#maybe I shouldn’t be allowed to have an opinion since I’m not Asian or like… from Nevada

[limelocked]

Like if you’re gonna make the moon landing a holiday I also think that perhaps we should observe atomic remembrance

[keanureevesisbae]

But professor… - epilogue

Summary: It's been a year and a half since their little baby was born. How are the two of them doing?

Professor!Walter Marshall x Penny Townsend (Asian ofc)

Wordcount: 1.7k

Warnings: None

A/N: Is it the end for Penny and Walter? Yes, omg i can't believe. I hope you guys enjoyed it as much as i enjoyed writing it. The story took a full 180 (especially because I intended this story to be much shorter lol), but I'm very satisfied nonetheless 🥰

Masterlist // But professor… masterlist // Previous chapter //

Declan has a plan and that is to go outside. I mean, it’s kinda fair, since he spend a lot of time inside today. Not that he complained. No, no, no, he was an absolute angel at the salon—like always—playing with his toys, while I was at work, but now he needs some fresh air after we had a quick snack at home.

This little man is definitely as head strong as his dad, however he isn’t as stubborn as Walter can be.

Declan attempts to throw a ball at me and I can see there is some definite improvement. Just like any kid at that age, he is distracted like that. ‘Momma, momma,’ he says, pointing to a truck that passes by. ‘Dada!’

‘Oh honey, that is not his truck,’ I say, crouching down next to him. ‘Dada is gonna become soon. In his other car. His work car.’

Declan points. ‘No dada?’

‘Not yet.’

‘Dada home?’

‘Almost,’ I say to him, giving him a kiss on his cheek. Declan stops playing altogether, staring at the road, waiting for Walter to come home. His mouth slightly agape, as he focused on every car that passes by.

Finally his car pulls up and I exclaim: ‘There he is!’ When Walter gets out of the car with a smile that is only this wide when he sees us, I let Declan go and watch him wobble over to his dad. With one hand he lifts the little boy up and presses kisses on his chubby cheek. ‘I missed you,’ Walter says, looking his son in the eye.

‘Dada miss, dada miss!’

He chuckles. ‘That’s right.’ He walks up to me and says: ‘There is my princess.’

‘Princess momma,’ Declan says.

‘Give me a kiss, sweetheart,’ he says, wrapping his arm around my shoulder. I press a peck on his lips and melt against his frame.

‘It went splendid,’ I say. ‘I actually got to do someone’s hair for an important interview and afterwards, she came back to the salon and told me it went great!’

He smiles. ‘I’m so proud of you.’

After Declan was born, I stayed home for about six months, acclimatizing to being a mom and those sleepless nights. It was hard, I cried a lot and I was very scared. I think I hung on the phone with my mom about seventy percent of the time, while calling Walter the remaining thirty percent. I have adjusted pretty okayish, especially when Walter went to work, made sure I have nothing to worry about.

No stress, providing for the two of us as much as he can and Declan and I sure are lucky that Walter is the love of my life.

My parents helped me financially to go to cosmetology school, which was an absolute blast. It was around fifteen minutes from my place and Declan was always allowed to come with me.

He sure wrapped everyone around his fingers with no issue at all.

While Walter still is that grumpy detective he was when I met him outside of our house, he changes into a big fluffy ball, shaped like a human the second the front door closes. No matter how tired he was, how long his shift was, he pushes it aside to take care of his family.

We walk inside of our place and I tell him: ‘I made dinner.’

While I’m not a world class chef, I do manage to make some decent meals, especially because I wanted to make Declan’s baby food, since my mom raised me with that as well (though I was no saint and had jars as well stored in my kitchen, just in case).

‘Princess, I’m so lucky to have you,’ Walter says. Once we’re inside, he places Declan in the high chair and scoots his own chair closer to it, a silent message that he will help Declan eat today. ‘Okay, little fella,’ Walter says, ‘you gonna be a good boy and not spill the food over me?’

Declan nods. ‘Deccie, good boy.’

I give Walter a kiss, after placing his plate and Declan’s in front of him. ‘He has been such a good boy at the salon today, so it’ll go great, I’m sure.’

After I sit across Walter, he asks about my day. From the looks of it, he had a rough one. Thankfully enough happened at the salon today for me to talk about. While we’re still working on improving him sharing more details, but I kinda understand. With Declan repeating a lot of words recently, we get a little bit more careful with what we’re saying.

After Dinner, Walter and I curl up on the couch after Walter changed into something more comfortable. Declan places his head on my chest, his eyelids growing heavier before he stretches out his hand to place on Walter’s chest.

I nuzzle against Walter’s side.

‘He is so cute,’ Walter notes.

I smile. ‘He sure is. He has your curls.’

‘But your pout and eyes. How can I ever say no to this kid?’

I shake my head. ‘You can’t, honey. I tried it today and it was the hardest thing in my life.’

He starts to chuckle softly. ‘You got nothing to do tomorrow?’

‘No, why?’

‘Can you come down the precinct? I wanna show off the two of you.’

I smile. ‘Oh my goodness, you are so predictable. Of course, I can come by. Maybe I’ll even steal some of my mom’s cookies, tell them I baked them.’

He chuckles. ‘Oh, you shouldn’t be lying when at the police.’

Declan stretches himself and whines a little bit. ‘Momma,’ he says, looking up to see me.

‘Oh, I think someone is really tired,’ I say. ‘You wanna go to bed?’

He nods. ‘Deccie tired.’

‘That’s what I thought.’

‘Here, sweetheart, I’ll do it. You relax, okay?’ Walter stands up and after I gave Declan a kiss, Walter lifts him up and carries the tired little one up the stairs.

I watch my big buff boyfriend walk back into the living room and he places the baby monitor in front of us, before he sits back on the couch. That monitor basically is glued to Walter’s hand as he always checks up on his boy. I thought I would be the parent that worries the most, however Walter puts me to shame.

The two of them are as thick as thieves and it makes me so grateful that we have a son together.

‘How was work today?’ I ask him.

He shrugs. ‘There was a dad who left his kids in the car,’ he says, ‘in the burning sun, before literally running away. Took us two hours before we found him.’

‘Oh no.’

‘Yeah, it was painful. The kids are gonna be okay, but… It reminds me that Declan is a really lucky kid.’

‘Do those kids have someone to go to?’

‘Yeah, an aunt,’ Walter says, rubbing his face. ‘Come here, princess.’

I wrap my arms around his neck, giving him a kiss on his lips. ‘I missed you.’

Walter smiles. ‘I missed you too. You have no idea how much it means to me to see you two in the yard, waiting for me. Especially after a shitty day like this one.’

‘You know you can always call me,’ I say. ‘Really, I always want to listen to you. You before anyone else, okay?’

He nods. ‘Have I already told you today that you are a very amazing mother and how lucky I am?’

I shake my head. ‘Nope, not today.’

He pulls me on his lap and gives me a peck on my forehead. ‘Just everything you do and say to him… It’s like you always know exactly what to do and you stay so patient and kind.’

‘Oh, Walter, that’s too sweet. I can guarantee: it’s all because you stayed—or at least pretended—to stay calm. Had you not done that, I would absolutely freaked out every time Declan had a funny breathing.’ I ruffle through his hairs and ask: ‘Have I been good to you as well?’

‘What kind of question is that? Of course you have. I’m so lucky that I have you and you and I have a family. There is no one else in the world I would rather have with me for important events.’ He places his hand on my sides, pushing up my shirt. ‘Give me a kiss, princess.’

I willingly oblige and press my lips on his. ‘I love you, Walter.’

‘Oh, I love you too. I want your honest opinion and really be honest, okay?’

‘Okay,’ I chuckle.

‘What do you say if you and I have another one?’

‘Another what?’

‘Kid.’

My eyes widen. ‘Really?’ I ask. He actually wants another kid with me? I mean, I always figured we would have more than one kid, but that would be in the future a little bit further away.

But already another one?

‘Yeah and I mean, if you’re not ready, then I totally understand and I won’t bring it up until you are ready, but I personally would love it.’ He smiles and adds: ‘I mean, two of the most beautiful babies running around here? Together with my beautiful girlfriend, who I’ll make my wife someday?’

I should not be squealing, yet I totally do. ‘Walter, honey,’ I say with a chuckle. ‘I’d love to have another baby with you.’

He starts to smile even wider. ‘Really?’

‘Yes, really. I’d love for Declan to have a few brothers and sisters.’

‘A few? How many you thinking about?’

‘I don’t know. How about three kids? Or four?’

He starts to laugh. ‘Then you and I better get some practice in with some baby making,’ he chuckles. ‘Because this time it’s not gonna be an accident.’

I slap him across his chest. ‘Walter, what did I say about that word?’

‘Oh, right right.’ He gives me a kiss and says: ‘Declan wasn’t an accident, he was our surprise baby. Forgot.’

I place my forehead against his, wrapping my arms around his neck. ‘Forever and ever, right?’

‘Forever and ever.’

[dystopiandilfs]

I am never been so close to anti-stan then I am right now. Dreams Twitter fanbase started the biggest hate train on him because they themselves:

1. Took his inital tweet with the drugs comment as a race issue, like it was obvious that was not the intent or even the focus.

2. Got mad at his completely rational reply to a toxic Stan that used both white and adhd as an isult - the toxic Stan was saying his fanbase will dogpile them, well if you didn’t phrase your concerns in a toxic way in a public place maybe you wouldn’t be concerned about it. Like he empasised he had no intent to relate it to rap - and they see him say rap and fucking ran with it.

3. Got mad at him for disagreeing with someone generalizing his 23 million fans as anti-black, like even his stance on stans is entirely anti-generalizing, he literally denounced any that are in the same comment.

4. Bullied him into unprivating his account because they can’t share screenshots apparently.

5. Got mad a him for tweeting a fucking heart.

Then they turn around and blame the entire thing on the antis, like no. You blew it out of proportion and reacted like shit to everything he did. You are the problem. All the responses to his last tweet are “educate yourself and reflect” and “come back with a better apology” like no. He apologized when he shouldn’t have and you cyber bullied him. They are bloody proud of theirselves for “holding him accountable“ for something they misconstrued.

He needs to delete that stan video because they aren’t worth it.

First thing i want to say is that this post is going to be joint answered as evangeline is white so this is going to be answered by her and me as im half african half american. Normally evanageline would be voicing her opinions and adding ours in if we had any but as its a racism issue she didnt feel comfortable to voice only her opinions. However shes the one writing the post apart from this bit to keep up the consistentcy of the blog page. -Trinity (Basically Trin gave her thoughts using a voice note and I slightly edited it so the sentences were a bit more coherent and added both mine and the other admins opinions as Trin doesn't really use twitter unless it's through my priv account - Evangeline)

I will say that a lot of the fan drama that you see are a smaller group that is known to attack and harass Dream and anyone who disagrees with anything. Eventhough they are a small group they mass reply to everything and make themselves look bigger than they are. Not only that but the only thing they end up doing is overshadowing the original issue at hand which is fans harassing and being racist to eachother. So a lot of what I'm about to say is mainly what this group is doing and isn't at all a reflection of a lot of fans but it is something that needs to be talked about especially since a bunch of this groups members are either white or white passing but get mad on black people's behalf and is basically setting them up.

I don't mean to be rude or dismissive but a lot of people used this as an opportunity to trauma dump. Like I know going into horrible details about what you have to deal with is the only way to get the point across sometimes however harassing Dream and spamming him with stuff like "I was harassed because I'm gay" "I was doxxed because I was Asian" is lowkey weird. Like why are you telling this random guy on the internet that you were doxxed? What is he going to be able to do about it? Also not to defend Dream but how are you going to sit there and break one of his few boundaries whilst trying to educate him.

On top of that the issue was originally how racist some of the fandom are to black people but then other minority groups started talking about how they were also being stereotyped and attacked but all this is doing is talking over other minorities. For example a large group of fans started off talking about how they were being attacked by other stans because of their skin colour but then immediately started to harass and threaten others. Like some were clearly not being serious but dming people and update accounts to retweet and spread awareness isn't the move you think it is. Obviously a lot of them were genuinely trying to spread awareness and were trying to get the respect and treatment they deserve but all of that was being overshadowed by the few that were attacking and harassing creators and fans. Then a lot of it turned into minorites fighting each other over who was more oppressed which just makes the whole thing seem like petty drama.

I will say a lot of them were lovely. I am pretty uneducated on race based issues and how certain things effect people and can be racist so I was asking a lot of questions and most of them were nice. However I also got a lot of snarky ones like "google it" to questions that weren't general like "Is it mocking to call white people crackers and token white boy if you are a white person" or "is ______ considered micro aggressions"

However as usual it went from trying to educate your creators to who is the most oppressed and who can bring up more past drama that has already been addressed multiple times. I'm not being funny but the fact that some well known Dream antis were defending Dream and shitting on stans should really tell you how non productive this is. It went from "Hey Dream this comment is a bit weird can you delete it please" to "Dream you should stop being friends with this person and you should follow this person otherwise your racist" Like that's not helping anyone. The only thing that it's doing is breaking Dreams boundaries, setting Dream up and making stans look bad.

Like people were @ing Sapnap and George telling them to "collect the racist friend" like how is that spreading awareness. The whole thing went from being a good chance to educate to a big fucking joke that just made a lot of people upset and anxious.

Honestly the whole thing was pretty fucking hypocritical like you can't talk about being harassed whilst harassing people into hearing you out. A lot of the issues seemed really gatekeepy to me as well. One that I saw constantly get brought up was that the only people allowed to say dy*e were black lesbians as they created the word. Like a big topic was a misuse of aave but not a single person actual explained what it was or gave examples all I saw was "mcyttwt needs to stop using aave language it's offensive" like you can't claim to be educating people if you don't explain. Not everyone can access websites and caards that get linked because of regions or web rescrictions so they're not helpful either.

HOWEVER I will agree that a lot of their points were completely valid like the whole thing of "Feral Feb" over shadowing BHM and whenever Dream listens to rap people complain and call it bad music are two really good examples. I listened to a few twitter spaces to learn a bit more and things that were said in there was all good info that would be genuinely helpful to know and it really did help edcuate me however not a single tweet said any of it and that's why people don't understand what they're doing is wrong because nobody explains it.

A lot of the issues that people had with Dream were so weird as well like a lot of them were self oppression and turning normal things into racism. A lot of the issues had the same energy as the 404twt fans who were genuinely mad at Dream for having a colour that George couldn't see and they were harassing him and claiming that he was purposely excluding diasbilities.

Usually we would add more but Trinity got a bit upset and stressed so she had to stop answering various asks and the other admins are all white or white passing and don't feel like it's our place to put our own opinions. We will try to answer other asks with similar thoughts later - Evangeline

[reflections-in-a-critical-eye]

Hi! So, why BTS? And why now? I want to follow your blog, but may I speak openly?

Writing about BTS through the lens of various critical theory is amazing. You are so smart. I am going to be honest about my own biases here, so feel free to trash me for it. I am anonymous after all so trash away as is your right. I understand.

There is often a supposition from critics, both professional and amateur, that the fandom- frequently presented as an immature, undifferentiated mob of cultists- is unable to think critically and must have basic things explained to us so that we don't throw stones at the free speech warriors of truth and standards (not saying that this is your attitude). I find that a little alienating. This fandom has existed for eight years. We have seen blogs and empires rise and fall.

I also don't think that it is an accident that the desire to project these more critical ideas into the public sphere usually comes after a year of being a full on ARMY (judging from my friends experiences). I have read peices about BTS's work referencing Lacan, neo-marxism, post-structuralism and other such stuffs. (My friend used to have an analytic blog that she chose to shut down a few years ago). I am going to be a bit blunt again, so trash if you must, but I think what was being exposed in those pieces was not only "critical thinking" but an excess of emotional investment in BTS, and the desire to intellectualize or justify it.

BTS got a lot of people through 2020. Those long content dives kept people sane. But now, based on a lot of the dissapointed PTD criticism, it feels like some people are waking up hung over and kind of bitter. Emphasizing the three English singles and ignoring BE, an album they worked on for months, seems like a symptom of this. Removing BE from the narrative seems to advance theories of BTS's 'Americanization', lack of creative agency and homogenization into some inferior or less Korean form of pop. BE should not be dismissed as irrelevant to this discourse. Many western artists take an average of 2 years between albums. BTS put out a lot of work. Maybe some of the distrust of criticism that we plebes have comes from the suspicion that critics may use art and events to construct a story. As a person of Asian heritage, LGO going #1 on Billboard meant a lot, emotionally.

I hope none of this caused offense. If it did please just ignore. Thanks for your great thoughts. Wishing you success in your goals.

Hi! Your ask did not cause offense, I'm more than fine to talk about this.

There's a lot to unpack here, so I'm taking it one by one.

Why BTS and why now? I chose to write about BTS because it's been an interest of mine for quite long. I mean, I didn't expect more than a year later to be here. My past obsessions usually lasted between 2 to 3 months, max, and everything felt so intense, but then it faded for a few years. (The last band I really focused on was Pearl Jam back in my first year of college while I was going through a bit of a difficult period in my life).

Yes, I have become a fan during the pandemic. It was sort of inevitable for it to become such a huge focus (escapism from the world outside and from writing a thesis). If I had started this blog a year ago, then you're right in one way: it would have been emotional investment and my desire to intellectualize and justify it. Basically that's what I did in the first few months (when I was on my own, in no community whatsoever). In order to explain myself and others why I'm spending time on this, I used to read research articles. But that's not the full truth and that's because to me such practice comes naturally, just as when I was 16 I couldn't just watch and enjoy movies, I had to read about them every day, or how I'm surrounded by pop culture just as everyone else, but I want to read books about it so I'm willing to do that for months. It's how I'm wired, so in a way, of course it had to happen with BTS as well.

The reason why I decided to make a blog now it's not necessarily because I ''woke up'' or that suddenly I see ''the truth''. Perhaps you may have had that impression because of my first post where I talked about PTD and the recent talks about ''Americanization''. I touched on that subject because I was closely following it, but that is not to say it was my only purpose on making a blog. I feel that, a year later, I'm more secure with my general knowledge and that of BTS. I couldn't have done it before that. I also plan to talk about other topics as well, not just what's ''hot'' at the moment. If I didn't have any other ideas, I wouldn't have made a blog.

And I'm certainly not here to teach anyone or ''plebes'' as you said, anything. And I also know that I'm not going to be the last to have a blog, write a think piece or publish something about BTS. People are allowed to engage in all types of discourse, depending on what they like and what they feel comfortable with. There are countless blogs with countless topics and perspectives. Some last, some don't, that's just how it is. I don't have huge important plans to teach the fandom, my ego is not that big and this is just a hobby for me. It's also not the first time I'm publishing something, but it is the first time on my own blog, despite being on tumblr for 10 years now.

But you are right when you talk about people forgetting about BE and I may add, Film Out which is more recent. I too thought that LGO going #1 on Billboard was incredible. It was a song in Korean that really reflected how people felt during the pandemic. Not just LGO, but the entire album is a true reflection of current times on top of being just simply good music. The album was promoted as well, different versions of the MV, the logs that preceded it focusing on production, it really made me look forward to it and it did not disappoint. The last few months of 2020 have been really good for what BTS has delivered. To go back to your argument, I don't think it's about constructing a story. Yes, in a way people could be accused of ignoring BE, but what's the problem with focusing on what's been going on at present? We shouldn't be surprised about that, PTD was released not too long after Butter. It was full of promotional material ever since May.

