#may or may not add more to this later but its been in my drafts for a month so figured i'd share

[doubledyke]

idk why i have such strong lore about eddy's parents but i feel like i know these mfers

100% they are swingers

dad does coke on the not so down low

totally the types to cuss in front of their kids and don't care if their kids cuss "in the house"

mom is in a classic mlm (mary kay); has been known to use little eddy as a model to practice her make up skills/demonstrate products for clients - the shitty full coverage foundation almost looks decent on pristine toddler skin

nasty little white dog with tear stains once both boys are gone

make their own p0rnos

completely non-religious; the subject never comes up

they either lived in the trailer park or a tiny downtown apartment before eddy sr.'s big promotion- were pretty poor when they had bro

mom's family is italian, dad's side is irish - or vice versa, doesn't really matter

mom is friends with momma kanker - thinks the other wives in the neighborhood are uptight bitches; they kiki and chain-smoke/day-drink together

dad has a gay brother/cousin that he was really close to before he came out and was disowned by the family; feels that he was tricked and betrayed for whatever heterosexual reason; thinks this justifies his homohobia

mom is very affectionate with her boys (especially eddy), and definitely licks her thumb to wipe schmutz off their faces even into adulthood

both parents are extremely uncomfortable when serious emotions come up, and have no clue how to handle eddy's obvious behavioral/emotional issues; mom turns to food for comfort and figures the same will work for her sons

she feels guilty for what happened to eddy and has trouble telling him no or punishing him; dad's motto is 'boys will be boys"- that's a threat

dad has never uttered the words "i love you", and would only respond with a grunt if anyone ever said it, but that hasn't happened in years

dad really wants to pass on the family business to one of his sons, so he was pissed when his oldest decided to pursue a more artistic path; really lays it on thick with eddy that he's gonna be the one to take over some day

mom never graduated high school cuz she got pregnant and dropped out; worked a few odd jobs when bro was growing up but is now a full time stay-at-home mom... when she's not at spin class or the salon or attending some sort of direct sales function

[bloodyxroyal]

Why did Rain aid Havik in his so called revolution? Why did he flood seido? Did he really belive he could do such a heinous crime and get away with it?

After the plans to conspire against the throne that led to Empress Sindel death fell through. Rain knew he would lose his head if he went back to Outworld. He knew Sindel daughters would find about him siding with Shang Tsung and Quan Chi. Smart enough to know that the High Mage had ulterior motives that went against the royal family. He could never show his face again if he wanted to live. And the one time he did go back, one glimpse of the wanted poster with his face on it was a sign to get out of there.

Rain went back to the only place he knew he could hide, the living forest which was no longer living…just a hallowed shell of itself with dead rotting trees and corrupted souls floating about. That is where he runs into Havik and Darrius. The two were figuring out a plan to return to seido and take down the government. Quick on his feet, Rain approached them seeking a place to hide in turn he would aid them in taking down the seiden capitol. At first he wouldn't agree until Darrius explains to him how the seidens in the higher society looked down and treated those who they deemed lesser than. Punished for the minor things such as wearing clothing that didn't fit a code or simply attaining an item that shouldn't be in their possession. In the end Rain was empathetic to their struggle.

Upon stepping into orderrealm, Rain got an overwhelming surge of power, like a beacon drawn him in. He could sense the massive body of water that surrounded the realm, it's aura drawing him in. Which made it easier to go through his plan. Stepping the tip of the highest peak looking over the seidan capital, the citizens below unaware of the danger that was coming in the form of a tsunami, drowning out their lives. In the beginning Rain was blind to logic, addicted the power he wield…so much power he didn't even know he could control. When it was over, he looks down at a large ocean that use to be a city, bodies floating to the surface. Some people were still alive, trying to swim to a shore only to die of exhaustion.

"What have I done?" Rain finally comes to, the adrenaline now replaced with deep regret. He just wanted an escape and now there was no chance in hell he can come back after killing millions.

Rain should have known better…

To be continued

[brick-van-dyke]

Gonna review all the sources I've been provided with (they're damning for the zio so rip to them but thanks for the sources lmao), and been searching through more sources from the time periods in question and, well, basically I started a thing.

(sorry for the blurriness) An overall essay going through the evidence and providing a small splash of input as someone noticing a lot of discord in said evidence, which isn't surprising but still it is telling how zionists cherry pick.

Anyway, the more I learn, the more I realise that there's a lot of political and nationalistic push to emit details in some papers, while pushing for certain conclusions based on the framing of the research for others. I think this is legitimately just unproductive when acknowledging the subjectivity of history as a study and the way certain overlap may point to a conclusion that isn't preferable by a variety of people, from researchers to the intuitions that may use or pay for the research to begin with. I find this in studies that delve into contentious topics in general. It's why it's so important to note the overlap and notice the inevitability of bias in understanding these topics.

As far as the history the Middle East goes and who colonised who, I think many disregard the simple theory that, perhaps, colonisation itself can be something inflicted by the post-colonised and equally be something done to a group with connections to conquest, ultimately making both the same in terms of land rights and the concept of legal ownership. Or, more specifically, that Zionists' attempts to become conquests have since reduced their claim, just as it would reduce a Babylonian, despite their deep links to the land and, arguably, being one of the first social groups before or at the same time as the Israelites.

History and Carbon Dating specifically become difficult to assign moral value of land rights to when cultures blossom and change in such extreme ways (to the point of being unrelated or unrecognisable with those from ancient eras) with the passing of time. The racial blame placed by Israel is thus shown to be one of mistaken vengeance and generally racial profiling of modern Arabs, just as the Persian, Turkish, Roman and British empires showed signs of racist attitudes to employ totalitarian tactics of rule over the peasantry. Being the colonised when one is willing to colonise with the same means reduces the ethical claims and, meanwhile, the history itself reflects greater nuance than political nationalists may desire of it.

Ultimately, as I search further and further, I find that the claim of nationalism and identity is a mere shared ideal of all empires formed through conquest and the desire for ownership of abundant resources. Meanwhile, I find that the idea of an ancient homeland to reclaim is obsolete when the people in question do not resemble those they wish to avenge. Culture evolves with geography and time, a constant for every country's history. Religion, culture and the concept of a homeland forms where the resources are abundant, rather than any legitimate greater or lesser claim from neighbouring tribes and civilisations. The wish of a Promised Land is a logical conclusion for any group seeking refuge from the elements; a moral argument filled with human necessity and a shared common ground if faced with an open mind and a willingness to review the past, while simultaneously moving on from it. The complexity becomes simple when it is understood that only the present can take responsibility for the present; and choose a better path than those who horde resources in the modern age of globalised colonialism.

[opencommunion]

recommended resources on Lebanese resistance and its context

this has been in my drafts for a long time bc I wanted to find more audio resources but in light of recent events I'm posting as is, and will add more later. pdfs for texts without links can be found on libgen ⭐ = start with these 📺 = video resource 🎧 = audio resource Hizballah ⭐ Lara Deeb, "Hizballah and Its Civilian Constituencies," in The War on Lebanon: A Reader, eds. Nubar Hovsepian and Rashid Khalidi (2007)

⭐🎧 Electronic Intifada Podcast with Rania Khalek, "Why Hizballah would deal Israel a deadly blow" (2024)

⭐🎧 Electronic Intifada Podcast with Amal Saad, "How Hizballah Aims to Deter Israel" (2024)

📺 Rania Khalek, Interview with Hezbollah's Second-in-Command Sheikh Naim Qassem (2023)

🎧 Rania Khalek and Julia Kassem, "The Hybrid War on Lebanon is All About Weakening Hezbollah" (2022)

Hassan Nasrallah, "Voice of Hezbollah: The Statements of Sayyed Hassan Nasrallah," ed. Nicholas Noe (2007)

Judith Harik, "Hizballah's Public and Social Services and Iran," in Distant Relations: Iran and Lebanon in the last 500 years (2006) Sarah Marusek, Faith and Resistance: The Politics of Love and War in Lebanon (2018)

Abed T. Kanaaneh, Understanding Hezbollah: The Hegemony of Resistance (2021)

Karim Makdisi, "The Oct. 8 War: Lebanon's Southern Front" (2024) Political theory ⭐ Ussama Makdisi, "Understanding Sectarianism," in The War on Lebanon: A Reader, eds. Nubar Hovsepian and Rashid Khalidi (2007)

⭐ Rula Juri Abisaab and Malek Abisaab, The Shi'ites of Lebanon: Modernism, Communism, and Hizbullah's Islamists (2014)

Ilham Khuri-Makdisi, The Eastern Mediterranean and the Making of Global Radicalism, 1860-1914 (2010) Tareq Y. Ismael and Jacqueline S. Ismael, The Communist Movement in Syria and Lebanon (1998) 2006 war ⭐ Gilbert Achcar and Michel Warschawski, The 33-Day War: Israel's War on Hezbollah in Lebanon and Its Consequences (2007)

The Electronic Intifada with Dahr Jamail, "The world just sat by" (2006)

The Electronic Intifada with Bilal El-Amine, "Lebanon in Context" (2006) The War on Lebanon: A Reader, eds. Nubar Hovsepian and Rashid Khalidi (2007)

Civil war and 1982 invasion ⭐📺 Up to the South, dir. Jayce Salloum and Walid Ra'ad (1993)

⭐📺 Wild Flowers: Women of South Lebanon, dir. Mai Masri and Jean Khalil Chamoun (1987)

⭐ Souha Bechara, Resistance: My Life for Lebanon (2003)

Jean Said Makdisi, Beirut Fragments: A War Memoir (1990)

Bayan Nuwayhed al-Hout, Sabra and Shatila, September 1982 (2004) Ottoman era Charles Al-Hayek, "How, then, did you try to rebel?"

