#maybe I'll try to work something out I would love to be able to colour jojo

[we-love-morioh-cho]

Just saw the official Shueisha Jojolands colours.......

[honeydazai]

ok ok but hubby Fyodor gave me an idea, he’s figured out i get worried when his anemia gets bad so i fuss over him

imagine like,,, him using that against u. like if he’s losing an argument, or he just wants attention, he fakes sickness to get u to drop everything ur doing and come to his aid, u immediately feel bad so he uses that to manipulate u

feat.: Fyodor / reader

content: husband Fyodor, some manipulation but it's cute, Fyodor pretending to be a pathetic meow meow, fluff, sick fic

Fyodor is fragile, that much you're aware of.

Despite his quick mind, so sharp you reckon it could cut diamond, and his powerful ability, his physical body is still frail. His skin is pale, most likely since he spends too much time inside, hunched over in front of his many PC screens, providing him with no light other than the gloom of LED monitors, thin fingers tip-tapping away on the keyboard. His undereye circles are dark enough for you to seriously worry about his health, and the many blue veins visible on thin eyelids only make him appear more sickly.

The anemia doesn't help, either; thin lips occasionally turn whiteish the longer he insists he's going to take his iron supplements once he's done with work — when is he, ever? — and his nails, kept short not only for the sake of being able to play the cello, but also since he continued biting at them, are coloured blue so often you have almost forgotten what they usually look like.

Fyodor, despite being an internationally wanted terrorist, is fragile, and that's exactly why you're unable to stop the way your chest suddenly aches with concern when he goes quiet mid-argument, gaze unfocused, glassy, as he sits down on the bed.

This really isn't the time to worry about him, especially since, just a few moments ago, you were snarling at him, obviously angered for a reason that seems entirely unimportant right now — and yet you can't help it either, your concern an emotion that blooms in your chest so very naturally, given just how much he means to you.

“Are you alright?” The words leave your mouth before you know it; your brows furrowing as you kneel down next to him, one hand on his thin upper arm. Even through the fabric of his shirt, his skin is cold. “Do you need anything?”

“I'm quite alright, dear. I would hate to bother you, especially when you still seem to harbour disdain for me.”

Even his voice sounds frail. Guilt gnaws at your every bone.

“That's not—”, you protest, a feeble attempt, though you're quick to swallow the urge to start another argument down the moment he rests his head against the wall, eyes fluttering shut, ebony lashes against snow pale skin. “I don't 'harbour disdain' . I didn't even want to fight with you, it just — happened, but that's not important now. Let me help. Did you take your meds today?”

“Not yet, I'm afraid”, Fyodor says softly, and you're up on your feet almost immediately, making your way towards the kitchen to snag the offending pills, as well as a glass of water.

“You know you're supposed to take them daily with lunch.”

“That is merely to avoid forgetting them, to build a habit. The presence or absence of sustenance has no actual effect on them.”

Your eyes narrow. Fyodor allows a tired chuckle to leave his lips.

“Alright. I will try to take them regularly — for you, dear.”

Where, just a few minutes ago, you felt the urge to slap him with wrath — not that you ever would, not that you'd dare to, but the desire certainly is there whenever he acts all high and mighty, all-knowing, even around you —, your chest now tingles with warmth, with fondness. With love.

“Thank you. Are you feeling better already?” That's to be doubted, especially since he only took the pills a moment ago. Still— “Do you need anything? Maybe something to eat — yes, I bet you haven't eaten anything in a while now, too focused on work. You're impossible. Just lie down and give me a moment, I'll be right back.”

With those words, you vanish into the kitchen, already grabbing some vegetables. A quick soup is going to have to do.

Little do you know that, while you're busy worrying and fussing over him, there's a smile playing over Fyodor's lips ever so often, vanishing the moment you enter the room once more.

You really are too easy — though that's exactly what makes you quite this lovable.

OH. Oh, he would.. he so would... this is the most in character take ever...

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[eldstunga]

Hi! I really love your art! The lines are so bold but the colours so natural that it feels distinct but grounded?? I'm obsessed with the shapes in your work

I was wondering if you had any advice for drawing bodies? Whenever I try it either my proportions are off or an arm ends up looking like a calf or something.

First of all, thank you <3 That's so nice and I think "lines bold, colours natural" is some truly aspirational words to say about my art, I'll strive to be what you say I am <3 I do not, unfortunately, have any great tips on drawing bodies - it's a very wide topic and fundamentally just really bloody hard. I fail horribly 9 times out of 10. How to approach it I think varies a lot with like...HOW you are struggling, and who you are as a person. For proportions and anatomy there are definitely books to look at, and some rules of thumb that can help you - anything from "the shoulders are about 2.5-3 heads wide" through "feet are the same length as the forearm", "elbows are in line with the navel and the navel is two sternums down" etc etc. For me, realising just how big the ribcage actually is and learning how to use that as a unit of measure was a big event (the torso is about two ribcages long). Look at references, Draw over low opacity references and try to look for patterns that help YOU. Like... "Hm, do the shoulders line up with something useful?"

Having a good ref model to double check things helps too. The pen is pointing to about the bottom of the ribcage. But there's also stuff like maybe you're getting too hung up on construction and then it might help more to try to draw from references by ONLY blocking in a silhouette first. This helps me sometimes still:

Or you could be like me, struggle with all of the above and then some - like how to make poses look natural and/or dynamic? Weight distribution is a whole other topic.. gah, it never ends, but it's fun to learn.

Lastly, this took me way too long to realise and I think it should be said: Do not fret too much about STUDYING. The unfair thing is that the better you are at something, the better you will be at actually learning from doing studies and exercises or reading books. We accept this with many other disciplines and sports but rarely art. Mileage is king, and mileage is best gained from having fun and enjoying what you do. If you find studies suffering and frustrating you're probably better off just drawing what you enjoy and fuck it if it isn't "pushing your boundaries" or whatever. Eventually you'll get to the point where studies start to give more than they take, and then you're home free. I'm not gonna recommend a billion resources you likely won't enjoy but here are some things I genuinely found helpful lately: * a physical anatomy model, they're pricy and not necessary but being able to just look at it every now and then, turn it over etc helps. * The "Morpho" series of books, they do not teach anatomy, but they are very useful quick reference books and much more easily digested than most anatomy material. Just try to find a real anatomy book to read once your appetite is up as well.

The zig-zag/Lightning bolt method for arms and legs, fuckin' thing revolutionised how I sketch: https://www.youtube.com/watch?v=yCkmB030GpQ

Gottfried Bammes "The Complete guide to Anatomy for Artists and Illustrators" This thing is insane, it's from the 50's and like 600 pages long. You could absolutely kill someone with it, but a lot of the pages are more philosophical or art history you can skip and despite its age and fear factor this dude writes in a witty, clever and just wonderful way that I've seen nowhere else. Fantastic photos. By far, FAR the best anatomy book I've ever seen. It's not a book I'd recommend for someone starting out, I would not have been able to digest it like four years ago, but once you get to a certain point it's amazing.

That's a lot, uhhh, feel free to ask me for more specific tips this was a bit of a rant. Hope some of it was useful!

[l0vem41l]

can you write like some cute head cannons for johnathan ohnn w like a short chubby female s/o like i can imagine him w someone like that !! it would be even cuter if they were like a artist or something <3

perfect.

「 tws + notes: no tws, unedited, reader is an artist– specifically a visual artist becuz WOOO u be drawin babey!!! if u meant otherwise i am So Sorry, pre colider johnathan ohnn, terribly, horribly, and awfully sweet and cliche i Cannot Escape Myself 」

「 fem!reader, romantic relationship <3 」

↳ ft. johnathan ohnn

author's note: FIRST REQ OF THIS ACCOUNT YIPPEE!!! thank u 4 the req anon (´▽`ʃƪ) <3 hoping this is what u want! ALSO!!!! my first time writing specifically for a chubby reader insert so i hope i did ok! (๑•́ ₃ •̀๑) feedback appreciated if there is any u'd like 2 share :D

▸ short chubby girlf,,, ouuughhwhhe oh my goodness,,, johnathan thinks ur absolutely adorable there is No Doubt About It!!!!!