I stated in my blog introduction that I'm in film studies, so I will end up making a lot of references because I can naturally make my point across. Let's say I'm a fan of Xavier Dolan. I've watched his first films, fell in love with his aesthetics and his stories. Then he releases something that I don't really like, doesn't work for me. Then another. And then another. I'm thinking, ok, this is the direction he's going with, it's not as daring as what he used to do before, but so what? He gets the awards at Cannes, but I'm still writing a negative review of his film Mommy. Doesn't mean I'm wrong, doesn't mean the Jury at Cannes is wrong, it certainly doesn't mean that I don't like Xavier Dolan anymore. We're just looking for different things.

We write about things that are happening at the moment and how see them now. We make judgments of value based on our current knowledge. Who's to say that in 10 years people won't look back and think: those critics had no idea what they were saying about BTS (Antonioni's L'Avventura was booed at Cannes when it was released in 1960 and now it's considered a masterpiece and even taught in schools). But that's just a possibility right now and if in 10 years I'll remember that I used to write about this, perhaps my opinions could/would change. Maybe less than10 years :)

[sortasirius]

“Destiny’s Child” and the Destiny of...Them

So that was..........A Lot.

Liked A LOT about it, a lot more than a usually do with Buckleming, but uh, some issues.  Eugenie didn’t really need to bring up Busty Asian Beauties, that had gone and we didn’t need more of it.  And I hate any mention of John Winchester that is positive, whether it’s in an AU or hammering home how poor of a father he is, but other than some details, this was a wild ride that I mostly enjoyed and have a lot to talk about.  They certainly crammed a lot in there.

Starting from literally the very beginning, they’re hitting us with some sick parallels in the “Then” portion of the episode.  Listen, y’all know me.  Y’all know I am.......Not A Fan of M*g or M******l, I am, however a Rachel Miner stan, so when the “Then” started out with the pizza man and the cringy kiss from “Caged Heat” I sorta rolled my eyes but held out hope for a Rachel cameo bc I.....lov her.  But then.............”I learned that from the pizza man” is compared directly with Dean being mistaken for a pizza man?  And then eating pizza in like 20 different scenes?  Could the production be louder???????  There is, in my opinion, literally no other way to take that, that was a sequence that basically said “Dean taught Cas how to kiss” and I will not be accepting dissenting opinions at this time.

Also AU Sam and Dean were so dumb and I appreciated their stupid Fiat and the song that played when they got out of the car, thanks Amyn, I appreciate you dawg.  And then Sam and Dean explaining it to Cas?  Thanks base gods.

Cas was so fucking sassy in this ep and I......love him so much.

The idea of killing Amara is interesting, mostly because it brings her into play again, we saw in the beginning of the season that she just....doesn’t give a fuck about any of this, but the boys don’t know that, so maybe she’ll become an ally?  Idk, here’s hoping.  I miss her.

And when Cas and Dean have this exchange about the occultum:

“It was housed for hundreds of years in an ancient before it was-”

“Plundered by pirates!”

“No-”

“It was...dug up by tomb raiders!”

“No.”

“It was...seized by the king of the dead and his warlords amiclose?”

“Looted by invading mongol hoardes for trade on the black-”

“Black market, yeah I was gonna say that next, that was the next one.”

Like.....can y’all say MARRIED?  Anyway.

Danneel and Gen???  Together???  Ruby and Sister Jo????  Together???? I’m gay.

I’m SUPER interested in the convo that Jack and Cas have in the kitchen, specifically about Dean:

“Will he ever forgive me?”

“You know, Dean...he feels things more acutely than any human I’ve ever known.  So, it’s possible he could work through this.  One day he may explode, let it all out, breathe deeply and move on.”

“How long will that take?”

“I don’t know.”

Can we say PARALLELS fam??  First of all, Cas is so in tune with Dean, he knows him so well, knows how much he cares how deeply he loves.  Honestly it causes me chest pains to think about it for too long.  But Cas knows this because he just went through it, Dean “couldn’t forgive” and “couldn’t move on” until he had an Outburst in Purgatory and begged asked Cas to forgive him for how he acted.  It’s an interesting parallel because it isn’t a direct parallel: Dean was the one that asked forgiveness of Cas, not the other way around.  It’s a little detail, but at this point every little detail seems to be important down the road.

Also there were a lot of Looks between Dean and Cas and they were all soft and I gtg

And then we get the big mention: the first mention of Cas’ deal since last season.  I knew the writers wouldn’t just write this plotline off, and Cas is, “far from happy” as he says himself.  So.....not to clown.....but if getting Jack back doesn’t make him happy............what does? (I think we know)

And then Cas in the Empty, looking for Ruby, and runs into “Meg” (Rachel I missed u).  And I think it’s fascinating that the Empty appeared as Meg specifically.  The Empty knows Cas, of course, but, more specifically, the Empty knows EVERYTHING about Cas.  “I know who you love, what you fear.”  And the Empty appears to Cas as someone that he TRUSTED, not as someone that he loved.  It’s an important distinction, because if the Empty wanted to appear as something that would RATTLE Cas, it would appear as someone that he loved or hated, but he trusted Meg, that’s why it appeared to him as her.

Also, “go get her, pizza man” after that intro?  Really just hammering home that Dean is the pizza man with all the subtlety of an elephant imho.

Also Concerned Husband Dean is alive and well, he doesn’t even hesitate, he makes Jack bring Cas back immediately, important information be damned.

But before Cas leaves, Empty!Meg says something that should NOT be glossed over, about Death’s plan to defeat Chuck, “Funny thing about her plan though, she didnt say anything about needing you.”

How many times have we heard this this season?  How many times has Cas occupied the negative space?  “No one mentions Cas,” the loudness of his absence after the breakup, when he was kidnapped by Leviathan in Purgatory, not being mentioned in Billie’s plan, and now? Fret not my friends, I know so many people are worried about Cas, but Andrew Dabb is a Cas stan first and a human second, and all of these mentions or lack thereof of Cas being a part of the endgame?  It just makes him all the more important, because he’s a surprise attack, Chuck never sees him coming because he doesn’t consider him important.

And when Cas comes back and Dean calls him an idiot?  Some serious callbacks to one of the gayest episodes and one of my personal faves: “Lily Sunder has Some Regrets.”  They be married.

AU Sam and Dean were very wrong and I did not wike it and that’s that on that tbh.

So they get to the church, Sam holds the door against the hellhounds like the badass boy he is, and Dean and Cas really do just stand exactly where a couple getting married would stand, with Jack standing where the officiant would stand.  I mean.....it’s LOUD.  It’s just real LOUD in here.  Also pretty fucking ON THE NOSE that Jack stands in front of Jesus, Cas in front of Mary, and Dean in front of Joseph.  I’m not qualified to do religious iconography meta but uhhhhhhhhhhhhhhh come on now.

That snake sequence...Jack’s life flashing before his eyes before he gets his soul back?  Ya boi weeps.  Buckleming had no right to write something as amazing as Jack’s snake sequence and final scene, it shouldn’t be allowed and it was not what I was expecting.

So.....there was a lot happening in this episode but, y’all know I sound like a broken record here, Dean and Cas were, once again, the overwhelming and blatant focal point.  Sure I watch with my eyes tuned to them especially, but they’re really cranking up the volume over here.  The Empty deal is back and unresolved, Cas talks to Jack about Dean’s forgiveness, Dean’s fearful when he thinks he’s lost Cas again, the fucking pizza man.  It all points one direction.

[ordinaryschmuck]

Why I (Want to) Love Rise of the Teenage Mutant Ninja Turtles

Salutations, random people on the internet who most certainly won’t read this! I’m an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons. I also LOVE the Teenage Mutant Ninja Turtles.

Whether as a kid, or an adult pretending to be a kid, this franchise is one that I’ll always revisit no matter how old I get. So when I heard that a new version of the series was coming out in 2018, titled as Rise of the Teenage Mutant Ninja Turtles, I was excited about it. Then I watched the series...and most of that excitement went down the sewer drain. 

Don’t get me wrong, there were some elements that seemed like there was some definite promise for a good series, but other aspects...I’ll have to explain. 

But keep in mind, I am going to be spoiling a lot about the series. So if you haven't watched it yet, I highly recommend you do so to form your own opinions. Because while it may not have grabbed me as much, that doesn’t mean the same can’t be said for you. With that out of the way, let's get started with--

WHAT I LIKE

The Animation: If anybody ever tells you that Rise of the Teenage Mutant Ninja Turtles has awful animation, they are objectively wrong. Rise of the TMNT has some of the best, if not the best, animated fight scenes I've seen from any action series in recent memory. Probably because the show understands the number one rule of action animation: Good animation is a requirement. Not an exception.

For an action-oriented animated series, the audience needs to feel the impact whenever characters punch, block, or dodge in each fight. Yes, even dodge. Because if you can feel even the tiniest gust of wind that passes by a character's face after a punch, then you know the animators are doing something right. And trust me when I say that is present in the majority of most fights in Rise of the Teenage Mutant Ninja Turtles. Are there moments when the movements are slow and rigid? Yes...during the dialogue and comedic scenes. Moments where good and quality animation isn't really all that necessary. You see this same technique in most modern anime: The animation is rigid and cheap for the dialogue-heavy scenes so the animators can give extra attention to the epic action set pieces. Not a single person complains about this happening in their favorite anime of the week. But when Rise of the Teenage Mutant Ninja Turtles does this, apparently it's a bad thing? Explain that logic to me!

The animation is phenomenal in this show. Don't let anybody tell you otherwise because those people are either blind or insanely stupid. Either works.

It’s Pretty Funny: And that's about it. It's nowhere near one of the funniest shows I have seen, and previous iterations of the franchise did a much better job at balancing humor and heart, but Rise of the Teenage Mutant Ninja Turtles did a great job at getting a laugh out of me from time to time. It has a very random sense of humor that works well with its manic energy, similar to what Star vs. the Forces of Evil did early on in its first season. Even if one joke fails, about ten more take its place, most of them funnier than the others. There may be an occasional issue where a joke spoils a dramatic moment, but Rise of the TMNT is one of the few shows where that issue doesn't happen often. Besides, the series sets itself up as more of a comedy than other reboots and reiterations, so it wouldn't look good if it wasn't funny. Thankfully, it is, and in a way, the show is a success because of it.

It Tries to be Something New: This is what I respect most about the series. The downside about a reboot is that writers have to find a way to tell the same story but with adjustments that make it seem different. That's the same way Teenage Mutant Ninja Turtles operates as a franchise. The original concepts of the stories and characters are always iconic, and I'll love them with my whole heart, but I will admit, there's a point where the same thing over and over again can be a little tiring. Then there's Rise of the Teenage Mutant Ninja Turtles, which makes changes where other shows would ask "why," this is the one that asks "why not?"

Why not change the personality and backstories of characters that still fit with the spirit of the original?

Why not change the genders, races, and possibly sexualities of these iconic characters?

Why not make something new?

Now, some have argued that the show is a little too new. Which I can kind of see the point of. After all, what's the point of changing characters and concepts so drastically when you could just make an original series? But even then, most of the changes are pretty clever, that I think it’s worth remembering for future iterations. Like making Casey Jones a female. Casey is a gender-neutral name, and I legitimately thought this series would do it for that reason alone. So I feel bad that the writers never got a chance to allow the series to reach its full potential with ideas like this due to Nickelodeon screwing them over (Seriously, never pitch a show to Nickelodeon. It rarely ever works out, and it's not worth the risk). I can see how these ideas could result in an incredible show that might cement the series as one of the best iterations of the franchise. But I can't base a story on potential. I can only judge what I see, and what I see are brilliant changes that impress me from time to time.

The Creators Are Still Fans: Despite making something completely different, you can tell that everyone working on this show loves TMNT as the rest of the fans do. There are dozens of references to previous versions littered throughout the series. Whether it's shoutouts to the 90s cartoon to bringing back voice actors from the last one, there are moments where the crew behind the series emphasizes how much they care about the franchise. There are also times when a reference has such a deep cut to it. For example, the series has the previous VA for Splinter to voice the current version of Shredder. I shouldn't have to explain how that is a brilliant idea, especially given Shredder's relationship with Karai...which I can't fully explain due to it spoiling TMNT (2012). This might be a whole new experience, but it is clear that history is not ignored when it comes to Rise of the Teenage Mutant Ninja Turtles.

The Cast is Colorful: It's not precisely a diversity win to have half the Turtles voiced by black VAs, but it is unquestionably some good sign of progress. The Teenage Mutant Ninja Turtles are...accurately what they are called. So they are not defined by the skin tone of the VAs themselves. So having half of them be voiced by people of color makes me hopeful that maybe future reboots would consider more colorful castings. Hell, maybe one day we'll have a Teenage Mutant Ninja Turtles reboot where all of them are POCs, to the point that we'll have an all-Asian casting for these timeless heroes (which makes way too much sense to me).

And it's not just the casting of the turtles that impresses me. Because the series making April O'neil black is an idea that I'm more than ok with. It's implied that she's black in the original comics by Keven Eastman and Peter Laird, so it works as another deep-cut reference that proves how big of fans the crew is. Plus, who cares? I mean, if we're still having issues of changing the race of a character who was originally white, all I can say is grow the hell up. You can complain if they don't grab you, but if the issue is because of one decision that shouldn't negatively affect anybody, I don't see the problem. Besides, at this point, a character being white is basically the base plate for someone in the future to change their race at another time.

Also, let’s give the people behind the casting a pat on the back for casting Asian VAs for characters who are, well, Asian. It’s the bare minimum of common courtesy and avoids the trouble of having white VAs do asian accents that have become quite culturally insensitive nowadays. So it’s a pretty cool decision if you ask me.

Diversity is never an issue, especially since representation always matters for people who demand to be heard. It's definitive proof that anybody can be anything, whether it's a hero in fiction or the voice of that hero behind the scenes. And you can't really do that when everyone is so white that it's blinding.

Donatello: This is the best character in the series. Not only because Donatello has the most consistent personality (more on that later), but also because I'm a sucker for the cynical super-geniuses. These types of characters always have a quick and dry wit that never fails to get a laugh out of me, and this version of Donatello became my favorite just for that factor alone. Most of the credit goes to Josh Brener, who does a phenomenal job at his performance and comedic delivery. As for the emotional bits, he's...fine, but the drama isn't the show's best strength anyway, so it doesn't matter as much. Because the fact that it's Donatello who earns the spot as best character in a Teenage Mutant Ninja Turtles reboot is an impressive feat in itself that any criticism offered for him is moot in the process.

WHAT I DISLIKE

Leonardo: I'm willing to make half of this a personal issue because I have grown to despise Ben Schwarts in the last four years. No offense to the guy, I'm sure he's a really great person in real life...but he has done nothing but play the same character in FOURS YEARS! Whether he's Leonardo, Dewey Duck, Sonic the Hedgehog, or even M.O.D.O.K.'s son (yes, that's a thing), Ben Schwarts has practically played the exact same character each time. The highly energized, dimwitted, and egotistical character who slowly tries to learn to be a better person in the end. AND SOMETIMES, NOT EVEN THAT! I'm sick of it, as it always breaks the immersion of the series as all I hear is Ben Schwarts and not the character he's voicing. But it's not just the voice behind Leonardo that frustrates me. Because the thing is, I can see how this version of him can be incredible.

It doesn't take a genius to know that this version of Leonardo is meant to be more childlike and carefree so he can morph into the more mature leader we all know and respect him as. The issue is that the writers barely do anything with that idea. Sure some episodes make this Leonardo more like, well, Leonardo, but they're far and few between the ones where he's the same Ben Schwarts character that I've grown to hate. Even when he is at his most Leo-like, as seen in the episode "Man vs. Sewer," it's so drastically different from how he usually acts that it feels less like character development and more like inconsistency. It's a shame too because I really love this idea. With a little more polish, it could work out. As is, it's just a huge chunk of wasted potential.

Raph’s Too Good of a Leader: This is a similar issue to what I've mentioned about Leonardo. Because, again, I love this idea. Raphael, in multiple iterations, complained about how he should be the leader and just as frequently learns why the job rightly belongs to Leo instead. So starting with this role reversal should be a well-executed idea that gives Raph what he wants while eventually giving the fans what they want. And it would be if not for the fact that Raph seems to be too good at his job.

I get it. If Raphael was too incompetent, the turtles would have gotten nothing done, and it would get too tiring too quick as Leonardo constantly proves why he should lead and why Raph should follow. This actually happens from time to time, and it is already tiresom. The issue is that the intention was to make Leonardo the leader in the end. So why spend so much time showing how Raphael is capable at the job and barely any time showing why Leonardo is a better fit? There are even times when Raphael seems like he really is a better leader than Leo, which I feel as though it is contradictory to the point the writers are trying to get across. In the end, it's nothing more than another really great idea met with insanely poor execution.

Master Splinter (Early Season One): ...Did anybody like this version of Master Splinter in the first half of season one? Because this character was atrocious, especially compared to the previous Splinter from TMNT (2012). We went from what is easily the best interpretation of the character to what was, at the time, the worst. He was lazy, selfish, and emotionally distant with his sons to the point where he only acknowledges them by the color of their bandannas. I understand that the writers needed a more comedic version of the character due to leaning extra hard into comedy, but I don't think I laughed once with his antics in the first half of season one. Thankfully, he's been gifted with a softcore reboot during the second half and onward. This Splinter is awesome, serious, he works well as a straight man, and he has a backstory that's easy to follow while still being kind of heartbreaking. It's a tremendous improvement from what we've been given, but it still doesn't change how downright painful he initially was. I won't complain about the results, but I do have the right to complain about what we got beforehand.

Characters are Inconsistent: A common complaint you'll hear about Rise of the Teenage Mutant Ninja Turtles is that the main characters are the same. That's not true because there are definite differences that separate each one apart from the other...the issue is that the writers are not consistent with those changes. I've touched upon it with Leo, but the truth is, everyone in the main cast suffers from inconsistency with their personalities. If Raph is supposed to be the meathead with a good heart, why are there times when he acts like the smart one who occasionally enjoys violence? If April is supposed to be as wild and carefree as the rest of the guys, why are there episodes where she seems to be the sane one? If Mikey is supposed to be kind yet somewhat stupid, why are there episodes where he's selfish and more intelligent than Leonardo? Even Donatello, who is the most consistent out of the whole cast, still suffers through moments when he isn't as clever and cynical as he usually is. These inconsistencies are annoying, and at times, it feels like their personalities are dependent on what the writers need for a joke or for the episode. Characters are the most essential aspect of any story for any medium. If audiences don't care about the characters, they'll find it hard to care about anything else. And how can we care about anyone if we're not one hundred percent sure what their personalities are in the first place?