Lebanon Unsettled, "Lebanon's Popular Uprisings"

Axel Havemann, "The Impact of Peasant Resistance on Nineteenth Century Mount Lebanon," in Peasants and Politics in the Modern Middle East (1991) Ussama Makdisi, The Culture of Sectarianism: Community, History, and Violence in Nineteenth-Century Ottoman Lebanon (2000)

Peter Hill, "How Global was the Age of Revolutions? The Case of Mount Lebanon, 1821" (2020) Mark Farha, "From Anti-imperial Dissent to National Consent: the First World War and the Formation of a Trans-sectarian National Consciousness in Lebanon" (2015) French mandate era ⭐ Kais Firro, Inventing Lebanon: Nationalism and the State Under the Mandate (2002) Sana Tannoury-Karam, "Founding the Lebanese Left: From Colonial Rule to Independence" (2021) Idir Ouahes, Syria and Lebanon Under the French Mandate: Cultural Imperialism and the Workings of Empire (2018)

Malek Abisaab, Militant Women of a Fragile Nation (2009) Misc ⭐📺 Leila and the Wolves, dir. Heiny Srour and Sabah Jabbour (1984)

⭐ Fawwaz Traboulsi, A History of Modern Lebanon (2007)

Karim Makdisi, "Lebanon's October 2019 Uprising" (2021)

[wolfiesmoon]

Hey I hope you are doing well when ever you are reading this but how do you think the 3rd year boys from twst would react to their s/o (gn reader) cuddling with a huge plush instead of them.

Like this.

Oh boy oh boy this kinda cures my writers block tbh, i have so many drafts but none of em look enticing enough to continue writing (��д｀|||)

I took out a few of the 3rd years bc its too many people for 1 fic but i might make a part 2 where i add the missing 3rd years at some point

i went with the more silly writing style again, hope that's fine by you ○( ＾皿＾)っ

𓏲 ๋࣭  ࣪ ˖ Malleus Draconia

He doesn't exactly get why, but he feels kinda annoyed just laying next to you while you hug a big ol plushie

This doesn't feel right🫤

But then again, you look rlly happy and satisfied so he stays quiet since if you're happy, he's happy (he desperately wants to be in the plushy's place)

When you playfully kiss the plush though, that rule no longer applies. After all, his rightful spot is in your arms🫠

He nudges you. "Put the stuffed animal away."

"You sound angry." You smirk and kiss the plush again, knowing he's probably annoyed about that

without another word, he pulls the plushy out of your hands and settles down in its place

"I am a much better than that object. Just so you know." he smiled smugly, expecting a kiss on the cheek just like you gave to the plushie earlier

you kissed him on the lips instead just to see his eyes widen and his face go red ofc 😏

𓏲 ๋࣭  ࣪ ˖ Leona Kingscholar

basically, it is NOT happening

"hell no." is the only thing he says before ripping the poor plushie out of your arms and chucking it across the room

like actually how DARE you try to replace him with a plushie

"Why would you do that?" You pouted at him, looking at the now discarded plushy from the bed🤕

"You know damn well why." He huffed, laying down on top of you without warning which tends to be a habit of his

"Because that's my spot, got it?" He answered for you. clearly you forgot😒

"Uhhh, right." you answered after a short pause...

"I won't remind you next time." he sounded rlly annoyed. it's kinda funny how worked up he got over a plushy replacing him 🤭

this also means he won't let you get up for like.... atleast 2 hours to atone for your sins

moral of the story: don't do this again unless you want a ripped up plushie and a pissed off lion man😠

𓏲 ๋࣭  ࣪ ˖ Idia Shroud

"This is so unfair. Even worse than an OP boss. " he sighed dramatically, laying down besides you and pouting at the sight og a huge plushie in your arms

"pick up the sock if you have enough energy to complain." you turned away from him, still annoyed with him

being the epic gamer he is (😎💯), he discarded one of his socks in the middle of his room and didn't feel like picking it up later even after you told him to

...which ended with you refusing to cuddle with him until he does pick up the sock

after a short while of very awkward silence...

he groaned in annoyance, begrudgingly getting up and finally picking up the sock, then leaving the room to put it in the wash

you smirked victoriously, placing the plushie away as promised and letting him hug you instead

"The things you make me do, smh." he sighed, relaxing into you 😒

"Picking up a singular sock?" you teased him, hugging him back

He didn't reply so that means it's your victory 😝

𓏲 ๋࣭  ࣪ ˖ Vil Schoenheit

this is an unforgivable offense, just because you had a little disagreement earlier doesn't mean you can just replace him with a plushie😠

love transcends disagreements, after all

does not help at all that the plushie's cute round face reminds him of a certain thorn in his side named Neige LeBlanche😒

he sighs, "I may have been too harsh back there."

your only reply is an annoyed huff and you hug the plushie tighter which makes one of those anime veins pop up on his face 💢

he takes a deep breath "It was not my intention to hurt your... sensibilities." he's trying babe, he's really trying

You don't reply for a moment...

"Ugh." you throw the plushie away and hug him tightly "This doesn't mean I forgive you, just for the record."

"I still stand by my opinion too, just worded less harshly." he gently puts an arm around you, stroking your back

it was only a matter of time until you gave up with your stubborn pettiness, soon you'll forgive him too, he'll make sure of that 😌

𓏲 ๋࣭  ࣪ ˖ Lilia Vanrouge

He's actually surprisingly chill about it i feel like

He wouldn't get annoyed or be jealous per se, he'd just get a little sad it's not him you're hugging😔

he's there, you know? there's no need for a plushie...

"Am I not satisfactory enough?" He asks half playfully half seriously

"In what sense?" you totally knew what he meant but just wanted to tease him back

"Hey, isn't this supposed to be the other way around?" he smiled at you, immediately knowing what you were playing at

"Hahaha, you know me too well." you kiss his cheek, yet you still don't let go of the plushie which makes him pout

"I see you have found yourself a new lover." his eyes travel to the plushie for a moment, the betrayal is real😔🙏🏻

"You got a problem with him?" you raised a brow 🤨

"A little." he hugged you from the back, getting comfy

"Okay fine, maybe my ex is the better one after all." you let go of the plushie and turned around to hug him back 💗

[inumkii]

ˏˋ°•*⁀➷ idiots to lovers - yuta okkotsu x reader

bullet point scenario

genre: fluff!! idiots to lovers (obviousllyyy)

wc: 1.3k

ˏˋ°•*⁀➷ a/n: i figured it was better if i posted this instead of letting it sit in the dungeon (my collection of drafts that’ll never see the light of day)

okiee yuta timeee

i love annoying misconceptions and (falsely) heartbroken pining

the way i see it is that yuta strongly admires maki’s strength and resolve that, to you (who’s hopelessly pining after him), it can get mistaken as romantic ..

and it doesn't help that panda likes to be annoying about the two of them together ,,, it just all deflates your mood a little bit whenever you see them together 

and you know you have no right to be sulking about this,, maki and yuta are your friends.. it shouldn't matter if they did like each other,, it's not something you could control

but you just desperately wish that yuta could look at you with the same level of admiration that he has when he talks to maki about sparring or whatever it may be

hell, he could barely look you in the eyes

it makes you a little sad seeing everyone’s friendship with yuta develope rapidly throughout his time at jujutsu tech,, but when it comes to conversing with you, things still feel a little different 

its not like you two are merely acquaintances! you wouldn't hesitate to call okkutsu yuta a friend of yours,, but it's a simple relationship. not much complexity beyond your conversations during missions or gojo’s lessons

unfortunately for the both of you, you’re unaware of yuta’s affection for you

the reason why he doesn’t look at you with the admiration you wish for is because he can’t even look you in the eyes without getting too flustered ….

poor boy

he’s definitely gained a lot more confidence after joining jujutsu high, but it's still not enough to muster up enough courage to ask you to lunch or even have an in depth conversation without him getting too red in the face

he doesn’t know why you have this affect on him,, his previous relationship had been so easy- then again the carelessness of childhood was not a luxury he has anymore. though it was simpler, he knew he didn't have the mental capacity at such a young age to be overthinking shit like he does now

to add on, your friendship with toge has him struck with the familiar worries that you experience with maki

catching a glimpse of the spectators during his spar from the field, he can’t help but feel a little disappointed when he sees you seated a little too close to inumaki up on the bleachers. 

“how long have yn and toge been friends?” he questions maki in the midst of their spar as he blocks her oncoming attack

“oh those two? just as long as we all joined jujustu high” maki switches to the defensive as yuta charges forward. yuta moves to strike her but maki smirks, “though i think they oughta start dating sooner later”

her words cause yuta to freeze for a split second and she shoves him to the ground, effectively placing herself on top of him. she holds her staff to his neck, signaling her win. one point for maki

she laughs in victory before lowering her voice back to her previous volume.

