#maybe because a creator either doesnt care. or is too big to notice a small fry infringing copyright

[actual-corpse]

It's so frustrating watching people incorrectly (and very confidently) talk about things you know well.

I'm watching CinnamonToastKen's To Catch A Predator reactions and like... Some of the predators are like, "It's not illegal to fantasize."

You're right. FANTASY is completely legal (doesn't make it acceptable). It gets ILLEGAL when REAL-life people (children) get involved. Through pictures, videos, etc. When you SHOW UP AT THAT HOUSE, it shows a CLEAR intent to do SOMETHING... They are aware they are talking to a minor (decoy) and make the decision to meet this minor.

[melissenpai]

the best character creator

do u want to make characters but cant draw for shit or ur hands are tired of holding a pen?? have you ever raged at character creators bc they only have 10 hairstyles and 5 outfits??? fear no more because here’s Kisekae!!!

the models start like the default girl on the left, but w some effort you can make your husbando, cute gremlins, pokemon gijinka or whatever u want!!!

ok but, what is Kisekae?

Kisekae is a flash game/application that works mostly as a character creator, using a mix of interchangeable parts, bits you can move around freely, and lots of sliders to change sizes and positions. Think of it as the 2D version of the Sims/Spore creators.

ngl it started as a k-on hentai game back in like 2011?? there’s still k-on girls and lewd stuff around but the focus is far from it now.

HERE is the sfw link and HERE is the nsfw one. careful w the hentai ads. You can also download an offline version from the creator’s Enty site

IF U WANNA TRY IT OUT CLICK THE READ MORE FOR A SMOL TUTORIAL

so u wanna learn about the suffering that is kisekae?? dont listen to people who say it’s the lazy tool for people too lazy to draw just like drawing, you can make a quick sketch in 10 mins or spend 6 hours adding detail and makin sure everything is PERFECT

so after this disclaimer lets bring it on!!!! click on a link and wait for the randomly generated k-on ocs to load

maybe when you open it for the first time, the tabs look like this. THIS IS BAD it means it loaded on the easy mode.

click here to unlock the Expert mode. it sounds scary, but it’s actually been the default mode for years. now you should see a lot of tabs.

LETS TALK ABOUT THE IMPORTANT STUFF FIRST

SAVING.

This is the save tab. “SAVE” and “LOAD” save the entire scene in a .txt (all models, background, items etc). "Export” shows the codes of the selected models, so you can copy them and store them somewhere. You go to “Import” to paste codes and load characters. The small pencil button opens a window to save and load entire scenes in the app’s cookies. It’s very handy but you will lose everything if you clear your cookies. The last two buttons save or load ALL the data you have in the game, aka all the scenes you saved with the pencil button.

KISEKAE DOESNT HAVE AN UNDO BUTTON SO SAVE OFTEN IN CASE YOU MESS UP

TAKING PICTURES

fOR THE LOVE OF GOD DO NOT DARE TAKE SCREENSHOTS there’s a handy way to save better quality pics. First slider is the zoom. It’ll be your best friend to get closer and edit faces and hairstyles and details and such. See that 05/05? That’s the PNG quality, so make sure it’s always at 5/5. The squares button next to the PNG one will make the background transparent when you snap a picture. Very cool, bc kisekae backgrounds are kinda ugly. The icon on the far right lets you select a region of the screen that’s great too

STOP THE AHEGAO

Next. If you click on the model’s clothes you’ll notice they disappear and they get surprised. The automatic emotions were good when it was a porn game but to actually create content it’s just annoying idk why it still automatically loads like that tbh.

Anyway, go here to set the facial expressions to manual mode. The “Select/All” switch makes you edit all the models at the same time or just one.  (Note: as pochi adds more tabs, they can get moved around and be put in a different group. just keep looking thru the pages until you find the icon you want)

HAVE ONLY ONE MODEL

You’ll most likely don’t need all 9 models at the same time, so you can go here to deactivate them. tbh it’s placed in a really weird place... a year ago it wasnt as confusing idk why Pochi added this update :/

TIME TO HAVE FUN

My recommendation is clicking on everything to see what happens. That’s honestly the best way to learn how to use it. Instead of explaining how to make good looking stuff (i cant do that bc. there’s not a single way of “doing things right” this is artistic expression u do what u do) i’ll jsut give some tips and tricks

1. HOLD SPACE TO GO OVER THE LIMITS OF MOST SLIDERS. It works wonders. Make heads smaller, shoulders broader, eyes thinner, hair pieces larger, bend time and space with the unlimited power of space key.