The Pacing: I sort of expected this when it was announced that this reboot was swapping the franchise's usual half-hour runtime for a ten-minute one, but in all honesty, it isn't that bad. It is slightly fast at times, but that's just as quick to get used to. However, there is one strange phenomenon about this show that I can't let go of.

You see, this series somehow has worse pacing with extended episodes and specials than it does with its usual ten minutes. I don't know how this is possible either. Because despite having as much time as the writers want to establish each plot point, it still feels like they fly through them a little too fast than they regularly would. It makes no sense, but it's constant in every extended episode, especially the series finale (which, to be fair, is partially Nickelodeon's fault. AGAIN!). So keep that in mind when watching.

The Characters Are TOO Overpowered: It feels weird complaining about this. Because making the characters capable of doing anything and surviving much more leads to some of the most epic action sequences in animation history, not just the series or the TMNT franchise as a whole. Despite that, though, there is one crucial thing that is always missing from those fight scenes anyways: Tension.

To fully explain why tension is required in action, I'll have to use Samurai Jack as an example. You see, the titular character can, at times, be just as invincible as these versions of the Turtles and survive even worse. But regardless of him being victorious after nearly every episode, no matter how high the deck is stacked against him, there was always a sense that he fought hard, literally and figuratively, for those victories in the first place. Jack losing articles of clothing or getting cut up gives the illusion that he might not win in the end. He still does, and he always does, but showing the audience that he can and will get hurt makes seeing that victory feel earned. The only times the Turtles, April, or Splinter get hurt is either for comedic slapstick or because the story says so. This is why I consider Shredder destroying the lair is the best fight scene in the entire series. The second he starts destroying their weapons, it gives the tension required to believe maybe, just maybe, not everyone will make it out alive this time. Because if the characters aren't careful, they will face intense consequences as a result. Thus making an adrenaline-pounding moment in the process. Unfortunately, this is the one and only fight scene where that happens. Every action set piece is still epic, don't get me wrong. But there's a reason why writers make even Superman seem less invincible than typical in a fight.

Baron Draxum: THIS is the biggest issue that I have with the series.

As a villain, I didn't give a s**t about Baron Draxum. He was a dull antagonist with a generic evil plot, but other than that, he was perfectly serviceable for a series like this. Even getting a few chuckles now and again...but then the writers decided to make him REDEEMABLE!?

This guy?

The maniac who wanted to commit genocide on human beings, all because of insufficient proof that they'll do it to his species first?

Didn't we already learn how that's awful reasoning after Steven Universe?

Actually, that's not fair...because Steven Universe has a better explanation behind wanting to redeem the Diamonds than Rise of the Teenage Mutant Ninja Turtles does about Baron Draxum! And I'm not kidding! For Steven Universe, the characters believe that it's better to end things peacefully than killing anyone, even if they're the worst criminals. It's a flawed mentality, sure, but it's one you can grasp and understand. What's the reason for redeeming Baron Draxum? It's because he's the reason why Splinter and the turtles are a family...F**k all the physical torture Splinter went through on top of the social ostracization he experienced because of it. No, no, it totally validates the decision to forgive and forget...Oh, wait, no, it doesn't. BECAUSE THAT WOULD BE INSANE!

Who in the f**k honest to goodness thought that would be a good idea? I'm all for finding silver linings in a bad situation, but that is just flat-out lunacy! Because it's the equivalent of saying, "Yeah, this person was a complete a-hole, but they're still the a-hole that made you who you are today." But that is a very dangerous lesson to preach to kids. Because here's the--Hey *snaps fingers* Here's the thing: If a person treats you like garbage, you don't owe them anything for who you are. It's one thing if a person inspired you or cheered you on, but if someone basically ruined your life and physically harmed you and others, don't forgive them. They don't deserve it. ‘Cause f**k Baron Draxum. And whoever thought this was a good idea, you seriously need some help.

Man, is this how it feels to be Lily Orchard? IT SUCKS!

IN CONCLUSION

And that's what I think about Rise of the Teenage Mutant Ninja Turtles. 

It's a fantastic series! I just like everything except for the execution of ideas, most of the characters, and the overall pacing of it...that means it's not a good series, is it?

Yeah, it's a real shame that I don't like this. Because I want to. I really want to. The pieces are there, and I can see how this could be a great and memorable version of a series I loved since I was a tater-tot myself. But I don't. I'm sorry, but I just don't consider this to be an A+ series. It's a solid C, for sure, because it's mostly just style with very little substance. I still respect the amount of effort everyone put into this reboot, but for me, it just never had its chance to fully rise to the occasion.

[rosecorcoranwrites]

Censorship and Banning Books

As I mentioned in my last Rant Rave Review, as of last Monday, six books by Dr. Seuss are now officially out-of-print, and they are out of print due to supposedly racist, offensive, and/or stereotypical images. The company that owns the rights to these books is no longer publishing them and some websites are no longer selling them. People who do own the books, or who swooped into stores and bought them the day of the announcement, are now selling them for hundreds or thousands of dollars. So, what are we to make of all this?

Is Dr. Seuss Racist?

There are actually three questions here: is the man racist, are his books racist, and are those images racist? The answer to the first is, he kinda was, and then he got over it. During the war, he was openly against the Japanese, and in favor of the internment camps, then went to Japan during the occupation and realized, hey, maybe these are just people. Apparently, he wrote Horton Hears a Who in response to the US occupation and dedicated it to a Japanese friend. People can change, if you let them.

Okay, well, what about his books? This is an obvious "no". Race basically doesn't come up in Dr. Seuss stories, except "The Sneetches", which is actively against racism. Which, in some people's fevered imaginations, makes it racist. Yes, in some Olympic-level mental gymnastics, saying that whatever race you are isn't important, ie being against "racial essentialism" means that you are a racist. Such people think that the story doesn't address "structures of power" and "systemic oppression". This is true. It's instead a story about a sleazy businessman who goes in and preys on existing racial biases in order to make a buck, constantly telling people to think of their identities in terms of their outward appearance. You'd think the racial essentialists would appreciate the representation.

But I digress.

What about the images themselves? Are they racist? Not having seen all of them, I can't say for sure, but some are definitely cringy. Take the yellow skinned "Chinaman who eats with sticks" in And to Think That I Saw It on Mulberry Street. Though one could argue that the entire book uses only five colors: yellow, red, blue, and touches of purple and green, this man is the only human whose skin is colored at all. Later editions of this book have actually changed the image and text:

Honestly, I think this is fine. The meter still scans, and the image isn't straight-up removed. I mean, we could maybe discuss whether it's okay to alter an author's work, but he was alive when at least one of these these changes was made, so I think he allowed it.

Next we have some from If I Ran the Zoo, like this one, of some Asian dudes who "all wear their eyes at a slant":

I think, in this case, the text is the problem, but not the picture. Though some describe this image as "exotified", I think it's more just exaggerated, as are most of Dr. Seuss's characters. He doesn't do things half way. Aside from that, the picture is kind of cute and silly; nothing in it is derogatory or mean to the helpers. The text on the other hand... oof. Yeah, I would say this is a true example of something "offensive". I could see changing that (as long as the meter still scans!).

And then there are the fellows holding the tufted mazurka:

That's pretty bad. So bad that as a child, I don't think I actually registered that those were supposed to be humans, but rather other Seussian creatures. It doesn't help, again, that in his color pallet, people that would ordinarily be brown are now black-black, not unlike the most racist images of yesteryear. But the fact that their lips are left uncolored, I think, is what gets me. It's a little too close to black-face for comfort. Again, I think it would be okay to alter the image: color in their lips, change the shading. I know some people quibble with their costume, but some peoples do wear little amounts of clothing, so I don't think thats the issue here.

I can't speak to the other books, because I haven't seen those pictures, but I would say, yeah, some of the images and phrasing are problematic. I don't think that means the books are racist. Seuss isn't saying the Asian helpers or the African mazurka wranglers are less than the white child running the zoo. He is exotifying them to some degree, but the degree to which that is being done can, I believe, be fixed with very minor alterations.

Should the Books Be Banned?

Again, I think there are a couple questions here: are these books being banned, and should they be banned?

In our increasingly-willing-to-cancel culture, people like to talk about the difference between government censorship vs. corporate censorship, which is a valid topic. But when it comes to huge corporations like Amazon banning books from their website for hate speech or Ebay halting the ability of vendors to sell certain titles on their platform, to say "it’s a private corporation, so it's not censorship" is disingenuous. Maybe it doesn't violate the First Amendment, but it is censorship. A single bookstore refusing to sell a book, a single library refusing to carry a book, is censorship.

A single company that owns the rights to a book refusing to sell it is 100% censorship. I'm personally offended by the idea of any book being out-of-print in the day and age of print-on-demand, but I'm especially sickened when companies pull this nonsense. This is similar to foreign companies who refuse to publish novels, games, and videos in English copyright striking fanlations; they are not losing money, so why do they care?

In the case of the Seuss estate, or whoever owns the rights, all that they are doing is denying poor people access to books. That's right, if you can shell out $786 for a children's book, you can read these delightful stories. What's that? You're a single mom who works two jobs? Well, sucks to be you.

What's really vile is that people are saying, "It's only six books. You still have the others." First off, this is admitting that those six books are now censored and unavailable. Secondly, this is a stupid argument. It's like saying, "Well, the Nazi's didn't burn every book in Germany. There were plenty of others." What if I wanted to read the ones that were burned?

And that brings us to the question of whether or not those books ought to be banned. Heck, should they even be altered? Some of you might have balked at my saying I was fine with the images being changed; isn't that censorship? I think that would take it's own blog post, but here I'll just say that I don't think the changes I discussed would really alter the content, message, or meaning of the work. That being said, I don't think you have to change the images either.

That is, I think it's okay to publish, purchase, own, and read problematic material. As many commentators have pointed out, no child is going to be made into a racist by reading these books or seeing these images. Any racist or even iffy overtones are going to go right over their heads unless parents point them out. If, in the one in a million chance, your child actually notices anything wrong with the images, like "why is his skin yellow?" or something, then you can have a conversation about how sometimes, back in the day, people drew some not-so-nice pictures of Asian people and thought their skin should be painted as yellow, but we don't do that anymore, but this book was written a long time ago, etc etc. If they ask about what a Chinaman is, say it's an old word for a Chinese person, but you should never say it, because it can hurt people's feelings. Talk to your children; it isn't hard.

Should Any Books Be Banned

If you've been paying attention to what's been happening in book land lately, you'll know that Dr. Seuss's books are not the first to be put on the chopping block. Last year, Abigail Shrier's book, Irreversible Damage: The Transgender Craze Seducing Our Daughters, was removed from Target due to requests of trans activists. It was returned after backlash. Now I think it might be banned again? Who can even keep up anymore. Similarly, When Harry Became Sally: Responding to the Transgender Moment, by Ryan T. Anderson, has now been removed from Amazon for being "hate speech".

In the microcosm of the library world, I've had some people take issue with certain controversial books. When processing our new books, my part-timer picked up Irreversible Damage and asked, "Did someone request this?" as if we shouldn't have ordered it if they didn't. Both that book, and White Fragility: Why It's So Hard for White People to Talk About Racism, by Robin DiAngelo, were face out in our new book area, since they were the newest books. The former was turned backwards or put spine out with the older books multiple time by patrons, the latter turned backwards once. During the election, I found books for and against Trump hidden behind other books.

My question for people who do this in the library, and for corporations who do essentially the same thing on a massive scale, is who exactly do you think you are helping? Do you think anyone's mind is going to be changed on Trump? Or transgenderism, or white fragility, just by reading a book?

If the answer is "no", then why bother banning or hiding them? If the answer is yes, then that means you think books have the power to change minds, but you want to deny that opportunity to people. Rather than debating ideas, or writing a better book, or showing people why they shouldn't think a certain way, people are increasingly trying to banish certain ideas entirely. How dare an author question X, Y, or Z idea? How dare people be allowed to have an opinion different from the one we say they should!

What's so frustrating about cancel culture and censorship is that people think they really are trying to do the right thing. What they don't realize is, the people they cancel also think they are doing the right thing.

Take Irreversible Damage: obviously, those that want it banned think that trans kids will be hurt by the ideas expressed in the book, that they will be denied hormones and surgeries and so forth. I'm sure Abigail Shrier believes that trans kids would be hurt by no one examining the idea of wether or not they should be given hormones and surgeries as minors. Both sides care about kids. Both sides are trying to figure out how to help people. If you think that Shrier is wrong and her book is dangerous, then write a more compelling argument explaining why she's wrong.

An example of the right way to go about this is with White Fragility, a book that some people see as problematic, if not racist against white people or black people or both. People have written books specifically refuting the ideas in the book. Others have compiled titles that handle race more tactfully and that can be read instead. And that's the thing; you can choose what to read. You can choose never to read a book deemed problematic, but you have no right to take that choice away from other people.

Where Do Libraries Fall Into All This?

That "right to read" is one of the pillars or librarianship. The reason libraries exist is so that all people, regardless of money, have equal access to books, movies, and other aspects of our shared culture. We librarians understand that books are important not just for education, but also entertainment and escape. Stories are how we as humans process ideas, and everyone has a right to expose themselves to ideas--even controversial or dangerous or flat out wrong ones. They have the right to examine different sides of an issue and form their own conclusions. To try and control what a person reads is to try and control what they think, and no government or corporation has that right.

Thus, libraries don't ban books, wether those books are literary classics, modern treatises on current events and ideologies, or silly picture books by Dr. Seuss.

So it was with some concern that I got an email saying that our county library district would be taking the six Seuss books in question out of circulation. The rationale was that, given that a single book was selling for hundreds or thousands of dollars, some sticky-fingered patrons might steal then from the shelves or "lose" them after checking them out.

Though this logic was sound, I still had misgivings, especially because of incidences of library censorship in the past. Yes, even libraries have not been immune to the scourge. During the Cold War, some libraries would keep books about communism behind the reference desk so that people would have to ask to read them in the library. Not only did this potentially help identify commies, it also discouraged people from reading the books.

Thus, when our new policy is to keep the Seuss books "at the desk" and only let them be read in the library, is that not censorship? Is this accidental censorship, or perhaps intended by the very cancel culturists who want all problematic books to be sent down the memory hole?

No, I don't think it is, because--despite what the very mob who’s in favor of all of this would have you believe--intention matters. Reasons matter. We are not trying to make the books harder to read; we're trying to keep the books from becoming impossible to read. By protecting the books from theft, we're ensuring that the poor as well as the rich can enjoy Dr. Seuss's stories. This, in my mind, is similar to chained up bibles: it looks bad, until you remember that books were rare and expensive, and illuminated manuscripts even more so. If someone steals a book, no one gets to read it, but if a book is under lock and key, some people still can.

Of course, everyone could, if companies would simply stop censoring books, if stores would stop banning them, and if well-intentioned but short-sighted activists would stop digitally burning them. But maybe that's too much to hope for at present. For now, we librarians will have the books safe and sound for when you want to read them. You have only to ask.

[whattheheehaw]

Lately I've seen a lot of discourse on the Zutara fandom about the cultural mashing in the series but am I the only one who feels like it's ok? And yes there are parts of it than need to be criticized but I don't think people are focusing on the important ones. Maybe that's just me who knows?

My opinion on the cultural mashing in Avatar is somewhat mixed. On the one hand, I totally understand why some cultures had to be mashed together. I mean, Avatar takes place in a fictional universe after all, and many times fantasy worlds have certain things based on real-life cultures. But on the other hand, I don’t understand why Mike and Bryan made some specific culture combinations.

I mean, there’s some really small, minute things that kind of feel off for me. For example, I’m somewhat uncomfortable with the idea of basing the Fire Nation off of imperial Japan and imperial China and then having the geography and some cultural aspects of said nation resemble those of Southeast Asian countries. It’s easy to lump the cultures of many nations into one, especially if they’re roughly in the same geographic location. It’s not uncommon to see Japanese, Chinese, and Korean culture lumped together into one giant one, especially since Avatar is a Western cartoon, but it just... feels weird if you think about the broader historical context of this cultural mashing. I’m not saying that it’s ok for people to group different cultures under one giant umbrella, because every culture deserves to be respected on its own. But like, I’m not going to send Mike and Bryan to the electric chair for doing this. Media has a tendency to group certain cultures together, and at this point, I’m a little desensitized by it (which is quite sad if you think about it).

But then there’s the glaringly obvious cultural mashups that don’t make sense. Like, ok, I guess the Sun Warriors are based off of the ancient Maya civilization at least, I think it’s the Maya Empire. It could be Aztec. Or Inca. If someone knows, please enlighten me in Mesoamerica? And I’m just supposed to come to the conclusion that those guys started off with that kind of culture and then developed into pseudo-imperial Japan/imperial China? Yeah, I can’t really wrap my head around it.

And then there’s the Avatar lore itself. It’s just a hot mess. I mean, the basic principles of the four elements being air, water, earth, and fire is from Greek philosophy. If the showrunners really wanted to stick with traditional Chinese elements, they would have used air, water, wood, metal, and fire. So there’s that odd culture combination to think about. And then there’s the whole dragons and phoenixes being a part of the Fire Nation (I’m speculating about the phoenix part solely based on the fact that Ozai thought it was a cool idea). Now, I could see what Bryke and the other show writers were trying to go for by using dragons and phoenixes. Both mythical creatures are featured in Chinese mythology so using them in the show would be a cool nod to Chinese culture, right? WRONG. SO WRONG. IF ANYONE HAS THE AUDACITY TO SAY THAT AVATAR: THE LAST AIRBENDER WAS DEVOID OF WHITE INFLUENCE, JUST BRING UP THE DRAGONS. 

I’m just—I get so pissed off when people say “look at the cool Chinese dragons in the show!” because they’re not Chinese dragons. Sure, the designs might be Asian inspired, but even then, that’s partially wrong because those dragons have wings. If you look at dragons from Chinese, Japanese, and Korean mythology, none of those dragons have wings and they don’t breathe fire. But you know what those Eastern dragons are closely related to? They’re usually associated with earth, sea, and sky. They’re typically seen as guardians of these realms. The concept of dragons being monsters and breathing fire developed in the West. When watching Avatar: The Last Airbender for the first time, I actually expected the first waterbenders to be dragons living at the bottom of a lake or something. But to my surprise, I found out that the moon and ocean spirits are represented as koi fish, which is...ok I guess? I mean, koi fish are typically shown as a representation of yin and yang/fire and water which works in the context of the show. And there are legends in which koi fish can become dragons, so like... it’s close? I think it would have been really cool if they included some sort of Inuit inspired mythos into the Avatar lore for the waterbenders because their whole aesthetic is based on the Inuit, but I digress. I just don’t like how they cherry-picked some design elements of an Eastern dragon and then decided to put all of these other characteristics on it that originated from the West, especially considering that there is no “West” equivalent in Avatar. Like, unless Maya mythology includes fire-breathing dragons, I don’t understand why the writers decided to make this decision.