“i was kidding, by the way. there’s definitely no feelings between them” she helps the defeated (and visibly embarrassed) boy off his feet, “clearly there are for the two of you, however”

she struts back toward you, panda, and toge to retrieve her water, leaving yuta a flustered mess on the ground

and in that whole instance, you hadn’t heard any of that conversation 

you had been leaned up against toge murmuring your complaints so panda, mediating the fight ahead, couldn't hear you

“they look good together” you say in self sabotaging pity

toge only shakes his head and disagrees

“okaka”

you’re sure he’s just doing this to make you feel better about yourself

“shes so pretty,, how couldnt he like her” you wail pathetically. toge is so fed up with this but its not he can just tell the other side how you felt (he would never rat you out like that though),, but hes certain yuta likes you back and that you're over analyzing him too much

he places a hand on your shoulder and waits for you to look up at him

the expression on his face tells you clearly, ‘you need to stop’

you sigh. toges right, he always is- but it still doesn’t do anything to quell your fears

and low and behold! your thoughts are interrupted by maki’s victory laugh. she was on top of him, rendering him unable to move

god you wished that was you………

you bury your head in your hands in utter frustration and groan. this is the worst feeling- you know you’re being stupid but jealousy is a disease and you’re dying over here!!

yuta swaps out with panda, who was waiting eagerly to fight the victor 

he joins you guys up on the bleachers, seating himself beside toge. he quickly notices your distressed figure

“is,, everything alrigjt?” he asks tentatively 

to his dismay, toge answers for you with a hum. this causes yuta to be a little peeved when it's him answering in your place- he tries to ignore it

you and inumaki seem way closer than you would ever be with him,,

but to yuta’s delight and your demise, toge stands up from between you (he doesn’t think he can stand to be sandwiched between the pining idiots anymore)

your blonde friend lets out a noise, motions to the line of water bottles at the bottom of the bleachers, and promptly leaves

yuta takes this opportunity to scoot himself closer to you, who’s still slumped over + wallowing away

“what were you two talking about?” he asks, trying to gauge why you’re sulking

you have to choose your words carefully. you couldn't just tell him you’re upset over something trivial like his spar with maki

“i’ve just been frustrated” you mumble vaguely

“frustrated?” he inches closer to you, trying to mimic toge’s proximity from before. he questions you with the utmost sincerity

“yeah. sorry i dont really know how to elaborate” you lift your head, deciding to stop staring holes into your shoes. you’re trying so hard to make this conversation not awkward- but your short answers don’t help your case at all.

“its alright, you dont have to talk about it if you dont want to” 

if there's one thing you love about okkotsu yuta, it was how sweet he is

for the first time in the last hour or however long you had all been out on the field, you let out a genuine smile

“thank you yuta, i appreciate you” 

his ears turn pink within a split second but nevertheless, he reciprocates your smile

the problem with conversing with you is that most of your conversations were too short

he could get so lost in your smile at times he finds himself silent, forgetting to carry on whatever you were talking to him about

this time he manages to snap himself out of it

“did you wanna hang out after practice? i mean- if you’d rather be alone right now that's fine to!” he knows he left the option to decline open but he hopes you didn't take him up on the latter,,

“that sounds nice.” you’re biting back a stupidly large grin 

neither of you notice that maki and pandas fight had already concluded or that inumaki had been gone a suspiciously large amount of time to just grab a drink of water 

makis smiling at the two of you up in your own world while toge almost sighs in exhaustion, 

“sujiko” 

(finally)

being around the two of you was quite a taxing event for them both

panda, on the other hand, is finally catching on- eyes shifting back and forth between you and yuta and his friends at the bottom of the bleachers in disbelief

it was an unspoken understanding between toge and maki that they should avoid panda becoming aware of the sprouting couple to avoid some- awkward comments, though he meant well

well, there’s no hiding it anymore with the two of you hopelessly blushing at each other + toge and maki’s shared smirks

before panda could say anything to disrupt the moment, his two friends were already dragging him off the field to avoid him opening his big mouth

“they wont notice we’ve left” maki says with a chuckle

“salmon”

[sapphicscholar]

Inaugural Hacks Fandom Gift Exchange!

Hello, hello! This year, we are launching a winter gift exchange for Hacks! Styled like other major femslash gift exchanges, you will sign up with 2 prompts, which will be assigned to another participant, and you will in turn receive the prompts of another participant. These prompts will be shared individually in early November, and you will have until December 20th to create and post a fan work (fic, art, gif sets, manips/edits, fanvid) for one of those prompts!