2. HAIR PIECES ARE NOT HAIR PIECES. BELTS ARE NOT BELTS. RIBBONS ARE NOT RIBBONS. Think of them as shapes to make stuff. Use hair pieces to make capes. Use the lines in the facemark section to draw a new nose. Make entire pieces of clothing out of belts and ribbons. The only downside is that if you move the head, hair pieces and ribbons move with them so making clothes out of ribbons turns your characters into statues

3. CLICK ON CLOTHES TO CHANGE STUFF. If you click on some clothing pieces you can change some things like unbuttoning shirt buttons, opening sweaters, putting sunglasses on their head and removing parts of scarves.

4. THE DEFAULT PALETTE IS UGLY. please do use a custom one

5. YOU RAN OUT OF SLOTS? Use the free floating items on the 3rd set of tabs. You can have extra belts, ribbons, arms, furniture and speech bubbles. Even load external images. But keep in mind extra stuff is not attached to characters, so it won’t move around with them or save in their individual codes.

6. USE OTHER PEOPLE’S EXPORTS RESPONSIBLY. There are lots of people on deviantArt and the Pochi forums (official Kisekae forums) that make character, clothing or hairstyle exports for other people to load and use on their creations (like Sims mods!). However, most dA people have rules if you want to use them on something you upload, so make sure to read each user’s rules!

7. TECHNICALLY THERE ARE NO MALE, MUSCULAR OR BIG BODY TYPES. You can force it out, but we’ve been forever cursed with the hip size being linked to the leg size. So your guys will either have feminine hips or scrawny ass legs. There aren’t any muscle options apart from abs, and the most similar thing we have for chub is a pregnant looking belly. You can always edit it with photoshop later or suffer and make muscles and fat with belts and hairs.

Have fun suffering with Kisekae!!! Feel free to ask me questions on how to do X or Y, or request me to expand more information about stuff like what each tab does.

CLICK HERE FOR THE OFFICIAL GUIDE!! It does explain a bit what each tab does, and also explains the keyboard shortcuts. It’s in japanese, but nothing google translate can’t fix if you need it.

[noxiim]

(1/3)Okayyyy so i mightve sent a few asks abt this before but this topic is really now bugging me cuz i have depression and im sensitive to like everything. Im starting to take this "not getting notes on my art" thing really personally and i know it sounds childish (and i laugh at myself for it) but i cant help but get upset when i spend so much time and effort and get like no feedback. And i know people say not to draw what u love and not for attention but honestly i dont even know what

and i dont even know if im drawing what ilike sometimes. Yeah i love bts but i dont know if i like what im drawing or ifim just doing it for notes???? And i have a lot of anxiety too and thats wherei feel like im taking this too personally. Cuz im starting to think that my artdoesnt get notes cuz its straight up not good which leads me to think ishouldnt even try to pursue a career in art anymore. But im not good atanything else so wtf am i gonna do if i dont succeed in art???? Like i said i laugh at myself for thinking like this and iprobably sound like a fuckin child but i cant help it???? Like i think my artis decent???? But maybe its not???? Idk like this was really hitting me todaycuz i feel like im wasting so much time and im probably gonna be one of thosepoor college students cuz i decided to focus on art more rather than taking ajob cuz i thought i could make money off of my art but yknow clearly its notgoing so well and im scared for my future U dont have to give advice to all of that i just needed tolet that all out 

Aw dude don’t worry I get what you mean,I actually experienced something similar when I first started posting my art totumblr, and even recently when I first started posting bts fanart. It’sperfectly normal to want recognition (in this case in the form of notes) forsomething you worked so hard on!! I think one of the major issues with postingto such a big fandom such as bts though is that there’s so many peopleproducing content at any given time, that it’s incredibly easy to get drownedout. Especially since tumblr changed how search and track tagging worked, itmade it that much harder for people to get noticed for their content.

When I first switched to drawing for bts,I found it hard because I also focused a lot on my note count. For someone whowas originally well established in a previous fandom, the move to bts was quitea jarring experience. I had built my following on tf2 art, and used toconsistently get a couple hundred notes, but one of main reasons why I left wasbecause of the dwindling of note counts. When I first left, overwatch had justcome out and a lot of attention shifted towards that game away from tf2, andalthough I still love the game, the dramatic decrease in notes on my art fortf2 really made me sad and I ended up deciding to leave the fandom after 3years of drawing tf2 art. I hopped around a bit, before eventually getting intobts. Even then, my first few pieces (they’re not on my #bts fanart tag so mostpeople wouldn’t have ever seen them) either got no notes at all or only two orthree. It was easier for me to establish myself in a fandom such as tf2 back inthe day since it was such a small, tight knit community with limited contentcreators, but now with bts there are so many more people and it just seemedhopeless for a while and I lost motivation in my art. I stopped wanting todraw, since it felt like nobody cared. Art is the biggest hobby I have, solosing my confidence in my art was crushing.

