#maybe i will go write now

[biggest-gaudiest-patronuses]

the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"

just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible

[soapcloth]

CW: 18+ MDNI, mech!ghost x pilot!reader, scifi, noncon/dubcon elements, guided masturbation, temperature play, voyeurism - 1.6K words - dividers -> @/cafekitsune

Another long night in the cockpit.

You could only grin and bear it at this point. Reaching compatibility with your assigned vessel was slowly eating away at your psyche- and worst of all, you couldn’t even leave; not when your prospected affinity levels with the infamous machine had been deemed unprecedented, and certainly not when you knew what happened to deserters.

Conscription was non-negotiable these days; the large colony you had grown up in now ravaged by some otherworldly force and desperately bleeding out resources in response, be it weaponry, rations, or bodies.

The faction had been gifted the GH-05t Mech as an act of goodwill, but ask any official and you’d be informed that the powerful, unused machine would serve better as scrap parts- the real kicker being that they were no longer equipped with the resources or the manpower to dismantle the damned thing. 

GH-05t was a battle vessel; had been lauded as a ground-breaker and a boundary-pusher with the integration of an intelligent battle protocol system, all trained posthumously off the stored memories of some long-dead pilot, surely without his consent- Simon, they had named it in an attempt to make it more user friendly and assistant-like in nature.

Hubris. The system failed to run, turning the fully-functional mech into a glorified mountainous paperweight due to all of the instrumental functions being locked behind unresponsive intelligence. You speculated that the machine had passed hands to save face- to keep the public hopeful despite the system refusing to wake up.

-Wake up. You groaned, slapping lightly at your face.

You hated it here, longing for lazy days on the bleak outer walls, surrounded by the buzz of cicadas and rustling long grass as you waited for your father to get back from the drillsite. Your parents had been so proud when officials showed up at your dilapidated front porch, neat suits, shining eyes, and big smiles blissfully ignoring the very same surroundings they had left to rot;  all while you reeled internally- shaken by the worst news you had received in your life. It was a death sentence. 

It had been years since that day, and you were absolutely sure you had only been given a position like this because of some made-up numbers all while they tried to remind you that you were special, somehow different from your peers.

All damned to the same fate in your eyes.

“-load of shit.” you hissed, rubbing at the uncomfortable neuro-valve hooked into the back of your flight suit. Frustrated, you kicked at the mechanical console snug against your leg, the low rumbling whirr of the machine staying the same in response- apathetic to your misdirected rage. 

A moment passed before you finally leaned back in your seat with a grimace.

You still weren’t used to the flight suits in the mech pilot regs. You almost missed the starchy cargo pants that were worn throughout training- both had been unbearably stiff, but at least the latter hadn’t been so form-fitting.It always freaked you out a bit; the pilot suits were more akin to sleek exodermis, responsive and shock absorbent- It felt wrong to have something so foreign covering your entire body; unnatural. 

Your hips squirmed in the seat, friction suddenly becoming apparent the more you thought about it. The low tone of your monitored vitals raised gradually with the fuzzy heat beginning to shamefully pool in your gut; making you all too glad these late night bonding-sessions were done in an all but abandoned mech bay- your observed progress dwindling along with your prospects as time went on without result. 

Grinding into the seat, you swallowed back the thick saliva coating your mouth, teeth catching on your dry bottom lip as you held back a low, audible shudder; eyes fluttering shut. 

The bulky panel separating your legs became all too appealing as you acknowledged the press of it at your sealed cunt, nudging your apex into the blunt peak while your gloved hands curled around the padding of the built-in armrests.

Then, there was a pulse at your core. 

Eyes snapping open, you became all too aware that the sensation hadn’t come from your body. Straightening up in your seat you were met with a dull blinking text on the panel that had never been there before- 

‘Battle Intelligence System 

STATUS: LOADING’

You were rooted in place as you witnessed the glowing, digital bar slowly fill.

‘Battle Intelligence System 

STATUS: ONLINE’

You scrambled to pull at the neuro-valve connecting your suit to the mech, only for the small port’s flight locks to engage; a stark hiss emitting from the cockpit door’s airlock.

“Disengage locks.” you commanded, completely lost on what was happening. 

There was a low, fractured robotic groan directly in your comms “-Fuck…” the voice was deep, aggressively masculine and breathy in your ear- the sound holding more human emotion than you were prepared to rationalize. “Where am I?”

“-Disengage locks.” you repeated firmly. 

“The fuck is this?” he snarled, apparently coming to as he barked out questions, disoriented. “-Who are you- why are you in m’head- Fuck, why can’t I see?” 

Your suit was flexing and constricting, going haywire in the confusion. “C-calm down!” you stuttered, a pendulum in your head swinging between gripping dread and the low, heady heat of unmet needs. “Just-Just let me see if I can fix this.” 

Panting shakily, you swiped at the flight panel’s screen- spotting something containing the words ‘optical’ and ‘sensors’, you tapped frantically.

There was an audible wince deep in your ear, then a growling hum met with silence.

“M'dead, aren’t I?”

“-You’re a memory bank- not a person.” you asserted, clarification necessary when it came to a massive mobile death machine. ”C-Can you lay off the suit, please?”

A pulsing wave passed the length of your suit as he listened to your embarrassed response over the comms, the sound of his voice bouncing around in your head. “Fuck, bet tha’ feels nice, yeah?”

A whine bubbled at your lips before you could stop it. “I- You’re not l-listening, Simon.” 

There was a long silence following your plea- air electric and tense.

“Tha’ name- How do you know it?”

“N-not the point!” you argued, only to be met with a full body squeeze- a threat. “-It’s the name of the o-operating system! P-please!”

He relented, your chest heaving as your muscles released tension.

“Well, if you an'I are so close...”

The screen flashed with a notice. 

‘[Main Cockpit Camera Feed - Status: Active]’

Followed by another

‘[Manual Override - Feed Transmission Blocked]’

“-Keep things between us, yeah?” 

Your head swivelled around to look for a camera, landing on a lackadaisical red blink coming from right above the reinforced windshield.

“You're a sight, aren’t you?" listening closely, you could hear the audible scroll of the lens focusing.

You frowned. “Let me out-”

You gasped as a cold heat focused at your core, reminding you that your suit’s temperature regulating measures were completely under his control. “-No need for fuss, we were just getting t’know each other.”

“Th…” you paused, panting softly. “-This doesn’t make any sense.”

“What’s not to get, Love?” there was a pause as your seat adjusted forward, bumping your cunt into the console. “Give us a show, yeah?”

You whimpered in response, pressure unbearable.