▸ you are just the loveliest thing he's ever seen– and he'll remind you everyday.

well. okay maybe not completely verbally. there's something about being in love that makes johnathan feel like a lovestruck teenager all over again– all of a sudden, he's stumbling over the half sentences falling out of his lips and getting all red in the face while he tries to verbalize how pretty you are

he'll shut his mouth. eventually.... give him a kiss to shut him up!! it'll work! until he ends up blabbering again cuz he wants another one and gets a bit nervous about that too

▸ okay, but he's not,,, all nerves. he's able to pull himself together to show how much he appreciates you. again, physically affectionate. i feel it in my soul that he is a sucker for physical affection. with you?? it's just amplified.

thinks your height is perfect,, burying your face in his chest while he holds you in his arms? chef's kiss. secretly hoping you don't hear how embarrassingly fast his heart is pounding.

ur chubby too?? that meanz there's more to love!!!! more to embrace!!! there are no downsides to you :]]

this is how he reminds you how perfect you are in his eyes– all through touch. always gentle, always sweet. his favourite thing is when your cheek is pressed up against his chest when you're cuddling and you look up at him. he feels his brain stop every single time, his gaze meeting your pretty eyes.

you murmur a quiet, "i love you" and it takes a moment for him to say it back– not because he doesn't want to, but because it's these moments where he realizes how much he lucked out to have someone like you

▸ ARTIST GIRLF??? even better. johnathan ohnn is a scientist, through and through... but it doesn't mean he can't appreciate art when he sees it!!

"it... it's fine if i look, right?" he asks, his hand hovering over your sketchbook, waiting for your permission.

this was the first time you had ever left your sketchbook face open around him. while you were off doing something else, he had been fighting the temptation to look through it. he did understand art was personal, and he's tryin' not to accidentally overstep anything

"i mean... sure?" you say with a little shrug. "i haven't really gotten to filling it up yet so it's a little bare an–"

you barely get the words out. he's picked it up, flipping through the pages like the secrets of the universe were hidden somewhere in between.

"hey that's pretty cool!" his eyes light up as he admires the things you've created. he'll gush over your work, tryin to talk with artistic terms.

he's out here like, "i like the use of complementary colours!"

"...i only used charcoal for that." HES TRYING. not hard enough tho cuz dawg cmon. /j maybe,,, you could teach him about art?? wink wink nudge nudge >:]

he's about to flip another page– but you place your hand atop his to stop him.

"there's nothing left to see so,, uhh– i'll just take that back now." you say awkwardly. he won't fight you about it. maybe frown a bit about it– maybe some art was more personal thank he thought.

def thinks abt what was on those other pages... there was almost 100% a drawing– he was halfway to flipping the page over, he definitely saw something.

▸ politeness of not crossing boundaries aside, unfortunately he's an idiot (SLASH JAY) and doesn't know the first rule of interacting with an artist.

dreaded from anyone else, usually, but... bearable when it was him requesting it. gives you plenty of time and room to say no.

"you should draw me!" ☝️🤓

this is how you find yourself over at his apartment. he's seated on a chair across from your own, trying to figure out how you want him to pose for this drawing.

"tilt your head towards me– no, wait, not like... hold on–" you stand up, making your way over to him.

"i'm literally doing everything you're telling me to do, i don't know what you want me to d..." he trails off as you gently grasp his chin.

you suppress a giggle, watching eyes widen slightly as a strangled noise coming from his parted lips but no words but certainly no complaints.

with a firm yet soft grip, you position his head slightly and let go with a smile. "perfect. you stay right there."

GOES STILL ASF THE ENTIRE TIME SO HE DOESNT F UP UR DRAWING PROCESS HWDJFHEWUIFH bros hardly breathing

-

"you know," you comment, eyes focused on your sketchbook as your pencil works to draw him, "you've got a really interesting face."

the corners of his lips quirk up into a half-smile, his brow furrowing ever so slightly at your words. "thank you? y'know when you word it like that, it makes it sound like a skillfully veiled insult." johnathan quips. you're making him wonder if being considered "handsome by scientist standards" counts for anything in the eyes of an artist.

it earns a little laugh from you. "not what i meant."

your words immediately flood him with relief. you swear you hear him go "phew." what a dork.

"there's something about all your features," you continue, looking back up at him, "they just fit so perfectly on you. like everything was just meant to be there."

he falls silent for a moment, your words echoing in his mind. he wished he could work with words in the way you did.

"hey. look back up at me." you smile, holding up the paper and turning it for him to see.

"wow..." he reaches out, gently taking it from you. it takes a few moments for him to speak up again. "it's..."

"okay, hopefully?" you chime in, your hands clasped in your lap as you try your best not to anxiously fidget.

"perfect." he replies instead. "you're perfect– i mean, your work is obviously, yeah sure but you,,, you just–"

johnathan holds the paper in one hand, gesturing vaguely to you with the other. you giggle.

"well thank you."

he grins. "it was worth sitting here for like what? a few hours? man, it was hard trying to keep that position."

"johnny?"

"hm?..."

you laugh and he looks,,, confused. he awkwardly chuckles along with you.

"what? what's so funny?" he asks.

"i coulda worked without you posing like that. i've seen your face enough to work without a reference."

he watches as you flip back to the pages of the sketchbook he didn't see.

and it's him. whole pages,,, of drawing of him.

there's a glint of mischief in your eyes. "it was funny seeing you try to hold still for so long though."

▸ he finds something new to love about you every day. sometimes, he'll see all the things you do for him and try to measure up.

no matter what he does– and damn, will he do anything and everything for you– he can't help but feel like he's falling short. just a little.

after all, how do you love someone so perfect?

he certainly hasn't figured out. he could give you all the love in the universe, and he'd still think you still deserve more he's right

the night is quiet. you're on his couch, the shitty romcom you put on just to joke about with him no longer interesting either of you. your eyes are shut as he holds you in his arms, your head resting on his chest. his eyes are filled with adoration, looking at you, being all comfy and adorable in his arms.

johnathan leans down, pressing a quick, soft kiss to your forehead.

"...what was that for?" you mumble sleepily.

"nothing." there's a pause for a moment, as he tries to find the right thing to tell you– the way to phrase what's been on his mind since forever– and just ends up sighing instead. no flowery language could convey it. maybe being straightforward could help.

"you're just... perfect. y'know that?"

— reblogs always appreciated!

[magerywrites]

magery hello,,!! i hope this isnt too forward but i discovered you via _maiqo on twitter a long while ago and have been absolutely enamored by your works ever since — your writing is an enormous inspiration to me and i sincerely hope that my works can one day match the same level of excellence.

you absolutely dont have to indulge me at all, but is there any advice you can give in terms of writing character studies? :’D if not its totally ok !! and anything works !! i just figured it’s worth a shot haha

Thank you very much! It's always lovely to learn that what I've written has meant something to someone. I appreciate it.

In an attempt to answer your question, I'll talk about how I think about and approach character studies. It may be that much of what I say fails to be useful to you, but I hope to be of some small aid regardless!

To begin, I think the most fundamental element of writing a character study—as a piece of fanfiction, though much of this can be applied without significant difficulty to orginal works—is to have a firm vision of who the character is to you.

This is separate from having a firm vision of who the character "really" is. Nobody can have that—every way we engage with media is coloured by our own values and perspectives, and that bleeds into the way we think about and write characters. This is sometimes a difficult dichotomy to balance against the principle of "they would not fucking say that", but to borrow some old and too-simplified physics, I think it can be useful to consider that a character is in many ways like an electron in an electron cloud. Their precise and perfect characterisation is not something that we can ever truly locate, but we can identify the area of narrative space it is most likely to be in.

The task of the character study, I feel, is to hammer down on the part of that narrative space that you find most compelling. To take the meat of their character and cook it the way you would want it served to you. A character study is not to please anyone else. A character study—or, at least, the kind of character study I write—exists for you to get your feelings out about the character you have been rotating in your brain onto the page. It also exists, of course, so that you can try to show those feelings to other people and hope they feel them too, but you will never succeed in actually capturing those feelings in the first place if you don't allow yourself to write your authentic vision of the character.

They don't have to be your blorbo, or your problematic fave, or your three corners of the OC design triangle, or whatever, but when you write them, for that space and time they do have to be yours. Otherwise, what's the point?

Once you have that vision, you can put them in practically any situation you like and as long as there's something in it for them to bounce off, you're going to be able to tell a story that reveals something about the character. If you look at the "plots" of a selection of my character studies, we have "one guy folds sheets, another guy asks him questions" as a plot, we have "a pair of exes talk across a tabletop after a party", we have "oh LAWD they FAWKING" like four and a half times, we have "retelling the plot of something else" twice, and we even have "two people on a helicopter flight for an hour". It's not really complicated stuff. It doesn't need to be. The character, or characters, just need to be in a situation where they're going to have some reason to think about, and maybe even talk about, whatever conflict or idea or relationship you find most compelling about them.