Now you might be wondering how I got towhere I am today. I’ll be completely honest with you. For me, I highly doubt Iwould be anywhere near where I am if it weren’t for networks. I had neverjoined a network before, but decided to join armiesnet and jimin network one daywhen I saw that applications were open. I got accepted, and I joined theirrespective group chats too. I met lots of great people on those chats, and madea lot of new friends which was nice after having moved fandoms and lost touchwith many previous mutuals. I’m so glad I joined networks, because not only doyou have the chance to make mutuals who will support you and your art, thenetwork blog itself also reblogs all its members’ content which gives youexposure to members of the network through both the network tag and through thedashboard. It’s a perfect way to get started, rather than hoping that somebodywith a decent following will happen to stumble across your work in the tags oneday and reblog it.

That being said, unless you’re like somesort of godly human being I don’t think we can ever get over how note countsfeel as an artist. We need something to gauge people’s response to our art, andthat tends to default to note counts. I can assure you that the feeling of disappointmentwhen your post doesn’t get as many notes as you want/expected it to is a thingpretty much all artists on this site shares. People always say “you should drawfor yourself, not for other people” but that’s the equivalent of like say themona lisa being painted and then left to rot in Da Vinci’s closet or something.The whole point of art is sharing your ideas/love for something through yourdrawings with other people, and so it’s perfectly normal to want therecognition you deserve for working so hard and putting so much love into yourcraft. When it feels like you’re all alone, you have to remember not to giveup. Creating art in such a big fandom can be unforgiving, but just rememberthat your art is never the one at fault. It’s all about finding that littlegolden window of exposure, whether it be through one big blog or a couplesmaller blogs reblogging your work. Those kind few people will be what helpsyou grow, and you have to keep posting for that to happen. If you water a plantbut it doesn’t bloom the next day, abandoning it will get you nowhere. If youjust keep going, keep watering it, results will come. Keep reminding yourselfthat you’re doing well, and you can compare older art to your current art tosee the progress and keep you motivated. Don’t force yourself to draw if youaren’t feeling it – art is something that should make you happy. I used to drawbecause I felt the pressure to put out content, but that just resulted in mefalling into a negative spiral of art block, limited motivation and generalunhappiness with my art as a result. Remember that there’s no such thing as adeadline when it comes to posting art on tumblr – work at whatever pace suitsyou and if anybody tries to rush you, shut them down. You’re the artist, youget to choose what you do with your art, how you do it, and how long you spendon it.

If you truly have your sights set onbecoming an artist full time, then by all means go for it! I can’t give muchadvice in that area since I only plan on keeping art as a hobby, but justremember that art school is always optional. In the end, working as an artistis all about the portfolio, not where you graduated from. It’s more importantto work on your art than it is to get in to an amazing art school. Sure, artschools can be useful, but in the end they are simply tools, sort of like atutorial rather than something that will magically turn you into an amazing artistwith amazing job offers. At the end of the day, it’s all up to yourself to workhard and promote yourself. Since art is all about reaching different audienceswith your work, promoting yourself is essential, even if it’s just casualfanart on tumblr. Feedback can’t come without exposure, and exposure can’t comewithout self-promotion.

Lastly, remind yourself that there’s nosuch thing as ‘bad art’. That might sound like a stupid statement, but inreality art is a constantly changing thing. There is no pinnacle of perfection,no model artwork that represents the most perfect drawing out there. Everyonehas different styles, everyone has different approaches, and most importantly,everyone is still improving. I’m still learning and trying to improve my ownart, and there’s no shame in that. It’s easy to perceive someone else’s art asbetter than yours which would lead to some self-critical thoughts, but you haveto remember that the other artist is probably looking at their own art andpicking it apart, thinking “aw man there are so many mistakes here.” It’s fineto make mistakes, after all, that’s how we learn. Just because we see mistakesin our own art doesn’t mean that everyone else will too – nobody looks at artand their first thought is to list all of the mistakes present. As long as youare aware of what you are less confident in and actively work to improve it,you can quickly surpass even the people you look up to.

