the bloodhound family on a wild goose chase that only ends in dead ends, he would get you justice no matter how it may come.

His heart had died alongside you that day.

So when a week passes and he finally has you back in his arms, all the while being carful with your wounds as his eyes searched you over in a way you weren’t use to.

‘You’re alive.’ He breathes out in relief as he then begins to laugh and rest his head against yours, breathing you in deeply as he relishes in this long awaited moment. ‘Of course you’re alive.’ He mutters.

‘Sunday,’ you began but Sunday was quite to cut you off.

‘Do you know how I felt thinking you were dead? Driving myself insane to prove that you were still alive anyway I could as not to bear the idea of walking through this life without the one person I love so dearly.’ Sunday takes a brief pauses in his monologue, feeling out of breath after having put everything out into the open before continuing. ‘I thought my heart had stopped beating that day and now I have you bad in my arms.’ Sunday then chuckles darkly as he gripped you tighter. ‘I’ll ensure that I’d never have to revisit that part of my life ever again.’

‘Sunday-‘

‘Shhh.’ Sunday cuts you off once more, pressing a kiss to your forehead as he holds you close to his chest, rubbing your back soothingly. ‘Just know that what I do after this, I do out of my love for you.’ He says against your forehead before pressing another kiss there for good measure.

Jing yuan:

Loss wasn’t new to Jing Yuan.

He has experienced it in multiple forms throughout his life, but that didn’t made the news of your death any less painful for the General.

While his mind might’ve made peace with the fact that you were gone, his heart however did not as he would find himself in the places that you often vacated to in moments of stress, or to just be left alone for a while with your thoughts. So to no longer see you in any of those hidden spots -waiting for him to find you like you usually did- only worsened the grief he felt in his heart as he sat himself down and allowed the memories to pass over him in waves.

You were both so happy together and felt a sense of fulfilment that could only be achieved when you were within the other’s presence; A feeling that was uniquely yours and yours alone that could never be replicated, ever. For no one could ever come close to replacing you, nor the companionship you and he had for each other that many assumed would blossom into something more; Jing Yuan also shared the same sentiments as they did, but just as he built the courage to push that boundary between the two of you, you were taken from him before he could utter a single word.

So when a week passes and Jing Yuan found your battered and beaten form in one of your secret spots, back resting against a tree with your eyes closed.

‘Y/n?’ He called out and your eyes opened upon hearing his voice and looking at him with a weak smile. ‘Hey General, miss me?’ You said as you struggled to get up to your feet, only to stumble forward and into Jing Yuan’s chest as his strong yet gentle hands hold you in place.

‘More than you could ever hope to know.’ Jing yuan said as he focused on how you felt beneath his hands, warm and alive.

‘I’m sorry I kept you waiting.’ You muttered against his chest as his warmth made you realised just how tired you were from everything you’ve experienced this last week alone. ‘I never meant to keep you waiting in fear that you’d forget about me if I don’t stay in your life long enough.’ You admit and Jing Yuan instinctively presses a soft kiss to the top of your head, holding you protectively.

‘I could never forget about you my beloved.’ Jing Yuan reassured you as he looked you deep into your eyes. ‘You’ve managed to carve your place within my heart and soul, so much that there isn’t a day where you aren’t all I think about, regardless of whether or not your by my side or far away.’ He finished by pressing a gentle kiss to the gauze on your cheek, chuckling upon seeing your cute attempts of burrowing your face into his chest.

‘How long have you’ve been waiting to say this.’ You asked, thankful that he was the one to admit his feelings first, as you would’ve had a hard time articulating your words as fluidly as he could.

‘For a very long time.’ Jing Yuan replied with a small smile as he then proceeded to lift you into his arms, cuasing you to squeal in surprise, as he made sure to be carful of your wounds and began walking to the nearest medics to make sure your wounds weren’t going to be trouble later on.

Aventurine:

He didn’t know what to think when you were pronounced dead, all Aventurine could feel in that moment was an overwhelming numbness that encased him entirely.

The only light left in his life had been snuffed out, plummeting him into utter and total darkness he had once been well acquainted with until you came along, giving him a reason to keep looking forward despite everything.

You were no longer here to hold onto his left hand before he could even think of hiding it behind his back out of habit, you were no longer here to be his reason, his comfort, his safe place. You were taken away from him unfairly and once again Aventurine found himself asking the same question he has been asking himself for a long time; why everyone was born into this life just to die.

So when a week passes and Aventurine finds himself sat on a bench somewhere, still not dealing well then than he was the week of your assumed passing, lost in his own thoughts when someone took a seat next to him. Aventurine was just about ready to tell them to go away, when he saw just who was sitting next to him; you.

‘I know, I look like shit but you don’t have to look at me like that.’ You spoke upon feeling his eyes gaze upon the gauze on your cheek, then towards the array of bandages that littered the rest of your body.