And the concept of phoenixes in Avatar: The Last Airbender is somewhat weird too. Yes, they show up in Chinese legends, but to my knowledge, they don’t combust. Nor do they get reborn from their ashes (because they don’t combust). Chinese phoenixes are just... immortal. They’re the king of the birds. They just... live. And they symbolize peace, harmony, good fortune, etc. I think the whole concept of a bird combusting into flames and then resurrecting from their ashes comes from Egypt or Greece. So again, weird culture combo that doesn’t make much sense to me. Also the fact that phoenixes are supposed to be another representation of yin and yang with feng and huang really makes the idea of Ozai choosing the title of “Phoenix King” really amusing. Like, I guess he thinks that he’s the bringer of harmony to the four nations but that’s so funny to me. In some old Chinese legends, phoenixes were paired with dragons to represent yin and yang so in that context, phoenixes are female. So like... I guess Ozai is the leader of the feminist movement lmao. Also Ursa is definitely the dragon in this relationship; no I don’t take criticism.

Again, I want to reiterate that we shouldn’t burn people at the stake for writing their fantasy worlds based on a mix of different cultures. However, that doesn’t mean we shouldn’t be allowed to criticize when this happens. I’m grateful that there’s a piece of mainstream Western media that features parts of my Asian culture, even if it isn’t perfect or done in the most tasteful way. But I don’t like it when people just slap a “this show is good because of all this Asian rep��� or finish watching the show thinking they know a lot about Asian culture, because this is, in a way, contributing to the mindset that there’s no real distinction between these cultures. They’re all just... Asian.

[purplesurveys]

842

have you ever violated school dress code? My Catholic school had us on a very tight leash and we’d have to be crazy to dare to break the dress code over there. My university doesn’t have a dress code though and anyone entering the campus can dress up any way they want, which I’ve always been grateful for. if you are listening to music, is the singer male/female? They are five dudes. what, if anything, do you give up for Lent? I never observed Lent; and as much of a religious fanatic my mother is, I’m glad she never forced me to fast or abstain from something I liked. what phrase leads your mind directly to the gutter? 69, even though it’s childish. when you feel like giving up, how do you convince yourself not to? I just tell myself that things will get better because that seems to be the pattern all the time with me, which is a really good thing.

what are your opinions on immigration? I don’t know much about the issues and its intricacies but as an Asian, I really admire fellow Asians who don’t speak a word of English, end up in the States or somewhere similar and build themselves a better life there. It’s fucking metal. would you tell an actual immigrant your views? Sure, if the topic is raised. what was the subject of the last list you made? There was a tweet asking people to list down which YouTubers practically ~raised them~ growing up, so I joined in the fun and gave my own names. If I remember correctly I listed down Pewdiepie, Smosh, Grace Helbig, Hannah Hart, and the entire Brit crew. do you ever get nervous before interviews/important meetings? Only if it’s supposed to be crucial. Like I imagine I’d be sweating bullets for my first job interview. who pays for the majority of your belongings? My parents. would you ever willingly shop in a thrift store? Of course. There are always some great finds in them. what is the most that you would ever spend on an outfit? Assuming I’m earning my own money, I’m willing to spend around ₱5000 to ₱10,000 on a top or bottom but I can widen my wallet a lot more if we’re talking shoes, because I like them more haha. is there anything you do that just outrages your parents? I know my mom hates it whenever she pulls us for online mass and I visibly grumble. I don’t know if my dad is annoyed with anything I do; and if he feels that way he’ll tell me. I respect him a lot more so if that’s the case, I’ll actually stop whatever it is I’m doing. when was the last time you were embarrassed in public? Probably when I was brought to the hospital a month ago and the nurse was explaining to me how to take a urine test.  have you ever won an award you were actually proud of? If Latin honors count, then yes. That was my only goal when I started college, and I reached it, so I’m allowing myself to be proud of, well, myself. the importance of education, rate it from 1-10, 10 as most important? 12. --- explain your choice to rate it as such? It’s different when you come from a third-world country. Education is realistically your only way out. what is the coolest science experiment you've ever done? I liked the ones that we did that involved chemicals and powders. are you experiencing difficulties with any friends right now? Not really. There’s a chance JM has been irritated with me because I always turn really grumpy when he messages me about work stuff, but if he is, at this point I don’t really care anymore because I’ve been detached from org work for a while now. I busted my ass for the org for three years so I think I’m entitled to feel detached now haha. how do you deal with a fight between yourself and a friend? I haven’t been in an argument with one of them in a while but I would prefer to talk it out. when you apologize to someone after a fight, how do you go about saying that you are sorry? I apologize and I mention the thing I did that they were hurt by, so that they feel acknowledged. In the end, I tell them that I’ll be better and if there’s anything I can do to make them feel better or to make the situation better, that they shouldn’t hesitate to let me know. have you ever played around with "dry ice"? No. Isn’t that dangerous lol? do you think parents are responsible for the actions of their children? For the most part, yes. But I know there are still some instances where parents can try and try to be understanding and be the best influences, but their kids will still end up going down the wrong path. There isn’t one answer to this, I think. should the military draft take both men AND women? why/why not? I don’t know, it’s a little complicated. I’m definitely all about equality and providing the same opportunities for men and women, but I know there’s a lot of issues on sexual harassment and assault in the military that have yet to be fixed. Until that’s ironed out and I hear change taking place, it seems a little shady to randomly pick out women to join the military.  when was the last time that you corrected someone? My mom had a grammatical error in her Facebook post from yesterday so I told her what the right word to use was. when was the last time you were corrected? I set the table for breakfast today and apparently it wasn’t enough for my mom, who liked her plate to be set in a certain way. when did you last say "i told you so"? Maybe when Kate told me she had broken up with the guy she was having a thing with, lol. is there any celebrity you like to "keep up with"? Not really. I think I’m over that phase now. I’ll check up my faves from time to time, but otherwise I don’t feel the need to read daily updates on them anymore. celebrity gossip: YAY or BOO? Yay if it has substance or if it’s controversial, like a celebrity being exposed for sexual harassment; boo if it’s something stupid like “Kendall Jenner spotted eating pasta today.” what is the most life-changing book you have read? I haven’t encountered it yet. have you had a negative impact on anyone's life? I would say so. I wasn’t always the nicest kid; and I also did a shitty job handling my friendship with Sofie when we were off to college. has anyone had a negative impact on yours? who/why? Yeah. Some relatives, some teachers who didn’t know how to act like teachers, and some people I distinctly remember that bullied me when I was a kid. how will you know when you are ready to get married? I guess when I’m no longer nervous thinking about it and when I’m already 100% sure that I’m independent and capable of looking out for myself. I don’t wanna be married and still be slightly dependent on my parents, which is what a lot of young Filipino married couples end up doing. how much time have you spent contemplating your own death? A very, very good amount. is there a joke that you just can't stand? Ones that you just can’t defend and are just simply offensive, like slavery or poverty. I’ve seen a few shows where they’d refer to the Philippines being poor or being a source of child labor for laughs, and they’ve never been funny to me. have you ever read any self-help books? No, I don’t really trust those lol since they’re usually written by people from other countries who most likely have different experiences and perspectives. If I need some help I’d rather figure it out myself and hear from people that I trust, like my friends. what's your take on the obesity problem in america? It’s a serious problem, obviously. I don’t know much about it other than the fact that Americans are crazy about their fast food and that their serving sizes are ginormous. I really hope they find more ways to address it. what is something you used to love, but now greatly dislike? Journalism. what is something you used to dislike, but now like? Chicken curry, and I think spicy food in general haha. when/if you become a parent, what will you do differently, compared to how your parents raised you? I’ll be more involved. I’ll compliment them more, not invalidate their feelings, and I’ll let them talk when I do something that upsets them, and I’ll apologize to them for it.

do you equate spanking with physical abuse? would you spank a child? The way Filipino parents do it, yeah especially. They don’t just do it with their hands - spanking kids here usually involve slippers and belts. My mom forbade anyone to spank me and my siblings, but nonetheless I watched it happen to my cousins and that alone was traumatic enough for me. How much more for them?

The thing is that it can’t be assumed that kids are able to process why they’re being punished, so I think that any physical punishment to them will just drive them away from their parents, which to me makes it physical abuse. I would never spank my own kids. what's the most ridiculous thing you've done this week? Skipping out the rest of my shower because a moth came into the bathroom and started flying around me lmaoooo eugh. --- did you regret it/love it/hate it/want to do it again/etc? I fucking hated it. if your bf/gf wanted to wait until marriage for sex, would you be willing? Yes. Sex honestly isn’t really a big deal to me. when you look at the sunset, what do you think about/feel? I don’t really think when I look at the sunset. I just admire how pretty it looks and savor the quick few seconds of the sun going down. is there someone you wish you could trust/you wish was trustworthy? No? I don’t wait on people to be trustworthy, if that’s what you mean. I’m grateful for the people who are already around me that I can trust. is there anyone that you no longer want in you life? who/why? There are times I wish I could get rid of my mom so that I don’t get yelled at as much anymore and so that I don’t have anyone watching my every move so much so that I’m cautious to walk around in my own house.

how has your outlook on life changed in the past few years? I’m a lot happier and more stable this time around. I’m glad I stayed around to see the change happen. have you ever walked out of a boring movie (in theaters)? Absolutely not. Even if the movie was bad, I’d watch it through the end. Ticket prices are not to be fucked with lol. how open are you with people you know online? ...What do you think? what do you think of athletes that take steroids? Idk about other sports but that’s a big fuck no in wrestling, after it’s led to addiction, overdoses, and a lot of deaths especially in the 80s and 90s. if a celebrity is involved in scandal after scandal, is that likely to affect how you view him/her & his/her work? Depends on the scandal. I don’t mind when nudes or videos get leaked because honestly, the leakers are the assholes in that situation. But if the scandal is something like people speaking out to accuse a celebrity of racism, abuse, or harassment, then I can very much turn against that person. what is one celebrity that you have zero respect for? Amber Heard. have you ever driven under the influence of alcohol/drugs? Just slightly tipsy, but I’ve always made sure that I’m super super super aware of my surroundings in those times. I won’t drive – and I know my friends won’t allow me to – if I was even just a little dizzy. I’m always the first to start sobering up when I go out to drink because I’m usually the only one with a car and thus responsible for bringing my friends home. are you overly attached to your material possessions? For the most part, yeah. have you ever ridiculed anyone for their clothing choices? Not to their faces. living in poverty: what do you think it'd be like? I already live in a country wallowing in it. My family isn’t poor, but I see poverty on a daily basis nonetheless. No documentary or article can best explain it to anyone who has never lived in a poverty-stricken country. Pretty insensitive question btw. what is one "diet" that you think is just utterly worthless? I’m not familiar with any of them. what advice would you give someone that is uncomfortable with his or her body/appearance? I prefer not to give advice because some people don’t wanna hear it and just wanna hear reassurances and boosters. That said, I’ll just keep encouraging them and telling them that they look really good in their outfit and just making them feel valid and seen. what advice would you give someone about to start high school? Don’t be scared to make mistakes and while you should always study hard and do your best, don’t take everything seriously. It’s high school and won’t matter on your professional resume.   what foreign food are you NOT interested in trying? Uhhhh this question makes no sense to me ahahaha I’m always down to try anything. what foreign country do you believe is misunderstood? I can’t speak for other countries but I know mine is pretty misunderstood. I’ve read countless testimonies of Filipinos getting condescendingly told “You speak good English for a Filipino” by white Americans, not knowing that their country conquered mine for 40ish years. That’s just the tip of the iceberg when it comes to misconceptons about my country and its people.    have you ever felt entirely unwanted and alone? Of course. in your eyes, which is worse: rape or murder? Both are equally bad and disgusting but I’ll have to go with rape, because 1) the victim has to live with the trauma and fear for the rest of their life, 2) victims are usually too scared to speak out for fear of being judged or not being believed, and 3) victim-blaming is still a big problem today. do you understand/read shakespeare? No. When we took up Shakespeare in high school I bought the No Fear versions. would you feel comfortable living with someone that owned a gun? No. do you know anyone that lives in a foreign country? Tons.

[justforsmiles]

Asian American representation

Months ago when I was impatiently awaiting the release of the movie Crazy Rich Asians, I did not expect for the movie to affect me this much.

When I finally watched Crazy Rich Asians and the Netflix film To All the Boys I’ve Loved Before, I knew that both films have done just that.

Crazy Rich Asians is a romantic comedy-drama that tells the story of Rachel, an NYU professor who accompanies her boyfriend to his best friend’s wedding in Singapore and learns that he’s the son of the richest family on the island and To All the Boys I’ve Loved Before is a teen romantic comedy that follows Lara Jean, a teen romantic who writes secret love letters to boys when she wants to get over them who then discovers her private letters have been mailed to their recipients.

Crazy Rich Asians is the first movie from a major Hollywood studio to feature a predominately Asian cast since The Joy Luck Club (1993). That’s 25 years ago. To All the Boys I’ve Loved Before features a Vietnamese-American as the lead.

If this is not a big deal, I don’t know what is.

I am a first-generation Asian American. I was born in Manhattan, New York, raised in Brooklyn for eight years, and currently reside in Queens, New York. My parents are both United States citizens who immigrated from Hong Kong and Wenzhou, China.Growing up, I never went through the challenges that my parents faced when immigrating a foreign country–assimilating into the culture, and tackling language barriers and cultural differences. My sister and I both were born into a life that my parents had to learn from scratch. My parents faced a lot of struggles and made a lot of sacrifices to enable my sister and me to have what we have today. What I did not realize was that I’d face many of my own internal identity battles when it came to how others viewed me and more importantly, how I viewed myself.

Back in middle school, high school, and college, the question “Where are you from?” was quite popular. When I reply that I was born here, in the U.S., you already know what is coming- I get a response of “No, where are your parents from?” or “No, where are you really from?” That’s when I finally understood that I wasn’t American like everyone else, I was Asian-American.

As a kid, I never thought I was seen as different. I didn’t feel alienated because I was Chinese-American. I never felt not white. However, preconceived notions continue to be made solely based on race. Even though I was born in the U.S., went to school here, work here, will others ever accept and understand that I am American? Will Asian Americans be viewed as anything but foreigners?

Despite the 150-plus-year history of Asians in the United States, when Asian Americans are included in U.S. history, we’re often presented as a model minority and are lumped together as a hardworking, passive, and successful minority. I was and am often viewed as too American to be Chinese and too Chinese to be American. This is how it feels like to be a first-generation American and an Asian-American. It’s the feeling of being able to be on both sides, feeling included, but simultaneously feeling not included.

I’m tired of having to bear derogatory, racist, and stereotypical comments just because I’m Asian. I’m tired of others associating everything I do with the fact that I’m Asian. Asians are NOT all the same. If someone is Asian, don’t automatically assume they are Chinese. I’m not a doctor or a lawyer. I’m a fantastic driver, thank you very much (and even if I’m a bad driver, it’s not because I’m Asian. It’s because I’m a bad driver). Don’t call me or my food exotic. I’m a human being just like everyone else. I am me and just want to be me for me–I’m not my ethnicity, race, or skin color.

As a child, I didn’t get to see myself in TV shows, movies, or stories. There wasn’t anyone like me on the screens. With the release of Crazy Rich Asians and To All the Boys I’ve Loved Before, we saw two protagonists that happen to be Asian American.This shouldn’t be a big deal like this in 2018, but it is. Female protagonists of color are still rare in Hollywood.

In April 2016, I tweeted “America is still deciding what to think and do with Asians beyond offering comic relief in stereotypical roles” when Scarlett Johansson was casted as Major Motoko Kusanagi in the film adaptation of the Ghost in the Shell manga. The excuse is that there aren’t big enough Asian/Asian-American names to choose from. Well, without a conscientious effort, how will anyone ever break through and become familiar enough with the audiences to allow producers to confidently cast them to be a lead in a film?

To All the Boys I’ve Loved Before is a film adaptation of Jenny Han’s book. Jenny Han turned down many film offers because some studios wanted the female protagonist to be played by a white actress. It’s important that Crazy Rich Asians and To All the Boys I’ve Loved Before do well because we need to show Hollywood that movies with Asian leads are an option, too. We want this to start a domino effect whereby more diverse stories can and will be told.

In no way are these two films made to represent ALL Asians and all experiences, but it’s a beginning that will hopefully shift Hollywood executives’ thinking and affect their behaviors of funding more works from diverse voices.

Crazy Rich Asians had many moments that spoke directly to me. Not only that but Crazy Rich Asians proves Asian American representation can be successful too. The film opened on Wednesday, August 15th. The film made $35.3 million from Wednesday to Sunday and another $26.5 million for the second weekend (this weekend)–a current grand total of $76.8 million!

To All the Boys I’ve Loved Before is a teen rom-com I wish I had when I was in high school. In an opinion editorial, Jenny Han writes “What would it have meant for me back then to see a girl who looked like me star in a movie? Not as the sidekick or romantic interest, but as the lead? Not just once, but again and again? Everything. There is power in seeing a face that looks like yours do something, be someone. There is power in moving from the sidelines to the center…Because when you see someone who looks like you, it reveals what is possible. It’s not just maybe I could be an actress. It’s maybe I could be an astronaut, a fighter, a president. A writer. This is why it matters who is visible. It matters a lot. And for the girls of 2018, I want more. I want the whole world.” Read Jenny’s piece here.

Watch these two films. Show up. Be curious for people different than you…that’s when inclusion begins.

Be an ally. Recognize your privilege (you can be privileged without feeling privileged), own your experiences, listen more, have uncomfortable conversations, help yourself understand, consistently learn and unlearn, and be proactive in taking responsibility for changing these patterns.

We still have a long way to go but seeing the films Crazy Rich Asians and To All the Boys I’ve Loved Before doing well is a step in the right direction.

Source: http://justviasyl.me/2018/08/28/asian-american-representation/

[boldlygowriting]

Book Review #1: Aurora Rising

Aurora Rising published in April of 2019 is the first book in the Aurora Cycle series by Amie Kaufman and Jay Kristoff is a sci-fi adventure. The second book of the series is set to be published in 2020.  Kristoff describes the book as a “Breakfast Club meets Guardians of the Galaxy YA sci-fi, action, adventure thing.”

Synopsis: The story starts with Aurora Academy Goldenboy, Tyler Jones, the day before the Draft. Since our best boy is well...best boy at this space-bound military academy, he gets first pick of his future space crew. Or he would’ve if he hadn’t gone out in space to calm his nerves and ended up rescuing a girl named Aurora who’s been cryogenically frozen for over 200 years. 

Bestboy Jones misses the Draft and ends up with whoever is left over ie. the people no one wants.  A space elf with anger management issues, a socially inept, trigger happy genius, and an alien techwiz with a physical disability who doesn’t know how to shut up--known as Kal, Zila and Finian respectively. 

Bestboy Jones also has his twin sister, Scarlet, and his best friend, Cat, who definitely doesn’t have a crush on him. (Books words, not mine, okay). Who are also especially good at their respective jobs as diplomat and pilot. 

Aurora sneaks aboard their ship during their first mission, murders and a cryptic message from the higher-ups set them up for a journey across the galaxy. The fate of Aurora and the rest of the worlds now in their quirky, all-to-capable hands. 

A lot is going on with this book and this is my first book review in this format so bear with me. 

The Pros

It’s fun. This book is really fun. Like watching Guardians of the Galaxy, you can have a good, pretty stress-free read of this book with little trouble. While reading this I found myself enjoying the adventure aspect of it, and I think they do it really well. 