With that said, it should be noted that it's... well, for me, with the way I do things, it's very very difficult to conceive of writing a character study in any situation without a clear and central conflict the character or characters are grappling with. All of my character studies revolve around a problem a character has and how they react to it. And yes, "having a conflict" is, like, the quiddity of a story, the most basic plot diagram there is. But what I'm trying to say here is that even in the story I mentioned where two people sit in a helicopter and talk to each other, the story is intensely focused on the internal struggle one of those characters is having with the choices that led to her sitting in that helicopter and how much they do, or don't, make her like the person she's sitting opposite (both more and less than she knows). And that's the sort of thing that I think is key. The conflict, in my eyes, needs to be philosophically central to the way you view the character and what you want to say about them. It needs to be tightly intertwined into what you find most compelling about them—the thing that you just want to sink your hands into and squeeze, for good or ill. That's how you get to really show the world who they are and why you care about that.

After that, I really think that in a lot of ways it just comes down to the prose. How deeply can you write into your character's head? Are you colouring even your description of the world around them with the way they would see it—or are you taking the opposite path and presenting the character entirely through someone else's eyes, so that you can characterise them through the distance between what the other person thinks about them and how they present themselves? You don't need frame-perfect metaphors or the Inanna-Ishtar LGBTQIA+ sharingan-coloured prose to do that, but you do need to focus on writing in a way that expresses the character.

This does take focus. How much focus depends on how specialised you are into that style of prose, but it is focus nonetheless: you need to think of your sentences, each and every one, as tools to communicate something about your understanding of the character that you want the audience to know. Some of them will inevitably instead become vehicles to reach a point where you can communicate that understanding, but something as simple as what a character notices first when they walk into a room tells you something about them. Lean on that. Lean into that. After all, if you're writing a character study, the writing should study your character.

(Colour this advice with the fact that I am, as you've probably realised from reading my writing, very much a prose-focused writer. I have spent near on fifteen years, since before I even graduated high school, honing my prose for poetry of language and interiority so that I can write in the way I most enjoy reading. That affects what I value in writing, and it affects my opinion on the way people should write. I believe what I am saying is true and good and useful, because I have faith in the way I engage with my art, but my advice does not chart the sole and singular course to the ever-distant utopia.)

To tl;dr myself, my advice for writing character studies fundamentally boils down to to the idea that I think a character study is most potent when it presents a vision of a character that the writer has clearly obsessed over. That they have layered with their thoughts, their perspective, and their heart to the degree that it drips even from their prose. A character study with the confidence to say this is what I think is compelling about this character, and I want you to see it too.

I may not agree with it, I may think "They Would Not Have Fucking Said That", I may even think the writer has just invented an unsustainable interpretation of the character that demonstrates startling reading incomprehension and I can't believe I have to share the same fandom as these people.

But at the same time, I know people have thought and said that about my own works—and I'm still happy that I wrote them.

I have far more respect for someone who's written an entirely committed and deranged interpretation of a character that I think is Flatly Fucking Wrong than I do someone who presents me with the most milquetoast interpretation I can't disagree with. If I choose to read a character study, it's because I want to see you study the character. That's, as the meme goes, why I'm here.

So, really: focus on determining who you think the character is, write them the way you want to see them written, keep your prose tight to who you think the character is (not just "would they say that?" or "would they think that?" but "how would they describe that?" and "what would they see in that?"), and commit to the bit.

(If you've managed to read to the bottom—thank you for entertaining my rambling, and I hope it helped!)

[lostbetweenvampiresandmusic]

Oceans of time

One night, Laddie asks David how he became a vampire. The tale that he tells is one of love and betrayal and a hurt he could never quite overcome.

A Dracula A/U

Part 2 Part 3

----------------------------

"How did you become a vampire?"

Laddie laid in his bed, his old stuffed teddybear held tightly in his arms. David looked up from where he was sitting, not responding. The cave was silent. Dwayne, Marko, and Paul had gone out to feed, leaving David with what he called 'baby-sitting duties'. Not that he truly minded it, no. Laddie was - as far as kids go - a good one. He listened, he didn't lie, and he obeyed the rules. Now, however, Laddie had decided not to. Maybe it was because of the warmth of the cave, the summer-heat still caught in its walls. Maybe it was because he had too much sugar that evening, or maybe it was because he was just not tired. No matter the why, David needed to answer, or else the kid might never shut up.

"Why do you ask?"

Laddie shrugged. "I'm just curious."

David couldn't help but grin, shaking his head. "You need to sleep."

"I won't be able to until you tell me. Please, David? Please!"

David sighed, looking at the kid. "Fine. But don't expect a happy story. It isn't."

Still, Laddie smiled. He moved over, laying closer to the wall so there was enough space for David to sit comfortably. "If it gets too sad, Mr. Teddy will cheer you up. He always cheers me up when I'm sad."

"No need," David looked at the stuffed animal - or what was left of it. He supposed the bear was once a light brown colour, but now it was closer to grey. He really had no desire to come close to that thing. "It was a long time ago. There were six of us."

"Who are the other two?"

"Don't interrupt me, or I won't tell you a thing."

Laddie nodded, zipping his mouth close.

July 1897, Santa Carla

"Will you be careful out there?" The young girl asked, sitting next to a phonograph. The song - well, it was hardly that, it was more white noise than music - played quietly. David looked at the girl. Her glasses lay on the table, and just by the way she held her head in her arms, he could tell she was dealing with yet another headache.

"You know I will be. I've got a reason to come back. You wouldn't last a day without me."

A small smile played on the girls lips. "It's not my fault that we can't afford the right glasses."

"Nor is it mine. I'll try and bring some fruit with me today, alright? And if possibke ill try and get some new glasses to try. Maybe we'll be lucky this time. "

"David? Please tell your boys to be careful too - and tell them to come home? I do miss their company."

He sighed, giving his sister a soft kiss on her forehead. What she called home was nothing more than a small kitchen, an even smaller bathroom, and just a single bedroom. There was hardly enough space for the two of them, but somehow, she swore she could make it work for their little makeshift family.

"No need to worry about that, Mia. I'll be back before dark."

With those words, David left the house. The sun was still rising. He knew it would be a long day. His - no matter if you called them friends, gang, crew or something else, it never felt quite right - brothers and he had taken to a life of petty crime. Sure, a couple years back, they had tried to do honest work, working in the factory or the coal mines, but eventually, they all realised that they did shitty work for even shittier pay. So now they stole, gambled a bit here and there. They had a benefactor, a man willing to pay them for their crimes. Steal some papers from the governor, plant some evidence at the pub - whatever Mr. Max demanded, they'd do. He paid well, and that's exactly what they needed. They did what they could to survive, and this definitely helped.

They were good at that, surviving. Quick on their feet, changing plans on the spot, being able to predict outcomes - they were good. They'd managed to stay out of the hands of law enforcement, and the one time they did end up in jail, their good friend Lucinda was quick to break them out. She called it paying bail, but they didn't really care about the technicalities,

"Have you heard? There's a shipwreck down by the beach. If we're quick, we can see if there's some loot." Paul grinned as he showed that mornings newspaper. They'd met up down the harbour. Marko had stolen some bread and shared it with the boys. David sat on one of the crates while Dwayne scanned the crowds. Early mornings meant drunk people stumbling over the docks, trying to make their way home. They were easy targets and often wouldn't even remember what they'd been robbed off.

"What kind of ship?" Marko took the paper, looking at the photograph. "Seems quite big. Could be something." He showed the picture to the others, not bothering with the specifics of the article.

"Won't any survivors come knocking?" Dwayne looked at Paul, who just grinned. "Nope! There were no survivors. That's what they say anyway. Only a dog that ran off, the second the ship stranded."

"We should check it out," David nodded, following Paul to the beach. It wasn't often that a shipwreck ended up on their beach. Ships like these would carry cargo, and possibly something that was worth a fortune.

As promised, there was a shipwreck on the beach. The whole thing was broken apart, as if something unnatural had ripped the wooden boards away from each other. If they hadn't been told that it had been a ship, David was certain they would not have recognised it as such. As they moved through the ship, exploring what was left of the now empty rooms, they came to two conclusions.