‘I thought you died.’ He hissed, emotion was heavy in his voice as his eyes became bleary with unshed tears as he felt his breathing become heavy with the reality that you were alive. He didn’t know what was real and what wasn’t in that moment as his mind raced. And it wasn’t until you reached out to grasp his left hand and intertwine your fingers together, squeezing, did everything finally became clear to him.

‘I thought I was too at one point but there was something that kept me from journeying over to the afterlife.’ You admit, looking over at him and smiling sweetly, wanting nothing then to calm his thoughts and reassure him that this wasn’t a dream.

‘And what was that?’ He laughs humourlessly as he stares back at you, wanting to hear what excuses you could come up with for faking being dead for a week. ‘Willpower? Determination?’

‘You Kakavasha.’ You replied straightforwardly and his breath hitched in his throat. You rarely used his actual name unless it was absolutely serious. ‘You were all I thought about as I pushed through my injuries.’ You told him as you continued. ‘Kakavasha is waiting for me was just about all I could think about for a week straight.’ You finished as though you didn’t just confess that he was your soul motivator in staying alive.

‘Really?’ Aventurine said softly, finding it impossible that he could possibly be your reason for anything. ‘Why?’

‘Yes really.’ You chuckled, pressing a kiss to his cheek as you rested your head against his shoulder. ‘As for why, it’s because I like you more then did let myself admit, but i just wanted you to know incase anything truly bad were to ever happen to me-‘

‘No.’ Aventurine cut you off suddenly, squeezing your hand as though he were afraid. ‘Nothing is going to happen to you, not now. not ever. I just got you back.’ He adds resting his head against your own in a desperate attempt of feeling more of your against him. ‘Just stay with me…please.’ He begs you in a whisper as he nuzzled further into you. ‘and don’t go anywhere I can’t follow. I don’t think I can bear the thought of loosing you again.’

You smiled softly as you just whispered back against the skin of his neck. ‘As long as you don’t go anywhere I can’t follow. I like my crush to be alive and close by even if he can be a pain in my ass sometimes.’

Aventurine chuckles, his heart becoming whole again as he made you cuddle into his side, kissing your head once more as you took this moment to familiarise yourselves with each other. ‘At least I’m a pleasurable pain in the ass.’ He teased and you pinch his side, causing him to flinch, but his smile remained and this time his smile was genuine.

His light has came home.

Ratio:

Fully believed that he’d see you when the mission ended, knowing just how talented and dedicated to the craft you were, and having faith that this would be a measly walk in a park for you.

Only to receive word that you were one of the many who were assumed dead when you weren’t found amongst the living nor the dead.

Veritas tries to remain as levelheaded and logical as possible during this time and continue life as normal. However found himself retracting from everyone else and going none contact, more so specifically with the people you were once associated with, and instead focused heavily on his studies and academics to an unhealthy extent.

A week passes and Veritas feels as though he’s seen a ghost the moment he saw you in his peripheral vision, bandaged and dressed in ripped clothing but still somehow finding it in you to smile.

‘You idiotic Buffon!’ He exclaims as he walks towards you.

‘Well that’s a nice way to greet someone you care about.’ You replied as you readied yourself for a massive rant about how stupid you were and so on, but instead you were held against his chest as he burrows his head into your neck.

‘I thought you died.’ He says in a whisper as he breathed you in. This went against all logic but in that rare moment Veritas didn’t care, you were alive but he still couldn’t let go of the fact that you didn’t tell anyone you were still alive. ‘Why didn’t you tell anyone that you were alive, send a signal, anything.’

You shrugged as you made yourself comfortable in his strong arms. ‘All communications were badly damaged or completely cut off.’ You told him. ‘I was on my own for a long while before finding my way back to you.’

‘Me?’ Veritas asked, pulling away from you. ‘Why not a medial facility for a proper treatment of your wounds? Have you hit your head so hard that common sense had been left on the back burner when making that decision?’

‘I wanted to see you first you dickhead!’ You exclaimed, shutting Veritas up rather quickly with your confession but you didn’t care. ‘is it so wrong of me to let the man I love know that I’m okay? So go ahead and call me an idiot all you like but that won’t change the fact that I felt more fear about not telling you how I truly feel then dying on some stupid mission.’ You finished your rant.

‘You’re insufferable.’ Veritas said after a moment of silence and you couldn’t help but feel a little annoyed at this that you didn’t notice that Veritas has began to close in the distance between the two of you.

You scoffed. ‘Oh sure call me insufferable as if you-‘ Veritas cuts you off by cupping your cheeks and planting a sweet short lived kiss against your lips before pulling away with a smirk.