So yeah, sorry that this is hella longlol, but in all honestly I can understand what you’re going through. It’seasier said than done, but even though it might feel hard - don’t give up. Youmight feel like you’re not getting anywhere at the moment but I assure you thatif you just keep going, things will only get better. That’s the thing abouttumblr, if you keep posting art your audience can only grow. For now, I would definitelyrecommend joining some networks, and making some friends. It’s not uncommon forpeople to promo their own work in the network chat occasionally, as long as youdon’t spam haha

Anywho, I wish you the best of luck withyour art journey. If you need me you know where to find me 💕💕💕

[11toe11-blog]

oNce again on that sTreet

I suppose I am at a point where, i need to sit down and draw this out of me. Clean the well.

Shuba asked me yesterday. Why dont i write. I do. Almost every other day. About something or the other. As observations. Contemplations. Very rarely once in a while meanders into poetry and almost never creative fiction.

I am...afraid of fiction.

There i said it. 

I suppose then its corollary goes that I am afriad of reality. Maybe. 

But let me start with fiction and try and lean into the obvious and apparent fear of fiction. As i write i notice a weight, a clenching in the middle of my chest. And rolling up to my throat. 

But lets persist this one time. 

I am making it a point to note the very obvious physical sensations as i write. 

So yes, fear of fiction.

Yesterday Rajiv shared a talk between Marina Abramovic and Alejandro I ( I forget the surname but the same guy who made birdman). Talkin about Virtual Reality as the next frontier of creative exploration after film, he mentioned about how the human brain makes no distinction between reality and fiction. Obviously more so in case of VR, but garden variety novels and comic strips and books and stories and theatre and film and all of that fall into that space where the brain makes no distinction between what is my reality lived and expereinced and, even if briefly the story of another. From experience i know, some of us are better than others at extricating ourselves from the story we entered to continue walking in the present, many of us carry the seeds and suggestions of te story, and many many of us  remain in the story. 

That makes stories very powerful and dangerous.

That makes story tellers very powerful and dangerous.

Layers and layers of stories wrapped around. Layers and layers of memories. Layers and layers of connections. Gateways of infinite possibilities on one had. And very own, home spun energy leeching coccoon on the other.

My brain particularly has had difficulties distinguishing stories and reality. Ive grown up with stories. Like most kids. Like most kids who loved loved listening and reading to stories and were surrounded by generous adults who lavished attention as stories of adventures great and small, stories read or retold or instantly woven.

By the time i started on film, I could watch a movie. And sit then later sit and play the whole thing back and watch it in my mind. My own personal Netflix. I could run it when ever i was alone - in the loo, before i slept, when i woke up, yada.

After my sexual encounter with an older cousin at the age of 8 years, these films began to have distinct sexual content too. I could replace characters. Mix up relationships.  Easily enter relams of taboo.  So while outwardly i was struggling with the shame and social anxities and adaptation, my inner world and ofcourse my body demanded the thrill of the grind. That heightended feeling when one could rub ones vagina against something. A swollen penis covered by denim, a leg, a thigh, another vagina, pillow.

Well, given a young girl in kerala, i am sure you can imagine the confusion of the middle class family facing their own share of social and emtional hardships. The school that preffers children like a batch of uniformed cupcakes. Encountering this strange child who seemed wild and untamable. Plenty of trashings and socail embarassments and isolations.

Ofcourse not to mention, adventures. And misadventures.

I suppose since my mind could go anywhere, into any restricted area, physical restrictions made no sense. I remember dreaming up a story of the romance between two of my young teachers, both married to different people. Can you beleive the thrashing i got when i started telling these stories and it finally reached my teacher.

Or of imaging the sex lives of the young Brahmin couple with a child and parents living with them. I imagined them waking up after everyone had gone to bed and first the guy would make his way to the bathroom aoutside and then the wife would follow him. And there they would have steamy sex, have a quiet shower together and sneak back into the house. 

I was happily making porn even before internet.

Well. I suppose so was the rest of the state, i suppose. The older i grew, i dont think i accepted it because i probably had drawn a veil of self-propriety, most of the people around me too were living out imgained sexual fantasies. That was hard to accept. 

Like knowing that my father had affairs of sorts, or walking into him holding the handsof the servant girl in the darkest corner of the house and him suddenly making a scene about her having not done some work and her giggling. Or my mother hinting constantly at my fathers transgressions and waywardness, possibly to allay her own pressures and guilt of pleasures. 