Easy to follow. The book is action-packed that’s more interested in what’s happening than explaining all of the confusing lore that some sci-fi and fantasy novels can fall into. It’s not bogged down by a lot of space jargon and takes the time to explain the parts that a reader wouldn’t immediately understand. I appreciated that it kept things simple. 

Diversity*. Kristoff assured there would be diversity race-wise and in sexual orientation. Which is true. Aurora is half-Irish and half-Asian, Zila is black, and Finian has a physical disability and is either bisexual or pansexual (I’m not exactly sure. I mean, he is an alien so like I don’t know...look, all I know is I’m bi and black, I’ll take the representation where I can get it.).

The humor*. Think about it, 7 eighteen-year-olds stuck on a spaceship together. It’d be impossible for there not to be humor and banter between them. Not all the jokes land and there’s more than enough of nudging and winking in the prose, but there are definitely some chuckle-worthy moments. They also use humor really well when it comes to breaking up tense and heavy moments even if they don’t entirely land. 

The romantic subplot. I can’t say who obviously, but they’re pretty cute together. It was cliche, but, I think that by the end it was genuinely sweet and I appreciated the way they went about it by the end. It’ll definitely be expanded on in the following books and that’s what I like the most because it really is a subplot and they’re taking their time with it like a realistic crush turn relationship.

There are some things genuinely done well in this book that made me almost enjoy it, but for every action, there’s an opposite action. Starting off the Cons is my biggest issue with this book. 

The Cons 

The characters. I’m sure you could tell by my cheeky synopsis, I’m not exactly a huge fan of all the characters. In fact, I downright hated one. (Despite calling Tyler  Bestboy all the time, no, it was not him. I just wanted to clarify that).

I could honestly break down every character and talk about why I did or didn’t like them, but I think that’s getting too far into biased opinion. However, even for the ones I did like, they were still flawed...and not in the fun way. 

The characters are a huge weak point, part of that reason is that they’re all pretty flat. Flat, in this case, doesn’t exactly mean boring. A flat character is one that stays relatively the same from the beginning of the book to the end, and all seven of the protagonists are pretty flat. Even if it’s the first book of the series, knowing there’s time to develop characters, all seven protagonists shouldn’t be relatively the same by the end. 

There’s a lot of potential in most of them, but the time for their development is often rushed by and cut off by action. There are some real, genuine moments, but they mean very little in the overall scheme of things, especially when the team that’s supposed to be a group of misfits never feels like a group of misfits. 

The team is played up as a group of outcasts (or half outcasts), but they never feel like it. Both those movies the author compared the book to have a moment where they genuinely bond. There’s no point where the squad bond as a group beyond a few shared chuckles in between intense moments.

The skirmishes and arguments between them don’t really go anywhere and no one’s feelings are genuinely hurt for longer than a few pages, so when they already work pretty well together, I barely noticed any changes in their dynamic. I hope in the future books the authors expand on the group dynamic and the characters themselves because they could be really interesting, if I’m honest. 

Most of them had a glimmer of something, but a glimmer wasn’t enough to keep me from realizing they’re just semi-archetypal shells. 

This is a side note: this book switches the POV between the seven characters, and honestly, you can’t really tell much of a difference between who’s speaking. If switching POVs is not your bag, I wouldn’t recommend this book for you.

The humor. You know, it’s not so much the humor itself that’s a problem. The humor itself s pretty juvenile, but they’re 18 years old and I have a filthy, sarcastic mind so if you can stand a million sex jokes you’ll be fine. If not then you’re probably not gonna laugh much. The problem with the humor comes in the writing. There’s a lot of ‘winking and nudging’ involved. Finian (alien/techwiz/ can’t shut up), delivers a good portion of the jokes and after he says something, either he, the narrator or another character will comment on it. 

I once read when it comes to comedy, a joke isn’t funny if you have to draw attention to it. And if this is your kind of humor it is funny, but a lot of jokes aren’t allowed to stand on their own...making them, well, not funny. 

The plot and pacing. I’m not going to write a whole lot about the plot, partially to avoid spoilers. Tthe more I think about this book, the more I realize it’s a straighforward space adventure. The plot is simple because the adventure is what matters, but the fast pace of the book, while engaging, doesn’t spend a lot of time on it. One thing happens, then the next thing happens, and so on. 

At one point, I almost got the sense that quiet moments couldn’t last too long without another plot piece falling into place or something terrible would happen. The squad never flounders long despite how often they talk about how in over their head they are and how dangerous everything is. 

That might be a whole other gripe, but oh well. 

I said it was fun and it was easy to follow, but that’s probably because everything happens so quickly you aren’t allowed to think for very long. 

The pacing and plot go hand-in-hand because one bowls over the other and you get what I call the ‘you can infere events.’ 

These are events that you can infere obviously. In this case, they acquire a lot of items without actually showing how. I’m all for getting to the good stuff, but slowing down to show some things could’ve been a chance to expand on things like worldbuilding and the characters.

The worldbuilding. We’re getting into the minor stuff now if I’m being honest, but it’s a sci-fi story so I felt I couldn’t not write about the worldbuilding, which is a little lackluster. I’m pretty sure one of the planets is a Valerian rip-off. (I know that was harsh). 

Diversity. I debated talking about this too. I don’t know anything about the authors but I know readers say they’ve been inclusive in the past. I think they were here too, and maybe I’m spoiled or asking for too much, but I have to get some things off my chest.

First, Zila. 

I went back and forth on this a lot, but she kind of suffers from Princess and the Frog syndrome. Essentially, she’s a POC or LGBTQ+ character who is put into the story, but they either a.) don’t matter too much to the story or b.) are basically invisible. 

I went back and forth on this because Zila is quiet. She doesn’t speak a lot, she’s an observer. Sometimes I forgot she was in the book. I think having her be quiet and observant works in other character’s POV because no one really understands her. In her own POV it should be a different story. 

They opened that door so I have to comment on it. The chapters in her POV are significantly shorter than every other character. If her thoughts aren’t necessary to the story, why have them in there? It felt like she was there because they needed another warm body to advance the plot. I hope in book 2 she gets more than what she got. 

Second, the representation. Period. 

Tyler, Scarlet and Cat are the three members of the squad that stick together because they have a close bond. They’re not the misfits in this group. They’re also all white and presumably heterosexual as of this book. Zila, Finian and Kal are the outcasts of the group. Having the black girl, non-heterosexual alien with a physical disability, and the space elf with anger managment issues be the weirdos that the golden trio are saddled with doesn’t exactly read well on paper (pun intended). 

Third, queerbaiting? 

Don’t get your hopes up, I didn’t add the question mark because I think this might change. I added it as a Disclaimer: I’m not the authority on all things rainbow and beyond. Very few things raise my hackles when it comes to media and represenation even though there’s a lot that probably should. 

That being said, this might jimmy some people’s johns so I thought I might as well mention it.

We’ve all heard the “why don’t you two just kiss and get it over with line,” (yes, the book uses this line) and I’m kind of over it unless it actually ends in a relationship. Just a warning there kiss between two people of the same gender, and that line was directed at them but I can assure you it’s not going anywhere, it was a one off, and it wasn’t serious. After so much BS from other books, movies and TV shows, I know that’s enough to piss some people off, and if I mentioned Zila and the representation, I had to mention this.

That was weird. So much time is spent making sure you know how attractive every single main character is. Like...a lot. I was genuinely wondering if this would end with some kind of orgy thing. No matter what POV it’s in everyone was drop dead gorgeous with killer dimples and voices like melted chocolate and luxurious push-up bras. 

Consensus:  

I found this book on the 7th floor of my university library. Why they have a random YA space romp from 2019 up there, who knows? The important question is: Do I regret picking it up? 

Well…No and yes. 

Let’s just say I’m glad I didn’t shell out the $18.99 plus tax for it. (I’m a broke college student, okay? I get anxious spending $15) 

Like I said, I had fun reading this. I laughed. It had me turning pages faster than Aurora can say “Holy cake!”However, this book isn’t clever and it doesn’t have a whole lot of heart, not all books do, but to be a space adventure with misfit characters...if you want to keep people engaged, maybe it should? 

Everything is sacrificed for the execution of this quick-paced, adventurous romp. The worldbuilding and lore, the characters, the plot, everything. All of it was obliterated for something quick and momentarily entertaining. 

If a quick, substanceless adventure is what you’re looking for (and there’s nothing wrong with that, not every book has to be a nail-biting, bloodbath), you’ll definitely find it in this book.

If you’re looking for a book that’s going to affect you and make you feel like you’re part of “the squad,” you should probably look elsewhere. 

TLDR: 

Pros:

It’s fun

Easy to follow

The humor*

The diversity*

The romantic subplot

Cons: 

The characters

The plot and pacing 

The worldbuilding 

The humor* 

The diversity*

Overall rating: 5.5/10. 

[sabbathism]

People don’t like season 2, and here’s what they have to say :

tl;dr: I answer the web’s most vehement complaints about season 2 of American Gods. If you happen to recognize yourself in one of those, then I suggest thinking about it really really hard and, perhaps, giving the show another chance. If you recognize yourself in several of those, please drop the show. It’s not worth wasting your time and especially not ours. (I put a list of helpful cast and production related facts at the end.)

Hi, Nelle here, I’m but a humble fan who wishes to have fun seeing gods bicker and argue among mortals, complete with the craziest of situations, stellar cast and great visuals. And yet I can’t help but hear things when I start browsing this hellsite in quest of juicy fanworks.

Although I’m no Joan Of Arc, I hear voices from above and here’s what I have to shout back (lest I get burned at the stake)  :

“The pacing is all over the place ! It’s too slow !”

Is it tho ? Pacing has been “all over the place” (really meaning: different from what we avid show-viewers are accustomed to) since season 1, we’ve never gotten straight answers out of anything unless we started listening and paying attention to details. 

The book (you know, the source material) has four parts, the fourth serving as an epilogue to the whole story, season 2 is most definitely meant to close part 1 which, allegedly, had the slowest of pace to begin with. And it doesn’t even have half the new narratives the show has been creating. So no, it’s not slow. I promise you things are happening.

“It needs to follow the actual book more !!”

What’s a good adaptation ? Is it something that is 100% truthful to the source, down to every word ? Is it something that should offer something for people who don’t know the source ? Or, on the contrary, be something inseparable from it ?

American Gods as a TV show offers new things for people who have read the book and for those who haven’t, while keeping the beloved moments and aspects from the original material.

Why add or change stuff ? Well because, if you’re a book reader, you get welcomed into the state of existential dread that comes with not knowing what happen next, I promise it’s part of the fun. But also because author Neil Gaiman believes that he can do more, do better, with something that was written 20 years ago and needed the changes in a lot of places. He’s aware that he has, in fact, a show to make, and not a carbon copy of the book, as well as a fanbase that deserves to be challenged and entertained.

“Why taking the focus off Shadow ? He’s barely the protagonist anymore !”

Because there are..... characters ? who are also part of the story ? Like, actual stories need characters ? But alright, I know it can get confusing when you have a lot of those, here’s how you can still tell Shadow is the protagonist : months of advertising and the entirety of season 1 which was spent following Shadow with only minor breaks allowing other characters to breathe. Trust me they need the development too, or then we’ll really have reasons to complain.

You want a narrative focusing solely on staying in Shadow’s head ? Alright. Try the book. But here’s my take on its narrating choice, as a graduate in english literature : it’s boring. To the point where Neil Gaiman himself got sad that he couldn’t follow other characters.

“They’re not giving the POCs enough space ! Where are the coming to america segments ? At least they gave actual insights.”

Out of every piece of fiction, I truly don’t think you want to get angry at American Gods for how much room it’s giving POCs... (a 20% white cast ensemble, POCs and especially WOCs writers and directors on production, ethnically accurate casting and writing, diversity positive messages, etc) Really I’m sure there are many other places in the fictional industry were the question of diversity is more than legitimate. American Gods has yet to be one of them, by far.

As for the Coming To America stuff, well, there’s not that many in the book to begin with. There are a whole bunch for sure, but we’ve got over quite a few of them in season 1. If there’s more believers you want, we’re served with the latest episode 4, with humans worshiping both Old and New, and interacting with gods. I’m sure we can review that point again once the season is over.

“Those white directors don’t even know how to read or write POC characters !”

*cough*

here’s a list of the POC directors and writers on episodes 2 to 5 of season 2 only :

Deborah Chow (director)

Aditi Kapil (writer)

Salli Richardson (director)

Rodney Barnes (writer)

Orlando Jones (writer)

That’s half the entire director-writer team for these episodes, with Neil Gaiman being involved. You’ll have to point out to me exactly what you mean by “not writing right”.

“New Media ? 1. she’s a bitch, 2. her actress is just plain bad, 3. she’s a hurtful stereotype.” 

And here comes perhaps the trickiest one of all... I’m gonna have to bear with you, as much as you’re gonna have to bear with me :

1. Yes. 2. No. 3. Yes, and it’s a problem, but not for the reasons you think.

First of all, and let’s get it out of the way : actor =/= character nor writing. You think the writing is bad and/or that the character is annoying ? Well, it’s certainly not on the actor. You wanna know the actual level of Kahyun Kim’s acting ? Starring in an Alan Cummings play alongside him. We’ve got a lot to discuss but please keep her out of this.

Second, New Media is an absolute bitch of a character. She’s mocking, manipulative, and too ambitious for anyone’s good. A lot of people seem to love her tho and to that I say good ??? I mean, great if you like her, because she’s got as much potential as the rest of these crazy characters, I’m not here to tell you who you should hate and who you should love.

But there’s a problem you shouldn’t ignore, and that its so far she’s not well written. It’s a terrible thing to say in such a show but she’s really not : because we barely see her talking, because we barely got any scene with her (remember what I said about letting character breathe ?), and because what we’ve seen of her so far is the stereotype of the hypersexualized naive asian girl. Complete with tentacle porn scene. (Whether you felt weirded out, amused or utterly disgusted by this is your own valid opinion.)

The character has been officially described as “the goddess of global content”, “a cyberspace chameleon” and “a master of manipulation.” In recent addition to that, actor Bruce Langley (Technical Boy) has said : “New Media’s willing to be perceived as naive because if she’s being underestimated, when she does make her move, you’d never see it coming, but she knows way more than she lets on.” He then goes on to compare her to Gillian Anderson’s Media.

This proves that the way New Media comes off isn’t a problem of intent (the naive part is calculated and they want the character to be duplicitous, falsely seductive), but of handling, and it’s just as bad. Sure, Gillian’s Media also knew more than she let on for about as much screen time -I’m sure New Media will get to her four scenes in one season-, but she had been grounded in the narrative as her own character, she’s had her exposition speech and time. (See her meeting with Shadow in S01E02) We’ve yet to see that much of Kahyun’s New Media.

Because they do not give her what she needs to be more than a two dimensional character, we find ourselves with a shallow character who doesn’t give too many signs of the thought process everyone seemed to have put into crafting her beforehand, including Kahyun’s acting. This is a serious issue that needs to be handled before the season ends, or she will just stand out like a nasty spot in an overall incredible piece of fiction. Hell even Laura (another very unlikable character) manages to be a great addition to the narrative. Come on people.

You can of course argue that they could have gone for another type or personality for her, other than naive and sex-oriented, for a korean actress to play. You’re right, there’s a lot of aspect of social media that could have been put to work, but not only are we gonna need more than two scenes (at least the tentacles aren’t a regular occurrence so far), but it’s just like they could have not made the Technical Boy hang Shadow. 

The New Gods appear as the ‘general bad idea’ we promote through and associate with their element. Mr. World is gonna be the creepy looking government dude, Tech is gonna be the lanky rude geek, they’re gonna be cold, insensitive and selfish. They’re gonna be the things we don’t like. Throughout season 1, Tech Boy was in the same place we find ourselves in with New Media : he was the loud white racist teenager hating on anon on the net, he was unlikable from start to finish, and it’s only once we got inputs from his actor, the writers, and then now that they’re showing more of his story and personality well after season 1 that we see him as the fully complex and interesting character he is.

Let’s all keep our wits about us, not engulf ourselves in blind hate or love, and encourage the writers to prove us all that this character is worth the while like her actress says.

(I still won’t forgive the bitch, but at least she won’t stick out like a sore thumb.)

(if you want Kahyun’s input on her character and experience, here’s a lengthy interview)

"They don't even know how to write their own character, period !"

By all means, tell me your basis of characterization to declare that characters who didn’t even have enough screentime to have much substance in season 1 (except Shadow, but strangely no one complains about him) aren’t written right when their creator is literally hovering over the writers and actors shoulders, because he wants them to be developed and written right.

It’s not Harry Potter, Neil isn’t making up facts about them to make himself look better, maybe accept that the vision you had in your mind wasn’t entirely accurate to the truth of the characters and that’s okay ? You can still write them yourself however you want, tell the stories you want to tell, Neil has made it very clear that he doesn’t consider fan ideas less valuable than his.

“Bryan has such as specific, unique vision ! They’re just trying to copy it and they’re failing.”

Definitely. No really, you’re right, I’m a big fan of Bryan’s work, I lost my mind like everyone else when he said he wasn’t giving up on Hannibal season 4.

But you know who else has a unique vision ? The seven directors who took over (four of those are women) and the show-runner who had already worked with him beforehand. They’re not trying to copy his style, they’re trying to make a smooth transition so fans like you don’t have a hard time mourning the terrible loss of Bryan and Michael. And for every person who noticed the changes, there were just as many who haven’t even paid attention to it.

Concept : some people may watch shows/movies for the story and the characters, not just for who’s behind the camera. (As far as I’m concerned, I actually like the image better. Everything was killer in season 1, and I think it’s even nicer in season 2.)

“Bryan gave us Salim and the Jinn, and now they’re just gonna be cast aside because those directors lack the LGBT+ sensibility Bryan has !”

Alright, yup, sure. As a member of the community myself, I totally recognize that someone who’s also part of it will know firsthand of the subtleties and details to give the best representation possible on screen. The example of Salim and the Jinn is perfectly fine, since the entire segment was indeed beautifully made. But if we cannot allow people from outside to ponder and think about our lives through writing (which is probably the best way for them to start understanding and broadening their mindset), how can we expect wide representation to improve in any meaningful way ? Especially considering that the show has been casting LGBT+ actors, in an environment where the cast is listened to and solicited on their opinions. 

And especially when Bryan was not the one who gave you Salim and the Jinn. (Because I’ve seen people genuinely believe it.) Neil Gaiman did. He wrote a gay muslim couple in his book 20 years ago, way before it was considered a political statement. He’s also the one who gave strict and specific directions as to how these very characters should be handled. Because if he expanded Salim and his fire boyfriend Jinn’s story from a one-shot to a full story integrated into his entire narration, then it’s certainly not to pull a “bury your gays” or make them miserable. No need to be LGBT+ to be a decent writer and human being.

“Production was a mess anyway, I knew it’d turn out like this. It sucks without Bryan.” 

Define “mess”. Because all the incendiary reports we got throughout early production had been utter bullshit.