‘Glad to know that the feelings are reciprocated.’ He says, taking enjoyment of rendering you speechless as he gently guided you to medical, and remaining by your side for the remainder of the day.

[eff-plays]

Ok so I watched the interview with Stephen Rooney, Astarion's writer, and here are some highlights. (I'm an aspiring writer and current game design student who wants to write for games so I'm sorry if some of these insights aren't as interesting to you as they are to me <3)

He calls Astarion his "horrible little vampire boy"

He loves seeing the fandom around Astarion<3

He did write other characters in the game, but mostly NPCs surrounding Astarion or his storyline, so it mostly revolved around Astarion

Astarion is not as connected to other companions/Origins as, for example, Lae'zel and Shadowheart, or Wyll and Karlach are to each other, but he is still reactive to their stories, even if it's just to stand off to the side and laugh when something terrible happens

He had a clear sense of where Astarion's story would start and end, but it got "muddy in the middle", but those are also moments where the best ideas come from

They write from the general idea that every character has one "good" and one "evil" ending, in order to give the player choice. RIP Ascendant apologists :(

According to Stephen, two of the most important aspects of Astarion's character (to keep consistent when bringing him to Idle Champions, at least) is that he enjoys violence, but is also fun about it

"He has a certain appreciation for violence, I guess? A bit of a murdery streak. [...] He's a vampire, he's all about blood, and he's all about, kind of, those darker sides of humanity. [..] But at the same time, he is ... He is really fun, he's really fun to write, he's really fun to have in your party, and it's very important for me that that is also represented."

"He's gonna stab you, but will have a smile on his face as he does it? I mean, I dunno. That's kind of him in a nutshell."

Larian would not have allowed for Astarion to be a typical brooding Dracula type, and there were scenes that were shot down for not being original enough

The main thing about Astarion was trying to get a "sense of fun." It would be easy to write a character that was very unlikable, and they absolutely did not want to do that

Rooney says Astarion is consistently terrible throughout the game and awful in a whole lot of ways, but he also needed to be charming enough that you could tolerate his presence and wanted him around

Rooney also had a lot of input on Astarion's stats (meaning the 10 Charisma is probalby 100% intentional)

He also had input on how certain lines should be delivered, even though the writers didn't directly work with voice actors

The way Astarion moves and poses is "all Neil"

Apparently, Neil Newbon worked on the character for years and Rooney did not speak to him once, though his voice work did influence how Astarion's lines were written and it became a "feedback loop" (Possible context for "ONLY SLIGHTLY, NEIL")

There were no points where a line delivery drastically changed Astarion's writing; rather it was a constant, slow evolution

However, there was one very spoilery moment where Neil gave such emotion to some "basic" lines that it fundamentally changed the scene (WHAT IS IT OMG)

It's difficult to balance approval, as you don't want to straight up write a monster. Every character needs to have some humanity in them. So if it comes to leaving the party, it needed to be the result of something central to said character. They wanted to be mindful of situations that would cause actual rifts between characters. (I assume this is why most generic disapprovals/approvals are +/- 1 or 2, while character-related ones give +/-5 or more)

However, as they don't write straight up horrible people/monsters, it doesn't come up as often as one might think.

The interviewer makes a point about how characters like Astarion and Lae'zel are good examples of how to play "evil" characters, as they are maybe not the best people but are still eager and willing to stick around the other party members

They worked to make sure the characters would work as a group, no matter the configuration of the group. The characters needed to be on the same path, even if they don't always agree or walk that path the same way.

Stephen Rooney is very proud of the "climactic" scene of Astarion's story. (AS HE SHOULD BE.) He even had to step away from the computer and have an emotional moment. Me too, man.

He's also "extremely pleased" that there's a point where you can punch Astarion in the face. "Actually, that one might be my favorite part" A MAN OF THE PEOPLE!!

Stephen Rooney's tip on what specific thing you should try out with Astarion: When he's trying to get a "sneaky nibble" at night, you should "probably" let him bite you. Way ahead of you there, sir.

No discussion about Astarion's romance unfortunately, but that's that!

[endlessdreamworld]

God, I finally caught up on the HSR story and I'm so down bad for this man, this traumatized guy, my poor little meow meow.

So here's some yan! Aventurine X gn! reader headcanons that have been rotting inside my brain for the past few days. Bark bark bark rate up soon please haha!!

In the early stages of your relationship, his behavior matches his superficial self, the shell he shows everyone. One of his first gifts to you would be a credit card attached to his personal bank account. 'Don't ask! Just spend.' He'd get a hit of endorphins every single time he sees a charge coming through from you. He knows it's you because he named the profile attached to that card with some corny pet name with a slew of emojis beside it, taking up an obnoxious amount of space on the screen of his phone.