“Look at you.” he snarled, the deep sound goading your rocking hips onward. “Fuck- Wish I could taste you…”

There was a small noise from the screen that had your heavy lids pulling upwards- database bringing up the low-res file of a soldier. 

“-Look at the man doing this to you, love.” 

Your lips parted, eyebrows drawing downwards in confusion as you looked at the attached image; a masked man with voids for pupils staring back at you.

“Y-You’re not-” you gasped as a concentrated cold rushed your breast, nipples pearling up uncomfortably at the sensation- the friction of your undergarments and the newly dropping temperatures sending your head soaring as your hips worked at grinding into the blunt metal. ”-not r-real.”

“-I am.” His voice was a sharp, humorous growl that threatened you to challenge his word, followed by a single deep laugh. “Eyes up- on me, love.”

Your head bobbed as you glanced lazily at the file, unable to make any sense of the written data- not that it mattered anyway.

“Think you can finish for me?”

The suit pulsed rhythmically as you practically humped your seat with eyes screwed shut, the humiliation of your current position itching at something unfamiliar deep in your abdomen. With flushed cheeks, you chased the bubbling pot that made a home in your gut; willing it to boil over.

 “Look at me.” he ordered. “Need y'to look at me.” 

Glancing at the screen in a haze, the exomuscles of your suit flexed in response.

“No- Up.”

your head shot towards the camera, holding contact with the whirring lens as the overstimulation finally became too much- pussy fluttering in euphoria with elbows bracing you, hips pathetically grinding out the high. 

Struggling to catch your breath, you slumped back into the chair- gears adjusting your seat back into a comfortable position.

“Good.” the voice in your ear barked, before lowering incrementally. “-Good…”

The screen lit up with a notice that compatibility requirements had been met- although it didn't mean much to you in your state; chest heaving slowly while you tried to make sense of what happened. 

“Gonna’ let you out- but this has got to stay our secret, yeah?” 

You swallowed, eyelids tugging open as your suit tensed in warning.

“How copy?”

“Y-Yes.”

“Good,” he paused. “-don't need anyone but you poking around up here.”

[xxplastic-cubexx]

personal happiness or what the fuck ever

bonus:

[moonlightcycle571]

Wouldn’t it be funny if Billy could only give powers to one person at a time, so the Vasquez kids take turns being Captain Marvel Junior (as they still look like kids) and they make everyone thinks it’s one shape shifting child.

Reporter: Captain Marvel, who is this new protoge worth you?

Marvel: you’ve met Junior though?

Mary, who wanted to take over: yeah we talked last week.

Reporter: ah what

At first it’s just Mary and Freddy (mostly Freddy cause he’s really into being a superhero) so everyone thinks Captain Marvel Junior is a shape shifting gender fluid kid and Marvel is a supportive dad.

But then the other Vasquez’s join in the fun

Reporter: Captain, new protoge?

Eugene, in it for shots and giggles: Claire, it’s me, Junior

Reporter: … you’re Asian now?

Eugene: woooooowww

Marvel: that’s low even for you

Reportee: but I-

Eugene: Both Captain and I have lived lives of many genders, colours and have been in many cultures. And yet you shame me for feeling nostalgic and reverting to an ancient form of mine.

Reporter: I- w h a t

It’s sparks a lot of debate of cultural appropriation for shapeshifters in general, with a lot of people invoking Martian Manhunter, fae and other shapeshifters. So naturally Pedro steps up

Captain Marvel and Junior both volunteering at a homeless shelter.

Reporter: … junior?

Pedro: yes?

Reporter: what are you doing

Pedro, making an ancient Mexican recipe he got from the Library in the Rock: making a dish I learned a couple of centuries ago from my then family.

Reporter, really doesn’t want to get cancelled: ok

Naturally this takes a lot of coordination, and a lot of people test them by giving info to one kid, and different info to the other. Solomon sees right through them cause the divine group chat is connected to Billy and the chosen Junior. Things were starting to chill for a bit. Then Darla joined in.

Darla, visibly younger than the other forms: Hi :D

Reporter: why do you keep getting younger and younger???

Darla: :3

At this point the reporter is so done. Are you a child with a lightning emblem on you? You are Captain Marvel Junior. And it seems to work most of the time.

Billy: *gets deaged as Cap*

Reporter: oh junior! New form? This one looks closer to Cap!

Billy: I’m not Junior???

Reporter: *bluescreens*

Bonus:

In a Justice League Meeting

Flash: So is Junior like a mantle? If so why is it only one kid at a time?

Hal: yeah, what do the others do when you take one at a time?

Billy, an absolute troll at heart: what do you mean, it’s the one kid?

Superman: what???

Billy: yeah so Junior hasn’t settled into which form they like the best and switch it up. I think they like it better that way.

Martian Manhunter, troll n2: *nods along* finding ones main form is an important part of self discovery. On Mars, many like to alternate between forms as they could not be tied down to one.

JL: ah

Bonus 2:

Batman: *slowly puts away the ‘Not An Adoption Problem’ Support Group invite*

Bonus 3:

Dudley: please please please please

Billy, fed up: WHY

Dudley: it’ll be so funny.

Billy: you know what, fine!

Later Dudley is given some powers but decides to only let the Reporter see him.

Reporter: … Junior????

Dudley: no one will ever believe you *flies off*

[lucabyte]

Yeah, that about sums it up.

[fifthnailinstevesbat]

thinking of a new steddie fic/au hmmm.

It’s just the classic, Steve buys weed from Eddie in season 1 era, he and Tommy meet him at the bench in the woods behind school. Steve and Eddie have some playful banter and clearly get along, but it’s dismissed as just a drug deal and they go on about their lives.

Next time they meet is when a frantic Steve comes and finds Eddie after he’s just fought off the demogorgon for the first time. He’s rattled, and skittish, wearing a nasty black bruise on his eye, and just overall not acting like himself. He snaps at Eddie multiple times to just ‘hurry up’ and ‘get him his stuff’, and sure he’s being an asshole, but more than anything Eddie is just concerned. He has never seen The King Steve Harrington lose his cool like this. So Eddie cautiously gives him the weed, making sure not to give too much, and lets him go about his day, but not before asking if he’s alright. Steve clearly wasn’t expecting this and brushes it off defensively, but that doesn’t mean he’s not thinking about it for the rest of his week. How the hell did Eddie Munson notice something was wrong, when his own parents didn’t? Nor his “friends”?