One: There was nothing to loot. Two: There were some very strange marks on the doors and walls. As if someone had tried to fight something off.

"There's nothing here," Marko spoke up after they sweeped the place. "We should go, maybe Max has something for us."

With the uneasiness they felt on the ship, none of the boys were too saddened to leave. There was something off with this place, and none of them wanted to find out what it was exactly.

As they met up with Max, outside the hospital, David realised that this was indeed going to be a long day.

"Sorry boys, nothing new today." Max was about to turn around, entering the hospital again, when David spoke up.

"Seriously? It's been six days. We need some fucking money."

"You better watch your tone," the man gave him a stern look, "there many that would kill to work for me."

Knowing this would get them nowhere, they decided to try their luck on the streets. That's how they spent their day, trying to figure out who they could steel from and, most often, succeeding. At the end of the day, they had made three pounds stealing from the rich. It was enough to pay rent for another week and to buy food for the next couple of days. David grinned - Mia would be happy.

"Oh, I'm so glad you're here!" Mia opened the door, noticing that her brother had brought home the others. "I've got so much to tell you!"

"What happened?" Dwayne sat down at the kitchen table, opening a bottle of gin. Marko had grabbed five glasses, while Paul helped Mia to a chair. She was still not wearing her glasses and had in the five steps it took to get from the front door to the kitchen already bumped into something twice.

"Lucinda stepped by today. She's back in town," Mia explained. Lucinda had always been a friend to the boys. They had met a long time ago when she had saved them from a prison sentence. Ever since they had been close, even if she was richer than they could ever dream of being. "She said that a European doctor had arrived and that he's trained in anything to do with the eyes."

"Mi, love, we can't afford new glasses." Paul ran his hand through her hair.

"I know - but that's not the point! She is engaged to him, and she's going to ask him to see if he can do something about my eyes as a favour. Isn't that just great?"

"It sounds too good to be true," Marko said, and Mia noticed his tone immediately. She quieted down a bit.

"You think it's a scam?"

"Dangerous, at least. I wouldn't trust him."

"Lucy also offered to talk to him about maybe getting eye surgery, if that's possible in my case." She said it softly, already guessing how her brothers would react.

"That'd be experimental then, right?" Dwayne looked at her as she nodded.

"Absolutely not!" David slammed his cup down on the table. "You will not get fucking surgery of we already think this whole thing is sketchy in the first place."

Mia sighed. "I know. It would just be nice to also help out, you know? Before I got fired-"

"You were hurt every single day by your boss. Don't worry about it," Paul pulled her close, letting her lean against him.

David looked at his sister. "Sorry, kid." He grabbed the money they'd collected today out of his pocket. "We can afford some food the next couple of days, though."

And with that, the whole conversation was forgotten. Mia and the boys made plans for dinner, and David went off to pay the rent.

1987, Santa Carla

"Where's Mia now?"

Laddie looked at David, who sighed as he lit a cigarette. "She's gone."

"Oh. Why did she want that eye surgery? It sounds scary."

"It is, especially back then, She was nearsighted. She couldn't see for shit. The glasses she had weren't right, and we couldn't afford better ones. She got headaches, so she never wore them. She was always bumping into things," he smiled at the memory, "So, after a while, she began looking into other things that could help restore her sight."

"Could they?"

"God no. Glasses were what she needed. We stole them quite often, but none of them were right for her."

"What happened next?"

"Lucinda stepped by. And then both she and Mia got sick."

August 1897, Santa Carla

"He is so perfect," Lucinda giggled as she poured Mia some tea. They were sitting in the garden of Lucinda's estate. Well, her parents' estate. "Just last night, he said he'd be with me forever. Isn't that romantic?"

"Quite so!" Mia smiled. "When will you get married? Will you get married? You also had an offer from the governors son, did you not?"

"In a fortnight, obviously you and your brothers will have to be there - I simply won't get married without them there. And yes, I did - but honestly, Wolfram is an idiot. He wouldn't know how to open a letter if I didn't instruct him. So, I have decided that Doctor Holmwood was the best match."

"Why? So you can show how much richer you're getting?" Dwayne walked in, a teasing grin on his face. He grabbed a chair and moved to sit at the table.

"Absolutely!" She smiled. "It is weird, though.."

"What is?" Mia reached for her teacup, cursing under her breath as some hot tea spilt over her fingers when she hit the cup too hard. She knew she should have worn her glasses - things would still be fuzzy, but not as much as they were now. But then she had to deal with headaches - and those were worse.

"Ever since I got engaged to him, I have been having nightmares. The strangest dreams, really."

"Aren't you just worried about the wedding?" Mia offered, while Dwayne asked what the dreams were about.

"I'm always sleep walking, all the way to the cemetery. And once there, I'm being haunted and hunted, taunted. It's horrifying. And just yesterday, I had the exact same dream, but this time, some monster grabbed me by the throat and actually bit me."

They were silent for a moment. "When did they start?"

"When we arrived in London, I think. I just hoped they'd stop once we were back home."

"How about you sleep at our place tonight?" Dwayne looked at Lucinda. "Maybe it will stop the nightmares."

"That would be lovely." Lucinda smiled brightly. "I'll go home and grab some stuff, and I'll be there before dinner." She smiled at Mia, taking her hand as she was about to speak up. "I'll make sure to bring some food along, don't worry."

That night, after dinner, Mia and Lucinda went off to bed. They'd listened to the stories the boys told, about running from the cops and getting a new assignment from Max - apparently there was a new Lord in town, and they needed to figure out who he was. The girls stepped into the bed, after making sure that the boys would be alright.

"We'll manage," David looked at Mapia. "Just make sure the two of you get some sleep, alright?"

Mia nodded, and after chatting for a bit, both girls fell asleep quickly. Only a few hojrs later, the boys did the same. The house was quiet. No one moved. No one spoke.

So, they didn't notice that they'd forgotten to lock the window. They didn't notice how it slammed open, a dark figure standing on the windowsill. They didn't notice how that same dark figure moved forward, bending over both girls. They didn't notice that the dark figure only had eyes for Mia, longingly stroking her arm, but deciding to leave her untouched for now. He could always claim her later. Now, it was time for his first conquest. It was time for her to join him.

It wasn't until early morning that Mia awoke. "Luce?" She asked sleepily as she felt a heavy weight on her stomach. She blinked, sitting up. As she moved closer, she couldn't help but scream. The body next to her was ice cold. The throat was ripped open. The whole bed was covered in blood. Lucinda had been killed. Brutally murdered. And she just slept through it, not able to help one of her dearest friends.

"Mia, what -" David pulled his sister away from the bed, holding her tight as she cried, upon seeing the massacre on the sheets. The other boys entered the room just as quickly, immediately moving to see if they could figure out who had entered the room. They needed to know who had done this.

"You're alright, love," David led Mia to the small bathroom, making sure that all the blood was washed off of her body.

"Is she - is she dead?"

David nodded. Mia closed her eyes, sitting down on the edge of the bathtub, trying to even her breathing. "How did I - how could I sleep through that? She - "

"Mia, look at me," David kneeled down so he was at eye level with her. "There was nothing you could have done."

Mia nodded quietly. He knew she didn't believe him, but he'd repeat it over and over until it got through.

The rest of the day was chaos. They had to call the police, Lucinda's family, her fiancé. People came and went. Pictures were taken of the crime scene, and every one of them was questioned. At the end of the day, Mia had no tears left to cry, and the boys felt just the same. That night, the house was quiet, them softly talking about their times with Lucinda. How she helped them out when they got in trouble with the law. How she was the first and only person to ever catch them red-handed - they had tried to pickpocket from her after all, even after she had saved them from jail. She had smiled and just given them some money. She had always been like an older sister to them, taking care of them when needed and always being there for both the good and the bad. She had brought humour, charm, and insights into how to best steal from the rich - and now she was gone.

1987, Santa Carla

"So, was she killed by a vampire?"

"Yeah."

"Why?"

"That's how he changed her. We just didn't know that at the time. We also didn't know what we would become eventually, or we would have never done what we had done."

"What did you do?"

David shook his head. His cigarette had turned into ashes, and he heard the other boys returning. "I'll tell you tomorrow. You need to go to sleep now."