Showrunners being “fired” ? Bullshit. “Disastrous” organization ? Bullshit. “Screaming matches” between directors and actors ? Bullshit. Actors “refusing” to come back ? Bullshit.

Every report that wasn’t made through direct input of the cast or production team was not only wildly exaggerated, but also fake ? But please, hear it from Neil himself :

It was weirder for me to read some of the stuff online that said, “Oh, my god, American Gods, behind the scenes, is all falling apart.” I was going, “But they just shot four episodes, and everything is fine. They’re doing some re-shoots, but they’re doing less re-shoots than they did in Season 1.” [...]

I was reading Steven Bochco’s biography on the tube, going into work on Good Omens, every morning, and learning about what went down on Hill Street Blues, and then on NYPD Blue. That was worse, by a factor of thousands, than anything that happened on American Gods. A showrunner came, and a showrunner left. That’s not even an unusual thing. [...] The weirdest thing for me was putting out a thing on Twitter on Season 2, and having a bunch of people go, “We thought this was canceled.” No, it’s not canceled. In its own mad way, it’s on schedule.  

(Source)

The show was never in any danger, much less in jeopardy. It's overreactions to false rumors and dramatic assumptions that can kill a show faster than a showrunner leaving. You want to be critical of a production ? Go ahead, and check your sources and facts. Please. I promise most of the time it’s not worth the worry, much less losing all hope.

“Bryan cared, they’re just ruining what he’s built.”

I dare you to watch any cast interview and tell me these people don’t care about the show, and that they do not value the work everyone else (from hair department to makeup artists, producers, writers, directors and costume team) puts into it as well.

I’ve watched my fair share of shows, I’m curious about production and behind-the-scenes material in general, and I’ve never seen a group of people being so genuinely happy and passionate about what they do and create together.

Neil took time out of preparing Good Omens (which he was showrunning himself) to be more active because he knew things would be different between season 1 and 2. Ricky Whittle (Shadow) had his contract reviewed to better accommodate shooting and planning. Orlando Jones (Nancy) contributed to writing episodes (especially regarding Black history and representation) and brought inputs on characterization. Ian Mcshane (Mr. Wednesday) participated in directing when he explicitly said during season 1 that he wasn’t interested in working as a director on this kind of show.

And that’s for the well-known names only. Go on the American Gods hashtag on instagram, you’ll find all the various artists who participated in crafting all the details found in new episodes. They’re out there talking about how excited they were to work on it all, how they did it, the love they have for the show and crew. They’re active and positive in every way you can be, please tell me how much they don’t care.

Production made the choice of taking its time making this season rather than rushing it when it’s been very clear that delaying can cause massive loss of viewers, because they care more about how the show comes out than what people actually think. They took in stride whatever problem a show of this magnitude could naturally encounter (again guys, no disaster happened) and worked to solve it the best way they could because they were perfectly aware that we fans care. And somehow that’s what made some of yall disappointed ??

If you seriously think Bryan (and Michael, some people forget about him smh) cared more about American Gods than these people -when he, in fact, cared just as much-, then by all means, leave right with him.

(Also uhm, idk if you noticed, but they’re both still credited in the fucking opening. Because, you know, they’re going by the bases they’ve settled.)

Some (hopefully) helpful facts :

+ Bryan and Michael weren’t fired, they walked out of the show after mutual understanding with the rest of the production that they weren’t agreeing on budget and realization. They concluded that pushing it would just be harmful to the show.

+ Likewise, Jesse Alexander (second showrunner) wasn’t evicted but stepped out once disagreements rose as to how to handle the end of the season. Again, they found a solution fairly quickly.

+ Gillian Anderson had only signed for season 1. Whether her character will ever be seen again (probably in flashbacks) is entirely up in the air. No promises, no impossibilities.

+ Both Kristin Chenoweth (Ostara) and Chris Obi (Anubis) have not been able to contribute to season 2 due to conflicts in their schedules.

+ Neil Gaiman has been much more involved in the production of season 2 as he had finished shooting Good Omens, something which took up most of his time when season 1 was produced.

+ Taking time producing a show =/= production being a disaster.

+ Always go for the reports/articles involving interviews and/or inputs of the persons actually working on the project (cast members, producers, writers, directors). Those are the most reliable sources you can fight. (Just remember that there’s always a possibility for fake news/drama online !)

[stan-and-the-newbie]

A kpop newbie’s reaction to BLACKPINK

Alexa: bold Alex: italic

today you are reacting to... BlackPink!

o damn, are you sure this band isn’t your favourite?

pFFFFFFFFFFFFFFFFFFFT-  ok, good one, anyway this is them :3

((she tried sending me a picture but it didn’t work))

awh come oN

~ technical difficulties, please stand by ~

dfgfd shhhHhhHhH i know wot im doin smdh. this is alreaDY GOING BADLY

...should i just google them?

its okay, i got it. this is them

o damn. they're very pretty, but that was to be expected

yep.. so what concept do you think they have? lol as if it isnt obvious

idk man three of them are giving me death glares. uhh black? and pink?

tbh,,,,,they have the girl crush concept, like, theyre all badass and stuff

oh, well that���s..  interesting

i cant believe im letting you edit this post..  anyway, opinion on them? they dont look that similar, thank god

well the red-haired one i like the most so far since she doesn't look like she wants to choke me (and not in the kinky way)

fgjgfghj yes i see

the one wearing the 2b outfit is probably your goth waifu

omf

and the pink(TM) one looks like she's the sugar mommy of the group

m o o d

i'm guessing she's the leader? it could just be the thanos throne

they dont really have a leader..  this is also them

ah, lovely, a picture where they don't look like they want to murder me

yes, finally

a bunch of talented asian cuties, wot is new

to be honesT. i'll start with the first one from the second picture

alrighty

her stage name is rose

the first two from left to right are the prettiest imo

o rlly

i'm gonna get lynched alive for saying that, aren’t i

so, opinion?

she's uhhh 23? and a singer, and she's the goofy one

well youre right about her being a singer..  shes 21, and yes, she is pretty goofy. she is fluent in english because she is australian

n i c e

this is her kickin everyone's ass 

((Then she showed me this video))

i-

skinny legend

and they said infinity war was the most ambitious crossover... asian idols wearing brazilian carnival outfits as some dude sings that song from shrek 2? sign me tf up

LMAOO gee her voice still gives me chills rose step on me

alexa that's lewd, let us move on swiftly

sorry i just like her shes also a good dancer

i'm guessing she's gonna be my favourite

o

english speaking idols get bonus points, and she seems to excel at everything else, so...

yes, she is amazing. oh, she also cried over her fish's death

;-; oof

:( bless her anyway, you have any questions?

nop, she's gucci, let us proceed

right, the next one is jisoo

she's a qt ;; she looks like a dork i want to shake her hand and give her a hug

this is her smiling

i-

see thats the heart smile

is she the radiance? because my retinas are burned

SDFGFDSADFG MOOD

literally no one is gonna get that joke

wat if they do?

then they are people of culture

opinion?

uhh, she is the soft one, and.. she's short because why not, and she's 22 and she sings ;; 

o- i mean, she isnt really tall, but she isnt that short. yes, she is a singer, the oldest, 23 y/o and she is a goofball, a derp. very entertaining tbh

she looks adorable and has a cute name and is a goofy dork god bless

all of them are good at english but her. but she Tries- and is confused.  

o o f

tis a baby

she deserves all the hugs

she isnt the best dancer, but shes a Great singer, and very stable on stage

their hair alexa their hair is so fucking aesthetic

i KnoW

i am in pain, pack your dictionary we're moving to korea

fuck yeaH the next one is lisa

abs of JUSTICE

hot diggidy she's the sass queen, and she's uh..  23, and a rapper

oh, this is also her

she is also 21, and yes, a rapper!! a very swaggy one

jackpot

but shes a whole cutie, and the youngest

awh ;;

and she gets embarrassed easily

i see, so she's the tsundere of the group

she is from thailand, and i think shes fluent in four languages, including english

nice, man

she is also an Amazing dancer

n i c e ,  m a n

shes kinda my wife but theyre all my bias so i cannot decide it is Too Hard

i only have one bias  u-u

ofc u do

remember to only have one waifu alexa, too many waifu will ruin your laifu

a baby

they’re all cuties this is fucking illegal

it  i s do you have any question about baby lalisa over there :(

so far this is a very solid kpop band

o

lots of english speakers, cute dorks and pure babies everywhere

;-; yes

it has my seal of approval

n i c e the last member is jennie

o damn. jennie? j-just jennie?

just jennie. she doesn’t need anything else

is that an ACDC shirt

apparently

why do they all look so good and fashionable, and both glamorous and cute and pure at the same time, alexa the space-time continuum shouldn't allow this

pffft opinion?

hmm.. she's both a rapper and a singer, and uhh..  she's the second sassiest, but also a goof, and she's 23. I'LL STICK WITH MY 23 also damn nice thighs

she does have amazing thighs tbh.. WAIT HOW DO YOU KNOW SHES ALSO A RAPPER AND A SINGER

well usually in smaller kpop bands one of them does the support for both singing and rap..r-right?

,,,,,,,,,now that you say it

it finally happened folks, i taught alexa something about kpop

badass

THEY'RE ALL SO PURE, FUCC

THEY ARE, they have the badass girl crush concept, BUT THEYRE ALL FUCKIN CUTIES IRL also, take this

my poor heart

jennie is so smol ;; jennie is the smolest

i'm sorry, i was distracted by the thicc

mood tbh she is also fluent in english lmao

pack your shiT ALEXA WE'RE GOING TO KOREA

y ES theyre all really cute and entertaining, they dont go over the top, but theyre still pretty funny - as funny as a girl group can be anyway

pfft i find all of them entertaining tbh. show me some songs fam 

o, alrighty. this is a dance practice, it was the first thing that was released and everyone went nuts

((Then she showed me the dance practice video))

lisa is the one with shorts, jennie has the cap, rose is the one with braids and the last one is jenniejisoo

oof, a bit too edgy for my taste, sorry. but the routine is great!

well, they were kinda made to be badass

yeah, i figured

also, a little side note

o?

their company is one of the biggest companies out there, but theyre known for their shitty management, as in, they dont really give idols many comebacks or promotions, so they dont have many songs;; even tho they debuted two years ago

well, that kinda sucks

yep..

i imagine this business is pretty finicky behind the scenes. i guess it can’t be all sugar and glitter all the time

true..  anyway, this is is one of the two songs in their debut ep lol 

((Then she showed me “Whistle”))

also, may i add, their mvs are hella aesthetic

they seem to be..  not a fan of the super edgy american-ish songs though

yeh, their second ep was better. this is from the second ep

((Then she showed me “Playing With Fire”))

pyromaniac title, piano in the first second. this one's gon' be gud

yeah, this one was definitely better - well, not objectively, just imo 

yeah then theres this beautiful beautiful song 

((Then she showed me “Stay”))

that title gives me the hibby jibbies

y e p p

nvm i saw a mcdonalds in the background and now i'm chuckling

sdfdsdfg honestly the mv is So Pretty

ALEXA I DIDN'T SIGN UP FOR SAD TIMES

shhh its a nice lil song just dont read the lyrics lmao

...i'm reading the lyrics now I THOUGHT THEY WERE SUPPOSED TO BE A BADASS GROUP WHAT IS THIS

the chorus is so nice tho, with the claps

it is..  well, that was mildly depressing

at the end they hold hands and laugh and jump around in a circle in the mv and its just..  i rlly like the mv and the filter is very pretty

a e s t h e t i c

anyway, back to badass

((Then she showed me “Ddu-du Ddu-du”...?))

this is their most recent release, this time with a mini album

and i see thanos’s throne is back

y eS

these sets look expensive as fucc.. is that a fennec fox?

maybe..

and the evil parrot from rio? what is this, a crossover episode?

THE MOST AMBITIOUS CROSSOVER

first we had the shrek 2 song, now this they gon' hit me with dat turu turu du alexa halp meh  

i k r wat u gon do

is that.. a sparkly tank?

y ES jennie is an icon

i feel like i've ascended

tbh all these things were so unnecessary yet they did it anyway

well i certainly don’t regret it

that breakdown at the end is kinda cheap, but i think the diamond tank made up for it

definitely

sdfvbvGJHGthere are two mvs left

oh, just.. just two?

y es

i feel bad for them ;; did u say it's been two years

yeah..

this is so r00d

yes, always feel bad for yg artists

what’s yg?

its a company - their company

ah, i see

their shitty company

oof

here's their debut song (which i dont really like but Oh Well.)

((Then she showed me “Boombaya”..? who the hell comes up with these names?))

well, in all fairness if they're one of the biggest they probably have a lot of bands to manage

not really..  they had very successful bands though, so that kinda paved the way for the ones nowadays

ALEXA THESE FUCKING LYRICS ARE KILLING ME

ASDFGBFVDS MOOD CLICK CLACK BADDABING BADDABOOM QUEEN

"i'm so hot i need a fan i don't want a boy i need a man" BISH YOU'RE A 5 FOOT 20-SOMETHING ASIAN IDOL CHILL

hjkjhghj shhHHH

this is a whole drugtrip

it iS

are those..  black leather biker pants...  mixed with blue jeans? this is some next level shit alexa i can't handle this

y ES fashion icon

why do coke when you can watch this for free and legally?

ikr theres one last mv, and its better, trust me

..alright...

theyre cute in this one

((Then she showed me “As If It’s Your Last”))

jisoo is the one with the heart magnet and i love her

awh ;; man these titles are edgier than 13 year old me

oh come on, its a love song

that dancing, it's s-so lewd  <-<;;

it iS oh, i forgot lisa's rap is in english

n o i c e i didn't know jennie had her own ice cream business

girl is going places okay but 1:36

what about it?

th-the cotton candy part

pfff

sorry i remember the first time and saw it and was like fukc thas cute

well, it was. it was pure ;;

alright, final thoughts?

well, they're a bunch of cute and talented dorks, but that ain't nothing new. either way, 10/10 for the lewd dancing and the fact that they speak english. give dem more comebacks, fam

they have lewder choreos, but thats for another day. justice4blackpinkcomeback edition

yeS, let’s make a petition

Heya peeps, it’s a boii mod Alex here. This was the first time I put together a Reaction Wednesday post, so uh.. yeah...  I think it turned out pretty good! But seriously, a lot of work goes into these, even though it may not seem like it. Anyway, I hope you enjoyed it! See you next week!

[samcarpnter]

so if you are bitter bout mcu what are your unpopular opinions?

so a few people have actually asked me this since i said something vague about mcu yesterday haha so i figured i’ll just make a big long post under the cut and i am sorry if anyone takes this offensively, i just have to rant about some of this stuff so read at your own risk (spoiler i get mad and it is longgggg)

I do also want to say i love the mcu despite its many problems and i do my best to separate it from the comics because i understand a movie/tv show can’t develop characters the same way decades of comics can and different versions of their personalities/backstories are okay but still there is some corruption i can’t take

First off - the maximoffs. Like … no! I really am not a fan of the mcu versions. I could deal with their new personalities/upbringings if it wasn’t at the expense of their ethnicity. Like for those of you that don’t know, the maximoffs are jewish and romani, they are basically whitepassing pocs and they were very poor and are even children of holocaust survivors … so how the fuck and why the fuck did they volunteer to work for hydra ?!?! just completely corrupting everything that made them who they were is so disrespectful and to make them fucking work for A NAZI ORGANIZATION is not a small personality/backstory change, it goes against everything from the original characters.

Wanda maximoff also just walked into the avengers with barely any accountability for her actions, yes she had to deal with the pain of what she caused at the beginning of civil war but hardly anyone is bringing up the fact that she toyed with bruce/hulk in aou which caused so much damage and very likely resulted in a loss of many civilian lives, how is no one realizing it is her fault ?! she was pardoned for everything she did when tony was painted as villain WHY

Also in civil war i was more on tony’s side, i do think that cap was right in thinking that they shouldn’t be solely controlled by the government because sometimes there are fights they need to do that they wouldn’t necessarily be allowed to go to. B U T they do have to understand the effects of their often reckless actions. Yes they are saving the world but they could very well destroy it by not taking accountability for the damage they cause.

And okay civil war, like really? I just think it was forced and happened too fast, i know it can’t be like the comics always, but the civil war in the comics actually served a real purpose and in the mcu it was just like 12 people fighting in a parking lot ??

Also the villainization of tony is just … NO. like stop please. Tony makes mistakes, he does as everyone does and yes they are colossal ones too - i mean ultron for just one example. But he should not be seen as a villain for trying to protect the world. He saw infinity war coming a mile away and everybody was upset about it. Ultron was a disaster yes, but how is it that tony wasn’t pardoned when wanda and bucky were? I am not trying to say bucky shouldn’t be pardoned, because he was rightfully forgiven as he had no control over what hydra made him do, but wanda did … and she isn’t really apologizing or realizing the effects of some of her actions so … why is everyone pissed at tony??

And god okay i’m gonna be brief with mcu nat because ugh but just fuck scar jo and get her out of my sight, black widow deserves a solo movie with an actually talented actress who isn’t trying to steal minority roles alongside bucky barnes, i refuse to believe a black widow movie with no bucky could ever work

Guardians of the galaxy … jesus they did my babies dirty. Mcu peter quill … i don’t really like him and maybe it is because i’m not super fond of chris “i have a gun arsenal” pratt but tbh i just think they portray quill as a dick who can be misogynistic and a has a very delicate ego. His changed backstory was meh which i can live with but he is so fragile with his masculinity and it demeans gamora. I do like gamora and peter together but it would be so much better if he wasn’t always trying to be better than her or got offended anytime she was smarter or a better fighter than him (which is always sooo). Then mantis was done dirty she should not be some slave to a weird planet man ?? i think pom is a wonderful mantis but she was given crap to work with because mantis is a celestial being like an actual GODDESS  so why is she working for a planet ??? and drax ugh he is not an idiot like mcu portrays him i’m so bitter about that

I understand why scott lang was chosen to be ant man over hank pym i mean if paul rudd was going to be scott it makes perfect sense. Hank is also just … i don’t quite know how to describe hank other than controversial i guess but that’s another story, and scott would come off waaaaay better to audiences as ant man, the thing i am just so mad about is the fact that janet was practically erased from the avengers. I mean please don’t get me wrong i love hope van dyne and a young janet shouldn’t be falling in love with scott, but i just wish they could have at least included the REAL janet, not michelle pfiefer (no offense to michelle either because she’s doing great with what she’s given) being an old knock off janet, and not even like her own movie (which would be fucking fantastic though) but like janet gave so much of her life to the avengers and was a founding member. A FOUNDING MEMBER. And her purpose in the mcu was basically just to give hank manpain like whyyyyyyyyyy

And CLINT! God clint barton was screwed over, comics clint is amazing and is 80% deaf (he has a frickin hearing aid!!) and loves dogs and coffee and pizza and i could even handle jeremy renner being this version of clint, i don’t really have a problem with jeremy but i hate that marvel just made him be loki’s slave for awhile then just randomly give him a family AHA PUH LEASE MARVEL clint barton is a hoe (okay not really a hoe but he has been romantically involved with many of the super ladies) he would not have some secret family also with someone not in the same business as him, and also clint is a survivor of abuse and represents someone with a disability and mcu took all of that away from him ughhh

Okay and spider-man … i think smhc was a great movie and tom is so cute and pure and an amazing peter parker but … why? Like why were we given a THIRD peter parker when we could have fucking had miles morales ?! for those of you who don’t know miles morlaes, he is black and is spiderman in a different universe (the ultimate universe) and so i mean marvel come on if you’re going to put in a new spiderman why couldn’t it be miles? And i mean this with no offense to tom but i just wish we could’ve had a poc lead sooner and now we get into the spiderverse as the introduction to miles which also don’t get me wrong, i am very excited about that movie but to me it just seems like we won’t have a great shot at getting miles in the mcu if they do a series of new animated films about the spiderverse

And doctor strange ugh the whitewashing just ugh and then stephen too like idk benedict cumberbatch is an amazing actor but stephen was made so arrogantly in mcu and he comes off as this hotshot doctor who did it for money and to show off how amazing he is but he actually became a doctor because he witnessed his sister’s death and then soon after his mother died

And then the whitewashing of the ancient one jesusssss the ancient one is not some eccentric white woman, the ancient one is an asian man … i could even understand making the character a woman as the only other female character would be rachel mcadams’s character (she was so unimportant i don’t even know her name whoops) but do not take away the asian identity !!