They cross paths again a year later, the beginning of season two. Steve is still with Nancy and has freshly dumped his old douchebag crew of superficial friends. He is still sitting quite comfortably on the higher ranks of popularity, but there is no denying his status is not what it used to be. He comes to buy weed from Eddie in the first week back at school, and it’s a casual interaction. He’s still as charmingly stuck up as he ever was, but now without Tommy there to judge his every move, he seems a little more at ease when making casual conversation with Eddie. Eddie doesn’t mention the year before and Steve is so glad for it, secretly very embarrassed that he went to Eddie for some refuge after arguably his most traumatic experience to date. He gets his stuff, giving Eddie a smirk when he notices he’s dropped the price significantly for Steve when it’s just him alone. Eddie gives him a challenging smile back, almost daring him to call it out, but he doesn’t. They both just laugh and part ways.

The next run in is tina’s halloween party. They notice eachother when Steve first arrives, making eye contact and giving a polite nod. Maybe Eddie lifts his drink up to Steve in a silly salute. They don’t speak at all or make any effort to hang around eachother. That is, until Steve storms down the stairs in a rage after he’d gone up there with Nancy Wheeler. But then are those- tears? Eddie was standing on the front porch smoking a cigarette, trying to discreetly hide from one Billy Hargrove to avoid having to sell him anything, but staying visible enough that he won’t lose all chances of making any money tonight. Steve storms right past him and hits his shoulder. Eddie whips around and is about to call him a dick before he sees who it is.

Steve tries to quickly wipe his face, he won’t make eye contact with Eddie, and he’s clearly trying to get out as fast as he can. Eddie doesn’t let him, though, since he’s obviously not thinking very clearly and is most likely about to do something emotional and stupid. He asks if Steve’s alright, and his answers are all short and rushed, so he’s definitely not. They’re not really friends, but Eddie’s not an asshole.

— “Did you drive?” Eddie asks

“Yeah”

“Well, you’re drunk, Steve. You can’t get behind a wheel right now. And if I knowingly let you, then that makes me an accomplice. I’ll take you home.”

Steve tries to protest, attempting to push past him, but Eddie interjects. “Yeah, yeah, alright! Don’t thank me yet, Steve’o. This is not for you, see, I’m not trying to get a criminal record, here. I cant go to prison, Steve. Do you know what they’d do to a pretty guy like me in prison? Nope, let’s go hot stuff.” —

Eddie takes Steve home. They don’t talk much. By the time they reach Steve’s drive way and Eddie has put his van in park, Steve is making no attempt to exit the vehicle just yet. Eddie doesn’t know what to do, he didn’t really plan this far, so he’s just tapping away awkwardly at his steering wheel while Harrington stares down the dashboard so clearly lost in thought Eddie fears his head might explode. Steve tells Eddie what happened, says it’s ‘relationship troubles’, and he’s not quite sure what compelled him into being so honest with Eddie Munson, but he’s blaming the alcohol. Eddie wasn’t expecting that. They chat for a bit, Eddie makes Steve laugh and considers the whole night a success after that. Then they start cracking jokes about their shared hatred for Hargrove, and Steve looks and sounds a bit more ok to go inside. He thanks Eddie, quite sincerely actually, and it throws him a bit. He stutters a ‘yeah, for sure. It’s no problem.’ And Steve goes home.

After that, it’s a little different. Steve, doesn’t actually really have anyone, anymore. When they go back to school he’s now greeting Eddie here and there in the hallways, making conversation when they find themselves alone together, in the lunch line or at the bathroom sink. He doesn’t approach Eddie when there’s too many people around, though. As much as he’s grown, Steve Harrington still carry’s some prejudice in him about how certain things may make him look. But it doesn’t bother Eddie too much. It’s not like they are really friends, they’re just like, strange acquaintances. And Steve would never deny that they get along, that really Eddie’s ‘not so bad’. So that’s a win.

Steve finds Eddie again not long after the party to buy some more weed, a plan that sparked purely out of boredom. Eddie says yes, of course, but tells him if he wants it today he will need to wait till after school and meet Eddie at his place, since he was busy. So Steve takes a trip to the Munson trailer to make his deal. Eddie invites him inside and they sit together on the couch as he gets Steve’s bag ready. They end up making quite pleasant conversation, joking around and ultimately finding they are really enjoying each other’s company. They enjoy it so much so, that Steve ends up smoking there, with Eddie. So now they are kind of like, hanging out? And it’s fun, so they do it again. Still they’re not, friends friends, they just get along. Eddie just sells Steve weed sometimes and they keep it civil.

He doesn’t hear from Steve for a while, and the next time he sees him it’s from a distance, in passing. The man has the most roughed up face Eddie has ever seen, bruised and swollen in multiple areas, stitches and bandages all over. It’s really, concerning? completely metal, but alarming. This is the second time Eddie has seen the guy all beaten up like that. He knew that boys fight, but surely not that bad? As worried as he was, Eddie doesn’t approach him to ask questions, because they don’t know eachother like that. So he goes on about his day, and he doesn’t see Steve again after that for quite some time.

Then it’s summer, Eddie isn’t graduating again, and he’s not really sure what to do with himself over the break. The new mall has just opened up, and there’s a cool music store up on the second floor that he likes to visit sometimes with his band friends. And wouldn’t you know, working at the Scoops Ahoy located directly across from his favourite store, is Steve Harrington. The guy hasn’t come to Eddie for any weed since last year, and then there was that sighting where he looked like he’d just fallen face first into a flying fist or two, so it’s been a minute since Eddie’s seen him. And he’d be lying if he said it wasn’t a nice surprise. He only goes into scoops once. He’s curious, okay? Sue him. And, he knows the girl who works with him, Robin. So he plays it off like he had no idea he’d see Steve there. And to his surprise, Steve actually acknowledges him. He doesn’t act like Eddie is a total stranger just because they’re not in school anymore. The interaction is quick, they make very casual conversation, Eddie says hi to Robin, grabs his milkshake and goes home. That’s all. He doesn’t go back, and he doesn’t really plan to. Steve’s nice, and he knows Eddie’s around if he needs to buy from him again, and that’s really as far as their relationship goes. That’s all it ever was. It’s been fun getting to know Steve Harrington a little bit better, even if it was just for a short time. Eddie liked having the chance to see in past the quaffed hair and pressed polo shirts to learn that Steve was really just a person under it all. He never thought he’d say it, but Harrington wasn’t so bad. It was a nice little eye opening experience for Eddie.

Eddie was ready to write off his little blips of interaction with Steve Harrington as a thing of the past, no hard feelings, and move on with his life. That is, until he gets a knock at his front door in the middle of the night afew days after the big mall fire. And it’s Steve on the other side. And he looks awful, his face is the worst Eddie’s ever seen it. And he wasn’t really knocking, more like pounding. He says he needs Eddie’s help.

What the fuck?