I’ve posted an FAQ below, and you can sign up to participate at the following link: https://forms.gle/RG6uofVYvV9HvNyQ7

~~~

Event FAQ:

Can I sign up if I don’t write fic?

This event is for all kinds of fan creators! The form will give you an opportunity to check off what kinds of work you are interested in making (fic, art, gif sets, and/or vids). While we will be using a sorting mechanism, we’ll add tags to prompts to help ensure folks signing up to create vids or gif sets won’t be given someone whose prompts are nearly impossible to fill in that medium.

Can I sign up and drop out later?

Please don’t! For this kind of event, drop outs pose a big problem! Rather than having a simple theme day where anyone can post, a gift exchange means your prompts have been assigned to someone else (who will gift you a creative work), and you have gotten another participants’ prompts. Making sure that no one is left without a gift on reveal day means that someone will have to race around to fill your prompts at the last minute.

So should I just not participate if I don’t know if I’ll have the time?

One thing you can offer to do if you’re one of those people who loves the adrenaline rush of a looming deadline is to let me know that you *might* be interested in being a pinch hitter in case we do have drop outs or situations where life happens. This doesn’t obligate you, but it lets me know that I can reach out near the deadline to check in and see if you’re up for it!

Can I use AI to help create my gift work?

No. While other fan events may have different rules, for this event we ask that you not use AI at any stage in creation (idea generation, drafting fic, creating art, editing, etc.). These kinds of events are designed to foster community; we put time, energy, and real creative labor into making something to gift to another, and there is far more value in something with a couple tiny quirks or typos of handmade art than there is in the cold sterility of AI-generated outputs. Generative AI is, per the admissions of its own creators, possible only because of the non-consensual theft of vast troves of creative labor via large scale data scraping. These workers have been neither paid nor credited, but their labor is lining the pockets of corporate billionaires who continue to decimate the environment in an era of worsening climate catastrophe while exploiting invisibilized, barely paid workers in the Global South. Anyone found to be using AI will not have their work posted in the collection and will be barred from participation in future fan events.

[puckpocketed]

hello i was tagged by @18minutemajor for WIP Wednesday. it is not Wednesday but i am also not a cop so . here we gooo!!!!!!! tagging my esteemed colleagues (very politely and with no pressure!!!):

@neonfretra @oensible @sorrellegiance @moregraceful @stereax

@wheelsnipecelebrini

@korshrimpski (EDIT: it won’t?? let me tag you. unless these are on separate lines <3)

what's in-progress in your life <3 writing? art? recipe? skill acquisition?

if any crafty people see this - if ANYONE sees this - and would like to join in, feel free and consider yourself tagged <3 (and tag me back so i can see your stuff!!!) link to 18minutemajor's post if yall curious :3 my VERY long wip dump + ramblings under the cut!

its christmas soon and i like to paint gifts for my friends + and i'm finally revisiting my anime/lineart/inking era (here you are K!! my lineart past, present, and future!! <3) so here are some things i've been working on/coming back to/MAY NEVER FINISH: hockey related:

this is juraj slafkovsky and his dinky little middle part which he can absolutely learn to style into something a little less dinky but never does. i am so charmed by him. i imagine he just rocks it because his pretty privilege supersedes dinky middle parts . LMAO!!

here is Sasuke from my Naruto Hockey AU. I am a little stuck on jersey mockups lol. here he is. our haunted little 1OA who is absolutely normal and regular about his captain (LOUD incorrect buzzer):

personal oc art

wanna know some puckpocketed deep lore? i've never been one to make OCs. i was just not a very creative kid tbh. spent all my time drawing sailor moon instead. i still go back to her sometimes because she is one of my favourite shapes in the WORLD!!

in my 20s i took up playing d&d because of the. uh. plague. <3 and got pretty close to having OCs!! those count right? anyway. here is my tavern-wench-turned-wizard!!! i think i painted this 2 years ago? <- put dates on your works guys it saves lives. her name is Mel (short for Melins (pronounced like melons. on account of her knockers. can you tell i never grew out of my 12 yr old booby/cock joke era?) i revisited Mel recently and have started painting her in earnest again!! :3

I briefly dated someone who was very into streetwear and fashion, and I fell down a techwear/gorpcore/cyberpunk rabbit hole for a couple days out of curiosity. i remember literally zero salient info on any of it except the broad strokes of silhouetting and Vibes. what i emerged with, however, was a ?? sorta OC?? im not sure what to call them. they dont rly have a name or gender. I did this little sheet ages ago + the aborted attempt at a portrait later:

Here are my most recent explorations (i have been doing SOOOO much art. <3) which include:

unfinished character sheet + chibi art. I played with their jacket (much more structured/square/tailored thing) and added a lotta random buckles and belts. i took textiles class years ago and have a little experience in garment construction. and i know for a fact this thing does not make any sense. it hurts me to look at a little bit LMAO so i've paused it while i go draft patterns (badly. i was never good at drafting. i think i may have to break out my scrap fabric stash and hand sew a real life mock-up. HELP!)

here is me having fun with them and imagining them as some kind of cyber-fisherman. the best part of every game is the fishing mini-game to me. i love fishing mini-games so much. I made their hair really big because i wanted them to have big unwieldy hair and the vibes told me i should add more movement to the piece aside from the fishing line. I messed with their jacket AGAIN because i can't stop thinking about what kinda jacket they'd wear. gorp-core ? idk. it sure is something!

gifts for my friends :3

back in my weeb era for real YAYYYY!!! up til now i'd been making hockey art using a zero pressure sensitivity pen brush because i simply did NOT want to deal with that. it is and has always been a barrier to me making art that uses line art. <3 easing my way back into it though!

I used to paint gifts for my friends and then get them printed into lil posters and mount them on nice backing :3 i am now ready and back to painting.

Here is my girlbestie's OC. just a rough pose sketch. i think im pretty unsatisfied with the gesture of the head/hand. i wanted to include her gun in some way. i fear i may have to rework the pose entirely <3

For the genshin girlies.. here are some of my friends fave characters.

Yelan - this one i started many holidays ago and put on the backburner because the colouring was wigging me out. you can see where i started rendering stuff + got sidetracked and started on something else (the crystal choker IM LAUGHING @ past me...)

Ayaka - I reaaally like what i did here with the perspective + foreshortening. I don't know if the pose or expression is in-character or not, but i had fun :3 got stunlocked looking at references of genshin weapons so this is where i left off:

if you made it all the way down here hi... <3 ice hockey really cracked the ketchup bottle open for me when it comes to making art again. i love the communities i've found, and i'm inspired by every artist on here every day. thanks for being so cool + have a great day :)

[sourpatchys]

Title: Life in Carnet

Word count: 2.2k

Rating: PG-13, fluff. F!reader

Time: after Overhaul, before PLF

Summary: An issue has developed. Though, you can’t say you mind much. The future is yours.

A/n: This was supposed to be much longer and I may still add a second part later on, but it’s been sitting in my drafts for much too long and I decided it was finally time to just post it and let it out into the world!

Masterlist guidelines

—

The terrors of the underworld were almost too much for you at times. Watching over your shoulder just to be sure a knight in shining armor wouldn't pop out and slice you under the guise of misplaced justice.

There was no justice in a world so cruel. The arms of the masses kept those unfavorable in a tube. Never to be loved, never to be seen or heard. Though that tube would grow, freaks of nature holding hands inside the vessel, ready to break the glass.

It was almost poetic, knowing that loneliness could never touch you, it could only stand by and watch as you desecrated its makeshift grave.

You were not lonely— and you never would be again.

The deadly hands of the misunderstood held you close, a warm embrace that shunned all the coldness and misfortune in the world. You were like royalty, standing above those who were nothing but pawns ready to die for the cause.

You were not ready to die, you had finally spread your wings— you were ready to live.

And who better to stand by your side than the King of demise, Tomura Shigaraki.

In his own way, he had become the very thing he hated most— a symbol of peace. He gave hope to those the world had shamed, giving a reason to live to the ones left to rot in the gutters.

Hero's couldn't save everyone— Hero's didn't want to save everyone. Anyone who goes against their morals is doomed to suffer.

It pained you to see the children left to die on the streets, the addicts that had been deemed lost causes, and the broken who were left to crumble. You could see a piece of yourself in all of them, their rose tented glasses had been shattered and they were left to cut themselves on the glass.

Tomura didn't care much for any of them, and yet he had still managed to replace that in which had been broken.

He cared for the league, for the posey he had created with his own two hands. And he cared for you. The woman he saw cursing the world with blood stained hands.

Your introduction to the league wasn't pretty. You were dirty and untamed— having just taken the life of someone you held dear— there was darkness in your eyes.

No one asked you questions, no one made you feel like a freak. You became their healer— using your quirk to its fullest potential, never once holding back.

Your ability was known as the 'Touch of life'. Originally, you had hated your quirk. Being pawned off from person to person, forced to heal strangers who saw you as an object more than a person. Growing up you weren't allowed to attend school, forced to stay home and work— not a dime going into your pocket.

People were supposed to want to help people. That's what you had been told over and over again. You couldn't complain, you couldn't fight back or refuse to help.

You didn't want to help anymore.

The league never made you heal their scrapes and bruises, only asking for your services when it was absolutely necessary. You finally felt free— free to be a real human being.

And then Shigaraki, a man usually so careful with his hands, had sliced his palm. You couldn't even remember how— the memory had long since faded away. You grabbed him without thinking, taking his entire hand into your own, stitching the skin back together with a ray of light.

That's how you learned you were immune to decay. Your body fighting against his quirk so quickly it was at if he didn't have one at all.

And that's how you learned you loved your quirk after all.

Once it became apparent, he couldn't keep his hands off of you. He was like a wild animal hunting its prey— a touch starved villain feeling for the first time.

He was gentle with you, holding you close, running his calloused hands up and down your sides, forever in awe at the feel of your skin on his own. Awkward and untamed, vibrating with uncertainty and longing for more.

His kisses felt like fireworks, they seared into your skin, dangerous and yet oh so wonderful. He was addicted to you, and soon enough you were just as addicted to him.

Your relationship had no title— though with the way his scared lips would trail up your throat, nipping and pleading— you were sure it was love just the same.

Regardless of the tender kisses and soft touches, Shigaraki was still a deadly man. The king of the underworld, the high ruler of chaos.

So when you saw those glaring, unforgiving, bright pink lines, you found yourself being swallowed whole.

Your body was shaking, from fear or joy you couldn't be sure. It was unrealistic to bring a child into the world, especially when that world was crumbling— when the father was the one crumbling it.