And iron fist man … it just sucked, there’s really not much more to say

Then elektra fucking natchios was done SO DIRTY elodie yung is the absolute best elektra, i can’t imagine anyone else playing her and she did so well for the shit she was given but they decided to take a route that made her a sociopath ?? i mean i am okay with the changed backstory but elektra just doesn’t go around killing people for the fun of it like she does it because she has been through a lot and wants to take bad people out of the world like the ones that killed her father and yes maybe she is a little misguided and lost but still she doesn’t think killing people is a fun thing to do on a saturday night like why marvel ?? and just the black sky thing was weird … never a thing in the comics but whatever

And also okay … i love peggy carter and i loved hayley atwell being peggy but sharon is ultimately cap’s main love interest and is the main woman in all of cap’s storylines. And sharon was set up SO well but because stucky fans are ruthless sharon doesn’t even exist anymore and i’m so bitter about that, emily vancamp was a great agent 13 and marvel actually did a great job of bringing her into the universe in catws but look what happened, everyone forgot about her and are obsessed with peggy instead … which as i said, i’m not trying to diss peggy or hayley because i loved agent carter and her in catfa, but everyone decided sharon was nothing compared to peggy and i just don’t see why we can’t have both ??

Another thing … why vision? Like why the heck was vision put into the mcu it really doesn’t make sense to me i mean i think paul bettany is great but he just .. why this weird robot? i’m guessing to bring more in about the infinity stones but still idk because that didn’t really happen ??

And rhodey … poor poor rhodey, the casting change was actually a pretty good idea because i think don cheadle is the perfect rhodey (with no offense to terrence howard’s version, i just think don cheadle should’ve been there from the start) but they didn’t really introduce him into becoming war machine at all, they just gave him a suit and were like boom you’re a superhero now go be an avenger ?? with barely any development to why ?? i demand a war machine solo movie please, we all damn well know don cheadle would be great and ryan coogler should direct it, we’ll have no tony (no offense to tony just no more white men) and we’ll get sam in there and they will be a fucking badass team

And i am so bitter that it took 10 FUCKING YEARS to not have a white male lead a movie … marvel you have so many amazing characters of so many different ethnicities and backgrounds and genders and sexualities like why is carol only coming in now and why did black panther just become a huge movie?! should’ve been there from the start ugh

In my eyes, the only flawless mcu pieces that i would never bash are thor: ragnarok, and black panther (and maybe runaways because we finally got our first canon lgbtq couple) and catws if scar jo wasn’t in it. Marvel needs to realize the success of these films, that taika waititi and ryan coogler are the best directors they have and should be directing more films *cough cough* GUARDIANS 3 *cough*

So wow … that’s a lot and it’s a lot of bashing marvel but i just … if you don’t know shit about the comics the mcu seems amazing like i was there once i didn’t start reading comics until a few years ago when i heard about the young avengers and i have loved the movies since iron man came out ten years ago, but the mcu is very corrupting of a lot of the best parts of these characters, and a lot of people don’t realize that

Thanks for letting me rant and as i have said i really don’t mean to offend anyone who is a fan of the mcu or (most of) the actors of the mcu because they’re just doing their job, so please realize a lot of this is my opinion, i’m just expressing how i feel about marvel and for the record, i do love the mcu i just don’t like a lot of what goes on behind the scenes.

[taetae-tea]

The One (Part II)

Part I <- Part II –> Part III

Genre: Hybrid!Taehyung, Fluff, Angst, slight smut 

Paring: TaehyungXreader

Word-count: 5K

Warnings: Abuse, unjust, anxiety, forcing, animalistic feelings, panic-attacks, teasing, chasing, indication of mating, dominance

Summary: You’ve never liked the idea of hybrids, since it’s straight up abuse from a owner to a hybrid, they aren’t treated like humans. But what happens when your boss gave you a hybrid as a gift?

A/N: y’all, we’re on 1100 followers?? Where are you people coming from? Well, welcome to the family anyways lol xD. btw, should I add smut the next part? Or is it rushed idk. 

Masterlist

‘If you talk back to me, you will be punished. If you refuse to give me what I want, you will be punished. So watch what you do little kitten.’ The woman whispered into the hybrid’s ear, hissing every word out while she has a tight grip onto his jaw. He closes his eyes, scared till death that she will maybe hurt him if he accidentally makes a sound. He doesn’t know why she suddenly became so edgy, he hadn’t done anything out of the ordinary. He hadn’t broken anything in the house, he hadn’t complained. Nothing, literally nothing. But still, she was mad at him.

’Say it.’

‘Yes m’am.’ He says with a shaky voice. He now could feel the tears coming up and this time, he isn’t able to hold back. He just wants to cry, even in his little room for that matter. He doesn’t want to be close to her, but does he have a choice? No, not at all. If he doesn’t obey her, she will eventually send him back to the factory, where he got created. From there, they would give him therapy, everything to change him and to send him to another person.

‘Good kitten. now, go and lay on the bed and open your legs as far as you can manage. I will get the whip, because you need to be punished.’

You wake up to the annoying and familiar tune denoting through your room, making you awoke in an instant. You let out a groan, turning to your side to turn off the alarm clock on your little night-stand. You rested your hand on your head for a little second as you look at the time, noticing it’s already 10 am in the morning. There is no stress though, since it’s the time of the holidays. You’re free for at least 2 weeks.

Your plans were to take some rest these 2 weeks, but things have changed and that was only when yesterday evening your boss gave you a little ‘gift’. Your headache began to grow by thinking of the whole situation again. Though yesterday has been just fine with your little guest, you still don’t want to keep him. It’s the best for you. And you’re not only looking at your own feelings, but also at your life-style. A hybrid doesn’t fit into a ‘I get up at 8 and arrive home at 9’ kind of life-style. A hybrid needs care and attention in its life and sadly, you can’t give it to him.

You get up from your bed, head spinning a bit to the fact that you had just woken up. As you walk into the living room, you see Taehyung sitting straight on the couch, just looking out of the window. It looks rather odd. It’s as if he hasn’t done anything else than sitting there, in his pajamas while looking outside. Though, he looks fucking beautiful like this, even in the morning, but you still can’t stop worrying about his odd behavior.

You walk closer to him, making him turn his head as a smile suddenly blasted along his face. He still has that beautiful smile from yesterday, which you really adore about him. His whole face in general is a piece of art, not even one flaw that you could find upon it.

‘You’re an early bird, Taehyung, why don’t we make some breakfast for you?’ You ask, curiously waiting for his response. Though you don’t really know what he’d like to eat, you thought that he might also like pancakes, like you do, so that would be perfect for breakfast. It’s just, you’re so curious of his reaction some times, since he has been living in quite a sad environment, so what would he be comfortable and uncomfortable with?

‘Yea, I’d like that very much maste-… ___, I meant.’ He corrected himself vastly and you just smile at him, hoping that he would get used to the new kind of living vastly. Like you’ve already told him, you’re someone who sees everyone as equals and he needs to understand that term, ‘equal’, because he hasn’t been one ever in his life.

‘Do you want pancakes? If you don’t like it, I can get you something else.’

Taehyung’s smile only grew wider as he furiously nods his head, like he is getting some treat. It makes you smile in response, but deep down it still got you mad. You know you’re gonna kill some bitches if this was his first normal meal in his life.

A few minutes past and you had gotten ready 4 pancakes, 2 per person in this house. You’d had to convince him to sit on a chair, because he didn’t felt like he had as much right as you to sit on one. You had the urge to slap that nonsense out of his head. You can’t imagine someone has this kind of self-perspective. You came to a conclusion that he must’ve been brainwashed when younger, there isn’t any other option.

After some arguing, he finally sat down, still feeling pretty uncomfortable about it. You know you shouldn’t have forced him to sit down already, but you just can’t bear to see him sitting on the ground, eating his food like a fucking pet. He is a human for heaven’s sake, he deserves to sit on a normal chair.

‘How does it taste?’ You ask, smiling as you see him furiously eating his food. He tries to speak through, but only ended up on almost choking himself. You giggle as you vastly got a glass of water for him and he quickly drank it as soon as you placed the glass down on the table. He coughed a few times before replying with ‘It’s very delicious, thanks ___.’ and a big smile noticeable. ‘I’m happy to hear that.’ You responded.

You ate the rest of your food quietly, your mind wandering as you kept questioning about Taehyung’s past. You don’t know if this is the right time to ask him anything, if it’s even allowed. You just want to understand him, why he reacts the way he does on certain things. Once you understand, you might be able to get easier around him.

‘Taehyung?’

He looks up questionable, replying with a quick ‘Yes, ___?’

‘What was your life like in the last house you had to stay in? Like, your last owner?’ You bite your lip as you gazed at him. He stopped eating and placed down his cutlery. He looks bothered, his tail suddenly sweeping around as he looks down at his lap. You cock your head to the side, analyzing every little movement he makes. His fluffy ears are twitching too and you begin to think that you maybe shouldn’t have asked him that question, he really looks uncomfortable.

‘I-It was different from you. Like… I had to take a lot of orders and stuff…’ You can hear the way his voice became shaky and soon realized that he was on verge of crying. Your eyes widen as you heart sank, immediately scolding yourself for asking such a question. You don’t know what to do and you panic slightly. You want to stand up and wrap your arms around him, but you also don’t want to get too attached to this creature. Like yesterday, when he hugged you, you had felt this weird urge to hold him too, to feel him close and you’re just scared for another reaction like that.

‘’I-If you talk back to me, you will be… punished. If you r-refuse to give me what I want, you will be p-punished. So watch what you do little kitten.’, those were her words…’ He had printed those rules into his head like he printed the alfabeth in his head. He had to remember them, he didn’t want to get punished. Punishments were so tiring and scary, most of the times he would cry or have a panic attack after the punishments. He couldn’t say he hated them, he can’t have a opinion in this world. Well, that’s what he has been thought.

It was once different though. First, he was like every other boy. A human. He had a joyful youth, he had lovely parents and lovely friends. It was only until his parents died in a crash and all the money vanished into thin air, that he had no bright future anymore. One day, a guy came up to him and talked him into a deal that would be life-changing. Like a madman, desperate for money, he agreed to the deal. Little did he know, that he would be transformed into a fucking cat.

Oh boy, he had resisted so much. To every owner he had to go, he just hissed and complained. His hate was so great towards the company, but at some point in his life, he just gave up. It had been 2 years already and he got so much therapy that he just let himself brainwash, knowing it’s probably the best option to take. He’d rather just not-know than to feel the pain of losing any identity of himself.

He suddenly feels a tear falling onto his lap and he immediately knew he fucked up. Caught up in his own feelings, he let himself fall on the ground and began to bow for you. 

‘Bow for me little kitten! Like the little asian slut that you are.’ those words never failed to run through his mind for a couple times a day

You gasp as he bows in front of you, whispering soft apologies for crying in front of you as he doesn’t dare to look up into your eyes. You just stiffened, shocked by the event that is occurring right now. Your head doesn’t seem to catch up, so confused to why he would literally bow to you in apologizing manners. It took you at least 10 seconds before you stood up in a rush, reaching the same level as he was on and grabbed his shoulders, pulling him up and looked for his eyes. His eyes are all buffed up and the tears kept falling down as small cries left his lips. You can literally see the pain, so much pain he had felt along the years, but hadn’t dared to show it.

You pulled him close against your body, arms around his torso as you let his head rest on your shoulder. After a while he also held your body, arms surrounding you and calming down slowly as he shoo-ed away the memories. You began to gently pet his hair and that really helped him, feeling the joyful strokes taking away his worries. You effect him in such a good way.

‘Don’t do that again Taehyung. Never apologize for showing your feelings towards another person. It’s a human thing, like you. You’re human and don’t forget that.’

‘Well damn, why would he do that to you?’

You sigh in response, shrugging as you sip on your hot coco. You look outside through the window as strangers pas the cafe where you’re seated in. You and your friend, Iris, decided on a quick get-together after you’d told her what’s going on right now in your life. You just had to relieve some frustration and Iris is the perfect person for that task. After you’d lulled Taehyung into sleep and  he had cried for a long time, you’d gone to a nearby cafe and waited fro Iris to arrive.

‘I have no fucking idea, he things I’m that desperate or something.’ you sigh again, looking back at Iris. She shakes her head in disbelieve, also getting tired of this bullshit. She has the same opinion on the whole ‘hybrid’ thing, finding it also above what can be approved into this world and hearing all the stories you’ve already told about Taehyung, she only gets more irritated.

‘I swear, I’m this close to sue those mother fuckers, along with your weird ass boss.’

You agree with her. When Taehung finally got back to sleep, you began thinking about what he had said. That people really would hurt him like that, demanding things on such a cruel way. So fucked up.

‘I will be going back now, before Taehyung wakes again.’

‘Aren’t you planning on keeping him? He seems way happier in your house than anywhere else.’ She asks, standing up as you do the same. You bite your lower lip, thinking about what she asked. You know he is happy with you, it’s not a secret for you. His eyes has been twinkling the moment you give him affection and it looks like he hasn’t felt such love in years now. But what you also know, there is something different between the both of you. Something that wants you to be closer to him as well and you’re kinda scared of it. Maybe it’s the same kind of attraction all those other owners felt and made them do horrible things to Taehyung. You don’t want him to experience that with you.

‘I better can not. But I’ll try to get him out of this fucked system for sure.’ You say with a nod, planning on keeping your words. You’ve already thought of different alternatives, like bringing him to a shelter, a place where brainwashed hybrids like him can get treatment and have a happy home. You know a place like that exists, you just have to find it. It must be deeply hidden for society, since Hy-tech probably doesn’t want their own creations to be taken away. But, how long it will even take, you will get him save for sure.

‘Sounds like a plan.’ Iris smiles and pays the bill, making your frown. You want to protest, not liking that she is paying for you, but she hushes you. ‘You will pay the next time, don’t worry. You already have too much shit on your head anyways.’. You chuckle as you give her a quick hug before the both of you go your own way.

Iris really is a good friend, she always stays beside you and helps you on these hard days where you’re just lost. It’s also nice that she has the same mind-set as you, like a true friend.

When you arrive at home, the house is again silent and Taehyung is nowhere to be seen yet. You walk up to his room to check on him and as you walk inside, you see the sleeping body of the hybrid. You smile, happy that he’s able to get some rest. He must’ve been awake for a long time, maybe he hasn’t even been able to sleep at all last night. You don’t yet know what he’s been going through, you could only peek through a little hole to understand him, but it was enough for you to know that you have to be careful with him. He is broken, though he doesn’t let you know it.

You look on your watch, seeing that it’s only 1 pm and you still have a whole day ahead. Maybe you could get Taehyung out a little, taking him along your day. You were planning on grocery shopping anyways. Maybe he even wants to have some input in your choice of diner tonight. But for now, you let him sleep, the little trip can wait for a few hours.

You close his door again and walked to your couch to turn on the television, putting on some netflix series you haven’t been able to keep up with, since your job takes a lot of time. Though your job isn’t somewhat important, it still requires a lot of effort in your day, being a secretary at the company. The company itself is pretty big, having a base in many different countries, but having the headquarters at Korea. You are doing work for a department leader, keeping up with his schedule and all that stuff around it. It’s not interesting at all, it tires you out pretty much to be honest, but it pays the bills.

4 hours had past and you’re all caught up in the series that you’ve been watching for the past time. It was not until Taehyung walked into the room, rubbing his eyes and having a small pout, that you got out of your intoxication. He looks dinky like this, pouting and his eyes all puffed up. You gave him a small smile as you stand up yourself, looking at the clock to see it’s already 5 pm.

‘We’re going grocery shopping, well, if you want to come of course.’

He cocks his head to the side before slowly nodding, having to start up his system first since he just woke up. You chuckle as you walk up to him, petting his head for a second as he immediately leans in, a purr leaving his body as his eyes closed. Then you decided that he really loves to be pet. It’s not something to be shocked about, since he is still a cat, well, a lion.

His tail held onto your leg and his body came closer as if you’re some magnet. His arms were quick to get around your waist and to pull you close against his chest, sniffing your scent at your neck as he held you close. You’re somewhat startled by his affection towards you al of a sudden and you could feel some kind of feeling creeping up your body as well, making you dizzy. You want to hold him so close to you as if some animalistic feeling came up into you.

‘___, you smell so nice. My perfect mate…’ He cooed and you almost let out a moan by his words, but was quickly to take a step back with widened eyes. Fuck, what is he doing to you? You’re never someone to be effected by words or actions. How is he able to get you feeling so… different?

‘M-Mate?’ You stutter, genuinely questioning what he meant by that. He himself has to go back down to earth to understand what he just said and he gasped in response. He seems to be lost for words, looking around to avoid eye-contact. He is confused too. He would never say such a thing, not to his owner, not to anyone. But if he has to be completely honest, he does feels some really strong attraction when he comes closer to you and he doesn’t know if it’s just him or a real cause.

’Sorry, I just felt… I don’t know how to explain…’ He tries to find his words, but nothing can get up to him. You let out a breath, letting go of the tension within you and decide on just ignoring what had happened. If it was something that’s really important, it will come eventually. You’ve just met yesterday, so rushing anything out of the ordinary isn’t needed, also talking about the fact that he won’t be staying long at this house. This only made you realize that you have to be quick on finding that shelter, because you’re already close to keep this son of a bitch.

‘Just, put on some clothes.’ You say, gesturing to his room and he just nodded, knowing that this subject better be avoided for now. You both know it, you know something is up. For him, it isn’t really something to worry about, since it’s almost as clear as water, but he simply wants to avoid mating with his own owner. You on the other hand doesn’t understand it fully, you’re a human and you don’t have anything so called ‘animalistic’ in you blood. Well, maybe somewhere deep within you, you know what’s going on. But to you it doesn’t really make any sense right now.