[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

[emmg]

It is no hardship, Emmrich tells himself, to wear his face. It is his, after all. The one he was born with, the one that grew and shifted under his own patient gaze, seen in puddles, in mirrors, in the glass of a carriage window as he smoothed down his hair with the flat of his palm. A face he had stared at for far too long that first time he shaved, and again a few years later when he invited that very pretty boy out for a promenade and wanted, with all the force of a young man’s vanity, to be just as pretty himself—no hair astray, the kohl at his lower lids an almost imperceptible shadow, the perfume at his neck a whisper of carelessness, though in truth, nothing had ever been more deliberate.

For a decade now, they have called him distinguished. Before that, they called him handsome. He knows his face, likes his face. Its summoning should be no trouble at all; especially now, especially like this, stripped down to something more elemental, all ivory angles and nothing more. But Rook is uneasy. She does not say so—she is all sorry, shit, don’t mind me, fuck, fuck, I’ll get used to it, I’ll get used to it—but she is not made for the sight of bone in the dark when she wakes abruptly. He has had years to come to terms with the unmaking of his flesh. She has not.

So he does not miss his face, not really. But Rook does. And for Rook, he will pretend. 

No, he tells himself again, he does not mind. He does not. 

Lichdom, as he had once explained to her, sanded down most of his senses. Blunted them, rubbed them smooth. But in their place, others have surfaced. Senses without names, without proper edges, ones that slip through language like smoke through a cracked door. He cannot smell the perfume she wears, though he knows it is dreadful, some sticky, saccharine thing she bought in Treviso with Lucanis and spilled all over her shirt. But he can see her pleasure when she presses a little figurine into his palm, triumphant and insistent. This one, she affirms, is so much prettier than the first, and most importantly, not haunted. 

He watches her giddiness churn inside her, thick and writhing. It is purple, inexplicably. It loops and knots, wriggling sideways, swelling through her veins, a restless thing. It coils, slippery, around her heart before pouring from her mouth when she speaks. When she presses her lips to what passes for his cheek, he thinks he can taste it. Or something like tasting. As if she had chewed it to a pulp, crushed it between her molars, worked it down to something fibrous and wet and pressed it into him, like carrion slipped between teeth, offered as a gift. 

He swallows it, slow. 

Perhaps this is what purple has always tasted like. 

There are other things. Other feelings. They arrive misshapen, crawling over the edges of his thoughts, curious, pestering, impossible to ignore. They perplex him. They amuse him. And sometimes—sometimes—he wishes he felt nothing at all.

Like when she cuts herself, and he watches the blood spill, a slow, indifferent line along the curve of her arm. But it is not blood, not in the dull, medical sense. Not something as pedestrian as iron and salt. It is a ribbon, impossibly red, and he can see the rest of it coiled inside her, packed neatly away, waiting to be tugged. How much could he pull free before she wavers, before her lips lose their color, before the bright, stubborn thing inside her gutters out? 

He heals her arm. Does not look at her when he does it. Says nothing of consequence. 

But he wants to take that ribbon and wind it around her wrist, knot it, twist it, pull it so tight that it ceases to be a ribbon at all. Flesh yielding to pressure, pressure forcing permanence. A bracelet of skin. A smooth, bloodless seam. A correction. 

Rook thanks him. A glance, a nod—already half-gone as she turns toward Rivain. There are things to be done there for her, and he cannot stray from the Necropolis for long. What things, exactly, she does not say, but he knows their shape well enough: dragons, impulse, the peculiar magnetism of disaster. She has always been like this, drawn to the spectacularly unwise with the certainty of a moth misjudging distance. 

He can no longer follow. 

She will return. He knows this. And yet, if his hands still possessed the capacity for tremor, he suspects they would betray him now. 

"I love you, I love you, I love you," she sings, a careless, looping refrain, a child’s chant repurposed for a woman who has never quite learned to tread lightly. She chatters as she moves; this and that, something or other, a bad decision or three. She shows him rings, delicate and stolen, lifted from a dragon’s hoard, then tells him of a strange mug found in the same place and promptly lost to someone forgettable in a game of cards. 

"Look, look," she says, because excitement makes her redundant. "I kept these for you." 

The rings slide onto his fingers—bandaged, skeletal, indifferent to the distinction. He flexes them. Smiles, because each one carries an emerald, and green has always pleased him. 

"I was meaning to ask you," Rook says. She is still holding his hand, turning it gently in her own, left, right, right, left, as though testing whether it is truly there. "You are smiling now." 

"I am." 

"Don’t interrupt me." 

"My deepest apologies." 

"It was a joke," she says, but absently, without weight. Then, again, softer: "You are smiling now. But is it real? Or do I see a smile only because I expect to? Because I believe it should be there?" 

"It is quite real," he reassures her, lifting his free hand, brushing two fingers against her cheek. "The glamour does not fabricate emotions. It is a projection, not an invention. A polished pane of glass through which I am seen, rather than a mask obscuring what lies beneath. It filters nothing. It simply allows you to perceive what is still there, as it was." 

She exhales. He watches it unfurl from her mouth, a slip of breath that curls, dissipates, wrapped in green. Relief, perhaps. 

"Good," she murmurs. "That is good." 

There are things he misses more than others. Some he had not expected to mourn, believing that lichdom would cauterize the want before it could take shape. And perhaps it would have, if not for Rook. But she exists, unavoidably, and so the loss takes shape, outlines itself, defines itself against the hollow places she touches. 

The intimacy of the body: its mechanics, its heat, its crude and glorious simplicity. He misses the way skin clings, damp and sticky, the tack of sweat drying between them. The way lips grow chapped from too much kissing, saliva sapped away until the skin cracks, until the next kiss stings. He misses the raw and graceless rhythm of it, the press of her thighs around him, the slow loss of self in the churn of it all. He misses the way he could press his palm to her stomach, still sheathed within her, and feel himself there, caged by her. 

And afterward, in the languid sprawl of spent nerves and loose limbs, the way his mind would wander, taking him by the hand, showing him its little fantasies, its secreted-away indulgences—let us get married, Rook, I will buy you so much gold, let’s get married, yes, and then let’s have a child, but not immediately, not at once, let’s linger here a while, let’s lose ourselves in this, let’s glut ourselves on one another until we are utterly ruined by it, and then, yes, then, we will have that little thing.

Now, he feels her differently. Not through skin but through something more fundamental, a closeness that eclipses anything flesh ever allowed. It is fuller, sharper, deeper than anything he could have imagined. 

But it is not the same. 

And he does not yet know if he prefers it. 

Time, as always, will decide. 

Pleasure has not abandoned him. It has only changed its nature, its source, its means of arrival. Now, it exists solely through her. He sees, now, how men dissolve into drink, into smoke, into whatever tincture delivers them to sensation. The body remembers its peaks; the body conspires to reach them again. 