[allgearlit]

Hello ! I wonder if you're new on tumblr. If yes then i'd like to welcome you and i just read your work with starscream and it was super adorable and also heart warming😭❤️

If it's okay i'd like to request a small drabble with g1 Starscream and female human reader first contact au where a fem reader was taking a walk and suddenly finds abandonet jet and decides to take a look and then i'll leave the rest to you <3

OR something a bit more dark with also g1 Starscream and fem human reader where reader is being an unwilling captive and he decides to explore her organic nature ( could be a little non-con/nsfw-ish if that's okay if not then i comepletely understand <3)

You can pick between those two any you like more <3 thanks a lot for reading ans i hope you'll get a warm welcome🥰❤️

Hello! Thank you so much for the ask - I'm not new to tumblr per-say, I started as an art blog and decided to pivot to writing since that's more of my passion anyhow. Though I appreciate the welcome! <3

I love both ideas - I hope you won't mind if I maybe make the latter at a later date (with credit to you for the idea). The first one though; that screams (heh) mini series. I love the BumbleBee movie so much and fantasize about Charlie's scenario with other bots, so I'll make this into it's own little drabble series. I hope that's acceptable! ☆

G1!Starscream x Fem!Human!Reader: The Starscream Movie AU Pt1

I couldn’t tell you the time if I tried. I needed peace, freedom from my thoughts. A walk late in the night was my best solution. Anyone could tell you I haven’t been feeling my best recently, though to pin-point the problem would be an anxiety riddled mess in of itself. I walked down by the nearby lake that always looked so much bigger at night. Perhaps it was the contrast between it’s glistening blue water to the velvety black sky, or the way the stars hit the rippling water, creating a galaxy effect. Regardless, it was one of my few favourite spots in the area.

There was a bench that was almost always vacant, near the centre of the lake, just where the bend dipped over the shore in a gentle fashion. As I approached, something else caught my attention. A ship, or jet? I couldn’t quite tell in the light. It looked like something straight out of the military. I took in a sharp breath as the curiosity bubbled in my throat. I wanted to inspect the craft, anxiety and logic going out the window as I approached. It was a slender build, likely only able to house one person at best. The thought of there potentially being a body in the cockpit made me shudder, but I knew I had to check.

Reaching over with my shaking hand, I rubbed over the golden paneling, to my good fortune, it was empty. However, this lead to a new line of questioning, where had it come from?

I continue inspecting the craft, my hand gliding over the metal nonchalantly as I analyze it like an artifact. Something else catches my eye, a purple symbol - almost like a horned creature. Instinctively, my fingers glide over the etching, mesmerized by its rich colouring and definition. Whatever it meant was unfamiliar to me.

After my thorough inspection of the exterior, a little click and hissing noise arises from the cockpit, opening the sealed space. It was as if I was being invited into whatever this machine was, and I couldn’t help my temptations to peek. Climbing up onto the jet, I shuffled into its cockpit, as quickly as it had opened for me, it slammed shut.

An involuntary yelp escapes my lips as I hear the lock click into place, it was as if the jet was alive. Pressing my palms onto the panel, I whimper as I try to get it to open. A sudden noise fills the air, it sounded like robotic laughter. The noise startled me, and promptly caused me to land flat on my bum in the seat.

“Who’s there?”

Despite attempting to sound confident, my voice comes out as a weak whimper, panicked and unsure. The robotic laughter stops, and a voice comes out instead.

“Stuck on this wretched planet for less than half a cycle, and already an inhabitant has decided to be stupid enough to touch me.”

The voice was snivelly, snarky, and cybernetic. The kind that makes one a pinch uneasy. It filled the air almost too evenly, as if the words were coming from the jet itself. In my moment of logic, I begin trying once more to push the panel up, when the voice mocked me once more.

“Don’t bother, I’m keeping you in here so we can have a little chat.”

Defeated, I let my frame sink into the rather uncomfortable seat. Frustration bubbles within me as I look around the tiny space.

“Alright, let’s talk.” I speak up, my voice hoarse with that anxiety. “What are you?”

A light on the console shines as he prepares to speak, though nothing is obvious or makes any sense to me. Perhaps I was too oblivious to notice it at first.

“The name is Starscream, second in command of the Decepticons. Though, I don’t think your puny little flesh-bag brain can handle all of this info, I’m a Cybertronian.”

Every word that Starscream speaks makes me doubt him, as if the word  Decepticon wasn’t already suspicious enough.

“So, you’re a race of alien jets?”

This prompts a grunt, and I swear if he had eyes they’d be rolling.

“No fleshie. We’re robots who can change our forms. This jet you’re in is my alt-form.”

Before I can even ask, I’m suddenly shuffled inside the cockpit as it literally changes shape with me inside. I roll around like a towel in the washer, when suddenly it finishes with me in the palm of a massive robot's hand. Starscream looks down at me with piercing red orbs. He has a smirk on his face as he looks at me, before proceeding to tousle me in his hand.

“You’re cuter than I thought, I might just keep you.” His voice is the same snarky tone as  before, though now it’s clear that he is far more comfortable with me. I feel my face grow pink at the prospect of becoming his - human pet? I’m not sure what he’d make me, but regardless, I try to refute.

“Now wait a second -”

However, He places his thumb over my lips to promptly silence me, walking to where who knows where until he stands still and look down at me.

“...Where is your home fleshie?”

[sprinklenoodles]

They're here! Hopes Peak's Troublesome Trio

My bad if the image quality's a bit wonky. As for some little image-y blabbering, I tried my best to combine their actual outfits with a dash of Heathers in there. It's not very clear in the sketch by the way, but they are all wearing plaid somewhere in their designs. It's mostly the bottom half such as the shorts for Chihiro, the pants for Byakuya, and the skirt for Junko. Wanted them all to match to show "Yeah! These three scoundrel's are clearly hanging out with each other while gossiping about their classmates at the lunch table" Additionally, I gave them the little overcoat thingies the Heathers got but I have no clue what they're called. Are they overcoats? Just weird button up blazers? No clue! I'm so bad with names too but yeah. They have them. Junko is extra though so hers is undone cus she's just like that I guess. Another thing is that, initially, I was going to draw Makoto here too. His big head was blocking Chihiro's shorts though so he got axed unfortunately. I wanted to make it EXTRA clear that Chihiro was wearing these goofy looking shorts with the suspenders. He's gasping in spirit at the trio though! Wish I was able to put Kyoko in here as well baring her teeth or something but my brain got too excited when I drew Junko and was happy with how she looked so whoops O-O I dunno. The way I drew her just makes me happy. Still dunno about the knee socks though or if I should give her leggings. Also dunno if I should just read everything there and THEN draw or if doing it chapter by chapter's fine. For now though, I did it!! Hope this is good!! The designs are also still up for some tweaks and even more when I eventually draw more rendered pics of them with their respective colors. Dunno if I'll give them the colors of the Heathers or just what I feel works for them. It's mostly a question for Byakuya and Chihiro though since red just works with Junko though I think reading more might help hehe!

This is AWESOME!!!! Really love how they look, especially Chihiro with his silly suspensers.

And it's not like I have described their outfits a lot (other than Junko trying on an outfit in the latest chapter) so technically you can't even go wrong. I really love them though!!

As for colours... Well, Byakuya always goes well with green. I've always seen that as his colour. But it doesn't really matter. Like you said, Junko and red go well together, but they don't need to match up. Byakuya's the leader of the group (though, there isn't a real leader. He just kinda makes the final decisions if the others can't choose) but I would go with green for him.

But also, there are multiple characters where I would say green- Makoto especially but Chihiro a wee bit too. Though, something like brown or yellow (maybe blue, not sure) also goes well with him.

But I don't think that their outfits would just be one colour. That wouldn't look that good, so there's no way Junko would allow it lol.

But really love these outfits!!! Thank you!!!

[illarian-rambling]

Thanks for the tag @mk-writes-stuff!

OC Interaction Tag

Mk's OC: Cassiopeia is the noble head of Sixth Station, the station focused on materials manufacturing. She is a tall, slim woman with long, curly blonde hair and heterochromatic eyes - one blue, one purple. She dresses elegantly, typically in blue and gold (the Sixth Station colours). Cassiopeia is believed to be a well-intentioned, well-mannered woman who is good at station management but fairly harmless. However, contrary to popular belief, she is actually a cruel, clever, and manipulative woman who is extremely power-hungry. Her secret aspiration is to bring all the Seven Stations under her command as queen. Cassiopeia is a highly skilled manipulator capable of wrapping almost anyone around her finger. She isn’t a fighter - she has no issue with physical violence, but tends to do it to those who can’t fight back, in order to reduce the risk to herself - but rarely is pushed into a situation where fighting is necessary. Her dirty secret is that she farms her clones, and those of her brother, for magic, brutally killing them in the process.