It doesn't take long for him to be utterly obsessed with you. How could he not? You're just so... everything! His everything. It's at this stage, the mask slips off. Material gifts are no longer enough, and the gifts he gives you are pieces of himself. He'll overrule whatever pet name you gave him in favor of honey -- a reference to his heritage.

And speaking of heritage, he's prepared quite the gift for your one year anniversary. Once the sun had long set on a sinfully indulgent all-day date, and after some desperate and incredibly needy sex when the two of you are tangled up in a knot of your sweat and burning feelings, he'll give you his present. Kakavasha, he'd mutter into the sensitive skin on the side of your neck mirroring his commodity code. It's one of the few things he owns that truly matter to him, and he can only hope you'll accept his humble gift.

He's needy, so very very needy in general, about everything, always, in every single way. Pathetically so. He can't hold your hand like a normal person, your fingers must be laced. Kissing? There's rarely a moment when you're not being kissed, and he's generous with the sheer variety he provides you with. Sometimes it's little soft sweet kisses that are more like whispers against your flesh. Other times, he'll kiss you on the hand or face only to never pull away as if he's moving into the real estate on your bare skin wherever he can find it.

And after a particularly horrible day, he'll return home without greeting you in his usual cheerful way. You'll immediately know something is up, even more so when he puts you into a vice grip, kissing you in such a way where it's like he's trying to suck the air out of your lungs. It's as if he believes you can baptize him with your spit and turn him into something worthy of walking around other human beings, a luxury he can never afford himself. On days like this, he feels so utterly unworthy of the life he's taken from the people who have been unfortunate enough to cross paths with him, one stolen day at a time. Of course, he's shameless enough to steal from you of all people -- the sweet little giving thing that you are.

He dreams about working up the nerve, or maybe stooping so low as to ask for your hand in marriage. Whichever comes first. It's something he would have thought a lot about up until that point. He's got more money than he could ever spend in his lifetime, even if one of his hobbies was lighting huge stacks of credits on fire just for fun. With that in mind, any gem no matter how priceless would be a bauble in comparison to what you deserve for putting up with him. Of course he could carve off a piece of his cornerstone, a piece of him, and give you a fragment of God to decorate your finger. But if life on Sigonia IV taught him anything, it's how quickly your most precious belongings can be taken.

So naturally, there's only one thing he could think of that would be more valuable than that, only one thing comes to mind that can't be taken. The idea came to him in passing, an idea that's quite literally staring him in the face.

He's tried getting rid of his commodity code in the past, but even with all of his money, there's nothing that can make it go away without leaving some sort of mark. It was just easier to accept it and it slowly faded into the background over time.

So what would be more valuable than a piece of him, a piece of God? Why, eternity of course, something truly priceless. It would only be proper to get your wedding band's tattooed. You'd even be considerate enough to encourage him to pick an Avgin pattern.

While the idea of a ring as a symbol of your bond is nice, a ring is an object. Objects can be stolen -- or worse, taken off. Countless times were the things he held dearest taken from him. Although those days are long gone, and even though he's a gambling man, he wasn't about to take any chances. Not now. Not with this.

Having your promise to love one another until death do you part sealed onto your skin would give him tremendous comfort. If anyone wanted to take this away from him, the symbol of his vow to you, they'd have to peel it off of his cold, dead body. But first, they'd have to manage to kill him, of course.

Aventurine is hard to get a read on, which is just how he likes it. He's been many thing: a scoundrel, a villain, a confidante, a friend, a rival, a whipping post, a beggar, a tool, a whore, a hound, a pawn, a con artist, and a killer; all things he wouldn't hesitate to become again if the situation demands it. It's in his nature to adapt to what he needs to do, and who he needs to become. But no matter how much of a shapeshifter he pretends to be, the core of his being is unchanging and inviolable, for better or worse.

He's still that scared, lucky, little shivering Avgin boy no matter how hard he tries to play dress up. He needs you to find Kakavasha underneath all of the masks and bullshit he hides behind.

Every day he bets on you to find him, the real him, and love him. The wager? Just the usual -- his life.

[mangoku]

Oh I did that once with spider verse I believe. Except I was also on the floor while my dad sat normally at the dinner table enjoying the movie. I’m not 100% sure which movie it was (I was on the floor eyes closed and couldn’t see) but I do know that I was reciting that bad boy. Knew it off by heart. Picturing it vividly in my minds eye. Also it might be helpful to know me and my dad both had some edibles prior to this, he had a reasonable amount and I… did not. Hence why I was on the floor. Also my dad has an unfortunate habit of brushing off vomit warnings from his kids. I don’t think he’ll be making that mistake again

i had a dream that kurtis conner made a video where he was watching sharkboy and lavagirl but with his eyes closed the entire time for some reason. only when the movie was playing. he would react like "haha, i know what happens in this part!" with his eyes closed while the scene is playing