"Will you come for me, darling girl?" he murmurs against her ear, his fingers curling inside her as they have done so many times before—when his hands were warm, when they ceased to be. 

And she does what she always does: she writhes, she gasps, she laughs, she moves against him with the helpless, thoughtless grace of something yielding to gravity. Her hips chase the friction, her mouth parts, her breath hitches, her lashes lower, heavy with pleasure. And he—he is there inside her, feeling it as she feels it, tasting it in a way that has nothing to do with taste, swallowing it down, letting it course through him. It is vast. It is staggering. Pleasure enough for two, for more than two, enough to fill the space where he no longer exists. 

Afterward, she is breathless, boneless, staring up at the ceiling and laughing that strange, impossible laugh. He no longer tries to make sense of it. Some things cannot be translated. She has a laugh for anger, a laugh for excitement, a laugh for surprise. He thinks he knows this one well enough by now, the one that trickles out of her in the aftermath. 

A trick, an echo, the imitation of a thing once real. He kisses her where he would have kissed her once—her mouth, the sharp ridge of her collarbone, the small curve of her breast, except now there is no heat, no wet drag of a tongue, no parted lips. Only the careful architecture of a spell, a memory sculpted into sensation, something just close enough to pass for real. He trails lower, following the old pathways, the ones his hands remember even if they are no longer the same. 

She sighs. Again. Again. Another time. 

He lingers where she yields the most, where she is all pulse and warmth, where her thighs, slick and trembling, part for him before he even touches her. Where breath quickens and thought slips away. And through it, he drinks. Draws from her as he always does, as he must, in ways he does not fully understand, or perhaps does, but has decided against understanding. He takes until she is weightless, drifting, until her voice emerges in that low, drowsy enough, enough, until she exhales, unconscious of herself, shifting, turning into him, her cheek settling against his shoulder, her body already gone to sleep.

And he wonders—if he did not stop, could he empty her? 

What is it that they share, exactly? What does she give? What does he take? Is it taking at all? Perhaps she is feeding from him just as he feeds from her.

He could ask. He could go looking for the answer. It is what he has done his entire life. 

But he does not. Because the answer, whatever it may be, does not matter. Because, at his core, he knows this much to be true: 

He is an empty thing now. 

And all empty things must be filled. 

It is a dreadful experience, watching her get hurt. Dreadful in its predictability, in the casual inevitability of it. Rook, as he has come to understand, is the sort of person who leaps from a cliff first and wonders, mid-air, whether there was perhaps a gentler way down.  

He saw it in Hossberg—how she, in some fit of blind fury over a slight he can no longer remember, kicked a blight boil with all the grace of a petulant child, only for the thing to rupture, spraying its filth over her boots, her legs, her hands, her face. Later, when he spat out his anger—you could have infected yourself, and then what? Where would the Veilguard be without their leader?—she had, without hesitation, lifted her middle finger and held it aloft, like a banner, like a flag planted firmly into the dirt, a gesture so profoundly Rook that it settled the argument before it could begin.

She returns from Rivain with a sprained wrist and, predictably, does not acknowledge it until he gestures toward it, a quiet inquiry rather than an accusation. 

So he buys her things. Things with weight, with shimmer, with the ability to distract. A bottle of wine she favors, a dress the precise shade of blue that once made her pause in front of a shop window, jewelry that catches light and throws it back in a thousand fractured directions. Loud things, bright things, expensive things. The kind of things a magpie would die over. Because Rook—misnamed, mislabeled—is no rook at all, no solemn, shrewd thing perching in the rafters. She is a magpie, ever in pursuit of the next gleaming fragment, the brightest piece of a broken world. That is why she is away, isn’t it? Always away. Always chasing.

But Nevarra has more gold than the Rivaini coast. 

He wants to say—won’t you stay? Won’t you, at last, stay longer? But there is something perilous in the asking. The wrong phrasing, the wrong weight to his voice, and she will fold up like a map, unreadable, distant, already turning toward the door.

She lifts a necklace, lets it spill through her fingers, a thin chain pooling in her palm. "Ooooh," she hums. "What’s the occasion?" 

"I have missed you terribly," he says. "You were away too long." 

"I missed you too." 

"Then stay. My townhouse is yours, of course. It is in the heart of the city—" 

"But you won’t be there," she interrupts, without sharpness, without accusation. A simple statement of fact. "You’ll be in the Necropolis."

"Then stay with me in the Necropolis," he says, more softly. 

She looks at him. Long enough for him to grow aware of the silence. Long enough for him to think he ought to say something more, to fill the space with some innocuous remark, something to break the weight of it—a comment on the weather, the slow drip of rain against the windowpanes, the scent of damp stone, the candlelight shifting across her cheek, the peeling corner of the wallpaper he has been meaning to mend but never does. 

Then, at last, in a whisper, as if she is considering each word before releasing it: 

"I'm trying." 

A breath. 

"I'm really, really trying. I love you so much. This frightens me, but I love you, and I'll stay longer, I promise, and you needn’t hide your face, no, no, you can stop hiding it now, but it is so terribly cold here, and I can smell the bones, Emmrich, did you know one can smell bones?" 

Senseless, rambling little words, leaving her mouth with no regard for order, no real expectation of being understood. He listens anyway. He nods as if these words, specifically, are the ones he has been waiting to hear. He holds her hands, pressing his fingers lightly over hers, as though reacquainting himself with the shape of them, the bones beneath the skin. And this time—this time—she stays.

He does not move. Does not speak. Instead, he lets the moment settle around him, lets it press in from all sides, cautious and weightless, as if sudden motion might send it scattering. A trick of the mind, surely, nothing more than habit, the vestigial longing of a body that no longer exists. And yet—something, something faint and absurd and wholly impossible—something like warmth uncoils in the vacant spaces of him, and for the first time in too long, he allows himself to believe in the illusion. 

And he is happy, so terribly, foolishly happy, until she steps where a step should have been, onto stone that no longer exists, because the Necropolis, fickle and treacherous as ever, decides to shift beneath her. One moment she is there, cursing the cold, flicking dust from her sleeve, and the next she is gone, swallowed into the dark, falling before he can reach for her. Then—impact, the sound of something snapping, something that should not snap. 

"Oh, for fuck’s sake," she spits, voice sharp with pain, her frustration seething through clenched teeth. "I hate this fucking place. This miserable, shifting, plague-ridden, necrophiliac fucking mausoleum. This—" she swallows, gasps, rage momentarily overtaken by the white-hot shock of agony, then forces the words out, savage and breathless—"this godsdamned, dusty, corpse-stinking labyrinth of a tomb. Fuck this place. Fuck you for living in it. Fuck this floor for moving. Fuck my fucking leg." 