My OC: Mashal Darezsho is a towering robot man with bronze plating, a human looking face, and baggy clothes. He is incredibly strong and fights with a sword. As a person, he's kind and honorable, even knightly, and enjoys nothing more than helping people in need. He loves listening to folk talk and takes pleasure in the simple beauty of the world, translating this to sketch art. He is quite orderly. His main issue is that he has a strong sense of right and wrong, but he also extends his morality to others, making choices for them whether they asked for it or not. In addition, he tends to be rather naive due to his inclination towards seeing the best in people. Sometimes, this works out and he helps people to become a better version of themselves. Other times, not so much. However, beneath all this is a hidden violent streak. Mashal doesn't remember his past. He doesn't remember how he came to be broken on the side of the road. All he knows is that there is someone out there he must kill, and that anything magic-adjacent causes something deep within him to freeze with horror and rage. He tries not to give in to this dark current, to remain honorable and helpful, but every so often, he slips up.

How they'd interact: Mashal isn't the most discerning man. He tends to trust anyone who shows him kindness and is generally inclined to be helpful. If Cassiopeia picks up on this, as a clever woman might, she would probably be able to wrap him around her finger. She would be able to convince him that the squabbles of the other stations put the people in danger and that she would be able to bring order and safety to the stations by her rule. Mashal is one hell of an asset if you can keep him on your side, so I feel like Cassiopeia would use him as a bodyguard and intimidation factor. He's very scary looking, even if it's all sunshine and flowers in his brain. However, the catch to all of this is if he ever figures out the truth of Cassiopeia's dealings. If Mashal learns she's been killing clones for their magic, he's going to try to kill her, full stop. If she ever let's slip how she treats Stellaris, he's going to try to help that man as best he can. Cassiopeia might be able to keep him manipulated enough to serve her willingly, but if she ever falters, she's going to have an enemy that's gonna put a new meaning to hellbent and maybe a mass clone escape on her hands.

I hope you like this one, I enjoyed writing it! I'll tag @halfbakedspuds @kaylinalexanderbooks @tildeathiwillwrite @roach-pizza @modulewriters and anyone else who wants to play :)

[hanbindans]

ways they're comforting (hyung line)

a/n: listening more closely to the in bloom lyrics ruined me so I'm posting this from my drafts. I'll get to the maknae line soon enough but since I already wrote the hyungs I'll post them first. enjoy me screaming into the void 🤍

jiwoong

you're like the older brother I never had. there's something comforting in the way you are exactly how I want to be when I grow up; considerate and caring and willing to love someone regardless of their flaws- kind to others but more importantly to yourself. you remind me that it's possible to go through all the stages of adolescence and young adulthood, and both see and feel so much hopelessness and negativity and doubt, and still be able to see happiness in all the small things. like finding peace in petting a small, fluffy animal. you've become the type of adult we all look up to. I'm so proud of you.

hao

I don't know, I just see so much of myself in you. in the way you were the smart kid who did well in school, the kid who worked hard at everything he did, the kid who got compliments from teachers and other people's parents. you could have had anything you wanted- you would have done what it takes to achieve it- and you chose with your heart. people probably had a lot of (high) expectations on you and you made a decision that was for you- something that you really wanted- and you worked as hard as you always did because you knew that you could do it if you really wanted to. I envy your courage to chose with your heart and follow your dreams. maybe one day I can learn it from you.

hanbin

sometimes I think that I can see when your perfect mask starts to slip and your facade cracks a little, and you race to patch up the holes before anyone takes notice. it's okay. I do it too. in some ironic way it makes you even more relatable. there's so much good in you and there's even more desire to be good, do good, make it overflow and spread to everyone around you and paint the whole world in yellows, smiley-faces and sunflowers. "don't regret what you do". I'm not sure if it's meant for me or for yourself. I hope it's for yourself. I hope you let yourself be bright, loving, and most importantly happy, even if it makes you imperfect, more raw, and easier to hurt. people will be ready to love you just as you are. they will love you because they want to return the good you have given. you make me want to do more good.

matthew

there's something very genuine in the way you carry yourself. it's unfair to just call it "unfiltered"- I think I would call it unapologetic, authentic, honest. you're not the type of person to lie about what type of music you listen to or order a plain salad when you're with people you don't know too well. I still have a feeling that you want to be impressive, but you don't try hard to impress. you want to do and be and try so many different things but you won't do it anything at your own expense. you will always say what's on your mind, always do things your way, even if not everyone agrees with you, because it's your life and you won't live it for others. it's admirable. please don't ever start apologising for the way you are.

taerae

I love how you're the colour yellow personified. from the duck emojis to the way you laugh at every joke like they're the funniest thing you've ever heard. you're so warm and fun and I just want to be around you all the time so I can re-learn how to be silly and not wince at the way my face scrunches up when I laugh. it's like you've already figured it out. how to be kind and caring and happy without being scared of being soft and vulnerable. there's so much comfort but also stability and security radiating from you and it's so infectious. I hope you never waver from that. I hope your laugh will always fill up the room and you will keep drawing your ducks and you will keep making your silly little poses. you seem like you're having so much fun.

[emi-maru]

A few weeks ago I switched to Linux and I've got some thoughts

I chose Arch Linux because I had some prior experience with using Ubuntu and Linux Mint on laptops, both for work and for myself.

Gaming is, aside from games that require certain anticheats, extremely easy to set up. Steam just works and I use Heroic as an alternative frontend for the Epic games launch and GOG Galaxy and it runs better than both of them did on windows. I haven't looked into Origin the EA App or Uplay Ubisoft Connect but I know I could play their stuff via Lutris or Bottles.

I locked myself out of my system once because I didn't verify a change I made to my fstab (basically a file where all your drives are listed) and while that's my fault for not verifying, you'd think the os would be able to boot if some drive that's not necessary isn't plugged in. A little help from a mutual helped me fix it.

Gnome is a very meh desktop environment. It's kinda considered the default for Linux and aside from KDE and budgie the only one I'm really familiar with. I had to install a bunch of extensions for it to work the way I wanted and it also comes with a bunch of preinstalled software that I don't need and can't (without fearing I'll break something) get rid of (for example, I use Alacrity but have to keep Gnome Console around).

The theming is so good. I can theme so much stuff it's great. I start up LibreOffice and it picks up the background and accent colour I set, I love it.

I'm getting more comfortable with using the terminal and while I still think that ideally every application should have a GUI, sometimes the terminal is more convenient (like using yay to update my entire system).

When I used Windows I had sporadic crackling sounds that I assumed were the fault of my DAC/AMP but I haven't had them since switching to Linux so I guess this was a Windows issue somehow. I tried so many fixes before that didn't work like checking drivers and firmware, using different usb ports and cables, trying different headphones but to no avail even when I got a completely new pc. Thanks, Windows.

I don't get Flatpak at all. Universal packages are neat but when I installed the Flatpak version of Bottles to run save/mod managers inside the proton prefixes that Steam uses, it suddenly took up almost 5gb. It also for whatever reason couldn't see half the folders even after I gave it access to the entire file system. In the end I went with the AUR version of Bottles which does not have that problem despite being Unofficial™. I just wish that the library/shortcut system worked but I can live with it I guess.

The AUR seemed annoying because it took forever to build packages compared to just installing binaries. The Chaotic AUR is a godsent because it contains a ton of binaries from the AUR. I don't get why people don't recommend it more often.

The only software I really miss from windows is ShareX. Not even because of all the tools like scroll capture, but also for OCR. Watching a vod of a twitch stream and being able to grab links out of the chat on screen is nice. Maybe I'll find an alternative someday, who knows.

I've come to despise a lot of people who think that the way they use Linux is the only good one. A big thing that kept me from switching was that the more I informed myself, the more weird opinionated takes I saw. Being forced to engage with questions such as "Is systemd bloat?", " Is neovim the only good text editor?", "Are tiling window managers universally better?", " Is Canonical literally Satan for having made Snap packages?" and "Is it ok to call this person a slur for using solarized KDE?" makes it so much harder to make a choice you're comfortable with.

I should not have put /home on a different partition or at least made the /root partition bigger. It's fine if I clean the pacman cache regularly but I don't want to look up those commands every few days (I know I can resize the boot partition with a live usb and I will, I'm just lazy rn).