Knowing that my mother lied to me about her relationship with her best friend...what was simple and liberal suddenly turned murky. And murkier when she had a strange toxic sexual relationship with the substaff in her office. Depiste the sick sadomachotistic territory it went through and put all of us through, the class-lessness also  mattered to me too i suppose. And years of silence and protecting honor and holding the family together and all those things

A simultaneous tightening and release of the chest.

Why did i  meander into this dark alley? Because stories are full of dark alleys. The mind is full of dark alleys. How to shine some light could be what stories are about. 

BUt then, in the hands of some, its possible to turn off the lights too with stories.

In my adult identity, i am surrounded by storytellers. Not passively as a book full of shelves or a netflix account. But the creators - film makes, illustrators, theatre makers, movers, singers, spiritual seekers, dream makers. At briefly before - journalitsts, PR gus, activists, hope makers. And before that colleges/ schools - naarative makers.

So yea, I am surrounded by storytellers. I chose this, obviously. I chose in my life path to be surrounded by storytellers. Yet i want nothing to do with them . 

As much as a part of me years to play and spin with them. Another part of me is terrified of them.

The tricksters.

Who can make one buy into anything. Any idea. Lose ones self in a moment. 

Offer ones mind on a platter. Mind and energy. 

I doubt their intentions.

What do they want my attention for?

What are they going to do with all this attention they are getting? All this fuel they draw out of people and surroundings, what are they offering it to? Whose altar do they worship?

Obviously i havent never articulated these out aloud.

 I would be without friends. Well over time i have ver very few anyways. So thats hardly the problem. I suppose the reasin i have never articulated this out aloud is probably beacuse, the three fingers point at me. I suspect corruption, because i have seen corruption within me.

The creating and dismantling of identities, hunting for attention, people becoming pawns, ambition, self obsession, narcissism, vacume. Addiction to the drama. 

A vehicle, for the archtypes to do their dance. Chewed and spat out and regenerated and chewed and spat out and gathering sharrered pieces of life only to be chewed again. Reminds me of the moringa. BUt clearly the moringa is not complaining. I am. 

Some part of me has had enough. With the circus. The puppet life.

Another part of is there, waiting in the wings on my toes to be swept in.

While i was always curious about the mind, i suppose it was never with this focus, this drive to tame it. And somewhere even in that i know i am still dancing, even if it appears like a non-dance. Kalari, Vipassna, Tai Chi, Tantra, Ramana. Even art therapy.

All of it is for self knowledge. And ofcourse the practises are taking one there, otherwise how else would this note have been possible. Though in my attitude, i am at war. There is a war for awareness and attention. I am at war with my mind. Even as i write it, i know how futile it is - same dog pulling at opposite ends of the same bone. How? Dog will go hungry. Period. 

Meaningless.

I suppose the idea is to trust ones self. And self will take care of the mind. So in effect, even trust the mind because one has already trusted ones self. But my mind has gotten me into so much trouble, made friends with the craziest of archetypes that i am afriad. Yes, i am afriad of it. That it will get me into trouble again. I wont be able to distinguish  and centre. And another archtype will possess and ride me. And my mind, will let it.

And all over again, i will lose my sense of self.

Pain. Confusion. Loss of dignity. Loss of stability. All of that i associate with that. And i am just resurfacing after one recent round. Brinks of insanity.

I suppose that is why i practise and hold on to the forms that have come to me. Kalari, Vipassana, Tai Chi. Thy have travelled through time. Stood the tests of the mind to anhilate them. And with them, Ill hopefully be able to fashion a key. To keep me safe.

Lightening of chest

There i said it. And i see that i am clinging. All this, to be safe. And if it is clinging to safety, it is the ego. Which wants to be safe. The mind wants to be safe from itself. Hirlarious!

Like puppet theatre. One hand plays red riding hood and the other hand plays the big bad wolf.

Distracting me from the puppeteer. 

Why?

If i see the puppeter ill want to be the puppeteer?

Deep breath

I know i have a blindspot. Somewhere. And my attention moves from being the red riding hood or the wolf or the chase. Maybe if i was able to spot the blind spot, ill get to be the puppeter.

The puppeteer who either a good guy or a bad guy, being puppetered in a meta play. In a meta play. Loop. 

Theatre of Earth.

It endless. And no way out. 

Yes, way. Buddha way.

But that doesnt seem to be my question now.

It seems to be, how do i get to play the playwright in one of the plays, at whever level. What is there to lose. Its all only a play. 