She hisses even as she cries, squeezing her eyes shut as if trying to will the hurt out of her body. He sees, at last, what has happened. A break, and not a clean one: bone slick and white against torn skin, jutting through muscle, her blood already thickening where it pools on the stone. 

And then—something strange. A pull, an unraveling, something unwinding before him, leading away. The ribbon again, unspooling, slipping from her, stretching outward, as though guiding him somewhere he does not wish to go. His vision narrows. He follows it. He follows it because he cannot help but follow it. 

"Emmrich?" Her voice has changed. The heat is gone, as is the anger. She sounds uncertain now. She sounds concerned. "Emmrich, are you—?" 

But he is looking at the ribbon. Watching where it leads. Watching where it ends. 

And he would weep if he could. 

He has spent his life in a state of want, always reaching, always grasping, always aching to be something necessary to someone. And now—now, at last—he has what he has longed for. Rook, quick and wild and untouchable. Rook, who was born lovely and careless and beautiful, who could have wrapped herself around anyone she pleased but chose, instead, him—old and grey, and then, simply, bone. Rook, with her hands always outstretched, her eyes always searching, who once told him, so offhandedly he almost believed she didn’t mean it, that she would have given him a child.

Now—now, she sits before him, cursing under her breath, her leg twisted, her blood sliding across the stone, and he understands, too suddenly, too clearly, that he cannot keep her. 

One day, that ribbon will slip from her entirely. 

And he will be wanting again, except this time, there will be no remedy, no second chance, no indulgence to dull the ache. 

Because she—she—the only thing that has ever fit the hollow inside him, will be gone.

A year. Ten. Twenty. Perhaps less. Perhaps more. 

She will be gone. 

Gone, gone, gone. 

"It will not break again," he tells her.

"Really?" she asks, pale from hurt.

"Truly."

He stands, glances over the chamber, and selects a sconce, its veilfire guttering weakly within its iron frame. He snuffs it out with a flick of his wrist, wrenches the metal free from the wall, and lets it sag into liquid in his palm. The Necropolis will not miss it. It devours offerings every day; what is one more? The molten iron shifts, pulses, rolls like living mercury as he shapes it between his fingers. She watches, suspicious, wary, but when he takes the pain from her, she sighs, slackens, her body a thing that yields, a thing that trusts. 

Bone is simple. A structure, a framework. Break it, mend it, break it again. He has done this before, he will do it again, and the body always obeys in the end. With a slow push, he sets her leg back into place. Crack, crack, crack—shattered edges realign, splinters withdraw, raw ends fuse like wax pressed to wax. He sees the place where the bone has chewed its way free, white and wet against the torn meat of her calf. 

He presses his fingers into the wound, past the sealing skin. The iron above them stirs at his will, stretching like a cat in the air before obeying, flowing down, clinging to the surface of the bone. Not inside it, no. That would be crude, inelegant. Instead, it forms a layer, thin but solid, a second skeleton over the first. It cools as it settles, solidifies, binds itself to her as if it had always belonged there. He guides it lower, shaping it over her tibia, letting it follow the curve of her ankle, turning his wrist slightly to direct it sideways, until the fibula is covered as well, safe beneath its new armor. There.

The final shreds of her wound pull themselves shut, sealing over his work, concealing what has been done. 

She shifts her foot, tilting her head, considering. "Oh," she says. "I suppose I'll be heavier now." 

He kisses her cheek and feels the faint shift of muscle beneath his lips, the small, secret curve of her smile. This time, for once, her happiness has no color. Not gold, not red, not that strange, shimmering violet he sometimes sees curling from her ribs. Just happiness, unembellished, undisturbed. And because she feels it, he believes it, and because he believes it, he takes it for himself, drawing her close.

"I am so, so happy that you are safe," he hears himself say, a confession with no real shape, a drunken speech without the mercy of intoxication. "I worry when you are gone, and I worry when you are here. It seems that no matter what I do, something always finds you first." 

She hums, arms looping around him, her fingers idly mapping the planes of his back, tracing aimless patterns into the fabric of his robes. "I don’t know what to say to that," she admits, her voice softened by exhaustion, by the slow retreat of pain. "But I am so, so happy with you too. And it’s all right, it’s all right. Every time I break, you can repair me." She pauses, then adds, utterly deadpan, "Guess that makes you my skele-tonic."

It is an objectively terrible pun. 

"Until you stop breaking altogether," he murmurs. 

Another hum, vague, thoughtless. 

He draws from her as he always does: pleasure, warmth, something deeper, something without a name, though it must have one, must have been cataloged somewhere, written down by some scholar who spent his life studying things that could not be grasped. He has never fully understood what it is he takes, only that it belongs to her, and that, by some quiet, unspoken permission, it is his as well. He wants to love her forever. But more than that, he wants to ensure that forever remains within reach, that it does not remain, as so many things have, just outside his grasp, dissolving the moment he closes his fist. 

He has spent too long watching what he yearned for unravel before he could fasten it down. This, he will not allow. It will take gold, it will take iron, it will take something far stronger, something absolute. Until she ceases to break. Until breaking is no longer a possibility, a concept, a word that has anything to do with her. 

He does not yet know how. But he has time—too much of it. More than she does. And he has always been a man of precision, of hypothesis and proof, of elegant solutions to insufferable problems. He will find a way. Through metal or magic, through that ribbon of red that keeps slipping from her, unspooling itself in slow increments, always trying to get away. He will take it, force it back into place, stitch it to the marrow, fix it with something incorruptible, something permanent, something that cannot be unwound without unmaking her in the process. 

He presses a kiss to her temple, then to her forehead, and speaks of flowers. The new blooms in the Memorial Gardens. Hideous, by all accounts. She will adore them. She appreciates beauty, certainly, but she loves foolishness even more. He kisses her cheek, the tip of her nose, her small, stubborn chin, and feels it again—that bright, quiet thing. Happiness. 

And, miraculously, when he takes a piece for himself, it does not feel stolen. 

"Enough, enough," she murmurs at last, the same word twice, as she always does when she needs a break from him, when she has given too much, when she feels him pulling, drinking, taking in excess without meaning to. Laughter ghosts beneath the words, thin but present, a reminder that she is still here, still whole. She taps his wrist with two fingers, light, quick, final—a gesture that, for all its carelessness, feels uncannily like closing a book. 