You couldn't hold back a smile though, your anxieties fading quickly at the thought of a future. Placing your life giving hands over your abdomen— it felt right. You finally— undeniably— felt whole.

Dabi was the first one to notice you after you'd left the makeshift restroom, his piercing blue eyes looking you up in down with a frenzy.

"You look creepier than usual."

The rest of the leagues eyes met your own, their own curious glances boring into your soul.

"I have no idea what you mean by that— but I feel like I should be offended." You mocked a scoff, cocking your eyebrow in amusement.

Toga laughed, sitting up straight and tapping the cold cement floor beside her, urging you to sit with her. "You do look a little brighter than usual!"

You took the invitation, a small smile still grazing your lips. It was impossible to fully contain yourself— you were sure you'd explode if you had to reel in all of your facial expressions.

"I just got some good news is all— I wouldn't worry about it."

"Did that 12 handed freak finally propose or something?"

A small snort left your lips, "No, not to my knowledge. Speaking of— where is he?"

"Ohhh, so it does have to do with him!" Toga wiggled her eyebrows, giggling to herself.

Your relationship with Shigaraki wasn't a secret. Neither of you had said anything to anyone, but you weren't actively hiding it either— it just was.

Giving the teen a gentle shove you allowed yourself to let out a soft laugh of your own, "doesn't everything have to do with him?"

You got a strong mumble of agreement from the group, their annoyed expressions almost making you laugh fully.

"He said he'd be back before nightfall." Dabi finally metered, "Then again, who knows?"

Humming in response you decided to sit tight, pulling a heavily water damaged book out of your backpack.

— — —

Somewhere along the pages of Prince Charming finally realizing the girl of his dreams was only a few feet away— you had dozed off.

It wasn't often you got the privilege of sleep, the constant traveling and change of pace was hard on your body and mind. So being shaken awake wasn't exactly something you'd normally let slide— but seeing those carmine eyes so full of worry, you decided it wasn't a hill worth dying on today.

"Good morning." You sighed, slowly blinking the harsh tingling of your sleep deprived eyelids away.

Tomura wasn't amused by your lackluster approach, his body basically caging you in from where you sat, his eyes growing darker by the second.

"How are you feeling?"

At first his question confused you— your dreams still drifting away as reality tried to take over. Oh yes, that's right— he'd known you hadn't been feeling well.

If you weren't so sleepy you'd probably be more embarrassed over the fact that you had in fact— only grabbed a handful of pregnancy tests and booked it out of the closest convenience store. You hadn't even tried to get anything else.

A giggle left your lips as you leaned forward and gave your captor a kiss on the cheek, "it's fine don't worry about it."

Sighing he shifted so he was sitting beside you, his hand immediately grabbing yours. He loved holding your hand— you weren't sure if it was just to remind himself that he could or if it was lasting deprivation from being touched starved for so many years— but you couldn't find it in yourself to care, so long as he never let go.

"You haven't been eating right."

It was a statement meant to guilt you, to force you to tell him every single thing that's been bothering you— to outline your sickness in a bullet point list so he could take care of you.

"Is that so?" You turned to him with a raised brow, daring him to continue on with his spiel.

He, ever so observant, took the bait and ran with it.

"You can't keep anything down, you're light headed, and you're way too exhausted for everything to be fine." His voice broke a bit at the end, and with good reason. Not being in good health while simultaneously living on the streets isn't exactly a good combo.

He cared about you too much to let anything bad happen. After dealing with the yakuza he'd slowed down entirely, refusing to move too fast or too far until he knew exactly what needed to be done— all because you weren't feeling good. He'd never say it out loud— but it was easy to tell.

"It's not something I'll die from, modern medicine will make sure of that."

Turning his head and looking you up and down, he had a borderline disgusted look on his face.

"You've been sick for how long now? And you've shown no signs of getting better."

You hummed, putting your hand on your chin and pretending to think. "Yeah I'd say it's been a good two months now."

"This isn't a joke."

Giving him a serious expression, you replied "I know it isn't, you definitely aren't going to think it's funny—the league might though."

He smacked his head against the back of the crate the two of you were leaning on, looking up at the broken ceiling. "So you are dying."

"I already told you I won't die." You punched his arm, "I'll just be out of commission for a little while."

"And what, exactly, does that mean?"

You let out a nervous laugh, leaning your head on his shoulder, "it means next time we go out we're gonna have to steal some prenatal vitamins."

You felt his body stiffen under you after a few minutes, his mind putting the dots together painfully slowly. This isn't exactly how you thought this conversation would go— though knowing Tomura, he'd never expected this conversation at all.

"Oh."

Afraid to see his expression, you kept your eyes towards the floor, squeezing his hand that was still wrapped in yours.

"Is that okay..?"

It was silent for a while, the sound of the other members snoring being the only noises keeping you sane. You knew this may not go over well, even as excited as you were, Tomura had an entire world to destroy, he had people to kill and a kingdom to build. How would a baby fit into that life?

Finally, you felt a large inhale from under you— taking that as permission you looked up to his face, surprised when you saw the fond look in his eyes and the soft smile on his lips.

"Yeah, that's more than okay."

You sat up, lifting your head off of his shoulder to look him directly in the eyes, awe, ever apparent, on your face.

"Really? You aren't mad?"

A dastardly grin made its way onto his face, his pearly white teeth glistening in the moonlight. Truly— it was a sight to behold.

"I don't see anything wrong with carrying on my lineage— especially not with you." He chuckled, a dark frenzy coming into his eyes, "besides, you hang back anyways, nothings going to hurt you."

You thought on his words. It was technically true, being a healer meant you weren't fighting so much as laying low and taking care of the aftermath— the only change you could see happening is you not being on the battlefield at all, staying at the base until they returned.

But that came with some risks on its own.

"You're taking this better than I thought you would."

That same gleam was in his eyes as he looked you over, his hands making their way around your waist as he pulled you into a tight embrace, inhaling the scent of your not-so-freshly washed hair.

"I suppose I should be nervous. But I always knew this was a risk." He took in a breath, a laugh passing through as he thought it over, "I'm ready for anything. I'm going to destroy this world, but that doesn't mean I can't make my own in the process."

The Tomura before you was different than the one you had fallen in love with. He was different than the one that pulled you off the street and gave you a reason to live— this Tomura was confident, this Tomura had a plan.

This Tomura knew what he wanted.

[pastelcheckereddreams]

Four Seasons Manor (四季山庄): Set Layout, Part Three!

This is the third and final post detailing my set sleuthing adventure, looking for the sets that make up Word of Honor's Siji Manor. If you're stumbling over this post in the wild - hi! I draw architectural drafts of cdrama sets, as accurately to the show as I can. A huge amount of research goes into creating my art, and so far no set location has been as elusive as this one.

Split across two sets - one located in Hengdian World Studio's Spring and Autumn Tang Park, and the other in Hengdian's Huaxia film studio - this post is the final part uncovering the layout of Siji Manor. (And nothing will make sense if you read this post first, go back to part one and part two!!)

A reminder, before we dive right back into the breakdown of my completed birdseye view, that this last part will cover the main courtyard of what I have dubbed the "interior" Siji set, highlighted in red below:

Let's dive in!

project list | kofi | prints

The Main Courtyard

The main hall (6), the largest building in this set, is what I and @minnarr, who shares my brainrot 🙏 and has been a great help in this process, have been calling "Everlasting."

This is because sign over the entrance reads, "萬古長青" (wàn gǔ cháng qīng), which to my layman's knowledge translates as "Everlasting and Evergreen," an idiom that can be extrapolated to mean "forever green throughout the ages," which describes a noble spirit or deep friendship that will last forever, like an eternal Springtime:

In the above screenshots, you can see that Chengling's training area (9) is set up in front of this main hall, and over his head in the third picture, you can just about see the moon window that is a feature of WKX's room.

Importantly, the pavilion (10) just about seen behind Chengling's training area, marks a de facto boundary for this set as it appears in WOH, as the camera angles of these episodes never never stray past it. For a long time - until I began to watch Mysterious Lotus Casebook and Heroes, which handed me the final puzzle pieces to rule out this set as part of the film parks - I thought the entire set must finish just to the right of the pavilion.

That is not so. If I pull up some screenshots from MLC and reintroduce the scant few photographs I've found of the "Mansion Scene" Huaxia set itself from part two, you can see this main courtyard in full:

In these photos and screenshots, we can now see the main courtyard almost in full: the main building with its projecting entrance (I'm unsure if the term portico applies to Asian architecture); the pavillion to its left, standing opposite Building 8 which we will come to in a moment; and Building 11 at the end of what, in MLC, is a central pathway - but that I have interpreted in my own drawing to be a path of scattered stepping stones like the rest of the set, considering the smaller courtyard (5) - as discussed in part two - appears to be taking on the role of a more formal courtyard.

'Everlasting' and 'Gentle Winds'

For a moment, though, I need to draw us back to the main building. This building - Everlasting - is very important as, by vehicle of drama magic, this is where the two Siji sets conflate.

In episode 24 we cut from a shot of the main building in the exterior Siji set, whose sign reads "風輕雲淡" (fēng qīng yún dàn), or "Gentle Winds and Light Clouds," to this interior shot of Everlasting:

And to confirm that this interior shot is Everlasting, or building 6, we return to MLC, where we are treated to an outside-to-inside shot of the build, whose inset floor matches that of WOH's Everlasting building, seen clearest in episode 24, above, and episode 28:

(I do have more screenshots that I may add in later, but right now I'm running out of steam, please just take my word for it. 😂)

Cold River Room

Now, unfortunately I've been unable to place the medicine room, in which ZZS grinds herbs, in what photo resources I have of this film studio. Likewise for the room I've taken to calling the "infirmary" (where WKX takes a healing bath after his confrontation with YBY). Equally as unhelpful, there's simply no discernible exterior details seen from inside these two rooms that I can dig my research claws into and try to identify a placement or orientation for them:

The room they spend their first night at Siji Manor in, however, is a different story. That room - dubbed as the "Cold River Room" by Minna - is Building 8.

This was quite easy to place, thanks to this screenshot of a behind the scenes video (that I've since long lost the link to, unfortunately - if you have a link, I'd be very grateful if you share it with me so that I may add the source). Here, we can see the column inscriptions on Everlasting through the window:

So I can confirm this building to be the room they spend their first night as Siji in, seen here behind Chengling as well as in a MLC screenshot - showing its place across from the pavilion clearly:

The Pond

The last part of the main courtyard - and of this set breakdown overall - is the pond and Building 11:

I had suspected their was some kind of water trough or strip of pond between the seating area (4) and the pavilion (10) for a while, but never had the resources to confirm it. I still can't. However, a film studio's entire purpose is to shapeshift from one design brief to another. Sometimes, there is a pond and sometimes there isn't, as these two images show:

The left image is a photograph from the article about Hengdian's film studios linked above, taken from the seating area (4), while the right image is a screenshot from Heroes episode 13, the camera positioned in front of Building 11. I simply decided that I liked the pond there, so I included it in my Siji layout.

As an aside, in this scene in Heroes, with the camera panning just a bit further right, we get a lovely clear shot of the archway from the formal courtyard (5) to this one:

Finally, we come to Building 11. You'll notice that I called the courtyard of the QHZ snow scene in WOH a "formal" courtyard (5), on account of the clearly defined, linear paving.

However, it doesn't have the large gate of a main courtyard:

This courtyard, the one with Everlasting, does. The winding steppingstones used as paving in the Siji set dressing of this location takes away from the formality of this courtyard that, once you see it in its entirety in shows such as MLC or Heroes, it certainly has. To that point, Building 11 - or rather, structure 11, as may be more appropriate to call it now - is actually a large gateway. This is easiest seen in Heroes, episode 13:

Of course, that doesn't mean we have to designate it as a gateway in the Siji layout. I don't think it's meant to have that identity, based on the above - well, it's not meant to have an identity at all. It's never seen in the show. But, given the Siji set dressing and the resemblance it bears to Building 8, the Cold River Room, I might consider giving it the identity of one of the rooms I've been unable to locate - the infirmary, or the medicine room.

Let me hear your thoughts!

I'd like to hear your suggestions and thoughts on that. On all of it! Because despite all of this research, I am still left with the gargantuan task of drafting it all into a finished piece. And as such, I am still faced with the dilemma I began to outline months ago in part one:

How could I merge these two very different sets together? Should I merge them together?

I have rambled ideas at friends about presenting an architecture draft that is simply reportage - showing both sets, and summarizing the information I've given you all here before making suggestions on how they could combine into "one true set".

But on the other hand, do I draft the Siji I see emerging in the crossover of these two sets - the one I can feel starting to take shape in my brain? And then simply offer this research up as the facts.

There's still a long way to go, but thank you for being here! As always, if you'd like to support my research madness and help fuel my many artistic endeavors, please consider donating to my kofi or checking out my print shop:

project list | kofi | prints

And happy new year! I hope 2024 brings you happiness and opportunity in all that you wish ✨

Part One | Part Two | Part Three

[milkweedman]

TDF DAYS 5 & 6 (July 3 & 4)

On day 5 I combed and spun some of the Jacob lambswool.

I didn't take a picture of it in progress apparently, but I did take some notes.

This lambswool has a lot of dandruff and potentially a little scurf. I'm not very familiar with scurf but there were a few sections where the flakes were much bigger, ragged, and more tenacious than the rest. Sounds like scurf to me. The combs were able to remove the majority of it, but I think it might need an extra pass or two to get fully clean. Otherwise, it was very pleasant and felt both strong and soft.

On day 6 I carded a rolag from the same fleece and spun that.

It was a very pretty rolag.

The carded wool caused more problems with scurf, if that is what it was. The cards didn't remove them and also left a fair amount of vm in.

With this fiber, it kind of needs to be spun finely because of the dandruff already--it will only come out as you draft it finely. So the vm doesn't matter that much, because those largely fall out at the same time.

I spun today's batch on the wheel, which was probably too much for me given how much my knees hurt lol. I also wasn't really able to add enough twist because I struggle so much with treadling. It only got enough twist right at the end when I was desperate to finish it and started treadling as hard as I could. I definitely couldn't sustain that though. I think I might need a flyer with a smaller whorl so I can get drive ratio to work in my favor. Augh. Anyway:

Look at them ! I love them, this fleece is going to make such nice yarn. I'd love to do a sweater tbh. And a shawl. And maybe a hat. Its so soft.

Comparisons between the two: the combed wool has much more twist, maybe slightly overtwisted but still next to skin soft. Very beautiful and crisp looking. Also much much more dense. More even.

(These pics are post steam blocking btw.) The carded wool is very undertwisted. I will need to do another test on supported spindles to get it right, I think. But even so, it's a beautiful yarn. Very very soft, and I love the barberpoling. Much more slubby. Much more fuzzy.

Anyway, that's another good set of tests. I've been jumping from fleece to fleece a lot and will probably keep doing so... so I may come back to the supported spin later. We'll see.

[theglitchywriterboi]

My advice to beginner writers

Here's a post of things you should know before you embark on your writing journey. [& this is for NEWBIE newbies - preemies even - still in the womb in face. Like the people who are in their "I really want to write a story but idk if I can"]

1: It's hard - for all of us its hard. You're not a shit writer for struggling to come up with an idea you like, or struggling to make the idea you like into something good. & it will be hard

2: While it's okay to restart, don't get too in your head. All first drafts are bad, don't worry if its not perfect - sometimes you just gotta move on & address it later [plus that time away working on the rest of the story gives you the space you may need to know what to do]

3: "How do I get better" Practice. Practice things you struggle with [For example: struggling with prose ? Write a story thats all/mostly prose.] practice things you don't even want to write [like if you're a sci-fi writer maybe experiment in western or something, as an example] give yourself word count limits [write a drabble [100 word story], 500 word short story, etc] no more, no less. write poems [even if you don't like poetry]. READ !!!! Read novels, novellas, fics, poems, etc etc. Read !!!! & Practice !!! Like any other sort of art, it take PRACTICE & TIME to get good at. & Have fun. Just enjoy telling your story.

4: Don't worry about "Is this a good idea for a book has this been done" Even if your idea is say, a prince who is dethroned so he has to mingle w/ commoners to fight for his throne back & save his kingdom & in doing so he learns that these are real people, even if 5 people have stories w/ that premise, you're all different writers - it'd turn out differently

5: Make writer friends. You don't have to post your work - it can just be for you if you want it to be. But you can learn a lot while being active in the writing community [& its also nice to have friends who understand what it's like to be a writer]

HHHHHHHH THAT'S ALL I GOT, I hope this is somewhat helpful, if anyone else has advice for people wanting to start writing feel free to add

[autumnslance]

Year of the OTP 2023 - Thancred & Aeryn Masterpost

Originally started by a Batman fandom group, Year of the OTP is a challenge to end up with 12 new fics from a series of prompts for one's favorite ship. They've been gracious enough to open it to anyone and everyone, however, so a few of us decided to add our Final Fantasy XIV wolships into the mix.

So here are 12 fics/screenshot sets for my OC Aeryn Striker with that canon rogue, Thancred Waters. Also migrating the stories onto my Ao3, mostly in "Unexpected" and "Despite the Gods We've Outlived", though a few stand alone in my "Aeryn Striker" series.

January - Dual Perspectives (ARR, Pre-relationship) February - Linkpearl (Stormblood, early relationship, long distance) March - Ladyhawke Fairy Tale AU (image set, plot summary) April - Desert Divergence (AU/Canon Divergence, Love Confess) May - Illness (ARR pre-relationship, sick fic/comfort) June - Confession (Shadowbringers Love Confess, poorly timed) July - Stars (Yearning at the start of Shadowbringers) August - Snowstorm (Heavensward pre-relationship comfort) September - I Wrote This For You (A letter of yearning, Endwalker) October - On A Dark & Stormy Night (Dark Fairy Tale AU images) November - Missing Scars (Post-Shadowbringers readjustment) December - Home (post-Endwalker holidays & belonging)

Some of these did get written later, going back and filling in months I'd missed. Life happens! Also original story writing eating up my brain, but I cannot complain about more writing productivity!

This also let me get in at least one long-sitting WIP completed finally ("Snowstorm"; we're not going to talk about how long that's been in drafts...), while others still didn't mesh ("Meeting the Family" is being a rambling monster) but led to entirely new things getting written. And it got me to play with a few AUs, which I normally don't do, aside from the Halloween silliness, which found its way into this set as well.

Thanks again to YOTP for hosting and opening up this little challenge, and here's to a new year of creativity around all our blorbo pairings!

[loreholdlesbian]

Wilds of Eldraine Draft Booster Challenge

Every set I like to make a draft booster pack featuring the themes of the set. (This particular booster has been done for like a month and I just never got around to posting it lol.) The goal of this project is to make cards that you would be unsurprised to open alongside the rest of the set, while innovating on its mechanics. This is a hard balance to strike, especially at common which takes up the majority of the booster. It's based on one of the challenges from GDS3 that i can no longer link because of wotc's shitty ass update to their website that broke access to like half their articles.

Now that the intro and griping are out of the way, let's get into it!

Art links:

Gadwick

Bitter Winds of Winter

Gold-Spinner Faerie

Syr Ginger's Vow (Screenshot from trailer)

Magic Pumpkin

Sword of Noble Destiny

Never Woke Up // Lay Down

Hungering Lich-Knight

Evil Relative

Induce Vengeance

Reign of Vermin

Basket of Baked Goods

Feasting Hedonists

Hunting Prowess

Rare

Gadwick, Wizard of the Wilds 2U Legendary Creature- Human Wizard > Lost Research 1U > Instant- Adventure > Draw a card. (Then exile this spell. You may cast the other half later from exile.) Prowess You may cast creature cards as though they had Lost Research as an Adventure. 2/2

I always like to do something novel in these boosters since, riffing off the GDS3, they’re supposed to be something I’d show to wizards of the coast to impress. Sometimes it’s quite hard to do anything too new at common and uncommon, which means I want to go hogwild at rare. This definitely has the novelty factor. I have no idea if it can be made to work within the rules or if this wording is correct, but I wanted it in here all the same.

Uncommons

Bitter Winds of Winter U Snow Enchantment If you would put one or more stun counters on a permanent an opponent controls, instead put that many plus one stun counters on it. 5U: Tap target creature and put a stun counter on it. (If a creature with a stun counter on it would become untapped, remove a stun counter from it instead.)

I’m a big proponent of the idea that the snow-queen themed cards should have had the snow subtype. I might make a post defending that at some point, but for now just go with it. I went back and forth on whether to make my own card for this theme snow, since it would match less with what the set did, but ultimately I went with this because I decided if I ever do anything with my cards like a custom cube, I’m gonna prefer it to be snow. And I make the rules here. This set has an unusually high number of stun counters and while it isn’t directly tap-matters like most of the cards in this archetype (though it does enable it, if not all that well), it just feels like a cool card to exist and this feels like a good place to do it.