Playwright. Setting the frame for the magic. Or witch craft as someone in the comment section of the Marina- Alejandro talk said. Fiddling with the Tao. Not letting nature be. Not letting it be, but manipulating it. Power play. 

The fundamantal question posed by monotheistic practises to the tantric/multi - must the mindscape be meddled with? 

BUt then, unless we are in a continuus state of observation - are we continously always meddling with the mindscape one way or the other? Setting intention , desiring outcomes. God on No God. Arent we taking part in changing the play, upstaging the director, the playwright one way or the other.

Isnt every upstaging also written into the meta play?

What is one to do?

To do or not to do?

Even non doing actively is still doing - reminds ramana.

In flow, even doing feels like non doing - from expereince.

In earlier attempts to create full length work. Infact in earlier writings big or small, iremember most of it being largely dark, and  not wanting to share / put out there the very dark ones. 

My first play, petticoats still sits in paper after many rewritings.Because i couldnt bring myself to put much dark ness out there. Because in the process of rewiting it, i felt i had given into something very dark and powerful, and expereinced wanting to manipulate - lash out at the audience. Expereinced being manipulated - my own life giving way at the seams and lines got blurred.

Powerful forces, i have now come to understand. 

Similar experience with the art therpay project too.

And now a word to get a sense of it - archetypes. 

But hey! I survived. I am writing this am i not. So what am i scared of? The pain and agony and confusion. Losing balance. Giving into the dark egoistic mind.

Somewhere the mind gents hijacked - i stop being the story teller / reseacher and becomes a character - self obsessed and seeking power. One of the default slip intos.

So what am i saying?

So basically, i am/you are saying, i/you want to open this door. But i know this dragon awaits behind it. I have lost it, been mauled by it multiple times. And i am shit scared of opening that door and being mauled. 

Is there a way for me to tame the dragon?

Or should i just walk away from the door and forget all about the dragon. There is a very good chance that it might reappear else where.  Atleast in this case, it is a known devil.

My sisters instagram post just read “ My friend is an artist. And he likes my company. Do i need more validation?” 

A muse, channeler of inspiration. One has been that. But that didnt suffice. I want to be “one of them”, clearly. Yet, i want nothing to do with them clearly.

Do i weild a tool, a weapon or not. 

If i weild it, i can choose not to use it.

If i dont weild it?

I suppose there is so much ego still left in me, that i dont want to play second fiddle. I want my own sunshine. 

Or ……..

Lets look at it another way

is it an exercise is self discovery self knowlege? Then the entire approach is observational - comprehend and understand and question the self - rather than say and state.

An enquirey. v/s An expression

All enquireys are expressions

All expressions need not be enquireys

What is the fundamental question - Abhishek had asked. In my first playwrighting process.

I thought, at that time, that it had to be an intelligent question

Today after a decade of life, i understand that to be - What is the question i am/you are/ one is seeking to find an answer to? What are you grappling with? Articulate it into a question the best you can and explore it the medium of writing aplay. Use your imagination - to move characters- change them, puppeterr - but remember the essence - it is not for you to gain power. Play god, no and then let it go into your head. And be devoured by your own demon. No. Thats happened enough now. So we now know what not to do. And what this is not. 

Now the essence is to - very clearly, scientifically - explore humbly. Approach your gift of imagination - humbly. Opening the door gently. Entering softly - EVERY TIME. With great respect.

And work / play there with the questions. 

And quietly and humbly leave. Taking no more. Demanding no more that thevery process of observation and meaning making.

Reminds me of sandplay.

In the 6 pages and 2 hours, i feel a certain reassurance. I feel like i have asked, without really knowing how to ask. And have been answered to.  Quietly.

Keep the frame wide. And work fiercely to be regular. But with gentleness. And deep honesty. 

Go on and write. 

You can make meaning in many ways for yourself. Writing is one of your earliest tools. Use it to make friends with the dragon behind the door.

You have a very solid physical practise to ground yourself, to navigate the storms. The body practice and the garden. Trust that.

Between the two, the earthing of the physical discipline and access to the mindscapes, you will start finding meaning.

That itself is the purpose. To find meaning.

Remember to enter mindscape, imagination only after knocking on its door. And to close the door behind you as you leave. 

It is the great seas. You know that already. Offer her respects. She will test you to see if you have come/become greeedy. Remind her and yourself that youve come for meaning. ANd truth.

Meaning is truth after all. Layers stacked up, coinciding for a perfect opening. Insight.

Where is love in all this? I wondered

What is not love? Pat comes the answer.