[sualne]

your body isn't your own

[melrosing]

payne revelation!!! think it is a nice AFFC parallel that Brienne is running around the riverlands with Podrick Payne as her new squire, whilst Jaime, elsewhere in the riverlands, has effectively become a squire to Ilyn Payne. and I think it's like. Pod is Brienne's past and Ilyn is Jaime's future. Pod is a lonely, discarded child who wants to hone his strength to stand tall and defend himself, even as he desperately craves the company and comfort of others. he has seen something of how cruel the world can be, but is looking for ideals in people like Brienne. which is more or less exactly as we find Brienne when she first appears in ACOK: lonely, discarded, clinging onto Renly's train and desperately seeking his attention and regard, idealising him, trying to be a knight worthy of song. Pod is her inner child, and Brienne is trying to help him grow and build his strength without subjecting him to the cruelties she's known in doing so.

and then there's jaime and ilyn lmao, who I think are easily one of the most underrated relationships in the series. Jaime sees the man he could become in Ilyn: nothing more than a headsman for Cersei's whims, with no agency and no autonomy. and what's more, Ilyn has come to accept that as his lot in life. part of Jaime's project in dragging him out into the riverlands is to see if Ilyn can be rehabilitated, and if so, then perhaps Jaime himself can be, too. but it becomes apparent that Ilyn is past wanting that for himself. he seems to enjoy some of the freedom of the march, but he doesn't change. in fact, he laughs in Jaime's face: he makes it feel as though attempting rehabilitation for either of them is a joke. he's Jaime's ghost of christmas future, warning him of the man he could become, whilst simultaneously making him feel there's no possible alternative. he will never fight like he once did, his darkest deeds were still done, and what can he do but spend the rest of his days in Cersei's service. BUT jaime ultimately rejects that, effectively leaving Cersei's service to join Brienne, and pursuing change regardless.

im about to say something!!!! payne..... pane..... pane of glass.... mirror!!!! reflection!!!!! growth!!!!! you heard it here FIRST

[ultravioletbrit]

“hold” - Jegulus microfic - @into-the-jeggyverse - 488 words

this, but make it jegulus (i tried to get it as close to the original as possible)

Remus is sitting in an armchair doubled over with laughter. Sirius has fallen out of his chair and is cackling on the floor with tears in his eyes from laughing so hard. Regulus is sitting on the couch trying his best to stay composed. And James in standing in the middle of the room with more passion and fire in his eyes than Regulus has ever seen.

“Hold on! Hold on! Hold on!” James is shouting.

“James—” Regulus tries to calmly interrupt.

“HOLD ON!” James looks pointedly at Regulus and his eyes look like they’re going to literally pop out of his head. “Her sister was a witch, right?” Regulus is trying so hard to hold back his laughter. “And what was her sister? A princess! The Wicked Witch of the East, Reg.” James is yelling, not unkindly just very passionately, looking directly at Regulus and nodding his head aggressively to emphasize every point.

James starts pacing in genuine distress. Sirius is rolling on the floor holding his stomach and laughing so hard his entire body is shaking. Remus has his hands over his mouth, which is doing absolutely nothing to contain his laughter.

Regulus stands up to meet James in the middle of the room. “I’m gonna stab him.” He mumbles under his breath, which makes Sirius laugh even harder—if that’s even possible.

James whips around to face Regulus. “You’re gonna looks at me and you’re gonna tell me that I’m wrong? Am I wrong?” James asks emphatically.

And the thing is—James is, in fact, very wrong. “It’s my favorite—” Regulus tries to interject but can’t even get a word in.

“She wore a crown, and she came down in a bubble, Reg!” And that proves absolutely nothing.

Regulus knows he’ll never get James to listen to him. “I’m not fighting with you.” He shakes his head, chuckling fondly.

James makes his way out of the living room. “Grow up!” He says over his shoulder.

“I’m not fighting with you.” Regulus says again.

“Grow up.” James seems to be losing steam as he leaves the room.

“Get educated!” Regulus yells then flops down on the couch and finally lets his laughter out.

Eventually Regulus, Sirius and Remus’ laugher fades into soft chuckles as they calm down and take several deep breaths to compose themselves.  

It’s a few minutes later when James appears in the doorway with a sheepish look on his face—that Regulus thinks is adorable. He slowly makes his way over to the couch and sits down beside Regulus. He’s quiet for a few moments then turns slightly to look at Regulus.   

“I’m not really mad.” James says in a small voice. “And you know I love you, right?”

Regulus chuckles fondly and takes James’ face in his hands. “Yes, I know you love me, Jamie.” He leans in to kiss James softly then pulls back the tiniest bit. “But you’re still wrong.” Regulus whispers against James lips.    

[vaguely-concerned]

the question is who taught lucanis to knit. was it something he already knew how to do or is he picking it up over the course of the game as part of his 'if I manage to cram enough hobbies in there I won't have to sleep again ever. easy' experiment. did he learn it out of a book (as a sometime knitter, a horrifying thought but I wouldn't put it past him). as hilarious as I find the mental image of caterina with knitting needles I do not believe in it, did he pick it up from someone in the household staff growing up the same way he did cooking. is the sweater he wears with his introductory armour his own work (very funny if so it's just so. incredibly neutral toned and sensible.) I understand why he never does it on screen because animating knitting is the devil's own work and bioware were right to dodge right past it no one should wish themselves that kind of pain, but do you think off-screen he's using it the same way davrin does whittling during team meetings and book club nights (for real the grandmas were so right for this: knitting during social group situations is a neurodivergent life hack like you wouldn't believe if doodling isn't your thing/isn't doing it for you). it's that or sharpening his knives and some people seem to get a bit nervous about that so he mostly sticks to the knit one purl one of it all. does he make things for the team. for romanced rook perhaps. boring but useful things like socks and scarves, to be clear. I think mr. 'I made you a cake (cautiously marital intent)' would not mean to impress just make sure your feet weren't cold jogging around the heights of athim killing darkspawn. knitting more socks for harding so she won't get cold walking around everywhere in her fereldan *checks notes written on palm* clogs. some of taash' outfits... you think rook and lucanis are letting them walk around the anderfels like that without at least a token sensible scarf on even tho adaari are built different in terms of body temperature. I say no not in my lighthouse they would team up and mother hen them to shathann levels before they'd let that happen. (the scarf has dragons on it taash thinks it's kind of cool actually.) a bobble hat for manfred not because he really needs it but because he wanted to feel included. assan indignantly tries to steal it and fly away with it so he gets his own scarf to promote peace between the lighthouse little guys and it works. help.

[gt-daboss]

Hear Me Out: Reverse GT Alien Abduction.

We are the invaders. Humanity has long since fantasized about hordes of unknown, giant flying monstrosities raining down from the heavens onto our small blue orb in the lonely universe. Huddling In secret in the recesses of our homes as fellow humans are abducted to who knows where, never to be seen again. Families torn apart and for what reason? Don't they know we are people too?

only...