Only 30 minutes later, the both of you were calmly walking back from the grocery store. The store is only 300 meters away from your little house, so walking there has never been a problem. The both of you haven’t spoken a word to each other since that one moment at the apartment. Apart from the little questions as ‘would you like to eat this’, nothing has been said. It’s not an uncomfortable silence thought, you’re just walking beside each other, enjoying the fresh air.

‘I’m sorry.’ Taehyung suddenly spoke. You huff, finding it somewhat ironic that he apologizes for something like this. He has nothing to feel sorry for, he doesn’t do anything intentional. He probably still feels very affected by the littlest of skinship between the both of you and you’re not blaming him for that, never.

‘Don’t be, it’s not your fault.’ You say, smiling at him as you try to comfort him. ‘You were just very effected by my touch, nothing else.’

‘No, it’s not like that ___.’ He says quietly, but with a stern tone. You frown as you wait for him to continue, but he doesn’t say anything else. You bite your lip, now curious to his response. You know there is something, you simply don’t get it. He knows that too, since you’re a human being, you can’t feel certain things. Or maybe you do, but you can’t place it as well as an animal can. It’s logical.

‘Then what is it like?’

It was silent for a few seconds. Taehyung is deciding on wether to tell you or to not tell you. He really goddamn wants to though, he wants to be with you as soon as possible, ever since he realized what has been going on. It’s like that in his world, once he knows you’re his mate, he will chase after you like you’re a pray. But he also knows that he can’t do that with his own owner, you are his leader, not his mate. It goes against the rules of his nature, but how can he ignore something this obvious?

‘Do you really want to know?’ He asks carefully, glancing up into your awaiting eyes. You nod and you’re not lying at all, what is there that you can’t seem to see? You know it must be something with the whole ‘mate’ thing. But what does that include? You don’t really know anything for that matter, you’re not really good informed about hybrids in general, what their animalistic features are including.

‘So, what I’ve been feeling and probably you too… Is what we call ‘finding your mate’.’ He tries to explain, making you more confused. ‘What is a mate?’ You ask. He hesitates again, maybe he shouldn’t tell you, maybe you aren’t ready for the truth. What if you don’t even want him? He knows that he can’t stay away from his mate, but humans surely can if they just ignore their intuition. It’s simple for humans, really.

‘It’s someone who you’re destined to be with. When you touch, you’d feel electrician go through your veins and you would feel very affected by each other. It’s what I feel with you and you also with me.’

‘Why do I feel it? I’m human…’ You’re confused. You once had read somewhere that animals have like a ‘mate’ or something, but you’ve never heard that it’s also with humans. Not human-to-human at least.

‘It must be because I feel it so strong, that it effects your body.’ He now turns back to look in front of him, but you just kept your gaze on his, startled and shocked. If it’s true what he is saying, then you are destined to be with a hybrid. That can’t be, you can’t be partnered up with a half-human-half-animal person. That can’t be…

‘Ah, we’re home.’ Taehyung declares, bringing you back to earth. You fish your keys out of your pocket an opened the door, letting in the hybrid first before you step inside, still having deep thoughts over the whole situation. You don’t know what to think nor do at that moment. What if Taehyung’s right? What if you’re destined to be with each other? Do you have to take him into your house? That’s just impossible, thinking back to your life-style and the amount of money you get. Yes, you earn enough money to spend on yourself, but two people?

‘___… You should know that I won’t stop trying to get closer to you… It’s my nature to do so, so I’m sorry if it might make you uncomfortable.’ He is genuinely sorry for his behavior and he knows what’s about to come once he will really want to get closer to you, to feel you and kiss you and fuck you- no, not yet. You need to get eased into the idea of being together with him first. He can’t make you his when you yourself hasn’t made up your mind yet. Because once you will be his mate, thinks will furiously change. He would be able to smell you, know where you are, know what you feel. Being mated is something really affectional and intimate, something you’re really willing to do.

You again bite on your lip upon hearing his words. You nod your head slowly, trying to understand where he’s coming from. This morning he was still this cute and sad thing, wandering around your house. But now it feels as if you need to stay away as much as possible from him. You can’t grow feelings for this boy, though your body says differently, you need to get your head straight. 

‘I’ll make us diner now.’ You declare and he nods, letting you trespass. He clenched his jaw, already feeling the urge to grab you and hold you close to him, but he held himself strong. He walks behind you to the kitchen, wanting to see how you will be preparing his meal. Though he has been almost blind to see anything else but your smell and affection the last few hours, he still very much appreciate the effort you put in stay at your home. Like this morning, he was so caught up in his own shit, that he almost broke himself. It was you who saved him to keep him thinking straight and it was then that he knew that you were something more than just his owner. Only his real mate could comfort him with just a single touch.

The night went on slowly, feeling the constant tension between the both of you. It wasn’t a tension of awkwardness, it was a tension that was unexplainable for you, but knowingly for Taehyung. It’s like a process, finding your mate. First it’s confusion from both of the sides, trying to figure out why you feel so attracted. Then realization, what is mostly even more confusing. Then you’re going to open yourself up to your mate, sending out certain energy which will catch the significant other. It’s not something you do on purpose, it’s something that nature arranges.

Every single movements he takes, every single breath and noise, you are aware of it. It’s as if your senses are on its highest level. You’ve never been so aware of someone else and it’s so strange. He is just sitting on the couch next from you, doing nothing much but it still got you off guard when he moves only a little bit. Taehyung feels the same and he moves on purpose to get you on edge, making you to want him. He knows it’s sinful that he does that to you, his own owner, but you don’t know it’s on purpose, so nothing will go wrong right? By that, once he gets you in his arms, he will be the dominant one in the relationship. It’s how it goes in the animal world, the male is always leading.

You’ve been noticing something like that too, a weird type of feeling flowing through the air. He suddenly gives these leader-vibes, like he suddenly owns this room, though he hasn’t done anything differently.

‘Can I sit next to you like yesterday?’ Taehyung suddenly asked and you just nod without thinking, soon regretting your choice. Because, when he leans up against your body, head on your shoulder and softly purring under his breath, you almost couldn’t stop but to press your thighs close to each other. Your body is literally on fire, this much of an affection he has on you. fuck fuck fuck, ___, keep it together. What in god’s sake is wrong with you?

Suddenly, Taehyung shoots his head up from your shoulder and looks at you with widened eyes. His eyes travel down to your crotch for a split second, making you scared for his reaction. He knows it, he knows that your body is literally graving for his attention right now.

‘___, are you that horny? I have been trying to ignore the smell for a whole hour now, but you’re literally screaming for me aren’t you?’

His voice was very low and you couldn’t do anything but to nod silently, enchanted by his dominant behavior. He has you right where he has been wanting you, he only didn’t though that you would be getting worked up about it so fast. He wants to touch you so bad right now and his body is also graving you, but it’s still too fast. You’re a human, you will end up regretting sleeping with him and will throw him out. That is how humans are after al, throwing away their worries like it’s nothing.

He grabs your waist and pins you down onto the couch, his body between your legs as you see his ears twitch in nervousness, but eyes dark and lustful. His tail is around your leg affectively and his eyes roam over your body, hands rubbing your waist.

‘I’d love to fuck you all night, princess, but we can’t. Because you first need to make up that pretty little mind of yours before I mark you as my own mate.’ He says, hips making small movements against yours to still create a little friction. Your body twitches under his, a loud moan leaving your mouth as the tension breaks between you two.

‘Just wait a little, we’ll get there.’

He gets off with a smirk, leaving you in your state and got to his own room. He wants to get you flustered like that, to manipulate your thoughts. He is going to get you to be his own and nothing will stand in his way.

Masterlist

[khalilhumam]

Navigating race and injustice in America’s middle class

New Post has been published on http://khalilhumam.com/navigating-race-and-injustice-in-americas-middle-class/

Navigating race and injustice in America’s middle class

By Jennifer M. Silva, Tiffany N. Ford The United States of America is a race-plural nation – the American middle class is no different. If we define the middle class as those in the middle 60 percent of the household income distribution, with annual household incomes between $40,000 and $154,000, then 59 percent of the middle class is white, 12 percent of the group is Black, 18 percent is Hispanic, and 6 percent is Asian. Given the racial make-up of this group, this current period of civil unrest, and the looming presidential election, it is more important than ever for those of us concerned with the well-being of the American middle class to understand the attitudes of different racial groups within the middle class. In a Brookings study begun in late 2019, in which we conducted focus groups and personal interviews with a broad range of middle-class Americans, we were able to have real discussions about race, racism, identity, and injustice. To promote comfort and honesty, we stratified our focus groups by race and gender, which allowed different middle-class race-gender groups to talk openly about their experiences in their workplaces, with their families, communities, and in their everyday lives. Below, we present what members of the American middle class had to say about racial injustice, both in the months leading up to the first identified case and in the early days of the COVID-19 pandemic. 

Navigating Injustice  

Summer 2020 witnessed national uprisings against racism and police brutality, with deeply rooted tensions concerning power, identity, injustice, and belonging that erupted into protests, riots, and lethal violence. These tensions were already brewing in our conversations about identity and respect in our focus groups in the fall of 2019.  For the Black and Hispanic people in the focus groups, experiences of disrespect and discrimination in the workplace were prevalent. Black women described how they had to restrain their emotions and opinions out of fear of retaliation or conflict, while also working harder to be given a fair chance. As Patricia, a Black woman who works in IT, describes: “I got to work harder. I have to work hard. I have to bust my kneecaps and ankles, just for somebody to give me a chance. I have to not respond the way someone would expect for me to respond so that they can respect me. Nobody respects women, and especially a Black woman.”    

Black and Hispanic individuals attested to racism in their everyday lives, whether stereotyping by their co-workers, discrimination in higher education, or racial profiling in the criminal justice system.

Black and Hispanic individuals attested to racism in their everyday lives, whether stereotyping by their co-workers, discrimination in higher education, or racial profiling in the criminal justice system. Justin, a Hispanic man in a Las Vegas, Nevada, focus group, shared his experience, “I’ve never had a positive association or positive experience with a cop pulling me over.  I got to a point where being Hispanic and being behind the wheel at night, it was almost a no-go for me.”  In Prince George’s County, Maryland, Black men described being “trolled for speeding” when they ventured into suburban areas and getting “pulled over because you ‘fit the description’” when they were wearing dreads, driving a nice car, or simply having a laundry bag in their backseat. One man said soberly, “In most of our movies, the person dies. A lot of these movies conditioned us to not prepare for a long life, not prepare for marriage. We figure we get to twenty-one, man, I’m blessed.”  

“I’ve never had a positive association or positive experience with a cop pulling me over.”

In Houston, Texas, Black men referred to the “injustice system,” documenting their fears of their children “getting railroaded for something petty” while wealthy people “get a slap on the wrist, two to three years’ probation for something petty,  while they just violated my child and mess them up for life.” One man tied crime to economic inequality and racism, explaining, “Just because I can’t get a job, the bills don’t stop coming. I can’t get a job. My child’s stomach’s not going to stop rumbling.” Another man chimed in, “It’s more profitable to keep us locked up and to keep this system rolling because you’re rented out as free labor, you’re rented out for for-profit prisons, and there is a quota the police and system has to make to keep those facilities rented.  My biggest thing is to keep my children out of their facilities.”[1]  Men and women in the Black and Hispanic focus groups attempted to acknowledge and fight against injustice,  but also tried to protect themselves from exhaustion and despair.  As a Black woman in Wichita, Kansas, noted, “I can switch it off real quick if I see stuff, like even with the police officers killing a lot of Black men, and women too, I can tune in and tune out.  I don’t want to see that, I don’t want to watch that, because all it does is bring my spirit down. So, I’m an optimist on life in general, and just knowing that the future is going to be as bright as you make it, it’s up to us to make our future bright.”    Brian, a 57-year-old Black man from Detroit, Michigan, moved to Texas when the automobile factories were closing, leaving behind “a post-apocalyptic world.” In Houston, he moved into the technology field, performing computer upgrades and technical assistance on government contracts.  Brian has not had steady benefits such as health insurance or retirement contributions as a contract worker, yet has invested substantially in his own career advancement, most recently in a $7,500 online course on data security. Since COVID-19 hit, he has been “trying to get two certifications, maybe three, between now and Labor Day weekend, because right now it’s just very hard to get a job because the work source is gone. The unemployment office, they’re closed. You can’t go online because the website just keeps crashing if you get on there.”  He has been getting some help from SNAP.  Brian reflects, “I think that if you want the American Dream, if you’re a minority, you have to work so much harder. I mean, you can get it, but you’ve just got to work a lot harder. There have been times when I’ve been down here where I think that race played a part in me getting the job, because when you’re the only Black person and everybody else is white, you kind of figure you’re probably the token guy that they kind of had to hire, to keep the government off of them. I’ve had a couple of jobs like that. I think there’s just a lot more opportunities, if I were lighter-skinned or white.” He continues: “I mean, plus what’s going on in Detroit right now. I mean, they’ve got the highest COVID cases in the country, and like I said. Detroit is 80% Black, so, like I said. That’s one reason why I’m glad I’m not there.”  

Nostalgia and Resentment  

For some of the white people we spoke with, we heard anger toward perceived “quota-filling” hiring practices or attacks from the “left.” Some white participants resented being put into a racial category at all, while others feared they were on their way to becoming a “minority” in America. Leslie, a white woman from Las Vegas, described her experiences: “The culture has definitely shifted. Because in the [19]80’s, I think being a white working American woman, a lot of people strived for that, and now we are definitely the minority. I feel like we’re the minority and [we’re] discriminated against, especially in the workplace.” Other white people believed that race had become too politicized in recent years, fueling unnecessary conflict between Americans of different racial groups. Jake, a pastor from Pennsylvania, put it, “There’s this bizarre focus on race. And granted there are racists, there’s always been racists, there’s always going to be racists. But it seemed like the country went from this, we’re all in this together mentality, to we’ve literally been carved out. They’ve carved us out into groups now.  I don’t understand why we’re now white people. It just feels like we were people. When I was in New York, we were people. Some of my best friends were the people I worked with who were all different shades of different stuff.”   Promoting a colorblind[2] view of the world, Jake, a Trump supporter, continued, “We elected our first Black president, which was supposed to be this big deal. I didn’t care if he was Black. I cared that he didn’t have any experience and I thought he shouldn’t have got the job.” While Jake insists that racism is wrong, he does not like how quotas – “the numbers” –  seem to have replaced individual merit: “Almost anywhere you go to fill out something now, you’re asked specifically,  are you Latino or Hispanic? Are minorities receiving maybe some additional treatment because we have to get our numbers up to match and we want this to look fair and equal?” In his interview, Jake also worried about a growing “disrespect for our authorities, like police officers. In ministry, there are people who don’t live the way they’re supposed to live.  Everybody makes bad choices and doesn’t, but you can’t throw everybody out because just one or two make bad choices. Any profession, any type of work you do, is going to have some bad apples.”[3]  Overall, Jake seemed perplexed by enduring racial conflict and resentful that we can’t all just be “people.”   Joe, a white man with a high school diploma who works an entry-level factory job, asserts that America has been “going downhill since 1965.”  Joe favors protections for workers such as trade barriers, opposes US involvement in foreign wars, and generally supports “left-wing economic ideas,” labeling himself “kind of a Socialist.”  But Joe is staunchly against immigration, insisting, “End it. All of it. Until every single American has a job and is taken care of, we have no business importing competitive labor.” He is also right-wing on cultural issues – “My issues with the Democrats are cultural progressive issues. I’m all for universal health care, universal basic income. But then they push all the progressive cultural issues. I joke around and say, give me the universal health care but hold the gay marriage.”  While Joe voted for Trump in 2016, now he thinks Trump “has to go” because he has supported Wall Street over American workers.   Joe tentatively tells us about his involvement in white nationalist politics. He has long been involved in Civil War reenactments and has traced his American roots back to the 1660s in New England. He struggles to define what it means to be American today: “if anybody can be an American, then what’s it really mean?” When I ask if it used to mean something, he replies, “Well, when you say he was an American, you knew what they were talking about. That you’re someone of European ancestry. Originally it was white English Protestants and they had different waves of immigration after that. But until the 1960’s, it was pretty straightforward what an American was.  Now that’s becoming much more diversified.” Joe has been heavily involved in the Confederate flag and monument controversies and was part of the Unite the Right rally in Charlottesville, Virginia, in 2017. He states, “But what irks me is the monuments, particularly those put up by widows and orphans to their fallen kin. I think that’s low. It’s almost a personal attack because history is the foundation of my identity is the way I look at it. It’s an attack on white American history more than anything else.” Joe worries about his children growing up as a “minority,” viewing diverse societies as unsustainable and prone to “culture ruptures” and violence. He feels betrayed by Donald Trump’s treatment of the white nationalists in Charlottesville, telling his supporters to “go out there and fight those people, but then when people do it, he leaves them out to dry, which I think is kind of a cheap move.” He says he is willing to give Joe Biden a chance in November.   

Evidence of racial inequality abounds.

Evidence of racial inequality abounds. Qualitative data from our American Middle Class Hopes and Anxieties Study is yet another contribution to that body of evidence. Black, Hispanic, and white middle class Americans have had vastly different experiences in America – to say the least – and thus hold different views on current inequalities. Armed with their stories, we are better prepared to think more carefully about how to address injustice and inequality, challenge misinformation, and bridge the nation’s longstanding divides.   

About the Study 

  The Future of the Middle Class Initiative has spent the last several years studying the American middle class. We have explored survey data, reviewed the literature, and consulted with experts. But we also wanted to base our conclusions on talking to members of the middle class, listening to their stories, and in the process, deepening our understanding of their lives and their well-being.  In fall of 2019, we launched the American Middle Class Hopes and Anxieties Study, a mixed-methods study that brings together in-depth interviews, survey data, focus groups, and quantitative analysis to better understand how the middle class is faring across five core domains: time, money, health, respect, and relationships. For the first phase of our study, we conducted twelve focus groups in five locations across the United States, with a total of 127 white, Black, and Hispanic or Latino middle–class Americans. In April of 2020, we began phase II of the study, conducting one-on-one in-depth interviews with a subset of the focus group participants. As a result of these interviews, we were able to hone in on the new challenges that have arisen as a result of COVID-19, including balancing childcare and work, sharing household tasks, coping with mental and physical health concerns, and dealing with economic uncertainty.  This work would not have been possible without the collaboration of Econometrica, Inc. researchers and the generosity of the 127 middle class Americans who shared their stories.  

Footnotes

[1] See Rios, Victor. Punished: Policing the Lives of Black and Latino Boys. New York, NY: NYU Press, 2011. [2] Bonilla-Silva, Eduardo. Racism without Racists. Lanham, MD: Roman & Littlefield Publishers, 2009. [3] Rashawn, Ray. “Bad apples come from rotten trees in policing.” Brookings How We Rise (blog), May 30, 2020. https://www.brookings.edu/blog/how-we-rise/2020/05/30/bad-apples-come-from-rotten-trees-in-policing/   Jennifer M. Silva did not receive financial support from any firm or person for this article or from any firm or person with a financial or political interest in this article. The author is not currently an officer, director, or board member of any organization with a financial or political interest in this article.