My controller only works correctly when plugged in via usb. If I connect it via Bluetooth, the buttons don't map correctly. This is less of a Linux issue and more of a firmware issue since this is a third party controller that does not support Linux. I'm also aware of Steam having a robust remapping tool so I'll use that if I ever need to.

I have not yet looked into software to map my additional mouse buttons and control my keyboard/mouse rbg. Both of these store their settings on board so there's no need for it right now.

Might add more in the future but these are my thoughts for the first few weeks

[tealeafgrimm]

Wrongly Accused

Fred Weasley x Reader

Words: 1.1k

Summary: You didn't like him. And for a good reason. At least that's what you thought. But as it turns out, the reason for your quarrel is not his fault at all.

A/N: I am so sorry! I'm very stressed with my job at the moment and just can't find enough time to write. I really want to get back to my schedule, but for now I think I'll just post whenever I can. So please bear with me. I hope you still enjoy this one-shot.

---

That was just your luck. Of all people, you had to work with HIM. Of all the people in the class, he was the one. You didn't know whether to laugh hysterically or cry. If you hadn't been completely wrong, you could have sworn that Professor McGonagall had even smiled slightly when she had read out your names. The old witch knew exactly what she had done. You were sure of that.

While the whole school (apart from maybe the Slytherins) loved the Weasley twins, you were at war with them. Well, actually, only with Fred Weasley. Since your first year at Hogwarts, you couldn't stand each other and you always clashed. And he was the one you were supposed to be with, preparing your transformation project? You would have been better off with Moaning Myrtle. You'd have been able to stand her better than Fred Weasley's face.

And Fred, too, was thunderstruck at the mention of your name as his project partner. While his twin brother laughed, Fred gave you a scathing look, which you were only too happy to return.

"Now that the groups have been divided, please get together to discuss the next steps. Remember, the grade of the project is one third of the final mark. Therefore, I advise you to make an effort. Transformation classes will be cancelled for the next three weeks so that you can use the time to complete your project. If you have any questions or problems, please see me in my office hours," Professor McGonagall announced, before gesturing for you to get together in your respective partner groups.

Neither Fred nor you moved. Only when Angelina Johnson hinted to Fred that she needed his space to work with George did he reluctantly stand up. Inwardly you grinned that he had to make the first move. Your pride wouldn't have allowed it. With an expression on his face as if he had been told he was to spend the next three weeks alone with Professor Snape, he dropped into the chair beside you without saying a word.

There was an unsettling silence between you before you decided to say something.

"Okay, listen Weasley. I know you don't care about your grade. But I do. And I'm not going to let your incompetence get me a bad grade at the end of the semester, understand? So, if you still want to enjoy your life, I suggest you follow my rules and at least use your remaining brain cells on this project."

"And why should I do that?" asked Fred, annoyed, crossing his arms in front of his chest.

"Because you don't want to know what happens if you don't. I'll meet you in that empty classroom on the third floor during normal hours, understand?"

"Like I'm scared of you," he laughed maliciously, rolling his eyes.

"Oh, I never said anything about being scared. But I happen to know all those secret passages you always use. And it really would be a shame if the teachers knew about them, wouldn't it. And I also know that the little 'accident' the Slytherins had last week wasn't Peeves' fault. Maybe I should clear that up sometime too," you hissed at him. With satisfaction, you could see the colour drain from Fred's face.