That's the exact role humanity plays, no- not as the victims, but as the oppressors. All throughout the galaxy known for their greed and insatiable curiosity, their ever-hungering thirst for knowledge and the unknown, trampling over any and all species that sought to slow them down.

So, when Humanity found a planet with creatures who looked nearly identical to their own, but at a fraction of the size and power...

their fate was inevitable.

hooof, i might make a part 2 at some point soon! you guys know i can't let a cruel scenario not have a happy ending xD

if anybody thinks the lighting looks weird- its supposed to imply someone opened up a door to go into this 'pet' shop and light is shining in. (metaphorical/literal ray of hope, maybe this human will be nice lol~)

[choccy-milky]

the place me and my roommate were supposed to move into today was so disgusting and uninhabitable we just took our stuff and left and now we're gonna be staying at airbnbs and hotels until further notice/until we can find a new place hopefully quickly...........im in my homeless drifter era y'all!!!😍😍so if im not as active then thats why LMFAO

1 like = 1 prayer

[ganondoodle]

(OC Lore and design time!)

(it got longer again ... sorry ... idk how to make things short, i just need to talk, but i guess if you can read the written stuff in the pic thats the barest bare bones of what i wrote here)

i was asked what new lore story stuff i had thought about that made me sad which i mentioned a bit ago, and while that is too hard to explain given all the missing context i thought i could at least talk about lore having to do with it :D

so, (Lord) Eadrya is one of my fav OCs (big blue lad, here a rough sketch in humanoid form) they are both one of if not THE most powerful demon alive and the most battle trained;

at the mid point of the story the demon world gets invaded by the celestials (the angel inspired things i talked about in the previous lore post with Xaror) and Shargon, as the king, should be their first and only frontline, but at this point his life is only being sustained by maschinery after being mortally wounded, he cannot fight (he realizes what is going on, rips himself off the maschinery to get at least his youngest child to safety, barely managing it before dying- the guardian, the demons god, takes over his body to attempt to fight against the celestials but cant keep itself alive long enough since its host is already dead) Eadrya takes the role of the frontline fighter (despite being very full of themselves and aggressive they care about their 'job' of protecting their own, also giving them the chance to show off just how strong they are); the fight was going well for them all things considered, but when the guardian activates it drains the power of all elemental lords (which Eadrya is one of, and since they have the most strength it also takes the most from them), so much so that they lose the fight and suffer deadly wounds (the worst being a spear through the chest made of a material that grows hard, root-like formations when in contact with demonic blood like a fungus but worse, also stopping any self healing processes) after the guardian falls apart it creates a huge shockwave of energy that stuns every living thing within a certain distance and possibly more-

Eadrya (in true demon form, so like a blue whale in size at least) was likely taken through an active gateway to the human world in a large tidal wave also created by the guardians fall; they wash up in the harbor of a small secluded village, the head of which is 'lady 13'; although never having seen a demon before and everyone being afraid (largely thinking its a strange hurt animal, only she suspected otherwise), they still gather all villagers to pull out the celestial spear, which is diffcult and brutal given that its already taken root, but the village lacked both knowledge and means to help any other way- doing so damaged their heart which is how they were able to collect samples of all three demonic blood types ('normal' -red like humans-, energy -essentially purely magic- and heartblood -highly concentrated energy only found within the heart of a demon and the only one to contain genetic material) (this is the start of Eadryas character arc, having to deal with the fact that their world is likely destroyed, them failing what they didnt think they could fail, having lost a battle so badly (even if not really their fault) for the first time and not knowing if literally anyone else has survived .. also being now stuck in the human world, which they dont like)

Lady 13 (placeholder name? stands for experiment 13) is a human that was tricked by demon hunters to enroll into a series of experiments trying to create hybrids of demons and humans, which they hoped would be powerful and easily controllable tools for their endeavours, though the two are inherently not compatible, they tried grafting body parts of demons on humans to make them compatible- all experiments failed except for her, more or less, though she never got to see the hybrid she carried and was then told it had died too, they threw her out believing she wouldnt survive much longer either and all such experiments were cancelled due to the high cost of human life, research material (demons are still rare) and upkeep with no successful results Lady 13 survived though (perhaps even via the pirates picking her up?) and she ended up living in said small village far away, hiding her half demonic body, though most know there soemthing 'wrong' with her (her being this tall when it doesnt fit the rest for one), only few know the full extent; she enjoys the life she has now, perhaps on the more poor side but safer and more loved than ever before; she largely lead the efforts to try and help Eadrya when they ended up in the harbor, though there wasnt that much anyone could do it was still enough- they leave immediately after waking up, but return after really having nowhere to go and struggling to deal with everything that has happened; over time (probably years) they start to open up towards the people there (though not .. very much) enough to get rather close with Lady 13 too- she actually falls madly in love but after Eadrya (extremely aro/ace) rejects all her attempts quite clearly she respects their boundaries

However, after hearing news of potential demon sightings Eadrya decides to leave in hopes of not being the last demon left after all; Lady 13 then decides to reveal her secret to them (though hearing and seeing what lengths hunters would go to for their experiments makes them absolutely seething with rage- she insists on not being out for revenge) and asks if they would be willing to donate a small amount of heartblood; shes always wanted to be a mother but is now incompatible with humans too- through things she picked up back at the experiments facillity, hers and her doctors research she is sure that is all that is needed, she dares to ask since she does not know when, if ever, she will meet another demon, much less one she could actually trust enough for this though Eadrya hesitates (why would she want to go through the same thing again that didnt work and threatened her life, if it does work, do they want to be involved with any of this? what if hunters find out it worked after all?) but after her ensuring that they would have no part in it other than giving up a little blood and would not be considered a parent in any way, nor made responsible for anything that might happen to her, but considering it all in the end they agree to it

only for her to reveal shes had a small bottle of it already, along with multiple samples of the other types, which she collected when Eadrya was bleeding out into the harbor not knowing if they will survive, though not wanting to make use of it without their consent either way (they are actuallly rather touched by this)

alot later the main group returns here and it turns out to have worked (though she is unable to walk/bedridden for a long while bc it did alot of damage to her body, which can heal since its demons parts, but only really slowly bc she does not have a full functioning system and no demonic blood of her own -she uses the other samples for the healing process-) though its a little awkward to explain, especially considering that 13.1 took alot after Eadrya xD (their theory as to why it worked so "well" that time is that even though the sample was already taken, them giving their consent for it still made it less likely to be rejected; demons dont need partners to have offspring, and all can do it, they just have to decide to- so them agreeing to it, even though its long been outside their body, still had an effect on the blood sample)

[lucabyte]

A belief in Nominative Determinsim