Gold-Spinner Faerie 3B Creature- Faerie Bargain, bargain, bargain (You may sacrifice up to three artifacts, enchantments, and/or tokens as you cast this spell.) Flying When Gold-Spinner Faerie enters the battlefield, create a Treasure token for each time it was bargained. When Gold-Spinner Faerie enters the battlefield, create a Treasure token for each time it was bargained. 3/3

You’ve heard of multikicker, now get ready for multibargain! This feels like design space for the mechanic that wasn’t really explored, so it felt good to touch on in this booster.

Syr Ginger’s Vow 2B Enchantment- Saga (As this Saga enters and after your draw step, add a lore counter. Sacrifice after III.) I | Create two Food tokens II | Sacrifice a Food. If you do, draw a card. III | Destroy up to one target creature or planeswalker. 

For a while I had a Saga in the rare slot, but I decided to swap it out for something with a bit more novelty, so I ended up subbing in this card which I think I like better anyway. I love the Syr Ginger stuff, it’s just so silly, and I like doing Sagas that show a plane’s history. I think this captures the steps of her story very well which is nice for anyone who didn’t see the trailer.

Commons

Magic Pumpkin W Artifact- Food Vehicle Celebration — As long as two or more nonland permanents entered the battlefield under your control this turn, Magic Pumpkin is an artifact creature. 2, T, Sacrifice Magic Pumpkin: You gain 3 life. 3/2

I love weird type combinations, and I wanted to make a Food Vehicle or Food Equipment, and that felt like something that needed to be a top down design- luckily, cinderella provided the perfect opportunity. I wanted it in the cinderella story colors therefor, which means it needed to be white. White isn’t *much* of a food color in this particular set but I feel like that’s fine.

Sword of Noble Destiny 2W Artifact- Equipment When Sword of Noble Destiny enters the battlefield, attach it to target creature you control. You may create a Royal Role token and attach it to that creature. (If you control another Role on it, put that one into the graveyard. Enchanted creature gets +1/+1 and has ward 1.) Equipped creature gets +1/+1 and has ward 1. Equip 1

I know this set is mainly focusing on fairy tales and not camelot, I’m really shocked we didn’t get a sword in the stone reference using royal role tokens. It seems like such a hard thing to resist. So I didn’t. I pared it down to its simplest form to get it to work at common; I’m quite happy with the sword bestowing the same bonus as a royal role token, and that you can stack them on the same creature and be happy with that since the bonuses stack. Works out neatly.

Never Woke Up 1U Enchantment- Aura > Lay Down U > Instant- Adventure > Tap target creature. Enchant creature Enchanted creature doesn’t untap during its controller’s untap step.

This set debuted adventures on enchantments but only on a single rare cycle. I wanted to expand on that with a cycle of Auras, and here’s the representative of that cycle.

Hungering Lich-Knight 2B Creature- Zombie Knight Bargain (You may sacrifice an artifact, enchantment, or token as you cast this spell.) Hungering Lich-Knight has lifelink and haste as long as you’ve sacrificed a permanent this turn. 3/1 The Wilds are haunted by the Courts’ past misdeeds.

Here’s a twist I always like to play with alternate cost mechanics; one where the bonus doesn’t specifically require the alternate cost, but if you pay the cost it’s guaranteed. I did something similar with exploit back in VOW. I think it’s just a very fun way to do something a little different with a mechanic.

Evil Relative 1R Creature- Human When Evil Relative enters the battlefield, for each creature you control named Evil Relative, create a Wicked Role token and attach that token to that creature. (If you control another Role on it, put that one into the graveyard. Enchanted creature gets +1/+1. When this Aura is put into a graveyard, each opponent loses 1 life.)    1/1

I wanted a card that really plays with the “You can only have one role on a creature” and Wicked felt like the best way to do that since it has a payoff for that. Since there was no wicked role card connected to the wicked step family, I decided to connect it to that which helped pull the design together in a “have multiple of this card” direction.

Induce Vengeance 2R Instant Target creature you control deals damage equal to its power to any target. Create a Cursed Role token and attach it to that creature. (If you control another Role on it, put that one into the graveyard. Enchanted creature is 1/1.) The coven would not let their sister’s murder go unavenged.

I wanted to try using a cursed role as a sacrifice-lite effect and decided fling was a nice and simple execution of that. I think it’s fun cause with bargain and with other roles, since it’s easier to get your creature back at full power. It was very far from the usual fling flavor though, so I decided to go with someone kills a witch and is then cursed by her sisters in return. 

Reign of Vermin 1R Enchantment When Reign of Vermin enters the battlefield, create two 1/1 black Rat creature tokens with “This creature can’t block.” 4R, Sacrifice Reign of Vermin: Attacking Rats you control get +2/+0 until end of turn.

You know I couldn’t resist putting a rat typal card in here. Typal cards at common tend to be be more of the threshold-one variety (that is, only asking that you control one creature of that type, or one other creature) because limited plays better if commons are less demanding on your deck, so they’re more usable in multiple archetypes. But I think this card works fine on its own even if it’s of course better with more Rats to go around so I don’t think that’s too much of a problem. I also like how this design came out as very good bargain fodder, which helps it tie into the set more. 

Basket of Baked Goods G Artifact- Food Whenever Basket of Baked Goods enters the battlefield or is put into a graveyard from the battlefield, put a +1/+1 counter on up to one target creature. 2, T, Sacrifice Basket of Baked Goods: You gain 3 life. The werefox couldn’t help but comment on the smell of such a delicious morsel.

Here’s another nontoken food and another fun piece of bargain fodder. I know it’s redundant with some of the cards I have already but I’m really happy with the design and I definitely wanted it in here.

Feasting Hedonists 1G Creature- Elf Ward 2 Whenever an Aura becomes attached to Feasting Hedonists, create a Food token. (It’s an artifact with 2, T, Sacrifice this artifact: You gain 3 life.”) 2/2 A night of song and dance in the woods, a decade of time lost.

And here’s the obligatory enchantment payoff of the set, simplified for common. It has a simple payoff (though one that ties well into set themes and helps you pay bargain costs you probably want in your enchantment deck without having to sacrifice those enchantments you want), and I made it only proc off of aura that become attached to itself so follow the rule of thumb that commons shouldn’t do much when you’re not already looking at them. The ward is so you don’t get punished too hard for putting auras on this thing.

Bonus Sheet Slot

Hunting Prowess 3G Enchantment- Aura [rare] Storm (When you cast this spell, copy it for each spell cast before it this turn. You may choose new targets for the copies. Copies become tokens.) Enchant creature Enchanted creature gets +1/+1 and has “Whenever this creature deals combat damage to a player, draw a card.”

Bonus sheet slots are always weird since they’re explicitly reprints and the point of this project is to make new cards but the solution I’ve settled on is to make a card that wouldn’t feel out of place on the bonus sheet (ties into the overall theme, doesn’t demand things of limited that aren’t present, works flavorfully) but also wouldn’t be a good fit for the main set. The easiest way to meet that second constraint is to use a keyword that wasn’t present. This is a card that would have most likely been in MH2 to be reprinted here, but I think an Aura with storm is just a lot of fun. Combat damage trigger felt like the best way to make it being an Aura, rather than a sorcery distributing counters, worth it in a way that can be spread out or stacked on one creature.

[tamsong]

the homestuck quadrant system & relationships in KotLC

i am fully aware no one asked for this. WAIT that’s a lie three of you asked for this. @orionhong @the-way-astray @soryasongsaa this post is for you <3 it’s been simmering in my drafts since november and i finally had an excuse to finish, and i hope u guys find it interesting!

so. what exactly is the quadrant system, you may ask? and why is it relevant to kotlc? well, we’ll start with the webcomic homestuck. (oh boy) this comic features an alien species called trolls (based off internet trolls) that have some very fun cultural distinctions, such as a caste system based on blood color and the quadrant system, which is a fun variation of romance that i think could be very fun if we applied it to elves, which don’t have enough cultural differences in my opinion.

homestuck trolls have four type of romance as opposed to one and each has its own specific purpose. 2 of them are necessary for reproduction, and 2 of them are necessary for peace and harmony in society. it’s considered desirable to partake in all four kinds of romance, and there are certain rules around this that i’ll get to later. while KOTLC elves only use the one traditional form of romance, it’s considered desirable to be in a socially-acceptable relationship, an approved match, to help grow the elven species, and have a similar sense of Regulation around romance. telepaths also have cognatedom, a special kind of relationship that adds potential for romantic drama into the mix.

i thought it would be interesting if in an alternate universe, the elves recognized more than one form of romance to distinguish their society even more from that of humans. it’s also just fun to ship characters but with extra nuance and spice. so without further ado, let me explain the four quadrants and speculate which relationships in KOTLC, both canon and otherwise, would be in which quadrant! enjoy this silly little time with me

so!! there are two categories: red romance and black romance. red is associated with positive feelings and black with negative, although it’s a bit more nuanced than that. they’re also divided into Concupiscent (associated but not exclusively linked with sexual attraction and reproduction) and Conciliatory (not associated with reproduction). each of the quadrants is assigned one of the four suits in a deck of cards, hence red and black. here's a convenient chart:

a relationship might not just fall into one quadrant, too. relationships are only meant to use one label at a time (more on this later) but often shift across quadrants or be called one quadrant but have some traits of another.

below, i’ve written descriptions of each romance type and also given suggestions for KOTLC ships that would fall into these categories. feel free to fight with me on my choices if you like.

FLUSHED QUADRANT: MATESPRITSHIP/HEARTS <3 (red, concupiscent)

this quadrant is most similar to regular human romance, and already features in kotlc. there's not a whole lot much more to say here, so let's get into examples.

a good canonical example of this in KOTLC is edaline and grady ruewen being matesprits (the name for this kind of partner). an example of flushed feelings that were mutual but never became a relationship is kenric and oralie. sophie and fitz also had flushed feelings for each other canonically, as do sophie and keefe right now, but i would say in both cases the feelings aren't purely <3. i'll talk more about that soon, though.

other noncanon relationships i would describe as matesprits/flushed crushes are tiergan/prentice and marella/linh.

PALE QUADRANT: MOIRALLEGIANCE/DIAMONDS <> (red, concilliatory)

moirails could be best described in our terms as platonic soulmates/queerplatonic partners. that being said, while it doesn't involve kissing or sexual attraction, it IS a type of romance and is distinct from an average friendship. moirallegiance is actually WILDLY similar to the concept of Cognatedom in KOTLC, which is what inspired this behemoth of a post in the first place.

(furthermore, this is why posts implying that cognates are always romantic rub me the wrong way. there are plenty of forms of closeness that aren't traditional romance/flushed).

like cognates, moirails aren't just soul besties, but they're balancing forces that complement each other and keep each other grounded. these relationships hinge on sharing feelings, mutual acceptance, giving advice, and bringing the other person down to earth.