“You wouldn’t”, Fred hissed. “Try me and find out”, you shrugged your shoulders, clearing your desk, ready to leave the classroom. “Don’t be late Weasley.”

~~~

You didn't know how you had survived the next few days without being at each other's throats. But with each day your emotions bubbled more and more.

After barely a week, you finally had enough.

"Say that again and I swear to you Weasley, you'll wish you'd never been born!"

"Sitting here with you makes me wish that all the time!"

"You're such an ignorant idiot do you know that? Life is not just a joke!" Your voice was getting louder and louder and you could hear the vein at your temple throbbing.

"And you're obnoxious! Do you even have friends at this school? I don't think anyone likes you anyway!"

"I have friends! Imagine being friends with people without constantly doing something at someone else's expense!"

"You're one to talk! You're always up in my business!"

"Well, YOU deserve it! After all, you started it!"

For a few seconds Fred looked at you in amazement before exploding.

"I started it? You're just way too sensitive. How vindictive are you? Just because I threw food at you once when I wanted to hit Lee?!"

Now you were speechless. Perplexed, you looked at Fred.

"What are you talking about?" Your voice took on a normal pitch.

"Well, the first year Halloween feast? George and I wanted to start a food fight. I wanted to throw mashed potatoes at Lee, you leaned forward over the table and I hit you right in the face?"

You remembered the situation that you hadn't thought about it in ages and began to laug out loud.

"I haven't thought about that at all!", you snorted as Fred looked at you open-mouthed.

"I don't understand. I thought that was the reason we were fighting?", he finally asks as you wiped away a tear from the corner of your eye.

"What, I wouldn't have been mad about that! I'm all about that Potions lesson where you deliberately threw that stinky tincture at me that made me come out with pustules all over my face!"

Now it was Fred who started laughing.

"Oh, you think that's funny huh?" you asked angrily. You had spent hours in the hospital wing before Madame Pomfrey could make the painful pustules disappear.

"That wasn't me! That was George!", Fred finally replied, trying to suppress another laugh.

"That wasn't you at all? It's still not funny!

"I'm sorry, you're right. I just can't believe that all this time we thought the origin of everything was two completely different things. And in the end, I wasn't even involved. And just so you know, George felt awful afterwards, he just thought your hair was changing colour. He wanted to apologise but he didn't know what to say."

For a while you sat next to each other without saying anything. Finally Fred held out his hand to you. Wonderingly you looked at him.

"Well, I guess now that we know that I never actually did anything to you, we can bury the war hatchet, can't we?" he asked and winked at you.

"Hmm, I don't know, depends a bit on how the mark turns out for our project," you replied, smiling at him before returning his handshake.

"I still think you're taking the whole grade thing too seriously. Maybe we should just..." But before he could finish his sentence, you raised your hand to silence him.

"Don't finish that sentence Weasley. You may not have done anything then, but that doesn't mean I can't change my mind. So get to work and you're not dismissed until we finish the assignments."

[cloudninetonine]

*hands you a mug of coffee, blinks at the wink and nudge and squints while downing my own mug* ... Well I now have One (1) Sleep Deprived Fear and way too many theories. Though I wouldn't want to bother you with them and sleep deprivation won't let me articulate them xD

On another note, hope you're doing good today. And on a scale of one to ten, how concernedly would Player react if I just, took one of my two guitars, and smashed it hard against both Chrono's and Paradox's heads and knees to vibe check them? Out of curiosity (I have a hot pink one as a gag gift and spare, may as well put it to good use), or a heated frying pan? Also an absolute mood on regards to Leon.S.Kennedy.

Something something, Craein and Player piece in the works (I feel bad for Wild's and Twilight's villain doubles, but at the same time not really, go get some fucking therapy before trying to get near the Guide you crazy hyenas doomed by the narrative, also Craein and Player literally just being the spiderman meme for a couple of seconds) along with the Lora two shot because I have no self control (confirming Oh Hellos and Celtic Woman songs will be used). Snippets incoming once I'm less sleep deprived.

Something something, Fairy Instinct moment for the boys can be when Player is wearing green because funnily enough it's actually a color the Fae are very protective off and they can get offended if people they don't approve of wear it, so Hyrule, his shadow and Time just gravitate towards Player even more than normal when they wear green because not only is it a color associated with the heroes but also with the Fae, and some cultures have the medieval custom of braiding flowers in the intended's hair during courtships or of placing flower crowns, so Player just nonchantly braiding flowers into a Link's hair while they frantically and internally PANIC because they can't tell if Player is saying they want something serious or not, honestly the one's most affected would likely be Hyrule and Wild due to the nature of their eras (Downfall and Post Calamity specially, y'all telling me rings wouldn't be rare/expensive make unless someone brought the materials beforehand? Specially promise rings and the sorts if you don't go to the right place? Actually maybe Twilight and Time too, I don't know why I can see that as an Ordonian or Kokiri custom, throw in Dawn on that ring too, Flora not so much because she literally missed years of culture evolution holding the calamity back, she probably still slips into pre Calamity customs), Add in the fact it's basically an unspoken promise and the boys just internally die. Also Player taking a cue from Princess Bride and just saying "As you wish." Whenever they chicken out of actually saying I love you to the Links or Zelda's and the sheer and utter bafflement or confusion, though I feel like some of them might be able to put two and two together.

Anyway, I'll be napping now, see y'all after TOTK probably.

-Just an Awkward and Tired Summertime Musician.

Sum, if Player saw you beat both Paradox and Chrono with your guitar they'd probably just join you via their boots and kick some teeth in- these men will experience no mercy with them IOUFDHFI

Leon Kennedy, once again, could tear my heart out and I would only ask he be gentle with it as it now belonged to him. (God I am so down bad for this man)

Also I'm excited for the fics! That your time tho (By now tho you've probably written a novel 💀💀💀 I'm sorry ya'll)

Also from your idea with the green comes another idea- (Not this isn't canon before anyone asks) Green being a very prestigious and expensive colour to wear due to it's association with the fae (and is often a gift from fairies to Hylians and is why most of the boys wear green) so when other fairies find out about the "Guide's return!" there's just baskets of bejeweled, blessed and such clothes left for Player all in the colour of green.

[blueberry-obsessed]

Thanks for the tag @foggieststars 💙

Do you make your bed? On most days, yeah. On days when I'm just not feeling it, it's more of a mess, but I try to make it a little presentable for my sanity.

Favourite number? 14

What's your job? When I'm not crying over uni work, I work at a cafe

If you could go back to school, would you? University: I'm still here so. Secondary school: absolutely not

Can you parallel park? I used to be able to, but I haven't driven in a while, so no

Do you think aliens are real? The universe is huge and we've only seen a small part of it. There's definitely some other living creature out there. Maybe not exactly green weird looking aliens, but probably something.

Can you drive a manual car? Yes I can!

Guilty pleasure? Old horror and romance movies

Tattoos? Nope

Favourite colour? Any shade of blue ever

Favourite type of music? I'll listen to any song with good lyrics and a nice beat. Spotify says that it's mainly been pop and garage rock

Do you like puzzles? Yeah, but I need someone to make them with me otherwise I'll lose motivation halfway through

Favourite childhood sport? I was not a sporty kid. The only sport I played was tennis with my dad and I'm decent at it!

Do you talk to yourself? I will give myself and the ghosts in my room full commentary while reading

Tea or coffee? I love both! It's usually chai in the morning, coffee while at work, and RedBull at nights if I need to stay awake

First thing you wanted to be when growing up? A haematologist, like my dad

What movies do you adore? Any horror movie because it can go one of two ways. Either the characters are so terribly stupid that I can laugh at them and treat the movie like a comedy, or it's actually well-made and I can scare the shit out of my roommate while watching. Besides that I was a big Dune fan when I was younger, so I love the movies. Anything by Luca Guadagnino and any Spiderman movie ever.

No pressure tags: @marieshyperf1xations @saviour-of-lord @wht-am-i-doin and anyone else that wants to join!

[laces-and-pearls]

What am I searching for in a relationship, you'd ask?

Well, first of all, respect.

I want to respect my partner, and I want to be respected in return.

I want us to be equals not in our roles but in how we both are living, breathing human being with feelings, emotions, dreams and desires.

I want to support and to be supported.

I know I am capable of opening the door and pulling the chair out myself, and maybe I could even scratch some money from my earnings to pay for myself in a cafe, but I still would love it if my partner did that for me.

I know he is able to cook himself something for lunch, but I wouldn't mind fixing him something nice with a lovely cup of tea on top or wash and steam his shirt before going out.

Like...I love traditional gender roles, and if I ever become a mother I certainly wouldn't want to work no matter how much the society and the crisis pushes me. But I don't want to be a doormat, you know? So many posts here on Tumblr paint traditionalism in these ugly colours where wife is just a maid, a servant and a s*x worker just because she doesn't earn money.

Unfortunately, it's not only on Tumblr. In my real life, I work with families where women don't work, and I can't say how many times I've seen those women humiliated and broken simply because they can't work to support themselves while taking care of their children and husbands.

And it's so scary. So extremely scary, I can't tell you.

So...I'm not sure what the aim of this post is. I'm sad and scared about the huge chasm that lies between women and men, and how much we came to disrespect and demean each other. I wish it was different! And that's why I'll try to be understanding of every man if they are understanding in return.

Have I mentioned I was salty this morning? I don't even know why, probably because I've had little sleep because...work.

Okay. Time to start my day properly. I hope everyone who reads this post is loved and appreciated! And I hope men and women come to understand and respect each other.

[morningstar-chronicles]

Hi, Maddie! I hope you're having a lovely day! Thank you for conducting free readings. I'd like to request for one, please.

Question: What will my future husband find funny/entertaining about my personality?

Your work, time, and efforts are highly appreciated! Please be well and safe.

- Maryel 🌼

hello friend! please excuse the amount of time this took 💀. here is your spread:

while shuffling i picked up on a cooler colour palette in terms of energies (light blue, indigo, spring green, lavender) which indicates ??

also my phone would NOT stop going off during this reading to the point where i had to put it elsewhere so it would stop distracting me so do with that information what you will. also the cards spilled everywhere so someone has a lot to say here.

getting the distinct feeling that i should start with the oracle cards (which you got a million of, by the way) for this reading, so i guess i'll do that??

NOTE: i'm not gonna lie to you, i asked the cards the wrongass question, but i really don't want to reshuffle 💀. i asked what your future partner would find attractive/endearing about your personality, or what they appreciate about you. so, while not quite the question you asked, i hope you enjoy the reading nonetheless.

queen of hearts - heart-minded, benevolence, warning. i'm getting that you're a very empathetic person and that this person is really receptive and appreciative of the way you're able to look after them.

selfhood - farsightedness, transmutation, expansion. wow okay maryel slay! you're also able to prepare for any outcome, and your future work/academic life is thriving. you're a very street-smart person, and you handle situations elegantly and swiftly.

the jewel in the lotus - release, abundance, balance. you're very attentive with a good work-life balance. you're kind of slaying honestly?? you've got your shit HANDLED.

the saviour - trust, protection, self-sufficiency. they admire that you're a very independent person and that you can handle yourself. to be so completely honest with you, you don't need this person to thrive. but they seem very grateful that you let them stick around anyways.

the shapeshifter - perspective, challenge, medicine. represents a dualistic nature, or adaptability. the phrase "as above, so below" appears in the tarot book for this card, which i only mention -not because it's a bible quote- but because it reminds me of the welcome home ARG. in the most backwards way possible, i think spirit is trying to tell me that you feel like home to this person. or maybe you just enjoy ARGs, who knows. i did mention that you were an intellectual

two of swords (reversed) - indecision, avoidance, blocked emotion. i got kind of a sad vibe here aw :( okay, the way i interpreted this card in this context was that this person does think you can be a bit avoidant when it comes to love sometimes, but they're happy to have something they can help you with. to this person, you just seem so perfect and out of their league that they almost need you to have some kind of reason to need them. they seem really scared that one day you won't want them, and you'll up and leave.

MY PHONE WILL NOT STOP DINGING I CAN HEAR IT ACROSS THE ROOM. this is a sign. this person is singing you nothing but praises i swear. they have a million things to say and they will not let me get a word in edgewise.

seven of pentacles (reversed) - delayed success, slowing down, feeling unmotivated. in conjunction with the three of wands (which is down a couple paragraphs) i'm thinking that maybe this person thinks the only downside about you is how long they have to wait before they get to be with you. the seven of pentacles in reverse implies all good things, but that they come a lot later than originally anticipated, which makes me think that maybe this connection is still a while off.

two of pentacles - juggling, disorganization, feeling scattered. i'm seeing that though most people might find messiness or disorganization to be a negative quality your person thinks this aspect of you is very endearing and cute aw <3

death (reversed) - resistance, being stuck, bad habits. in conjunction with the last card i'm getting that this person wants you to know that your flaws are loved too <3. this person loves you wholly, both good and bad.

three of wands - peace, waiting period, vision. i'm hearing "you were worth the wait" so maybe you meet this person later in life, or you don't start dating them until later or life, or maybe there's even some kind of reason that you don't get married until later in life, but this person truly loves you and believes that everything leading up to these moments is worth it in the end.

NOT PICTURED: i found the emperor card on my floor several days after i first drew for this reading while i was interpreting. at first i thought it wasn't connected to this reading at all, but my cousin (also a tarot witch) pointed out that it likely had to do with my last reading so i'm taking it.

the emperor - structure, authority, discipline. you're definitely in charge in this relationship. that's where i think i'm going to leave that.