this makes alden and quinlin a good canonical example of ex-moirails. a non-cognate relationship in KOTLC that resembles moirallegiance is that between keefe and dex: they have similar personalities, share secrets, and are able to help each other even when their other relationships are on the rocks.

while sophie and fitz obviously had flushed feelings for each other, their cognate relationship most closely resembles a moirallegiance. they're a pretty good representation of quadrant vacillation, going from close friends and cognates to dating to back to close friends (although their friendship is still recovering from that).

also, while sophie and keefe have flushed feelings for each other, they would actually make really good moirails. they repeatedly have "feelings jams" where they share their worries and trauma with each other (not to say that matesprits can't do this, it's just specifically associated with moirallegiance) like the sleepover scene in neverseen. they're able to see who each other are under their own individual masks, and have well-complementing personalities that bring each other back down to earth. sophie is impulsive but good at connecting with others while keefe thinks things through but makes decisions without consulting other people.

PITCH QUADRANT: KISMESISSITUDE/SPADES <3< (black, concupiscent)

this is where we start to get a bit confusing. pitch relationships are based on hatred, frustration, and annoyance, but just like moirallegiance isn't just an average friendship, kismesissitude isn't your average hatred. there is also an element of attraction and in homestuck is one of the two reproduction-based quadrants.

a kismesis, one's pitch partner, must be someone that not only annoys and angers you but also indirectly challenges you to grow and recognize your own flaws. a kismesis is someone you hate, but grudgingly respect, but also find attractive. basically, it's a very strong arch-rivalry. and while a kismesis is intrinsically hate-based, they’re supposed to cause more or less equal trouble for each other and not actually wish to kill or permanently disable the other. if one or both wants this, or there is a power dynamic where one is harming the other much more, then it’s not a healthy kismesis.

obviously, these feelings aren't really recognized in human or canonical elf society, but if they were i think keefe and tam would make a good kismesis pair. they have outwardly clashing personalities and abilities, but are actually very similar people with a lot of chemistry who just present in different ways. they are at odds for most of their interactions but do show trust and care.

some even better kismesis pairs could be sophie/stina, marella/stina, or even dex/stina. tbh this is just telling me that stina is really good as kismesissitude. home girl just loves hatred i guess. maruca/biana is also a plausible one. you could even do vespera/fintan. go crazy lol

a good example of unrequited pitch feelings is dex’s hate obsession with fitz in the first couple books. in recent material, keefe/fitz could be on their way to a pitch relationship after spending most of their lives in an either pale or platonic situation, but i digress.

ASHEN QUADRANT: AUSPITICISM/CLUBS c3< (black, conciliatory)

this is definitely the weirdest one and is the least defined within the text of homestuck itself, but it means we can also have some fun with it. in homestuck, the ashen quadrant is mostly used for the purpose of mediating two opposing people so they don’t fall into the pitch quadrant. it’s a weird three-way situation involving the conflicting pair and the auspistice, who would be the one having ashen feelings. these feelings might be expressed through an attitude of “god these two are idiots but they’re My idiots damn it and i need to make sure they don’t cause problems.”

two important things to note here: 1) you are only meant to have one person in each of your four quadrants at any given time. 2) while you can shift quadrants, your relationship with someone is only meant to have one of these labels at a time. homestuck trolls are very aggressive and develop feelings of dislike quite easily, so auspistices are needed to prevent people from cheating / getting into romantic fights with people who aren’t their kismesis. while elves aren’t as aggressive, this still could be a problem. for example, if tam and keefe were an established kismesis pair, but keefe and fitz started fighting in a way that could turn into hatred, sophie might be called to be an auspistice for them and make sure their fighting doesn’t turn pitch (in which case keefe would be cheating).

assuming keefe and sophie are matesprits, this also poses a problem for their relationship since sophie is acting as keefe’s auspistice and not his matesprit. It’s a lot.

auspisticism can also be a generalized way of describing relationship mediation. sophie, fitz, and keefe probably need some auspisticizing for all the quadrant shifting they’re doing.

this kind of feeling may be hard to recognize as romantic because of all the utilitarianism surrounding it. think of it as being a very dedicated therapist friend, or part of a very stressful polycule. it requires a Hell of a lot of devotion for two people for their friend to get involved in all that conflict, a devotion which can very much be romantic. I imagine sophie having a high capacity/desire to be an auspistice, as would biana.

that’s the main chunk of the explanation, and there’s a lot to play with here. beyond what i described, you can also get things like two people rapid-firing between flushed and pitch and back to flushed, to people who have feelings for each other but not the same kind, to messy groups of 3, 4, or even more people where relationship types are constantly shifting. conflict in one quadrant can also impact your relationships with all other partners. for example, when alden and quinlin’s cognatedom/moirallegiance fell apart, it could have put stress on quinlin’s matespritship with livvy to the point where the flushed feelings between them are either gone or turned into unhealthy kismesissitude depending on how you look at it.

still confused? that’s okay, you’re kind of meant to be. andrew hussie is a fucking mad lad who doesn’t even take their own story seriously. that being said he did give us the bare ideas for some cool and complex relationship dynamics and a new way of seeing romance, so i’ll give them that.

but anyways, have fun with this!! i would LOVE to see your homestuck-based HCs if you happen to come up with any. a couple more kotlc/homestuck related notes before you go:

- sophie foster is a valid troll name (6 letter first and last name) as is gisela sencen. i couldn’t find any others, which is weird considering the amount of characters.

- trolls have varying powers depending on their blood color, not unlike special abilities.

that’s all folks! have a spectacular day and i hope you learned something cool!

[tunaafishyy]

Enkanomiya Enigmas - Part 1

A look into some of the strangest comments made by Enkanomiya’s residents

Note: this post is incomplete, I’m just starting the new year by clearing out some of my old drafts… maybe I’ll go back and fill these in better one day :)

Draft last updated 2022-12-26

In the Beginning…

Eboshi: Before Byakuyakoku fell into the deep sea, the whole world had a single unified culture.

Eboshi: Later, a great war broke out, in which the heavens capsized and the earth was ripped asunder. This land was then plunged into the dark ocean depths.

Eboshi: However, the heavenly order seemed to not wish for those who remembered all this to remain on earth. We searched for a road of return, but there was none to be found.

Eboshi: Much, much later, heaven’s powers of prohibition would gradually weaken. This did Watatsumi Omikami manage to fall into this place.

Out of Heaven’s Reach

Eboshi: They are primordial elemental beings, unbent and unbowed by the power that came from the heavens owing to their living deep underwater.

…

Eboshi: Watatsumi Omikami, due to ill-fortune, fell into this place, beyond the jurisdiction of the heavenly order.

Holy Soil Phenomenon

Eboshi: The Holy Soil phenomenon is, in fact, the expansion of their habitat. That means that the primordial elemental power of the three realms is growing stronger.

Eboshi: Only by using Watatsumi Omikami’s life force to awaken its second servant could we convert this raw, raging elemental power.

…

Tsumi: According to what I have read, the fundamental purpose of the Watatsumi Goryou Matsuri is to use the serpent god’s life force to awaken its second familiars: the Sangacorallia.

Tsumi: They are creatures that break down raw, primitive elemental energy into the milder elemental energy of the human realm. The giant coral is a symbol that the Sangacorallia have been awakened by the serpent’s blood.

…

Tsumi: Things are even more complicated than usual this time. The darkness from the Void Realm seems to be surpressunf things in the Light Realm and the Human Realm, causing them to come to a standstill.

Tsumi: You may need to use the power of the Bokuso Box to dispel the darkness and allow the ecological transformation to continue.

Orobashi’s Sacrifice

Eboshi: Unfortunately, by making contact with us, it also grasped a truth that came before it’s own existence. Thus, it was forced by heaven to sacrifice itself.

Eboshi: The truth behind this sacrifice had to remain unknown to all. Only this could the people of Byakuyakoku be allowed to live under the rule of The Seven.

Forgetting & Discovering the Truth

Eboshi: Due to the phenomenon known as Sinshades, the “past”, “history”, and “truth” of Enkanomiya would endure even if left to their own devices.

Eboshi: As such, a great effort was expended, not that we might remember but that we might “forget”. Lady Sangonomita was of this view.

Eboshi: The trial to obtain the branch was intended to limit the number of people coming after us who could know the whole truth of the matter.

Eboshi: As for me, I supported leaving records of the truth. As such, Watatsumi Omikami permitted me to add another trial path that, if passed, would lead to knowledge of our secrets.

Eboshi: “In the faintness of everlasting night, beyond the rushing of the river Styx, within the sinless flow of heavenly light.”

Eboshi: Release the seal on The Emanant Skylight. Then, you may ascend to the Gate of Heaven and access the site of the trial.

Vishaps

Eboshi: They are actually very intelligent, and they are adept at evolving. They would even evolve into different elemental forms throughout the history of their war against us.

Eboshi: I would not be surprised at all if they have learned language or perhaps even evolved into lizard-people of a sort.

The Traveler

The sinshade of Clymene, caretaker of the Sunchildren, recognizes the Traveler’s garb.

However, she then goes on to say that she was born in Enkanomiya (post-sinking) and that she’s never seen someone from outside of it.

For Clymene to have seen it, but to also never have left/met an outsider, implies that the Traveler’s Outfit existed in Enkanomiya.

She also makes a comment about not having seen it in awhile. This could be due to her either being a sinshade and not having perception of time, or the outfit being a carry-over from Enkanomiya’s society before it sank, and thus was as common post-sinking…

??? (Clymene): Hmm? How strange. I have not seen someone in your garb for a many long years…

??? (Clymene): From your mannerisms, you are not from Byakuyakoku either. Are you some guest from afar who fell into this place?

Traveler: That’s more or less correct…

??? (Clymene): To think that there were ways to access Byakuyakoku from the outside world… Shocking news indeed.

??? (Clymene): I was born here, and I have never seen anyone from the outside world.

Memories

Clymene: It has passed through the hands of every Sunchild, and the memories it has inherited are enough to fill the gaps in their souls.

Clymene: … Even though these memories are double-sided.

Traveler: Double-sided? Memories have sides?

Clymene: of course. In this case, the memories are two-fold. On one hand, you have your own memories, and on the other, you have others’ memories of you.

Clymene: Thus the gaps are being filled by both the Sunchildren’s own memories, imprinted upon the bridle… As well as the memories of them as the children who were blamed by Byakuyakoku, of those who became children of sin.

Clymene: my own memories are insufficient, and so I had to supplement them with those of the people of our nation.

Clymene: and it is thanks to these transgressions that have been laid upon them that they have now been remembered by Byakuyakoku, and can now leave their afterimages behind.

Clymene: Thank you, Traveler. My greatest wish now lies fulfilled. Yes, I… can finally be with those children again… I can finally… be at ease.